DECONSTRUCTION DELONG YANG 2019-2024 Applying for MArch Architectural Design University College London Application number: 23250585 Telephone: +86 13795478720 Email: delongyang2023@163.com
Delong Yang Tel.:+86 13795478720 Email: Derlongyang@outlook.com Address: Room 3003, No.12, Lane 59, Shunping Road, Yangpu District, Shanghai, China
Education Background
09/2019-06/2024
Awards and Honors 12/2022 03/2023 04/2023 09/2023 10/2023
· Honorable Mention of the 'Rural Planning Competition' (National-level) · Bronze Prize of 'National Youth Photography Exhibition' (National-level) · 3rd Prize of ARCHITECTURAL VOLUMETRIC COMPOSITION COMPETITION 'GAUDI LA COMA ARTISTS' RESIDENCES' · Honorable Mention of 'International Photography Awards 2023' · Short-term Exchange Scholarship of Chongqing University
Practical Experience 06/2017 School of Architecture and Urban Planning, Chongqing University, CHINA Bachelor of Architecture 09/2023 GPA: 82.64/100 Major Course: Architecture Design; Architectural Shadow and Perspective(92); 10/2023 Construction Materials(94); Architectural Psychology(90); Building Implements(90); Introduction to Green building(92); Architectural Aesthetics(90); Garden and Landscape Survey(95)
· Solve the facard and material problems, and complete the environmental design of the courtyard flow in the renovation of my ancestral home. · Use raw materials to mix concrete, and pour it into a plastic formwork to form a simple base of column. · Assist in the work of river widening and construction of protective nets for my ancestral home.
Comprehensive Skill
- Master in detail an intangible cultural heritage of using wooden board to print ancient chinese new year paintings. construction drawing | analysis graphics | rendergraph | Reporting document | video clipping Photography - Good at using camera to record actual events, reflect social problems, and express 10/2023-01/2024 Participate in several large public construction projects as an intern in East artistic ideas. China Architectural Design Institute-ECADI. Twine braiding - Know how to use Weaving technique to Improve tensile properties of gramineous Wood carving plants. Ceramics - Can use timber to make simple furniture. Academic Study Wax printing - Acquaint in the production, firing and glazing of ceramics. Team Leader | Chronicler | Investigator | Atlas Maker - Understang the whole process of batik printing in the cloth. 07/2021 · Complete a Student Research Training Program named 'Research on the preference of different people to the ramp and step selection in the slope land around the house'. (Certificate) Software Skills 06/2021 · Investigate and study the characteristic architecture of Langde Miao ethnic AutoCAD | Rhinocero | Revit | Maya | Lumion| Enscape | Unreal Engine minority, and obtain many painting results· Adobe Photoshop | Adobe Illustrator | Adobe Indesign | Adobe Premiere 08/2022 · As the group leader to participat in Chongqing University surveying and ArcGis | Midjourney | Stable diffusion mapping activities of ancient buildings of 'Huayan Temple' and organize to integrate the surveying and mapping atlas. (atlas) 08/2023 · As a recommended student to participate in 'Chongqing University 2023 Languages English | Chinese Global Bridge University College London Summer School'. (Certificate)
Internship Experience
Xylograph
SEQUENCE 01 THE RESURGENCE OF CITY VESSEL
RECOMBINATION
032 THE RESURGENCE OF CITY VESSEL
DISCRETIZATION
01 THE RESURGENCE OF CITY VESSEL
ORGANIFICATION
01 THE RESURGENCE OF CITY VESSEL
EXPLOSION
THE RESURGENCE OF CITY VESSEL Pop Art & War Museum Based on Silo Renovation The building was originally a container for hose storage and has been around for over a hundred years. Located in the important eastern port area of Buenos Aires, the capital of Argentina. As The Times have changed, buildings have become like containers for storing hoses. However, the location of an important axis in the bustling area of the city makes people have to think about the possibility. The design regards the transformation of the silo as a transformation of the function of a container, from a storage hose to a museum that can host civic activities. Combining the customs, art, history and surroundings of Buenos Aires, think of the silo as a mixture of wines.
Site Analysis
ORIGIN APPEARANCE
BACKGROUND
Graffiti Art
Pop Art
Festival Celebration
Riotous Colours
Falklands War
Tango
Performance Art
Wine Tasting
Roof
Pop Art
Cylinder Wall
Women's Rights Movement
Art in Buenos Aires includes street art, sculpture art, and performance art, Collectively known as Pop art
Surrounding
Some people, because of poverty built houses with old iron sheets from ships, and then painted with bright colors
Custom
War of Independence
War
Local Argentine customs include tango As a former Spanish colony, Argentina has lived dancing, holiday excursions, wine tasting through the Falklands War, the War of Independence and barbecues and the women's rights movement
CONCEPT
Column
Remove some of the cylinders to break up the monotonous and boring container
Put in new containers, which bring the space of flow and change, making it interesting
Insert roaming path, with considering of Space feeling, visual experience and architectural story
Form a rich space shape, composed of diverse spatial forms and unique roaming paths
THE FLOW INSIDE THE VESSEL
People are like liquids, streaming inside the vessel
REMODELING OF VESSEL
The formation of space is like the remolding of vessel
Initial Form
Remove some of the Cylinders
Continuation Facade Element
Reconstruct the Entrance and Communicating Body
Sunken Courtyard
Put in new containers
Ground and Underground Space Division
Put in Roaming Path Windows and Doorway
What is Architecture:
If we assume that the building is a container, then the people in the building are like the liquid in the container, flowing freely and following the rules. If we assume that the building is a recyclable object, then the renovation of the building is like the melting reshaping of a plastic bottle. If we assume that the wall of the building is a wine bottle, then the different Spaces in the interior are connected like mixing wine, mellow and sweet. If we assume that the building is alive, then the shaping of spatial form is like the reshaping of utensils, flexible and organic.
-1F PLAN
03
1F -1FPLAN PLAN
02 01
01 08 04
MAIN ENTRANCE
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20m
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01 Elevator Hall 02 Temporary Storage 03 Warehouse 04 Office 05 Meeting Room 06 Dock Leveler
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07 Wash Room 08 Art Gallery 09 Souvenir Store 10 Temporary Exhibition 11 Sunken Courtyard 12 Parking Area
20m 10
01 Elevator Hall 02 Office 03 Reception 04 Art Gallery 05 Sunken Courtyard 06 Outdoor Square
SECTION 1-1
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01 Reception Hall 02 Art Gallery 03 Exhibition 04 Performance Space 05 Roof Terrace 06 Coffee Area
Each cylinder wall of the silo is like a wine bottle, which constitutes a new interesting architectural space by means of positive, inverted, and misplaced arrangement, rather than the previous single boring space form. The space in the building is like the wine in the bottle, if it needs to be combined and transformed, willl be required to be mixed and coordinated according to certain laws and logic to form a unique charm. And people are like molecules in a wine bottle, making activities in a vessel filled with liquid, small and free.
PERSPECTIVES
2F PLAN 2F PLAN
01 04 02 03
3F PLAN 3F PLAN
01 04 02 03
4F PLAN 4F PLAN
01 04 02 03
501 Elevator Hall 20m
02 Exhibition 10 03 Warehouse 04 Stairs 05 Meeting Room 01 Elevator Hall 06 Courtyard 02 Exhibition Stand 03 Recreation Area 04 Staircase 5 05 Exhibition Area 10 0 06 Interval/Corridor 07 Hollow 08 Visiting Area 09 Elevator Hall 2 0
20m
5F PLAN
01 04
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08 05
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02 05
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6F PLAN
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RF PLAN
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07 Exhibition 08 Passage 09 Elevator
m
If each cylinder wall is a vessel, then on the plane, the connection between the cylinder walls is like breaking the interval between vessels, making the space more continuous and more fluid. The new curved architectural bottles, either upright or upside down, form a new space and atmosphere with the original bottles. When various Spaces, new and old, are connected through a path story line, like a string of pearls, then this is the true resurgence of city vessel.
2F Plan PERSPECTIVES
SECTION 2-2
5 0
20m 10
REBIRTH OF BAMBOO CONTRAST & COCOON
Composer: Delong Yang. Weidi Zhang. Peiqi Yan. Yancheng Zhang. Tutor: Igor Pantic. Jiahao Syu. Liz Zhang. Group work 06/2023-09/2022
The design is inspired by the traditional Japanese art of ukiyo-e prints. In this bustling area of Tokyo, we wanted to bring a spiritual sanctuary to this dense city. The design is a high fabrication, and living areas for artisans and apprentices. Two main materials were chosen for the construction: processed bamboo - bamboo steel, and bamboo formwork and bam because it is widely used in traditional Japanese architecture and has a historical connotation of well-being and peace.The space is created by combining 3-meter and 6-meter un algorithm.
h-rise tower consisting of ukiyo-e exhibitions, mboo fiber concrete. We emphasize bamboo nit modules using monocero's wave function
Location & Surrounding
-Due to the developed traffic, it brings the noise impact of the roadside buildings. -Consider the use of soundproofing materials.
-Culture of Ukloyo-e -Use of concrete & bamboo -Learn about western architectural arches -The concept of meditation space
Climate & Disasters
User Analysis
INTERIAL LIBRARY
FABRICATION
ALGORITHMIC LOGIC
GROUND FLOOR PLAN
1-Pop-up Gallery 2-Reception 3-Waiting Area 4-Toilet 5-Tea Room 6-Plant Room 7-Staircase 8-Display Area 9-Atrium 10-Bar 5
SPATIAL ANALYSIS
0
10
20m
WORKING AREA PLAN
11-Painting Studio 12-Printing Studio 13-Toilet 14-Exhibition 15-Teaching Area 16-Sculpture Studio 17-Dark Drying Room
SECTION
5 0
TYPICAL LIVING PLAN
19-Shared Kitchen & Dining Room 20-Living Room 1 21-Living Room 2 22-Toilet & Bathroom
23-Living Room 3 24-Social Area 25-Living Room 4
20m 10
FACARD LIBRARY
THE METABOLISM OF RAW EARTH Gaudi La Coma Artists' Residences Composer: Delong Yang. Rixi Ye. Rongjie Zhang. Tutor: Dan Liang Group work 09/2022-11/2022
The raw earth material has a long history in the Mediterranean region. Arising by agrarian and pastoral economy, raw earth construction is cha with the nature, independent of intermediate technical conditions. Raw earth construction is made of free natural materials which are completel latest 3D printing technology. To realize the variability and sustainability of the spatial form in the artists' residences and education complex, we extract a growth patter landscape form a living system which is constantly metabolizing, hatching the new, and refreshing the old, to respond to the division, reprod spaces are also created by the cell image for various situations.
SITE ANALYSIS Artists · Large, free space to create · Separate living environment · Landscape space to stimulate ideas ·Space for ar tists and their apprentices to teach and create Art enthusiasts · Workshops for collaborative creation · Centralised living space · Numerous workstations and outdoor creative spaces · Space for art-related displays and sales Travelers · Centralised accommodation · Extensive communal activity areas · Sports and meditation retreats · Comfor table and relaxing natural landscapes Puebla de Fantova is located at an altitude of 700 meters and has belonged to the municipality of Graus in Ribagorza, Aragón Huesca, since 1960. It was founded in the late Middle Ages and is a historic town with many historic buildings made of stone and rammed earth preserved around it. The site is located on an olive and almond estate in Puebla de Fantova, with an area of 3 hectares, with an old building dating back to 1700 in the center of the site. Inside the site, there exists a maximum altitude difference of 30 meters and an average altitude difference of 18 meters in the north-south, bringing challenges and
GAUDI'S DESIGN VALUES AND PRINCIPLES
aracterized by its direct relationship ly sustainable and efficient with the
rn from cells. The architecture and duction, and decay of cells. Flexible
Gaudi's emphasis on environmental protection and energy efficiency is reflected in his architectural design, choice of materials and construction methods, which all reflect the
Gaudi's designs are designed from a human perspective, for the public, taking into account the human experience in the building, from the building as a whole to the interior, which is
Gaudi's work is creative, bold and ver y personal, inspired by architecture, nature and religion. He studied the organic geometric forms of nature, and created his architectural
Gaudi's architecture brought architectural and functional innovations, including b i o m i m i c r y, t h e u s e o f hyperbolic parabolic vaults, the design of ceramic mosaics from
USERS ANALYSIS BIOMIMICRY OF CELLS
Function division
Extension of original
Cell expansion
Epithelial cell Bionicism is also one of Gaudi's design principles, and we have uncovered some interesting cellular proper ties in our research on cells that have inspired our design. Cell division and proliferation Cell division into new cells is like the expansion of a new building, and the process can be like a variable building space. Cell death The material produced by the decaying cell can be absorbed and reused by other cells. Like a cell, a raw earth building can be recycled after the building has been demolished. Cell material exchange The furniture in the space and the people who use it are like different protons in a cell, they move through the building and interact with it.
SITE PLAN
-3.000 LEVEL PLAN
±0.000 LEVEL PLAN 01 Co-working Area 02 Artists' Workshop 03 Equipment Workshop 04 Museum 05 Art Store 06 Lobby 07 Restaurant 08 Exibition 09 Multi-purpose Room 10 Reading Room 11 Hostel Common Room 12 Integrated Bathrooms 13 Lounge
01 Co-working Area 02 Artists' Workshop 03 Equipment Workshop 04 Artists' Residences
14 Sun Room 15 Common Gathering Area 16 Staff Office 17 Staff Toilet 18 Staff Dormitory 19 Staff Locker Room 20 Staff Activity Room 21 Rubbish Room 22 Laundry -0.150 23 Clothes Room 05 24 Security Room 25 Purchasing Office 26 Mailroom 08
27 Storage 28 Equipme 29 Kitchen 30 Food Pre 31 Staff Can
-0.150
06
±0.000(=688.000
04 -4.600
-4.600
01
-4.400
-4.400
01 03
03 -5.600
-5.150
02
-4.150
-4.300
02
-2.600
04
SECTION 1-1
02 01
02
2.000 LEVEL PLAN 01 Co-working Area 02 Artists' Workshop 03 Showroom 04 Recreation Reception 05 Private Meditation Area 06 Meditation Area
ent Room
eparation Room nteen
07 Yoga Area 08 Gymnasium 09 Changing Room 10 Toilets
07 06
-0.150
05 -0.150
08
04
-0.150 -0.150
-0.150
10
07
31
29
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16
23 16
28 17
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28 19
20
0)
14 9
12 -2.150 10
18
-2.150
25 26
21 22
11
10 14 11
11
14 14 12
-2.150
-2.150 ±0.000(=688.000)
-2.150
03 15
11
-0.150
24
23
15
13
-2.450
27
09
1.350 -2.450
12
01
11
1.350
02 -4.300
03
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05
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04
01 Artists' Workshop 02 Co-working Area 03 Lobby Courtyard 04 Hostel 05 Courtyard
7.000 LEVEL PLAN 01 Showroom 02 Lobby 03 Soaking Pool 04 Hostel 05 Logistics Courtyard 06 Parking Area
4.850
03 2.850 4.850
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02
3.850
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MAIN ENTRANCE 4.850
4.850
04 ±0.000(=688.000)
01
SECTION 2-2
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DECONSTRUCTION OF EMOTION MEMORIAL TO THE LAST NUCLEAR BOMB
The site is located on an atoll in the Marshall Islands that has been the site of 67 nuclear explosion tests by the US military. All the radioactive waste has been concentrated in an unsafe round concrete fill and has been leaking for seven decades, so much so that radiation levels in the vicinity are now even safe, opening up the possibility of building a museum. The inspiration came from the integration of landscape and architecture by combining the fragments of nuclear explosions through orderly axis relationships. Deconstruction is never an act of technique only, but an emotional deconstruction of displaced indigenous people suffering from nuclear radiation. The emotions are split into seven dimensions—pleasure, fear, anger, evil, desire, sorrow, and love.
SITE ANALYSIS REMODELING OF VESSEL
从 1946 年到 1958 年 , 美 国在马绍尔群岛上、内 部和上空引爆了 67 枚核 弹——使整个岛屿蒸发 , 在浅泻湖上雕刻出陨石 坑 , 数百人被驱逐出家 园。在环礁进行了十几次 生物武器试验
The formation of space is like the remolding of vessel
Marshall Islands
Nuclear Test Explosion Site
Radioactive contaminants are collected to Runit Island
Nuclear Sarcophagus After 60 years, the pollution contamination in local lagoon waters has decreased significantly since the early 1960s. These data provide compelling evidence that contamination in the waste pile within the Runit Dome has had, and continues to have, a negligible impact on the wider marine environment. So it becomes possible to construct a museum here.
Initial Form
Lacrosse crater
BACKGROUNG INFORMATION BACKGROUND The crater from the explosion Flee from home
nuclear test explosion
Collect and landfill radioactive contaminants The protest against the initiator American nuclear experimentalists
Severe ecological destruction
PLAN COMPOSITION—ATTEMPTS ON EXPLOSION
DECONSTRUCTION SEQUENCE
1
ELEVATION RENDERING
2 The origine
3
Explosion
4 Dispersion
5
AI PAINTING STUDY—THE COLLISION OF EMOTION AND ARCHITERTURE
Ordnung
6 Reconstruction
Refining
The building was deconstructed from a prototype of a nuclear explosion. The explosion created several major doubleheight openings, which provided light to the underground parts of the building. The orientation of the planar wall follows seven axes arranged by emotional deconstruction.
01 Nuclear Waste Landfill 02 Art Gallery 03 Lighthouse 04 Performance Space 05 Berthing Wharf
01 Th 02 Ab 03 Ha 04 Ju 05 La 06 Wa 07 Ga
The deconstruction is never a singular architectural technique; instead, it is based on the long-term emotional changes of residents near the nuclear explosion at that time and those who have been continuously troubled by the aftermath. It spans the temporal dimension, from the joyful life before the explosion to the initial experience of a seemingly abyss-like fear during the explosion. Subsequently, there is anger upon learning the truth, judgment of the perpetrators' guilt, a desire to protest and seek revenge, and then the transition to a sense of powerlessness and sorrow after experiencing the baptism of time. Finally, after going through the passage of time, there emerges a love and hope for the future life.
08 Nu 09 Ra 10 Lo 11 Of 12 Pe 13 Ar 14 Lig 15 Be
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02 01
SECONDARY ENTRANCE
LOGISTICS ENTRANCE 05 SECONDARY ENTRANCE
50
SITE PLAN
25 0
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200m 100
CONT
DETAIL DRAWINGS
he Origine Pleasure byss of Fear athpace of Anger ungle of Evil abyrinth of Desire ater of Sorrow arden of Love
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uclear Waste Landfill adiation Monitoring Room ogistics Square ffice Room erformance Space rt Gallery ghthouse elvedere Corner
TINUOUS PLAN
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Radial Wall
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02 01
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Hanging Concrete Slab
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Drive Pipe Node
SEVEN EMOTIONS Joyful, Anger, Sorriness, Fear, Evil, Desire, Affection
A ng
er
ve Lo
Evil
Desire
sure
Plea
re
The Origine Pleasu
ve Lo
Hathpace of Anger yss of Fear
Ab
Jungle of Evil
Labyrinth
Water of Sorrow
Garden of Love
of Desire
sure
Plea
row
Sor
Evil
Desire
Fea
r
Lo
ve
Other Work Color Photography
Surveying and mapping of ancient buildings of 'Huayan Temple'
Black-and-white Photography
Xylograph - an intangible cultural heritage of using wooden board to print ancient chinese new year painting