Preview Arts Fall 2024 | De Gruyter & Deutscher Kunstverlag

De Gruyter / Deutscher Kunstverlag

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CONTACT

Dr. Katja Richter

Editorial Director

T +49 (0)89 769 023 13 richter@deutscherkunstverlag.de katja.richter@degruyter.com

Kathleen Herfurth

Acquisitions Editor Deutscher Kunstverlag

T +49 (0)30 279 076 61 herfurth@deutscherkunstverlag.de

Dr. Pablo Schneider

Acquisitions Editor Deutscher Kunstverlag

T +49 (0)30 260 054 50 schneider@deutscherkunstverlag.de

Dr. Anja Weisenseel

Acquisitions Editor De Gruyter / Deutscher Kunstverlag

T +49 (0)89 769 023 88 weisenseel@deutscherkunstverlag.de anja.weisenseel@degruyter.com

Luzie Diekmann

Editor – Art Guides Deutscher Kunstverlag

M +49 (0)173 385 291 7 diekmann@deutscherkunstverlag.de

Nicole Schwarz

Management Press and Marketing

M +49 (0)174 584 501 7 nicole.schwarz@degruyter.com

Max Dornemann

Press and Marketing

T +49 (0)30 260 051 63 max.dornemann@degruyter.com

Kevin Schneider

Press and Marketing

T +49 (0)30 260 053 70 kevin.schneider@degruyter.com

Dear Friends and Readers,

FOOTBALL MEETS ART: MODERN MASTERPIECES FOR EURO 2024

Exhibitions may have a decisive influence on the reception history of an artist’s work and steer the acceptance of stylistic trends along new lines. The international renown of Caspar David Friedrich, for example, whose anniversary falls in the art year 2024, cannot be fully explained without the review of Romanticism in major Friedrich retrospectives during the 1970s, which is impressively demonstrated by the monograph Caspar David Friedrich ausstellen. In a comparable manner, the publication Exhibiting Abstraction analyses the key role of exhibitions for the perception of abstract painting between 1908 and 1915. The publication Ambassadors of Beauty examines a totally different form of influence. It focuses on propagandistic exhibitions of old Italian masters in fascist Italy to address the political instrumentalisation of exhibiting practice. Our autumn programme includes catalogue highlights on New Objectivity, Alberto Giacometti and Munich Art Nouveau. These exhibitions and catalogues offer fresh insights into their fields and may also change the way those subjects are received. At the very least, they underscore the present day’s enduring fascination with art from the first half of the 20th century.

This catalogue provides a spectacular overview of painting on the theme of football in European artistic modernism. More than 100 works of art from national and international collections are examined. The catalogue is designed along the same conceptual lines as the European Championship itself: each nation participating in the EURO 2024 is represented by at least one artist, so underlining the fundamental concept of a diverse but united Europe.

Exhibition: Deutsches Fußballmuseum, Dortmund May 27, 2024 to January 7, 2025

I hope you will enjoy discovering these and many other exciting publications in our preview!

Katja Richter Editorial Director Arts

Manuel Neukirchner (Ed.)

Die Neue Sachlichkeit / The New Objectivity. Ein Jahrhundertjubiläum / A Centennial  4

Alberto Giacometti. Surrealistische Entdeckungen  6

Jugendstil. Made in Munich  8

Plakatfrauen. Frauenplakate  10

Heilende Kunst. Wege zu einem besseren Leben  12

Impressions of the Land. The Story of a Photographic Collection of Palestine-Eretz Israel  14 Archistories. Körper, Sprache, Raum  16

Helen and Newton Harrison. California Work  18

Über Wasser gehen. Kunstroute Seseke  20

Hermann Czech und die Dialektik der Architektur  21

Instruktive Bilder. Visuelle Anleitung praktischer Fertigkeit  22

Konzeptionen zeitgenössischer Kunst. Zum Wandel des Kunstbegriffs seit 1900  23

Design’s Dilemma between Art and Problem Solving  24 Virtual Museums – A Plea. Around the Clock, Around the World  25 Graffiti Expressionism. DARE / Sigi von Koeding in Basel  26

Berührung im Entzug. Str uktur, Temporalität und Haptik des malerischen Handelns an den frühen Strukturreliefs Günther Ueckers  27

Rainer Wölzl – Konstellationen  28

Life is Other. A/Biotic Entanglements in Art and Curating  29

Geografien des Textilen  30

Heterotopien des Künstlerischen  31

Leben im Exil. Begegnungen mit Emigranten der Kunstgeschichte  32

Ostfuturistisches Erinnern. Die Transformationszeit in postsozialistischer Videokunst  33 Caspar David Friedrich ausstellen. Retrospektiven und Rezeption in den 1970er Jahren 34

Posthumane Männlichkeiten. Maskuline Cyborgs und queere Körper in der Kunst seit 1990  35

Koloniales Erbe in Thüringen  36

The Long History of Claims for the Return of Cultural Heritage from Colonial Contexts  37 „Fair and just?“ Der Umgang mit „Nazi-looted art“ im Vereinigten Königreich  38

Restatement of Restitution Rules for Nazi-Confiscated Art. Eine vergleichende Bestandsaufnahme  39

Réinventer l’art sacré. Le Groupe de Saint-Luc (1919-1945)  40

Lumières nouvelles sur le sacré. Arts verriers du Groupe de Saint-Luc  41

Preziosen der Glasmalkunst. Die Glasgemäldesammlung Dubs-Huwyler in Steinen, Schwyz  42

Ambassadors of Beauty. Italian Old Master Exhibitions and Fascist Cultural Diplomacy 1930–1940  44

2024. International Yearbook of Futurism Studies 14  45

Exhibiting Abstraction. Strategies in the Propagation of an Avant-garde 1908-1915  46 werkbund - bauhaus – hochschule ulm / wer kbund - bauhaus – ulm school of design. Wegmarken des Industriedesigns in Deutschland / Milestones of Industrial Design in Germany  47

Pictor Doctus. Paul Klee und die Dialektik der europäischen Moderne  48

Bilder des Textilen. Mode und Stoffe in der Malerei Pierre-Auguste Renoirs  49

L’homme-machine - L’utopie d’un Homme nouveau? Regards sur la masculinité dans les oeuvres des artistes français et allemands de l’avant-garde  50

Das Habitat-Diorama um 1900. Medialer Eigensinn und politische Raumkonstruktionen im Naturkundemuseum  51 Friedrich von Amerling. Werkverzeichnis der Gemälde  52

Georg Eisler. Werkverzeichnis der Gemälde  53

Friedrich Nerly – Von Erfurt in die Welt. Die Gemälde und Ölstudien des Nerly-Bestandes im Angermuseum Erfurt  54

Zwischen den Kulissen. Der Maler Otto Erdmann und die Aufführung des 19. Jahrhunderts  55

Die Neue rfindung des Malerischen. Zur Rezeption Tizians und der venezianischen Kunst in Klassizismus und Romantik  56

Caspar David Friedrich und die Transparentmalerei. Der Kasseler Mondschein 57 Between Figure and Ground. Seeing in Premodernity  58 Übersetzungsfragen. Eine Neubewertung der Begriffe ‚Renaissance‘, ,Antik‘ und ‚Klassisch‘ in der Kunstgeschichte  59 Transformationen der Antike bei Raffael und seinem Umkreis. Concetti anticamente moderni e modernamente antichi in der Sala di Costantino  60 »All’antica« - Bauornamentik der Frührenaissance in Italien  61

Annaberg, Marienberg, Potosí. Neue Städte in Silberbergbauregionen der Frühen Neuzeit  62

Das Historische Grüne Gewölbe zu Dresden. Die barocke Schatzkammer  64 Boccaccio und die bildenden Künste. Dialoge, Spiegelungen, Transformationen  65 Albrecht Dürer und sein Kreis. Be schreibender Katalog der Zeichnungen, Band III. Die Zeichnungen des 15. und 16. Jahrhunderts, Teil 2C. Christian Müller  66

La France à Potsdam  68

Holland in Potsdam  69

Park Sanssouci  70

Park Sanssouci für Kinder & Familien  71

BACKLIST

Selected Titles   72

Inge Herold, Johan Holten (Eds.)

Die Neue Sachlichkeit / The New Objectivity

Ein Jahrhundertjubiläum / A Centennial

Pages 352

Ills.

ENGLISH/GERMAN NOVEMBER 2024

DEUTSCHER KUNSTVERLAG

En/Ger

Exhibition

Kunsthalle Mannheim

November 22, 2024 to March 9, 2025

The epochal term “New Objectivity” became synonymous with the cultural awakening of the 1920s, and with the rationalism and objective precision to be observed in art as well as architecture, design, photography and literature at that time. In 1925, Gustav F. Hartlaub coined the term with an exhibition of the same name. 100 years later, the exhibition shown then at Kunsthalle Mannheim will be scrutinized critically and reconstructed digitally.

New Objectivity - a panorama of the 1920s and 1930s

An era rediscovered: female positions and forgotten artists, highlighting people, motifs and themes

In addition to works by key artistic figures such as Max Beckmann, Otto Dix and George Grosz, the new exhibition will also present overlooked positions, especially those of female artists such as Anita Rée and Lotte Laserstein.

The scope will also be extended topographically, e.g. to Switzerland and Italy, as well as chronologically, to the 1930s and early 1940s.

The publication promises visual immersion in a formative stylistic epoch and will provide insights into the cur-

rent state of research on key questions of New Objectivity.

With contributions by Jelle Bouwhuis, James A. van Dyke, Inge Herold, Henning Lobin, Olaf Peters, Gunnar Saecker, Sebastian Schneider, Harald Stockert / Anja Gillen, Claude W. Sui, Christoph Vögele Curator Inge Herold

Exhibition

Max Ernst Museum Brühl des LVR, Brühl, in cooperation with the Fondation Giacometti, Paris

September 1, 2024 to January 15, 2025

The work of Swiss artist Alberto Giacometti (1901–1966) represents a unique contribution to modernist sculpture. Known for his elongated, expressive figures from the period after 1945, he was also a notable member of the Surrealist group around André Breton between 1930 and 1935. To mark the anniversary “100 Years of Surrealism”, the exhibition and catalogue shed light on

Alberto Giacometti

Unveiled Surrealism

Pages 192 Ills. 240 color

Format 28.0 × 22.0 cm

HC Geb. 978-3-422-80258-2 Ger/En/Fr ca. € 40.00

GERMAN/ENGLISH/FRENCH SEPTEMBER 2024

DEUTSCHER KUNSTVERLAG

In-depth examination of Alberto Giacometti’s surrealist work, also beyond his direct affiliation with the Surrealist group

Giacometti’s surrealist oeuvre and explore how a surrealist “spirit” continues to permeate his work after his break with the movement. His friendship and artistic ties with Max Ernst are also examined for the first time. Richly illustrated and trilingual, the catalogue reproduces a wide selection of Giacometti’s sculptures, drawings, paintings, and prints.

With contributions by Laura Braverman, Associate Curator Conservation Fondation Giacometti Paris; Madeleine Frey, Director of the Max Ernst Museum Brühl of the LVR; Friederike Voßkamp, Head of the Max Ernst Museum Brühl Collection of the LVR; Jürgen Wilhelm, Chairman of the Board of the Max Ernst Foundation

Exhibition

Kunsthalle München

October 25, 2024 to March 23, 2025

Munich was one of the earliest and most important centres of Art Nouveau in Germany. After the founding of the first Secession here (1892), the magazines Simplicissimus and Jugend were also published in Munich as from 1896. The latter also gave the new art its German name.

Many artists were searching for contemporary forms of expression and

Roger Diederen, Anja Huber, Nico Kirchberger, Antonia Voit (Eds.)

Jugendstil.

Made in Munich

Pages 272 Ills. 310 color

GERMAN

OCTOBER 2024

DEUTSCHER KUNSTVERLAG

The full artistic spectrum of Munich’s Art Nouveau! Including works by Peter Behrens, Sophie Burger-Hartmann, Otto Eckmann, August Endell, Elisabeth Erber, Hermann Obrist, Bruno Paul, Richard Riemerschmid, Gertraud von Schnellenbühel, and many more.

Many highlights from the internationally renowned Art Nouveau collection of Munich’s Municipal Museum hosted by Kunsthalle München

followed holistic approaches. In addition to the classic genres of high art, the spectrum of work also extended into other fields; objects were designed for different social classes and as many spheres of life as possible. In contrast to French Art Nouveau with its lavish floral ornamentation, Munich Art Nouveau is more two-dimensional and has greater clarity.

Leading to abstraction and objectivity, the roots of modernist art and design are found here.

Curators

Roger Diederen, Anja Huber: Kunsthalle München; Nico Kirchberger, Antonia Voit: Münchner Stadtmuseum

Exhibition

Museum Wiesbaden

October 11, 2024 to February 16, 2025

The dynamic correlation between the poster as an artistic and creative medium and the role played by women is examined by this publication to accompany an exhibition at Museum Wiesbaden.

A selection of posters from the years 1913-1921 shows women’s diverse roles as they were portrayed publicly. Skilfully staged in design terms, they

Peter Forster (Ed.) Plakatfrauen.

Frauenplakate

JUGENDSTIL! Schriftenreihe Ferdinand Wolfgang und Danielle Neess, 1

Pages 128

Ills. 130 color

Format 26.0 × 21.0 cm

HC 978-3-422-80259-9 Ger ca. € 28.00 ca. $ 30.99 ca. £ 24.50

GERMAN OCTOBER 2024 DEUTSCHER KUNSTVERLAG

Posters from the first heyday of German poster design (1913–1921)

Male and female views of women’s role in society

Female graphic designers: Emancipation through poster design

convey to society what behaviour was socially desirable, what measure of freedom was conceivable, and the boundaries that were non-negotiable. For the male poster designer, the woman is a model used in a variety of ways. But female graphic designers also designed posters professionally. Their designs show women’s growing self-confidence in leaving behind the

unique artwork and small formats, and instead entering the public eye with large-format advertising media that could be reproduced in large numbers.

With contributions by Petra Eisele, Peter Forster, Maximilian Karagöz, Danielle Neess

Exhibition

Museum LA8. Museum für Kunst und Technik

des 19. Jahrhunderts, Baden-Baden

May 4, 2024 to January 12, 2025

The hype surrounding alternative medicine, the widespread goal of healthy eating and sport, the tendency to flee the city for the countryside, not least the current climate movement and its aim to bring about a social rethink through an individually sustainable lifestyle, are more relevant today than ever before. Nevertheless, where does this longing for a more wholesome life come from? The volume ac-

Sabine Becker, Ksenija Chochkova Giese, Elena Korowin (Eds.)

Heilende Kunst

Wege zu einem besseren Leben

Pages 144

Ills. 64 color

Format 21.0 × 14.0 cm

SC 978-3-422-80226-1 Ger € 24.00

$ 26.99

£ 21.00

E-Book 978-3-422-80227-8 Ger € 24.00

$ 26.99

£ 21.00

GERMAN

APRIL 2024 DEUTSCHER KUNSTVERLAG

A present-day perspective on the desire for health and the seeking of salvation in art and society since 1900

companying the exhibition at Museum LA8 in Baden-Baden examines various forms of the search for salvation in art and society since the end of the 19th century. Experts in life reform movements, psychology, art therapy and art history look at the different facets of the quest for healing and provide an outlook on the relevance of the subject today.

With contributions by Sabine Becker, Ksenija ChochkovaGiese, Bernd Wedemeyer-Kolwe, Kai Buchholz, Andreas Schwab, Walter Kugler, Georg Franzen, Ruth Hampe, Elena Korowin

ART NOUVEAU

Birgit Ströbel Jugendstil in Berlin 2023. 448 Pages

148 b+w and 146 color illustrations

24.0 × 17.0 cm

HC € 52.00 [D] / $ 59.99 / £ 45.00

ISBN 978-3-422-80068-7

E-Book ISBN 978-3-422-80169-1

Tobias Hoffmann, Anna Grosskopf (Eds.) Bröhan 100. Highlights of the Collection 2021. 264 Pages

130 color illustrations

24.0 × 17.0 cm

HC € 34.00 [D] / $ 39.99 / £ 31.00

ISBN 978-3-11-98710-4

Peter Forster (Ed.) Wasser im Jugendstil 2022. 400 Pages

415 color illustrations

30.0 × 24.0 cm

HC € 54.00 [D] / $ 62.99 / £ 49.00

ISBN 978-3-422-98845-3

Peter Forster, Sabine Panchaud and Museum Wiesbaden (Eds.) Radikal schön – Jugendstil und Symbolismus 2019. 608 Pages

800 predominantly color illustrations

30.0 × 24.0 cm

HC € 49.95 [D] / $ 57.99 / £ 45.50

ISBN 978-3-422-98049-5

Vivienne Silver-Brody

Impressions of the Land

The Story of a Photographic Collection of Palestine-Eretz Israel

Pages 424

Ills. ca. 300 color

Format 30.0 × 24.0 cm

978-3-422-80263-6

ENGLISH AUGUST 2024

DEUTSCHER KUNSTVERLAG / DE GRUYTER /  MAGNES PRESS

For four decades, Vivienne Silver-Brody has collected photographs of Palestine/Eretz Israel taken from the nineteenth century until the turn of the 21st, creating a multi-faceted photographic narrative of the land. This book presents some three hundred of the most striking photographs. The diversified perspectives, landscapes, portraits, lifestyles, dress,

A unique voice that reaches beyond politics and religion

Presents a photographic history of the Land of Israel as a shared place rather than as disputed territory

Photographs by Yaacov Ben Dov, Alfons Himmelreich, Hanna Safieh, Drora Spitz, Moi Ver among others

traditions, and customs manifest in this album, bring to life the history of photography of this land, which is one shared by the peoples that call it home. For the last section of the book, Silver-Brody invited sixty individuals—photographers, scholars, artists, curators, and collectors from different religious, cultural, and national backgrounds—to choose a single

photograph and to write a short essay relating to it. These texts together offer a fascinating narrative, thus adding significant historical relevance. .

Vivienne Silver-Brody, is a photo-historian, collector and curator

Exhibition

Staatliche Kunsthalle Karlsruhe planned for the beginning of 2025

Today, artists set about a contemplation of architecture with a heightened ecological and social interest. Their works often reflect in a playful and humorous way as they scrutinize living spaces and lifestyles. The exhibition publication brings together around 100 works from five centuries: Paintings, drawings, photographs, and

Staatliche Kunsthalle Karlsruhe (Ed.)

Archistories

Körper, Sprache, Raum

Pages 304

Ills. 180 color

Format 25.0 × 21.0 cm

SC 978-3-422-80072-4

GERMAN

NOVEMBER 2024

DEUTSCHER KUNSTVERLAG

Architecture reflected in art from 17th to 21st century

Artists among others: Franz Ackermann, Robert Delaunay, Otto Dix, Lyonel Feininger, Günther Förg, Vincent van Gogh, Alexander Kanoldt, Karl Hubbuch, Brabara Klemm, Dionisio González, Niclas Goldbach, Axel Lieber, Julia Oschatz, Judith Hopf, Isa Melsheimer, Nicolas Daubanes, Alain Delorme, Rebecca Ann Tess, Stephen Craig, Samuel Beckett und Henrique Oliveira, Giovanni Battista Piranesi, Sean Scully

sculptures from the collection are juxtaposed with video works and installations by contemporary artists. They deal with architecture as anthropological self-description, as a stage or an archive of social, economic and political conditions, collective and individual history, and utopias.

With contributions by Frédéric Bußmann, Kirsten Claudia Voigt, Amelie Mussack, Martin Papenbrock, Joaquín Medina Warmburg, Christoph Wagner, Meinrad Morger, Dorit Schäfer, Ann-Christin Porsch, Rahel Koech, Jörn Henn

Tatiana Sizonenko (Ed.)

Helen and Newton Harrison

California Work

Pages 224

Ills. 180 color

Format 29.0 × 29.0 cm HC

ENGLISH

SEPTEMBER 2024

DEUTSCHER KUNSTVERLAG

Exhibition

La Jolla Historical Society as part of the „Pacific Standard Time 24“ in several Californian museums, fall/winter 2024/2025 www.pst.art

The publication addresses a highly topical subject: the interaction between art, science, and social processes - the basic working principle of the two outstanding artists Helen Harrison (1927–2022) and Newton Harrison (1932–2022), who are seen as the founders of Eco Art. It examines the development of their ideas, processes and techniques in the field of ecological art and their influence on nature

Documentation of 50 years work by Helen and Newton Harrison, the founders of Eco Art

Concepts and strategies to solve current environmental problems – and an urgent call for action

and society using the example of their Californian works from the last 50 years, which were a laboratory for a wealth of innovative artistic strategies.

The Harrisons later used these strategies in other parts of the world to solve current environmental problems in local and global contexts.

The volume contains critical essays as well as a selection of interviews with Newton Harrison, in which he reflects

on the development of their Californian œuvre, and numerous illustrations documenting many of the artworks for the first time.

With contributions by Monica Manulesco, Edward Shanken, Tatiana Sizonenko

During industrialisation, the Seseke – a tributary of the Lippe – was straightened, dyked, and turned into an open sewage canal. Between the 1980s and 2014, the Lippeverband restored the watercourse to its natural state as part of the “Seseke Programme”. This transformation was accompanied by an intercommunal art project entitled “Über Wasser gehen”, which took

Uli Paetzel, Agnes Sawer (Eds.) Über Wasser gehen

Kunstroute Seseke

Pages 112

Ills. 55 color

Format 24.0 × 17.0 cm

SC 978-3-422-80089-2 Ger ca. € 20.00 ca. $ 23.99 ca. £ 17.50

GERMAN FALL 2024 DEUTSCHER KUNSTVERLAG

Landscape art, multimedia installations, sculptures and interactive art projects – an inter-communal art project on the Seseke watercourse invites you to observe the transformation of the river and experience the landscape in a new way

place on the river and its tributaries as part of RUHR.2010. Eleven artworks dealing with the ecological improvement of the river landscape and the restoration of nature have remained on the banks, which are now green again. It is possible to view them on walks and cycle tours between Lünen and Bonen. This volume introduces those works and offers a visual tour of

the Seseke landscape. It also explores the interweaving of art and nature, and investigates the significance of art for ecological contexts.

With contributions by Uli Paetzel, Agnes Sawer

Viennese Architect Hermann Czech has been shaping a heterogeneous and ambivalent oeuvre since the late 1960s, persisting to the present day. His approach, blending theory and practice in what he calls “Denken zum Entwurf”, is a central theme. Through dialectical pairs of concepts the book explores Czech’s engagement with

Nott Caviezel, Robert Stalla (Ed.), Maximilian Müller Hermann Czech und die Dialektik

der Architektur

Wiener Schriften zur Kunstgeschichte und Denkmalpflege

Pages 184

Ills. 102 color

Format 23.5 × 16.5 cm

SC 978-3-422-80225-4 Ger € 34.90 $ 38.99 £ 30.50

GERMAN

FEBRUARY 2024

DEUTSCHER KUNSTVERLAG

Comprehensive study of the architectural theory of the renowned Austrian architect

architecture’s internal contradictions and illustrates how he seeks to resolve architectural dilemmas in a dialectical manner.

Czech’s position is discussed in relation to the opposing pairs audacity/ underestimation, consumption/production, artwork/utility, mannerism/ participation, subjectivity/objectivity,

and old/new. This aims to spotlight aspects of his work that have received limited attention in existing literature.

Maximilian Müller, architectural practice, works in Vienna.

Whether in cookery books, on planes, in factories or laboratories - instructive images are omnipresent. They explain, pass on and store knowledge about bodies, materials and processes: Schematically, they visualise positioning in space, movement, temporal sequences, or operating methods, encouraging us to imitate them. This volume examines their primary function as

Recently published

Roland Meyer (Hrsg.)

Bilder unter Verdacht

Paul Brakmann, Lea Hilsemer (Eds.) Instruktive Bilder

VIsuelle Anleitung praktischer Fertigkeit

Bildwelten des Wissens 20 Pages ca. 120

Ills. ca. 55 color

Format 23.0 × 15.5 cm

SC 978-3-68924-164-3 Ger ca. € 29.95 ca. $ 32.99 ca. £ 27.00

E-Book. 978-3-11-108569-2 De Open Access

GERMAN DECEMBER 2024 DE GRUYTER

Interdisciplinary contributions on visual instruction in the past and present

conveyors of practical knowledge, and describes their development in the context of social, technological and media transformation processes. A historical cross-section is provided by interdisciplinary contributions discussing aesthetic, communicative and political aspects of this visual cultural field, which is extremely diverse but has been little acknowledged to date.

Bildwelten des Wissens 19

Pages 108

Format 23.0 × 15.5 cm

SC 978-3-11-110062-3 Ger € 29.95 / $ 34.99 / £ 27.00

GERMAN

FEBRUARY 2023 DE GRUYTER

With contributions by Tom Holert, Janina Wellmann, Christian Joschke and many more

Nina Samuel, Felix Sattler (Hrsg.)

Museale Reste

Bildwelten des Wissens 18

Pages 108

Format 23.0 × 15.5 cm

SC 978-3-11-073824-7 Ger € 19.95 / $ 22.99 / £ 18.00

GERMAN DECEMBER 2022 DE GRUYTER

Hans

Dickel

Konzeptionen zeitgenössischer Kunst

Zum Wandel des KunstbegrIffs seit 1900

Pages 208

GERMAN MAY 2024 DE GRUYTER

Exhibitions of contemporary art have always confounded their viewers. By showing works that justifiably claim ‘contemporaneity’, they challenge us to rethink the traditional expectations of art. Hans Dickel presents the rapidly changing concepts of art since 1900 in their philosophical and socio-historical context. Using relevant art-theoretical source texts, the respective innova-

From Classical Modernism to globalization and virtuality since 2000

Conceptions of art in the 20th and 21st centuries

tions in the concept of art are elucidated chronologically. The publication’s descriptions and analyses make it well-suited to all those interested in art. By characterising the various definitions of contemporary art, the aim is to reveal the diversity of artistic production and changing trends during the 20th and 21st centuries.

Hans Dickel, art historian and university lecturer in Berlin and Erlangen

Philipp

Zitzlsperger

Design’s Dilemma between Art and Problem Solving

Pages 360

ENGLISH SEPTEMBER 2024

BIRKHÄUSER

The design dilemma is based on the historic separation of design and art since the late Middle Ages. It describes the transformation of design from an art discipline to a problem-solving discipline. On the one hand, this great divergence is accompanied by myths that construct opposites of free art and unfree design, of aura and loss

A new approach to design history

of aura, or of distance and touch. On the other hand, the avant-gardes have often invoked the unity of art and design, which museums or marketing also take up again today. In order to better understand design’s wandering between art and non-art, its 600-year history of ideas is now traced for the first time in the fields of art and indus-

trial history as well as the philosophy of pragmatism, technicism, capitalism, functionalism or Darwinism.

Philipp Zitzlsperger, University of Innsbruck

Digital technologies have opened up new possibilities for the cultural sector. Many museums are represented on the internet with various materials. Augmented reality and virtual reality offer immersion experiences even for existing museums. However, for many topics there are no museums and exhibitions. The author group “Virtual Museums Forum” is now presenting a contribution to the discussion that

Also of interest

Virtual Museums Forum

Virtuelle Museen –Ein Plädoyer

A Plea Around the Clock, Around the World Pages 75 Ills. 4 in color

Format 23.0 × 15.5 cm

SC 978-3-422-80238-4 En ca. € 12.00 ca. $ 13.99 ca. £ 10.50

E-Book 978-3-422-80237-7 En Open Access

ENGLISH NOVEMBER 2024

DEUTSCHER KUNSTVERLAG / DÜSSELDORF UNIVERSITY PRESS

Characteristics, requirements and opportunities of virtual museums

In collaboration with AVICOM. ICOM International Committee for Audiovisual, New Technologies and Social Media

focuses on museums in the metaverse. It aims to promote conceptual considerations for implementing virtual museums. This raises two fundamental questions: “What is a virtual museum?” and “For which topics or constellations can a virtual museum be particularly suitable”. This book provides a pragmatic answer to the first question. Comprehensive theses are then put forward for the second

Regina Franken-Wendelstorf, Sybille Greisinger, Christian Gries, Astrid Pellengahr (Eds.)

Das erweiterte Museum

Pages 160

Format 24.0 × 17.0 cm

SC. 978-3-422-07436-1 De € 19.90 / $ 22.99 / £ 18.00

E-Book 978-3-422-98101-0 De Open Access

GERMAN

JULY 2019

DEUTSCHER KUNSTVERLAG

question and implementation of virtual museums.

Virtual Museums Forum, Isabelle Becker, Otmar Böhmer, Reinhard Gröne, Bernd Günter, Rebecca Heinzelmann, Anja KircherKannemann, Yasmin Mahmoudi, Julia Römhild, Holger Simon, Theresa Stark, Laura Zebisch

Kai Hendrik Schlusche

Graffiti Expressionism

DARE / Sigi von Koeding in Basel

Pages 176 Ills. 191 color

Format 25.0 × 23.0 cm

ENGLISH/GERMAN JUNE 2024 DEUTSCHER KUNSTVERLAG

Many sprayers who do not abandon graffiti as a temporary phase of youthful rebellion, but have made it central – as name-writing – to their now legal work, are reminiscent of the 20th century Expressionists and their self-referential positions. Using the example of Basel graffiti legend Sigi DARE von Koeding, who died at an early age, the author explores whether everything

The name-writing of graffiti-sprayers as a new stylistic movement in art

that Expressionism originally represented and still stands for today can be rediscovered in the brightly-coloured, expressive works of one of the best name-writers.

Kai Hendrik Schlusche, urban planner, and very familiar with locations of urban creativity. Has worked as an author for 15 years

The series Notizen zu Uecker publicizes the research of GUI fellowship holders. In Nick Böhnke’s study Berührung im Entzug. Struktur, Temporalität und Haptik des malerischen Handelns an den frühen Strukturreliefs Günther Ueckers for volume 3 of the series, the concept of ‘action’ is expanded to incorporate the artist’s painterly approaches up until the 1960s. The

Nick Böhnke

Berührung im Entzug

Struktur, Temporalität und Haptik des malerischen Handelns an den frühen Strukturreliefs Günther Ueckers

Notizen zu Uecker

Pages 120 Ills. 17 color

Format 21.0 × 14.8 cm

SC 978-3-422-80242-1 En/Ger € 28.00 $ 30.99 £ 24.50

ENGLISH/GERMAN

JUNE 2024 DEUTSCHER KUNSTVERLAG

A new perspective on Günther Uecker and his work

A significant contribution to contemporary art theory

author examines aspects of the relief in Uecker’s work, in the intermediate field of image and performativity and paying particular attention to the social upheaval during those years. The focus is on the significance of touching and grasping, on the sensual and tactile moments in the creation of Uecker’s now iconic works.

Nick Böhnke, researches and teaches at Christian-Albrechts-Universität, University of Kiel

Jacqueline Rugo, Rainer Wölzl (Eds.) Rainer Wölzl –Konstellationen

Edition Angewandte

Pages 336

Ills. 240 b/w, 70 color

Format 26.5 × 21.0 cm

SC 978-3-68924-132-2 Ger € 45.00

$ 49.99

£ 41.00

E-Book 978-3-68924-010-3 Ger € 45.00

$ 49.99

£ 41.00

GERMAN JUNE 2024 DE GRUYTER

The work of the Austrian artist Rainer Wölzl deals with historical processes and their representability; he negotiates cultural, social, and political topics and creates complex connections between past and present, media and time, documentation and fiction.

Wölzl’s subjects are often based on reflections on power. Methodically, he combines principles of montage and

An overview of the work of the Austrian visual artist Rainer Wölzl

With text contributions by Berthold Ecker, Edith Futscher, Franz Schuh, Jacqueline Rugo, and Rainer Wölzl

With numerous large-format illustrations

dispersion in order to develop new connections and question our habitual ways of looking at art and the world. Wölzl’s art is rich in allusions. It leaves room for contradictions and connects current, historical, and imagined worlds.

This monograph presents the artist’s works from 2006 to the present day in a comprehensive compendium of

large-format charcoal drawings, paintings, graphs, sculptures, and installations.

Jacqueline Rugo, art historian and freelance author, Vienna Rainer Wölzl, visual artist, former teacher at the University of Applied Arts Vienna

This book presents artistic and theoretical positions that deal with the dynamics of and points of transition between animate and inanimate matter. Following on from the exhibition Holobiont: Life Is Other (Bregenz/ Vienna, 2021/2022), it explores how art, philosophy, and the technological sciences destabilize and expand the concept of living things. How do

Lucie Strecker, Thomas Feuerstein, Jens Hauser (Eds.)

Life Is Other

A/Biotic Entanglements in Art and Curating

Edition Angewandte

Pages 224

Ills. 110 color

Format 24.0 × 14.5 cm

SC 978-3-68924-133-9 En € 42.00 $ 46.99 £ 38.50

E-Book 978-3-68924-011-0 En € 42.00 $ 46.99

£ 38.50

ENGLISH NOVEMBER 2024 DE GRUYTER

Selection of current artistic works on a/biotic processes

Contextualization by contemporary theorists and artists

Contributions by Bruno Clarke, Monika Bakke, Eduardo Kac, Dorion Sagan, Paul Vanouse, and others

biological entities, machines, media, architectures, networks develop symbiotically in the context of biotechnological possibilities and ecological challenges?

The Holobiont theory of biologist Lynn Margulis opens up new perspectives on life as a cooperative, holistic system: The “other” is not assimilated,

integrated; instead it is preserved in its unavailability and peculiarity as new connections emerge.

Lucie Strecker, University of Applied Arts Vienna Thomas Feuerstein, art historian, philosopher Jens Hauser, curator, media/art scholar

This publication presents and documents 26 years of artistic teaching and research at the Textiles Department of the University of Applied Arts Vienna. It provides insight into the diversity of cultural techniques and fields of textile production, into the spaces of reflection in the context of teaching art and into the diversity of practices that artists contribute as teachers.

Barbara Putz-Plecko (Ed.)

Lehren als künstlerische Praxis edition

Edition Angewandte

Pages 400

Ills. 300 color

Format 24.0 × 17.0 cm

SC 978-3-11-145760-4 Ger € 52.00 $ 57.99 £ 47.50

E-Book 978-3-11-145818-2 Ger € 52.00 $ 57.99 £ 47.50

GERMAN DECEMBER 2024 DE GRUYTER

Surprising insights into the diversity, beauty, and importance of textiles

Current and exceptional examples of artistic research on textiles

Elaborately designed book; published alongside Heterotopien des Künstlerischen. Lehren als künstlerische Praxis

The contributions show how artistic working methods in an educational context inspire and rethink didactic practices. The focus is on the following questions: How can teaching “from art” be understood, and what potential does teaching “from art” open up for educational processes? These potentials can be seen from best-practice examples.

Barbara Putz-Plecko, artist, educator; former head of the Department Textiles – Free, Applied and Experimental Artistic Design at the University of Applied Arts Vienna

This publication presents and documents 16 years of artistic teaching and research at the Department of Art and Communication Practices at the University of Applied Arts Vienna. It illustrates the specific approach to artistic teaching in different media fields, building on the artistic practice of individual teachers.

Barbara Putz-Plecko (Ed.) Heterotopien des

Künstlerischen

Lehren als künstlerische Praxis

Edition Angewandte

Pages 400

Ills. 300 color

Format 24.0 × 17.0 cm

SC 978-3-11-145774-1 Ger € 52.00

E-Book 978-3-11-145819-9 Ger € 52.00

GERMAN DECEMBER 2024 DE GRUYTER

Unusual insights into the diversity and interaction of different forms of artistic practice

Contemporary examples of the social relevance of artistic research

Elaborately designed volume; appears together with the publication Geografien des Textilen. Lehren als künstlerische Praxis

Drawing on best-practice examples and a variety of innovative projects, it becomes clear which spaces for action and reflection each individual artistic approach opens up in interaction. These essays explore the specific potential that teaching “from art” opens up for educational processes, self-awareness, world experience, crit-

ical reflection and ability to act, and the production of knowledge.

Barbara Putz-Plecko, artist, educator; former head of the Department of Art and Communication Practices, at the Universityof Applied Arts Vienna

Werner

Busch

Leben im Exil

Begegnungen mit Emigranten der Kunstgeschichte

Pages 128

Ills. 45 color

Format 24.0 × 17.0 cm

SC 978-3-422-80253-7 Ger € 28.00

30.99

24.50

E-Book 978-3-422-80256-8 Ger € 28.00

30.99

24.50

GERMAN OCTOBER 2024 DEUTSCHER KUNSTVERLAG

This book is based on personal encounters with emigrants from the history of art, almost all of them Jewish. In addition to the history of emigration, it focuses on the handling of art. Meetings have taken place with university teachers and museum curators, with collectors and dealers; with the successful, and with those who did not succeed because of the cir-

A personal perspective on the lives of companions

A living history of art history

cumstances but still sought some form of existence. The first prerequisite for this book was her own place and date of birth: Prague in 1944. What could be said about the German occupation, and what consequences did the situation have for the life of the writer’s own family? The second was preparation for her dissertation at the Warburg Institute in London, the Ger-

man art history institute for emigrants, in 1970/71.

Werner Busch, Professor Emeritus of Art History at the Free University of Berlin

This study centres around video art works from the 2010s dealing with the transformation period of the 1990s. It focuses on the so-called “Transformation Generation,” in particular on female-identifying artists and collectives born between 1975 and 1985.

Ulrike Gerhardt also explores how they and their respective practices relate

Ulrike Gerhardt Ostfuturistisches Erinnern

Die Transformationszeit in postsozialistischer Videokunst

Pages 272

Ills. 36 color

Format 24.0 × 17.0 cm

SC 978-3-68924-138-4 Ger € 79.00

E-Book 978-3-68924-012-7 Ger Open Access

GERMAN

DECEMBER 2024

DE GRUYTER

Artistic examination of the upheavals since 1989/91

Contemporary video art from Lithuania, Kazakhstan, Bulgaria, Germany among others

to the accelerated change and breakpoints following 1989/91, as well as their after-effects in the present. The emphasis is on the blurring of traces, on decentration and amalgamation, on speculation and alienation, whereby the transformation presents itself as a highly complex, challenging cultural process.

Ulrike Gerhardt, Visual Studies scholar, Berlin, Germany

In 2024, we celebrate Caspar David Friedrich’s 250th birthday. His international fame was determined to a great extent by three major retrospectives, held in London, Hamburg and Dresden in the 1970s. This book examines their role for the artist’s reception and for the shaping of ‘Romanticism’ as a cultural concept, as well as describes them within larger political contexts of

Klara von Lindern

Caspar David Friedrich ausstellen

Retrospektiven und Rezeption in den 1970er Jahren

Ars et Scientia 28

Pages 554

Ills. 50 b/w

Format 24.0 × 17.0 cm

HC 978-3-11-127351-8 Ger € 89.00

$ 97.99

£ 81.00

E-Book 978-3-11-127912-1 Ger € 89.00

$ 97.99

£ 81.00

GERMAN MAY 2024 DE GRUYTER

Marking Caspar David Friedrich’s 250th birthday

Exhibition history and comparison of curatorial practice in the GDR and FRG

Previously unpublished illustrative material from earlier Friedrich retrospective exhibitions

their time. In addition, the author presents archive material that has received little or no attention within the existing research on Friedrich and his artistic œuvre. She argues that exhibitions –being shaped by complex negotiation processes – are a medium that should be included into a critical history of knowledge.

Klara von Lindern, research assistant, Carl von Ossietzky University of Oldenburg

Konrad Krčal

Das französische Thesenblatt im 17. Jahrhundert

Drei Studien zur allegorischen Gattungsgenese

Ars et Scientia 27

Pages 287

Ills. 54 b/w and color

Format 24.0 × 17.0 cm

HC 978-3-11-110062-3 Ger

E-Book 978-3-11-110141-5 Ger € 79.00 / $ 86.99 / £ 72.00

GERMAN

APRIL 2024 DE GRUYTER

The masculine machine-man, associated with notions of a virile, hyper-muscular male body since the 1980s, is a thing of the past in contemporary art. Maike Hoffmeister shows this on the basis of representations of male, masculine and queer bodies since the 1990s. While the cyborg figure generally refers either to a militaristic, self-contained masculinity or to a

Maike Hoffmeister Posthumane Männlichkeiten

Maskuline Cyborgs und queere Körper in der Kunst seit 1990

Oyster 2

Pages 344

Ills. 40 b/w, 10 color

Format 24.0 × 17.0 cm

HC

SC 978-3-68924-129-2 Ger € 79.00

$ 86.99

£ 72.00

E-Book 978-3-68924-007-3 Ger € 79.00

$ 86.99

£ 72.00

GERMAN DECEMBER 2024 DE GRUYTER

New concepts of masculinity and gender

Queer cyborgs in art

feminine, fluid resolution, an analysis of male-technological bodies in contemporary art is still overdue. The author locates the bodies depicted in the debates on a post-human dissolution of body and gender, while enquiring how these are interwoven with current discussions on new concepts of masculinity and gender.

Maike Hoffmeister, scientific assistant in the DFG project “Männlichkeiten im Umbau”, Ruhr University Bochum, until 2023

Currently, the significance of the colonial past for the present is fuelling public debate more than almost any other topic. Regions far away from the metropolises are coming under increasing scrutiny, since the colonial lines of communication extended as far as the village colonial goods shop. This anthology examines traces of the colonial past at a local level and follows Thuringia’s involvement in colonial structures on the global level. The contributions range from the early

Christiane Bürger, Sahra Rausch (Eds.) Koloniales Erbe in Thüringen

Pages 144 Ills. 50 color

Format 28.5 × 21.0 cm

ENGLISH/GERMAN

SEPTEMBER 2024 DEUTSCHER KUNSTVERLAG

A highly appealing volume, both graphically and linguistically, with a special topical relevance: scientific research meets sociopolitical perspectives

modern period to the period of transformation from 1990 onwards. The book takes stock of current research initiatives at Thuringian universities and presents the socio-political perspectives of decolonial initiatives and artists. The volume was produced in collaboration with artist Patricia Vester, whose graphic novel and illustrations, designed especially for this publication, provide inspiration for addressing the colonial past in and outside the classroom.

With contributions by Christiane Bürger, Sahra Rausch, Kim Siebenhüner, Florian Wagner, Iris Schröder, Paul Taku Bisong, Urs Lindner, Patricia Vester, Decolonize Weimar, Katharina Nowak, Ronald Hirte, Sebastian Bandelin, Fesseha Berhe Gebregergis, Jan Schubert, Nick Wetschel, Paolo Le van, Luisa Böhm, Patrice Poutrus

The debate about the return of cultural assets to former colonial territories is highly topical and at the same time much older than most assume. Authors from countries in the Global South and North shed light on the long history of restitution claims from colonized countries. Their research

Recently published

Larissa Förster, Jan Hüsgen, Sarah Fründt, German Lost Art Foundation (Ed.)

The Long History of Claims for the Return of Cultural Heritage from Colonial Contexts

Provenire 4

Pages 208 Ills. 25 color

Format 24.0 × 17.0 cm SC 978-3-11-099968-6 En

ENGLISH DECEMBER 2024 DE GRUYTER

Debate about the return of cultural assets to former colonial territories

With contributions by authors from countries in the Global South and North

reveals disputes about restitutions sometimes lasting for decades, traces veiled references to colonial violence by the former colonial powers in archives, and discusses what the “homecoming” of human remains can mean for societies.

Thomas Finkenauer, Jan Thiessen

Kunstraub für den Sozialismus

Zur rechtlichen Beurteilung von Kulturgutentziehungen in SBZ und DDR

Provenire Special Volume

Pages 186

Format 24.0 × 17.0 cm

HC 978-3-11-114495-5 Ger

E-Book 978-3-11-127981-7 Ger

€ 39.00 / $ 42.99 / £ 35.50

GERMAN OCTOBER 2023

DE GRUYTER

Larissa Förster, Jan Hüsgen, Sarah Fründt, German Lost Art Foundation Magdeburg

The Washington Principles of 1998 call for “just and fair solutions” in dealing with “Nazi-looted art”. The United Kingdom implemented this call in 2000 by establishing the Spoliation Advisory Panel (SAP), which has since provided a dispute-resolution mechanism to respond to claims made by entitled parties. This publication looks at the 22 recommendations that the panel has issued to date. The decisions

Annika Dorn „Fair and just?“

Der Umgang mit „Nazi-looted art“ im Vereinigten Königreich

Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht 5

Pages 464

Format 24.0 × 17.0 cm

SC 978-3-11-078908-9 Ger € 109.00

$ 119.99

£ 99.50

E-Book 978-3-11-078910-2 Ger € 109.00

$ 119.99

£ 99.50

GERMAN

SEPTEMBER 2024 DE GRUYTER

Comprehensive analysis and systematization of restitution practice with regards to Nazilooted art in the United Kingdom

Comparative discussion of the issue of restitution against the background of English Common Law

are analyzed against the background of English legal tradition and practice as well as the historical role of the United Kingdom, systematized and presented in an abstract set of rules. Visualized in this way, the SAP's decision-making principles can be taken as the basis for further discussion and comparison with other countries’ restitution practices.

Annika Dorn, research project „Restatement of Restitution Rules for Nazi-Confiscated Art“, University of Bonn

The present work is the outcome of a research project undertaken at the Rheinische Friedrich-Wilhelms-Universität Bonn, which aimed to complete a comprehensive, comparative legal stocktaking and analysis of international restitution practice as well as its underlying concepts of justice. To this end, case material from Germany, Austria, the Netherlands, France, the

Matthias Weller, Anne Dewey, Annika Dorn, Charis Hahne, Hannah Lehmann, Johannes von Lintig, Ole Nettels, Tessa Scheller, Jordan Schmeller, Antonetta Stephany, Leva Wenzel

Restatement of Restitution Rules for

Nazi-Confiscated Art

Eine vergleichende Bestandsaufnahme

Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht 10 Pages 928

Format 24.0 × 17.0 cm

SC 978-3-11-138219-7 Ger € 119.00

$ 130.99

£ 108.50

E-Book 978-3-11-138288-3 Ger Open Access

GERMAN

NOVEMBER 2024

DE GRUYTER

First comprehensive, comparative legal study of international restitution practice

First rules for just and fair solutions

German Edition

United Kingdom and Switzerland was reviewed and systematized. Rules for just and fair solutions were abstracted and formulated, reflecting the current state of practice, and thus utilizable as an aid to argumentation for the decisive bodies. Commentaries elucidate the rules. Country reports explain practice in the respective jurisdictions.

Matthias Weller and the research group of “Restatement of Restitution Rules for Nazi-Confiscated Art”, University of Bonn

The artistic society known as Groupe de Saint-Luc left its mark on the artistic and cultural heritage of Switzerland, in particular French-speaking Switzerland, throughout the inter-war period. Based on in-depth research into the abundant archival sources produced by the Society and its members, this publication proposes a re-reading of this major artistic phe-

Camille Noverraz, Vitrocentre Romont (Ed.)

Réinventer l’art sacré

Le Groupe de Saint-Luc (1919–1945)

Arts du verre / Glass Art / Glaskunst 4

Pages 592

Ills. 152 color

Format 24.0 × 17.0 cm

HC 978-3-11-138370-5 Fr € 82.00 $ 90.99 £ 75.00

E-Book 978-3-11-138378-1 Fr Open Access

FRENCH

OCTOBER 2024 DE GRUYTER

Religious

art and modernity

Rediscovery of a unique artistic patrimony of Switzerland

nomenon of the first half of the 20th century, from a plural perspective that combines history, sociology and history of forms in art and architecture. It aims to take the Groupe de SaintLuc out of isolation and set it within a broad European field of action, in which the issues of architecture and modern art, the opening of religious circles to modernity, and the relation-

ship between the Church and artists are intertwined.

Camille Noverraz, Vitrocentre Romont, Switzerland

Alongside many decorative arts, the artists of the Groupe de Saint-Luc invested in all fields of the glass arts during the first half of the 20th century and beyond. They reinvented traditional modes of expression and techniques, modernizing them in terms of composition, style and the use of diverse materials. Besides traditional arts such as leaded stained glass and

Camille Noverraz, Valérie Sauterel, Vitrocentre Romont (Eds.) Lumières nouvelles sur le

sacré

Arts verriers du Groupe de Saint-Luc

Arts du verre / Glass Art / Glaskunst 5

Pages 224

Ills. 143 color

Format 24.0 × 17.0 cm

HC 978-3-68924-116-2 Fr € 59.00

$ 64.99

£ 54.00

E-Book 978-3-68924-000-4 Fr Open Access

FRENCH OCTOBER 2024 DE GRUYTER

Heritage of the inter-war period

Glass art creation of the 20th century

reverse glass painting, they discovered other innovative processes, such as dalle de verre and stained-glass art without lead cames. Amidst this panorama, innovative aspects are dealt with, ranging from the importance of the creative process as reflected in graphic works, to the economic issues that shaped the construction sites. This research brings to light

documents that have never been seen before, offering a new perspective on this heritage.

Camille Noverraz, Valérie Sauterel, Vitrocentre Romont, Switzerland

One important part of the Dubs-Huwyler art collection, which has grown over time, comprises around 100 works of stained glass. These are kept in a magnificent building in Steinen in the canton of Schwyz, and undoubtedly form one of the most important as well as extensive private collections of stained glass in Switzerland. The focus is on glass from central

Michael Tomaschett, Anne-Christine Dubs-Huwyler, Paul Dubs-Huwyler, Vitrocentre Romont (Eds.)

Preziosen der Glasmalkunst

Die Glasgemäldesammlung

Dubs-Huwyler in Steinen, Schwyz

Arts du verre / Glass Art / Glaskunst 3 Pages 232 Ills. 200 color

Format 24.0 × 17.0 cm

HC 978-3-11-138620-1 Ger € 59.00

$ 64.99

£ 54.00

E-Book 978-3-11-138640-9 Ger Open Access

GERMAN

JULY 2024 DE GRUYTER

Outstanding stained glass from 16th to 18th centuries

Swiss and Netherlands art of stained glass

First look at an extensive private collection of stained glass

Switzerland, Zurich, and eastern and north-eastern Switzerland from the early 16th to the first half of the 18th century. Other artistic highlights include a group of early modern Dutch paintings on glass, depicting birds and insects in particular. The collection’s most recent focus is on Swiss copies and new designs from the second half of the 19th to the 20th century.

Michael Tomaschett, Cultural Office Canton of Schwyz, Switzerland

Anne-Christine, Paul Dubs-Huwyler, collectors, Steinen, Schwyz, Switzerland

STAINED GLASS

Cornelia Aman, Ute Bednarz, Maria Deiters, Markus Leo Mock, Juliane Schirr, Martina Voigt

Die mittelalterlichen Glasmalereien in Sachsen-Anhalt Süd (ohne Halberstadt und Naumburg)

2021. 600 Pages

152 b+w and 341 color illustrations

31.5 × 24.5 cm

HC € 129.95 [D] / $ 149.99 / £ 118.00

ISBN 978-3-11-069278-5

Sarah Keller, Katrin Kaufmann, Vitrocentre Romont (Hrsg.)

Die Glasmalereien vom Mittelalter bis 1930 im Kanton Thurgau

2022. 120 Pages

73 color illustrations

31.5 × 24.5 cm

HC € 79.95 [D] / $ 91.99 / £ 72.50

ISBN 978-3-11-075103-1

E-Book ISBN 978-3-11-075105-5

Cornelia Aman, Ute Bednarz, Markus Leo Mock, Jenny Wischnewsky, Martina Voigt

Die mittelalterlichen Glasmalereien in Thüringen (ohne Erfurt und Mühlhausen)

2016. 553 Pages

298 b+w and 160 color illustrations

31.5 × 24.5 cm

HC € 149.95 [D] / $ 210.00 / £ 136.50

ISBN 978-3-11-044573-2

Laura Hindelang, Vitrocentre Romont (Hrsg.)

Glaskunst am Bau und Intermedialität

2022. 132 Pages

96 color illustrations

21.0 × 14.8 cm

SC € 19.95 [D] / $ 22.99 / 18.00

ISBN 978-3-11-074898-7

Italian art embodies a model of ideal beauty that is deeply rooted in the European historical consciousness. In the 1930s, the Italian fascist regime appropriated this model to establish cultural-political relations with other governments. As ambassadors of fascist cultural diplomacy, iconic masterpieces of Italian art then travelled in

Matilde Cartolari

Ambassadors of Beauty

Italian Old Master Exhibitions and Fascist Cultural Diplomacy 1930–1940

Contact Zones 8 Pages 552

Ills. 160 b/w, 10 color

Format 24.0 × 17.0 cm

HC 978-3-11-133125-6 En € 72.00

E-Book

ENGLISH DECEMBER 2024 DE GRUYTER

Artworks in the service of Italian fascist politics

New perspectives on the outset of European exhibition diplomacy

exhibitions to London, Paris, Belgrade, and the USA.

Matilde Cartolari discusses exhibitions as a point of intersection between art historiography and the art market, restoration and heritage protection, nationalism and internationalism. Her analysis sheds light on the development of Italy’s fascist cultural policy

from the ephemeral triumphalism of the Ethiopian campaign to the unfulfilled dream of the E42 World’s Fair.

Matilde Cartolari, University of Vienna

The first part of Volume 14 of the Yearbook presents ten essays concerned with Futurism in Italy, Russia, Ukraine, Czechoslovakia, Romania and Germany, and two focusing on dance and typography. Among other things, this publication provides analysis of the futurist manifestos from late 1910 and 1911 and Velimir Khlebnikov’s futurist

Günter Berghaus (Ed.)

International Yearbook of Futurism Studies 14 Pages 504 Ills. 15 b/w, 15 color Format 23.0 × 15.5 cm

ENGLISH OCTOBER 2024 DE GRUYTER

Futurism from international, comparative and interdisciplinary perspectives

Transcultural view of international avant-gardes

essays, as well as the networks of Futurism in Odessa. In the second part, a section on Caricatures and Satires of Futurism in the Contemporary Press examines five humorous images from five countries, in which the movement and its leader were lampooned. This section is followed by nine reviews of recent exhibitions, conferences and

publications, and an annual bibliography with details of 128 new books on Futurism.

Günter Berghaus, University of Bristol

Christina Bartosch Exhibiting Abstraction

Strategies in the Propagation of an Avant-garde 1908–1915

Pages 360

Ills. 489 color

Format 24.0 × 17.0 cm

SC 978-3-11-075584-8 En € 79.00 $ 86.99 £ 72.00

E-Book 978-3-11-075590-9 En Open Access

ENGLISH NOVEMBER 2024 DE GRUYTER

The time around 1910 has entered art history as the moment when abstraction was invented. However, where and when works of non-figurative art became present in the public eye has been afforded little attention to date.

Exhibiting Abstraction is the first publication to be devoted entirely to the presentation of abstract art between 1908 and 1915. It uncovers strategies

Exhibiting strategies of Giacomo Balla, Umberto Boccioni, Wassily Kandinsky, Frantisek Kupka, Kazimir Malevich, Piet Mondrian and Francis Picabia, 1908–15

The emergence of abstract painting

for the dissemination of early abstract painting in exhibitions with the aid of a register of exhibited works by Giacomo Balla, Umberto Boccioni, Wassily Kandinsky, Frantisek Kupka, Kazimir Malevich, Piet Mondrian and Francis Picabia shown to the public within this period, and an analysis of the artists’ exhibition activities. The key role played by art exhibitions in the

works’ introduction and dissemination is highlighted.

Christina Bartosch, art historian, lives and works in Hong Kong

Eva-Maria Seng surveys the major German reform initiatives in the field of design in the 20th century. Their central point of departure was the creation of the German Werkbund in 1907, which in close cooperation with industry strove to achieve a new sense of quality in product development, exhibiting and advertising as well as to implement a fundamental reform

Eva-Maria Seng werkbund – bauhaushochschule für gestaltung ulm / werkbund – bauhaus –ulm school of design

Wegmarken des Industriedesigns in Deutschland / Milestones of Industrial Design in Germany

Reflexe der immateriellen und materiellen Kultur 10

Pages 224

Ills. 90 b/w, 60 color

Format 24.0 × 17.0 cm

HC 978-3-11-077668-3 En/Ger € 69.00

$ 75.99

£ 63.00

E-Book 978-3-11-079379-6 En/Ger € 69.00

$ 75.99

£ 63.00

ENGLISH/GERMAN

DECEMBER 2024 DE GRUYTER

New insights into the three major German reform initiatives in the field of design in the 20th century

of the education in the arts and crafts schools. The Bauhaus and the Ulm School of Design engendered the novel type of designer or industrial designer. All three reform processes were distinguished by the workshop principle and close cooperation with industry, innovative teaching as well as the development of novel forms of housing, living and communication.

The volume further addresses the education of women at the Bauhaus and the reception of the Bauhaus and the Ulm School of Design.

Eva-Maria Seng, University of Paderborn

Over the last two decades, Gregor Wedekind has written extensively on Paul Klee and his time. Moving beyond art historical questions, the essays in this volume emphasize the intellectual and historical contexts of Klee’s art, thereby deepening the understanding of modernism. Wedekind illuminates the artist’s engagement with philosophy, literature and theory, as well

Recently published

Christian Berger, Steffen Haug, Clara Wörsdörfer (Eds.), Gregor Wedekind Pictor Doctus.

Paul Klee und die Dialektik der europäischen Moderne

Pages 304

Ills. 50 b/w, 40 color

Format 24.0 × 17.0 cm

HC 978-3-11-142145-2 Ger € 48.00

52.99

44.00

E-Book 978-3-11-142150-6 Ger € 48.00

52.99

44.00

GERMAN NOVEMBER 2024 DE GRUYTER

Key essays on modernism

Two decades of research, some published here for the first time

as the significance of psychology, ethnology and contemporary political history for his work and thought. As a whole, this anthology provides new, critical insight onto the artist’s complex oeuvre. By positioning Klee in the intellectual debates of his time, Wedekind opens up various approaches to his pictorial world.

Annika Schlitte, Markus Verne, Gregor Wedekind (Hrsg.)

Die Handlungsmacht ästhetischer Objekte

Phoenix 7

Pages 224

Format 24.0 × 17.0 cm

SC 978-3-11-070279-8 Ger

E-Book 78-3-11-077435-1 Ger € 49.95 / $ 57.99 / £ 45.50

GERMAN DECEMBER 2021 DE GRUYTER

Gregor Wedekind, Johannes Gutenberg University Mainz

Gregor Wedekind (Hrsg.)

Max Slevogts Netzwerke

Phoenix 6

Pages 335

Format 24.0 × 17.0 cm

SC 978-3-11-066095-1 Ger

E-Book 978-3-11-076074-3 Ger € 49.95 / $ 57.99 / £ 45.50

GERMAN SEPTEMBER 2021 DE GRUYTER

This book is the first to examine Renoir’s handling of fashion and textiles, so opening up a fresh approach to the initially fêted artist who came under suspicion of kitsch in the 20th century. In her pictorial analysis, Agnes Sawer questions the cliché of the “painter of happiness” and shows how Renoir used textile structures and textures to develop an innovative,

Agnes Sawer

Bilder des Textilen.

Mode und Stoffe in der Malerei Pierre-Auguste Renoirs

Pages 336

Ills. 73 b/w

Format 24.0 × 17.0 cm

SC 978-3-422-80243-8 Ger € 79.00

$ 86.99

£ 69.00

E-Book 978-3-422-80246-9 Ger € 79.00

$ 86.99

£ 69.00

GERMAN NOVEMBER 2024

DEUTSCHER KUNSTVERLAG

First comprehensive study on fashion and textiles in Renoir’s painting

New starting point in Renoir research, with a focus on pictorial subjects that have rarely been considered to date

pioneering visual approach for the next generation of artists. To this end, she examines works that have rarely been considered in Renoir research to date. The author sheds light on the splendour of the fabrics in his painted interiors, and the depiction of fashion, accessories and handicrafts in Renoir’s portraits of women. The painting Bal du Moulin de la Galette is used as an

example showing how textiles even permeate Renoir’s artistic compositions.

Agnes Sawer, curatorial director at the Emschergenossenschaft and Lippeverband

Armoured soldiers, sexualized machine men, mechanized athletes: Between 1914 and 1926, artists of the German and French avant-garde used the mechanical body as a motif to illustrate the crises of their time and to question man’s place in society. This volume analyses how the motif was staged – as a masculine utopia offering a saviour, a New Man – ap-

Catherine Frèrejean L’homme-machine –L’utopie d’un Homme nouveau ?

Regards sur la masculinité dans les œuvres des artistes français et allemands de l’avant-garde

Materialität und Produktion 4

Pages 390

Ills. 20 b/w, 60 color

Format 24.0 × 17.0 cm

HC 978-3-11-123904-0 Fr € 64.00 $ 70.99

E-Book 978-3-11-123950-7 Fr Open Access

FRENCH

SEPTEMBER 2024 DE GRUYTER / DÜSSELDORF UNIVERSITY PRESS

The Machine Man as the utopia of the New Man in modernity

Concepts of masculinity in works of the German and French avant-garde

plying examples from key modernist works by Otto Dix, Hannah Höch, Rudolf Schlichter, George Grosz, Willi Baumeister, Fernand Léger, Francis Picabia, Marcel Duchamp and Robert Delaunay, among others. Its transcultural approach, its focus on socio-cultural upheaval, and the inclusion of studies on masculinity enable this publication to provide a fresh per-

spective on the Machine Man and the New Man as figures in modernity.

Catherine Frèrejean, Heinrich Heine University, Düsseldorf / Aix-Marseille Université

The habitat diorama – a display case in which animal specimens are shown in a landscape scene – was one of the most important visual media used by natural history museums in the 20th century, and it is still a key feature of their exhibition practice today.

Authenticated by the specific setting of reception, the habitat diorama creates powerful images of an idealised

Theresa Stankoweit

Das Habitat-Diorama um 1900

Medialer Eigensinn und politische Raumkonstruktionen im Naturkundemuseum

Verflechtung – Aushandlung – Opazität 4 en_title

Pages 480

Ills. 94 b/w

Format 24.0 × 17.0 cm

HC 978-3-68924-118-6 Ger € 69.00

$ 75.99

£ 63.00

E-Book 978-3-68924-002-8 Ger € 69.00

75.99

63.00

GERMAN

OCTOBER 2024 DE GRUYTER

New perspective on a key visual medium in natural history

Reflection on the animal taxidermy as an image

First scientific study of the early habitat dioramas from the Senckenberg-Museum Frankfurt a. M.

‘habitat’ that appears biological but obviously involves political and, above all, colonial dimensions. Using an innovative methodological approach, Theresa Stankoweit examines the aesthetic mechanisms of this media construct and discusses, among other things, the pictorial status of animal taxidermy. She focuses on two dioramas from the Senckenberg Museum in Frankfurt,

made around 1900, whose genesis is examined for the first time.

Theresa Stankoweit, University of Hamburg

Maria Schaller

Das Herz in den Bildmedien religiöser Frauengemeinschaften Verflechtung – Aushandlung –Opazität 2

Pages 552

Format 24.0 × 17.0 cm

HC. 978-3-11-102778-4 De E-Book 978-3-11-107362-0 De €69.95 / $ 80.99 / £ 63.50

GERMAN MARCH 2024 DE GRUYTER

Julia Kloss-Weber Bilder der Alterität –Alterität der Bilder Verflechtung – Aushandlung –Opazität 3

Pages 560

Format 24.0 × 17.0 cm

Geb. 978-3-11-129428-5 De E-Book 978-3-11-132198-1 De €69.00 / $ 75.99 / £ 63.00

GERMAN JULY 2024 DE GRUYTER

Friedrich von Amerling (1803–1887) was one of Vienna’s most important portraitists. His oeuvre reads like a who’s who of the 19th century. He received commissions from the Habsburg court, the Austrian nobility, and the haute bourgeoisie, because no other portraitist could blend realism and idealism so aptly. In addition, throughout his life Amerling studied his own appearance in a series of self-portraits and portrayed many of

Stella Rollig, Sabine Grabner, Luisa Ziaja (Eds.)

Friedrich von Amerling. Werkverzeichnis der Gemälde

Pages ca. 300

Ills. 640 color

Format 31.0 × 24.0 cm

HC 978-3-422-80223-0 Ger/En

E-Book 978-3-422-80224-7 Ger/En

GERMAN/ENGLISH OCTOBER 2024 DEUTSCHER KUNSTVERLAG

55.00

First catalog raisonné of the Austrian portrait and genre painter

Portrait and genre painting in the 19th century

his fellow artists. He became particularly popular for his depictions of young women, and stories circulated about little clues inserted into their costumes.

Amerling’s approximately 1,200 paintings are collected here for the first time in an illustrated catalog raisonné. Several essays discuss the painter’s outstanding artistic talent, his life, his models, his collection, and his residence.

Stella Rollig, General Director, Scientific Managing Director, Belvedere, Vienna Sabine Grabner, Curator 19th Century Collection, Belvedere Luisa Ziaja, Chief curator, Belvedere, Venna

Georg Eisler (1928–1998) showed unwavering commitment to figurative painting and depicted his environment with a critical eye. Throughout his life, he devoted himself to a variety of themes that reveal his unique view of the world. His primary interest was people in their social and societal contexts.

In addition to mundane subjects such as coffee house scenes, still lifes, and

Stella Rollig, Luisa Ziaja, Christian Huemer (Eds.)

Georg Eisler. Werkverzeichnis der Gemälde

Pages ca. 400

Ills. ca. 1400 color

Format 31.0 × 24.0 cm

HC 978-3-422-80239-1 Ger/En € 68.00 $ 74.99

59.50

E-Book 978-3-422-80240-7 Ger/En € 68.00

74.99 £ 59.50

GERMAN OCTOBER 2024 DEUTSCHER KUNSTVERLAG

First catalog raisonné of the Austrian figurative painter

Figurative painting in the 20th century

portraits both of well-known contemporaries and his own acquaintances, he critically examined social and political issues and dealt with these through his art. He also drew on personal experiences, such as his period of exile in Britain, in his paintings.

This publication is the first comprehensive catalog raisonné of Eisler’s diverse oeuvre, spanning more than 1,700 paintings.

Stelle Rollig, General Director and Scientific Director of the Belvedere, Vienna Luisa Ziaja, Chief Curator of the Belvedere, Vienna Christian Huemer, Head of Belvedere Research Center, Vienna

November 17, 2024 to February 23, 2025 until February 23, 2025 only € 62.00

Exhibition

Angermuseum Erfurt

This opulent catalog is the first major publication to cover the principal estate of Erfurt-born landscape painter Friedrich Nerly (1807–1878). The extensive collection arrived in Erfurt shortly after his death and led to the founding of the Angermuseum. The substantial group of paintings and oil studies, together with a corpus of drawings, have made it possible to explore every facet of the painter’s work. Initially, his life’s journey took him to Hamburg to study

Claudia Denk, Kai Uwe Schierz, Thomas von Taschitzki (Eds.)

Friedrich Nerly –Von Erfurt in die Welt

Die Gemälde und Ölstudien des Nerly-Bestandes im Angermuseum Erfurt

Pages 560

Ills. 450 color

Format 29.0 × 25.0 cm

HC 978-3-422-80257-5

GERMAN

NOVEMBER 2024

DEUTSCHER KUNSTVERLAG

78.00

85.99

Nerly and the invention of a new image of Venice

Successful artistic career denoted by mobility and the start of globalization

Oil studies from Olevano, Terracina and Tivoli – highpoints of an emerging genre

art under Carl Friedrich von Rumohr, who travelled to Italy with his pupil soon afterwards. There, Nerly found a new adopted home and created some spectacular oil studies while in Rome. However, he spent his key creative phase as a “celebre pittore” in Venice, the most successful foreign artist painting for an international market. As a trendsetter, he invented the Venice by moonlight painting.

Claudia Denk, guest associate and curator, Angermuseum Erfurt Kai Uwe Schierz, director, Kunstmuseen Erfurt Thomas von Taschitzki, curator, Angermuseum Erfurt

This publication undertakes an experiment: travelling back in time into a peculiar late-19th century art world. For the opulent plays staged by the Düsseldorf artists’ association Malkasten, painter Otto Erdmann slips into costume himself and turns his neo-rococo style paintings into miniature stages. Reproduced thousands of times as art prints and trading cards, they reflect

Maximilian Rück Zwischen den Kulissen

Der Maler Otto Erdmann und die Aufführung des 19. Jahrhunderts

Pages 368

Ills. 60 color

Format 24.0 × 17.0 cm

HC 978-3-422-80254-4 Ger € 42.00

46.99

37.00

E-Book 978-3-422-80255-1 Ger € 42.00

46.99

37.00

GERMAN OCTOBER 2024 DEUTSCHER KUNSTVERLAG

A first comprehensive monograph on Düsseldorf painter Otto Erdmann

Art-historical and image-theoretical reflections on the practices of the late 19th-century art and media scene including a catalogue raisonné

a social self-image ranging between play and reality, between unbridled enthusiasm for the future and romanticised dreams of the past. Entertaining and thoroughly researched, this book seeks to understand one of the most controversial epochs in recent art history, and asks what recourse to history signifies for the art of today.

Maximilian Rück, Kunsthalle Basel

Lisanne Heitel shows how a re-evaluation of coloration by Goethe and other renowned art theorists paved the way for a rediscovery of colours in the 19th century. Her study examines the conflict between the painterly and the linear, and its manifold effects on art, theory and discourse in the first half of the 19th century. One focus is on

Lisanne Heitel

Die Neuerfindung des Malerischen

Zur Rezeption Tizians und der venezianischen Kunst in Klassizismus und Romantik

Ars et Scientia 29

Pages 352

Ills. 92 color

Format 24.0 × 17.0 cm

HC 978-3-11-130188-4 Ger € 79.00

$ 86.99

£ 72.00

E-Book 978-3-11-130255-3 Ger € 79.00

$ 86.99

£ 72.00

GERMAN SEPTEMBER 2024 DE GRUYTER

The rediscovery of Titian and colourist painting in the early 19th century

Influence of English and American artists on German art

the influence of American and English artists on German art, which has been rarely acknowledged to date. In fact, the reception of the Renaissance master Titian began with the American painter Washington Allston’s arrival in Rome in 1805. Against this background, the works of Christian Gottlieb Schick and Joseph Anton Koch,

as well as paintings by Joseph Anton Dräger and Erwin Speckter created two decades later are reassessed.

Lisanne Heitel, University of Göttingen

Starting in England, around 1780 the spectacular medium of painted transparencies conquered Europe. The Kassel museums hold one large-format work, “Moonlight” by Caspar David Friedrich, painted from both sides. When it is illuminated from behind, the fog on the front clears and a hilly landscape with a distant town appears

Hessen Kassel Heritage (Ed.), Christiane Lukatis

Caspar David Friedrich und die Transparentmalerei

Der Kasseler Mondschein

Museumslandschaft Hessen Kassel –Wissenschaftliche Reihe

Pages 88

Ills. 66 color

Format 22.0 × 14.7 cm

SC 978-3-422-80244-5 Ger € 15.00

$ 16.99

£ 13.50

E-Book 978-3-422-80245-2 Ger € 15.00

$ 16.99

£ 13.50

GERMAN MAY 2024

DEUTSCHER KUNSTVERLAG

Fresh insight into the fascinating medium of transparency painting around 1800

Insight into Friedrich’s only large-format transparency, “Moonlight”, and its technique

Cooperation with physics historians on historical means of lighting

as if by magic. Friedrich was even able to create a film-like sequence of the passage of time over a day from early morning to deep twilight using historical means of lighting. How does “Moonlight” in Kassel fit into the history of transparency painting? Where did Friedrich learn about this unusual medium, and how did he master the

technique to a previously unrivalled perfection? Research into the subject has been very productive.

Christiane Lukatis, director of the Graphic Art Collection of Hessen Kassel Heritage since 1996

The terms “figure” and “ground” became fundamental to art-historical analysis over the course of the twentieth century.In Bet ween Figure and Ground: Seeing in Premodernity, essays by Claudia Blümle, Gottfried Boehm, Péter Bokody, Beate Fricke, Bruno Haas, David Young Kim, Aden Kumler, Christopher Lakey, Karin Leonhard, Jürgen Müller, Veronica

Saskia Quené (Ed.)

Between Figure and Ground

Seeing in Premodernity

Pages 646

Ills. 170 color

Format 20.5 × 14.5 cm

SC 978-3-422-80121-9 En/Ger € 78.00

$ 85.99

£ 68.00

E-Book 978-3-422-80122-6 En/Ger € 78.00

$ 85.99

£ 68.00

ENGLISH/GERMAN NOVEMBER 2024 DEUTSCHER KUNSTVERLAG

Figure and ground in the context of art-historical analysis

Peselmann, Christoph Poetsch, Raphael Rosenberg, Tom Steinert, Nicola Suthor, Noa Turel, and Saskia Quené call into question long-standing habits of seeing and understanding figure-ground relations, expand art-historical vocabularies, and challenge anachronistic attachments to modernist paradigms. Offering new approaches and methodological reflections

from art history and theory, Bildwissenschaft, and art historiography.

Saskia C. Quené, University of Tübingen

Erwin Panofsky’s assertions in Renaissance and Renascences in Western Art (1960) that a new historical consciousness and a quest for an ‘all’antica’ idiom was manifest in the art and architecture of the period are routinely reiterated in art historical narratives.By formally analyzing fifteenth-century visual culture, however, questions can

Maria Fabricius Hansen Übersetzungsfragen

Eine Neubewertung der Begriffe ‚Renaissance‘, ,Antik‘ und ‚Klassisch‘ in der Kunstgeschichte edition

Panofsky-Professur ... am Zentralinstitut für Kunstgeschichte München

Pages 112

Ills. 25 color

Format 21.0 × 12.5 cm

SC 978-3-422-80252-0 En/Ger € 16.90

$ 18.99

£ 15.00

ENGLISH/GERMAN

OCTOBER 2024

DEUTSCHER KUNSTVERLAG

Debate on the ideas of all’antica and classicism in the Italian Renaissance

Critical review of art historical mappings of causes of inspiration from Roman antiquity

Discussion of Panofsky, Renaissance and Renascences in Western Art (1960)

be raised about what the artists and architects of the period actually used as their models and how they understood and studied the past. Maria Fabricius Hansen juxtaposes in this essay the conventional definitions of the Renaissance, through its endeavors to revive or renew Roman Antiquity, with observations of paintings and

buildings of the fifteenth century in order to reconsider the characteristics of Italian visual culture of the time.

Maria Fabricius Hansen, University of Copenhagen, Denmark

The murals of the Battle of the Milvian Bridge and the Vision of the Cross in the Sala di Costantino in the Vatican, named after the fresco-cycle conceived by Raphael and executed by Giulio Romano, are regarded by scholars as originating from an intense study of antiquity in Raphael’s circle, followed by a desire to achieve an historically accurate approach to ancient

Michail Chatzidakis

der Antike bei Raffael und seinem Umkreis

Concetti anticamente moderni e modernamente antichi in der Sala di Costantino

Pages 416

Ills. 110 color

Format 24.0 × 17.0 cm

HC 978-3-422-80105-9 Ger € 68.00

$ 74.99

£ 59.50

GERMAN NOVEMBER 2024 DEUTSCHER KUNSTVERLAG

New research into the innovative frescoes of the Sala di Costantino in the Vatican

art. However, Raphael was recognised already by Giorgio Vasari, Ludovico Dolce and Annibale Carracci, not only for his expertise on antiquity, but also for his poetic qualities as an outstanding history painter. Michail Chatzidakis analyses the difference between historical and poetic methods of representation in order to determine more precisely the relationship between

archaeological precision and poetic creativity in the work of Raphael and his circle in the Sala di Costantino.

Michail Chatzidakis, Humboldt University, Berlin

The beginnings of Renaissance architecture in Florence, around 1420, were accompanied by a renewal of sculptural architectural ornamentation, and soon cast their spell over the rest of Europe. The ‘antique style’ was considered modern everywhere; Gothic architecture, the previous notion of modern, fell into gradual disrepute. This was an epoch-making paradigm

Joachim Poeschke

Italien

Pages 1400

Ills. 1100 b/w, 500 color

Format 30.0 × 24.0 cm

HC 978-3-422-80229-2 Ger € 298.00

$ 330.00

£ 259.50

E-Book 978-3-422-80236-0 Ger € 298.00

$ 330.00

£ 259.50

GERMAN OCTOBER 2024 DEUTSCHER KUNSTVERLAG

The architectural ornament in the architecture of the early Italian Renaissance – comprehensively analyzed and documented in over 1,500 illustrations

The reception of antiquity in building practice and architectural theory

shift, underpinned as architectural theory also took up the subject of architectural ornamentation. For the first time, Joachim Poeschke presents a detailed study of architectural ornamentation’s development in Italy from approx. 1420 to 1490. His focus is on the period’s productive engagement with antiquity, which defined the artistic work of the early

Renaissance to a huge extent, and which is best noted in the details of architectural ornamentation.

Joachim Poeschke, Universität Münster

Technical innovation and hegemonic politics accelerated the growth process in silver mining regions during the 16th century. This resulted in the founding of new, planned towns. In a comparative approach, the construction and expansion of the mining towns of Annaberg and Marienberg in the Erzgebirge and Potosí in the Spanish Viceroyalty of Peru are ana-

Marco Silvestri Annaberg,

Marienberg, Potosí

Neue Städte in Silberbergbauregionen der Frühen Neuzeit

Reflexe der immateriellen und materiellen Kultur 11 Pages 728

Ills. 222 b/w, 16 color

Format 24.0 × 17.0 cm

HC 978-3-11-125075-5 Ger € 99.00

$ 108.99

£ 90.00

E-Book 978-3-11-125110-3 Ger € 99.00

$ 108.99

£ 90.00

GERMAN DECEMBER 2024 DE GRUYTER

First study on mining towns of the early modern period from a global, comparative perspective

lyzed with reference to the architectural implications of regulatory policy measures. Particular attention is paid to the genesis and composition of the dynamically overlapping areas of state, religion, municipality and mining. Their appearance and structure are understood against the background of transcultural processes in architectural theory and practice, and

the mining town is viewed as a setting for the negotiation of a hybrid architectural culture.

Marco Silvestri, University of Paderborn

Now! Digitally on the road with Dehio!

The Handbuch der Deutschen Kunstdenkmäler, a handbook of German cultural monuments established by Georg Dehio more than 100 years ago, has remained a highly reliable guide to Germany’s monument landscape.

It is published by the Dehio-Vereinigung and the Vereinigung der Landesdenkmalpfleger (VDL, an association of state conservators). The “Dehio” is an ideal travel companion, informing readers about the origins and eventful histories of German monuments. Numerous plans, layouts and maps make orientation easy.

And all volumes available as E-Books!

Dehio. Handbuch der deutschen Kunstdenkmäler Hessen II. Der Regierungsbezirk Darmstadt

Staatliche Kunstsammlungen

Dresden (Ed.), Dirk Syndram, Jutta Kappel, Ulrike Weinhold

Das Historische Grüne Gewölbe zu Dresden

Die barocke Schatzkammer 4th edition

Masterpieces

Pages 180 Ills. 17 b/w, 129 color

Format 28.8 × 25.2 cm

SC 978-3-422-80247-6 Ger € 26.00 $ 28.99 £ 23.00

GERMAN MAY 2024 DEUTSCHER KUNSTVERLAG

By extending the state vault of his “secret depository” in the west wing of Dresden’s Residential Palace between 1723 and 1729, Augustus the Strong, Elector of Saxony and King of Poland, created a museum of treasures unrivalled both then and now.

The eight display areas were designed to amaze visitors with their exquisite furnishings and an impressive pre-

A baroque synthesis of the arts

A visual journey through time to the Baroque era

sentation of the collection. The lavish wealth of precious objects made from gold, silver, enamel and gemstones; the ivory artefacts, bronzes and jewellery evidenced the affluence and artistic flair of the Saxon royal family. Following the museum’s closure due to the war in 1942, since 2006 the treasures are being exhibited again in the ambience created especially for

them. Even today, the perfect symbiosis of elaborate interior architecture and a high-quality, diverse collection is likely to make a stunning impact. This volume presents the masterpieces of the fascinating collection and provides insights into the museum founder’s ingenious concept, on which today’s presentation is based.

The reception of Boccaccio’s works began early on, throughout Europe. This is reflected impressively in the splendidly illuminated manuscripts of Filocolo, Filostrato and Teseida, De casibus virorum illustrium, De mulieribus claris, and The Decameron. The stories of The Decameron, an entertaining and profound universe illustrating the all-too-human, were depicted on

Recently published

Sebastian Schütze, Maria Antonietta Terzoli (Eds.)

Boccaccio und die bildenden Künste

Dialoge, Spiegelungen, Transformationen

Refigurationen. Italienische Literatur und Bildende Kunst 4

Pages 304

Ills. 114 b/w, 20 color

Format 24.0 × 17.0 cm

HC 978-3-11-139681-1 Ger/It € 69.00 $ 75.99 £ 63.00

E-Book 978-3-11-139692-7 Ger/It € 69.00 $ 75.99 £ 63.00

GERMAN/ITALIAN

SEPTEMBER 2024 DE GRUYTER

Interdisciplinary research in a dialogue between literary studies and art history

The history of the reception of Petrarch in the interplay between texts and images

Cultural history across genres and epochs

wedding chests, and in panel paintings and wall frescoes. They were brought into the modern age primarily by Pier Paolo Pasolini’s film re-enactment dating from 1971. This volume focuses on Boccaccio’s drawings and the development of his portrait iconography, the illuminated manuscripts and their courtly patrons, and on the impact of The Decameron and its stories, which

Maria Antonietta Terzoli, Sebastian Schütze (Eds.) Petrarca und die bildenden Künste

Refigurationen 3

Pages 468

Format 24.0 × 17.0 cm

HC 978-3-11-068696-8 De

€69.95 / $ 80.99 / £ 63.50

GERMAN MAY 2021 DE GRUYTER

are so significant in art history and theory.

Sebastian Schütze, Universität Wien

Maria Antonietta Terzoli, Universität Basel, Schweiz

Sebastian Schütze, Maria Antonietta Terzoli (Eds.) Tasso und die bildenden Künste

Refigurationen 2

Pages 446

Format 24.0 × 17.0 cm

HC 978-3-11-054386-5 De

€69.95 / $ 80.99 / £ 63.50

GERMAN/ITALIEN

OCTOBER 2018 DE GRUYTER

Kunstmuseum Basel’s Kupferstichkabinett is home to a unique collection of drawings by late 15th and early 16th century German masters. Conceived as a scholarly catalogue, this publication is devoted to a particularly important part of the collection: drawings by Albrecht Dürer and his circle. That circle included those artists who worked in Dürer’s workshop or had

Öffentliche Kunstsammlung Basel, Kupferstichkabinett (Hrsg.)

Albrecht Dürer und sein Kreis

Beschreibender Katalog der Zeichnungen, Band III. Die Zeichnungen des 15. und 16. Jahrhunderts, Teil 2C

Christian Müller

Pages 272 Ills. 270 color

Format 30.0 × 22.3 cm

HC 978-3-422-80202-5 Ger

GERMAN AUGUST 2024

DEUTSCHER KUNSTVERLAG

Seminal work on the art of drawing during the German Renaissance

First scholarly and systematic publication of key works from Basel’s Kupferstichkabinett

an affinity with him artistically: Hans Baldung Grien, Hans Schäufelin, Hans von Kulmbach, Hans Springinklee and Hans Leu the Younger. Most of the works come from the collection of Basel-based lawyer Basilius Amerbach (1533–1591), which was acquired from Amerbach’s heirs by the city of Basel in 1661.

Christian Müller, has worked as curator at the Kunstmuseum Basel since 1991 and as head of the Kupferstichkabinett since 2001. He is a renowned expert on the subject. He is the author of the two catalogs of the Basel drawings by Hans Holbein the Younger (1996) and Urs Graf (2001)

Potsdam has more in common with the magnificent residence of the French Sun King Louis XIV, Versailles, than with any other French city. Did the city of Potsdam become what it is today not least because the Prussian rulers sought to emulate the French court during the 17th and 18th centuries? Potsdam’s institutions house

Recently published

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

La France à Potsdam

Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 72 Ills. 3 b/w, 58 color Format 17.0 × 12.0 cm

SC 978-3-422-80214-8 Fr € 6.95 $ 7.99 £ 6.50

FRENCH APRIL 2024 DEUTSCHER KUNSTVERLAG

Walk through the French side of Potsdam

For the first time in French

many artistic highlights from our neighbouring country, like French Impressionist works from the Hasso Plattner Collection in Museum Barberini and the French Rococo paintings to be found in the palaces of Sanssouci and Neues Palais. These outstanding art venues are the main stops on a new city tour developed in collabora-

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

Frankreich in Potsdam Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 72 Format 17.0 × 12.0 cm

SC 978-3-422-80099-1 De €6.95 / $ 7.99 / £ 6.50

GERMAN MARCH 2023 DEUTSCHER KUNSTVERLAG

tion between the Foundation of Prussian Palaces and Gardens and Museum Barberini.

Dorothee Entrup, Museum Barberini

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

Italien in Potsdam Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 72

Format 17.0 × 12.0 cm

SC 978-3-422-80099-1 De €6.95 / $ 7.99 / £ 6.50

GERMAN AUGUST 2020 DEUTSCHER KUNSTVERLAG

Potsdam and surrounding area have many Dutch facets, including far more than the well-known Dutch Quarter: insights into these are offered by the newest city tour.

At the latest, the close link between Potsdam and the Netherlands was cemented with the marriage of the Great Elector Frederick William to Luise Henriette of Orange-Nassau. Impressed by the Netherlands’ social and economic modernity in the 17th cen-

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

Holland in Potsdam

Königliche Schlösser in Berlin, Potsdam und Brandenburg Pages 56 Ills. 8 b/w, 46 color

Format 17.0 × 12.0 cm

SC 978-3-422-80215-5 Ger € 6.95

GERMAN

APRIL 2024

DEUTSCHER KUNSTVERLAG

Newest city tour, through Dutch Potsdam

tury, many buildings in Potsdam bear witness to this orientation towards the neighbouring country: the predecessor to today’s City Palace, the Dutch Establishment in the New Garden, and, last but by no means least, the Dutch Quarter in Potsdam’s city centre.

Enthusiasm for the country and its people can also be found in Claude Monet’s work in the Hasso Plattner Collection and in the extensive collection of Dutch paintings in Caputh Pal-

ace. In Caputh, we also find perhaps the most impressive evidence of the Prussian kings’ enthusiasm for Dutch lifestyle and home decor: here, 7,500 blue and white tiles with their little stories embellish an entire hall.

Dorothee Entrup, Museum Barberini

Sanssouci Park evolved over two and a half centuries into a unique ensemble. An area of 290 hectares with almost 70 kilometres of paths make it Brandenburg’s largest park. Sanssouci Palace and its terraces form the architectural centre to which everything else is subordinate – according to the

Also of interest

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

Park Sanssouci

2nd edition

Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 52

Ills. 43 color

Format 17.0 × 12.0 cm

SC 978-3-422-80249-0 Ger € 6.95 $ 7.99 £ 6.50

GERMAN APRIL 2024 DEUTSCHER KUNSTVERLAG

Unesco World Heritage

Biggest park in Brandenburg

Baroque garden art by Peter Jospeh Lenné

Baroque tradition. Paths laid out in a star shape and winding routes with ornamental and kitchen gardens, statues, fountains and ponds lend rhythm to the grounds, which carry the signature of Peter Joseph Lenné.

Saskia Hüneke, Stiftung Preußische Schlösser und Garten

Michael Rohde, Stiftung Preußische Schlösser und Garten

Henriette Graf

Das Neue Palais von Schloss Sanssouci Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 48

Format 17.0 × 12.0 cm

SC 978-3-422-04026-7 De €4.95 / $ 5.99 / £ 4.50

GERMAN

OCTOBER 2018 DEUTSCHER KUNSTVERLAG

Michael Scherf

Schloss Sanssouci Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 48

Format 17.0 × 12.0 cm

SC 978-3-422-04035-9 De €4.95 / $ 5.99 / £ 4.50

GERMAN AUGUST 2020 DEUTSCHER KUNSTVERLAG

Flora and Pomona are the goddesses of flowers and fruit. They guide families with children aged six and over through Sanssouci Park, telling informative, amusing stories about the most important buildings and beautiful corners in the Hohenzollern dynasty’s royal gardens in Potsdam. The famous Sanssouci Palace complex with its vineyard terraces, the magnificent New Palace, and the fairytale Charlottenhof, as well as mysterious

Also of interest

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

Park Sanssouci für Kinder & Familien

2nd edition

Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 32

Ills. 38 color

Format 17.0 × 12.0 cm

SC 978-3-422-80230-8 Ger € 6.95 $ 7.99 £ 6.50

GERMAN APRIL 2024 DEUTSCHER KUNSTVERLAG

Park guide for all the family

and hidden corners such as the Dragon House and the Hedge Theatre, are all waiting to be explored. On an interactive walk, the young visitors will encounter King Frederick the Great and his passion for the exotic. They will discover how water gets into the fountains, and learn interesting facts about the gardens’ design, the sculptures, the plants and trees, and their origins. Families can have fun plunging into 18th and 19th century history, as

Dorothee von Hohenthal, Silke Hollender

Park Charlottenburg für Kinder

Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 24

Format 17.0 × 12.0 cm

SC 978-3-422-04041-0 De €4.95 / $ 5.99 / £ 4.50

GERMAN MARCH 2016 DEUTSCHER KUNSTVERLAG

well as experiencing today’s Sanssouci Park with all its treasures.

Dorothee von Hohenthal, Stiftung Preußische Schlösser und Garten

Silke Hollender, Stiftung Preußische Schlösser und Garten

Wilma Otte, Stiftung Preußische Schlösser und Garten

Dorothee von Hohenthal, Silke Hollender, Wilma Otte

Park Babelsberg für Kinder Königliche Schlösser in Berlin, Potsdam und Brandenburg

Pages 24

Format 17.0 × 12.0 cm

SC 978-3-422-04044-1 De €4.95 / $ 5.99 / £ 4.50

GERMAN MAY 2017 DEUTSCHER KUNSTVERLAG

Made in Japan

Farbholzschnitte von Hiroshige, Kunisada und Hokusai

Judith Rauser, Hans Bjarne Thomsen (Eds.)

2024. 224 pages. 28.0 × 21.0 cm

110 color ills.

978-3-422-80183-7 Ger

SC

€ 42.00 / $ 46.99 / £ 37.00

24! / Fragen an die Konkrete Gegenwart

Mathias Listl, Henrike Holsing, Theres Rohde (Ed.)

2024. 207 pages. 24.0 × 17.0 cm

100 color ills.

SC

978-3-422-80222-3 En/Ger

€ 34.00 / $ 37.99 / £ 30.00

Michael Müller. Ernstes Spiel. Catalogue Raisonné Vol. 7.1, Deine Kunst Hubertus von Amelunxen, Anne-Marie Bonnet, Susanne Pfleger (Eds.)

2024. 300 pages. 31.5 × 24.0 cm 150 color ills.

HC 978-3-422-80188-2 En/Ger/Cn

€ 58.00 / $ 63.99 / £ 50.50

E-Book

978-3-422-80189-9 En/Ger/Cn € 58.00 / $ 63.99 / £ 50.50

Zeitfenster. Stephan Balkenhol trifft Alte Meister Peter Forster (Ed.)

2024. 120 pages. 28.0 × 24.0 cm

77 color ills.

HC 978-3-422-80209-4 Ger

€ 36.00 / $ 39.99 / £ 31.50

Zeugnis. Zweifel. Zeichen Zeitgeschichte in der abstrakten Malerei in Deutschland nach 1945

Anne-Kathrin Hinz

2024. 512 pages. 24.0 × 17.0 cm 82 color ills.

SC 978-3-422-80200-1 Ger

€ 59.00 / $ 64.99 / £ 51.50

E-Book 978-3-422-80201-8 Ger

€ 59.00 / $ 64.99 / £ 51.50

In Motion Art and Football

Manuel Neukirchner (Ed.)

2024. 344 pages. 30.0 × 24.0 cm

120 color ills.

978-3-422-80178-3 En

HC

€ 48.00 / $ 52.99 / £ 42.00

Michael Müller. Ernstes Spiel. Catalogue Raisonné Vol. 4.1, Am Abgrund der Bilder – „Birkenau“ Alien Athena Foundation for Art, Hubertus von Amelunxen, Anne-Marie Bonnet, Gero Heschl (Eds.)

2024. 320 pages. 31.5 × 24.0 cm 108 color ills.

HC

978-3-422-80180-6 En/Ger/Cn

€ 58.00 / $ 63.99 / £ 50.50

E-Book

978-3-422-80182-0 En/Ger/Cn

€ 58.00 / $ 63.99 / £ 50.50

A–Z Kunst in NRW 2000–2023 Sammlung Kunsthaus NRW Marcel Schumacher (Ed.)

2024. 388 pages. 22.0 × 16.6 cm

250 color ills.

HC 978-3-422-80123-3 Ger

€ 36.00 / $ 39.99 / £ 31.50

Malerei mit Licht und Glas Baugebundene Glaskunst in und aus Magdeburg Landeshauptstadt Magdeburg (Ed.), Cornelia Heller, Doreen Pöschl, Sabine Ullrich, Holger Brülls

2024. 400 pages. 28.0 × 22.0 cm 260 color ills.

HC 978-3-422-80191-2 Ger

€ 54.00 / $ 59.99 / £ 47.00

Francis Bacon Portrait, 1962 Markus Rath

2024. 130 pages. 20.0 × 13.0 cm 39 color ills.

SC 978-3-422-80181-3 En/Ger

€ 24.00 / $ 26.99 / £ 21.00

Die Nacht von Sevilla. Fußballdrama in 5 Akten

Ein dokumentarisches Theaterstück

DFB-Stiftung Deutsches Fußballmuseum gGmbH (Eds.), Manuel Neukirchner

2024. 144 pages. 23.5 × 17.0 cm

SC 978-3-422-80135-6 Ger

€ 20.00 / $ 22.99 / £ 17.50

E-Book 978-3-422-80136-3 Ger

€ 20.00 / $ 22.99 / £ 17.50

Hej rup! Die Tschechische Avantgarde im Kontext der Europäischen Moderne

Tobias Hoffmann (Ed.), Julia Meyer-Brehm

2023. 240 pages. 26.0 × 22.0 cm

150 color ills.

HC 978-3-422-80184-4 Ger

€ 42.00 / $ 46.99 / £ 37.00

Wissenszirkulation zwischen Kunst und Design Akteure – Objekte – Bedeutungen Susanne König

2024. 432 pages. 24.0 × 17.0 cm

120 color ills.

SC 978-3-422-80207-0 Ger

€ 76.00 / $ 83.99 / £ 66.50

E-Book 978-3-422-80208-7 Ger

€ 76.00 / $ 83.99 / £ 66.50

Bonnet (Eds.)

978-3-422-80190-5

Macht und Makel der Bilder Gedächtnisrufe zu Kunst, Bilderstreit, Kultverbot und Erinnerungskultur Jacques Picard 2024. 432 pages. 24.0 × 17.0 cm 92 color ills. HC 978-3-422-80192-9 Ger € 48.00 / $ 52.99 / £ 42.00

/

/

Günther Ueckers künstlerische Handlungen Eine interkulturelle Untersuchung anhand der daoistischen Begriffe wuwei, ganying und ziran Katharina Neuburger (Ed.), Xiao Xiao 2023. 94 pages. 21.0 × 14.8 cm 23 b/w ills.

SC 978-3-422-80133-2 En/Ger

€ 28.00 / $ 30.99 / £ 24.50

„Die wahre Kunst ist immer da, wo man sie nicht erwartet“ / “True art is where it is not expected” Dubuffet, Chaissac, Soutter, Gill, Held, Wölfli Brigitte Hausmann, Bezirksamt Steglitz-Zehlendorf von Berlin (Eds.)

2023. 112 pages. 26.0 × 21.0 cm 40 color ills.

HC 978-3-422-80177-6 En/Ger € 32.00 / $ 35.99 / £ 28.00

Walter Kaesbach und die Kunstakademie Düsseldorf

Vanessa Sondermann (Ed.), Kunibert Bering, Susanne Deicher, John Morgan, Cornelia Nowak, Vanessa Sondermann, Hans-Peter Thurn, Alexander Zschokke

2024. 312 pages. 22.5 × 30.0 cm

HC

978-3-422-80203-2 Ger

€ 44.00 / $ 48.99 / £ 38.50

Michael Müller. Ernstes Spiel. Catalogue Raisonné Vol. 4.2, Lektüre und Ablenkung Alien Athena Foundation for Art, Hubertus von Amelunxen, Anne-Marie

Matisse kommt mir vor wie vom Himmel

Hans Purrmann, Karl Ernst Osthaus, Henri Matisse. Der Briefwechsel 1907–1919

Rainer Stamm, Gloria Köpnick (Eds.)

2024. 120 pages. 21.0 × 13.5 cm 32 color ills.

SC 978-3-422-80212-4 Ger

€ 18.00 / $ 19.99 / £ 16.00

Frans Hals inspiriert

Der Mann mit dem Schlapphut Hessen Kassel Heritage (Ed.), Justus Lange, Dorothee Gerkens, Christiane Lukatis

2023. 88 pages. 22.0 × 14.7 cm

5 b/w ills., 50 color ills.

SC 978-3-422-80174-5 Ger

€ 15.00 / $ 16.99 / £ 13.50

Das Retabel von Schloss Tirol Kunsttechnische Untersuchungen

Laura Resenberg (Ed.), Christina Thieme

2023. 256 pages. 26.0 × 21.0 cm 748 color ills.

978-3-422-80079-3 Ger

HC

€ 48.00 / $ 55.99 / £ 41.50

Bild-Raum-Wissenschaft Studies on Spatially Embedded Art Christina Strunck (Ed.)

2024. 356 pages. 24.0 × 17.0 cm 128 color ills.

SC

978-3-422-80124-0 En/Ger

€ 68.00 / $ 74.99 / £ 59.50

E-Book

978-3-422-80125-7 En/Ger

€ 68.00 / $ 74.99 / £ 59.50

Matisse, Derain, and their Friends The Parisian Avant-Garde 1904–1908

Arthur Fink, Claudine Grammont, Josef Helfenstein (Eds.)

2023. 352 pages. 28.5 × 21.5 cm 200 color ills.

978-3-422-80119-6 En

HC

€ 58.00 / $ 63.99 / £ 50.50

Flora ad infinitum

Bead Craft from France and Venice to the World L’artisanat des perles : francais, vénitien et universel

Georg Ragnar Levi

2023. 216 pages. 22.5 × 24.5 cm 186 color ills.

HC 978-3-422-80151-6 En/Fr

€ 48.00 / $ 52.99 / £ 42.00

Johann Bernhard Fischer von Erlach 1656–1723 Studien zu Werk und Rezeption

Andreas Kreul

2024. 224 pages. 24.0 × 17.0 cm 80 color ills.

SC 978-3-422-80195-0 Ger

€ 38.00 / $ 41.99 / £ 33.50

E-Book 978-3-422-80197-4 Ger

€ 38.00 / $ 41.99 / £ 33.50

Raum und Sehen am päpstlichen Hof von Avignon Innovation in der Malerei Matteo Giovannettis

Tanja Hinterholz

2024. 496 pages. 24.0 × 17.0 cm

6 b/w ills., 130 color ills.

SC 978-3-422-98761-6 Ger

€ 64.00 / $ 73.99 / £ 58.00

E-Book 978-3-422-80204-9 Ger

€ 64.00 / $ 73.99 / £ 58.00

Architektur alpiner Sicherheit Lawinenverbauung zwischen Technologie und Ästhetik Doris Hallama

2024. 400 pages. 24.0 × 17.0 cm 189 color ills.

SC 978-3-422-80167-7 Ger

€ 58.00 / $ 63.99 / £ 50.50

E-Book 978-3-422-80168-4 Ger

€ 58.00 / $ 63.99 / £ 50.50

Mythos Spanien

Ignacio Zuloaga 1870–1945

Roger Diederen, Nerina Santorius, Carlos Alonso Pérez-Fajardo (Eds.)

2023. 216 pages. 29.0 × 24.0 cm 168 color ills.

978-3-422-80094-6 Ger

HC

€ 48.00 / $ 55.99 / £ 41.50

Faulheit in der Kunst

Studien zu Acedia und Müßiggang vom Mittelalter bis zur Frühen Neuzeit

Johannes Hartau

2024. 496 pages. 24.0 × 17.0 cm 184 color ills.

HC 978-3-422-80185-1 Ger

€ 98.00 / $ 107.99 / £ 85.50

E-Book 978-3-422-80186-8 Ger

€ 98.00 / $ 107.99 / £ 85.50

Die Barockbaumeister Fischer von Erlach

Bibliographie zu Leben und Werk

Andreas Kreul

2024. 224 pages. 24.0 × 17.0 cm 10 color ills.

SC 978-3-422-80196-7 Ger

€ 38.00 / $ 41.99 / £ 33.50

E-Book 978-3-422-80198-1 Ger

€ 38.00 /

Spontaneität Unmittelbarkeit, Schnelligkeit, Authentizität in westlicher und ostasiatischer Kunst Yannis Hadjinicolaou, Monika Wagner (Eds.)

2024.

Goethes Gartenhaus Klassik Stiftung Weimar (Ed.) 2024. 136 pages. 23.0 × 15.0 cm 90 color ills.

14.90 / $ 17.99 / £ 13.00

Rudolf Levy Magier der Farbe Steffen Egle, Sören Fischer, Annette Reich (Eds.)

978-3-422-80166-0 Ger

44.00 / $ 48.99 / £ 38.50

Michael Müller & Lukas Töpfer

Am Abgrund der Bilder –„Birkenau“ Alien Athena Foundation for Art, Gero Heschl (Eds.), Michael Müller, Lukas Töpfer

2023. 108 pages. 31.5 × 25.0 cm 55 color ills.

HC 978-3-422-80126-4 Ger

€ 32.00 / $ 35.99 / £ 28.00

E-Book 978-3-422-80130-1 Ger

€ 32.00 / $ 35.99 / £ 28.00

Nan Hoover – Anneliese Hager –Maria Lassnig Inge Herold, Johan Holten (Eds.), Christina Bergemann, Inge Herold, Dawn Leach, Johanna Ortner, Lynette Roth

2023. 240 pages. 23.7 × 16.5 cm 108 color ills.

SC 978-3-422-80173-8 En/Ger

€ 44.00 / $ 48.99 / £ 38.50

Die Kunstakademie Düsseldorf 1773–2023

Kunstgeschichte einer Institution Johannes Myssok (Ed.) 2023. 400 pages. 30.0 × 24.0 cm 243 color ills.

/ £ 42.00

This Is Me, This Is You. Die Eva Felten Fotosammlung/The Eva Felten Photography Collection

Monika Bayer-Wermuth, Museum

Brandhorst (Eds.)

2023. 304 pages. 32.0 × 23.0 cm 220 color ills.

HC 978-3-422-80116-5 En/Ger

€ 54.00 / $ 59.99 / £ 47.00

Emil Orlik Das druckgraphische Werk

Peter Voss-Andreae (Ed.)

2023. 1200 pages. 31.0 × 25.0 cm

1280 b/w ills., 665 color ills.

HC 978-3-422-98841-5 Ger

€ 198.00 / $ 227.99 / £ 180.00

Three volumes in a slipcase

École de Paris global

Die Erfindung von Paris als Kunstzentrum in internationalen Ausstellungen zwischen 1921–1946

Annabel Ruckdeschel

2024. 256 pages. 24.0 × 17.0 cm 200 color ills.

SC 978-3-422-99067-8 Ger

€ 68.00 / $ 74.99 / £ 59.50

E-Book 978-3-422-80104-2 Ger

€ 68.00 / $ 74.99 / £ 59.50

Das prächtige Rathaus der Stadt Augsburg Salomon Kleiners Originalzeichnungen aus den Jahren 1727/28 in der Staats- und Stadtbibliothek Augsburg für die Edition der Kupferstichfolge des Augsburger Rathauses Staats- und Stadtbibliothek Augsburg (Ed.), Karl-Georg Pfändtner 2023. 52 pages. 29.0 × 45.0 cm 79 color ills.

HC 978-3-422-80107-3 Ger

€ 58.00 / $ 63.99 / £ 50.50

Bad und Akt Studien zu Badedarstellungen der Frühen Neuzeit

Jan-David Mentzel

2024. 368 pages. 24.0 × 17.0 cm

40 b/w ills., 75 color ills.

978-3-422-98875-0 Ger

HC

€ 48.00 / $ 55.99 / £ 41.50

E-Book

978-3-422-80106-6 Ger

€ 48.00 / $ 55.99 / £ 41.50

Nietzsche-Archiv Klassik Stiftung Weimar (Ed.)

2023. 136 pages. 23.0 × 15.0 cm

47 b/w ills., 77 color ills.

SC 978-3-422-98716-6 En

€ 14.90 / $ 17.99 / £ 13.00

human error

Louisa Clement Frank Schmidt für die Museen Böttcherstraße (Eds.), Armin Grunwald, Katharina Rüppell, Frank Schmidt

2023. 96 pages. 24.5 × 19.0 cm 40 color ills.

SC 978-3-422-80164-6 En/Ger € 32.00 / $ 35.99 / £ 28.00

Symphonie in Schwarz

Eine Spurensuche zwischen Lebensreform, Frauenbewegung und Bohème

Andreas Dehmer, Susanna Partsch 2023. 120 pages. 21.0 × 13.0 cm 60 color ills.

SC 978-3-422-80115-8 Ger

€ 24.00 / $ 26.99 / £ 21.00

Im Wandel der Zeit Die Darstellung der Vier Jahreszeiten in der bildenden Kunst des 18. und frühen 19. Jahrhunderts Friederike Voßkamp

2023. 356 pages. 24.0 × 17.0 cm

13 b/w ills., 102 color ills.

SC 978-3-422-98686-2 Ger

€ 68.00 / $ 74.99 / £ 59.50

E-Book 978-3-422-80110-3 Ger

€ 68.00 / $ 74.99 / £ 59.50

Das Werk im Zentrum Kunstgeschichte mit Objekten aus dem Städel Museum und der Liebieghaus Skulpturensammlung Berit Wagner, Almut Pollmer-Schmidt, Heidrun Lange-Krach (Eds.) 2023. 376 pages. 24.0 × 17.0 cm 130 color ills.

HC 978-3-422-80088-5 Ger

€ 78.00 / $ 89.99 / £ 68.00

Gegen Michelangelo

Die Bildparodie in der nord- und mittelitalienischen Kunst des Cinquecento

Giuseppe Peterlini

2023. 259 pages. 30.0 × 23.0 cm

62 b/w ills., 124 color ills.

HC 978-3-422-80108-0 Ger

€ 98.00 / $ 107.99 / £ 85.50

E-Book

978-3-422-80109-7 Ger

€ 98.00 / $ 107.99 / £ 85.50

Dresden Rüstkammer

The Electoral Wardrobe Marius Winzeler, Staatliche Kunstsammlungen Dresden (Eds.), Jutta Charlotte von Bloh, Christine Nagel, Viktoria Pisareva 2023. 144 pages. 23.0 × 15.0 cm 135 color ills.

SC 978-3-422-80137-0 En

€ 19.00 / $ 20.99 / £ 17.00

Jugendstil in Berlin

Künstler – Räume – Objekte

Birgit Ströbel

2023. 448 pages. 24.0 × 17.0 cm

148 b/w ills., 146 color ills.

HC 978-3-422-80068-7 Ger

€ 52.00 / $ 59.99 / £ 45.00

E-Book 978-3-422-80169-1 Ger

€ 52.00 / $ 59.99 / £ 45.00

Säkularisation und Kunst in Köln

Die Entdeckung und Rettung der Tafelbilder der Alten Meister und ihre frühen Sammler

Andrea Deichmann

2023. 367 pages. 24.0 × 17.0 cm 16 b/w ills., 30 color ills.

HC 978-3-422-80112-7 Ger

€ 68.00 / $ 74.99 / £ 59.50

E-Book 978-3-422-80162-2 Ger

€ 68.00 / $ 74.99 / £ 59.50

Tischbein im Kontext

Ausstattungsprogramme für die Landgrafen von Hessen-Kassel Hessisches Landesmuseum (Ed.), Justus Lange, Malena Rotter, Christiane Ehrenforth

2023. 107 pages. 21.8 × 14.2 cm

61 color ills.

SC 978-3-422-80111-0 Ger

€ 15.00 / $ 16.99 / £ 13.50

Die Freiheit der Linie Callot, Della Bella, Castiglione und die Radierung im 17. Jahrhundert Generaldirektion Kulturelles Erbe Rheinland-Pfalz (Ed.), Maria Aresin, Marion Heisterberg, Stefan Morét, Ad Stijnman

2023. 208 pages. 28.0 × 22.0 cm 150 color ills.

HC

978-3-422-80113-4 Ger

€ 46.00 / $ 50.99 / £ 40.00

Bramantes Pergamentplan

Eine Architekturzeichnung im Kontext wissenschaftlicher

Kontroversen

Steffen Krämer

2023. 103 pages. 24.0 × 17.0 cm 35 color ills.

SC

978-3-422-80102-8 Ger

€ 28.00 / $ 30.99 / £ 24.50

E-Book

978-3-422-80103-5 Ger

€ 28.00 / $ 30.99 / £ 24.50

Arm- und Beinringe Erkennen. Bestimmen. Beschreiben.

Ronald Heynowski, Angelika Abegg-Wigg

2023. 416 pages. 24.0 × 17.0 cm

439 b/w ills., 56 color ills.

SC 978-3-422-80138-7 Ger

€ 22.00 / $ 24.99 / £ 19.50

An Anarchitectural Body of Work

Suzanne Harris and the Downtown New York Artists’ Community in the 1970s

Friederike Schäfer

2023. 384 pages. 24.0 × 17.0 cm

79 b/w ills., 56 color ills.

SC 978-3-11-073868-1 En

€ 69.00 / $ 75.99 / £ 63.00

Image Controversies

Contemporary Iconoclasm in Art, Media, and Cultural Heritage

Birgit Mersmann, Christiane Kruse, Arnold Bartetzky (Eds.)

2024. 352 pages. 24.0 × 17.0 cm

14 b/w ills., 62 color ills.

SC 978-3-11-077348-4 En

€ 69.00 / $ 75.99 / £ 63.00

E-Book

978-3-11-077357-6 En Open Access

‘Arbeit Macht Frei’ Representations and Meanings in Art Batya Brutin

2024. 128 pages. 24.0 × 17.0 cm 77 color ills.

HC

978-3-11-115311-7 En € 119.00 / $ 130.99 / £ 108.50 E-Book 978-3-11-117582-9 En € 119.00 / $ 130.99 / £ 108.50

Objects and Organisms

Vivification – Reification – Transformation

Ella Beaucamp, Romana Kaske, Thomas Moser (Eds.)

2023. 236 pages. 24.0 × 17.0 cm 59 color ills.

HC

978-3-11-069415-4 En/Ger

€ 59.95 / $ 68.99 / £ 54.50

E-Book

978-3-11-119970-2 En/Ger

€ 59.95 / $ 68.99 / £ 54.50

Broken Myths Charles Sheeler’s Industrial Landscapes Andrea Diederichs

2022. 267 pages. 24.0 × 17.0 cm 102 color ills.

SC 978-3-11-076945-6 En

€ 89.95 / $ 103.99 / £ 82.00

Grenzgänger Figuren des deutschfranzösischen Kulturtransfers Winfried Eckel, Gregor Wedekind (Ed.)

2024. 182 pages. 24.0 × 17.0 cm 24 b/w ills.

HC

978-3-11-132119-6 Ger/Fr

€ 49.00 / $ 53.99 / £ 45.00

E-Book

978-3-11-132344-2 Ger/Fr

€ 49.00 / $ 53.99 / £ 45.00

Francis Bacon –In the Mirror of Photography Collecting, Preparatory Practice and Painting

Katharina Günther

2022. 446 pages. 24.0 × 17.0 cm 107 b/w ills., 51 color ills., 1 tables

978-3-11-072062-4 En

HC

€ 59.90 / $ 68.99 / £ 52.00

E-Book

978-3-11-072064-8 En

€ 59.90 / $ 68.99 / £ 52.00

Art of the 1980s As If the Digital Mattered

Patrick Frank

2024. 160 pages. 24.0 × 17.0 cm 24 b/w ills., 9 color ills.

978-3-11-138463-4 En

HC

€ 89.00 / $ 97.99 / £ 81.00

E-Book

978-3-11-138469-6 En

€ 89.00 / $ 97.99 / £ 81.00

Baldwin & Guggisberg Dans le labyrinthe: Un voyage liminal Francine Giese, Sarah Tabbal, Vitromusée Romont (Eds.)

2023. 91 pages. 24.0 × 24.0 cm 50 color ills. SC 978-3-11-105426-1 En/Fr

39.00 / $ 44.99 / £ 35.50

Under Construction Kunst, Männlichkeiten und Queerness seit 1970 Änne Söll, Maike Wagner, Katharina Boje (Eds.)

2024. 231 pages. 24.0 × 17.0 cm 43 b/w ills.

SC 978-3-11-099109-3 En/Ger

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Glass in Architecture from the Pre- to the Post-industrial Era Production, Use and Conservation

Sophie Wolf, Laura Hindelang, Francine Giese, Anne Krauter (Eds.)

2024. 336 pages. 24.0 × 17.0 cm 165 color ills.

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Silvia Gertsch Licht und Gegenlicht / Lumière et contre-jour

Francine Giese, Vitromusée Romont (Eds.)

2022. 124 pages. 24.0 × 24.0 cm 80 color ills.

SC 978-3-11-076043-9 Ger/Fr/It € 39.95 / $ 45.99 / £ 36.50

Networks and Practices of Connoisseurship in the Global Eighteenth Century Valérie Kobi, Kristel Smentek, Chonja Lee (Eds.)

2023. 250 pages. 24.0 × 17.0 cm 78 color ills.

978-3-11-099695-1 En

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Taking the Alhambra to St. Petersburg Neo-Moorish Russian Architecture and Interiors 1830–1917 Katrin Kaufmann

2023. 312 pages. 28.0 × 21.0 cm 312 color ills.

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Handbuch Werkverzeichnis –Œuvrekatalog – Catalogue raisonné Ingrid Pérez de Laborda, Aya Soika, Eva Wiederkehr-Sladeczek (Eds.)

2023. 392 pages. 24.0 × 17.0 cm 60 b/w ills., 70 color ills.

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The Sculptural in the (Post-) Digital Age Mara-Johanna Kölmel, Ursula Ströbele (Eds.)

2023. 242 pages. 24.0 × 17.0 cm 68 b/w ills.

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Can Art History be Made Global? Meditations from the Periphery Monica Juneja

2023. 348 pages. 24.0 × 17.0 cm 20 b/w ills., 40 color ills.

SC 978-3-11-071629-0 En

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Art and Protest

The Role of Art during the Campaign which led to the New Forest Act (1877) Charlotte Yeldham, Tim Craven, Jonathan Spencer

2023. 76 pages. 23.0 × 15.5 cm 11 color ills.

SC 978-3-11-102335-9 En

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Britain and the Continent 1660–1727

Political Crisis and Conflict Resolution in Mural Paintings at Windsor, Chelsea, Chatsworth, Hampton Court and Greenwich

Christina Strunck

2021. 528 pages. 28.0 × 21.0 cm

124 b/w ills., 117 color ills.

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Les Français et la Renaissance Idées et représentations de l’architecture, 1760–1880

Antonio Brucculeri

2024. 408 pages. 24.0 × 17.0 cm

218 color ills.

HC 978-3-11-069956-2 Fr

€ 82.00 / $ 90.99 / £ 75.00

Angkor Wat – A Transcultural History of Heritage Volume 1: Angkor in France. From Plaster Casts to Exhibition Pavilions. Volume 2: Angkor in Cambodia. From Jungle Find to Global Icon

Michael Falser

2019. 1150 pages. 28.0 × 21.0 cm

Numerous ills.

HC 978-3-11-033572-9 En

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The Belvedere: 300 Years a Venue for Art Stella Rollig, Christian Huemer (Eds.)

2023. 398 pages. 28.0 × 23.0 cm

268 color ills.

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Bare Bodies – Thresholding Life

Mariella Greil (Ed.)

2023. 208 pages. 24.0 × 16.5 cm

3 b/w ills., 43 color ills.

SC 978-3-11-134137-8 En

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Ricarda Denzer – ganz ohr / all ears

Audio Trouble, Para-Listening, and Sounding Research

Ricarda Denzer, Christian Höller (Eds.)

2023. 192 pages. 23.5 × 16.5 cm

61 b/w ills., 92 color ills.

SC 978-3-11-134216-0 En/Ger

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Restoration as Fabrication of Origins

A Material and Political History of Italian Renaissance Art

Henri de Riedmatten, Fabio Gaffo, Mathilde Jaccard (Eds.)

2023. 190 pages. 24.0 × 17.0 cm 92 color ills.

SC 978-3-11-107227-2 En/Fr

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Open Access

A General History of Chinese Art, vol. 1-6 Xifan Li (Ed.)

2022. 2701 pages. 26.5 × 21.0 cm 185 b/w ills., 545 color ills.

SC 978-3-11-079063-4 En € 799.00 / $ 920.00 / £ 726.50

The Colors of Photography Bettina Gockel (Ed.), Nadine Jirka, Stella Jungmann

2020. 333 pages. 24.0 × 17.0 cm 113 color ills.

SC 978-3-11-065028-0 En

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New Media in Art History Tensions, Exchanges, Situations Régine Bonnefoit, Melissa Rérat, Samuel Schellenberg (Eds.)

2023. 144 pages. 21.0 × 14.7 cm 44 color ills.

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The Octopus On Diversities, Art Production, Educational Models, and Curatorial Trajectories Başak Şenova (Ed.)

2024. 256 pages. 26.0 × 18.0 cm

13 b/w ills., 330 color ills.

SC 978-3-11-136534-3 En

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Ruth Schnell – WORKBOOK Mirrors of the Unseen Peter Weibel, Katharina Gsöllpointner (Eds.)

2023. 360 pages. 27.0 × 21.0 cm

33 b/w ills., 354 color ills.

SC 978-3-11-124998-8 En

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New Apelleses and New Apollos Poet-Artists around the Court of Florence (1537–1587)

Diletta Gamberini

2022. 296 pages. 24.0 × 17.0

Wenn der Wind weht / When the Wind Blows Luft, Wind und Atem in der zeitgenössischen Kunst / Air, Wind, and Breath in Contemporary Art

Liddy Scheffknecht, Ernst Strouhal (Eds.)

2022. 232 pages. 30.0 × 24.0 cm 65 b/w ills., 125 color ills.

SC 978-3-11-078520-3 En/Ger

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Jari Genser – It Is about Time 10 Jahre – 16 Werke / 10 Years – 16 Works

Jari Genser

2023. 132 pages. 32.0 × 24.5 cm

35 b/w ills., 16 color ills.

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978-3-11-106650-9 En/Ger

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Liddy Scheffknecht –Points in Time

Arbeiten/Works 2010–2020

Ernst Strouhal (Ed.)

2021. 248 pages. 28.0 × 22.0 cm 28 b/w ills., 306 color ills.

HC 978-3-11-076943-2 En/Ger

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Toxic Temple An Artistic and Philosophical Adventure into the Toxicity of the Now Anna Lerchbaumer, Kilian Jörg (Eds.)

2022. 256 pages. 24.0 × 17.0 cm 112 color ills.

978-3-11-076914-2 En

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Oskar Kokoschka: Neue Einblicke und Perspektiven / New Insights and Perspectives

Régine Bonnefoit, Bernadette Reinhold (Eds.)

2021. 452 pages. 21.0 × 14.7 cm

20 b/w ills., 43 color ills.

SC

978-3-11-072420-2 En/Ger

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Arts & Dementia Interdisciplinary Perspectives

Ruth Mateus-Berr, L. Vanessa Gruber (Eds.)

2020. 400 pages. 24.2 × 17.0 cm

32 b/w ills., 182 color ills.

HC 978-3-11-072047-1 En

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E-Book 978-3-11-072055-6 En

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Friedl Dicker-Brandeis Works from the Collection of the University of Applied Arts Vienna

Stefanie

Kitzberger, Cosima Rainer, Linda Schädler (Eds.)

2022. 352 pages. 24.0 × 16.5 cm 50 b/w ills., 120 color ills.

HC 978-3-11-078906-5 En

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E-Book 978-3-11-078913-3 En

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Barbara Holub – Stiller Aktivismus / Silent Activism Başak Şenova (Ed.)

2022. 312 pages. 28.0 × 22.0 cm 43 b/w ills., 278 color ills.

HC

978-3-11-079081-8 En/Ger

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LINDA BERGER – PEACH-BLOW MONOGRAFIE/MONOGRAPH

Linda Berger, Maria Christine Holter (Eds.)

2021. 224 pages. 25.8 × 21.9 cm

12 b/w ills., 78 color ills.

HC 978-3-11-074475-0 En/Ger

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inframince infra-mince infra mince TransArts at the University of Applied Arts Vienna / TransArts an der Universität für angewandte Kunst Wien Stephan Hilge, Roman Pfeffer, Nita Tandon, Gudrun Ratzinger, Franz Thalmair (Eds.)

2021. 304 pages. 21.6 × 16.3 cm 303 color ills.

HC

978-3-11-072418-9 En/Ger

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Kabarett

Fledermaus @ Bar du Bois Aktualisierung eines Experiments der Wiener Moderne / Update of an Experiment of Viennese Modernism Cosima Rainer (Ed.)

2020. 176 pages. 29.7 × 21.0 cm 73 b/w ills., 125 color ills.

SC 978-3-11-072306-9 En/Ger

€ 29.95 / $ 34.99 / £ 26.00

Barbis Ruder. Werk – Zyklus –Körper / Work – Cycle – Body

Madeleine Frey (Ed.) 2023. 400 pages. 26.0 × 21.0 cm

b/w ills., 679 color ills. SC 978-3-11-106146-7 En/Ger € 49.00 / $ 56.99 / £ 44.50 E-Book

Judith P. Fischer – Linie Form Raum / Line Shape Space

Theresia Hauenfels (Ed.)

2022. 256 pages. 26.0 × 20.5 cm 123 b/w ills., 169 color ills.

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978-3-11-054250-9 En/Ger

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Rini Tandon. to spaces unsigned Works, Concepts, Processes 1976–2020 / Arbeiten, Konzepte, Prozesse 1976–2020 Sabine Folie (Ed.)

2020. 328 pages. 30.0 × 23.0 cm

304 color ills., 96 duplex

SC

978-3-11-070045-9 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Plastic Ocean: Art and Science Responses to Marine Pollution

Ingeborg Reichle (Ed.)

2021. 272 pages. 25.0 × 20.0 cm 164 color ills.

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978-3-11-074472-9 En

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COMPANY. Fotografien und Fragmente über das Arbeiten Photographs and Fragments on Working Beatrix Zobl, Wolfgang Schneider, Ruth Horak, Monika Mokre, Erzsébet Pilinger, Tasos Zembylas

2019. 296 pages. 24.5 × 21.0 cm Numerous ills.

SC 978-3-11-065766-1 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Being in Contact: Encountering a Bare Body

Mariella Greil

2021. 368 pages. 24.0 × 16.5 cm

168 b/w ills., 365 color ills.

SC

978-3-11-073939-8 En

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The Amden Atelier 1999–2015 Roman Kurzmeyer

2015. 256 pages. 24.0 × 15.5 cm 40 b/w ills., 122 color ills.

SC 978-3-11-044042-3 En

€ 34.95 / $ 49.00 / £ 30.50

4 above Lotte Laserstein, Russisches Mädchen mit Puderdose, 1928, Städel Museum Frankfurt am Main © VG Bild-Kunst, Bonn 2024; below left George Grosz, Porträt des Schriftstellers Max Herrmann-Neiße, 1925, Kunsthalle Mannheim © VG Bild-Kunst, Bonn 2024; below right Edward Hopper, Night Windows, 1928, Museum of Modern Art New York © VG Bild-Kunst, Bonn 2024

5 Arno Henschel, Dame mit Maske, 1928, Kulturhistorische Museen Görlitz

6 above Alberto Giacometti, c. 1935. Photo: Rogi André, Archives Fondation Giacometti, All rights reserved (the heirs of the photographer are unknown); below Alberto Giacometti, Femme couchée qui rêve (Reclining Woman who Dreams), 1929, bronze, 23,7 × 42,6 × 13,6 cm, Fondation Giacometti

7 Alberto Giacometti, Boule suspendue (Suspended Ball), 1930 (version 1965), plaster, painted metal, string, 60,6 × 35,6 × 36,1 cm, Fondation Giacometti

8 left to right Richard Riemerschmid, design for Ida Riemerschmid, worn at the opening of the Schauspielhaus, 1901, raspberry red wool voile, © Münchner Stadtmuseum/VG Bild-Kunst, Bonn 2024; Elisabeth Erber, Blattstengel mit drei Nachtfaltern, around 1899, tempera on carton, 78 × 39 cm, © Münchner Stadtmuseum; Karl Rothmüller, Brooch, around 1910, © Münchner Stadtmuseum

9 above Gertraud von Schnellenbühel, Candlestick, 1913, Executed by Kunstgewerbliche Werkstätten Steinicken & Lohr Messing, silver plated, 48,5 × 50 × 50 cm, © Münchner Stadtmuseum; below Hermann Obrist, Wandbehang mit Alpenveilchen („Peitschenhieb“), um 1895, Executed by Berthe Ruchet, Wool weave with silk embroidery, 119 × 183 cm, © Münchner Stadtmuseum

10 left to right Anonym, Keiles Wiesbaden, c. 1920, color lithography, print: Gebrüder Petmecky, Wiesbaden, poster collection Maximilian Karagöz. Photo: © 2024 Museum Wiesbaden/Bernd Fickert; Georg Johann Köhler, Opelbad Wiesbaden, 1934, color lithography, print: Hauserpresse Hans Schäfer, Frankfurt a. M., poster collection Maximilian Karagöz. Photo: © 2024 Museum Wiesbaden/Bernd Fickert; Rosa Bruntsch, Skating Rink, c. 1900, color lithography, print: printery Arthur Albrecht & Cie, Karlsruhe, poster collection Maximilian Karagöz. Photo: © 2024 Museum Wiesbaden/Bernd Fickert

11 Anna von Wahl, Kunstausstellung, 1887, color lithography, print: Otto von Holten, Berlin, poster collection Maximilian Karagöz. Photo: © 2024 Museum Wiesbaden/ Bernd Fickert

12 left Emma Kunz, Werk.-Nr. 152, o. D., Pencil and oil pastel, 94 × 94 cm, © Emma Kunz Stiftung; right Else Blankenhorn, 200

SEIDUBLONEN, 1908–1919, Oil on canvas 21 × 27,6 cm, Inv.Nr. 1891c, ©Sammlung Prinzhorn, Universitätsklinikum Heidelberg

14 left Drora Spitz, Mid-day, Sinai, 1971, silver print, 49,3 × 49,6 cm; right Yaacov Ben Dov, Mädchen mit Eseln in Yesod haMalah (Mei Merom), c. 1918, unidentified colour process, 15,7 × 22,4 cm

15 Anni Landes, Gottex swimsuits, 1950s, silver print, 25,3 × 20,3 cm

16 left Robert Delaunay, Der Eiffel-Turm, 1909–1910/11, Staatliche Kunsthalle Karlsruhe; right Hubert Robert, Der Abbruch der Häuser auf der Notre-Dame-Brücke in Paris, c. 1788, Staatliche Kunsthalle Karlsruhe

17 Rudolf Dischinger, Schreitende, 1935/36, Staatliche Kunsthalle Karlsruhe

18 left 8 Yuba Mappings: A Disagreement in All Cases, 2012, digitally processed map on vinyl canvas, photos, ink, wax crayon with acrylic fixative, 234 × 188 cm, Collection of the Nevada Museum of Art; right Survival Piece #5: Portable Orchard, 1971–2024, installation: 18 citrus trees in octagonal redwood boxes, special mixture of soil according to artist‘s instructions, dimensions variable

19 The California Wash, 1988–1997. Photo: Pico Boulevard, Santa Monica Promenade, CA

20 left Bogomir Ecker, Abnehmende Aussicht © Rupert Oberhäuser, VG Bild-Kunst, Bonn 2024; right Wolfgang Winter, Bertholt Hörbelt, Pixelröhre, © EGLV/ Rainer Schlautmann for Wolfgang Winter VG BildKunst, Bonn 2024

21 left to right House 9 of the Betonmustersiedlung „9=12“, Hadersdorf near Vienna, 2000-2007. Photo: Philipp Kreidl; Soutterrainlokal at Palais Schwarzenberg (not preserved), Vienna, 1982-1984. Photo: Gert von Bassewitz; Kleines Café I, Vienna, 1970. Photo: Hermann Czech

24 left Benvenuto Cellini, Saliera, 1543, Wien, Kunsthistorisches Museum; right Heinz Schillinger (design), Evolution der Autokarosserie, stamp, 1986

26 © Yvette Amann, Bottmingen (CH)

28 left Rainer Wölzl, DER BOGEN, 2013 – Museum der Schatten [Jean-Martin Charcot, Salpêtrière; Marcel Duchamp; Helmut Newton; Jan Brueghel der Ältere]; oil, charcoal/paper, 12 parts, 100 × 70 cm each, 202 × 430 cm in total © Rainer Wölzl; right Rainer Wölzl, EIN KÄFIG GING EINEN VOGEL SUCHEN, 2020 – Museum der Schatten [Rogier van der Weyden, Franz Krieger: Bücherverbrennung, 30. April 1938; Tereza Zelenkova: Sigmund Freud’s Sessel von Felix Augenfeld; Karl-Marx-Hof, 1934, Narrenturm; Anton Pilgram: Fenstergucker]; oil, charcoal/paper, 12 parts, 100 × 70 cm each, 202 × 430 cm in total © Rainer Wölzl

29 left to right Thomas Feuerstein, METABOLICA (Moby Dick), exhibition view, Museion/NOI, Bolzano, 2023 © Thomas Feuerstein; Maja Smrekar, K-9_topology: Hybrid Family, 2016; produced by Kapelica Gallery / Zavod Kersnikova and Freies Museum Berlin © Maja Smrekar and Manuel Vason; Klaus Spiess and Lucie Strecker, study for ECOLALIA, 2021 © Klaus Spiess and Lucie Strecker

30 left to right Milena Heussler, Matter of Impact, 2018, objects made from elastic bands © Milena Heussler; Nicole Weniger, The Unknown, 2014, staged photography © Nicole Weniger; Karin Altmann, A World of Blue, Dialogues in Indigo, 2021 © Konrad Strutz; Barbara Putz-Plecko, yonder, 2014, pbjects and photo series © Barbara Putz-Plecko

31 left to right Chico MacMurtrie, Bordercrosser, robotic sculpture 2019 © Barbara Putz-Plecko; Workshop Bilwa Costa, performance as practice, 2016 © Jasmin Schaitl; Tonio Kröger, Untitled, 2009 © Barbara Putz-Plecko; Barbara Putz-Plecko, Rosalis_SchnittBlume, Calsi, 1999 © Barbara Putz-Plecko

32 left to right Max J. Friedländer, 1941, Photo Julius Guggenheimer, Wikimedia; Rembrandt, Porträt des Predigers Cornelis Clarsz. Anslo, 1641, etching, Staatliche Museen zu Berlin, Jörg P. Anders, Public Domani Mark 1.0; Goya, Desastres 36, 1810-14, etching, Staatliche Museen zu Berlin, Jörg P. Anders, Public Domani Marks 1.0

33 left Almagul Menlibayeva, Transoxiana Dreams, 2011, still, docufiction (HD video), 23 min., color, Stereo sound, 16:9, courtesy of the artist; right CORO Collective, Vocabulary Lesson (Part I), 2009, still, video (HD), 9:36 min., color, Stereo sound, 16:9, courtesy of the artists

35 left Stelarc, Third Hand, 1980, Tokyo, Yokohama, Nagoya. © Stelarc. Photo: Simon Hunter; right Lu Yang, Uterusman, 2013, video still. © Courtesy of the artist and Société Wichelhaus GmbH

36 © Patricia Vester

38 Maria Eichhorn, Relocating a Structure, La Biennale di Venezia, 59th International Art Exhibition, German Pavilion 2022. © Maria Eichhorn, VG Bild-Kunst, Bonn 2024 photo: Jens Ziehe

39 Maria Eichhorn, Relocating a Structure, La Biennale di Venezia, 59th International Art Exhibition, German Pavilion 2022. © Maria Eichhorn, VG Bild-Kunst, Bonn 2024 photo: Jens Ziehe

40 left Marguerite Naville, detail of the Assumption of Mary, altarpiece made of wool embroidery, gold and silver threads, Echarlens (FR), Notre-Dame-de-l’Assomption, ca. 1924-27. © Photo: Gilles Monney 2023; right Fernand Dumas (architecture), Willy Jordan/Jacqueline Esseiva (decoration),

Orsonnens (FR), Saints-Pierre-et-Paul, interior view, 1936. © Photo: Gilles Monney 2023

41 left Alexandre Cingria and Atelier Kirsch & Fleckner, Fribourg, Assumption of the Virgin Mary, stained glass, 1938, ca. 370 × 230 cm, Notre-Dame-de-l’Assomption, Attalens. © Photo Cyrille Girardet, Veyrier, Photo Digitale Groll, Geneva; right Albert Chavaz, Atelier Herbert Fleckner, Fribourg, Jesus stripped of his garments (10th station of the Cross), stained glass, 1957, 68 × 33 cm, Église du Christ-Roi, Petit-Lancy. © APAS (Association pour la promotion de l‘art sacré). Photo: Cyrille Girardet, Veyrier, Photo Digitale Groll, Geneva

42 left Display of four glass paintings in the attic of the residential building “Zur unteren Hammerschmiede”. Photo: Georg Sidler, Schwyz, 2023; right Most recent acquisition in the area of stained glass is the coat of arms pane of Bishop Wilhelm Rinck von Baldenstein of Basel, 1612. Photo: Georg Sidler, Schwyz, 2023

44 Poster advertising the Italian exhibition at the Petit Palais, Paris, Mourlot Imp. (0.74 × 0.52 m), 1935, DR - Paris Musées / Petit Palais, Musée des Beaux-Arts de la Ville de Paris

46 left Installation view of Malevich’s suprematist paintings at the “Last Futurist Exhibition of Paintings 0,10”, Petrograd/St. Petersburg, 1915. Source: https://commons. wikimedia.org/wiki/File:0.10_Exhibition. jpg / feed://lfeffortposts.wordpress.com/ tag/art/feed/; right Wassily Kandinsky, Komposition IV, 1911, Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Source: https:// commons.wikimedia.org/wiki/File:Vassily_ Kandinsky,_1911_-_Composition_No_4.jpg

47 left Ulm, HfG: Tomás Maldonado teaches drawing analysis in the Department of Visual Communication, academic year 1956/57, © Museum Ulm, HfG archive; right Dessau, Bauhaus: Students of the weaving workshop of master weaver Kurt Wanke in a loom, 1928, © Bauhaus archive Berlin

49 left to right Portrait of Madame Monet (Madame Claude Monet reading), c. 1874, oil on canvas, 61,7 × 50,3 cm. Image courtesy Clark Art Institute. Clarkart.edu; Woman crocheting, c. 1875, oil on canvas, 73,5 × 60,3 cm. Image courtesy Clark Art Institute. Clarkart.edu; Lise mit dem Sonnenschirm (Lise - La femme à l’ombrelle), 1867, oil on canvas, 184 × 115,5 cm, Museum Folkwang, Essen. Museum Folkwang Essen - ARTHOTHEK

50 left to right Otto Dix, Kriegskrüppel, 1920, privat collection, © VG Bild-Kunst, Bonn 2024; Hannah Höch, Das schöne Mädchen, 1920, privat collection, © VG Bild-Kunst, Bonn 2024, Robert Delaunay, Les coureurs, 1924, Musée d‘Art moderne de Troyes

52 left to right Friedrich von Amerling, Rudolf von Arthaber und seine Kinder Rudolf,

Emilie und Gustav [Rudolf von Arthaber and his children Rudolf, Emilie, and Gustav], 1837, oil on canvas, 221 × 155 cm, signed and dated bottom right: FrAmerling / 1837, Belvedere, Vienna, inv. no. 2245 © Österreichische Galerie Belvedere; Friedrich von Amerling, Ein Fischerknabe [A fisher boy], 1830, oil on canvas, 103 × 87 cm, Belvedere, Vienna, inv. no. 2504 © Österreichische Galerie Belvedere; Friedrich von Amerling, Marie Freiin Vesque von Püttlingen, 1832, oil on canvas, 90.5 × 75 cm, signature bottom right: FrAmerling, Belvedere, Vienna, inv. no. 5876 © Österreichische Galerie Belvedere

53 left to right Georg Eisler, Im Montana, 1995, oil on canvas, 80 × 99.5 cm, Belvedere, Vienna, inv. no. 11940 © Österreichische Galerie Belvedere; Georg Eisler, Salzburger Aktsaal, 1990, oil on canvas, 130 × 150 cm, Belvedere, Vienna, inv. no. 9241 © Österreichische Galerie Belvedere; Georg Eisler, Métro III, 1968, oil on canvas, 101 × 80 cm, Belvedere, Vienna, inv. no. 11932 © Österreichische Galerie Belvedere; Georg Eisler, Belfast, 1977, oil on canvas, 129 × 149 cm, Belvedere, Vienna, inv. no. 11938 © Österreichische Galerie Belvedere

54 left Friedrich Nerly, The Piazzetta in Venice by Moonlight, 1838, oil on canvas, 75.0 × 102.2 cm, Inv. Nr. 3019, Angermuseum Erfurt. Photo: Dirk Urban; right Friedrich Nerly, Monastery in the mountains near Subiaco, ca. 1833/35, oil on paper, 35.1 × 51.5 cm, Inv. Nr. 3085, Angermuseum Erfurt, Photo: Dirk Urban

55 left to right Otto Erdmann, Die unglückliche Werbung (1864), private collection of the author; Otto Erdmann, Cavalierdienst, Pictorial World, 1876, private collection of the author; Otto Erdmann in der Rolle des Jona in einem Singspiel im Archive Künstlerverein Malkasten, Düsseldorf (1862), drawing by August von Wille. Archiv des Künstlervereins Malkasten, Düsseldorf

56 left to right Tizian, Tommaso de‘Mosti, around 1520, oil on canvas, 85.0 × 67.0 cm, Palazzo Pitti, Florence. © Palazzo Pitti, Florenz; Washington Allston, self portrait, 1805, oil on canvas, 80.33 × 67.31 cm, Museum of Fine Arts, Boston. © Museum of Fine Arts, Boston; Anton Joseph Dräger, Moses at the fountain, 1827/28, oil on canvas, 117.0 × 157.0 cm, Nationalgalerie, Berlin. © Kunsthalle, Hamburg

57 left Caspar David Friedrich, Gebirgige Flußlandschaft, back side, Hessen Kassel Heritage; right Caspar David Friedrich, Gebirgige Flußlandschaft, front side, Hessen Kassel Heritage

58 left to right Master WA, A Gothic Hall, ca. 1465–1590, print room, inv. nr. 181-1881, Berlin; Giovanni Girolamo Savoldo, Die Venezianierin (heilige Maria Magdalena), ca. 1530–1540, oil on canvas, ca. 92 × 73 cm. Staatliche Museen, Gemäldegalerie, IdentNr. 307, Berlin; Edgar Rubin, zwischen 1912 und 1914, in: Edgar Rubin: Synsoplevede

Figurer. Studier i psykologisk Analyse. Første Del, København/Kristiania 1915

59 left to right Antica, Venedig 1590, Krakow National Museum; Cigoli section of the Florentine Cathedral Uffizien, Wikimedia; Domenico Veneziano, Madonna with the Child and Saints, ca. 1445, Florenz, Uffizien, Wikimedia

60 left to right Constantine’s Vision of the Cross (detail); Battle of the Milvian Bridge (detail), Constantine’s Vision of the Cross, Sala di Costantino, Vatican; Studie for the vision of the cross, Devonshire Collection, Chatsworth House

62 left to right Marienberg, ground plan, “so Ohngefehr nach Schritten aufgenomen“, ca. 1740, hand drawing, 50 × 39 cm, SLUB (plans df_dk_0002898). ©SLUB Dresden / Deutsche Fotothek; Potosí, city view Cerro del Potosí, source: Cieza de León, Pedro de: La crónica del Perú, Sevilla 1553, p. CXXII; Annaberg, printed redrawing of the plan from 1592, source: Rückblicke auf Annabergs und seiner Umgebung Vorzeit, Hefte 1-5, 1855/58

64 left to right Jewel of the Orden vom Goldenen Vlies, from the ruby set, 3 large balas rubies, 70 diamonds, gold, silver, gilded silver, enamel, studio of Johann Melchior Dinglinger, Dresden 1722, L. 17,9 cm, B. 9,5 cm, Inv. Nr. VIII 122. Photo: Jürgen Karpinski, © Staatliche Kunstsammlungen Dresden; Ivory Room. Photo: Jürgen Karpinski, © Staatliche Kunstsammlungen Dresden; Silver Gilt Room in the Green Vault, 1904

66 above Hans Baldung Grien (1484/85–1545), Jünglingskopf (Self-portrait), Pen and brush in black, with pink pen, highlighted with white brush, on blue-green primed paper, 22,0 × 16,0 cm, Kunstmuseum Basel, Kupferstichkabinett, U.VI.36; below left Albrecht Dürer (1471–1528), Bildnis des Kardinals Matthäus Lang von Wellenburg, black chalk, ground later inked out in black, 25,3 × 27,4 cm, Kunstmuseum Basel, Kupferstichkabinett, Inv. 1959.106; below right Hans Leu d. J. (c. 1490–1531), Maria mit Kind in Landschaft, 1517, Pen and ink in black, 20,2 × 15,4 cm, Kunstmuseum Basel, Kupferstichkabinett, U.XVI.38

67 Albrecht Dürer (1471–1528), Affentanz, 1523, Pen and ink in black, 31,0 × 22,0 cm, Kunstmuseum Basel, Kupferstichkabinett, Inv. 1662.168

69 left © Bildarchiv Foto Marburg, SPSG/ Andreas Lechtape (2018); middle © PMSG/ André Stiebitz, CC-BY-ND; right Imke Zugermeier, 2022

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FOOTBALL MEETS ART: MODERN MASTERPIECES FOR EURO 2024

This catalogue provides a spectacular overview of painting on the theme of football in European artistic modernism. More than 100 works of art from national and international collections are examined. The catalogue is designed along the same conceptual lines as the European Championship itself: each nation participating in the EURO 2024 is represented by at least one artist, so underlining the fundamental concept of a diverse but united Europe.

Exhibition: Deutsches Fußballmuseum, Dortmund May 27, 2024 to January 7, 2025

Manuel Neukirchner (Ed.)

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