2015–16
OCTOBER 2 NOVEMBER 20 DECEMBER 19 FEBRUARY 19 APRIL 8 JUNE 3
february 19 smash hits! LAWRENCE GOLAN conductor
STEVEN LIN piano
MOZART
Symphony No. 40 in G Minor RACHMANINOFF
Rhapsody on a Theme of Paganini STRAVINSKY
The Firebird Suite
DEAR FRIENDS, Welcome to tonight’s Denver Philharmonic Orchestra concert! With all the events, theatre, music and festivals that Denver has to offer, we’re honored you are spending your evening with us. We hope to create a wonderful memory and feeling that stays with you long after the music has ended, and sometimes even before the music has begun. How ’bout them Broncos?! Von Miller
Tonight, I’ll be thinking about wise words from Henry David
delivered some smash
Thoreau, who said, “When I hear music, I fear no danger. I am
hits, tonight it’s our turn!
invulnerable. I see no foe. I am related to the earliest times, and to the latest.” Thoreau must have been to a DPO concert! Listening to our passionate musicians fill this hall with music, we hope that you “see no foe,” but instead find opportunities to meet your neighbors, mingle with musicians, and take part in the community offerings hosted by the DPO all season long! Please, sit back, relax, silence (but do not put away) your phone and experience the music! If you have any questions, or would like to share your personal DPO story, please feel free to talk with us: look for anyone with a blue name tag, or come and find me — we love getting to know all of you, and hope you will continue to make the Denver Philharmonic Orchestra a part of your story now and in the future! Sincerely,
Jon Olafson President of the Board, DPO
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2015–16 season. OCTOBER 2 NATURE’S REALM
FEBRUARY 19 SMASH HITS!
LAWRENCE GOLAN, conductor and violin
LAWRENCE GOLAN, conductor STEVEN LIN, piano
VIVALDI “Autumn” from The ˇ ÁK In Nature’s Realm DVOR
Four Seasons
Symphony No. 40 in G Minor Rhapsody on a Theme of Paganini STRAVINSKY The Firebird Suite MOZART
TCHAIKOVSKY
The Tempest; Fantasy-Overture, Op. 18 SIBELIUS Symphony No. 5
RACHMANINOFF
NOVEMBER 20 INEXTINGUISHABLE
APRIL 8 THE ONE RING
LAWRENCE GOLAN, conductor JAY CAMPBELL, cello Phoenix for Orchestra (Colorado premiere) ELGAR Cello Concerto NIELSEN Symphony No. 4 “Inextinguishable” LOCKLAIR
DECEMBER 19 HOLIDAY CHEER! SCOTT O’NEIL, guest conductor SYDNEY HARPER, soprano and featuring COLORADO REPERTORY SINGERS, KYLE FLEMING, artistic director Holiday favorites including: Excerpts from “Christmas Concerto” Selections from Messiah TCHAIKOVSKY Selections from The Nutcracker CORELLI HANDEL
Full repertoire available at denverphilharmonic.org
FEATURING THE LORD OF THE RINGS SYMPHONY S. MORDECAI FUHRMAN, guest conductor AARON WILLE, flute Les Franc-Juges (Judges of the Secret Court) Suite Modale DE MEIJ, ORCH. VLIEGER Symphony No. 1 “Lord of the Rings” BERLIOZ BLOCH
JUNE 3 EUROTRIP LAWRENCE GOLAN, conductor Ode to the Red Flag Symphony in D Minor GERSHWIN, ARR. WHITNEY An American in Paris Suite SMETANA The Moldau STRAUSS JR. On the Beautiful Blue Danube KREISLER, ARR. MCALISTER Liebesleid MONTI Czardas LI, CHUNLAI FRANCK
BUY TICKETS AT denverphilharmonic.org 4
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Inform. Enlighten. Entertain. Keeping you connected with in-depth news and music discovery.
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FRIDAY, FEBRUARY 19, 2016 SMASH HITS! Central Presbyterian Church · Denver, Colorado · 7:30 pm
Lawrence Golan, conductor Steven Lin, piano W. A. Mozart Symphony No. 40 in G Minor (1756 – 1791) I. Molto Allegro II. Andante III. Menuetto. Allegretto – Trio IV. Finale. Allegro assai
∙ 15-MINUTE INTERMISSION ∙ Sergei Rachmaninoff (1873 – 1943)
Rhapsody on a Theme of Paganini featuring Steven Lin, piano
Stravinsky The Firebird Suite (1882 – 1971) I. Introduction
II. Dance of the Firebird III. Variation on the Firebird IV. Round Dance of the Princesses V. Infernal Dance of King Kashchei VI. Berceuse VII. Finale
MEET THE MUSICIANS
Reception Following the concert, meet & mingle in the lobby! 6
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TWEET YOUR HEART OUT During the concert, we live-tweet photos, facts and tidbits about the music you’re listening to. Follow along, share and interact with us and other concert-goers on Twitter.
A FEW RULES… • PHONES ON — SOUND OFF! We know you want to participate, but let’s leave the music to the pros. • ALL THUMBS Tweet tweet tweet all the
night through, but remember, no talking during the concert.
• Add the hashtag #DPOtweets to your posts so your neighbors can follow along.
• You don’t need a Twitter account to read our tweets (just visit twitter.com/ DenverPhilOrch), but if you’d like to
tweet along with us, you need an account. • “PG” tweets only — C’mon, there are kids here. • Free WiFi? Now, that’s fly. Name: cpcwireless Password: welcomecentral
#DPOTweets @DenverPhilOrch 7
LAWRENCE GOLAN MUSIC DIRECTOR The 2015–16 Season marks Lawrence’s third season as music director of the Denver Philharmonic Orchestra. In high demand across the United States and internationally, Lawrence is also currently Music Director of the Yakima Symphony Orchestra in Washington state, the York Symphony Orchestra in Pennsylvania, and the Lamont Symphony Orchestra & Opera Theatre at the University of Denver. In addition, he is the Principal Conductor of the Seoul Philharmonic in South Korea. Lawrence continues to guest conduct professional orchestras, opera, and ballet companies in the U.S. and around the world. He has conducted in 26 states and 17 countries. Lawrence has garnered considerable international recognition for his work as a conductor. He has won 10 ASCAP Awards, five Global Music Awards, three American Prize awards, three Downbeat Magazine Awards, and two Prestige Music Awards. Following a highly successful four-year term as Resident Conductor of The Phoenix Symphony, Music Director Michael Christie said that Lawrence “is a programmer of virtually unprecedented creativity and scope.” That sentiment was confirmed in 2012 when Lawrence was named the Grand Prize Winner of The American Prize for Orchestral Programming.
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Lawrence is known for his inspired performances, imaginative programming, passion for developing new audiences, and excellent public speaking skills—entertaining and educating the audience from both on and off the podium. He is also recognized for his expertise in the complete spectrum of musical styles and periods. He has worked with artists ranging from Leonard Bernstein, Marilyn Horne, Daniel Barenboim and Joshua Bell to Frank Sinatra, Kenny G and ShaNaNa. A native of Chicago, Lawrence holds degrees in both conducting and violin performance from Indiana University’s Jacobs School of Music (B.M. and M.M.) and the New England Conservatory of Music (D.M.A.). In addition, he studied at all of the major conducting festivals including Aspen and Tanglewood, where in 1999 he was awarded the Leonard Bernstein Conducting Fellowship. Lawrence and his wife Cecilia, who is from Buenos Aires, Argentina, have been married since 2003. They have two wonderful children: Giovanna and Joseph. Lawrence is represented by William Reinert Associates in New York. For more information, please visit LawrenceGolan.com or WilliamReinert.com.
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S. MORDECAI FUHRMAN ASSOCIATE CONDUCTOR Conductor, percussionist, timpanist, and arranger, Samuel Mordecai Fuhrman is a graduate of the University of Delaware and the Cleveland Institute of Music. Samuel has performed with and conducted Wilmington Get out your phone and
Community Orchestra in Delaware, Center City Opera Theater
tweet along with me
in Pennsylvania, Cleveland Pops Orchestra in Ohio, and Newark
@denverphilorch! Ask
Symphony Orchestra in Delaware, where he directed their inau-
questions and learn more about the music — in real time. Tag your
gural Family Series in 2010.
posts with #dpotweets
Founder of the Reading Orchestra of North Wilmington,
to join the conversation.
Samuel received his undergraduate degree in music in percussion/timpani at the University of Delaware. In 2007, he won the University of Delaware Concerto Competition, performing Eric Bryce’s Concerto for Marimba / Vibraphone and Orchestra with the University of Delaware Symphony. Samuel studied conducting at the Cleveland Institute of Music, where he led multiple performances and received a Master of Music degree in 2014. In August 2013, Samuel led members of Kiev Chamber Orchestra and National Philharmonic Orchestra of Ukraine in a performance of Aaron Copland’s Appalachian Spring as part of the U Artist Music Festival. In addition to music, Samuel enjoys studying and contemplating cosmology and the evolution of the universe with his wife, Emily. This is his second season as associate conductor of the Denver Philharmonic Orchestra.
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Introducing
classical music
with a
twist An intimate concert series at Dazzle Jazz featuring small ensembles, dinner and cocktails.
BLENDED BRASS MARCH 2 @ 7PM
DA ZZ LE JA ZZ 930 LI N CO LN ST
Seating is limited. Buy now at denverphilharmonic.org or dazzlejazz.com. 11
STEVEN LIN PIANO The New York Times wrote Steven’s playing is “immaculately voiced and enhanced by admirable subtleties of shading and dynamics.” His growing list of awards include the 2012 CAG Victor Elmaleh Competition and the John Giordano Jury Chairman Discretionary Award at the 2013 Van Cliburn International Piano Competition. In May 2014, his dynamic playing won him the Silver Medal at the Arthur Rubinstein Piano Competition in Israel. Recent recital engagements include his Kennedy Center debut and recitals for Strathmore Performing Arts Center and Macon Concert Association. As a concerto soloist, he was featured with the Kansas City Symphony, Waco Symphony, Victoria Symphony, Hilton Head Symphony and Tulare County Symphony. Steven was accepted into the Juilliard Pre-College Division at the age of 10 to study with Yoheved Kaplinsky. A two-time winner of the Juilliard Pre-College Piano Competition, he made his debut with the New York Philharmonic in Avery Fisher Hall at the age of 13. He has appeared on radio broadcasts including NPR’s From The Top and WQXR’s McGraw Hill Young Artists Showcase. Steven earned both Bachelor’s and Master’s Degrees at The Juilliard School, studying with Robert McDonald and Matti Raekallio. He is pursuing a Performance Diploma from the Curtis Institute of Music under the guidance of Robert McDonald. When not making music, Steven describes himself as an ‘NBA basketball fanatic,’ a source of great pride and commitment which began when he was 8 years old.
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2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
Welcome to Central Presbyterian Church, an enthusiastic partner of the Denver Philharmonic and a dedicated supporter of the downtown arts and music communities. The historic sanctuary, the third in the church’s history, was designed by renowned Denver architect Frank Edbrooke and built in 1891. Though the pipe organ has been replaced several times throughout the church’s history, most recently by the Reuter Organ Company in 1962, the hand-painted organ facade pipes are original to the space. On Sunday mornings at Central, the
the New Genesis Transitional Shelter in
music of the classical masters lives
the basement just below your feet, the
comfortably next to gospel music
Central Visitation Program on the third
and spirituals, shape-note hymns
floor of this building, and is closely
performed in the Sacred Harp tradition,
involved with the Metro Caring hunger
performances by our folk-rock youth
relief center and the Colfax Community
band, medieval chant, and everything in
Network.
between. A founding member of many successful nonprofits that serve the
We hope you enjoy tonight’s concert,
downtown community, Central houses
and hope you’ll come back for more!
www.centraldenver.com
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MORE THAN Attending a concert with us goes beyond an evening of high-caliber classical music. We have a lot of fun at our concerts — we live-tweet performances, hold lively pre-concert chats, and we’ve mingled over great eats at food truck tailgates, hiked South Table Mountain in Golden, sipped local wine, welcomed over 80 students from El Sistema Colorado as our opening act, hosted Valentine’s Day photo booths, enjoyed handmade truffles, brought in an instrument petting zoo, partnered with the Denver Museum of Nature and Science to bring the Gates Planetarium (and the entire universe) into the hall, and more!
Here’s a taste of what’s in store for upcoming concerts —
THE ONE RING
EUROTRIP
APRIL 8, 2016
JUNE 3, 2016
PRECONCERT CHAT, 6:30PM
FOOD TRUCK TAILGATE, 5:30–7:15PM
Join Associate Conductor (and guest conductor!) S. Mordecai Fuhrman for an informal preconcert chat that will give you insights into the music and music-makers you’ll be listening to.
Our signature symphony tailgating is not to be missed! Starting at 5:30pm. Sorry friends, no booze at this family-friendly tailgate!
SELFIE CORNER, 6:15–7:15PM You shall not pass up this opportunity to snap a selfie with the White Wizard! Post on all your social media accounts, and be sure to tag us so we can like it.
RECEPTION, POSTCONCERT Say hello! Join us in the lobby after the concert for refreshments, meet the soloists, buy a t-shirt — and have fun!
PRE-CONCERT CHAT, 6:30PM Join Associate Conductor S. Mordecai Fuhrman for an informal preconcert chat that will give you insights into the music and music-makers you’ll be listening to.
RECEPTION, POSTCONCERT Say hello! Join us in the lobby after the concert for refreshments, meet the soloists, buy a t-shirt — and have fun!
Visit denverphilharmonic.org for concert tickets and info on all of our upcoming events. 14
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MUSIC.
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OUR MUSICIANS MUSIC DIRECTOR Lawrence Golan
ASSOCIATE CONDUCTOR S. Mordecai Fuhrman
FIRST VIOLIN
Katherine Thayer, concertmaster Allison Kim, associate concertmaster Patsy Aronstein Melissa Barru Carrie Beeder Melissa Campbell Matt Grove Thomas Jatko Lubia Montenegro Kristine Pordesimo Emmy Reid Beth Schoening Vanessa Vari Elizabeth Wall
SECOND VIOLIN Yiran Li, principal Niccolo Werner Casewit Valerie Clausen Christina Colalancia Terri Gonzales Miki Heine Annie Laury Callista Medland Wendy Montenegro Alyssa Oland Anne Silvas Albert Ting
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VIOLA
Lindsay Hayes, acting principal Naomi Croghan Victoria DiMarzio Lori Hanson Ana Montenegro Elizabeth O’Brien Anita Zerbe
CELLO
Bryan Scafuri, principal Naftari Burns Kyle Laney Ana Psitos Monica Sáles Rachel Warbelow Rachel Yanovitch Tara Yoder
BASS
Mark Stefaniw, principal Zach Antonio Lucy Bauer Josh Filley Taryn Galow Colton Kelly Jordan Walters, student intern
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FLUTE
Aaron Wille, principal Whitney Kelly Catherine Ricca Lanzano
OBOE
Kimberly Brody, principal Loren Meaux, assistant principal Alexis Junker
ENGLISH HORN Loren Meaux
CLARINET
Shaun Burley, principal Claude Wilbur
BASSOON
Ken Greenwald, principal Nicholas Lengyel
FRENCH HORN David Wallace, principal Jeanine Branting Kelli Hirsch Mary Brauer Robyn Chauvin
TROMBONE
William Combs, principal Wallace Orr
BASS TROMBONE Daniel Morris
TUBA
Darren DeLaup
TIMPANI
Steve Bulota, principal
PERCUSSION Heather Church Ross Coons Justin Elks Joey Glassman
HARP
Rebecca Moritzky, principal Jenilee Elsbernd
KEYBOARD Ani Gyulamiryan
TRUMPET
Ryan Spencer, prinicpal Ariel Van Dam Nick Kenny
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OUR TEAM BOARD OF DIRECTORS
PRESIDENT Jon Olafson VICE-PRESIDENT Eleanor Glover SECRETARY Linda Lebsack TREASURER Allison Lausten Pauline Dallenbach, Honorary Member Dr. Robert Dallenbach Alixandra Feeley Sarah Hogan Russell Klein Maureen Keil Matt Meier Tenley Oldak
DENVER PHILHARMONIC FOUNDATION BOARD Keith Fisher Russell Klein Allison Lausten
EXECUTIVE DIRECTOR Valerie Clausen
OPERATIONS MANAGER Alixandra Feeley
PERSONNEL MANAGER Annie Laury
STAGE MANAGERS Taryn Galow Loren Meaux
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MUSIC LIBRARIAN Callista Medland Alyssa Oland, assistant
CONCERT PROGRAM
Ligature Creative Group, design Walker Burns, editing Alixandra Feeley, editing María Angélica Lasso, Spanish translation Callista Medland, editing Natalie Piontek, program notes
AUDIO TECH Joel Dallenbach
WEBMASTER
Ligature Creative Group
EMBEDDED REPORTER Julia Compton Meg Satrom, editor
PUBLICITY & DEVELOPMENT
Niccolo Casewit Dr. Robert Dallenbach Stephanie Gillman, photographer Eleanor Glover Ali McNally Matt Meier Jeff Paul David Sherman
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OUTREACH Tenley Oldak Katherine Thayer David Wallace
DATA WRANGLER Callista Medland
BOX OFFICE
Cris Diaz, habla español Sarah Hogan Venus Klein María Angélica Lasso, habla español Annie Laury Allison Lausten Ali McNally Jon Olafson
RECEPTION Amy Anderson Allison Lausten
PARKING ADVISORS Linda Lebsack Hugh Pitcher
MORE THAN MUSIC PARTNERS Coda Brewing The Traveling PhotoBooth Kolacny Music
FRONT OF HOUSE Gil Clausen Eleanor Glover Maureen Keil Russell Klein Linda Lebsack Kali Sheldon
VOLUNTEERING OPPORTUNITIES Our orchestra is run by volunteers, with no paid administrative staff. We would greatly appreciate help from more volunteers in the areas of publicity, fundraising, concert production, receptions, personnel, and outreach. If you would like to participate in any of these activities, please contact Executive Director Valerie Clausen at 303.653.2407 or email at vclausen@denverphilharmonic.org.
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PRESS PLAY!
The latest episode in our “Playing Out” webseries, Playing Out with Steven Lin, premiered this week on YouTube.com/DenverPhilharmonic. “Playing Out” takes soloists and guest
“Playing Out” is created in part by
artists out on the town performing in and
local filmmaker David Sherman. David
around Denver. Watch pianist Fei-Fei
specializes in arts marketing, media
Dong play Gershwin’s Rhapsody in Blue
literacy and education.
on a 16th Street Mall piano, see Music Director Lawrence Golan on violin in the serene Denver Botanic Gardens with Vivaldi’s “Autumn,” November’s solo cellist, Jay Campbell explore downtown and perform Elgar’s Cello Concerto, or Sydney Harper carol at The Brown Palace.
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davidshermancreative.com
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FEBRUARY 19 ∙ SMASH HITS! by NATALIE PIONTEK
Symphony No. 40 in G minor, KV. 550 Wolfgang Amadeus Mozart (1756 – 1791) During one whirlwind summer in 1788, Mozart started and completed what would become three of his most popular symphonies. His Symphony No. 40 is the second of those three. Thought to have been an inspiration for Beethoven’s Fifth, it’s one of only two symphonies Mozart composed in a minor key. Mozart wrote his first symphony when he was 8 years old. What were you doing? Duration: 27 minutes
A PRODIGAL TALENT Wolfgang Amadeus Mozart, whose baptismal name is the tongue-twisting Johannes Chrysostomus Wolfgangus Theophilus Mozart, was born in 1756 in Salzburg, Austria. A child prodigy, his compositional genius has been mythologized in literature as well as cinema. Miloš Forman’s 1984 film Amadeus is perhaps the most well-known biographical account of Mozart in pop culture.
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Mozart began composing at age 5 and
used to hearing from Mozart. It opens
wrote more than 600 works by his young
in the contented key of E-flat major.
death at age 35. By the time he turned 18,
Charming, descending scalar motives (in
he had composed 30 of his 41 symphonies.
other words, the repeated patterns of de-
He could listen to a piece once and then
scending notes) are exchanged between
write it down from memory—a technique
the woodwinds before this movement, too,
he exercised the first time he listened to
moves into more gloomy territories, land-
Gregorio Allegri’s Miserere. He transcribed
ing on a stormy chord in E-flat minor. After
the piece in its entirety later that same day.
some more exchanges of the little scalar
THE MINOR MODE
motives we heard previously—the strings included this time—Mozart eventually
Most will recognize the turbulent opening
brings us back to comfortable grounds.
of the first movement; in addition to
The movement concludes in its home key
appearing in numerous television shows
of E-flat major.
and films (“Gilmore Girls,” “Animaniacs,” and “It’s Always Sunny in Philadelphia” to
One would be unlikely to classify the third
name a few) the movement’s exposition
movement as a dance upon hearing it, but
was one of the most popular ringtones in
the movement is indeed a minuet and trio.
the 1990s.
The movement doesn’t sound like a dance because of Mozart’s use of hemiolas: a
The violins introduce the main theme,
technique in which two, three-beat groups
which begins on an offbeat. This technique
are replaced by three, two-beat groups.
creates a sentiment of yearning and
The technique gives the music a feeling
instability, the feeling of a thought left
of being off-kilter and makes it difficult to
unfinished. It’s an approach that would
distinguish the meter of the piece.
be repeated later by Romantic composers, who sought often to recreate such
The first violins open the fourth move-
brooding sentiments in their compositions.
ment, outlining the home key of the
Repeated eighth notes in the viola section
symphony with an arpeggio in G minor.
drive this movement relentlessly forward.
This arpeggiated motive forms the crux of the movement and is repeated by each of
The second movement, a dance-like
the instrumental groups, modulated into
Andante, is more characteristic of the
numerous keys. Rapidly ascending scales
lighthearted and sprightly music we’re
are tossed between instruments, and the movement rushes to a fiery conclusion.
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Rhapsody on a Theme of Paganini Sergei Rachmaninoff (1873 – 1943) Known for his unusually large hands, Rachmaninoff could reach an astonishingly wide interval of a 12th on the piano keyboard between his thumb and pinky finger—most people can barely reach an octave!
ABOUT RACHMANINOFF Born in 1873 in Semyonovo, Russia, Sergei Rachmaninoff was a Many of Rachmaninoff’s
composer, conductor and concert pianist. He stood at an impos-
works incorporate what
ing 6'6" and rarely smiled in photographs. He is most acclaimed
is known as the Dies Irae, the theme from the Medieval Mass of the
for his contributions to the piano repertoire, which include four concertos (five if you count the Rhapsody), 24 Preludes, and two
Dead. Cheery!
piano sonatas, among others.
Duration: 25 minutes
DIFFICULT BEGINNINGS Rachmaninoff had a tumultuous career full of highs and lows. The 1847 premiere of his first symphony, conducted sloppily by composer Alexander Glazunov, was nothing short of a catastrophe. Critics mocked and quickly disregarded the work. Having spent two years composing this symphony, the 23-year-old Rachmaninoff fell into a deep depression after the premiere.
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It would be another 10 years before he
The variations run the gamut of emotions:
would muster the courage to write his
playful and serious, serene and turbulent,
second symphony.
plaintive and exuberant. Rachmaninoff opens the work with an introduction
Yet, during the long setback he expe-
and the first variation, which, unusually,
rienced following the first symphony’s
precedes the main theme. Rachmaninoff
premiere, Rachmaninoff also fell in
varies Paganini’s theme in almost every
love—with his first cousin, Natalia Satina.
way imaginable in an extraordinary
Rachmaninoff and Natalia’s relationship
display of compositional virtuosity. He
was frowned upon by their families, but
writes the theme backwards, slows and
the two married nonetheless.
quickens the tempo, and inverts rhythms. He modulates the theme into the major
In 1917, the Russian Revolution forced
key and turns it upside down to create
the composer to depart his homeland.
the gorgeous and sweeping Romantic
Rachmaninoff immigrated to the United
melody in the famous 18th variation. The
States, where he conducted concerts with
18th variation is often performed as a
the Philadelphia Orchestra, performed as
standalone work in its own right.
pianist, and lived until his death at age 69.
THE FIFTH PIANO CONCERTO
The 24th and last variation is perhaps the most technically daunting of all the variations. Before performing it himself,
Rachmaninoff wrote his Rhapsody on a
Rachmaninoff drank a glass of crème de
Theme of Paganini after the 24th and last
menthe to calm his nerves. Rapid ascend-
caprice from Paganini’s 24 caprices for
ing and descending passages in octaves
solo violin. Written as a set of 24 varia-
daunt even the finest pianist. However,
tions, the work features the Dies Irae, the
not one to take himself too seriously,
ominuous theme from the medieval Mass
Rachmaninoff finishes this tour-de-force of
of the Dead. Like Paganini’s Caprices, the
a movement with a soft, humorous little
Rhapsody on a Theme of Paganini is a
quote of the main theme.
virtuosic showpiece.
A SPECIAL THANK YOU TO SCHMITT MUSIC for providing the beautiful Steinway piano for tonight’s concert. 26
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The Firebird Suite (1919) Igor Stravinsky (1882 – 1971) Stravinsky originally conceived The Firebird as a ballet; The Firebird Suite is a selection of movements from the full production. Stravinsky made three different orchestral suites from The Firebird—one in 1911, one in 1919, and one in 1945. The 1919 Firebird Suite (performed tonight) remains the most popular. Stravinsky is famously rumored to have had
ABOUT STRAVINSKY
an affair with iconic
Igor Fyodorovich Stravinsky, born in 1882 in Oranienbaum,
fashion designer Coco
Russia, championed the Modern era of classical music. His music
Chanel. This affair was
experimented with atonality, extreme dissonance, and, in his
the subject of the 2009
ballets, barbaric and unpleasant imagery. The Rite of Spring, a
mainstream film, Coco
ballet that Stravinsky premiered to a Parisian audience in 1913,
et Igor.
was so radical that the audience rioted during the performance.
Duration: 23 minutes
The piece ended midway through because the dancers couldn’t hear the music over the enraged audience.
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THE HISTORY Stravinsky’s music is classified into three periods: the Russian period, the Neoclassical period, and the Serial period. From the Russian period we recognize composers such as Tchaikovsky, Rachmaninoff and Nikolai Rimsky-Korsakov (Stravinsky in fact studied under the tutelage of Rimsky-Korsakov while attending university). The Russian period is characterized by the use of Russian folk songs and melodies, and Stravinsky’s Firebird Suite is one of the hallmark works of this period.
ABOUT THE MUSIC The story of The Firebird comes from Russian folktales and focuses on the hero, Prince Ivan. Ivan strays into an unknown forest, the “enchanted garden of Kastchei,” where he finds and kidnaps the firebird. The firebird, desperate to escape, provides the Prince a magical feather in exchange for her freedom. It is this magical feather that aids Ivan in defeating the evil Kastchei and winning his princess. The Firebird Suite is composed in five movements or tableaus. The work opens with an ominous statement and rumblings in the low strings, which immediately transport the listener into Kastchei’s mystical forest. The brass and winds follow soon
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after, enriching the soundscape. The violins perform tremolos, a technique in which the bow is moved back and forth quickly on a string, and glissandi, where the finger slides up and down a string, to create the haunting atmosphere. The Firebird is full of Stravinsky’s characteristically evocative wind writing. After hearing the brooding music of Kastchei’s forest, we are introduced to the firebird, which is portrayed colorfully by the flute, clarinet and piccolo. The lines between the three woodwinds are intricately interwoven, with one instrument picking up the tail end of an arpeggio where the other leaves off. The parts are technically and rhythmically devious, and for this reason they often make an appearance on orchestral audition lists. Flourishes in the harp and strings make this movement even more colorful. The trumpets and low brass take over in the demonic third tableau, Kastchei’s Infernal Dance (do you recognize this movement from the score for Disney’s Fantasia 2000?). The final tableau showcases Stravinsky’s talent for creating beautiful melody, and the entire orchestra comes together to sing the firebird’s lovely pastoral theme.
2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
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CONCERT ETIQUETT If you are attending your first (or 300th) classical music concert, below are some frequently asked questions to help make your experience more enjoyable.
BE COMFORTABLE
APPLAUSE 101
There’s no dress code. From jeans to
In earlier times, audiences would routinely
suits, you’ll see it all! Wear what you’d
applaud between movements to show
like — you’ll fit in. We love you just the
their joy for the music they just heard.
way you are.
Then around the mid-19th century, it
COUGHING Ahem… Try to ‘bury’ your cough in a loud
became tradition to wait until the end of the piece to clap, with the audience sitting silent between movements.
passage of music. If you can’t, or you begin to cough a lot, don’t worry — it’s
At the DPO, we welcome both traditions.
perfectly acceptable and appropriate to
If you prefer to wait for the end of a piece
quietly exit the concert hall. Remember to
to clap, please do. Some movements are
unwrap cough drops before the concert so
fiery and end in such a flare that you may
you don’t create crackling noises.
feel compelled to clap — go for it! After a quiet movement, you may want to enjoy the feeling of transfixion and wait; there’s no need to applaud if you’re not feelin’ it. Regardless, we want you to feel comfortable and focus on the performance, not confusing applause rules!
32
2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
E SIT TIGHT
SOCIAL MEDIA
The rumors are true — we’re pretty
Feel free to tweet, post to Facebook or
informal. But we do ask that you sit tight
take photos without flash. Upload your
and quiet during the performance and
pics and comments online — and be sure
only get up between pieces or during in-
to tag us! We’re on Facebook, Twitter and
termission as to not distract the musicians
Instagram @denverphilorch #dpotweets
or concert-goers around you.
PACK IT IN, PACK IT OUT
HAVE FUN! Rules, rules, rules — we know, it can be
You’re welcome to bring a water bottle
overwhelming. The most important rule of
into the hall, but remember “Trail Rules”
all is to have fun and enjoy yourself. And
— pack it in, pack it out. (This goes for
then tell all your friends and come back
trash too!)
again and again!
ELECTRONICS Please turn the sound off on your cell phones, pagers, and any other noisemaking device, including vibrate mode.
33
ORCHESTRA SPOTLIG Who are the hard-working men and women behind those music stands? Get to know your orchestra! Each concert, we spotlight a few of our talented musicians. Tonight, meet Jessica, William, Loren, Mark, David and Rachel — JESSICA CLARK
clarinet with the Cascade Symphony. While
CLARINET/Eb CLARINET
living on Long Island and attending NYU,
SECOND DPO SEASON. Jessica received
Cascade Symphony invited Jessica to per-
her Bachelor’s in Music Education from
form Copland’s Clarinet Concerto.
the University of Michigan in 2004. She also holds a Master’s Degree in Clarinet
Jessica is a stay-at-home mom to her two
Performance from NYU where she studied
wonderful girls, Mariko, 3, and Yuna, 10
with Pascual Martinez-Forteza of the New
months. Jessica credits her girls for making
York Philharmonic.
every day a joy and an adventure. She and her family recently moved into the house
Jessica started playing piano when she
they built in Stapleton. Her spare time is
was 5 and clarinet beginning at age 9. She
spent putting the finishing touches on
studied privately with Laurie DeLuca of the
the house. Jessica can’t wait for spring,
Seattle Symphony until college in 2000.
warm weather and the chance to get back
Jessica also started playing trombone in
outside.
seventh grade so she could participate in jazz band. She played both clarinet
Jessica and her husband Toshi are originally
and trombone all through high school. In
from Seattle. After Toshi’s four-year radiol-
college, she played with both University
ogy residency on Long Island, they are
of Michigan bands and after graduating
glad to be back in the west and learning all
and moving back to Seattle, played first
about Denver!
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2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
HT WILLIAM COMBS
He received his Performance Certificate in
PRINCIPAL TROMBONE
Trombone from the University of Denver
SECOND DPO SEASON. William has
in 2014, his Master’s of Music in Trombone
been playing trombone for 15 years and
Performance in 2013, also from the
is currently working on his DMA degree
University of Denver and his Bachelor’s
and the University of Colorado Boulder.
of Music in Trombone Performance
Join Us and Hear the Future! 2015-2016
oct 11 | nov 14 | nov 15 | nov 21 | jan 24 | mar 06 apr 24 | may 15 | jun 10 | dyao.org or 303.433.2420 Visit www.DYAO.org for more details, venues, times and programs! 35
and Music Education from Texas Tech
playing trombone, it is usually based
University in 2011.
around teaching and arranging. Both of those pursuits are a love of his life.
In addition to alto, tenor and bass
William feels that nothing is better than
trombone, he also plays didgeridoo.
the joy in leading a student to a new
William has performed with the Lubbock
place in their musicianship or the creation
Symphony, Denver Municipal Band,
of a new piece of music.
Colorado Wind Ensemble, Metropolitan Jazz Orchestra, and Denver Brass in ad-
Definitely a foodie and a cook, one of his
dition to the DPO. On top of his classical
favorite things about moving to Denver
playing, William has been featured as the
has been finding all of the little home
“brass bass” for the stage show, “Dancing
run restaurants and trying new foods
at the Crossroads.”
and dishes. William also enjoys driving through the mountains and spending
When his work is something other than
36
time at home with his family.
2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
LOREN MEAUX
Avery, who often come to concerts and
ASSISTANT PRINCIPAL OBOE/ ENGLISH HORN
who Loren would like to thank for putting
FIFTEENTH DPO SEASON. Loren has
ments all hours of the morning.
up with him making reeds for his instru-
been with the Denver Philharmonic since 2001 and is a graduate of the University
MARK STEFANIW
of Northern Colorado with a Bachelor in
PRINCIPAL DOUBLE BASS
Music Performance where he studied with
FIFTH DPO SEASON. Mark grew up
Peter Cooper.
playing accordion in elementary school and played electric bass in high school and
Loren has been playing the Oboe since
college. While managing a first career in
the fourth grade, which is a rarity as most
the computer industry, Mark picked up the
oboists start on clarinet or flute then move
double bass in 1984.
over to oboe later. An IT professional for Denver Health by day, Loren has a wonder-
Now retired from technology, Mark
ful wife, Jade, and beautiful 5-year-old boy,
returned to school and earned his double
 37
bass performance degree (BM) from MSU
an avid gardener. They enjoy hiking together
Denver in 2011. Currently embarked on an
and collecting native wild flower seeds.
unexpected second career as a professional musician, Mark has been principal bassist
DAVID WALLACE
with the DPO since 2010. Prior to DPO,
PRINCIPAL FRENCH HORN
Mark had performed several seasons with
NINTH DPO SEASON. David has served
the Jefferson and Lakewood Symphony or-
as the assistant principal horn in the
chestras, as well as Musica Sacra, Evergreen
Colorado Symphony Orchestra, and
Chamber Orchestra and the Longmont
played and recorded with the Chicago
Ballet/Dance Theater Company.
Symphony Orchestra. Broadway credits include the national companies of
Passionate about teaching, he is now in his
Tommy, the Phantom of the Opera,
third year as guest artist, chamber music
Miss Saigon, and Camelot. He’s soloed
coach and bass mentor, at the Denver
with the DPO, as well as the Northwest
School for the Arts (DSA). He also main-
Chicago and University of Pittsburgh
tains a successful private teaching studio,
Symphonies, and the Carnegie Symphony
and his students are beginning to flow
Orchestra. He also studied at The Aspen
into music conservatories and universities
Music School, Northwestern & Carnegie
across the country.
Mellon Universities. He received his MA in Instructional Technologies from CU,
Mark performs year round with his trio Blue
Denver, a BA from St. Olaf College in
Moon Bluegrass. Mark’s wife, Patti, is a bee-
Minnesota, and teaching certification
keeper, raises heritage breed turkeys, and is
from Regis University.
2014/2015 Concert Season Friday, October 16, 2015 | 7:30 pm
Friday, February 12, 2016 | 7:30 pm
Günther Stegmüller, guest conductor Linda Wang, violin
Jason Shafer, clarinet
water
Saturday, November 14, 2015 | 2:30 pm (FREE Children’s Concert)
oh, the music you’ll hear! Friday, December 4, 2015 | 7:30 pm
a lso family christmas
wind
Friday, April 1, 2016 | 7:30 pm
fire
Matthew Zalkind, cello
Friday, May 13, 2016 | 7:30 pm
earth
Abigail Nims, mezzo-soprano
to purchase tickets: Visit LittletonSymphony.org, call 303-933-6824, or email info@LittletonSymphony.org.
38
2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
David is in his eighth year as music teach-
RACHEL YANOVITCH
er at Tarver Elementary. Previous public
CELLO
education experience includes teaching
THIRD DPO SEASON. Rachel began
choral and instrumental music at both
studying piano at age 5, cello at age 9,
the middle and high school levels. He’s
guitar at 15. In her free time, along with
been Performing Artist in Residence at
performing with the DPO, she has enjoys
the Denver School of the Arts and for the
singing and songwriting. Rachel’s perfor-
Colorado Honor Bands, and horn and
mance history includes three solo recitals,
musical theater director at several area
playing with the Thames Valley Youth
high schools.
Orchestra in Connecticut, and, during high school, the Rhode Island Philharmonic
David enjoys spending free time with
Youth Orchestra.
his children Bud & Kate, skiing, cooking, and looking for places to build fires.
Rachel has her Associate’s degree in
As always, he continues his silent, yet
Theology from Calvary Chapel Bible
passionate, advocacy for bowling as an
College in Murrieta, California and works
Olympic sport.
full time as the Scheduling Coordinator for a family dental practice.
39
SUNDAY CLASSICAL MUSIC 7:00 – 10:00 PM KPOF — 910 AM
Tune in to radio station KPOF (AM 910) from 7 – 10 pm on Sunday, February 28 for an encore of tonight’s Denver Philharmonic performance! Our Board of Directors gratefully acknowledges the vital contributions made by the Pillar of Fire Ministries / KPOF 910 AM to our orchestra and Denver’s classical music community. Over the past five decades, the Pillar of Fire Church has generously accommodated our orchestra rehearsals and many performances. Since 1963, Dr. Robert B. Dallenbach, and more recently his son, Joel Dallenbach, have meticulously recorded and broadcast all of the orchestra’s concerts.
40
2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
OUR HISTORY We may be one of Denver’s oldest orchestras, but we certainly don’t act our age. Dr. Antonia Brico, the first woman to con-
change came in 2004, and we became
duct the Berlin and New York Philharmonic
the Denver Philharmonic Orchestra. Horst
Orchestras, founded our organization
served as music director and conductor
in 1948 as the Denver Businessmen’s
through 2009, after which he was appoint-
Orchestra. Antonia settled in Denver
ed the orchestra’s first Conductor Laureate.
after conducting professional orchestras across Europe and the U.S. She debuted
Adam Flatt came onboard as music
our orchestra to a packed auditorium
director in June 2010. Adam’s dynamic
explaining the need for a classical music
and inspiring leadership over the next
venue to showcase the talents of local,
three years continued Horst’s legacy and
classically trained musicians “with no place
further increased the artistic quality of the
to play.” Twenty years later, we’d be known
orchestra.
as the Brico Symphony, and Antonia would remain at the helm of the orchestra until
We selected award-winning conductor
her retirement in the mid-1980s.
Dr. Lawrence Golan as our conductor and music director when Adam departed in
After nearly 40 years under Antonia’s
2013. Lawrence, a professor and music
baton, the orchestra chose Russian-
director at the University of Denver’s
American conductor Julius Glaihengauz
Lamont School of Music, continues to pro-
as its second music director. A graduate of
duce innovative and quality programming,
the Tchaikovsky Conservatory in Moscow,
challenging our musicians and delighting
Julius led the newly renamed Centennial
our audiences.
Philharmonic for 11 seasons. And while we have a 68-year history in In 1999, Professor of Music at the
Denver, our mission is to continually rede-
University of Denver Dr. Horst Buchholz
fine the way our community experiences
took the baton. Our most recent name
and engages with classical music.
41
THANK YOU!
Since January 1, 2015
We would like to acknowledge the generous support of the following individuals, businesses and corporations.
ORCHESTRA CIRCLE
CoBank on behalf of Brian Lucius
($20,000+)
Sarah Hogan
Barefoot Public Relations, LLC
Russell Klein
Donna & Pierre Bastien
Brian Lucius
Helen Bauer
Don & Bonnie Walls
Mary Brauer
US Bank Foundation
Dave
Valerie & Gil Clausen
CONDUCTOR CIRCLE
Karin Hensel
($5,000+)
BENEFACTOR
Linda Lebsack & Hugh Pitcher
($300 – $499)
CONCERT MASTER CIRCLE
Anonymous Nancy Asdigia & Joseph Pompei CoBank on behalf of Brian Lucius
($2,500 – $4,999)
Eleanor Glover & Eugene Advincula
MUSICIAN CIRCLE
Susan Cochran
($1,000 – $2,499)
Allison & Matthew Lausten
Charles & Joan Albi
Drs. Mark & Maxine Rossman
Jon Olafson
Robert Greene & James Harvey
Wallace Orr Xcel Energy
Jean & Michael Artin
CONTRIBUTOR
Joey Hogan Hospital Corporation of America Callista & Patrick Medland Carolyn & Gary Medland Douglas & Mary Meeusen, in honor of Callista Medland Kathy & Larry Meier Montezon Family, in memory of Ronald Montezon Jill Mueller Norman Mueller & Christine Murphy Brenda & Peter Oldak Phil Pearlman & Betty Bona Sandra Rothenberg
($100 – $299)
Robert J. Smith
Anonymous
James A. Stegman
($500 – $999)
Anonymous
Cori Streetman
Patricia Aronstein
Anonymous
Brownstein Hyatt Farber Schreck
Keri Rose Agnes
TATE+BURNS Architects LLC
Penny Alles
Karin Tate
PATRON
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2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
Gina & Paul Todd
AJ & Heidi Deets
Terry & Joyce Olafson
Gary Wooley
Carol Finley
Alyssa Oland
Amaryllis Fletcher
Shari Ross
Forseth Family
Karin Schantz
Laurie Gaspar
Pauline Herrera Serianni
Kelly Genois
Annie & Roger Smart
Terri Gonzales
Stephanie
Bruce Haefner
Jane Templeton
Nancy Hart
Mike & Amanda Tine
Michael Hoffman
Elinor Towler
Allan & Carol Hanson
Jim & Anne Trunkle
Lori Hanson
Pete Trunkle
FRIEND (UP TO $99) Anonymous Anonymous Anonymous Anonymous Anonymous Anonymous Anonymous Amazon Smile Foundation Tamara Arredondo
David Harrington Kurt Harris
Carolyn Artin
Sally Cade Holmes
Wendy Artin, in honor of Valerie Clausen
Surilda Hudson Michele Huston
John Bardeen
I GET DOWN Clothing & Apparel
Fred Beisser Michael Bennett Brio Gold Inc.
Jonathan Icasas Emily Kent
James & Kimberly Brody
Terry Kargel
Janice Burley, in memory of Jane Burley
Kréddle Chin Rests Catherine & Ted Lanzano
Kenton & Carla Burns
Ligature Creative Group
Holli Campbell
Brian M.
Richard Casson
Susan J. McGinley
Nicole Chalas
Matt Meier & David Sherman
Ginger T. Clausen Justin Cohen Esmeralda Colfax Bob & Stacey Collins Robert & Pauline Dallenbach
IN-KIND DONORS Studio Hippo
HOTEL SPONSOR The Curtis Hotel
FLORAL SPONSOR Newberry Brothers Greenhouse & Florist
Douglas Merk
SEASON SUPPORTERS
Barbara Moritzky, in honor of Rebecca Moritzky
Access David Sherman Creative
Chiara Motley
Ligature Creative Group
Bert & Rosemary Melcher
The Pillar of Fire Church 43
IT TAKES A COMMUN We are a community-driven orchestra, and we survive with support from our patrons and local businesses. Help us make music with a tax-deductible contribution today. Give safely online at denverphilharmonic.org/contribute. INDIVIDUAL GIVING
DONATION AMOUNT
Orchestra Circle
$20,000 or above
Conductor Circle
$5,000 – $19,999
Concertmaster Circle
$2,500 – $4,999
Musician Circle
$1,000 – $2,499
Patron
$500 – $999
Benefactor
$300 – $499
Contributor
$100 – $299
Friend
up to $99
CORPORATE GIVING
DONATION AMOUNT
Gold Partner
$10,000 and above
Silver Partner
$5,000 – $9,999
Copper Partner
$1,000 – $4,999
You may also consider a planned gift, or donating to the orchestra in honor of someone’s birthday, anniversary, or in memory of a loved one.
44
2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
ITY If you would like to make a tax-deductible contribution to the Denver Philharmonic Orchestra, please complete this form and mail to:
PO Box 6074 Denver, CO 80206 or visit our website at DenverPhilharmonic.org and click on the CONTRIBUTE link.
Contribution $
Check or Credit Card
Name Address City, State, ZIP Code Telephone
Credit Card No. Expiration Date
CVV Code 45
CONTACT US! PO Box 6074 Denver, CO 80206 303.653.2407 @denverphilorch info@denverphilharmonic.org DenverPhilharmonic.org
PUBLIC SUPPORT THE SCIENTIFIC & CULTURAL FACILITIES DISTRICT The Scientific and Cultural Facilities District (SCFD) is metro Denver’s unique commitment to its arts, cultural and scientific organizations. A penny sales tax on every $10 purchase within the seven-county region (Adams, Arapahoe, Boulder, Broomfield, Denver, Douglas and Jefferson counties) supports nearly 300 institutions, including the DPO, that provide unique cultural and scientific experiences for millions of people each year. Many of the programs SCFD supports provide free and discounted access to citizens. For information on free days and organizations, visit www.scfd.org.
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2 0 1 5 – 1 6 T H E S I X T Y- E I G H T H S E A S O N
april 8 the one ring OUR MUSICAL JOURNEY BEGINS with Les Francs-Juges, Hector Berlioz’s medieval musical tale of triumph over judicial tyranny. DPO principal flute Aaron Wille leads you into the world of Ernest Bloch’s lyrical Suite Modale. The evening concludes with Johan De Meij’s epic Lord of the Rings Symphony based on the novel by J.R.R. Tolkien. DPO Associate Conductor S. Mordecai Fuhrman conducts The One Ring.
S. MOREDCAI FUHRMAN guest conductor
AARON WILLE flute
BERLIOZ
Les Franc-Juges (Judges of the Secret Court) BLOCH
Suite Modale DE MEIJ, ORCH. VLIEGER
Symphony No. 1 “Lord of the Rings”
BUY TICKETS AND MORE AT
DENVERPHILHARMONIC.ORG Presented at Central Presbyterian, 1660 Sherman St.
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