Aisha Noureen Pallachiyil | Interior Design | Student Portfolio 2020 by Aisha Noureen

AISHA NOUREEN PALLACHIYIL I N T E R I O R

D E S I G N

P O R T F O L I O

A M E R I C A N U N I V E R S I T Y O F S H A R J A H COLLEGE OF ARCHITECTURE, ART AND DESIGN 2016-2020

AISHA NOUREEN PALLACHIYIL BACHELOR

INTERIOR

DESIGN

MINOR IN DESIGN MANAGEMENT

COLLEGE OF ARCHITECTURE, ART AND DESIGN AMERICAN (AUS)

UNIVERSITY

S H A R J A H, T H E U N I T E D A R A B E M I R A T E S

aishano uri@g m a il. c o m +971 506427893

SHARJAH

EDUCATION

LANGUAGES

AMERICAN UNIVERSITY OF SHARJAH (AUS)

ENGLISH

BACHELOR OF INTERIOR DESIGN MINOR IN DESIGN MANAGEMENT GPA 3.24 CLASS OF 2020

ACADEMIC ACHEIVEMENTS

UNIVERSITY CITY, SHARJAH, UAE

MALAYALAM

HINDI

ARABIC

DEANS LIST SCHOLARSHIP FALL 2019

IBN SEENA ENGLISH HIGH SCHOOL

SHARJAH, UAE INTERNATIONAL GENERAL CERTIFICATE OF SECONDARY EDUCATION (IGCSE) CLASS OF 2016

DIGITAL SKILLS

ACCREDITATION LEED GREEN ASSOCIATE, 2020

PROFESSIONAL EXPERIENCE

RHINOCEROS 3D

ADOBE PHOTOSHOP

INTERNSHIP AT KILLA DESIGN, DUBAI, 2019

AUTODESK AUTOCAD

ADOBE INDESIGN

FREELANCE PROJECT ON RTA SHARJAH BUS SHELTER, 2020

CHAOS GROUP V-RAY

ADOBE ILLUSTRATOR

Client: MIDLAND STEEL CONTRACTING L.L.C.

ENSCAPE FOR RHINO

MICROSOFT OFFICE

FREELANCE PROJECT ON FURNITURE WAREHOUSE, 2020 Client: MIDLAND STEEL CONTRACTING L.L.C.

ANALOGUE SKILLS

STUDENT COMPETITIONS

MODEL MAKING

WOOD SHOP

ACCOR HOTELS DESIGN COMPETTION, 2018

LASER CUTTING

3D PRINTING

ONE DAY DESIGN CHALLENGE BY ROCA, 2018

CONTENTS

SCHOOL OF INTERIOR DESIGN

RENZOKU | SUSHI POP-UP RESTAURANT

RENZOKU | JAPANESE RESTAURANT

CASE STUDY: BAKER D. CHIRICO

S33 CHAIR / BOOK CONTAINER HYBRID

ACCOR HOTELS INTERNATIONAL DESIGN COMPETITION 2018: DESIGN SUITE SO / CLUB

CUSTOM FURNITURE | DETAILING AND STRUCTURES

DIGITAL FABRICATION | FLOOR LAMP

DIGITAL FABRICATION | OBJECT HOLDER

SCHOOL OF INTERIOR DESIGN Year: Spring 2020 Professor: Camilo Cerro In Collaboration With : Lamya S aid

This project is an interior design school located at the American University of Sharjah. It consists of four floors including the terrace, each of which is composed of main spaces wrapped around a long linear volume. It’s designed for ease of circulation, advanced technology to improve student experience. The studios feature interactive screens that also act as partitions, of which their transparency can be played with to create privacy between spaces and allow light.



':+56+0) 9#..5 %'/'06 $.1%- 9#..5

2#46+6+105

2#46+6+105 # $

4'%'55'& .+)*6 EO 5722.+'4 6$& 9#6'4 4'5+56#06 4'%'55'& .+)*6 EO 5722.+'4 6$&

# $

.'& %;.+0&'4 %'+.+0) .+)*6 EO

64#%- .+)*6 5722.+'4 6$& (.714'5%'06 564+2 .+)*6



.'& %;.+0&'4 %'+.+0) .+)*6 EO

/5 /5

'.'%64+% 59+6%*

&+//#$.' '.'%64+% 59+6%*Y /16+10 5'0514

'.'%64+% 59+6%* Y /16+10 5'0514

%1/$+0#6+10 5/1-' &'6'%614 #0& %#4$10 /101:+&'

*#..9#; 008

EO #((

%'+.+0) .+)*6 574(#%' /1706'& #

EO #((

64#%- .+)*6 5722.+'4 6$& (.714'5%'06 564+2 .+)*6

%'+.+0) .+)*6 574(#%' /1706'&

%1/$+0#6+10 5/1-' &'6'%614 #0& %#4$10 /101:+&'

EO #((

9#6'4 4'5+56#06 4'%'55'& .+)*6 EO 5722.+'4 6$&

27% .+)*6 EO 5722.+'4 6$&

4'%'55'& .+)*6 EO 5722.+'4 6$&

61+.'6 % 006

61+.'6 % 006 61+.'6 $

61+.'6 $ 005 61+.'6 #

005

004 /5

EO #(( # # 5'%74+6; 411/

EO #(( $ /5 $ 61+.'6 # 24#;'4 411/ 004 /5 $ $ 003 /5

$ 24#;'4 411/ $ 003

5'%74+6; 411/ 007 #



4'%'26+10

           

002 4'%'26+10 EO #(( 002 EO #(( # # #

# 007

                 



                    

/16+10 5'0514



%'+.+0) *'+)*6 #((

   

/16+10 5'0514

    

EO #((

%'+.+0) *'+)*6 #((

   info@aus.edu  



EO #((

2#064; 010

# # /5

$ /5

%#(' 009

EO #((

$ /5

%#(' EO #(( *#..9#; 009 EO #((

EO #((

info@midlandgrp.com   



)#..'4; 001



EO #((

*#..9#; 012



(+4' 56#+4 011 #

# #



# #

(+4' 56#+4 011

4%2 ^ )4170& (.114 # 6&$/(

info@midlandgrp.com

EO #((

012

 info@aus.edu    

)#..'4; 001

#                                                            

4%2 ^ )4170& (.114 6&$/(

             

     

         

                    /5

 

*#..9#; 111

EO #((

EO #(( %

# # 56#+4 105

EO #((

567&+1 % 104 %

61+.'6 # 106

EO #((

1((+%' # 108

1((+%' $ 109

1((+%' % 110

EO #((

1((+%' # 108 %

1((+%' $ % 109

EO #((

1((+%' % % 110

EO #(( %

567&+1 $ 103

%.#55411/ 102

EO #((

567&+1 # 101 %

4'8+'9 #4'# % 100

% %

EO #((

567&+1 $ 103

# #

 



     



   



      



4%2 ^ (+456 (.114 6&$/(

                   





 #



                   





     





 

(+4' 56#+4 112















4%2 ^ (+456 (.114 6&$/(





(+4' 56#+4 112



 

4'8+'9 #4'# 100

# #



 



567&+1 # 101

%.#55411/ 102 #





567&+1 % 104

61+.'6 $ 107

61+.'6 $ % 107



61+.'6 # 106



EO #((

$ %

*#..9#; 111 /5

% # # 56#+4 105

 







 

 











*#..9#; 

               

56#+4

9 %

        

567&+1 %

567&+1 $

%.#55411/

1((+%' 567&+1 #

   

1((+%'



   

4'8+'9

1((+%'



info@aus.edu



   

info@midlandgrp.com





(+4' 56#+4

FIXTURE PLAN | SECOND FLOOR SCALE 1:120

 





                                                    

*#..9#;

/#+0 5614#)'

64#05+6+10 *#..9#;

56#+4

9 %

5/#.. 5614#)'

/'%*#0+% 411/















     

.170)' #4'#

                   

        



















FIXTURE PLAN | TERRACE FLOOR SCALE 1:120

(+4' 56#+4



 



 





*#..9#; 211

EO #((





EO #((





% %

4'8+'9 #4'# 200

   

info@midlandgrp.com

567&+1 # 201

%.#55411/ 202 #

info@aus.edu



EO #(( %

    

   

EO #((

567&+1 $ 203

              

EO #((

567&+1 % 204

1((+%' % 210

1((+%' $ 209

EO #((

1((+%' # 208

61+.'6 $ 207

61+.'6 # 206

# # 56#+4 205





(+4' 56#+4 212

4%2 ^ 5'%10& (.114 6&$/( ^

 





*#..9#; 306

/#+0 5614#)' 307

56#+4 301

$ 61+.'6 # 302 $

$ 61+.'6 $ 303

64#05+6+10 *#..9#; 304

5/#.. 5614#)' 305

/'%*#0+% 411/ 308















                   

    

.170)' #4'# 310

























(+4' 56#+4 309

4%2 ^ 6'44#%' (.114 6&$/(





 

 11

  



           

     

                            

   

            

  

info@aus.edu

         

1 1

+06'4+14 '.'8#6+10 #Ä# 6&$/( +06'4+14 '.'8#6+10 #Ä# 6&$/(

info@aus.edu info@midlandgrp.com

   

info@midlandgrp.com



                                                                                                               

2 2

+06'4+14 '.'8#6+10 %Ä% 6&$/( +06'4+14 '.'8#6+10 %Ä% 6&$/(

3 3





+06'4+14 '.'8#6+10 &Ä& 6&$/( +06'4+14 '.'8#6+10 &Ä& 6&$/( 











 



         

  

                       

 

                      

    



 

 

 

 

 

 

 

 

4 4

+06'4+14 '.'8#6+10 $Ä$ 6&$/( +06'4+14 '.'8#6+10 $Ä$ 6&$/(

 

 









 







 13

 



               

             

    

info@aus.edu



   

info@midlandgrp.com

+06'4+14 '.'8#6+10 #Ä# 6&$/(



+06'4+14 '.'8#6+10 %Ä% 6&$/(





+06'4+14 '.'8#6+10 &Ä& 6&$/(















                   

   



















+06'4+14 '.'8#6+10 $Ä$ 6&$/(



 



 



 



               

   



+06'4+14 '.'8#6+10 #Ä# 6&$/(

info@aus.edu



   

info@midlandgrp.com



+06'4+14 '.'8#6+10 %Ä% 6&$/(





+06'4+14 '.'8#6+10 &Ä& 6&$/(















                   

   











+06'4+14 '.'8#6+10 $Ä$ 6&$/(

















 

 15



':+56+0) %10%4'6' %'+.+0)

3 10 88

&412 %'+.+0) 1( );25;/ $1#4& (+0+5* 61 $' 2#+06'& +0 9*+6'



.'& .+)*6 %10%'#.'& 9+6*+0 64#052#4'06 #%4;.+% #0& 2.;911& $1: (+0+5* +06'4+14 1( .'& .+)*6 $1: 61 $' 2#+06'& 9*+6' );257/ $1#4& (+0+5* 61 $' 2#+06'& 9*+6'

.'& .+)*6 %10%'#.'& 9+6*+0 64#052#4'06 #%4;.+% #0& 2.;911& $1: (+0+5* +06'4+14 1( .'& .+)*6 $1: 61 $' 2#+06'& 9*+6'



3 10

':+56+0) %10%4'6' %'+.+0)

    

   

127



info@aus.edu



);257/ $1#4& (+0+5* 61 $' 2#+06'& 9*+6'

.'& .+)*6 70&'4 56''. *#0&4#+.



/+4414 ).7'& 61 2.;911&

64#052#4'06 #%4;.+% +0 (4106 1( .'& 2#0'. (+0+5* +06'4+14 1( .'& 2#0'. 61 $' 2#+06'& 9*+6'

104

info@midlandgrp.com

91 100 294

);257/ $1#4& (+0+5* 61 $' 2#+06'& ;'..19

161

264

300



7 ID 401 27%- .+)*6 '/$'&&'& +0 2.#56+(+'& /&( (+0+5* /#66' $.#%-

  

27%- .+)*6 '/$'&&'& +0 2.#56+(+'& /&(

%10%4'6' 56#+4



*+0)'& ).#55

).#55 56#0& $'69''0 $.1%-+0)

.'#6*'4 10 21.;74'6*#0' *+)* &'05+6; (1#/

494







10 3

':+56+0) %10%4'6' (.114 /&( $#5'$1#4& (+0+5* 61 $' 2#+06'& +0 /#66' $.#%-

911& 2.#0-5 %/ 10 2.;911& 57$(.114+0) 10 (744+0) 564+25

500

          

$.#%- 911& 2.#0-5 %/ 10 2.;911& 57$(.114+0) 10 (744+0) 564+25 );257/ $1#4& (+0+5* 61 $' 2#+06'& 9*+6'

65 5

64#052#4'06 #%4;.+% +0 (4106 1( .'& 2#0'. (+0+5* +06'4+14 1( .'& 2#0'. 61 $' 2#+06'& 9*+6' .'& 10 %/ 2.;911&

5'%6+10 &'6#+. #6 .170)' 5'#6+0) 6&$/(















   

ID 401 33

 

                   

  

);257/ $1#4& (+0+5* 61 $' 2#+06'& 9*+6'

1 3 5





 





':+56+0) %10%4'6' (.114



10 3

/&( $#5'$1#4& (+0+5* 61 $' 2#+06'& +0 /#66' $.#%-





%#42'6 10 2.;911& 57$(.114+0) 10 (744+0) 564+25





 



 16

5'%6+10 &'6#+. #6 )#..'4; 9#.. 6&$/(

&'6#+. 1( #%4;.+% #0& .'& $1: 6&$/(

&'6#+. 1( #%4;.+% #0& .'& 2#0'. 6&$/(







':+56+0) %10%4'6' %'+.+0)

#.7/+07/ (4#/'





':+56+0) %10%4'6' %'+.+0)

#.7/+07/ /7..+10



     

 

691 .#;'45 1( %/ 6*+%- ).#55



  

      

   

in



   &412 %'+.+0) 1( 911& 2.#0-5 10 *#4&911& 2.;911& 57$%'+.+0) (+0+5* %.'#4 '21:; 4'5+0

in



%14- 2#0'.5 10 2.;911&

136

328

310

330

*+../#0 5*'.( 5722146 2+0



195 400

400

394

2.#56+% .#/+0#6' 10 2.;911& 5*'.(

21 48



722'4 %#$+0'6 /#&' 1( 2.;911& (+0+5* 2.#6+% .#/+0#6' 10 612 1( 2.;911&

                                       



301



126 6

61 90

65 8

21.;'56'4 (#$4+% 10 21.;74'6*#0' *+)* &'05+6; (1#/

911& 2.#0-5 %/ 10 2.;911& 57$(.114+0) 10 (744+0) 564+25

%/ 2.;911&



















  



/&( $#5'$1#4& (+0+5* 61 $' 2#+06'& +0 /#66' $.#%-

120

911& 2.#0-5 %/ 10 2.;911& 57$(.114+0) 10 (744+0) 564+25

216 /#&' 1( 6722'49#4' +05+&' 911&'0 (4#/'

/&( $#5'$1#4& (+0+5* 61 $' 2#+06'& +0 /#66' $.#%-



   

':+56+0) %10%4'6' (.114



   #.7/+07/ (4#/' 













 





 



 3

5'%6+10 &'6#+. #6 4'8+'9 5'#6+0) 6&$/(

5'%6+10 &'6#+. #6 1((+%' &'5- #0& 5'#6+0) 6&$/(







               

    

info@aus.edu



':+56+0) %104'6' %'+.+0)

':+56+0) %10%4'6' %'+.+0)

  



info@midlandgrp.com



);257/ 9#..$1#4&

&412 %'+.+0) 1( );25;/ $1#4& (+0+5* 61 $' 2#+06'& +0 9*+6' 

.'& .+)*6 70&'4 56''. *#0&4#+.

%'4#/+% 6+.'5



8'0&+0) /#%*+0'

294

);257/ $1#4& (+0+5* 61 $' 2#+06'& ;'..19

269

305

2.#56+% .#/+0#6' 10 2.;911& 722'4 %#$+0'6 &114

300



%10%4'6' 56#+4

6*+0 5'6 /146#4

-1*.'4 -Ä Ä85 -+6%*'0 (#7%'6 (+0+5* 56#+0.'55 56''. $#%-52.#5*

2.#56+% .#/+0#6' .1%-'45

 





 



70&'4/1706 -+6%*'0 5+0(+0+5* 56#+0.'55 56'..



                  

*#('.' %10%'#.'& *+0)'



  

/&( $#5'$1#4&

21.+5*'& %10%4'6' 10 2.;911& 57$(.114+0) 10 (744+0) 564+25

21.+5*'& %10%4'6' 10 2.;911& 57$(.114+0) 10 (744+0) 564+25 ':+56+0) %10%4'6' (.114

':+56+0) %10%4'6' (.114















 





 



5'%6+10 &'6#+. #6 2#064; -+6%*'0 6&$/(

5'%6+10 &'6#+. #6 .1%-'45 6&$/(

 





Studio C at First floor 19

Gallery at Ground Floor 20

Cafe Lounge at Ground Floor 21

Lounge + Work Station at Firts Floor

Studio A at First Floor

View of Faculty Offices at First Floor

Review area at First Floor

RENZOKU | SUSHI Year: Spring 2019 Professor: Juan Roldan

POP-UP

RESTAURANT

A Sushi Pop-up Restaurant located in the ground floor of the Mirdif City Centre in Dubai. The project is inspired from the Japanese curtain called ‘Noren’; fabrics that genearlly act as partitions in rooms. In this space, these fabrics are emphasized with a noren installation, with its heavy usage in the entrance, that later gets elevated in the dining area to create a light atmosphere. The dining area features concave booths and a sliding table that is part of the kitchen counter, to provide a private dining experience.

SHIBUSA SHIBUSA

Renzoku A

SHIBUSA

Japanese word which refers to continuity. The word becomes relevant to the space in the sense that the restaurant features a RENZOKU RENZOKU POP-UP RESTAURANT continuous arrangement of noren fabrics.

SECTION A-A

IDE302_A02 Renzoku Renzoku AISHA NOUREEN PALLACHIYIL | 69351 IDE302_A02 POP-UP RESTAURANT AISHA NOUREEN PALLACHIYIL | 69351

Renzoku

FLOOR PLAN 1:50 C

SECTION B-B

C B

FLOOR PLAN 1:50 FLOOR PLAN 1:50

SECTION A-A

SECTION A-A SECTION A-A

RENZOKU

SECTION B-B

SECTION C-C

RENZOKU | JAPANESE RESTAURANT Year: Spring 2019 Professor: Juan Roldan

After understanding the characteristics and functionality of ‘Noren’ fabrics in the previous project; the Sushi Pop-up Restaurant, a much large scale restaurant revolving around the japanese culture and cuisine is explored which is intended to be located at the ground floor of the Mirdif City Centre in Dubai. In this project too, the ‘Noren’ fabrics that intend to act as partitions in rooms. are used heavily to act as dividers between different dining spaces- main dining, casual and vip sushi dining and family dining. The noren installation, apart from serving as partitions, they continue to the ceiling to create a light atmosphere, therby concealing the hvac system above. The black polished resin flooring refelcts the noren installation to give an illusion of the fabrics dropping beyond the floor. 31

B B

27.24 8.89

5.86

4.67

American University of Sharjah, College of Architecture, Art and Design, University City, Sharjah, UAE.

8.63

0.62

8.53

17.48

128.51

12.57

6.09

5.41

39.10

8.78

A A

8.53

2.46

23.41

PROJECT NAME:

JAPANESE RESTAURANT | RENZOKU

40.52

8.74 26.09

BB DRAWING TITLE:

GROUND FLOOR PLAN DRAWING NUMBER:

1 OF 9

DATE:

SCALE:

Ground Floor Plan

07.05.19 1 : 50

DRAWN BY:

AISHA NOUREEN PALLACHIYIL

Mezzanine Floor Plan

27.24

American University of Sharjah, College of Architecture, Art and Design, University City, Sharjah, UAE.

17.48

8.53

8.78

PROJECT NAME:

JAPANESE RESTAURANT | RENZOKU

8.74 26.09

26.09

DRAWING TITLE:

Cove Lighting

MEZZANINE FLOOR PLAN DRAWING NUMBER:

Recessed Can

2 OF 9

AC Diffuser

DATE:

SCALE:

Fluorescent light

07.05.19 1 : 50

DRAWN BY:

AISHA NOUREEN PALLACHIYIL

Reflected Ceiling Plan

27.03

8.63

American University of Sharjah, College of Architecture, Art and Design, University City, Sharjah, UAE.

3.21

2.75

2.85

6.00

3.00

1.47

0.50

0.44

4.32

1.00

1.17

1.94

4.41

8.64

Section A-A SECTION A-A

16.67

6.00

PROJECT NAME:

0.72

JAPANESE RESTAURANT | RENZOKU

DRAWING TITLE:

0.57 1.46

0.69

2.58

SECTIONS DRAWING NUMBER:

SECTION B-B

Section B-B

3 OF 9

DATE:

SCALE:

07.05.19 1 : 50

DRAWN BY:

AISHA NOUREEN PALLACHIYIL

Entrance View

Sharjah, UAE.

CONCRETE CEILING SLAB

0.55

HILTI ANCHOR SYSTEM

METAL RODS THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY. IF USED FOR CONSTRUCTION. THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO OUR CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH COMMON BUILDING PRACTICES AND LOCAL CODES. NONE OF THE EMPLOYEES OF DHARMATECTURE ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS DHARMATECTURE WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES AND/OR REVISIONS MADE TO PLANS BY CLIENT AND/OR CONTRACTOR.

0.12

0.02

BOLT

0.17

0.02

C-CHANNEL

0.03

3mm STEEL SHEET

0.35

0.01

0.16

0.02

PROJECT NAME:

JAPANESE RESTAURANT | RENZOKU

1.50

Detail of fabric attached to ceiling

DRAWING TITLE:

DETAIL OF FABRIC ATTACHED TO CEILING DRAWING NUMBER:

6 OF 9

DATE:

SCALE:

07.05.19 1:5

DRAWN BY:

AISHA NOUREEN PALLACHIYIL

Physical model demonstrating fabric attached to ceiling 36

Sushi Dining at Ground Floor

Main Dining View 1 38

Main Dining View 2 39

Family Dining 40

VIP Sushi Dining at Mezzanine Floor 41

CASE STUDY: BAKER D. CHIRICO Designed

March

Studio

Year: Fall 2018 Professor: Maria Isabel Oliver

The analysis of the interior space of the bakery, Baker D. Chirico, located in Carlton, Australia is done through the means of a conceptual exploded axonometry. Moreover, a diagram that explains the use of vertical and horizontal elements in the space, such as the plywood shelving unit depicts the concept of linearity in the narrow space, as revealed in the floor plan.

DIAGRAM OF THE FLOOR PLAN

DIAGRAM OF THE SECTION

White Ceramic Tiles

White ceramic tiled partition wall in the kitchen, sings with the white tubelight, thus providing a clean ambience for the workspace

Mirror

This facade on the wall adds an impression of a longer space to an existing small area

DIAGRAM OF THE CONCEPT

Peeled-off Plaster

Scraping off the wall’s coating exposed numerous layers of concrete that revealed the history and the place’s previous function

Partitions

These elements divide the space into three zones that cater to the served and service areas

CNC- ROUTED PLYWOOD

Secondary Space

Volume that defines the service areas

Primary Space

Volume that features the bakery

White Marble and Stainless Steel

White marble countertop on stainless steel counter works in harmony with the white walls in the service space

WHITE MARBLE CONCRETE WALL

Chequered Tiles

Black and white chequered tiles reflect the linearity of the space, including the vertical and horizontal elements in the bakery

Timber

Timber on chopping board counter to replicate the plywood used for the shelves

CNC Routed Plywood

Undulating plywood shelving system expands to enclose the cieling

Exploded Axonometric Diagram

CERAMIC TILES CHEQUERED FLOORING STAINLESS STEEL COUNTER GREEN GYPSUM PLASTERBOARD

PLYWOOD

S33 CHAIR / BOOK

CONTAINER

Year: Fall 2018 Professor: Maria Isabel Oliver

HYBRID

After the analysis and understanding of the formal aspects, material components, and assembly pieces of the chair, S33, by Mart Stam, a ‘book container’ is developed, that stores and displays around 50 books. The project takes advantage of the qualities like dynamism and flexibility innate within the tubes to allow the book container to cantilever from the original chair.

ACCOR HOTELS INTERNATIONAL DESIGN COMPETITION DESIGN

SUITE

SO / CLUB

Year: 2018 Mentor: Maria Isabel Oliver

The brief of the competition was to design a Junior Suite for the Sofitel Hotels that centers around a world-famous fashion designer in order to create a space that reflects the designer’s work. Michael Cinco, a Filipino fashion designer based in Dubai, is world renowned for his exquisite couture gowns. With his intricate craftsmanship and detailed juxtapositions of fabric and Swarovski crystals, Cinco has created a name for himself in the world of luxury fashion. Cinco describes his style as feminine, romantic, with a dream-like flair to it, with clothes that simply ooze luxury and timelessness.

Floor Plan 1:50 FOR BATHROOM

A A

STONE SLAB

WHITE MA

B B

Floor Plan 1:50 Floor Plan 1:50

Floor Plan 1:50 C

Material board

FOR REST OF THE SPACE

Floor Plan B

GYPSUM PLASTER

MASHRAB

DOUBLE COLOR FOAM BOARD

STONEWO BAMBOO

Floor Plan 1:50

Material board Material board Material board

WHITE ACRYLIC RODS 54

Section B-B 1:50

Section B-B

Section A-A 1:50

BLACK-OU

ARBLE

A A A

TRANSPARENT GLASS

SectionA-A A-A 1:50 Section

Section A-A 1:50

BIYA BLINDS

BLACK ACRYLIC

OOD GREY O FLOORING

WHITE ACRYLIC

UT CURTAINS

BLACK TEXTURE PAINT

Section C-C 1:50

Section SectionC-C C-C 1:50

White Plasterboard White Plasterboard

The organic faom rubber continues The organic foam rubber continues upto the upto ceiling.until the cieling. It It accomodates aaTV thatthat can be operated to accomodates TVscreen screen can be operated to drop to drop to the human eye level using a remote controller. the human eye level using a remote controller

Recycled Foam Rubber

Fluid and intriguing with its deep undulating curves are Recycled Foam Rubber inspirede from the UAE’s surprising sandstorms. The depth Fluid and intriguing with its deep undulating curves are of the panel designed to provide high sound inspired from theisUAE's surprising sandstorms.The depth absorption of panel is designed to integrated give it a high absorption with sound system with it. of sound with sound sytem integrated with it. behind the foam rubber The led light source is installed Theensure led lightthat source installed behind the foam rubber to to theis back-lighting is uniform, which leads to ensure that the back-lighting is uniform, which leads to surfaces playing a game gameof of reflected chiaroscuro and surfaces being with a reflected light, light, chiaroscuro shadow effects. and shadow effects. The samematerial material is used the andarea seating area The same is used for thefor bed andbed seating

Glass Glass for the walk-in shower

for the walk-in shower

Non -slip Marble

for bathroom flooring Non-slip Marble

for bathroom flooring

VOC- free Black Paint VOC-free Black Paint Mashrabiya pattern blinds that deoicts the arabicthe Arabic culture Mashrabiya pattern blinds that portray culture are to used to restrict harsh morning rays. are used restict the the harsh morning rays

Black-out curtains are controlled by a remote controller Black out curtains are controlled by a remote controller

Cast plexiglass on Acrylic Wall Cast plexiglass on Acrylic wall

Hollow cast plexiglass rods that hold the led light Hollow cast plexiglass rods that holds the led light source, penetrate the black acrylic wall that reflects the source, penetrate the black acrylic wall that style the has on reflects thefashion effex thedesigner fsshion designer hasthe on juxtaposition of the juxtaposition of fabric and crystals. fabric and crystals.

Polished Corian Polished Corian

The surface that ties the kitchen, workdesk, and the The surface that ties the kitchen, cabinet appear seamless appear seamless. This reflects workdesk and shelf appear seamless. the designer’s approach of making his collections have This reflects the designer's approach aoffloating light-weight making hisand collections have a effect. floating and light-weight effect.

Humidifier with essential oils oils Humidifier with essential

Solid Bamboo Flooring Solid Bamboo Flooring

Exploded Axonometric

Day View Render

Night View Render

Bathroom Renders 60

Night View Render

CUSTOM

FURNITURE

DETAILING AND STRUCTURES Year: Fall 2019 Professor: Jason Carlow

1000

400

1000

PLAN

PLAN 90

250

490

250

490

540

ELEVATION

A3 A2 A3 A2

THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY. IF USED FOR CONSTRUCTION. THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO OUR CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH COMMON BUILDING PRACTICES AND LOCAL CODES. NONE OF THE EMPLOYEES OF DHARMATECTURE ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS DHARMATECTURE WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES AND/OR REVISIONS MADE TO PLANS BY CLIENT AND/OR CONTRACTOR. THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY. IF USED FOR CONSTRUCTION. THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO OUR CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH COMMON BUILDING PRACTICES AND LOCAL CODES. NONE OF THE EMPLOYEES OF DHARMATECTURE ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS DHARMATECTURE WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES AND/OR REVISIONS MADE TO PLANS BY CLIENT AND/OR CONTRACTOR.

IDE 434 : Construction, Detailing and Structures

ASSIGNMENT 11: FURNISHING

IDE 434 : Construction, Detailing and Structures

ASSIGNMENT 11: FURNISHING

This custom furniture is a take on vintage telephone tables that combine seating with storage and mix materials. Two prominent materials used here that mimic the idea of continuity are steel Date 17.12.19 Plan and Elevataion and camel leather. Single stretch of leather acts as Scale 1 : 10 magazine holder, a counter for items to be placed 17.12.19 Plan and Elevataion on and provides seating for Date one person (a place Scale 1 : 10 flow of black to put on shoes?). The continuous steel square rods support the functions created by the leather; magazine holder, table top, seat. A drawer is suspended below the counter to enhance the feel of the furniture being lightweight.

AISHA NOUREEN PALLACHIYIL | g0006935

1000 290

110 20

100

10 162

490 10

91 13 70 10

223

110 10 70

20 70

S1 A1

400

360

S1 A1

metal square tube

1000

camel leather screw leather handle P1 A1

Plan leather handle

400

brass screw

210

490

46.1

210 250

camel leather

540

117.7

304.5

8.7

46.1

20 530

110

PLAN

maple drawer

92.5 20

1000 20

circular metal tube 20

250

490

184.5

metal frame loop

Adjustable legs leveling glides Elevation

D1 A2

D2 A2

540

E1 A1

D3 A2

rubber tube and bolt

ELEVATION

D4 A2

A3 A2 64

S1 A1

IDE 434 : Construction, Detailing and Structures

ASSIGNMENT 11: FURNISHING THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY. IF USED FOR CONSTRUCTION. THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO OUR CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH COMMON BUILDING PRACTICES AND LOCAL CODES. NONE OF THE EMPLOYEES OF DHARMATECTURE ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS DHARMATECTURE WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES AND/OR REVISIONS MADE TO PLANS BY CLIENT AND/OR

Section

Plan and Elevataion

IDE 434 : Construction, Detailing and Structures

Date 17.12.19 Scale 111: : 10FURNISHING ASSIGNMENT

AISHA NOUREEN PALLACHIYIL | g00069351

Plan, Elevation and Section

161.8

1 27

10 10

rubber tube

2.5

bolt

8.7

metal joint

adhesive b/w plywood

24.7

2.5

20 plywood adhesive

camel leather

44.6

metal rod

2.5

20 D1 A2

67.5

2.5 10

bolt square metal tube

250.5 D2 A2

Detail of drawer

Detail of leather upholstery seat

16.4 1 2.5 1 1

2.5

circular metal tube

camel leather

130

metal rod

camel leather Polyurethane high density foam plywood bolt

metal frame

Adjustable legs leveling glides D3 A2

D4 A2

Detail of seat and connection b/w leather and metal tube THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY. IF USED FOR CONSTRUCTION. THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO OUR CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH COMMON BUILDING PRACTICES AND LOCAL CODES. NONE OF THE EMPLOYEES OF DHARMATECTURE ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS DHARMATECTURE WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES AND/OR REVISIONS MADE TO PLANS BY CLIENT AND/OR CONTRACTOR.

IDE 434 : Construction, Detailing and Structures

ASSIGNMENT 11: FURNISHING

7 13

square metal tube

camel leather

Detail at leg of the frame

Detail Sections

Date 17.12.19 Scale 1 : 2

AISHA NOUREEN PALLACHIYIL | g00069351

10 10

8.7

Maple wood

metal joint

8.7

plywood

Polyurethane high density foam

Hafele drawer runner

camel leather

19.6

Maple wood

plywood

110

92.5

78.4

88.4

camel leather

2.5

camel leather

DIGITAL FABRICATION | FACETING / FOLDING | AND PATTERN FLOOR

LAMP

Year: Fall 2019 Professor: Marcus Farr

This project explores techiniques of faceting/folding via laser cutting startegies. A texture is chosen, inspired from nature and carfeully applied as varying perforations to the faceted model in order to bring depth to floor lamp. The diagonal nature of the tree trunk texture chosen for the perforrations coincides with the diagonal, spiraling nature of the final iteration of the faceted surface. A six-sided base cut from a CNC router reflects the six sided facets that spirals to form the lamp. 67

Project 2 : Faceting / Folding and Patterned Lamp Project 2 : Faceting / Folding and Patterned Lamp Project 2 : Faceting / Folding Project and 2 : Patterned Faceting /Lamp Folding and Patterned Lamp

Circle size

PATTERN EXPLORATIONS

The tree trunk texture chosen for the image sampler explores with the diagonal nature of its Thischosencoincides with the texture Thechosentree trunk texture chosen Thepattern. tree trunk texture The tree trunk for the image sampler explores the image sampler for explores the image sampler explores spiraling naturefor the naturewith withdiagonal, the diagonal nature of its with of the diagonal of its the diagonal nature of its pattern. This coincides with the pattern. This coincides with pattern. the This coincides with the finalspiraling iteration surface. diagonal, nature of of the the faceted diagonal, spiraling nature diagonal, of the spiraling nature of the

The tree trunk texture chosen for the image sampler explores with the diagonal nature of its pattern. This coincides with the diagonal, spiraling nature of the final iteration of the faceted surface.

final iteration of the faceted surface.

final iteration of the faceted final surface. iteration of the faceted surface.

FACETING EXPLORATIONS

FACETING EXPLORATIONS FACETING EXPLORATIONS

PATTERN EXPLORATIONS

PATTERN EXPLORATIONS PATTERN EXPLORATIONS

Circle size : 0.8-4.4 mm

Iteration 1

Iteration 2

Circle size : 0.8-4.4 mm

Iteration 3

SPATIAL

Four of 8mm MDF wood cut and engraved to accomodate Fourlight of 8mm bulb for MDF thewood lampcut andand attached engraved to accomodate Fourlight of 8mm bulb MDF for the wood lampcut and Four and a using wood glue. using wood glue. using wood glue. using

Circle size : 0.8

PATTERN EXPLORATIONS Iteration 1

Iteration 2

Iteration 1 Iteration 3

Iteration 2

Iteration 1 Iteration 3

BASE ASSEMBLY

Iteration Iteration 1 2

SPATIAL EXPLORATIONS Iteration Iteration 2 3

BASE ASSEMBLY

Iteration 3SPATIAL EXPLORATIONS

BASE ASSEMBLY

SPATIAL EXPLORATIONS SPATIAL EXPLORATIONS

BASE ASSEMBLY

BASE ASSEMBLY Iteration 1 68

Iteration 2

Iteration 3

SPATIAL EXP

using wood glue.

SPATIAL EXPLORATIONS

e tree trunk texture chosen the image sampler explores h the diagonal nature of its tern. This coincides with the gonal, spiraling nature of the al iteration of the faceted surface.

Circle size : 0.8-4.4 mm

Four of 8mm MDF wood cut and engraved to accomodate light bulb for the lamp and attached using wood glue.

SPATIAL EXPLORATIONS

Perforation size : 0.8-4.4 Circle size : 0.8-4.4 mm mm 69

DIGITAL

FABRICATION | TEXTURE INSPIRATION, SECTIONING | AND ADDITIVE ASSEMBLY OBJECT HOLDER Year: Fall 2019 Professor: Marcus Farr

This project utilizes techniques for NURBS surface modeling and additiveassembly via laser cutting strategies. A useful compelling surface found in nature is used to create a 20 x 20 x 10 cm model and made purposeful, to a ccommodate a small object such as a phone. The texture used here is inspired from Romanesco, which resembles a cauliflower. The bud makes up a logarithmic spiral, and each bud is composed of a series of smaller buds, all arranged in yet another logarithmic spiral. This self-similar pattern continues at several smaller levels. 73

several smaller levels. The number of spirals on the head of Romanesco broccoli is a Fibonacci number.

MODULE ITERATIONS

SPATIAL EXPLORATIONS

ALYSIS AND DEVELOPMENT

MODULE ANALYSIS AND DEVELOPMENT

WALL

SEATING

MODULE ANALYSIS AND DEVELOPMENT WALL

SEATING

SURFACE DEVELOPMENT SURFACE DEVELOPMENT

SURFACE DEVELOPMENT

WALL

SURFACE DEVELOPMENT 74

Project 1 : Texture Inspiration, sectioning and Additive Assembly ARC 233 | Professor Marcus Farr | Aisha Noureen Pallachiyil | g00069351

ASSEMBLY DIAGRAM

PHYSICAL MODEL

Romanesco resembles a cauliflower, and its form is strikingly fractal in nature. The bud makes up a logarithmic spiral, and each bud is composed of a series of smaller buds, all arranged in yet another logarithmic spiral. This self-similar pattern continues at several smaller levels. The number of spirals on the head of Romanesco broccoli is a Fibonacci number.

MODULE ITERATIONS

CEIILING

ASSEMBLY DIAGRAM MODULE ANALYSIS AND DEVELOPMENT

Physical Model

AISHA NOUREEN PALLACHIYIL

aishanouri@gmail.com +971 506427893 78