Denver Urban Spectrum - Black Music Month - June 2023

Sam and Jude: Young, Gifted, and Black Musicians…12

Dr. Syl Morgan Smith

Wanda James

Honorables Wellington E. and Wilma J. Webb

Rosemary Marshall

Dr. Dwinita Mosby Tyler Allen Webb

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Brittany

GENERAL

MESSAGE FROM THE PUBLISHER

Let's Keep the Music Going

June is African American Music Appreciation Month. Created by U.S. President Jimmy Carter in 1979, this month celebrates the African American musical influences that comprise an essential part of our nation's treasured cultural heritage. Always in celebration of us, the Denver Urban Spectrum team is excited to shine the light on legendary and talented musicians in our midst.

Contributor Wayne Trujillo highlights Denver native and music legend Philip Bailey, known for making timeless songs with Earth, Wind & Fire. In Trujillo's piece, Bailey talks about ongoing support for those in the foster care system. Trujillo also shines the light on Iyanla Ayité, an up-and-coming Colorado musician who is already paving her own unique path in the industry while paying homage to soulful voices that came before her.

Contributor Latrice Owens interviews two young, gifted musicians about their love for their craft. Owens also helps to honor Pride Month by sharing the importance of having safe spaces for the LGTBQ+ community to come together as well as a list of safe spaces to hang out. Brittany Winkfield talks to Dan “DJ’ Freeman about his Back In The Day Project.

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Mariam

Among the many uplifting stories in this issue is a piece by Mariam Sylla on Butterfly Rising Institute, a coaching organization focused on helping single, working moms who are facing challenging times to achieve life-changing transformations.

After 36 years of highlighting stories from the community, Rosalind "Bee" Harris, the publisher of Denver Urban Spectrum is sharing her own mom's story. See details in this issue about her new book, “The Story of Ruth.”

This music appreciation month is a wonderful appetizer for the upcoming summer of jazz concerts. You'll want to check out Adam Morgan's listing of upcoming concerts to keep the music going and going.

Angelia D. McGowan Managing Editor

SPECIAL

Summertime Gun: 4 Violence Prevention Strategies for Parents

PHOTOGRAPER

Op-ed by Jonathan McMillan

The Denver Urban Spectrum is a monthly publication dedicated to spreading the news about people of color. Contents of the Denver Urban Spectrum are copyright 2023 by Bizzy Bee Enterprise. No portion may be reproduced without written permission of the publisher.

The Denver Urban Spectrum circulates 25,000 copies throughout Colorado. The Denver Urban Spectrum welcomes all letters, but reserves the right to edit for space, libelous material, grammar, and length. All letters must include name, address, and phone number. We will withhold author’s name on request. Unsolicited articles are accepted without guarantee of publication or payment.

Write to the Denver Urban Spectrum at P.O. Box 31001, Aurora, CO 80041.

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As the school year ends and summer break begins, many teenagers and pre-teens are excited for the freedom and fun that come with the season. However, for some young people, summer break can be a time of increased risk for gun violence. Gun violence can take many forms, including suicide, homicide, and accidental injury.

According to recent statistics, the number of firearm deaths among young people in the United States has been on the rise, making it crucial for parents to take steps to keep their children safe. A study published in the American Journal of Public Health in 2002 found a 43% increase in youth homicides and firearm injuries during the summer months compared to the rest of the year.

Youth are more at risk during the summer because of the

increased free time and lack of structure, which can lead to boredom and risk-taking behaviors. Additionally, the summer season can be a time of increased violence and crime, which may put young people in danger. Substance use and mental health issues, including depression and anxiety, can also contribute to the risk of gun violence and suicide.

However, you can breathe a little easier knowing that there are recognized practices that you can do to help protect their kids during the summer months. Socially and emotionally intelligent children are far less at risk of experiencing or being impacted by gun violence. Developing that intelligence, resources, and resilience against risk factors starts at home. Here are four ways you can lean in to help your child be safer during summer months.

Build strong connections strong

One of the best things you can do to keep your children safe is build strong connections. Strong connections with family, friends, and other supportive adults can help protect against the risk of experiencing gun

violence and other risky behaviors. You can help your children build and maintain strong connections by staying involved in their lives, listening to their concerns, and providing emotional support when needed. Strong relationships with caring adults can provide a buffer against stress, anxiety, and other challenges that young people may face.

Help your children develop a sense of purpose and belonging

As teenagers navigate the complexities of adolescence, they may struggle with finding your sense of purpose and belonging. You can encourage your teens to explore their interests and passions. This can involve trying out new activities, taking on challenges, and discovering their strengths. When teens engage in activities that they enjoy and feel good at, they are more likely to feel a sense of purpose and accomplishment. You can help facilitate this exploration by providing opportunities for your teens to try new things, whether through extracurricular activities, clubs, or volunteering. You

Continued on page 29

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Latrice Owens

Sylla

Wayne Trujillo

Brittany Winkfield

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Philip Bailey Advocates for Shining Stars of Tomorrow Earth, Wind & Fire member talks about helping youth emancipated from foster care

By Wayne Trujillo

In 2019, a historic Earth, Wind & Fire appearance wasn’t on stage. Colorado native Philip Bailey sat alongside two of his EWF bandmates, Verdine White and Ralph Johnson, positioned above – rather than in front of – the audience at the Kennedy Center for the Performing Arts in a Washington, D.C. The annual Kennedy Center Honors, sometimes described as an American equivalent of Great Britain’s knighthood, celebrates select artists who helped direct and define American culture. Supremely coveted, the award stands as a career pinnacle for artistic accomplishment.

With John Legend, Cynthia Erivo, the Jonas Brothers, and David Foster singing Earth, Wind & Fire’s praises – both literally and figuratively in song and spoken tribute, Bailey and his EWF brethren not only scaled an artistic height. They stood in and up for EWF founder Maurice White’s “premier mission” for the group. Bailey opens his autobiography, “Shining Star,” with a description of what White called “The Concept,” a reason for EWF’s existence (and as it turned out, the group’s success).

“Looking back and upon reflection, Earth, Wind & Fire’s premier mission has been to raise people to a higher level of consciousness,” Bailey wrote in the 2014 memoir. “Maurice White – our founder, visionary and mentor – called it ‘The Concept.’”

Bailey has also enjoyed solo success, releasing albums across multiple genres. Like EWF, he doesn’t allow labels to limit or define his work. Whether it’s the multiplatinum “Chinese Wall” with its smash

The band succeeded spectacularly. And the people returned the favor, uplifting EWF to critical and commercial acclaim enjoyed by only a handful of musicians in the last half century. The group boasts a successive slew of accomplishments and accolades: a run of platinum albums that rocketed into the upper reaches of the Billboard charts (eight of them Top 10 with two of them topping the charts), seven Billboard Top 10 singles with one of those riding the summit on the Hot 100, eight number one smashes on the Billboard R&B/Hip-Hop charts, multiple Grammy Awards (one of which is for Lifetime Achievement), induction in the Rock and Roll Hall of Fame, the aforementioned Kennedy Center Honors, and a career total of nearly two dozen albums that have inspired musicians and fans for more than 50 years. No doubt, there’s power in “The Concept.”

duet with Phil Collins, “Easy Lover,” gospel “Triumph,” or his “Soul on Jazz” outing, the man performs onstage and on recordings like a great actor – a Brando or Poitier – his four-octave vocal range assuming different roles, rising into a breathtaking falsetto and taking the wind and fire from the earth into the stratosphere. Awarded honorary doctorates from both Berklee College of Music and Chicago’s Columbia College, Bailey continues to teach musicians and fans “The Concept” both through his music and his actions.

Denver Urban Spectrum talked with Bailey via phone last month in anticipation of both an upcoming Denver concert, a double header featuring Lionel Richie and EWF at Ball Arena in September, and the present and upcoming activities of his nonprofit Music Is Unity Foundation (MIU).

Philip Bailey

Photo by Jabari Jacobs

Earth, Wind & Fire: Ralph Johnson, Philip Bailey, and Verdine White

Photo by Jabari Jacobs

In particular, Bailey appears excited about the MIU activities in May and June. MIU and nonprofit Coaches vs. Racism launched a joint fundraiser called the Power of Unity to highlight National Foster Care Month in May. MIU also partnered with Mess in a Bottle, a T-shirt company that is Blackand women-owned, to design and create a commemorative tshirt celebrating the cause and the month. According to the MIU website, musicunity.org, the foundation “makes grants to nonprofit, community-based organizations that provide supportive services for youth who are emancipating from the foster care system.”

Bailey is stoked about another endeavor. In June, MIU will reprise “Backstage Soundcheck,” an opportunity for “youth aged 18-26, transitioning out of the U.S. foster care system, and engages participants in a behind-the-scenes tour of the variety of roles and careers available in the music industry,” according to the MIU announcement.

The three Backstage Soundcheck events will coincide with EWF concerts in San Diego, Phoenix and Cincinnati. Additionally, musician and producer Dreion, a former foster care youth who now serves as MIU’s ambassador, will open the three EWF concerts, and appear as an incarnation of the possibilities MIU wants to pass on to its community.

Bailey and his daughter, Trinity Bailey, founded MIU in 2007 after their research of underserved communities exposed the struggles and indifference youth encounter as they graduate the foster care system into even more challenging circumstances. Bailey discovered this oft-ignored population appeared “the most in need.” Having seven children and seven grandchildren of his own, the issue resonates personally. “I cannot imagine my kids not having anybody to turn to,” he

states. He observes that these youth often face dire, heartbreaking situations – everything from dumpster diving to penal institutions to trafficking.

MIU provides support to community organizations that are among the few extending a hand to this underserved population, placed in the foster care system “through no fault of their own” and without adequate support upon leaving. After nearly two decades, MIU has

celebrated success stories. But Bailey is concerned about those still struggling. He says that assistance includes everything from “toilet paper, tuition to small colleges, food, and shelter.” But securing donors isn’t an easy task. “We haven’t been graced with the large donors,” he explains. But he stresses that he and MIU are “in it for the long haul.”

Bailey also mentions another project, Kids in the Spotlight.

According to the Los Angeles Sentinel, “Kids in the Spotlight’s Movies By Kids, For Kids Film Awards recognizes young filmmakers in foster care group homes.” He explains that foster care youth write, film and produce movies and short stories.

The Los Angeles Sentinel reported in the 2015 article that Bailey founded the nonprofit, “providing arts and healing programs to foster care

Continued on page 6

Colorado Housing and Finance Authority’s (CHFA’s) mission is to strengthen Colorado by investing in affordable housing and community development. We believe everyone in Colorado should have the opportunity for housing stability and economic prosperity.

We appreciate the opportunity to get to know you.

Celize with her family, CHFA homeownership customer, Colorado Springs

Philip Bailey

Continued from page 5 facilities and schools throughout Los Angeles and surrounding areas.” The Kids in the Spotlight does exactly that –spotlight and encourage nascent talent. “It’s exciting to see,” he enthuses.

While not a former foster child, he appreciates and recognizes the support he received growing up in Denver. A graduate of Denver’s East High School, he acknowledges Denver Public Schools in his autobiography “for giving me an excellent musical foundation.”

“I’m really blessed that Denver had a very high-quality music department in schools from elementary to high school,” he adds.

Another youthful influence was Echoes of Youth, a youth choral group led by Joann Ryan and organized by music educators in the Denver area. Bailey notes that Pam Grier, another Colorado native who scored big in the entertainment industry, also participated in the Echoes of Youth. A Denver Post photograph from August 1965 is captioned, “Echoes of Youth Choral Group Accepts New Purchase Bus.” In it, Ryan appears alongside several other adults, including Denver’s state representative, while a group of smiling children appear alongside the bus. The caption further states that the new purchase will soon transport those smiling faces “on a singing tour of California.” While it’s uncertain whether Bailey is in that particular photo, he recalls those days with gratitude and lingering excitement. “That’s where I cut my teeth [performing],” he says.

He also wants to relay a “shout out… and spread some roses” to Ryan, the Echoes of Youth leader. Even long distance and the memories decades distant, the affection in Bailey’s voice when recalling

the group and its leader come through crystal clear.

The conversation fast forwards through the years where Bailey muses on the phenomenal journey from performing in school events to returning home and headlining concerts at the state’s premier venues. A constant threads throughout the decades – his passion for music, or what he terms his “Guardian Angel” and the “pied piper.” “I just followed my love and passion – music,” he explains. “I keep my eye and ears on the pied piper and let it take me where it will.”

He enthuses over Colorado’s scenery and concert settings, calling both the state and Red Rocks Amphitheater among the “most beautiful places on earth.” And while the immediate buzz is the upcoming Ball Arena concert with Lionel Richie, this writer recalls a more intimate Denver appearance 30 years ago when Bailey performed at the Buell Theater at the Denver Center for the Performing Arts. When I asked if he recalled that particular performance when he and Chaka Khan performed jazz instead of their pop hits, he immediately responds in the affirmative before giving props to another person from that performance, the great jazz saxophonist and bass guitarist Gerald Albright.

The upcoming concert on Sept. 5 at Ball Arena that brings Lionel Richie and EWF to Denver prompts other memories for Bailey. He recalls a Kansas City stadium show that EWF and the Commodores sold out “back in the day.” While he looks back at the KC show, he’s also looking forward to the Denver show that reunites the Commodores’ former lead singer with EWF on the same bill. And Bailey’s not alone anticipating the upcoming double feature. Both longtime and new fans are also looking forward to the concert. .

Passing the Torch: Iyanla Ayite Raises – and Reinvents—the Spirit

By Wayne Trujillo

I feel the pressure of the blessing, started to question if He sent it to the right address, I don’t know if I’m cut out for this, but I’m going to take it with gratitude nevertheless.

I get caught up stressing the service, guessing my purpose, looking for an impossible greatness that exists without faith and love.

Faith and love.

Don’t cry for me Miss Nina, You don’t have to die to feel freedom,

We can all see it in your eyes.

IIyanla Ayité’s torrid tribute to Nina Simone captivates on several fronts and levels. The lyrics dazzle. The words dance gracefully even without music. Had a lesser talent tackled the daunting task of high fiving such a mercurial talent, the result might be a sweet, perhaps even a saccharine nod to the late singer-songwriter. But Ayité’s talent is neither modest nor meager. She sets the lyrics aflame in a video performance featured on the local Aurora Channel, breathing life into the memory and meaning of a deceased artist who reached her creative zenith decades before Ayité’s birth.

Ayité teases the melody and lyrics, threatening to scat as she stutters over a syllable or two mid-songs, only to segue into the next verse without further ado or hesitation. Melismatic phrases appear before withdrawing abruptly as the singer declines to unleash the vocal pyrotechnics burdening so many performances of budding artists anxious to gain attention.

The understated but emotive performance is an example of

exquisite subtlety. It’s difficult to silence a room with a whisper, but during her performance, a simple aside can stop both time and a heart. That’s not to imply Ayité lacks vocal wattage. Her voice rises to the occasion throughout the performance. But the volume is to accentuate a point or emotion, not merely to make an impression.

When asked what inspired the composition, Ayité explains the motivation. “I found that I identified/empathized deeply with a lot of what Nina Simone experienced emotionally in being an artist (to the extent that we can know her precise emotional experience): depression, isolation, pressure, and on the other end of the spectrum, joy, radiance, agency,” she

responds via email. “The song, in other words, is a love song to Simone, as much as it is a love song to myself, about finding freedom through our craft, rather than in spite of it. While the meaning of the song is elastic, the overall message encourages ‘faith and love’ for not only what you do, but who you are.”

Deep. It’s obvious Ayité’s intellect matches her artistry.

There’s no doubt Ayite has a strong sense of who she is as an artist. She revives rather than memorializes the icon’s legacy. While other young artists often remain faithful to their influences’ artistry to the point of mimicry, Ayité is both an interpreter and an innovator. In phone and email exchanges with the Denver Urban Spectrum,

the young artist – a 20-year-old Aurora native and Colorado College sophomore majoring in music –makes clear that while she appreciates her accomplished predecessors, her artistic vision and journey are uniquely her own; her musical delivery expresses her personal dreams and desires.

Chief among those dreams and desires is creating a communal exchange with her fans and followers. Comparable to the internet enabling a global community of co-creators rather than the previous one-way broadcast to a passive audience, Ayité intends to assemble groups of interactive contributors at her gatherings. Instead of aspiring to a self-absorbed position of a prima donna distanced from the proletariat by a velvet rope and entourage, she wants to “create spaces with my audience… go out in my community and see what’s going on in their world.”

Ayité then uses the gospel practice of call-and-response interaction as an example of her artistic ideal. She doesn’t want to simply “sing at” people without their own voice or input in the performance. In church, the great gospel warriors invited the audience to not only sway, pray and clap to a holy testimony. The congregants enthusiastically participated in the performance, responding in sermon and song; moving the singer to improvise and uplift the song to a level a merely observant audience could never inspire. She says this communal call-and-response vibe creates a “sense of freedom… free to be and do as they please… the least capitalistic, consumeristic experience ever.”

If Ayité is crowned queen, her audience will be co-regents rather than subjects.

Personal sensitivities and inclinations – expressed through an embrace of inclusion and opportunity – find expression in her artistic pursuits. Her performance dreams aren’t fixated on selling out stadiums and arenas. Instead, she envisions “block parties, out in the street and open to the public.” She wants to serve food alongside hot jams; rather than dreaming of playing plush halls, she’d prefer open space. She doesn’t plan on marketing merchandise. Instead, her block parties would distribute art supplies, all in the spirit of “inviting people to create with us.”

Such egalitarian concerns and designs coming from the ascendant artist impress comparable to her talent, especially considering the popular fixation on wealth and fame. Ayité embodies the cliché – “art for art’s sake.” She learned art appreciation early, the youngest of six siblings, growing up in an artistic family that includes dancers and songwriters. Before the age of 10, she played the piano, wrote songs and debuted a video, “Big Blue Whale,” on YouTube.

Her family supported her precocious tendencies. Her older sisters also introduced her to millennial titans, Alicia Keys, Erykah Badu and Lauryn Hill. From these artists, Ayité reached further back to Simone and previous generations. But she isn’t content to rest on her idols’ laurels. Their artistry influences without defining her own artistic pursuits. “I don’t identify entirely with them,” she

explains. “The messages I have to offer… will be different.”

Her current pursuits include following up a 2021 EP release, Moonwalk, with a recorded collection of all her compositions this winter. While she will expand her contacts to music meccas like Atlanta and Los Angeles, she intends to collaborate a lot with local musicians and producers. “I really think Denver is underrated… so many corners in Denver,” she states. “There’s art everywhere.”

Following college graduation in a couple years, she plans to tour and record more music –auspicious plans for a sophomore college student. But, unlike many of her collegiate contemporaries, she has years of preparation to back up her goals. Currently, her college curriculum provides what she calls “balance,” the equilibrium between academic theory and practical experience. “They inform each other in a

really beautiful way,” she observes. “Definitely my whole world is music.”

Perhaps even more auspicious than her plans is her awareness of the responsibilities of her gift, partially gleaned from the lessons learned from Simone’s story. The lyrics of “Miss Nina” reveal a preternatural awareness of Ayité’s gift, both its blessing and its burdens.

You were chosen, you were chosen, To be here for a reason. You’re going to struggle, you’re going to hurt. But it ain’t got nothing to do with your worth.

So don’t cry Miss Nina. You don’t have to die to feel freedom.

We can all see it in your eyes. Don’t cry.

Editor’s Note: Follow Ayité on Instagram at Iyanla.xite.

Porter-Billups Leadership Academy Announces Deion Sanders as Annual Gala Keynote Speaker

The Porter-Billups Leadership Academy (PBLA) announces Deion Sanders as the 2023 keynote speaker for its annual gala and fundraising auction.

On April 15, Coach

Chauncey Billups visited Deion “Coach Prime” Sanders in Boulder at CU Buff’s practice to support his long-time friend saying, “Prime Effect is going down!” This visit to Billup’s alma mater included an invitation to Coach Prime to support the 2023 PBLA gala.

The gala will take place Saturday on July 29 at 5:30 p.m. at the Gaylord Rockies Resort & Convention Center. The event

will be an outstanding evening including a cocktail hour, live and silent auctions, dinner, and a conversation with coaches Deion Sanders and Chauncey Billups.

Sanders played 14 seasons in the NFL with eight Pro Bowls and nine First-Team AP All-Pro selections. His propensity for being an all-time performer and putting on an impressive show earned him the nickname “Prime Time,” referring to the

regularly occurring time at which a television audience is expected to be greatest.

Sanders was named NFL Defensive Player of the Year and won two Super Bowls. He retired second all-time for interception return yardage and tied for second all-time for interceptions returned for a touchdown. He was inducted in 2011 into the Pro Football Hall of Fame. In addition to his NFL career, Sanders played nine seasons of Major League Baseball. He is the only athlete to play in both a Super Bowl and a World Series.

The Coach Prime era began in 2020 when Sanders was appointed Head Football Coach at Jackson State University. He was essential to the impact and recognition of the program leading the Tigers in 2021 to a school-record, 11-win season. But fans are now eagerly awaiting the prime-time debut of Sanders as Head Football Coach at the University of Colorado in Boulder.

The Porter-Billups Leadership Academy was established in 1996 by Regis University Men’s Basketball Head Coach Lonnie Porter and his daughter, Staci PorterBentley, to provide academic and leadership training to Denver’s at-risk, inner-city youth. The organization gained the support of NBA star Chauncey Billups in 2006 to act as a positive role model and promote individual values, academic excellence, and leadership skills.

Proceeds from the gala and fundraiser will benefit the Porter-Billups Leadership Academy programs held each summer on the Regis University campus. .

Editor’s note: For more information or to register visit www.porterbillups-denver.org/gala.

By Brittany Winkfield

The COVID-19 pandemic has been a time of immense challenges and disruptions in all aspects of our lives, including the music industry. For musicians, the closure of concert venues, canceled tours and the limitations on physical interactions have presented significant hurdles. However, amidst these unprecedented times, a story of resilience and determination has shone through. Dan “DJ” Freeman not only battled against a brain aneurysm, but also managed to release a CD during the pandemic, showcasing the power of human spirit and the indomitable nature of music.

Freeman started playing the trombone in seventh grade. He eventually put together the V10 Band in the spring of 2008 with the idea of bringing

together great players who wanted to arrange, rehearse and play out.

He retired for a short time and returned with original music of his own. He promised himself he’d do something with his work. Just as he was preparing to launch his CD titled “The Back In The Day Project” and embark on a series of live performances, fate dealt him a challenging blow. He faced an uphill battle after surviving a ruptured brain aneurysm. The recovery process demanded his undivided attention, leaving little room for the pursuit of his passion. Despite the daunting circumstances, Freeman refused to let go of his dreams and held on to the hope of releasing this music to the world.

While the musician was navigating their personal health crisis, the COVID-19 pandemic swept across the globe, bringing the music industry to its knees. Concerts were canceled, recording studios shut down, and the usual channels of promotion and distribution came to a standstill. It seemed as though Freeman’s dream of releasing a CD would be further delayed, if not entirely crushed.

In the face of adversity, his determination grew stronger. He realized that although the world was undergoing profound changes, there were still opportunities to bring local artists together. Instead of succumbing to despair, he decided to embrace the shifting paradigm and adapt

to the circumstances. This newfound perspective opened doors to creative solutions that would allow artists to collaborate and release the project, even amidst a pandemic.

The virtual landscape became a haven for artists during the pandemic. Musicians turned to online platforms like Sparkx Radio Network to connect with their audiences, live-stream performances and share their music globally. Leveraging modern technology, the artists coordinated recording sessions at Colorado Sound Recording Studios where musicians from different bands in Colorado contributed their talents to the project. This not only added a dynamic element to the music, but also allowed the artists to forge connections and build a supportive community in the midst of isolation.

Finally, after months of perseverance, Freeman’s “The Back In The Day Project” is available featuring All About Love and I Can I Will. The artist navigated the challenges of manufacturing physical copies during a time of supply chain disruptions and limited resources. Despite these obstacles, he managed to ensure the availability of CDs for those who still preferred the tangible experience. Simultaneously, he made the music available for digital download and streaming, leveraging the power of online platforms to reach a wider audience.

Credited artists on the CD include: Co-Authors, Dan Freeman, Duane Lucas and Larry Davis; Rhythm Section, Philip Weightman (Drums), John Akal (Percussions), Reggie Carter (Bass Guitar), Scooter Barnes (Lead Guitar), Drew Buckner (Lead and Rhythm Guitar), Greg Goodloe (Lead Guitar), and Freddie Rodriguez (Keyboards and Synthesizer); Horns Section, Dan Freeman (Trombone), Fly McLard Alto (Tenor Sax), Sax, Tony Exum, Jr. (Alto Sax), and Gabriel Mervine (Trumpet); Vocals, Duane Lucas, Dan Freeman, Skip Lynch, Linda Styles, Linda Theus-Lee, Gary Wilson, Alton Williams and Palence Bradshaw; Colorado Sound Recording Studio, Kevin Clock (Owner and Sound and Recording Engineer), Don Berry (Sound Engineer), and Jess (Secretary).

The journey of releasing a CD through a pandemic and overcoming illness is a testament to the resilience of the human spirit and the enduring power of music. The artists’ determination to fulfill their passions, despite personal setbacks and external challenges serves as an inspiration to all. It reminds us that even in the darkest of times, creativity and the unwavering pursuit of our dreams can help us find solace and triumph over adversity. The story of Freeman’s unwavering spirit is woven into the fabric of his music..

Cel ebr ating T wo Cel ebr ating T wo Young M us ic Phen o ms Young M us ic Phen o ms

fr om Colo r ado fr om Colo r ado

By Latrice Owens

TThe world of music has long celebrated young prodigies like Stevie Wonder, who was born blind, but considered a skilled musician by age 8. And then there was Prince who began playing the piano at age 7 and had mastered the guitar and drums by age 14.

Two young, gifted and Black boys from Colorado seem to be keeping that tradition alive and well.

Their early exposure to music and some major parental support and nurturing seem to have paid off in a big way. Both young boys are considered musical phenoms in their own right, having caught the public’s attention with their impressive performances.

S am ’s Rhy th m S am ’s Rhy th m

Eight-year-old Sam Price of Denver had an affinity for playing the drums and singing for as long as he can remember. “I really love drums. That’s why I’ve been doing it half [of] my life,” says Price, a second grader at Aspen Crossing Elementary School.

He recently showcased his skills performing with his parents’ band, Soul School, at The Soiled Dove, a live music venue in Denver. One of his favorite songs to perform with them is his own unique rendition of Daft Punk’s “Get Lucky.” “It has a good beat, and I can sing to it,” says Price.

Being born to musicians, it’s no wonder that he started showing interest in playing the drums just before the age of two. Mom Sethe Tucker says

his early access to musical instruments has played a significant role in developing his talents. “I think the more exposure kids get, the better they turn out,” she says. After overcoming his fear of the dark at the age of 5, she says Sam started to practice playing the drums on his own in the basement where the band rehearses.

“Surprisingly enough to us he would just, you know, go down into the basement and get on the drums and just practice and do what he wanted to do,” remembers Tucker, adding that he’s primarily self-taught.

Sam also feeds his deep passion for music at school as a member of the music club and playing in the band. When he’s not beating the drums, he also enjoys playing both tackle and flag football on a local team and tumbling. “We’re trying not to push him in one direction, we want it to be a choice for him,” insists Tucker.

She hopes that other kids who see her son perform are inspired to hone their own special gifts, especially those who are children of color. “I feel

great about what I’m doing,” says Sam who is considering singing professionally in the future.

Jude ’s Way Jude ’s Way

Two years ago, while relaxing in his living room, Isaiah Kofie heard an unfamiliar melody drifting up from the basement of his Aurora home. To his knowledge, his son Jude, who is autistic, only had the musical talent of playing the drums, but there he was skillfully playing a tune on an old

guitar, and Jude adds, “When I’m 12 or 13 years old.”

In January, Jude was showcased as a guest on “The Kelly Clarkson Show.” During the program, he gave an intimate interview and delivered a captivating performance. He was also granted mentorship from Jason Halbert, Clarkson’s personal music director. “It was amazing, I had a great time,” recalls Jude.

This past May, Jude auditioned for America’s Got Talent. He also had the oppor-

keyboard despite never having received any lessons. “It was a miracle from God,” says Jude, now 11 years old.

From there, his love for playing the piano developed quickly and without any prompting. Kofie eventually bought a professional keyboard for Jude and his musical gift blossomed. “He’s all selftaught,” says Kofie. “He watches a lot of people on YouTube and then he gets onto his keyboard and then starts playing.”

Late last year, following media recognition of Jude’s exceptional talent, a stranger named Bill Magnusson gifted him a grand piano and volunteered to provide maintenance and formal piano lessons. With guidance and support from his mentor and family, “I’m starting to read music,” says Jude.

This will further enhance his existing ability to learn a song by ear in approximately two days. Kofie says his son hopes to learn how to play the bass

tunity to perform alongside his favorite gospel artist, Grammy award-winning singer Cece Winans. Jude is now working on a gospel album titled “Hope and Faith,” which he hopes to release soon.

“We want people to have that faith and hope that whatever they are going through will be okay,” adds Kofie. “Jude has a true love of music, when he plays the piano he says, ‘I feel joyful and cheerful.’”.

Editor’s Note: Follow Sam on Instagram at Pumaprice or on the Soul School website at soulschoollive.com. Follow Jude’s musical journey on his official Instagram account at Judekeyzofficial.

stablished in 2020, Butterfly Rising Institute is a coaching organization focused on helping single, working moms, who are facing challenging times, to achieve a lifechanging transformation by using change management principles from the business world.

“I specifically focus on the single mom who isn’t quite able to receive all of the assistance that other moms may be able to receive,” says Tanya Davis, a passionate life coach and founder of Butterfly Rising Institute (BRI).

Davis navigated and embraced the changes and challenges that came with being a single mother by tapping into her background and education in communications and change management. Her experience as a single mother began right after her senior year of college when she had her son and found herself in a tough financial situation.

“I went to Arapahoe County to get some assistance in regard to being able to feed myself, being able to feed my son, pay rent, pay a car note, all those expenses that comes to us. However, I was four dollars over the threshold, and they refused to provide me any sort of assistance,” she says.

The distraught young mother was then approached

Helps Single Moms Achieve Work-Life Balance

Butterfly Rising

By Mariam Sylla

it, and the first box was ‘current state’ and I realized that where I was at is not where I wanted to be. I realized that I may not have had the self-esteem that I really wanted. I realized that I didn’t look the way I wanted to look, and I didn’t feel the way I wanted to feel. And I asked myself, ‘How is it that I can get there?’”

She used this same idea to develop the Butterfly Rising method, which is the step-bystep process to help support mothers who were also seeking a transformational change in their lives. This led to her mission to empower single mothers to overcome adversity one step at a time so that they can strive and succeed in life.

by what she refers to as her “angel” who offered her temporary assistance for needy families. Though this assistance was helpful, it only lasted a few months until Davis began her first job as an auditor doing public accounting.

“That was really the birth of Butterfly Rising Institute. I didn’t know that at the time, but now that is where my dissertation is going, helping those moms that are in mid-level careers but may not have assistance or support that other programs geared towards different populations may have,” says Davis, who is currently pursuing her doctoral degree in change management.

After starting her job as an auditor, she was in a situation where she was working about 14 hours a day for months at a time. She was not able to spend much time with her then 6month-old son. On top of missing out on time with her son, she also had to struggle with being the only Black woman and dealing with the microaggressions in that setting.

She eventually left her first company and continued her journey in the auditing world, learning more skills such as work-life balance, change management, facilitation, and conflict resolution. During this period, she was simultaneously gaining experience, and coming up with ways to implement these skills into her personal life.

Today, she continues to exercise these skills in her professional life as well, by helping different businesses and entities implement change within their programs.

The life coach recalls an example of when she used a problem-solving model called A3, which she frequently used as an internal auditor at the Colorado Transportation Department to help her get out of a difficult situation. She calls it the “last epic night” between her, her son and his father.

“It was after this very, very bad night that I never talked to his father again, and I didn’t want my son going through the toxicity that I was going through,” Davis recalls. “I grabbed this A3 and I looked at

“We carry a lot as single moms. We feel like oftentimes we have the world on our shoulders but there’s no comfort, there’s no network, there’s no peers to truly be able to turn to. We’re always just expected to grind and move forward and go, go, go, go, but I want a space where a single mom can have a moment to pause, a moment to breathe, a moment to be able to reflect and have that key impactful change in their lives where they can become a better person for themselves, their child and their community,” says the chief transformation officer.

With this calling, Davis wants to help single mothers develop lasting change, shake the stigmas that come with the idea of single motherhood, and learn to be accepting of themselves.

According to a study done by Pew Research Center, one of the most common obstacles for single mothers is maintaining a work-life balance. One in five full-time working moms says that balancing work and family is very difficult for them, compared to the 12% of dads who work full-time and the 11% of moms who work part-time.

Janay Lewis, a student of BRI, was one of those moms.

2022 Inaugural Butterfly Rising institute Graduates, Ann Albergotti and Janay Lewis

She came into the program during a time when she was struggling to balance her career, a part-time job, and being the best mother she could for her son. Lewis wanted to seek guidance and direction on how to make her foundation firm and find balance in her life.

“One of the things that impacted me the most was when we had to do problem statement, and identifying who we are, what we’re trying to do, what are some of our barriers, what is the cause, and how is it making me feel,” explains Lewis. “Through that experience, I was able to identify my feelings associated with the things I needed to accomplish.”

Another mother and participant of the BRI pilot program, Ana Albergotti, was seeking help trying to navigate being an entrepreneur and understanding the struggles relating to her relationship with money. The most impactful part for her was Davis’ transparency and relatability.

“Being that she was a single mom that understood what that was like and all the challenges that come with it, I felt like someone was there that could relate to me and all the things that I was going through and that was super helpful. It helped me open up more,” says Albergotti.

Davis’ hands-on facilitation encourages her clients to feel comfortable enough to open up and get the full experience during her workshops.

“You’re not just coming to the experience and just sitting there. You’re doing different types of activities that help you to reflect and be introspective. You’re creating key steps to be able to do from day one when you leave my workshop, so it’s not just sitting and looking pretty. We’re going to have fun, dig deep, and we’re going to really get into that dirt,” explains Davis.

The life coach has many goals for the growth and future

of BRI. The ultimate goal is to help as many women as possible to be able to create change in their lives wherever they may need it, and create a movement that conveys resistance to being silenced or stigmatized.

Davis would also like for BRI to have an actual physical institute in the future so that women can come in to do the workshops or partake in technical classes that could help them with their individual objectives like obtaining a degree or certification. In addition, she hopes to eventually create a community that will allow the moms to take part and help with the vision of BRI as well.

.

Editor’s Note: Mothers interested in learning more about Butterfly Rising Institute can visit butterflyrisinginstitute.com. The next round of classes will begin in the fall and run for eight weeks, followed by a celebration retreat at the start of the new year.

On May 23, the joyful African percussion of Koffi Toudji, John Olsson, Xae Rios, Senakhu, and Wendy Talley began a community celebration at the intersection of Park Avenue and Washington Street at the south side of Five Points. Dr. Dwinita Mosby Tyler, mistress of ceremonies, commenced a robust gathering of community leaders for the ground blessing and introduction to the Cleo Parker Robinson Center for the Healing Arts.

After five years of fundraising and planning, community leaders from government, cultural and spiritual communities, and philanthropists unveiled the expansion of Denver’s hub of modern dance and global culture at Cleo Parker Robinson Dance (CPRD).

Celebrating Denver’s Mother of Modern Dance: Cleo

Parker Robinson Center for the Healing Arts Ground Blessing

recorded in detail before film and video. The wall design will represent choreography by Cleo Parker Robinson – blending dance legacy with modern elements.

Several dozen arts groups lease CPRD Theatre and studio space and will have enhanced facilities. Plus, new jobs will be added to operate and market performances that are developed, rehearsed and presented in the facility.

Designed by worldrenowned architects Fentress Associates, the new building wing will add 25,000 square feet of ADA-accessible features:

•a new garden level 240-seat performance venue (in addition to the existing 240-seat CPRD Theatre)

•four new dance studios; dressing rooms and exercise facilities

•a reception area, café and office facilities for administrative staff and theater tenants

The distinctive design of the

new building wing has a highly transparent, glass-paneled exterior that contrasts with the historic Shorter AME Church’s Ablaq-patterned façade. The windows reveal interiors with dance and activity viewable from the outside. Along the existing sidewalk, the concrete foundation wall design are stamped with intriguing patterns: labanotation, which are movement diagrams for choreography similar to sheet music for songs). These legacy patterns are how dance was

“Our facility is affordable and accessible to arts organizations who need a smaller space. We are an anchor in a halo of facilities around Denver serving the arts community,” said Malik Robinson, CPRD executive director.

At the May 23 gathering, Doug Good Feather, founder of the Lakota Way Healing Center, member of the Standing Rock

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Photos by Bernard Grant

Lakota Sioux Nation and descendant of Sitting Bull, invoked the four directions in his land acknowledgement ceremony. He held a sacred drum while sharing a song taught by his grandfather. “We are all indigenous residents of the Earth, and share the same life inside our veins and breathe the same air,” he explained.

Lt. Governor Diane Primavera and Denver Mayor Michael Hancock are both alumni dancers with CPRD’s Dancing with the Denver Stars who described their transformations from fear to respect for dance during their two-minute gala routines on stage in front of packed ballrooms. Each endorsed support for the facility expansion while thanking the public and private funders and donors who have invested more than $14 million toward the $20 million project. Primavera shared her own family dance legacy from Elitch Gardens and her fondness for ballroom dancing at the Denver Turnverein.

Mayor Hancock remembered, “I was a 19-year-old intern in Mayor Federico Peña’s office when Councilman Bill Roberts and other leaders negotiated the $1 per year lease for CPRD to occupy this space 35 years ago.”

Brother Jeff Fard poured several large vessels of water libations on the perimeter of the planned construction site, which will more than double the footprint and space of the Shorter AME facility.

Sharing the legacy of the Black church community, Reverend Timothy Tyler noted that “each location of Shorter was built from the ground up” since the 1860s—before Colorado statehood. The location at 119 Park Avenue West was built in 1889, and survived a devastating fire allegedly set by the Denver KKK on April 20, 1925. Remarkably, it was rebuilt only a year later.

Representing health care and cultural arts were Karen McNeil Miller, CEO of the Colorado Health Foundation, and Gary Steuer, president and CEO of the Bonfils Stanton Foundation. “A core element of health is belonging,” said Miller, citing the decades of dance and community cultivated by CPRD programs.

Steuer shared the strong links between Cleo Parker Robinson’s modern dance lineage reaching from Katherine Dunham to Alvin Ailey and beyond. “While Dunham is often mentioned as the mother of modern dance, we in Denver know that Cleo is our mother of modern dance,” he said. “Many here do not realize the impact of Cleo’s work, and the importance of this organization. Cleo leads one of the five primary Black modern dance companies in the United States.”

Adding to the blessings representing CPRD’s “One Spirit, Many Voices,” Regis Jesuit High School Father Tom Rochford and Rabbi Sara Gilbert of Beth Israel Congregation shared their connections through Cleo’s late husband Tom Robinson and CPRD Ensemble performances. Pastor Reginold Holmes, Reverend Terrance Hughes and Cleo Parker Robinson moved the 100-person gathering from the tent to a large circle around the construction site. Longtime CPRD Ensemble members

Chloé-Grant Abel and Cedric Hall unveiled the new building wing sign. Everyone linked hands for Hughes’ closing blessings of good work, joy and community. Cleo created a circular group dance invoking “Peace, Love, Respect…For EVERYBODY.” .

Editor’s note: A groundbreaking is anticipated for fall 2023, and the facility launch is expected in spring 2025. For more information and to add your support for the project, visit www.cleoparkerdance.org/sup port.

Summer Jazz Jams into Focus

By Adam Morgan, Groove/Smooth Jazz, Saturday 8p-10p, KUVO 89.3

The annual summer jazz scene is officially underway. Some before covid (b.c.) jazz festivals may not have made a comeback, but you’ll have plenty of options between now and September. So grab that calendar or just post this on the ‘fridge so you’ll be good to go.

June, African American Music Awareness Month, kicks off the City Park Jazz schedule and this summer you’ll see new

faces, some staples with one Sunday still to be announced.

All concerts are at 6 p.m. at the Pavilion beginning June 4 with new to City Park, Sarah Mount and Rushmores. Following them on Sunday, June 11 is Grammynominated Philadelphia trombonist, Stafford Hunter and Jazz Explorations.

It’s a Save-the-Date on Saturday, June 10, as the legendary Five Points Jazz Festival returns with acts on a couple of stages and at selected venues along with all that great food, and KUVO will be there.

Colorado’s own Dotsero anchors Father’s Day in City Park on Sunday, June 18 this year with another new group, Retro Jazz Latino, playing the Latin jazz flavors of Cuba, Venezuela, Brazil, and South America on June 25. Taking a break from City Park Father’s Day, you know Hazel Miller still makes the summer music scene, this time on June 30 at The Soiled Dove.

During the long July 4th

holiday (July 1-4) this year, welcome the vocals of Ms. Wellington Bullings with her stylings of jazz, R&B and soul on July 2, followed by longtime staple Chris Daniels and the Kings on July 9. In between, on July 7, the jammin’ Hot Lunch Band plays the Lone Tree Arts Center’s Tunes on the Terrace series this summer.

The summer’s special treat is at the Botanic Gardens when Esperanza Spalding brings her bass with classical, neo-soul and jazz on Tuesday, July 11. The New Orleans Preservation Jazz Band is also there on July 24; however, the Gardens indicates the season tix folks have already sold it out. Darn!

In the middle of the City Park schedule, Winter Park is back to celebrate its 40th Anniversary with “Jazz, Funk and Soul,” Jeff Lorber, Everette Harp, and Paul Jackson, Jr., and Maxwell laying down some Ascension among the acts on Saturday, July 15. Chasing them on Sunday, July 16 is Dave Koz Summer Horns, Dave, Eric Darius, Candy Dulfer, with vocalist Maysa, then guitarist Norman Brown, and Jazz in Pink, all ladies led by Gail Johnson on keyboards, the flute of Althea Rene, Maria Antoinette on harp, yep, harp, and the violin of Karen Biggs and their backup crew. Check the www.PlayWinterPark.com website for the full lineup.

City Park on July 16 will be filled with sounds with the

fourth annual return of the Brass Band Extravaganza with Guerilla Fanfare and the Bourbon Brass Band sharing the stage time. Hopefully they will both jam together again for the finale. On Sunday, July 23 the Otis Taylor Blues Band will lay down some funk followed by LAPORTE playing gypsy swing and soul originals to wrap up on August 6. You say we missed July 30, not so much, as that date is the one still being finalized at my writing time.

Note Friday, August 11 for the return of music’s best horn’s line, Tower of Power, at the Paramount. Then The Soiled Dove Lowry welcomes jazz guitarist Marcus Miller on August 20. Music you will definite enjoy is by the Denver Municipal Band Jazz Band on Saturday, August 26 at Pinecrest Village, a week later on Saturday, September 2 at Founders Green Central Park South and at Pulaski Park on September 19. All concerts are free and check the www.Denvermunicipalband.or g website for details. Then we can put an exclamation point on the summer music season with smooth jazz keyboardist Brian Simpson on September 29 also at Lowry.

My disclaimer. Our list is not definitive as producers and venue are always adding independent dates, so keep your ears open for those and KUVO will always endeavor to keep you updated.

Keep swinging..

17 17 th Annual Life Skills/Basketball Camp th Annual Life Skills/Basketball Camp

Carla Madison Recreation Center - 2401 E Colfax Ave, Denver, CO June 12-23, 2023 - From 10 AM to 3 PM

The Basketball Camp will be directed by Coach Rudy Carey of East High School and Chucky Sproling from Manual High School. Life Skills Workshop will be conducted by Civil Rights Activist Alvertis Simmons.

Free breakfast and lunch served daily!

$100 Free Throw Shooting Contest for all ages!

This is a FREE community event for youth (co-ed) ages 7 to 18.

3nd Annual Special Basketball Game - Thursday, June 22: Campers VS. Cops

•Vendors Row - TBD

“Field Trip to the Blair-Caldwell African American Research Library and Skate City”

For more information, call: 303-521-7211 or 303-249-2196

Platinum Sponsors: Walmart, Colorado Rockies

Gold Sponsors: Nike, Webb Group International (Wellington and Wilma Webb), City and County of Denver (Mayor Michael Hancock), Roger Sherman (CRL), Hensel Phelps, Radio Host Tom Martino

Silver Sponsors: Dave Logan, Maria Garcia Berry, Holder Construction Company

Bronze Sponsors: Colorado Convention Center, David Cole & Associates (Fabby Hillyard), Denver Broncos, UFCW #7, Amazon

Supporting Sponsors: Geta Asfaw/McDonalds, Black Denver Sheriffs, Black Police Officers, Fraternal Order of Police, Moses Brewer, Tish Maes, Kroenke Sports (Denver Nuggets), Sista Love (Joy Walker), All In 1 Hosting, Prof. Richard Jackson (MSU), Coach Rudy Carey, Fun damental Fund, Inc., Simmons & Associates, Alisha Gafney, Grant Lebahn, Roy Gentry, Tilyn Walker, Tim Sayler, Buffalo Wild Wings, Evan Dryer, Maaco, Space Age Marketing, Senator Michael Bennet, Frank Duran (The Real Estate Man), Milton Garlin, Sheila McDonald, North Aurora Chiropractic, Hair Works (Tracy ), Denver Urban Spectrum

Community Land Trusts Elevate Black Homebuyers

By Brittany Winkfield

race, color, religion, sex, national origin, familial status, or disability. This means that it is illegal for anyone to deny you housing based on your race.

Another important consideration is the cost of housing in Colorado. While affordable housing options are available, the cost of living in some areas of the state can be quite high. This can make it challenging for some Black homebuyers to find affordable homes in neighborhoods with good schools and access to amenities.

In recent years, the issue of housing discrimination against Black people has been a topic of great concern. While many strides have been made to combat this issue, it is still prevalent in many areas. Colorado is no exception, and there are a few key things that potential Black homebuyers should keep in mind when looking to purchase a home in the state.

Firstly, Colorado has a history of racial segregation, particularly in the Denver area. This has led to a lack of diversity in many neighborhoods, and as a result, limited housing options for Black people. This is something to be aware of when searching for a home, as it may impact the availability of certain amenities and resources in certain areas.

Secondly, it is important to research the fair housing laws in Colorado to understand your rights as a homebuyer. The Fair Housing Act prohibits discrimination in the sale, rental and financing of housing based on

One option that some Black homebuyers may want to consider is working with a community land trust as a way to support community-driven development. The origins of this model can be traced back to the Civil Rights Movement of the 1960s, when it was used as a tool to promote racial and economic justice. One of the earliest community land trusts was established in Albany, Georgia in 1969, as part of the Civil Rights Movement’s efforts to address poverty and discrimination in the South.

The community land trust model involves the separation of land ownership from housing ownership. In this model, the land is owned by a nonprofit organization or community group, while the homeowner owns the house. This allows homeowners to purchase houses at an affordable price, since they are not buying the land it sits on. When the homeowner decides to sell the house, they sell it back to the land trust, which then sells it to another eligible buyer. The land trust acquired land, developed homes, and sold them to families at affordable prices, allowing them to build equity and create generational wealth.

The community land trust model quickly gained popularity among civil rights organizations and community groups as a tool for promoting economic and racial justice. By the 1970s, community land trusts oper-

Tiana Patterson, Esq. brings a wealth of knowledge and experience to her work, and is a key figure in advancing social change and equity in the housing industry.

ated in cities across the country, including Boston, New York and San Francisco.

Today, the community land trust model continues to be used as a tool for promoting affordable housing and community-driven development. The model has evolved to address contemporary housing challenges, such as gentrification and displacement, and has been used to support a wide range of community initiatives, from urban agriculture to commercial development. The original community land trust represents an important legacy of grassroots activism and community empowerment.

Elevation Community Land Trust is dedicated to providing affordable housing options for people of color in the state of Colorado. By using the community land trust model to address systemic injustice, activists and community leaders are able to create meaningful change in the lives of countless families, and

their legacy continues to inspire and inform contemporary efforts to promote affordable housing and community-driven development.

Tiana Patterson, Esq., is Elevation’s vice president of social impact and wealth equity. Through her work, she helps to create more equitable solutions to affordable home ownership, and inspires others to do the same. “I am leading a team at the second largest housing firm in Colorado of dreamers and doers,” Patterson said.

Her legal career has spanned health, housing and research. She moved to Denver 10 years ago when her husband relocated to Colorado for work. Over the years, her impacts in the Denver community have been in the areas of policy implementation, public partnerships and community development. She has worked with a number of organizations including The Civic Canopy, Colorado Fiscal Institute and

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the Colorado Energy Resource Center, where she has helped to advance important causes such as education, economic empowerment and social justice.

One of her key focus areas is promoting wealth equity such as through creating jobs and economic opportunities in the Denver area. This involves addressing the systemic barriers that prevent people of color and other marginalized groups from building wealth, and creating strategies to help them overcome these barriers. Her goals are centered around creating and implementing strategies that promote wealth equity and social impact. Her passion for social good has fueled her deep understanding of how housing structures can perpetuate systemic inequality..

Editor’s note: To learn more about Elevation Community Land Trust opportunities, visit www.elevationclt.org

Making Sure the Price Is Right

The key factors to preparing an accurate Comparable Market Analysis for your home

By Barry Overton

When it comes to selling a home, determining the right listing price is crucial. Overpricing a home can lead to it languishing on the market and ultimately selling for less than it could have, while underpricing can result in missed opportunities for maximizing profit. That’s where a comparative market analysis (CMA) comes in. A CMA is a detailed report prepared by a real estate agent that analyzes recent sales of similar properties in the area to determine a fair market value for a home. In this article, we’ll explore the factors that go into preparing a CMA and why it’s so important to get it right.

The Pitfalls of Overpricing

One of the biggest mistakes a seller can make is overpricing their home. According to a recent study by Zillow, homes

that are overpriced take longer to sell and ultimately sell for less than their original asking price. In fact, homes that had a price cut within their first 30 days on the market sold for an average of 2.6% less than homes that didn’t require a price cut. Additionally, a home that sits on the market for an extended period of time can become stigmatized, leading potential buyers to wonder what’s wrong with it.

The Factors That Go in to a CMA

To prepare a CMA, a real estate agent will look at several factors, including:

1. Location: The location of a home is one of the most important factors in determining its value. Homes in desirable neighborhoods with good schools and low crime rates will generally command higher prices than those in less desirable areas.

2. Size and Condition: The size and condition of a home are also crucial in determining its value. A larger home with more bedrooms and bathrooms will generally be worth more than a smaller one. Additionally, homes that have been recently renovated or updated will typically be worth more than those that haven’t been.

3. Comparable Sales: The most important factor in determining a home’s value is comparable sales. A real estate agent will look at recent sales of similar homes in the area to deter-

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mine a fair market value for the home being sold. The agent will look at factors such as the size of the home, the number of bedrooms and bathrooms, and any unique features that may affect its value.

4. Market Trends: Market trends can also have an impact on a home’s value. A real estate agent will look at current market conditions, such as whether it’s a buyer’s or seller’s market, to determine how quickly homes are selling and at what prices.

5. Competition: Finally, a real estate agent will look at the competition in the area. This includes homes that are currently on the market, as well as those that have recently sold. By comparing a home to its competition, an agent can determine how to price it competitively to attract potential buyers.

Putting It All Together

Once a real estate agent has gathered all the necessary information, they will put it all together to prepare a CMA. This report will typically include a detailed analysis of recent sales in the area, as well as a recommended listing price for the home being sold. The recommended price will take into account all of the factors discussed above, as well as the agent’s expertise and experience in the local market.

Why a CMA is So Important

A CMA is important for several reasons. First, it ensures that a home is priced correctly,

which can help it sell faster and for a higher price. Second, it can help prevent a home from being overpriced, which can lead to it sitting on the market for an extended period of time. Finally, it can help prevent a home from being underpriced, which can result in the seller leaving money on the table.

In conclusion, a comprehensive Comparable Market

Analysis is an essential tool for pricing and selling your home in any market. Conducted thoroughly and thoughtfully, it allows you to accurately assess the fair market value of your home by considering recent comparable sales, location, size, condition, and overall market trends. By avoiding the potential pitfalls of overpricing or underpricing your home, this powerful analysis provides a valuable roadmap to maximize your chances of a timely and successful sale. When done correctly; a CMA ensures that you make informed decisions with confidence and accuracy, while elevating your position in the current real estate landscape. With the right tools at hand, a competitively priced listing paves the way to help make homeownership dreams come true. .

Editor’s note: Barry Overton is a licensed Real Estate eXp Realty, LLC. He has been an agent since 2001, and started investing in real estate in 1996. For more information, email: barrysellsdenver@ msn.com or call 303-668-5433.

Story of Ruth”

is the story of a life well lived

Ruth

Rosalind “Bee” Harris shares the inspiring story of her mother, Ruth Juanita Smith James Boyd, using her mother’s own words in this unique firstperson narrative. Harris taps into the heart of the African American experience, from Jim Crow to election of the first Black president.

Ruth Smith, her husband, and their first of six children turned away from their racially segregated Mississippi home and ventured north to Michigan, in search of a dream too often deferred for so many. She sought what every family would want to experience – real freedom.

“I wrote this book to memorialize her life,” says Harris, who learned of her mother’s’ sudden death on the evening of the election of Barack Obama in 2008. “Losing my mother was devastating. My heart sank with pain. It was the beginning of my soul’s search, which brings me to this point of honoring and remembering her.”

“I think about my mother every day, and I feel her spirit around me,” Harris says. “Writing this book and expressing my love for her has been soothing to my soul.”

Harris is the publisher of the award-winning Denver Urban Spectrum, a community publication that has been spreading the news about people of color since 1987. The monthly publication is recognized as the documenting source for accuracy in news and information.

The telling of this story gives voice to the insightful historical saga of a Black family at a time when many now seek to silence such voices, says former Denver Urban Spectrum editor, contributor, and friend, James Michael Brodie, who served as editor for this project.

“Roughly half of the states in this nation have entertained measures to erase the teaching of Black history,” says Brodie. “Ruth Smith bore witness to the humanity of those she loved. If ever there was a time to tell our stories, now is that time.”.

Editor’s note: The Story of Ruth (ISBN: 979-8-9883333-0-2) is available to order anywhere books are sold (Amazon, Barnes and Noble, Walmart, etc.).

“The

Powerful first-person narrative chronicles the life and journey of an African American woman and her American Dream One Woman’s Spiritual Journey The Story of

Rosalind J. Harris

Three Years Young and Growing

The Black Resilience in Colorado Fund reflects on its impact and moves forward with a focus on stability, sustainability, and growth

Juneteenth marks the third anniversary of Colorado’s first Black-focused fund explicitly providing financial resources and support to Blackled and serving organizations. Since its inception, The Black Resilience in Colorado Fund (BRIC) has granted almost $3 million to 300+ nonprofits.

Reflecting on this milestone anniversary brings to light the power of three. Often defined as perfection and the intersection of wisdom, harmony, and understanding, BRIC amplifies these characteristics through its programs and partnerships in the community. A sought-out collaborator and partner, BRIC has worked alongside other like-minded historically marginalized resource entities to cocreate policy and advocate for

solutions that address the root of inequity. In 2022, BRIC’s involvement as a founding member of Communities Lead Communities Thrive (CLCT) Coalition marked the passing of House Bill 1356, which will lead to the distribution of $33 million to nonprofits led by and serving marginalized communities across the state by the end of 2023.

Recognizing the historical barriers of systemic racism Black nonprofits and Black communities face in accessing capital financing, the BRIC Fund partnered with the Urban Land Conservancy (ULC), to establish and launch the BRIC Loan Program. Offering lowinterest loans for up to $50,000 in support of capital projects or other improvements, Black-led and serving nonprofits can be empowered to make critical operational improvements and increase their program’s reach. The BRIC Loan Program is

designed to lessen the restraints and financial implications of traditional loans while increasing financial resources.

In addition to providing financial resources to Black-led and serving nonprofits, BRIC’s commitment to making the sector more inclusive and equitable is the vision of its nationally recognized peer-topeer institute. The Executive Directors of Color Institute

Ladawn Sullivan BRIC Fund Director

(EDCI) brings hands-on support to BIPOC nonprofit leaders in order to strengthen and expand the pipeline while offering participants a two-year leadership development and organizational capacity-building program. To date, EDCI has brought together more than 200 BIPOC executive directors who work to inform, shape, and maximize opportunities in the nonprofit sector.

“A community fund is rooted and sourced by the community — individuals and groups, businesses, corporations, and foundations - who are invested by pooling their resources. It is led by community members and WITH the community it is mandated to serve,” said BRIC Fund’s Founder and Director LaDawn Sullivan. “BRIC’s community-led approach has yielded innovative solutions and provided critical resources so our nonprofits can continue to provide muchneeded services while strengthening their organizations and the fabric of Black communities.”

Recognizing that lasting change takes time and investment, BRIC began a three-year campaign in 2022 to raise $10 million by the end of 2025, securing BRIC’s long-term ability to continue supporting Black nonprofits and their leaders. By uplifting strategies that get our communities liberated from the inequitable oppressive systems

we’ve suffered for over 400 years, BRIC plays a critical role in strengthening and building Colorado’s Black communities. The BRIC Fund has seen a steady increase in its donations which includes a growing number of BRIC Buildersdonors who contribute monthly, quarterly, and/or annually - BRIC by BRIC. They are committed to assuring that BRIC remains an anchor in Colorado’s Black community while also ensuring that the BRIC Fund remains a “by us for us” collectively resourced Black community fund rooted in history and culture. Together, WE can build strong, resilient Black communities who have a voice at the tables where they were previously not invited.

What does all this mean, and where do we “grow” from here? For a Black community fund created in response to racial inequities exacerbated by a global health pandemic and escalated racial injustice peaked by the searing murder video of George Floyd, the aforementioned actions mean progress. Ultimately, that progress will fuel BRIC’s steps toward stability, sustainability, and growth for Colorado’s Black communities and for BRIC itself and the future generations it’s meant to serve..

Editor’s note: For more information, including ways to support the Black Resilience in Colorado Fund, visit www.bricfund.org.

BRIC Fund Board – L to R: Alex Middleton, Herman White, April Denmon, Yvonne Moore, Raymael Blackwell, and Javon Brame. Not pictured: JC Cottrell and Courtland J. Powers-Gunnells.

Photo Credit: McBoat Photography

Building Bridges, Sharing Smiles: Exploring Inclusive Spaces

By Latrice Owens

In the late ‘90s, Club Q in Colorado Springs emerged as a groundbreaking hangout for the LGBTQ+ community, defying societal norms for its time. After enduring constant protests in its early days, the popular destination became a symbol of resilience and hope. Maggie Alcantara, who was in her 20s at the time, remembers walking into Club Q on its opening night and being amazed by same-sex couples bravely showing open affection and leaving behind the need to hide who they truly were.

Tragically, last year’s horrific and heartbreaking shooting left the community shaken and with one less place to find community. Members of Colorado’s LBGTQ+ community, like Nubia Palomino, a lesbian woman from Denver, say these havens like Club Q hold a special significance beyond being mere spots for socializing or entertainment and the tragedy has left a void. Many say they are searching for LGBTQ+ friendly places that provide a welcoming environment where people can be themselves, build connections, and create a sense of community.

“The main thing for me to feel safe is the company that I’m with,” says Leah Boyea, non-binary lesbian who lives in Centennial. They say it’s about much more than a venue showcasing rainbow stickers or displaying rainbows. It’s about providing environments that allow you to build community among friends within this community. “So, we kind of create our own safe space together,” they say.

In the spirit of continuing to foster community and bringing people together, below is a quick roundup of a few exciting LGBTQ+ friendly hangouts and online social groups.

Charlie’s www.charliesdenver.com

900 E. Colfax Ave., Denver, CO 80218

The Vibe: Dive Need to Know: At this country western nightclub, groove to an eclectic selection of popular music that’s perfect for dancing. Prepare to be dazzled by a diverse lineup of talented drag performers, and don’t miss out on the fun-filled karaoke nights. Check their website calendar for daily schedules of themed events, performances and drink specials.

Insider Tip: Check out Andrea Staxxx’s captivating Saturday night drag queen performance.

La Burla Bee

www.laburlabee.com

110 N. Nevada Ave., Colorado Springs, CO 80903

The Vibe: Upbeat Need to Know: This is the city’s only full-time cabaret and is an impressive three-level establishment. Enjoy Italian cuisine while being entertained by live cabaret shows every weekend.

Insider Tip: If you’ve ever dreamt of showcasing your gogo dancing skills like a pro, look no further than this venue where you can strut your stuff in a cage.

Lady Justice Brewing

www.ladyjusticebrewing.com

9735 E. Colfax Ave., Aurora, CO 80010

The Vibe: Cozy Need to Know: This is a queerfounded, community-focused brewery, which by the way

offers delicious non-alcoholic beer options, and is all about giving back. They are dedicated to supporting nonprofits and community partners that empower marginalized communities in Colorado.

Insider Tip: Ask about their community-supported beer (CSB) memberships.

Mercury Café

www.mercurycafe.com

2199 California St., Denver CO 80205

The Vibe: Artistic Need to Know: In addition to its impressive food menu, this café hosts swing dance lessons, captivating live jazz performances, and insightful tarot card readings for a memorable experience.

Insider Tip: Stay informed about their diverse range of artistic offerings by following their Instagram or keeping an eye on their event calendar.

Social Lesbians of Colorado Online Group

www.facebook.com/groups/SocialLe

zDenver

Need to Know: This group fosters a friendly and enjoyable community space, emphasizing friendship and fun. This inclusive group welcomes women of all identities, including trans women and nonbinary individuals. Not a dating group, the focus is on enjoying good times together. They meet in both Denver and Colorado Springs for an array of events including

art festivals, trivia nights, and book clubs.

Insider Tip: You won’t want to miss their regularly scheduled trivia nights at Bout Time Pub and Grub.

Town Hall Collaborative

www.townhallcollaborative.com

525 Santa Fe Dr., Denver, CO 80204

The Vibe: Artistic

Need to Know: At this womenowned community space, you’ll find a bar, live music and creative classes. They prioritize empowering women and underrepresented groups.

Insider Tip: Check out their regularly hosted Black People Know Things trivia nights. They’ve also hosted a queer comedy dating event.

Insider Tip: They offer delicious non-alcoholic beer options.

Out and About Colorado Online Group

www.meetup.com/out-and-aboutcolorado

Need to Know: This is an LGBTQ+ inclusive outdoor activity group in the Pikes Peak Region, welcoming all outdoor enthusiasts regardless of their skill level. You can look forward to group trips to brewery happy hours, car shows, nature hikes, and more.

Insider Tip: Join their Facebook group to stay updated on the many fun events they host in Colorado Springs and surrounding areas. .

Letters, Opinions, Op-eds

Continued from page 3 can also encourage your children to seek employment opportunities, whether through traditional jobs, volunteering or entrepreneurship ventures. Employment can provide routine, structure, responsibility, independence and a sense of purpose, all of which can reduce the risk of engaging in risky behaviors. This can help to build their confidence and skills while also keeping them busy and engaged.

Take an active role in their social lives.

This didn’t mean being overbearing but rather encouraging them to connect with others who share their interests and values. This could involve joining a club or group, participating in community events, or simply spending time with friends who share their passions. When teens feel like they are part of a community or social group, they are more likely to feel a sense of belonging and connection. To make sure your children’s social activities are safe and positive, intentionally get to know who their children’s friends are and who their parents are and make sure that child and family share the same values around safety, including firearms, alcohol and substances.

Teach children about responsible gun ownership and safety

Firearm advocates, law

enforcement officials, and public health officials all agree in recommending that parents educate their children about responsible gun ownership and safety. Parents who are firearm owners and are committed to keeping their kids safe teach their children about the dangers of guns and the importance of never touching a gun without adult supervision. If you, as a parent, own firearms, they should be kept in a locked cabinet or safe, with ammunition stored separately.

“There’s a host of factors that go into juvenile crime, but it is well established that for most of these kids, if we can give them a safe place where they have meaning and they belong with caring adults, those crime rates dropped dramatically,”

- Jodi Grant - Afterschool Alliance Executive Director

As we approach the summer season, we know that gun violence is a real threat for many young people. However, we also know that there are actions we can take that will help keep them safe. We all have a role to play and we can make a difference. Let’s make a commitment to prioritize our children’s safety and well-being during the summer months and beyond. .

Editor’s note: Jonathan McMillan is the Director of Office of Gun Violence Prevention. He is an author, public speaker, journalist, activist and consultant. For more information, email jonathanm@bebta.org

www.kellybrough.com

“This is the toughest management job that there is and Kelly is an experienced manager. We have to elect people that are hard- working, have the right temperament and the right judgement. Kelly represents the human spirit because she has experienced so much of what ordinary people in Denver are experiencing right now. And Kelly is the only candidate who has worked for Denver and knows the city. Join us in supporting her to be the next mayor of our great city. Let’s make history – It’s about time.”

– The Hon. Wellington and Wilma Webb

Endorsed by: The Greater Denver Ministerial Alliance, C.U Regent, Wanda James, State Rep., Alex Valdez, State Sen., Chris Hansen, State Rep., Steven Woodrow, City Councilman, Chris Herndon, Dr. Syl Morgan Smith, former Governor Bill Ritter, former State Rep., Rosemary Marshall, former City Councilwoman Rosemary Rodriquez, Bishop Jerry Demmer, Dr. Eric Nelson, Maisha Fields, Sharon Alexander Holt, Bishop Kevin Foreman, Dr. Ryan Ross, Dwnita Tyler and many more.

Paid for by Kelly for Mayor, Paul Lhevine Treasurer

2023 JAZZ

SATURDAY 7.15

MAXWELL

DAMIEN ESCOBAR

SUNDAY 7.16

DAVE KOZ with special guests Candy

Dulfer, Eric Darius, and Maysa Leak

JAZZ FUNK SOUL ft Jeff Lorber, Everette

Harp, Paul Jackson Jr.

PAUL TAYLOR

BROTHERS OF BRASS

LEELA JAMES

NORMAN BROWN

JAZZ IN PINK

C2 MASS CHOIR