CORELLA NEON WAL TZ LATE NIGH T LEGACY GLASS MO UNTAIN THE TELE VANGELIS TS CABEZUD OS ALLEYWA YS LELO AND MORE
T N E T N CO
INTERVIEWS
ALLEYWAYS Glass Mountain The Televangelists Late Night Legacy
EP + SINGLE REVIEWS
ALLEYWAYS - NAKED Slugs, Drugs and Harmony - 1983 Aloe Veras - Down The Rabbit Hole LELO - DIFFERENT TYPES OF LOVE Naueous Skies - Stay Young Neon Waltz - Heavy Heartless NAKED SIX - A Life To Live FAWN - Homebody
GIG REVIEWS
KRRUM/...And The Hangnails/GlassMountain/Boss Caine @ Fullford
VIDEO REVIEWS
Mice On Mars - Feeding Time Cabezudos - Tempting Fate Corella - Barcelona Girl The Golden Age of TV - Dust
OTHER
Whats Behind The White Door? Most Excellent Albums The Denim + Leather team Gig Photography
THE DENIM + LEATHER TEAM
SLUGS, DRUGS AND HARMONY
1983 Starting off with some atmospheric
A truly infectious song in which definitely
guitar and some truly funky undertones,
has myself intrigued and waiting for their
this track is set up from the start.
full EP release. The only part that I could
Although slightly lacking in the energy
knock the track for is the timing of the
that this band gives off live, it’s definitely
instruments, as funk demands to be as
a good insight into the bands aura and
tight as possible when performing,
atmosphere. The use of its vocal
especially in the studio‌ and the slightly
harmonies in the chorus and repetitive
under professional quality of recording.
drum grooves prove that the band are
This is not to say that it makes the song
fitting the funk/feel good genre. The
lose intimacy or feeling, it just pulls it back
verse lyrics written so they fall well into
slightly from being a brilliant radio go to!
the hook, and brilliantly written as a middle section/outro!
Written by Ben Kitching
Nauseous Skies STAY YOUNG
Nauseous Skies bring us four minutes of very unique indie vibes with their release of “Stay Young” back in May 2017. The track has been described as catchy by local audiences, taking to the band’s Facebook page to post about it, though the band themselves are very mysterious with their image and music, having only two pieces of music out on soundcloud and barely any information on their social media!
The harmonic progression is cer-
A little more attention within the
tainly
production value of this track could really
different
from
typical
songwriting which puts them in an ideal
push “Stay Young� to the next level!
position, helping them climb up with their catchy verses and chorus. However, the quality of the song is slightly lacking, with no low frequency apparent, even in the bass (if there is any) and drums.
Written by Ben Kitching
GLASS MOUNTAIN
What are your musical influences? Harry: The good thing about us is its quite collective with what everyone listens to Johnathan: Very varied, we all like the same music but then other stuff as well, I like hip hop, soul and mo-town, all sorts. Lewis: Bands that we all like are The Cure, Radiohead, Turn Over, Biffy Clyro How would you describe your sound? I always find you guys really hard to write about.
Jonathan: We do as well, I guess just alternative rock Harry: Cinematic Jonathan: What did we get called at Hawkwind? Neo-Prog? Lewis: Did we get called Neo-Prog? That’s sick I’m happy with that Harry: I don’t know what that means Speaking of Hawkind, how did you get onto the Hawkwind gig?
Lewis: Our friend Jim who has supported us from the start put us in touch with our PR guy who comes to all our gigs and stuff he’s a legend, he started a promotion company called Foot Soliders Music and he somehow managed to book Hawkwind and somehow managed to put us on it. It was really good though because its not like he just chose us, Hawkwind needed to hear us first so they sent them, I don’t know which ones they sent them, but they sent Hawkwind some Glass Mountain songs and they were like ‘yeah, these are good lets have these on’. Harry: So that was nice Lewis: They’re all legends Harry: They’re quite a tough crowd, like I came off stage thinking like ‘oh no, it went down like a led balloon’ but then actually as time passed we seemed to get some really nice responses Jonathan: We heard that the Hawkwind crowd are quite hard to impress but we had quite a lot of good compliments Lewis: They’re just there for Hawkwind really. We’ve got a recording of that gig and there’s ambiance from the other side of the stage so there is crowd noise, just before we started playing Cowboy Song a guy hears the intro and goes ‘Right time for a piss I think’ (laughter) and we’ve got it recorded Do you think having an aesthetic on stage is important? Like you have the light show on this tour…
Harry: The light show is new; we’ve been using it for two weeks now Lewis: Hawkwind probably planted the seed for that Yeah I was going to ask if they did Jonathan: Yeah, theirs was like the mothership projector. But yeah I think visuals are important, especially for our sort of sound, like you said its cinematic, so it’s important to have visual elements rather than just a band on stage playing a gig Harry: It’s more of a show now Lewis: Our sound engineer said when we started using the projector that we’ve gone from being a band that rocks up and plays a gig to a band that rocks up and puts on a show. It’s more than just playing a load of songs, it’s an experience Did you plan your outfits for the Hawkwind gig? Jonathan: Yeah we did didn’t we Lewis: To be fair, we didn’t have to go and buy any clothes specially for it, probably would have worn that anyway Harry: I really like all white, and I thought we’re playing at Leeds Refractory, might as well wear all white Jonathan: I either wear black or white anyway Lewis: We dressed as a batternburg for Live at Leeds Fest
Lewis: In a way yeah but the last one was just a collection of songs that we wanted to put out but with this one every song was written for the EP, it’s one unit, not just a load of random songs Harry: Bloody Mary recipe that’s what our new EP is (laughs) Have you got a name for it? Harry: We’ve toyed around with it Lewis: Shall we say it?
What can you tell us about the new EP?
Jonathan: Wait what, what is it? I thought it was EP2 and that’s it
Lewis: We’ve got a name and we’ve got artwork which are both in the works, we don’t know if they’re final yet but the artwork Lewis: Four songs, we’ve been playing one of is by a good friend of ours, a photographer them ever since our first gig but we’ve changed called Alec Aarons, he took the picture and it up recently, in the arrangement, erm, we’re it’s amazing. The working title is Why One playing two new one’s tonight Flutter Jonathan: It’s finished
Harry: The fourth track isn’t really a live track Lewis: It’s a bit of a Home In The Weather Harry: Yeah, like it’s without any drums or anything
Jonathan: I didn’t even know that Lewis: He was on holiday for like all of May so we didn’t see him and we were recording the EP and getting art work together and stuff and he wasn’t even there
Lewis: It’s not acoustic guitars but it’s an acoustic song, it’s really simple Jonathan: Best time of their lives (laughter) Jonathan: I guess the next EP is like a massive Harry: And yours step up from the first, we’ve properly grown as What would you say your greatest a band in terms of song writing and stuff achievement as a band is so far? Lewis: It’s quite darker, like Mickey said earlier it’s a pure disintegration phase, it’s cool
Harry: I think for me, playing Leeds Brudenell Games Room
Harry: It’s more edgy, is edgy the right word?
Lewis: Headliners of Brudenell
Harry: A dream come true Jonathan: I think the Embrace tour was pretty good as well
Harry: But I think having a fith member, like for us for example would be ideal to sort all that out, because it takes so much time. But yeah it is cool being DIY
Harry: Yeah we got to play to a lot of people Lewis: It is a lot of work but it’s very worth it when you see that like with the EP or the zine Lewis: To be fair though, just doing our own or anything is 100% of what is in that came headline tour is pretty…yeah. Bingley was from us, we did everything one of the best gigs ever Jonathan: Theres no middle man What made you want to create the Ghost Magazines? Are you going to do another Lewis: Yeah there’s no middle man, we reone? cord it all ourselves, we mix it, we produce it, everything. But yeah the DIY scene is Harry: without thinking about it we want to really good, especially in Leeds, not much do another one but it’s the most time of a scene in Bradford, but you’ve got all the consuming thing ever, it eats into studio amazing DIY venues in Leeds time and stuff like that which we really need to be doing more of, but yeah it’s like a nice Would you say that you’re quite artistic for a band? little chapter for us as people Jonathan: I think it’s because we thought, we don’t just want to sell tshirts at gigs
Lewis: Yeah we’re all interested in art and design to some degree
Harry: Our band name came from an artist, David Hockney, he’s done some sketchings like grim fairy tales, and the piece Harry: Yeah because bands do lighters and was called Glass Mountain, and then theres stuff, but didn’t want to encourage smoking. Glass Mountain shattered, so I guess that So yeah we just thought a zine was a cool yeah is arty enough really thing, like bands that I like have done it Lewis: We’ve got the print framed in the studio as well, which is nice, like alirght David Lewis: Yeah and it’s like a cool DIY thing Lewis: Yeah it came from thinking of different things for the merch table
What’s your opinion being a DIY band?
Harry: We just need his blessing
Lewis: Being a DIY band is good because obviously you have 100% control over everything you do and everything you put out and how you’re viewed
Lewis: Theres Saltsmill in a place called Soltaire that’s like ten minutes from where we reherse and record, that’s the biggest open gallery in the world and its free entry, its amazing Harry: Good tuna salad as well
Jonathan: its mad how good that salad is Harry: I’ve never had a salad like it!
Johnathan: I had the Rhubarb gin and ginger beer, that was amazing
Lewis: Put the EP out, play more gigs
Harry: Portabella Road and Sipsmith, if you ever want to sponser a tour, give us a shout
Jonathan: Get on some good support gigs, just sort of build really
You should try and get a gin to sponser you
What are your goals for the near future?
Lewis: Write more songs Harry: Drink more gin, eat more curry. Never enough gin If you had to recommend a gin to someone who isn’t normally a gin person, which gin would you recommend? Lewis: Johnny spent last Tuesday getting arseholed in this gin bar Johnathan: Theres a gin bar in Bradford Lewis: Yeah its new in Bradford, its really good Johnathan: It’s gin central, just gin everywhere you look Harry: I’ve come to realise its not all about the tonics, so you can say to someone that doesn’t like tonic, don’t rule out gin, you can have it with like cranberry juice, orange juice…I’ve learnt that from their being no tonic in the house… like oh god what do I have it with Lewis: Gin and milk…You became a bit of a tonic snob as well didn’t you? Harry: Oh yeah, Fevertree all the way, low calorie Fevertree
Harry: Witches did that Bells Whisky tour recently Lewis: Tanquery presents
Interview by Holly Beson-Tams
ALOE VERAS down the rabbit hole Aloe Vera’s had their EP launch at Fibbers at the end of June, it was one of the fullest gigs ive attended their, the room was full of mist from the sweat coming off peoples bodies. This band are always able to bring in a large crowd but this was a night of intense dancing and love. With support from three brilliant bands (The Televangelists, DVSK, The Mallrats) that all provided the night with a different genre, it was an evening of layered madness. The EP itself is called Down the Rabbit Hole and consists of 5 tracks of psychedelic groovyness. For a band consisting of young members, their music portrays old souls and old sound. One of the guitars brings in a loopy heavily 70s sounds whilst the other lays down a steadier consistent riff. Each song is so well written, the lyrics are catchy and clever.
The EP sounds like a found treasure from the 70s, each track is pure rock and roll and graces the 21st century with a retro sound that we’ve been lacking. There isn’t a weak song on this EP, each track sounds completely different from the last and is packed with electrifying riffs, trancing bass lines, exciting drum beats and the vocals that wrap the whole thing up to be the hair-raising psychedelic goodness that they’re presenting before you. They have a created a distinct sound that is exciting and distinctively Aloe Vera’s. Although we spoke to them in an interview in the last issue, and are aware of their musical influences, Aloe Vera’s don’t sound like they’re trying to be anyone else, any form of inspiration they have, they’ve taken and put into a sound that is unique, because I can’t name a band that sounds like this!
Written by Holly Beson-Tams
PARKER LEE + SUPPORT @ DUSK
Parker Lee finished off their recent tour at Dusk bar in York, with support from Fawn, Peach and Baby Names. The night was a slight variation of genres, but each act had the audience gripped from the word go.
Photos by Holly Beson-Tams
How did ALLEYWAYS form?
Dougie: You do
George: You are one of those people Dougie: Well me and George were in a band before, but then we got a new drummer, Will, Will: Basically yeah, I listen to funk, and and that’s when we found the sound and what rock, I really like The Strokes and Oasis, but we wanted to do. We came together and also Earth Wind and Fire. Me and George figured out what we wanted from there. like jazz as well. What bands have you all grown up listening to? And who are your favourite bands at the moment?
George: Yeah, my first CD was Hot Fuss by The Killers
Will: I don’t want to be one of those people that’s like ‘oh I just listen to everything’ but like…
Dougie: Mine was Thunderbirds Are Go by Busted
Will: Great album
George: That’s a shit album
Dougie: I was brought up with a lot of 80s synth pop George: I guess we all were because our parents are from the 80s Dougie: That’s where a lot of the influence is. Now it’s more heavily influenced by like The 1975 and a lot of pop stuff, George likes Disclosure quite a lot, and it’s just the way they produce stuff differently as well. You’ve already semi answered this, but what inspired your funk sound? George: We’re both in a big band jazz stuff, so I guess we kind of know music through jazz stuff. So we use it to make other stuff that isn’t jazz Will: For me funk rock is my favourite thing to drum, I used to have a book of Red Hot Chili Peppers stuff, and I love RHCP and Chad Smith’s drumming is insane so I love funk beats Dougie: Yeah I think that’s another thing, it’s one of the most fun styles for me, you can always feel that you’re enjoying it, and if people can see that then they will George: And pops got a lot of funk stuff, making you dance, that kind of thing Will: Funky bass lines Based on your social media you’re giving off a certain aesthetic with all of the pastel pink, is this intentional? Dougie: Yeah massively intentional, because in this day and age it would be great if you could just get away with having great tracks and doing that but all the advancement in technology and the way people consume stuff you’ve kind of got to have the full package.
George: You don’t get paid for music anymore, no one buys music, everyone listens to it on Spotify or whatever, so you get paid less. So it means you have to be more invested in stuff, buying merchandise and stuff. You have to have some kind of aesthetic Will: And with social media and stuff, people will always see things before they hear it, so if someone finds us on social media and seeing one of our pictures, it catching their eye and them thinking ‘oh I like that image’ and then they’ll go and check out our music. So it’s more of a link to the music. Dougie: Yeah. And because there is so many bands on social media and everything you’ve got to stand out like that as well because people can’t listen to every band, it’s just not going to happen. So if you’ve got something, stick out.
So when are you going to release NAKED? Dougie: That’ll probably be within the next month, by the end of August I reckon. Because we’ve got a video as well sorted for that so. Will: We’ve got the single, the video and the B side as well. Dougie: Yeah so that should all come out together. What platforms are is the single going to be available on? Dougie: Spotify and iTunes are the main ones really, Soundcloud we’ll probably put it up George: And we were thinking about maybe doing a CD. You can get little 4” vinyl’s pressed
quite cheaply if you sell them for a bit more. But we could make some extra stuff to slot in. Dougie: Because it’s all about the psychical stuff as well now, that would be a thing we want to do. What’s your greatest achievement as a band so far? Dougie: I’d say it’s probably where we’ve got too, because we started with loads of different, its cheesy but… Will: It’s now Dougie: …how we’ve kind of refined our style. The more we’ve worked together, like we used to argue all the time and now we’ve got through that. Will: We’ve settled into how we create stuff, I don’t want to say we’re settled because we’re not just churning out, but we’ve settled into the way we do things. George: We don’t just do something and say it’s alright and just leave it because we’re always trying to go on that shit Will: It’s quite hard to critise ourselves without offending each other, but I think we’ve found a good way of doing that. By critising what we make and making it the best we can make it without getting ratty and arguing and stuff. Dougie: I reckon the single is one of the best things as well, because that single, the actual recording of it, we’ve had it for about a year but we’ve just developed on it. Production wise, added more stuff into it, made the video, it’s all just come together over the past year
George: in a way we’ve been working on it for hours and hours each week, like ‘oh I don’t like this anymore’ and go back and edit it. So you’re all starting university this year, are you nervous about it taking time away from the band or do you think it will actually help? Dougie: To be honest I think it will actually help George: Because we’re all off to Leeds College of music, in the same accommodation, so it will probably have the opposite effect that most people have when they go to uni, because we’ll be able to spend more time with each other and more time doing music so it will be a lot easier. What inspires your song writing? Where do you draw inspiration from with your lyrics? Dougie: So lyrically, because we’ve got fairly pop influences, I more go for a catchy chorus, that does mean something but Will: And if you write a song that you know you’ll you’ve got to try and have something that will get stuck in your head. Rather than try have fun singing and you mean, then people will have fun listening to it. Whereas if you try and go to edgy. to hard to write really in depth lyrics. It’s about Will: You were talking to me and you were letting it come more naturally. like, for the start of ALLEYWAYS it was quite angsty because that’s how old you were and Dougie: The layers are more subtle and the that’s your age, your teenage boys and your lyrics are really simple. I’ve got so many notes like, so much angst and emotion, and its not of songs that I thought were great at first, that now I hate, and eventually ill just take lines out always what people want of each one and put them together as one song, George: People don’t want to listen to your it usually comes out best. wanky, sweaty dods… Are there any bands locally, or in other citDougie: If you try to hard to hard it doesn’t ies local scenes, that you’d like to play a gig work. If it sounds cool and in your head that with? means something and you try and portray that. Dougie: One that we’ve done a couple of gigs with is Glass Caves
they’re one of our favourites. They’ve got a great sound and they’re also really nice guys. Other bands, I like the grunge sound of The Mallrats, it’s quite simple but it’s got a good sound. And all the bands in York are always doing really good things, Serotones are a really young band but they’re finding their sound more and more. What’s your aspiration for the band? Dougie: I just want to do it because I like creating what we are creating and produce, I like the sound and I like listening to it George: It’s about doing it for yourself, as long as you like the sound and we’re enjoying it. Dougie: If other people like it, that’s great, if not, we can always keep doing it as a side project, because if we like it, its good. And performing as well, I really like performing, we’re getting much better as a live band. We used to all be very shabby and get stuff wrong but the more and more we practice the better we get, so I’m just excited to see how far we can go. So, you’re moving to Leeds, how are you going to go about tackling the scene there? Dougie: I’ve spoken to a couple of people that said that they know a couple of venues in Leeds. And our uni is literally opposite The Wardrobe so we could very easily find people in there to chat to. Any venues in Leeds you’d like to try and play in particular? Will: I’d like to play Brudenell George: I’d like to play the Irish Sebbert, that place is great Dougie: I’ve not been in to The Wardrobe but I’ve seen pictures from gigs and it looks like a small venue but looks good.
NAKED ALLEYWAYS are a three piece I first came across ALLEYWAYS at one of The Fulford Arms all dayers. It had been a full day of gigs, I was pretty tired and ready to go home, but wanted to see them as I hadn’t before, as soon as they started to playing a new wave of energy came over me, and everyone else in the audience, and I couldn’t stand still. NAKED is a super catchy song, with simple lyrics and one of the funkiest basslines around, it’s impossible not to move your body along to this indie funk track. The song starts off with some relaxing synth and bass before it bursts with energy as the drums, guitar and frontman Dougie’s vocals come in. The lyrics are fun, easy to remember and a little sexy which is a big part of what makes this track so funk pop. The deep drum beats and bass line contrasting with the symbol clashes and moog, help to put the tracker deeper in the genre of funk opposed to pop. Overall NAKED is an groovy upbeat song to keep you dancing and lift your spirits.
Written by Holly Beson-Tams
Neon Waltz were announced as one
about things differently”, which is
of the line up for NME’s new artists to
evident from the style of singles
watch in 2015, stating in an interview
they have released so far. The
with the magazine that due to where
sextet are from the furthest tip on
they come from, they “have to think
the Northeasten Scottish coast, the
setting of which “subconsciously in-
The track features the wide vocal
spires their writing process”, and since
range of Jordan Shearer, along with
NME name them an artist to watch
a strong drum backing. It reminds
two years ago, the band have mostly
me of the kind of song, which would
been on the road, only stopping off to
soundtrack a
record their writings up and down the
nostalgic montage in a timeless movie,
country. The bands upcoming tour to
the bands melodic style compliments
promote their debut album ‘Strange
this nostalgia. The combination of this,
Hymns’ (Out on the 18th August) be-
and a psychadellic feel allows for easy
gan in Kendal
listening, and I am eager to see what
Calling last weekend and the
their album has in store.
closest they were to York, is the infamous Adelphi Club in Hull. One of the bands recording sessions at the Post Electric Studio, is available on YouTube, and it features a flawless recording of the bands latest single ‘Heavy Heartless’.
Written by Georgia Chapman
Whats behind the white door? There are a number of different subcultures that all sit On another occasion, when under the now massive label of York’s music scene. At garage-rockers Avalanche Party The Fulford Arms, a punk band could headline one
headlined with support from The
night, an indie-pop band the next, and metal core after Black Lagoons, Unqualified Nurse that.
Band, and Moriacana, the PA
Exclusively at ‘Fully’, a small promotion company (if
speakers blew out mid-show. On top
they would even call themselves that), regularly puts
of this, on one occasion
on free gigs with an objective of bringing new and
weird-cat crushers Push performed,
interesting bands to York. They raise the profile of
they caused parts of the ceiling to
local bands, and bring them to the forefront of the
collapse. I guess the music is
scene. This is the one and only, Behind The White
sometimes just too good for the PA
Door.
and the venue.
BTWD is ran by husband and wife duo, Dan and Naomi Gott, both formerly of The Franceens, forming
I put a series of questions to the man
Snakerattlers in summer 2016 before The Franceens
himself, Dan Gott, about his expe-
demise. They put their first gig on in May 2013, and
riences of music in York, highlights,
haven’t looked back since, becoming known for
and future plans:
bringing in bands from across the country, Europe, and occasionally the United States. They also
So what brought about the
specialise in putting on some of the weirdest music
creation of Behind The White
nights in the city, as well as the loudest. I
Door?
remember one occasion where a band named Tupennny Bunters, who were another husband and
Behind The White Door came about
wife duo, playing drums and piano in a 1940s
because me and Naomi were sick of
Dancehall style that had myself and all the other
the same bands coming to York. So
audience members in a trance. On another occasion,
we decided to do something about
when garage-rockers Avalanche Party headlined with
it. We also meet a lot of bands when
support from The Black Lagoons, Unqualified Nurse
we’re out playing with Snakerattlers,
Band, and Moriacana, the PA speakers blew out
so Behind The White Door gives
mid-show.
them a platform to play on.
BTWD gigs have a really supportive
Tell me about any highlights in the history
following and attitude towards most, if not of BTWD, any nights or bands that stick all bands that get to play, did you set out
out to you. Are there any bands that have
to create this culture? Or did it just
hit the big time after playing your shows?
happen? Highlights would be the Snakerattlers debut The supportive side comes from me really.
gig, the first time The Monofones played, the
It’s how I expect to be treated when I go play Snakerattlers album launch, and I imagine a gig outside of York. I am a firm believer in
the 100th show later in the year will also be a
treating others how you expect to be treated. highlight. The only band to sort of hit the big If a band is decent, they deserve to be told.
time would be Avalanche Party. We hosted
If a band needs work, they should also be
their first gig in York, and they’ve gone on to
told how they can improve. At the end of the
play at Leeds fest and all sorts. Pretty proud
day, my thoughts mean nothing really, but I
that I discovered them before anyone else in
personally thrive on feedback from
York.
promoters, so I try to provide this wherever possible.
Not many promoters stand up and introduce their acts before they perform,
The first BTWD gig was in May 2013, how
what made you start doing this?
do you think York’s music scene has changed since then?
I do the intros because it adds a personal touch to the gig. It elevates it from any other
York’s music scene will always be the same.
standard gig night, and also briefly informs
It’s quite fragmented, but it occasionally pulls the audience what to expect from the set together for the greater good. For such a
they are about to see. It acts as an ice
small city, York has an awful lot of gigs going
breaker, and makes people feel a bit more
on. The main thing that has changed since
relaxed (or so I’m told). I am also attracted
2013 is The Fulford Arms. When we started
to being on stage and like to get my face up
putting gigs on there, there was no stage
there as often as possible. Because I’m a
and it only had a PA for the vocals. Now it’s a fame whore. literal venue.
I have heard through a reliable source that
Going on a tour or a weekend away for
the 100th BTWD show will be taking place
any band can be a big investment
this year. This is a great milestone for an
because of fuel costs, hotels, food and
event that has become a major fixture in
other essential/required costs to get a
York’s music scene. Are you able to tell us
band on the road. And if everyone can
the date of it, or any of the bands confirmed
throw in two or three pound at a gig, Dan
to play? You must have something pretty big & Naomi can really help out some great planned.
bands that really do deserve your time and money.I must admit myself, through my
Would that reliable source be me? 30th of
experience of attending countless BTWD
December will be the 100th show (if all goes to
shows, and being lucky enough to play on
plan). I won’t say who is going to be playing at
two occasions, I believe that Dan & Naomi
it, but it’s 4 bands who have been instrumental
have created the best regular promotion in
in Behind The White Door over the years. There York, bringing in high calibre bands from will be blood and snakes. It’ll be a very black
the change in people’s pockets.
party. Clues. So, why should you go to a Behind The White Door event? For starters, every event is free, but Dan does weave through the crowd at some point to collect donations. He does this so he can then give touring bands money to cover their travel and accommodation cost.
Written by James Brown
FAWN
HOMEBODY
Ilana Zsigmond originally a solo
Her sound is similar to one of my
artist has recently formed FAWN.
favourite American female folk artists
She’s releasing her new EP
Margaret Glaspy. Zsigmond displays
Homebody soon under the artist
a strong talent song writing both
name FAWN, although it her as a
lyrically and instrumentally. Her voice
solo stuff, she now performs live
throughout Holy is both strong and
with the band. The track Holy off
soft simultaneously.
the new EP is a beautiful melodic folk song featuring a lot of finger picking guitar. Being a female folk artist, typically an acoustic would be used, but Zsigmond creates a more interesting sound by using an electric guitar.
Written by Holly Beson-Tams
When did you guys first form? Callum: I think it was actually a year ago today, me and you (Isaac) did our first gig together Isaac: Me and Callum had been writing some songs and doing covers, played the first song we’d ever written a year ago today and then September October we put it together as a band What do you all listen to? And is what you all listen too individually a big influence in your writing?
Charlie: Bloc Party, I think we’re quite influenced by them and we all quite enjoy that band Callum: The Cribs definitely, The Smiths are my favourite band Josh: My drumming is influenced by Kings of Leon and Chili Peppers as well What’s your song writing process? Do you all write together or does one of you write the most? Charlie: We kind of have one lyrist, who does all the lyrics,
one very musically amazing man called Isaac. And we’re just here for a bit of fun, but we also chip in I’d say a bit, we’re not complete just… Josh: Well I write the drum patterns Callum: We send each other videos and stuff on Facebook of us playing stuff, and like I’ll send something back singing some lyrics over it and he’ll (Isaac) tell me if he thinks they’re rubbish or if they’re actually any good. And then if we do think something is actually alright Charlie and Josh will come up with their parts. So that’s sort of the process Are you planning on recording anything else soon? Callum: We’d like to, we’ve got the headline gig in September, so we’d like that to be an EP launch Charlie: We’ve got about eight songs right now, so that’s definitely a large EP Callum: Well we wouldn’t include them all on an EP What’s been your favourite gig that you’ve played so far? Josh: For me it was Fibbers Charlie: I’d say Honeyblood because I really enjoy the band Honeyblood, it was our second gig? Isaac: Yeah it was our second gig, it was really weird because we were going to go anyway. And then Callum managed to wangle us in, because they said they’d put our name in and then they said we were supporting Honeyblood which was strange and a bit surreal
Callum: I quite liked Fibbers, just because, like I really enjoyed Honeyblood because like you said it was surreal to be supporting a band that we actually knew and liked. But I think in terms of the crowd, like Honeyblood was good but there were a lot of like middle aged men there but Fibbers, I think is the most receptive an audience has been to our music so I think that’s why I liked it When you’re writing lyrics, what do you draw influence from? Callum: It’s almost like, rather than trying to do something, I try not to do certain things. So like clichés and sort of…it was a bit like that at first but I tried to get out of it, like writing every song about a girl and that kind of thing. So I tried to avoid that Isaac: You’ve avoided needless rhymes as well Callum: Yeah and putting stuff in for the sake of it. I usually have a lot of drafts of songs as well, like I’ll write them all out and then I’ll show these guys and you know, and yeah I try to be poetic I don’t know if that works at all, it’s my best attempt at it, so yeah What’s your favourite song to perform live? Charlie: 25, I’d say Isaac: Inside Voices Josh: 25 because of the ending Charlie: Actually no I’ve changed mine, What People End Up Seeing I like playing Callum: I quite like What More Could I
Is there anywhere you’d really like to play? A certain venue? Or specific city? Isaac: The O2 arena, gee I don’t know it’s nice to play anywhere. Brudenell Social Club Callum: We’d like to get out a bit more, Simon (Patterson) has kindly given us some contacts to start playing in other cities. I think just when we play our first gig in another city that will be quite surreal. We were offered a gig in Durham, but we couldn’t make it unfortunately Isaac: Who couldn’t make it? Callum: Me What are you hoping to have achieved by the next year, what are your goals? Josh: More songs Callum: When we started the band a year ago, I said by the end of sixth form I wanted to have played at The Crescent and Fibbers and just by the end of first year of sixth form we’ve got a Fibbers headline gig and we’ve played at The Crescent multiple times, so my initial expectations have already been surpassed, so I really don’t know what to Isaac: Merchandise Callum: I really don’t know what to expect Isaac: I think the fact that we don’t expect something is quite good though, because we’re never going to be disappointed Callum: Maybe we should though It’s nice to have a bit of aspiration
Isaac: I’ve never fallen into that category Charlie: I think just people recognising us a little bit more would be quite nice, if somebody from outside of York messaged us saying ‘I’ve heard your stuff and it sounds nice’ that would be really lovely, that’s my aspiration Callum: My family in Greece have listened to it so there you are. But yeah if people knew some of my lyrics Charlie: A tattoo on their back You’ve just announced your headline gig, did you pick your supporting acts or was that arranged? Callum: Yeah we chose them Isaac: I think it was important to choose Aloe Veras because before we had even played a gig they offered us that support slot and that was very very kind of them and it was only right that we returned the favour. And actually we weren’t supposed to do it on the 8th of September we were supposed to do it on the 1st but Callum got it rearranged so that we could have Aloe Veras supporting us. They’re really nice people Callum: Yeah they’ve been very kind to us and they always help us out whenever I ask. Like I’ve asked Harvey before for advice on venues and if I’ll need certain things and he’s always very kind Isaac: Serotones because they’re lads, a bit of banter Charlie: They’re lovely people. And then Olivia Britton
Callum: Olivia Britton, I think for the first support, Aloe Veras picked us to be the first support because we were new, so it’s good for the music scene to offer people who are new gigs and stuff. So Olivia Britton, she hasn’t played any gigs or stuff before but her stuff on Soundcloud is really good so we wanted to get someone new What’s the best part about being in a band? Josh: I definitely think it’s given me a purpose to play music, I’ve been playing drums for a long time but now I’ve really started to listen out to drums more and actually want to practise because I feel like people will actually be listening to what I play. So it’s given me a purpose to try and improve my drumming
If you could only listen to one album for the rest of your life, what album would it be? (lots of noise as they reacted to the question) Shall I pause the recording whilst you think? Yes! (Quite a while later, after we all debated a lot) Isaac: Six Feet Beneath the Moon by King Cruel Josh: Only By The Night by Kings of Leon Charlie: Funeral by Arcade Fire Callum: Lou Reed, Transformer
Charlie: I think that’s the exact same for me as well, I’ve played guitar for half my life and I enjoy it so much more now that I’m writing things that aren’t just for me. And I’ve made lovely friends, it’s just a lovely situation really being in a band What’s the worst thing about being in a band? Charlie: The fan mail Callum: Having to fix a drum kit when none of us know much about how drums work. But I think the best part is probably when we play and people dance and enjoy it, it’s nice to see that people actually enjoy something that comes from our heads, like we wrote it and came up with it and its quite a nice thing to see that people enjoy what you make
By Holly Beson-Tams
THE TELEVANGESLISTS DEMO x3
The Televangelists are one of the newest bands on the York music scene, they started gigging in April and have already achieved a lot. They’ve supported Honeyblood and Aloe Veras. They’ve booked their own headline show at Fibbers in September. And they’ve got upcoming support with bands such as Corella. If you go down their Facebook page far enough, you’ll come across
a link to the bands Soundcloud, here you’ll find a small collection of golden demos. More recently the band released their demo of The Underpass on YouTube, which they posted a link to on their social media at the end of June. The track is upbeat indie rock. Their use of layering guitars allows them to create a more complex rhythm, the guitars are the strongest part of the song.
For a band consisting of members who are only 16/17 one thing you can’t help but think is ‘if they’re this good now, how good will they be in a few years?’, each member of The Televangelists is very talented playing their instruments, and Callum’s vocals could not be more fitted for the genre they’ve selected. Their indie rock tracks sound like they’ve come straight out of the 00s, bringing back a side of indie music that we no longer hear unless its listening to the originals themselves. The other two demos they released on Soundcloud are 25 and What More
The opening for What More Could I Ask? Is one of my favourites out of the three, consisting of multiple fantastic riffs, when Callum’s vocals come into this track it’s easy to see where they draw comparison to The Smiths. However in most tracks his vocals are more like The Cribs or We Are Scientists. To round things off, the three demos show their exceptional song writing ability, I can’t wait to hear these tracks with better quality recording when they get round to releasing an EP. Also make sure you catch their first headline show at Fibbers on 8th
Could I Ask?
September!
Written by Holly Beson-Tams
FEEDING TIME Mice on Mars are one of my favourite bands around, in a scene full of indie rock and alternative they bring something unique to the table. They’re full of potential and every song is full of passion and drive that won’t allow you to sit still when listening to them. They recently released their new music video for their song Feeding Time. In my review of Kimmy Baby I said they’re one of the only punk bands around that have an authentic 70s brit punk sound and that still stands true with their new release. Bringing in the saxophone allows them to stand out to a lot of other bands and helps create a build-up of tension throughout the song. The track is catchy and upbeat, I’ve been playing it multiple times daily since they released it, I can’t wait to see this one live. Mice on Mars will be playing their final headline gig in York for a while at The Fulford Arms on the 9th August (tomorrow), we’ll be there, make sure you are too.
Feeding Time is not as heavy as some of their other stuff, but Zac’s vocals still have that classic British punk twang in them and instrumentally the genre still rings through the track. There’s a natural grit in the guitar tone, and the breakdown in the middle of the song is very punky with its backing vocals and aggressiveness of the song.
The video itself is clever and creative, the visual story compliments the lyrics and brings a new meaning to ‘feeding time’. The use of rabbit masks and carrots is simple and yet clearly portrays their meaning as drugs and users. The video has a clear story of a drug deal gone wrong, as well of shots of the band eating carrots which although aren’t filmed on the most HD camera possible are strong and effective. In fact, I would say that the mediocre quality of video actually works better with the genre and compliments the song. Mice on Mars prove that you don’t need a high budget video to release something special, a little creativity and a good song is all that matters at the end of the day.
Written by Holly Beson-Tams
The four piece indie-pop band from
The video has a very homemade vibe to
Manchester, Corella, have given their fans
it, it was filmed and produced by Leo Bar-
the gift of a music video for their brand new
on & Nick Smith. It is a combination of the
single. Their song ‘Barcelona Girl’ walked
band members filming themselves and
straight into everyone hearts and with the
artistic shots of the surrounding areas and
release of the music video has firmly stayed
streets within Barcelona. This gives the
there. It even captured the heart of ITV’s
video a very pleasing aesthetic as the sur-
Phillip Schofield as he described it as a
rounding areas and streets are beautifully
‘Great track’ when the video was played on
captured showing off Barcelona in a artis-
ITV’s This Morning.
tically charming way. A brief section where they jump into water changes the sound
The video for ‘Barcelona Girl’ is fittingly and unsurprisingly filmed in Barcelona. The
quality of the song to make it appear like it was being played underwater.
video is filmed by some of the band members, mostly by front man, Joel Smith.
The song became one of my favourite that
Many times in the video you see Joel filming
this band has produced, almost immedi-
himself while casually walking around the
ately after the song was released.
streets of Barcelona and singing the lyrics.
The beat created by the drum and guitars with the catchy lyrics causes this song to be stuck in your head for a long time. It can bring up your mood instantly with its indie-pop tune.
The video overall feels like a home movie that the lads have made so they can remember a holiday that they all took, with it having the old-school film camera effect on some of the scenes. It draws you in and makes you feel like you are on holiday with them, with it having a very casual and relaxed atmosphere to it.
Although it did not have a massive production behind it and it was more raw and homemade, it is definitely a music video that makes you smile as you watch the lads have a genuinely fun time expressing what they picture when they sing about ‘Barcelona Girl’. For me, the video could not have represented the song any better. I feel like they captured the essence of the song and made a visual representation for everyone to enjoy.
Written by Abby Hardy
NAKED SIX A LIFE TO LIVE
NAKED SIX have been up to a lot since the last issue where we reviewed their set at Fibbers. They’ve announced their bassist leaving, meaning they are now a two piece featuring guitar and drums. On a more upbeat note, they’ve announced they will be supporting The Temperance Movement on their UK ‘Small Rooms & New Tunes’ tour.This is a band I’m personally a big fan of and saw at Download 2016,
so this pretty exciting stuff! They’ve just released their new single ‘A LIFE TO LIVE’ onto their soundcloud. Like their other releases, this track shows their wide range of ability as musicians. The track brings in elements of jazz with a brass instrumentation in the latter half of the song and more jazz like melodies throughout. The chorus is catchy and frontman Seb’s vocals display their alternative rock roots.
Written by Holly Beson-Tams
BAYONET WITH SUPPORT @ THE BASEMENT
S T S I L E G N A V E L E THE T
DVSK
BAYONET
Photography by Holly Beson-Tams
We recently had a chat with Late Night Lega- Who have been your musical influences cy’s frontman Ryan Kitto, the band are taking the scene by storm lately and heres what he has to say! How did you guy’s first form as a band? Whats the story behind Late Night Legacy? I think this has to be our most frequently asked question but possibly the least ‘rock and roll’ answer ever. I applied to an online ad from a band then called ‘In Between Echoes’ only consisting of Rob (Guitar) and Josh (Drums). Kyle (bass) and I joined and ‘Late Night Legacy’ was formed.
We have so many different influences as m
do agree on a fair few influences as a band
I’d have to say we’re all massive Incubus &
Peppers fans and various reviewers have s shine through when they see us live.
What do you draw inspiration from whe songs, especially lyrics?
I write all the lyrics in the corner of our prac
myself when the lads jam out the music, so
as or stories within songs are really person or memories from my past.
s as a band?
musicians but we
memories from my past. Sometimes one of Robs riffs sends me back to a place or time in my head, other times I’ve just had a hard day and feel like getting out some aggression or letting off steam. When writing however I don’t set out to evoke a certain emotion from the listener, I prefer it when listeners can take their own meaning from songs and interpret them however they like. Where did you get your ideas from for your latest video for I’m an Eagle? I wrote the idea for that video in about 30 minutes when listening back to the song at home. At the time I was stuck in a job and a lifestyle I just wasn’t a fan of and really struggling to juggle full time work and following my dream of touring with a rock band. I wanted to express that in a more interesting and less literal way, it’s really a song for all you dreamers out there! Stuck in a dead end job you don’t like and trying to follow your dream, we’re on this planet once for who knows how long or short a time, we may as well do something that makes us happy. As soon as I explained the ideas to Rob he knew exactly how he wanted to
d now and again.
shoot the whole thing so the project came together pretty quickly
& Red Hot Chili
as we record, fund and create all our Videos ourselves.
said they really
en writing
What’s been your most iconic gig so far? It has to be Livestock 2017 - We played on our biggest stage to date to 1000s of screaming fans alongside the likes of Reef and The Fratellis. REEF guitarist Jesse Wood (son of the legendary
ctise room
Ronnie Wood & husband of Fearne Cotton) even congratulated
o most of the ide-
us and said how much he enjoyed our set! Then we were kicking
nal experiences
back with all those guys in a VIP artists area crammed with beers and bean bags. It was incredible.
You just played Tramlines Festival in
I just hope I we can keep playing shows
Sheffield, which of your gigs did you
until we’re old and grey.
enjoy the most? What would you say your unique selling Both sets were awesome but for me it had
is point as a band? How would you
to be headlining The Old House on Satur-
promote your music to a stranger or
day night, that place was well past capacity
someone not as familiar with the up and
and everyone was dancing, smiling and
coming music scene?
singing along so much to our set, definitely one of my personal favourite gigs so far.
Um It’s hard to say, we’re unlike a lot of bands currently ‘on the scene’ as we be-
Did you check out any other bands
lieve putting on a show is just as much
whilst you were there, if so who?
about visuals as the sound you produce so we go absolutely mental jumping around on
We were actually supposed to check out
stage & we put every last bit of energy into
our good friends Hands Off Gretel play at
what we do, we also have an underlying
The Crystal Stage but we ended up getting
funk element to our uplifting anthemic rock
caught in that freakish rainstorm that came
that seems to keep audiences dancing
out of nowhere! Did you go? It was crazy,
throughout and not just nodding their
Kyle was afraid to leave the car! I hear
heads. I guess I’d have to some it up in one
Crystal is always a good venue, Hopefully
sentence to a stranger I’d say it is ‘Heart
we get to play there next year.
thumping, Jaw dropping, Spine tingling FUNK ROCK band based in LEEDS... With
With all your achievements as a band
alot of dancing, hugging and partying
in mind, what are you most proud of so
afterwards.
far? If you got to jam/play with anybody, I think even though music shouldn’t really
dead or alive, who would it be?
be about awards or putting unsigned bands in competition with each other, getting any
Me personally? Wow that is a good ques-
recognition for your work is incredible and
tion... and a tough one! Having a sit-down
to be voted Best National Band & Best New
song writing session with Eddie Vedder
Band last year was pretty cool. I always feel
(Pearl Jam) or Brandon Boyd (Incubus)
the most proud when I see an audience full
would be pretty damn cool.
of people knowing the words to our songs,
Even just having a beer with those guys and listening to their memories would be unreal. I’d like to jam with the legend that is Dimebag Darrell if he was still with us. What’s in the works for the next 6 months or so for Late Night Legacy? Non stop festival dates every weekend for the next few weeks then we’re off into the recording studio to lay some new tracks down. Then straight back out playing more festivals. We also have A LOT of new music video ideas we need to pin down on film and so many unfinished new songs. Finishing those over winter ready for a brand new set list next year is going to be wicked.
Interview by Holly Beson-Tams
MOST EXCELLENT ALBUMS One of my writers suggested that we do a reccomended albums section, and I figured why not? Denim + Leather Magazine is about spreading good music to people passionate about muisc. So I’ve gotten each writer to pick their favourite album this month. Hopefully you’ll like the varied selection of genres we’ve picked.
BEN Band Of Skulls Baby Darling Doll Face Honey
HOLLY
Bleeding Knees Club Nothing To Do
GEORGIA Cigarettes After Sex
ABBY The Amazons
JAMES Ghost Meliora
P P U S H T I W S R D E PAPPE ALOE VERAS HEADLINE FIBB THE TELEVANGELISTS
PORT
DVSK
THE MALLRATS
Photography by Holly Beson-Tams
s
CABEZUDOS
TEMPTING FATE
After seeing this band perform live, I fell completely in love with the four-piece band from Liverpool. They have an eccentric atmosphere about them and this is reflected in their ‘Tempting Fate’ music video. It starts with a fast paced montage of varied clips. Some of these clips have a grainy effect layered with psychedelic colours, pairing this with the beats given by the drums and guitars, makes the beginning of the video quite trippy. With lead singer Jack Hughes having a voice that strongly reminds me of the classic 70s rock and roll singers, means that the grainy effect and the look of an old-school film camera being used is very
fitting with the song, and the band overall. His voice assists with making the viewer fall into a trace, they likely become completely captivated by the video and form a story behind it. The video is based around Jack’s character; his character appears unpredictable. His actions and dancing give hints off Jack’s real stage presence. The video is very open to allow each individual to form their own perception and meaning of it. I interpret it as a misunderstood, and unique at the time, performer who survives off the attention and praise of critics. But due to him being to ‘different’ to the norm; he is not getting the praise that he needs, and has no need to
live, as it is his passion and life to perform so therefore loses his life. As the tempo of the song picks up and it is being played with more power, the more expressive the video becomes and it regains the psychedelic tone. The producer of the video, Tom Gittins of Monochrome productions, really captured the essence of the band to produce this video. He combines lots of different effects and styles.
Overall the video perfectly captures the energy that they release when they perform live. I think it is a very well thought out and shot video. ‘Tempting Fate’ is an extremely strong song and it needed an even stronger video to help exploit every single part of the song and the power behind it.
Written by Abby Hardy
LELO DIFFERENT TYPES OF LOVE
LELO delivers a very ambient performance
It shows good promise for the rest of the EP
in his debut EP “DIFFERENT TYPES OF
and certainly achieves his expected sound.
LOVE” written and performed by the man
My personal favourite “PERSONAL RIOT” is
himself. Ronan Peaker, sole member
very catchy in its rhythm and pace, talking the
describes the album himself as being
self and expressing one’s feelings. “RAIN”
‘mellow indie rock’ in which features jangly
sets a different mood with it’s melancholy
layered guitar tracks, soft vocals and certain
atmosphere, following a closer approach to
characteristics from indie and rock styles.
typical songwriting, and still shining through
The EP itself is mixed very well and was
on the EP as a strong song. Ending with
co-produced by Mickey Dale, in which the
“STUCK”, the 11 minute extended play com-
songs resonate very closely to the style of
ing gently to a close.
musicians such as Bon Iver.
His work written in all capitals and his im-
This nicely textured EP was released
agery really generate a unique image for the
on the 10th July 2017 after his first single
artist, pushing him into the limelight as an
“HOME” released back in April, which is
interesting and artsy character. Someone to
also the first track on the EP. The song itself
definitely keep an eye out for.
follows an unconventional structure, showcasing only one verse and chorus, in a very linear songwriting style.
Written by Ben Kitching
THE GOLDEN AGE OF TV DUST The golden age of TV are a very colourful five piece, with a great sense of musical talent. Their recent music video release of their track “Dust� certainly brings to us the surreal world that they seem to live in, with its colourful and mesmerizing qualities. Considering that
It entices you to wonder what the band are doing during that two minute transition. The song itself features a very catchy drum beat that holds the whole song together, with a grooving
a solid two minutes of the three minute bassline and solid backing by the song consists of somebody watching rest of the band. the video, without us even experiencing the band on set!
Written by Ben K
The song itself features a very it makes for a friendly and almost childcatchy drum beat that holds the whole ish approach to a music video, blending song together, with a grooving bassline very well with their feel good music. and solid backing by the rest of the band. The DIY style of kindergarten colours is a nice touch, and makes the The vocals blissfully swooning the video stand out, but it also makes the ear, reminiscing about a past love viewer want even more of it. They are gone wrong, reliving the past through very much a old photos. statement against normality, existing in their own world and bringing The parts featuring the band on a set the audience along for the ride. are very interesting. Made of white sheets, colourful messes and the band being their usual selves,
Kitching
WE <3 MCR CHARITY GIG KRRUM + SUP As we’ve all heard about the tragedies
Coming hot off of their first headline tour,
that occurred in Manchester on the 22nd
reaching stages from Glasgow to London and
of May, it was deeply heartwarming to be
many in between, the four piece delivered
witness to some brilliant musicians raising
an impressive amount of energy throughout
money for a brilliant cause. All thanks to
their set, with their single “Cowboy” really
Dom from Soundsphere for putting on the
appealing to the crowd. The use of keys was
show!
very effective in creating a unique sound, almost reminiscent of an ambient indie/grunge
Starting the night off the right way with
band and they can certainly go far with their
Boss Caine, a Country/Americana front-
appealing chord progressions and use of
ed four piece with Daniel Lucas leading
rhythm. One to go and see live to experience
the group as songwriter. Their feel good
the full thing!
energy soon warmed up the crowd, with brilliant songwriting and a tight sound that was presumably nurtured through hours of rehearsal. Alongside their feel good country groove, they equally were able to capture the emotional side of their music, with certain fans of theirs singing along to every word. With an album set to be released shortly, it was truly a nice surprise and a change from the usual York music scene. Next up were Bradford boys Glass Mountain who knew how to keep an audience. One thing that was especially unique was their own lighting and background, using a video created solely for the purpose of live shows.
PPORT @ FULFORD ARMS
Third on was the two piece ...And the Hangnails who received a massive applause for their set. Delivering powerful energetic drums with some kick-ass guitar, making great use of the guitar pedals available, using not much more than an what sounded like an octaver, fuzz and a boost. Easily contending with the other larger bands volume. This is one band that are explosive live and should always be experienced in that way. They even had some laughs on stage, especially when the guitarist was tuning aloud and was not impressed to be taking time up better used showcasing the bandâ&#x20AC;&#x2122;s music. Finally to top off the night was Leeds band Krrum who the crowd instantly fell in love with. A brilliant way to end a night with some more feel good music, this time making use of many different synths, samplers and sound pads, creating a brilliantly infectious sound. Their presence on stage was also as infectious, with dancing on stage happening throughout their set, they were really well received by all and with some positive attitude, closed what was a great night of live music for a great cause.
Written by Ben Kitching, photos by Holly Beson-Tams
EDITORS
Holly Beson-Tams
WRITERS
Holly Beson-Tams Ben Kitching Abby Hardy Georgia Chapman James Brown
PHOTOGRAPHERS
Holly Beson-Tams
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