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“Summertime in the Rockies” is full of sunshine and excitement, with plenty of outdoor activities and events to keep us occupied.
The season started with the Colorado Beautillion-Cotillion Inc.'s 14th annual gala, followed by the Black Economic Success Trust’s (B.E.S.T) Success Summit and Expo for business professionals and entrepreneurs. Denver Urban Spectrum Publisher, Rosalind “Bee” Harris, received a legacy award at the summit, along with two remarkable women making a positive impact on Colorado communities. Harris was also the recipient of an award from Denver’s Arts & Venues department during the annual Five Points Jazz Festival, as the city partied and paid homage to the cultural contributions of jazz musicians in the past and present.
The fun continues into July, with a glimpse into this year’s culturally-enriching Colorado Black Arts Festival, under the leadership of a new executive director. Our cover story, featuring Denver International Airport CEO, Phil Washington, provides insight into the executive’s plans to soar into the future of flight using equitable and environmentally-sustainable innovation
The July issue highlights the cultural landmark and eatery, African Grill and Bar, which will celebrate 20 years of African food and festivities with a special anniversary event and launch of an international philanthropic effort.
In addition to recognizing the 67 organizations that were awarded grants from the Black Resilience in Colorado (BRIC) Fund, we’ve highlighted two individuals in the entertainment industry whose hard work deserves recognition. Georg Hill, a music promoter and relationship strategist discusses his journey in the business of music and politics; and up-and-coming hiphop artist, Malcolm Whyz3, shares his passion for performing as he finishes a world tour. You can also read about the 11 business and community leaders preparing to take the stage for Cleo Parker Robinson Dance’s “Dancing with the Denver Stars.”
Denver’s Voice 37 is quickly approaching, and this month you’ll meet comedians Darryl Collier, Sam Adams and Louis Johnson, who will take the stage at the Elegant Evening of Entertainment on Oct. 19.
As we look ahead to the bright and joyful days of summer, DUS looks back on the life of Perry D. Jones, with a loving tribute from DUS Publisher Harris. This issue is dedicated to Jones’ memory, with love and appreciation for his trailblazing musical legacy.
Enjoy the Heat!
theSaveDate
SUMMER THEATRE CAMP
This week-long theatre camp focuses on improvisation, vocal coaching, dance, movement, bonding, and trust-building exercises to introduce participants to the magic of theatre, acting and playmaking.
Ages 5 to 17
Camp will run for two weeks from 9:00 am to 1:00 pm: Monday, July 15 – Friday, July 19 and Monday, July 22 – Friday, July 26 peningacttheatre.org
Ruby Jones DUS Editor
DENver Airport Prepares for Summer Travelers
Phil Washington on Leading the Top Travel Hub into the Future
By Brittany Winkfield
The city of Denver has become a major travel destination, welcoming millions of visitors looking to enjoy the Rocky Mountain landscape each year. In addition to Colorado’s snowcovered slopes, which draw the attention of winter sport enthusiasts, the capital city itself offers a plethora of activities for people of all ages during the scorching summer months.
Hiking, camping, boating, music festivals, museums and a burgeoning nightlife scene are all reasons why travelers flock to Denver each summer, generating millions of dollars in tourism revenue.
Leading the Charge
The man guiding the airport through its record-breaking activity is CEO Phillip A. “Phil” Washington, and he isn’t afraid of a challenge.
Growing up on Chicago’s Southside, Washington witnessed firsthand the dangers of poverty and prejudice. He was raised by his mother, a valedictorian at the largest Black high school in Chicago in the 1940s who earned a college degree later in life. She was a source of inspiration, teaching him to work hard and never give up.
His early life experiences, along with his 24-year military service as a Command Sergeant Major in the U.S. Army, instilled discipline and adaptability, preparing him for the intense leadership role ahead.
Colorado allowed him to reconnect with family after his considerable military career, while contributing to the state’s continued growth and steering DEN – with its $36 billion annual economic impact – into the future. Upon his arrival, he saw an airport on the cusp of greatness, but also on the verge of being overwhelmed by its own success.
“It was quickly apparent that DEN had outgrown its facilities,” explains Washington. “A growing number of passengers were using the airport, and that growth was causing significant stress on DEN’s systems and facilities.”
Denver International Airport (DEN) is one of the busiest airports in the world, and a portal many visitors pass through on their pursuit of “Summertime in the Rockies.” Ranked the third-busiest airport in the United States for passenger traffic by the Airports Council International in 2023, the travel hub made history last year with over seven million passengers in July alone.
Overall, 2023 was one of the airport’s busiest years, with approximately 77 million people flying in and out of its terminals. On a list of airports around the world, DEN ranks number six, and its air traffic is expected to increase as time goes on.
In Chicago, the respected executive earned a Bachelor of Arts Degree in Business from Columbia College before attending Webster University in Missouri, where he earned a Master of Arts Degree in Management. He is a graduate of the Harvard University Kennedy School for Senior Executives in State and Local Government, and was recently appointed by the U.S. Department of Transportation’s Secretary, Pete Buttigieg, to serve on its Advisory Committee on Transportation Equity.
Prior to being confirmed by the Denver City Council in 2021, he served as the CEO of Denver Regional Transportation District from 2009 to 2015, implementing the FasTracks program and completing Denver’s West Corridor Rail Line project while overseeing the transformation of Denver Union Station. In 2015, he relocated to California, where he served as the CEO of the Los Angeles County Metropolitan Transportation Authority, overseeing nearly $20 billion in capital projects.
Washington’s return to
The airport opened in 1995 with a capacity of 50 million annual passengers; but in every year since, it has surpassed that capacity – with the exception of 2020 when the global pandemic crippled the air transportation system. Washington discovered that within a decade, up to 100 million passengers will fly through the airport each year.
“It was no wonder that DEN’s sterling reputation was being tarnished by long lines, failing infrastructure and dingy facilities. It had become a victim of its own success, and I thought I could help,” he says.
To mitigate the effects of DEN’s overloaded infrastructure, he worked with the senior leadership team to develop a strategy or “Vision 100” to prepare the complex and its employees for the increased traffic.
Vision 100
Washington’s vision is grouped into four pillars of activity, with guiding principles that include clean energy and innovation while empowering employees to play an integral role in a complex system of operations. In addition to its commitment to sustainability, DEN is on track to become the “greenest airport in the world,” and is exploring cutting-edge technologies to improve efficiency and passenger experience.
Photo courtesy of DIA
Pillar One: Empowering Our People
Wherever he has served, Washington has worked to improve equity, diversity, inclusion and accessibility. He acknowledges that DEN’s success relies on its people and partners.
“To ensure a strong workforce, the airport must provide opportunities for employees to develop and grow so it can retain talent and knowledge,” he says. “We also needed to prepare future employees by providing training and opportunities. We want Denver to become the place for aviation talent.”
Emphasizing the need to create more opportunities for BIPOC, women-owned and veteran-owned businesses to do business at the airport, he introduced plans for the Center of Equity and Excellence in Aviation (CEEA), a groundbreaking institution offering training, business development and research.
Located on Level 4 of the airport’s Hotel and Transit Center, CEEA is housed within a new 38,000-square foot space, complete with a “Hall of Equity,” lecture halls and meeting spaces. Its services position individuals to become prime contractors and full concession owners, introducing small businesses and providing workforce development guidance.
“The location provides easy access to RTD’s A Line commuter rail to downtown Denver, making the location accessible from across the metro area,” says Washington.
In addition to establishing CEEA, the innovative leader founded the Equity in Infrastructure Project (EIP) with former U.S. Deputy Secretary of Transportation, John Porcari, committing to building opportunities for historically underserved businesses and reducing the racial wealth gap.
Pillar Two: Growing Our Infrastructure
“Pillar two suggests that DEN must continue to invest and grow our facilities so we can accommodate the inevitable 100 million annual passengers,” Washington explains.
“Perhaps the most-obvious program is the construction of new facilities in the Jeppesen Terminal. We call this our Great Hall Program; and to date, two of the three phases of construction have been completed.”
In addition to the Great Hall Program and Peña Boulevard improvements, infrastructure projects in various stages of completion include the modernization of ticket lobbies for the airport’s largest airline partners; bathroom additions and rejuvenation; the addition of the new Level 6 West Security Checkpoint; a widened escalator and additional passenger movement spaces; the construction of new meet-and-greet areas for domestic and international arrivals; a $1.5 billion Gate Expansion Project; concourse improvements with outdoor seating space; baggage system updates; train car replacement; and new ground-load gates.
“Even though DEN is still a relatively young airport, it’s nearly 30 years old and is experiencing a great deal of wear and tear due to increasing passenger volumes,” says Washington. “Projects such as Concourse Renewal, which will upgrade our restrooms, wayfinding, hold rooms and flooring, will make a tremendous improvement.”
Pillar Three: Maintaining What We Have
Under the direction of a professional maintenance staff, DEN updated its Strategic Asset Management Plan and completed an inventory of its facilities. Washington established a maintenance program that will systematically maintain facilities based on expected life cycles, instead of maintenance based on facility breakdowns.
Science-based goals related to sustainability and resilience permit DEN to direct assets proactively, with an environmental policy promoting strong environmental performance, energy conservation and pollution prevention.
DEN supports the City and County of Denver’s 2030 science-based target and 2040 net-zero emissions goal, and it’s made a solid start – with a 40% reduction in greenhouse gas emissions despite passenger traffic increases.
The plan to reach “net zero” emissions focuses on green building, energy efficiency, renewable energy and the decarbonization of the airport’s electric grid.
“All DEN projects are built to the Leadership in Energy and Environmental Design (LEED) Gold standard. DEN currently has five LEED-certified facilities, including the world’s only LEED Platinum on-airport hotel,” Washington points out.
DEN is also participating in the state’s largest-ever Energy Performance Contract (EPC) which will produce a 20% energy
savings of $4 million, 28% water savings, and 30,000 metric ton annual carbon dioxide emissions reduction across 8 million-square feet of airport facilities.
Washington explains that DEN is a big proponent of solar energy, with one of the largest renewable energy programs. Six behind-the-meter power purchase agreements across 120 acres equate to 30% of DEN’s annual electricity use. The airport is also working to electrify fleets, buses, rental cars and airline ground-support equipment. Eight fast-charging electric vehicle stations for rideshare drivers will come online this year, joining the 50 charging stations already in place for passengers and employees.
Pillar Four: Expanding Our Global Connections
With one of the largest domestic networks in the U.S., including nearly 190 destinations to 46 states, DEN passengers can reach 31 destinations in 17 countries.
Continued on page 6
Phil Washington
Continued from page 5
On June 11, Turkish Airlines began nonstop flights between Denver and Istanbul, Turkey, becoming the longest flight operated from the airport. The new route is estimated to produce more than $54 million in annual economic impact to Colorado’s economy, while supporting the creation of approximately 350 new jobs across the state and generating more than $21 million in additional wages.
In addition to an emphasis on global expansion through broadened accessibility to international travel destinations, Washington discusses expansion right here in Colorado.
“DEN continues to expand its global connections through air service development and a local real estate program that takes advantage of 16,000 acres of airport property that will never be needed for aviation use,” he says.
“While no residential buildings can be built on this airport land through land leases, a variety of commercial uses are available.”
Plans to create an “Aerotropolis” are taking flight, with a recent announcement regarding the creation of a thriving urban environment focused on aviation, business and commerce.
Washington notes the recent issuance of a rolling request for offers (RFO) from qualified developers, investors and users for commercial development through one or more long-term ground leases of up to 1,500 acres of the airport’s non-aviation land.
Operation 2045
DEN is unique. The expansive spaces beneath architect Jim Bradburn’s white-capped tents – reminiscent of teepees –are anything but sterile; and the activities that take place within the airport are unlike any other.
Under Washington’s leadership, the airport has spearheaded initiatives such as a unique concert series with
entertainment by local and national artists; an innovative ex-felon employment program with rehabilitative job opportunities; and strategies to propel the travel hub into the future of high-traffic passenger trends by its 50th anniversary in 2045.
Operation 2045 includes consideration for several additions and improvements, including a new concourse; increased airfield capacity; additional deicing pads and aircraft parking aprons; international arrival processing; Peña Boulevard improvements; added parking structures and utilities expansion; and use of other emerging technologies.
“Denver International Airport’s growing operations create expanding opportunities for local businesses and global connections for travel and cultural exchange,” says the CEO. “Through its Vision 100 and Operation 2045 strategies, DEN will continue to be a community asset that emphasizes social responsibility, sustainability and resiliency.”
Soaring Into Summer
For now, visitors entering the Colorful State of Colorado to explore the overflowing outdoor activities and fun will get a glimpse of DEN’s dazzling new changes as they fly into the remarkable airport. As the first impression for travelers, the institution offers a look at Colorado’s commitment to innovation and the prioritization of its residents and guests.
For Washington, who tries to maintain a healthy work-life balance, summer is an opportunity to create time with loved ones while pursuing his passion for jazz music. He plans to recharge, focus on ways to be a more effective leader and build upon his vision for one of the most impressive airports in the world..
Editor’s Note: Portions of this article were published with permission from Acumen, a magazine by CBCC. For more information visit www.flydenver.com/about.
African African Grill & Bar Grill & Bar Celebrates Celebrates 20 Years of 20 Years of Culinary & Culinary & Community Community Impact Impact
By Stacy Narine
Each morning from Monday to Saturday, the vibrant energy of African Grill & Bar (AGB) welcomes visitors to take part in a unique dining experience. “AKWAABA is our way of welcoming you,” says the restaurant’s website, with an official greeting expression meaning “Welcome” in the twi Ghanaian language to evoke feelings of love, care, trust, freedom and honor.
Just inside the eatery’s front doors, hungry guests are greeted by delectable fragrances and a warmth that emanates from Sylvester and Theodora Adua Osei-Fordwuo, the proud husband-and-wife duo behind the culinary haven. On July 28, friends and supporters of the establishment will recognize its 20-year anniversary – a milestone occasion celebrating the hard work and dedication of its founders.
Located at 955 South Kipling Parkway, AGB is not just a restaurant; it’s a cultural landmark, offering an array of exotic cuisines from all corners of Africa. The Lakewood restaurant offers a seating capacity of 200 with two dining rooms
and catering services for all occasions. Remarkably, after 20 years in operation, it holds the distinction of being the only restaurant in the United States to serve such a diverse range of African cuisines, bringing the rich flavors of East, West, North, South and Central Africa to Colorado’s front range.
The Osei-Fordwuo Family’s Journey
The story of AGB is deeply intertwined with the OseiFordwuo family’s journey from Ghana to America. Twenty years ago, the couple left their home in Ghana to pursue a new life in the U.S. Their dream of owning a restaurant began in 2003, and by 2004, they embarked on the challenging, yet rewarding path of restaurant ownership.
Mrs. Osei-Fordwuo explains her early belief that journeying from Africa to North America would be smooth and easy, with minimal challenges. However, she says that the reality of immigration was not that simple.
“Growing up I thought that what a man can do, a woman can also do,” she reflects. “It was a different story. I decided that I did not want to sit in the
house and be a housewife. So, I had to do something.”
Initially, she planned to return to school to change her career. “Back in Ghana, I worked as a business administrator,” she says, explaining that her business acumen was ultimately redirected to an exciting new venture. “I knew God had a plan for me, and this was to use my God-given talent of cooking. With the help of my husband, this led us to open the African Grill and Bar.”
The firstborn daughter of the Fanti Tribe in Ghana learned to cook at the young age of seven. She continued into adolescence, preparing food for her uncle and friends as a high school student. Her uncle complimented her cooking, and advised her father to enroll her in a culinary program. Despite her father’s aspirations for his daughter to become an engineer, her culinary skills flourished and laid the foundation for her career into adulthood.
Mr. Osei-Fordwuo moved to the U.S. in 2000. Like his wife, he’d discovered his passion for cooking early in life, inspired by his mother and six sisters.
Overcoming Challenges
Starting a restaurant was far from easy. The Osei-Fordwuo family faced numerous hardships including high rent and economic instability, which led to temporary closures throughout the years. However, their resilience and commitment kept the dream alive. During tough
times, they continued to serve the community, catering events and even delivering food to universities from their home.
“When God is involved, nothing stops you,” says the family matriarch. “We made a name for ourselves and stumbled during hard times. However, we had a reputation that drew our customers regardless,” she proudly exclaims.
In 2009, the couple opened the first brick-and-mortar location of AGB near the intersection of Mississippi and Peoria in Aurora. After relocating to Lakewood nearly a decade later, the menu still features African staples such as fufu, jollof rice and an array of meat, fish, chicken and vegetarian dishes, all prepared with fresh, imported African spices.
AGB’s ingredients are all made on-site, giving them a rich, home-cooked taste. None of the meals are cooked with dairy products, flour or sugar.
One of the most requested dishes is a West African jollof rice, stewed in a flavorful tomato-based sauce with onions and spices, sometimes served with meat or vegetables. They also serve delicious appetizers such as samosas, with seasoned meat, fish, chicken or vegetables baked into a soft, crispy crust and presented with a habanero pepper-based dipping sauce.
The entire AGB menu is filled with exotic dishes such as South African “pap” and drinks like the Ghana Must Go rum cocktail, which have excited the
taste buds and thrilled the senses of patrons for two decades.
“I believe in quality, not quantity,” says Mrs. OseiFordwuo with a smile.
A Vision for the Future
The Osei-Fordwuo’s vision extends beyond their restaurant. As they celebrate 20 years of food service, the couple is also preparing for the launch of the OseiFordwuo Foundation, a 501(c)(3) organization dedicated to building schools and supporting young women in Ghana.
On July 28, AGB will host an anniversary celebration with a fundraiser to support the new foundation’s initiatives from 2pm to 6pm. Proceeds from table sponsorships, donations and food sales will benefit the “Infant for Christ” Roman Catholic society, located in the Upper Denkyira district in the Central Region of Ghana, which suffers from inadequate resources and infrastructure. Along with its goal to build a school in the deprived community, the foundation will also provide essential technology, clothing and hygiene products to young women in underprivileged areas.
Noting that simple essentials such as undergarments and other products are often out of reach for young women in Ghana, Mrs. Osei-Fordwuo says, “My goal is to empower women. We believe that together we stand, and divided we fall.”
After 20 years working in the food service industry, her
advice to aspiring restaurateurs and business owners is to remain consistent, surround themselves with supportive people and never give up.
“We have been consistent since 2004 and never stopped though we have faced many challenges and obstacles,” says Mr. Osei-Fordwuo, with his wife adding, “We did everything ourselves.”
A Community Celebration
The Osei-Fordwuo family’s dedication to their community and their unwavering spirit have made AGB a beacon of cultural richness and resilience. Along with specialized African cuisines, the establishment features music, drummers and dancers to create an exceptional dining experience. The husband-and-wife business owners have set AGB apart by offering immersive cultural opportunities not found anywhere else.
To extend their impact and influence, the pair can be heard on KUVO Jazz 89.3 FM during “The Morning Set,” on weekdays from 7 to 10 a.m.
Friends, supporters and food-enthusiasts are invited to help celebrate AGB’s incredible journey and support the OseiFordwuo’s on July 28 as they enter a third decade of service and work toward their mission to empower, uplift and transform the lives of others. .
Editor’s Note: For more information , visit www.africangrilllakewood. com.
Renowned dance company
Cleo Parker Robinson Dance (CPRD) is celebrating its 54th anniversary season serving the artistic and educational needs of communities in Colorado and around the world. The nonprofit multi-cultural performing arts organization hosts an exciting event each year featuring public figures and community leaders who are transformed into dance aficionados as they twist and twirl for a cause.
This year, a cast of 11 new “Dancing Stars” will participate in the “Dancing with the Denver Stars Gala” (DWTDS) in support of CPRD’s Arts-InWellness programs, with a goal to increase health and wellness
Presents 14th Annual Dancing with the Denver Stars Gala
across generations of communities using dance and cultural outreach programs.
2024 Dance Stars
Dave Aguilera: Chief Meteorologist, CBS Colorado
Michelle Barnes: Executive Director, Colorado Department of Human Services
Makisha Boothe: Founder & CEO, Sistah Biz
Brian Fitzpatrick: VP & General Manager, Mortenson Construction
Jocelyn Hittle: Associate Vice Chancellor, Colorado State University
Robert Kenney: CEO of Colorado Operations, Xcel Energy
LaTonya Lacy: Deputy Chief of Staff, City and County of Denver
Andrea Miller: Delta Dental
Mahes Prasad: Senior VP of Wealth Management, US Bank
Dr. Derek Sims: CEO, Sims Fayola Foundation
Samantha Unell: Senior Manager of State & Higher Education, Southwest Airlines
The new dance stars gathered for the first time on May 14 at the Denver Museum of Nature and Science, meeting DWTDS alumni and CPRD choreographers who will teach professional routines and help refine their newly-acquired skills throughout the summer.
On Aug. 10 at the Hilton Denver City Center, dance pairs will take the stage to present two-minute performances to the theme: Bad Boys of MusicCelebrating Boy Bands and Crooners.
Choreography for a Cause
CPRD’s dance ensembles tour nationally and internationally, partnering with renowned artists and choreographers to create beautiful performances inspired by social issues. The nonprofit also hosts a year-round academy of dance and Arts-In-Education programming with curriculum that reaches over 25,000 middle and high school students each year.
Earlier this year, CPRD celebrated the expansion of its programming into wellness with a groundbreaking event for the development of the CPRD Center for the Healing Arts.
The new Arts-In-Wellness operations pillar creates collaborative partnerships in the areas of health, performance art, civic engagement and community events, as well as policy development for arts advocacy in education and health equity.
Proceeds of this year’s DWTDS will strengthen Arts-In-
Wellness programming, while increasing CPRD’s ability to positively impact the communities it serves.
“When it comes to health and wellness, medicine can only take you so far. Feeling better comes from somewhere else – someplace deeper. The arts tap into your heart and engage your mind; they connect the body, mind and spirit in a way that’s truly healing,” says Dr. Shale Wong, CPRD Board Vice Chair.
Co-chaired by Real Estate Executive Cody Teets and Morris Price, Vice President of Grants and Impact at The Colorado Trust, DWTDS will be available for live, online viewing with a $50 donation which will support CPRD’s Arts-InWellness programs. Though few table tickets remain, individual tickets to the exclusive event are available for purchase at www.cleoparkerdance.org..
Georg Hill Management (GHM) is an agency that represents clients in industries from entertainment to politics under the leadership of experienced relationship strategist and consultant, Georg Hill. The agency boasts extensive connections to a wide range of musical talents and public figures, providing exemplary services to meet the needs of organizations and individuals looking to book entertainers and events of all kinds. With industry experience dating back to his adolescence, Hill’s expertise and long-standing reputation for reliability make him the go-to for musical matchmaking and key connections in the Mile High City.
Relationship Strategist Georg Hill on the Business of Music
By LaQuane Smith and Ruby Jones
Early Exposure
Growing up in Columbus, Ohio, Hill was raised by his mother and grandmother, graduating from an arts and academic high school before going on to attend Central State University in Wilberforce. Despite his early exposure to the arts, he decided to transfer to Ohio State University after his freshman year, with aspirations of exploring politics as a career. However, he soon found himself straying from the political path and venturing back into the alluring world of entertainment.
At age 16, he wrote a letter to famed jazz singer, Nancy Wilson, which changed his life tremendously.
Throughout her 60-year career, Wilson recorded over 60 blues, jazz, soul, R&B and pop albums, earning three Grammy Awards and eventually landing her own series on NBC called “The Nancy Wilson Show,” for which she earned an Emmy Award. She responded favorably to Hill’s letter, offering to serve as a mentor to the high
school student as he navigated his next steps and ultimately pursued his passion full-time.
After leaving college, Wilson offered Hill a job as her operations manager, which required him to travel across the country in support of her career. She introduced him to musical giants such as producer Quincy Jones; pianist and composer Ramsey Lewis; renowned actress and singer Jenifer Lewis; Julie Andrews; singers Kenny Latimore, Sheryl Lee Ralph, Luther Vandross; and more.
During his time as Wilson’s operations manager, he also met comedian Bill Cosby, United States Representative Maxine Waters, and a number of other high-profile entertainers, politicians and business leaders.
“It was all due to Nancy,” Hill states, respectfully. “Eventually as things slowed for her and she started approaching retirement, I took over her management consulting responsibilities.”
May 5–August 11, 2024
Georg Hill and the late Nancy Wilson
Before she passed, Wilson told him that she did not want to still be touring at 80 years old. She provided examples of leadership and a strong work ethic, working by day and singing by night.
Turning the Page
After Wilson passed, Hill started the Georg Hill Artist Management agency with a client list of five artists.
During his tenure with Wilson, he met former Denver Mayor Michael Hancock in the years before his role as the city’s elected leader. While serving as president of the Urban League of Metro Denver, Hancock invited Wilson to perform at an event. “He said, ‘Hey, I’m going to be the mayor one day,” Hill remembers. “And then years later, he became a mayor – a three-term mayor!”
Business at the talent agency was slow, so Hill reached out to the mayor and was offered a job as part of his leadership team, where he worked for five years. The role supplemented the skills he’d acquired in entertainment management, and he began to capitalize on the strategy behind relationshipbuilding, eventually creating a government affairs firm called Gov Connect, which has since absorbed GHM.
“A lot of companies are trying to get through the bureaucracy of doing business with city officials or doing business with the federal government, but they find it hard because they don’t know where to start. They come to me, and I’m able to make those introductions and get them into the rooms where they need to be.”
The Business of Music
“Being Black and being in the business is an accomplishment in itself,” remarks Hill, who goes on to say, “A lot of times, there’s two different contracts. There’s the Black contract, and there’s the white contract.”
Referencing Wilson’s mentorship, he explains that she
knew how to work the music world, having been taught industry secrets by Frank Sinatra and Sarah Vaughn.
“She taught me that you go into this with your eyes wide open when you walk into the room. You never walk out of the room without knowing that you have a deal signed; and if you don’t get a deal signed, don’t be afraid to walk away from the table if the price isn’t right.”
For as long as he can remember, music has played a defining role in Hill’s life. While his friends listened to pop music, he was raised to appreciate oldies by his grandmother, who frequently played Mahalia Jackson’s spirituals throughout the family home.
“I’ve always had an affinity for music. Being in the music business was the next logical step for me,” he says. “There’s nothing like an artist that can tell a story through their music. You see the effects that it has on an audience.”
When it comes to the price of doing business with GHM, Hill works to ensure that artists are getting paid what their worth while recognizing that some grassroots organizations can’t afford astronomical booking fees.
“My job is to make sure that everyone is happy across the board. So, if I book an artist, what I also do is find ways to compensate them if organizations cannot afford their full fees,” he reveals.
Changing with the Times
Over time, Hill has seen the music industry transform as a
result of technological advancements. Sadly, he does not believe that Black artists are benefitting from the changing landscape.
“During the vinyl and cassette days, there was a percentage that the artist received to own the rights to their music. Now with digital, they may be reaching more people and getting more sales, but the pennies they’re getting paid for those streaming services are ridiculous,” he says.
He acknowledges that some musical stars with longtime careers such as Gladys Knight or Patti LaBelle are still making music because they have to for monetary reasons and not for the love of performing. He also recognizes that Black artists are being hurt by inequitable contracts and management deals. To counter these negative trends, Hill suggests that aspiring artists should take responsibility for their own success and financial stability by learning as much as they can about how the business of the music industry works.
The Power of Promotion
In February 2023, Hill brought Kenny Lattimore to Denver for the NAACP’s Freedom Fund Gala, where guests enjoyed the Grammy nominee’s calming R&B. He continues to organize events and engage with civic leaders through Gov Connect, as he merges his artist management duties into a streamlined source of connection-making services.
Hill is one of the lucky few who was given a special opportunity to explore the music industry up close to learn the tricks and tools of the trade. His ability to build relationships with some of the best talent is based on an uncompromising commitment to achieving success within his passion. As a result, connections are the key that unlocked the door to his success. .
Editor’s Note: Learn more about Georg Hill’s services at www.govconnectllc.com.
Vice President Kamala Harris, Georg Hill and former Denver Mayor Michael B. Hancock
Georg Hill and Kenny Lattimore
The Black Economic Success Trust (B.E.S.T) hosted an inspirational networking opportunity for experienced and aspiring entrepreneurs on Saturday, June 7 at the Sheraton Downtown Denver. The 2024 Success Summit and Expo featured conversations about business and leadership, with resources for capacity-building collaboration and economic empowerment for vendors, partners and guests.
Formerly known as the Mountain Region Black Economic Summit (MBRES), B.E.S.T. is a nonprofit organization that works to dismantle systemic barriers impeding the BIPOC community’s efforts to build wealth. The organization’s annual programming includes the facilitation of highly engaging opportunities for business owners to strengthen their networks and operations, with an economic summit event that creates powerful connections between entrepreneurs, industry leaders, community partners and corporate sponsors.
2024 Summit Highlights
This year’s gathering featured workshops and panel discussions in sessions throughout the day, with special awards for individuals striving to improve outcomes for Colorado residents.
The CEO Power Breakfast included a discussion with top CEOs and business visionaries, with a focus on strategic leadership, inclusivity in corporate cultures and ways to improve economic and social outcomes in the Black community. Women’s Foundation of Colorado President and CEO, Lauren Casteel, was joined by Xcel Energy President Robert Kinney, RTL Networks President and CEO Richard Lewis, Colorado Health Foundation President and CEO Karen McNeilMiller and moderator John Bailey of the Bailey Consulting Network to provide “Visionary and Transformational Leadership from a CEO Perspective.”
“Current Trends and Key Success Strategies in the Modern Era” were discussed during a
Community Spotlight: 2024 B.E.S.T. Success Summit & A wards
By Ruby Jones
Colorado Black Business panel featuring Denise Burgess of Burgess Services, Haroun Cowans of Goshen Development, Maxine E. Harris of Maxx Impact Group, Rico Nelson of Civil Technology Inc., and Aikta Marcoulier of the Small Business Association.
Prestigious Legacy Awards
During a break between economic empowerment sessions, B.E.S.T. presented an invigorating Legacy Luncheon, hosted by Zelda DeBoyes, a recently retired Aurora Municipal Court Administrator and adjunct professor for the Sturm College of Law’s Master of Science Legal Administration program at the University of Denver. DeBoyes, who serves as the B.E.S.T. Board
Treasurer and Programs Committee Chair, welcomed Denver’s business community to the event and publicly recognized the accomplishments of Jimmy Lee Day II, who made history as the first Black male to be named Colorado’s Teacher of the Year in 2023. She then welcomed Denver’s former first lady and Colorado State Representative, the Honorable Wilma Webb, to the stage for the distinguished Women in Leadership and Management Awards or “WiLMA Awards.”
The legacies of three individuals who have made a positive impact on Colorado communities through selfless commitment were shared with video recordings and photographs capturing years of service.Webb
honored University of Colorado Regent Wanda James and former Colorado Democratic Party Executive Director Sherry Jackson with beautiful floral bouquets and colorful sculpted glass awards.
Denver Urban Spectrum’s own Rosalind “Bee” Harris was presented with a special WiLMA Legacy Award, with a heartfelt message of gratitude from Webb, who recognized her 37 years of commitment to community reporting while publishing meaningful stories about Colorado businesses and community leaders.
Following the awards ceremony and generous door prizes, community organizer and historian, Brother Jeff, led a fireside chat with former Denver Broncos players Todd Davis and Orlando Franklin, discussing the meaning of success and their journeys from football to philanthropy and entrepreneurship.
Strengthening the Future of Colorado’s Economy
The B.E.S.T. Success Summit carried on throughout the day with a Biz Matchmaker Resource Fair and afternoon panels to further assist entrepreneurs and business owners in the development and advancement of their endeavors. Kevin Edwards of Bechtel Corporation and Elbra M. Wedgeworth of Casel and Associates LLC unpacked diversity, equity and inclusion, in a session titled “Rethinking Diversity in Today’s World – Is it Still Relevant?” The session was followed by an “Emerging Business Opportunities Panel” to close out the day.
Led by Founder and Executive Director Carla Ladd, B.E.S.T. provides resources and programming that supports business owners, community leaders, homeowners and youth throughout the year. A catalyst for sustainable progress and equity, the organization creates opportunities for economic advancement through collective strength, and invites community members to join in efforts to make the world a better place.. Editor’s note: For more information, visit www.bestsuccesssummit.org
Wanda James, Carla Ladd, the Honorable Wilma J. Webb, Rosalind “Bee’ Harris and Sherry Jackson
Haroun Cowans, Jimmy Lee Day II, Carla Ladd and Joshua Piggot
Todd Davis, Orlando Franklin and Brother Jeff
Photos by Bernard Grant
Malcolm Whyz3 Breaking Stigmas from
A Strong Support System
Whyz3’s grandmother was one of his earliest supporters and one of the main sources of inspiration for his career in music. After she passed, he wrote his very first song.
the Spotlight
By Mona Cedillo
“She was (all my grandparents were) amazing. They just
Talented and Humble:
These two words best describe Malcolm Whye, also known by his stage name Malcolm “Whyz3” (pronounced wīse).
gave so much knowledge and inspiration,” he says, sharing a story about a time when he and his mother flew to visit his grandmother.
To capture the memory, they interviewed the family’s matriarch. “My mom asked questions while I sat with my grandma on camera. We asked things like, ‘What was it like growing up?’ and ‘What kind of adversity did you face?’”
At 30-years old, Whyz3 is getting a late start in the music scene. Despite taking a little longer to get started, he is prepared for takeoff. In 2023, he was named a “Top Artist to Watch,” adding credibility to his growing presence on social media and in music venues around Denver. Still, the selftaught rapper watches YouTube videos on a nightly basis to learn the ins-and-outs of the industry, while gaining knowledge that may help elevate his career.
“There’s just a lot that I still don’t know about the music industry – about mixing and mastering; about production,” he says, with an awareness that he has a lot of work to do. Yet, Whyz3 is far from intimidated. He sees the beauty in the process and takes it in stride as a learning experience. He also recognizes the support and sacrifice of people who have helped him reach this point.
One of her grandmother’s bits of wisdom stuck with him and made a lasting impression that affected his outlook on life. “Money comes and goes; and you know, I’ve made money. I’ve lost money. But really, the point of life is to go out and do what you want to do.”
At that moment, Whyz3 realized he always wanted to make music. Growing up, he spent a great deal of time playing basketball and football, eventually becoming one of the University of Northern Colorado’s star wide receivers. Yet, he loved to attend concerts and had great admiration for those performing, including some of his friends.
“I always thought that it was so cool that they were doing
Photo by Anthony Chavez
something by themselves, getting on stage and rocking it. And that was always something I would have loved to do,” he remembers.
As a young man living in Denver, he spent summers in New York City with his father. In a 2022 interview with Westword he mentioned the busy city’s influence and one of his favorite pastimes frequenting Harlem jazz clubs saying, “I fell in love with music out there, because there’s so much culture and history.”
His first song, “What You Make It”, was released in 2019 after his grandmother’s death. Upon the song’s release, friends connected him to Authentic 100 Entertainment (A1), an entertainment and media collective that encouraged him to pursue music in another musicallycharged city. Soon thereafter, his first taped recordings took place in Chicago. It was also his friends who pushed him to begin performing live, prompting his debut performance with five songs that he’d written within a 30-day span.
While the support of Whyz3’s friends propelled him forward, it was his grandmother’s words that gave him the courage to step into the spotlight.
“I realized it was something I needed to be doing,” he says, thinking back to the immediate reception by industry figures.
“My grandma was definitely the influence for that.”
Sitting with his grandmother in her final days was life changing and provided the wisdom and guidance he needed for the next phase of his life.
“Whenever you can, sit and talk with the elder members of your family. Get that experience, it’s always worth it.”
Music and Mental Health
Whyz3 is not embarrassed to talk about mental health; as a conscious-leaning hip-hop artist, he promotes the importance of mental wellness both on and off-stage.
Having played team sports throughout his youth, he went through a stage of depression after having to abruptly stop playing football.
“It’s just something that a lot of athletes go through after they’ve played at a high level and then have to go into the workforce. It’s just like a regular civilian lifestyle (if you will) where you can no longer call yourself an athlete.”
During the transitional time, he questioned his value and place in the universe and had to reexamine the ideology that Black rappers and ball players are the only significant influences in the Black community.
“When you don’t feel like you have a place, it can definitely affect your emotions. We’re taught to always be strong, like Superman. But, that’s really just not the case –we’re human beings. At the end of the day, we all have emotions. We all go through things, and the more that we can open up and talk about those things, the easier it is for another person,” he admits.
One of his well-known songs titled “Anxiety” shines a light on the increasingly-common struggle with mental illness, and people often reach out to him to thank him for spreading awareness while sharing their own experiences with anxious thoughts and feelings.
By sharing his experiences, Whyz3 hopes that people recognize similarities in themselves that allow them to help themselves and others.
“It’s definitely not something that we talk about as Black men, and it’s something that we should be talking about more,” he says, with the hope that his music can serve as a big brother or father-figure to someone who doesn’t have a strong support system. “I think the stigma is being broken because more people are talking about it. … It’s our obligation to speak on those things and help other people get through them too.”
Now Loading…
As his career continues to warm up, Whyz3 reflects on his top musical influence and the goals he has set for his own body of work.
He admires the late rappers Nipsey Hussle and Mac Miller, along with Erykah Badu, Jay Z and rapper and producer J. Cole for his lyricism and realness, and says that his desire to include real-life experiences is a byproduct of Cole’s influence. Thinking back to one of his most memorable performances, he recalls seeing a friend in the audience with tears streaming down his face. When Whyz3 asked if the friend was okay, the response was that he never expected one of his friends to be doing what they love. For him, it was a full-circle moment that brought him back to the days of watching his own friends on stage and his grandmother’s words of wisdom, urging him to pursue his dreams. It was confirmation that he was right where he needed to be.
Currently, Whyz3 is finishing up a tour in the U.S. and Europe, with Indianapolisbased rapper, Mark Battles. After July performances in London and Berlin, he will head back to Denver to continue working on a new EP which he plans to release by the end of 2024.
He is already laying out plans for 2025 and 2026, but says, “I’m trying to go in baby increments, because you never know what’s going to happen. As long as you have that mindset that you can really accomplish anything, then you can make anything happen. I’m kind of a prime example of that.”
For now, he is doing what he loves and bringing audiences and fans along on his journey to the top..
Editor’s Note: To learn more about Malcolm Whyz3, follow him on Instagram and Facebook @MalcolmWhyz3.
Highlighting the Best of Colorado’s Black Art
Colorado Black Arts Festival returns with a new Colorado Black Arts Festival returns with a new executive director and exciting new additions. executive director and exciting new additions.
By Christen Aldridge & Ruby Jones
elry, crafted goods and clothing, along with representatives from nonprofit organizations and service agencies. There will also be an abundant array of food vendors offering culturally-inspired cuisines.
For Jaleesa McIntosh, the Colorado Black Arts Festival (CBAF) is a longstanding tradition she enjoyed as a child. Now, as the festival’s newly appointed executive director, the event represents a full-circle moment that merges the old with the new. It’s a combination of traditional elements enjoyed for the last 38 years, and innovative activities and events that represent Denver’s fresh and vibrant future.
“Growing up in Denver, I remember seeing people in droves walking around the festival and enjoying something made for us, by us,” states the inspired new director.
With fond memories guiding her efforts, she is prepared for the first chapter in her leadership role.
History of Colorado Black Arts Festival
In 1986, the Denver Black Arts Festival (DBAF) celebrated the cultural contributions of Colorado’s Black visual and performing artists for the very first time. The festival was originally created to help increase representation and generate much-needed funding for local sculptors, painters and crafters. The event faced a great deal of adversity in its first year, with monsoon-like weather limiting attendance, but by the following year, the festival’s popularity soared, drawing over 30,000 attendees.
By 1990, attendance doubled to 60,000, highlighting the growing demand for opportu-
nities to recognize and enjoy Black artistic talent. Attendees were enamored by the wide availability of local art, storytelling, movement and freedom of expression found within the festival grounds.
In 2009, DBAF formally changed its name to the Colorado Celebration of African American Arts and Culture, though it is commonly referred to as the Colorado Black Arts Festival, reflecting its broad, statewide impact. Throughout its evolution, CBAF has remained committed to its founding principles of providing a platform for Black artists to share creativity and cultural expression with pride. Its mission is to involve the community in helping to establish selfreliance, believing that cultural pride is the foundation for stability and prosperity.
Growth from CBAF’s humble beginnings to the present underscores its significance as a vital cultural event in Colorado, and McIntosh is excited to participate in the evolution of featured activities to ensure that the celebration continues.
A Theme of Rebirth
The 2024 CBAF will take place from July 12 to 14, along the western stretch of Denver’s City Park, with activities for everyone. McIntosh points out that this year’s event has been planned to promote inclusion while maximizing the impact of community partnerships.
The festival will kick-off with a Boogaloo Celebration Parade featuring marching bands, drummers, drill teams, athletes and more on Saturday morning. Artist Row Marketplace will feature vendors selling art, jew-
This year’s Children’s Pavilion, operated in partnership with The Arvada Center, will provide craft activities geared to spark each child’s imagination, while one of the new additions to the festival prioritizes the comfort and enjoy ability of every child present.
On Friday, July 12 from 11am to 3pm, the festival will be presented as a sensoryfriendly experience to meet the needs of neuro-divergent children in attendance.
“This is a new idea we are happy to share with the people. Everyone should feel included and safe while at the festival.” McIntosh states.
Music is a central focal point of CBAF, with several performance stages featuring various genres performed by local and national acts.
The F. Cosmo Harris Gospel Stage will feature urban, traditional, youth and contemporary gospel performances along with praise dance. The Kuumba Stage will feature a diverse lineup of neo-soul, R&B, jazz, blues, world beat, hip-hop and traditional dance music. The brother jeff’s Cultural Center Stage will feature local community talent; and the Joda Village Compound and Stage, named in honor of master drummer and dance instructor Adetunji Joda, will feature creative interpretations of modern, tap, capoeira, Caribbean and African dance. The Village, arranged in a setting reminiscent of a small Nigerian village, will also host spoken word performances, African roots music, reggae and folk music.
McIntosh is looking forward to this year’s event, and is especially excited about the closing act on Sunday, July 14.
New Beginnings and a New Sound
Jackie Venson, a Black guitarist based in Austin, Texas, will infuse the final evening of CBAF with her trademark sound incorporating elements of pop, rock, R&B and blues.
Venson’s music is eclectic and soulful – a result of years spent listening to music from all over the world. Her love of music was derived from her mother, while her desire to become a working musician came from watching her father live out his own dreams as a professional music man.
“He showed me what it would be like to have a music career,” says Venson, who started out playing piano before the guitar stole her heart. “I wanted to make music that made people move and have fun. Playing classical music on piano was strict, and not fun.”
McIntosh is ready to show the Denver Metro community a new sound while welcoming Venson and her band to the festival for the very first time.
“I want to continue the legacy of excellence for the Black Arts Festival, while inspiring others in the community to partake in art,” she says.
Along with increasing exposure to traditional art forms and emerging artistic techniques, she hopes to inspire an ongoing appreciation for cultural arts among the next generation of creatives. .
Editor’s Note: For information, visit www.colbaf.org.
SWIFT & CLEAN SERVICES
Dancing Into the Future
Colorado BeautillionCotillion Inc. Hosts Annual Gala
By Christen Aldridge & Ruby Jones
OA musical selection by community organizer Karla Ashton preceded an acknowledgment of the event’s special guest, veteran NBA All-Star and business mogul, Metta Sandiford-Artest (formerly known as Ron Artest and Metta World Peace).
academic performance, building leadership skills through active community engagement.
Founded solely as a black-tie beautillion by Cheryl WilliamsCarter in 2011, CBCI grew into a full-service organization when she recognized the need for life skills training.
n June 2, 50 accomplished young men and women in dapper tuxedos and pristine white ball gowns were presented before family and friends at a prestigious gala recognizing their readiness for the journey ahead.
Hosted by Colorado Beautillion-Cotillion, Inc. (CBCI), the gala is held annually for BIPOC high school students in Colorado who complete the organization’s yearlong programming. The event marks their entry to adulthood and puts their newly-refined social graces on display for loved ones to admire.
The night began with a warm welcome by Dr. Regina English and Colorado State Senator Tony Exum, followed by an invocation by Dr. Tywanna Jones and Pastor Frank Jones of God’s Will Christian Fellowship.
Artest addressed students with an encouraging message to prepare them for the next chapter of their lives. “Don’t give up on your dreams,” he said, praising CBCI for its implementation of the culturally-enriched program. He spoke with financial analyst and author, Prince Dykes, after the event, saying, “You can’t put a price on what this is worth. Today was beautiful.”
The Community Benefit of CBCI
CBCI plays a pivotal role in shaping well-rounded, skilled and knowledgeable young adults. The distinguished program emphasizes the importance of maintaining excellent
“There was a greater demand for this kind of training,” she recalls. Eventually, she incorporated more volunteer opportunities and self-development training with a curriculum designed to enhance various aspects of students’ lives, including relationship skills, financial management, entrepreneurship, wealth creation, etiquette, post-secondary education, job readiness, health and nutrition. Participants also benefit from mentorship provided by local and national mentors.
Carter seeks participation from students who exhibit selfdiscipline and a desire to achieve success through hard work. To raise money throughout the year, students take part in volunteer opportunities, including the innovative implementation of a concession stand at Empower Field at Mile High during the Denver Broncos’ home games.
“I have about 200 dresses in my basement. I allow the debutantes and belles to use these dresses for the gala. This prevents parents from worrying about buying an expensive dress for one night,” says Carter.
One Last Dance
As the 14th annual gala continued through the evening, a processional featuring students who successfully completed CBCI’s requirements commenced.
Award-winning journalist Chandra Whitfield and her husband, the Honorable Judge Joseph Whitfield announced each debutante, beau and belle, along with a list of their accomplishments and dreams for the future.
When presentations came to an end, the students performed a special fluid waltz, then invited parents to join them on the dance floor for an endearing second waltz before performing a fun, high-energy dance.
The final event of the evening was a presentation of student awards, made by Carter and CBCI Director Dr. Thomas Bouknight. Four students, Armon Brown, Adonis Woods, Harmonie Banks and Alexis Anderson were named Kings
and Queens of the event. Belles and Beaus of the Ball included Kimora Cage, Johnita Smith, Myles Chapman and Armani Vegas. Unrestricted financial awards ranging from $250 to $1000 were given, along with outstanding student awards for the most engaged participants.
Closing remarks were made by Dr. Bouknight, who acknowledged the hard work and effort each student put forth throughout the year, and praised families for their commitment and support as the 2024 CBCI gala came to an end.
With CBCI preparing students to take the first steps on their journeys to the future, their opportunities are limitless..
Editor’s Note: CBCI is currently enrolling for the 2024-2025 academic year. For more information, contact Cheryl Williams-Carter by phone or email at 720-217-8291 or cobeautillion@aol.com, or visit www.cobeau.org.
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Elias Diggins Sworn In As Denver Sheriff Sheriff Elias Diggins was sworn-in and re-appointed as Denver’s Sheriff at a special swearing-in ceremony on May 29, four years after his first appointment to the leadership position.
Diggins is a reform-focused, nationally recognized law enforcement and correctional executive who has worked in the Denver Sheriff Department since 1994, serving as a captain, sergeant and deputy sheriff. He is an advocate for mental health and gender equity, previously serving as an auditor, commissioner and chair for the American Correctional
Association’s Commission on Accreditation for Corrections.
First appointed to the role of Sheriff by former Denver Mayor Michael Hancock in July 2020, Diggins was nominated for reappointment by Denver Mayor Mike Johnston, along with the city’s public safety leaders Armando Saldate III, Chief Desmond G. Fulton and Chief Ron Thomas.
“These are leaders who have grown up in this community, have served this community, and share our vision for bringing public safety to every neighborhood in Denver,” Johnston said in a statement. “I look forward to working with them shoulder to shoulder to deliver a safer Denver.
Congratulations DJ Foxy!
On June 8, friends and fans celebrated the 50th anniversary of DJ Foxy who has been spinning sounds since 1974. During the appreciation party at TREA, she was presented flowers and an award from Ron Ivory. Congratulations DJ Foxy from the Denver Urban Spectrum and the Denver community.
What form of entertainment do you specialize in? Comedy.
Where were you born and raised?
I was born in Cleveland, OH
What motivated you to start performing for audiences?
In 1989 I was encouraged by my good friend Darryl Collier to give stand-up comedy a try. It took 12 years, but in 2001, I finally took him up on the comedy idea.
Are you self-taught, or did you study your craft?
I was self-taught. Once I did my first open mic set, I was hooked.
How would you describe your artistic/entertainment style?
My style of comedy is clean, as-in no profanity. I perform as if my mother were seated in the front row. If I started dropping “F bombs” in front of her, the real show would begin with her chasing me around the stage.
Who/What is your biggest inspiration?
When I started to work more and learn the craft, no doubt Bill Cosby was a huge inspiration. He performed clean, and that’s the style I preferred. He invited me to a show in Colorado Springs in 2007, and had me come backstage afterward. It was a surreal, 90-minute meeting between the two of us. I used to love telling the story, but since his legal troubles…
What is your favorite thing about being an entertainer?
That feeling I get just before I go on a stage. It’s almost like
sports and I’m getting ready to run on the football field or basketball court. You can hear a buzz in the audience – they’re ready to see a show! I feel some butterflies, but that’s a good thing to me. If I don’t feel ‘em, that’s when I worry that I’m being overconfident.
If you could collaborate with any other performer from any time-period, who would that be and why?
As a stand-up comedian, I’m on stage alone. But, if I could be on the same show with 2-3 comics working today, I’d have to go with Wanda Sykes, Kevin Hart and Eddie Murphy. Wanda cracks me up, Kevin’s funny sells out arenas and it would be Eddie’s comeback to stand-up… the people would go crazy!
Do you have any upcoming performances?
I have a couple of private events during June and July. Summer months are usually my slowest – people want to be outside doing outdoorsy stuff. Come August, I hit the road again. Nebraska, Texas, Oregon and Ohio are already on the books.
Tell us something about yourself that would surprise our readers.
I’m certain most people don’t know that I’ve been a student of American Sign Language. I started taking classes online in 2020. In 2016 I performed with an interpreter at the stage signing my entire show for deaf women seated up front. They laughed the entire show. From that point on, I thought it would be great to learn the language – not for the purpose of performing, but to communicate with deaf people in any situation.
Sheriff Elias Diggins (second from right) was sworn-in and re-appointed as Denver’s Sheriff along with other executive leaders.
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High Rates, High Rewards
The Advantages of Buying a Home in a High-Interest Rate Market
By Barry Overton
In the everfluctuating world of real estate, the decision to buy a home involves various factors, with interest rates being a significant consideration. While
higher interest rates can initially seem like a deterrent for potential homebuyers, there are compelling reasons why purchasing in a high-interest rate market can be advantageous. This article will delve into the benefits of buying in such a market, including the potential for home prices to increase once interest rates go down, the leverage buyers can have with sellers and the possibility of utilizing assumable loans to secure a lower interest rate.
Potential for Home Price Appreciation
One of the primary advantages of buying in a high-interest rate market is the potential for home prices to appreciate once interest rates decrease. Highinterest rates often lead to a cooling off in the market, as higher borrowing costs can deter some buyers. This reduction in demand can result in more favorable pricing for those who choose to buy during this period.
When interest rates eventually fall, the market typically experiences an influx of buyers eager to take advantage of the lower borrowing costs. This increased demand can drive home prices up, leading to potential equity gains for those who purchased when rates were higher. Essentially, by buying in a high-interest rate market, homeowners may position themselves to benefit from future price appreciation, enhancing their investment’s value over time.
Increased Buyer Leverage
In a high-interest rate environment, sellers may find it more challenging to attract buyers. This shift in market dynamics can provide buyers with increased leverage during negotiations. With fewer buyers in the market, sellers may be more willing to negotiate on price, closing costs and other terms to facilitate a sale.
Buyers can use this leverage to their advantage by negotiating lower purchase prices, requesting seller concessions or securing favorable contingencies. For instance, a buyer might negotiate for the seller to cover closing costs or make necessary repairs before closing. This enhanced bargaining power can result in a more favorable deal overall, potentially offsetting the higher borrowing costs associated with elevated interest rates.
The Role of Assumable Loans
Another strategic advantage in a high-interest rate market is the possibility of using assumable loans to secure a lower interest rate. An assumable loan allows a buyer to take over the seller’s existing mortgage, including the interest rate, remaining balance, and repayment terms. This can be particularly beneficial if the seller’s loan has a lower interest rate than current market rates.
For example, if a seller secured a mortgage during a
period of lower interest rates, a buyer might assume that loan and benefit from the lower rate, effectively circumventing the higher rates prevalent at the time of purchase. Assumable loans can provide significant savings over the life of the loan and make a property more attractive to buyers in a highinterest rate market.
However, it’s essential to note that not all loans are assumable. Typically, government-backed loans like FHA and VA loans are more likely to be assumable, whereas conventional loans typically will not offer this option. Buyers interested in exploring assumable loans should consult with their real estate agent and lender to determine the availability and suitability of this strategy.
Mitigating Higher Monthly Payments
An effective strategy to mitigate higher monthly mortgage payments in a high-interest-rate market is through an interest rate buydown. This financial tactic involves paying an upfront fee, often called “points,” to the lender in exchange for a reduced interest rate on the mortgage. By lowering the interest rate, the monthly mortgage payments become more affordable, potentially saving the homeowner thousands of dollars over the life of the loan. This approach can be particularly advantageous for buyers planning to stay in their homes long-term, as the initial cost of the buydown is offset by the significant reduction in monthly payments. Additionally, in some cases, sellers and/or lenders may offer to cover the buydown cost to make the property more attractive to buyers, further enhancing the appeal of this strategy.
Long-Term Financial Planning
Ultimately, buying in a highinterest rate market requires a focus on long-term financial
planning. While the initial costs may be higher, the potential for home price appreciation, increased buyer leverage, and the use of assumable loans can make this a strategic decision for the right buyer. Real estate remains a valuable asset class, and purchasing a home can provide stability, equity growth, and personal satisfaction over time.
Prospective buyers should work closely with real estate professionals, including agents and mortgage brokers, to navigate the complexities of the market and identify opportunities that align with their financial goals.
While high-interest rates may initially seem like a hurdle, they can present unique opportunities for savvy buyers. The potential for home price appreciation, increased leverage with sellers and the possibility of securing lower interest rates through assumable loans or rate buydowns are compelling rea-
sons to consider buying in such a market. With careful planning and strategic negotiation, buyers can turn the challenge of higher rates into a rewarding investment in their future..
Editor’s Note: Barry Overton is a licensed Real Estate with the Super Agents Collaborative Powered by eXp Realty. He has been an agent since 2001, and started investing in real estate in 1996. For more information, email: barrysellsdenver @msn.com or call 303-668-5433.
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Black Resilience in Colorado Fund Grants
$650,000
to 67 Black-Led and Serving Nonprofits to Build Community Impact
On June 18, The Black Resilience in Colorado (BRIC) Fund announced the award of $650,000 in grants to 67 Blackled and Black-serving nonprofits in Colorado.
Established in 2020 to address and remove the barriers of systemic racism and inequity affecting the Black community, BRIC has granted over $5 million to over 400 nonprofit organizations, with over $200k in capital improvement loans and partnerships with similar resource entities resulting in capacity grants totaling $33 million. In addition to direct funding, its resources and organization development programs have strengthened the capacity of more than 250 BIPOC nonprofit leaders.
“We are proud to mark BRIC’s fourth anniversary by continuing to invest in the community-changing work of Black-led nonprofits that serve our Black communities in Colorado,” explained LaDawn Sullivan, BRIC Fund Executive Director. “By building stronger Black communities, collectively investing in ourselves, advocating for change and owning our power of resilience, we will rise and thrive, ‘BRIC by BRIC.’”
Grants are awarded after an extensive review process of applications by a diverse group of Black leaders to ensure they meet priorities and criteria determined by the community, with input from nonprofit partners and grantees. The selected grant recipients represent a wide range of community interests reflecting BRIC’s six focus areas – emerging needs, economic opportunity, health, housing, racial justice and youth. These organizations provide resources and services to Colorado’s Black community, including but not limited to cultural arts, educational enrichment, youth mentorship, employment, financial education, mental health, social and racial justice.
BRIC Fund 2024 Spring
Grant Recipients:
10FOR10; 5th Element Center for Dance; Abundant Black Health; Access Mode Inc.; African Chamber of Commerce
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of Colorado; Athletics and Beyond; BIPOC Economic Success Trust; Boss Generation; CAFI Sustainability Center Inc.; Carey School of Basketball; Caring and Sharing Community Resources and Transformation Center; Celebrate Life Foundation; Colorado Association of Black Professional Engineers and Scientists; Colorado Beautillion Inc.; Colorado Black Arts Movement; Colorado Community Elite Drill Team; Colorado Ethiopian Community; Colorado FutureTek Inc.; Colorado Lions Youth Organization; Colorado Urban Leadership Foundation; Community Outreach Service Center (COSC); Creative Strategies for Change; Cyber Cat Labs; Determined Ambitious Women Networking; Dads With a Plan; Denver Board of RealtistDenver NAREB; Denver Independent School; Denver Justice Project; EDA for Black Communities; Denver Journal of Education and Community; Elevation Athletic Performance Foundation; Epitome of Black Excellence & Partnership; Ethiopian Community Television; Financial Education & Economic Transformation Center (FEET Center); Five Point Rhinos Youth Sports; Foundation for Black Entrepreneurship - Sistahbiz; From the Heart Foundation; Gyedi Project; Kappa Housing Inc. (Kappa Tower I); Kids
Above Everything; Legacy Foundation for Family and Community DevelopmentProject Proud Fatherhood; Lincoln Hills Cares; Mama Bird Doula Services; Matrescence; Metropolitan Diversity and Economic Equity Partners (Metro DEEP); Montbello HS Football Touchdown Club; Moyo Nguvu Cultural Arts Center Inc.; NAACP Denver; Park Hill Pirates Youth Sports Organization; Phenom Phoundation; QueenShipp; RISE 5280; Seb’s Recreation Center; Sigma Gamma Rho Sorority Inc. (Sigma Shares); SOAR - Seeing Our Adolescents Rise; Soul 2 Soul Sisters; STOP COVAD (Crime of Violence and Discrimination); Struggle of Love Foundation; The Black Mental Health and Wellness Coalition; The Caregivers Guardian Education and Advocacy (TCGE and A); The Road Called STRATE; Therapist of Color Collaborative (TOCC); Trendlines Colorado; Venture for Success Preparatory Learning Center; Vibe Tribe Adventures; Wezesha Dada Center; Youth Empowerment Broadcasting Organization (YEBO). .
Editor’s note: The BRIC Fund awards responsive grant applications once a year, and the next BRIC Grant cycle will open in Spring 2025. Organizations interested in applying for funding can find the grant requirements and application portal online at www.bricfund.org.
on alto and tenor sax for events and recordings. www.riverstonejazz.com yasuo@riverstonejazz.com
BRIC Board Members: Alex Middleton, Herman White, April Denmon, Yvonne Moore, Raymael Blackwell, Javon Brame Not pictured: Haroun Cowans,Tyrone Glover, Courtland J. Powers-Gunnels and Erica Walker
Darryl A. Collier
darryl_collier@comcast.net
What form of entertainment do you specialize in? Stand-up comedy.
Where were you born and raised?
I was born in Denver, Colorado.
What motivated you to start performing for audiences?
I love the feeling of making people laugh and forget about their worries. Laughter is so therapeutic and addictive.
Are you self-taught, or did you study your craft?
I was self-taught through the School of Hard Knock Comedy.
How would you describe your artistic/entertainment style?
My style is observational with an edge towards irony. Why people do the things they do is simply comedic. I don’t need to write a bit, just recall it.
Who/What is your biggest inspiration?
I grew up listening to Richard Pryor. He evolved into a real comedian. He started out like many young comedians, just trying to find his voice and learning the art of making people laugh. He grew into knowing how to say what he had to say. He stopped worrying about what people thought or wanted to hear for fear of rejection, and just said what he felt and kept it real.
What is your favorite thing about being an entertainer?
I love hearing the laughter –it is the greatest high one can get. It is addictive; it is a drug. But you can’t buy it in the store or off of the street. You have to consume it wherever a comedian is performing.
If you could collaborate with any other performer from any time-period, who would that be and why?
Dave Chappelle. His train of thought is pure genius. I have opened for him a couple of times and we have a similar flow. I have bits that I would love to give to him just to see where he takes them.
Do you have any upcoming performances?
None at this time. I have retired from clubs and only do special, private performances.
Tell us something about yourself that would surprise our readers.
I was one of the quietest kids in high school. I was a jock, and loved performing my sports before audiences, but I was lowkey. Most of my classmates were shocked when they learned I was doing stand-up. People think you have to be extroverted to be a comedian; but in reality, most are introverted off-stage. In public, social settings, most comedians do not like to compete for attention, on stage we do not have to. That’s me! .
THE DATE! October 19, 2024 For info: https://bit.ly/4aDq0J2
The annual Five Points Jazz Festival returned to Denver for its 21st year on June 8, celebrating the music, culture and roots of the historic Five Points neighborhood while honoring individuals who have made significant contributions to the culture and livelihood of the city’s jazz landscape.
Once known as “Harlem of the West,” Five Points was home to several jazz clubs, which played host to many of jazz music’s legends such as Miles Davis, Thelonious Monk, Josephine Baker and many more. Each year, Denver Arts & Venues holds the one-day event to celebrate the rich cultural history of the city’s past while enjoying music made by modern-day musicians.
The free, family-friendly festival kicked off with a parade led by grand marshals Cleo Parker Robinson and Carlos Lando, followed by more than 30 musical performances and streets lined with artisan and food vendors. At its midway point, honors were bestowed upon three community leaders at the Denver Arts & Venues Stage.
Denver Urban Spectrum Publisher Rosalind “Bee” Harris” received an award for her contributions to the preservation and recording of Colorado’s vast cultural history. She was acknowledged for “spreading the news about people of color”
Five Points Jazz Festival Celebrates the Mile High City’s Jazzy History
Publisher Rosalind “Bee” Harris Honored for Cultural Contributions
since 1987, while mentoring and training more than 250 young people ages 13 to 17 in the field of journalism.
Ken Walker, who spent 12 years performing as the house bassist at the legendary El Chapultepec jazz club in Denver’s Lower Downtown (LoDo) district, was awarded for his dedication to the city’s jazz scene. The well-known performer and recording artist was recognized for his role in inspiring future jazz musicians as a faculty member and music coach at Lamont School of Music.
Keith Oxman, an instrumental music teacher who served as East High School’s Director of Instrumental Music for 24 years of his 33-year teaching career, was honored for his efforts in building a legacy of jazz for students and music lovers. Performing since the 1970s, Oxman made his mark at El Chapultepec, the Champa Bar and numerous Five Points clubs.
“Since 2005, we have not only been honoring musicians and educators who have made impacts in Denver and Colorado’s jazz community, but also those who have been significant for the Five Points neighborhood,” said Sonia Rae, Denver Arts & Venues Cultural Affairs Program Manager and Five Points Jazz Festival organizer. “The Five Points Jazz Festival committee unanimously chose Bee Harris for her
more than 30 years of dedication to elevating the stories and lives of communities of color through Denver Urban Spectrum newspaper and the Urban Spectrum Youth Foundation.”
Denver Arts & Venues’ mission is to enrich Denver’s quality of life and economic vitality through the advancement of arts, culture and entertainment opportunities for all, providing “Good Times, For Good.” The department operates Red Rocks Amphitheatre, Denver Performing Arts Complex, Colorado Convention Center, Denver Coliseum and McNichols Civic Center Building, while providing access to art for all through free and low-cost community events, grants for artists and arts organizations, public art and art education. .
Editor’s Note: For more information about the annual Five Points Jazz Festival, visit www.ArtsandVenues.com/5PJF.
Today, we come together to celebrate the remarkable life of Perry Dean Cornell Bell Jones, known affectionately as “PJ.”
Jones was born on June 28, 1945, in Vallejo, California, to Wilmetta Jones (Tolson) and Preston Cornell Bell, Sr. His early years were shaped by the love of his large family, including his nine sisters: Quintanilla Bartlett, Stephanie Barnes, Sheila Carey, Peggy Miller, JoAnn Oscars, Charlene Jones, Judy Jones, Donna Upchurch and Constance Jones; and one brother, Preston Bell Jr.
Raised in Des Moines, Iowa, Perry discovered his passion for dance at a young age. So enthralled by his moves, he began to sign his name as Perry Dancing Feet Jones in the 8th grade. His love for music and rhythm continued throughout high school, where he excelled at drums and proudly served as drum major in the marching band. He graduated from East High School in June 1963.
Jones served his country with honor in the U.S. Army from October 1965 to October 1967, during which time he was stationed in Vietnam. After the army, his journey led him to pursue a career in radio after attending the Columbia School of Broadcasting. He found his calling as a DJ, where he worked for a local radio station, earning the nickname, “PJ the DJ.”
His career in the music industry was legendary. He started at Transcontinental Record Distributing and later joined Warner Brothers Records, blazing trails as the first Black national promotions director. His territory spanned the Western states, where he promoted iconic artists like Earth, Wind & Fire, Prince, Little Richard, Patti LaBelle, Herbie Hancock, Dionne Warwick, Jimi Hendrix and many others.
After meeting the love of his life, Helen, in 1973, the loving couple married in 1977. Their 51-year union was a testament to Perry’s deep commitment and love for his family.
He had six children: Traci Jones-Blackwell, Tiffany Jones, Perry Jones, Vicki Jones-Ballenger (from a previous union with Dorothy Jean Beasley-Jones), Quentin Jones and Prince Jones. He was a proud grandfather to five grandchildren: Bryan Blackwell, Christopher Pace, Lauren Newsome, Brittani Blackwell and Perry Jones II. His joy multiplied with the arrival of his great-granddaughter, Brooklyn Pace.
Jones’ life was a tapestry of passion, dedication and love. He had a host of nieces and nephews, lifelong friends and extended family.
Preceded in death by his children Traci and Perry, and sisters Quintanilla, Charlene and Judy, he leaves behind a legacy that transcends generations, inspiring all who knew him to live with integrity and purpose. His infectious laughter, unwavering kindness and profound wisdom will be deeply missed but forever remembered.
To my dear friend Perry Jones,
It’s always hard to say good-bye to the “beautiful ones” but today we must “sing a song” for many “reasons.” Some are in pain, ready to shed tears and say “let’s go crazy” because “when doves cry,” we all cry; while others want to salute you and scream “let’s groove.”
With “diamonds and pearls,” in “September” you put earth, wind and fire into a “boogie wonderland.” It’s June in Denver but we all know “sometimes it snows in April” because “that’s the way of the world.” So as we bid farewell with a “kiss” and “cream,” we might even see “purple rain.”
Just know that “after the love is gone” is non-existence in the “sun goddess” sphere. Because she says “I would die for you” and “I wanna be your lover” and I just, “got to get you into my life.” And that’s not “fantasy,” it’s carved “in the stone.”
We will see each other again one day and will ride through the “erotic city” in a “little red corvette” like it was “1999.”
But today, my friend, I hope you feel the “devotion” of love and respect from everyone saying hello and uttering goodbye because you are a prince and will forever be my “shining star.”
I love you Perry Jones
May you rest in peace, power and paradise.
Your friend, Rosalind “Bee” Harris Denver Urban Spectrum June 20, 2024
2024 Juneteenth Music Festival
Above: Basketball legend Chauncey
the first-ever Juneteenth Lifetime
Louis C. Johnson Jr. www.comedianlouisjohnson.com
FB/IG: @LouisJohnsonComedy
What form of entertainment do you specialize in? Comedy.
Where were you born and raised?
I was born and raised in Denver, Colorado.
What motivated you to start performing for audiences?
Mooney and more…they all influenced me.
What is your favorite thing about being an entertainer?
When I was a teenager, I participated in a summer job program as part of a troupe that performed at various venues around the city. Later in life, I happened to walk into a Comedy Works venue one night and I saw a guy absolutely bombing on-stage. I decided to try stand-up comedy that night. Since then, I’ve recorded a “Comic of the Month” special on Showtime, and I’ve been on Comedy Central, A&E, and BET.
Are you self-taught, or did you study your craft?
I was self-taught and molded by all of the great, locally-based comedians in Denver. I also learned a lot from the touring professionals. Over time I became a comedy nerd and studied all the comedy greats to refine my own style.
How would you describe your artistic/entertainment style?
My onstage demeanor is “comfortable chaos.” The humor flows easily and it’s always unforced, but there’s always a lot going on during my set.
Who/What is your biggest inspiration?
Richard Pryor, Bill Cosby, Don Rickles, Clerow “Flip” Wilson Jr, Redd Foxx, George Carlin, Dick Gregory, Joan Rivers, Moms Mabley, Paul
My favorite part of being a stand-up comedian is the look and sound of a person laughing in spite of themselves.
If you could collaborate with any other performer from any time-period, who would that be and why?
I would prefer to study someone from the past to learn from them instead of going back and collaborating with anyone.
Do you have any upcoming performances?
Follow my Facebook and Instagram for updates! @LouisJohnsonComedy
Tell us something about yourself that would surprise our readers.
I’m a PC gamer. I download all of my games onto a laptop and bring my controller with me when I’m traveling. .
Billups receives
Achievement Award” from Mile High Festival owner, Norman Harris with Jason McBride and Channel 7 Anchor and emcee Micah Smith.
Left: International recording artist and rapper Bow Wow performs as the headliner of this year’s Juneteenh Music festival.
Photo by Rita Jones
MANDATORY ORIENTATION
Thursday, July 18, 9 a.m. - noon (lunch will be served) Waymire Dome, 9755 Henderson Rd., Brighton
Work at the Adams County Fair for fun and exciting times behind the scenes. Learn more and apply at adcogov.org/current-career-opportunities. Search “Current Job Opportunities” for Adams County Fair Worker – Temporary. Day and night shifts available. Must be 16 years old or older. $20 per hour. Join the Fun!
Go wild for Front Range air quality.
Turn off the engine when you’re parked to reduce ground-level ozone.
Created from pollutants like car exhaust, ozone is the Front Range’s biggest air quality issue and a leading cause of respiratory problems.
Know when it matters most: text “BETTERAIRCO” to 21000 to sign up for summer ozone alerts.
