AISHA NOUREEN PALLACHIYIL I N T E R I O R
D E S I G N
P O R T F O L I O
A M E R I C A N U N I V E R S I T Y O F S H A R J A H COLLEGE OF ARCHITECTURE, ART AND DESIGN 2016-2019 1
AISHA NOUREEN PALLACHIYIL BACHELOR OF INTERIOR DESIGN COLLEGE OF ARCHITECTURE, ART AND DESIGN AMERICAN S H A R J A H, U A E
UNIVERSITY
aishanouri@gmail.com g00069351@aus.edu +971 506427893
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OF
SHARJAH
EDUCATION
EXPERIENCE
AMERICAN UNIVERSITY OF SHARJAH
ACCOR HOTELS DESIGN COMPETTION, 2018
BACHELOR OF INTERIOR DESIGN, 2016-2020 SHARJAH, UAE
ONE DAY DESIGN CHALLENGE BY ROCA, 2018
IBN SEENA ENGLISH HIGH SCHOOL SHARJAH, UAE
DIGITAL SKILLS
OTHER SKILLS
RHINOCEROS 3D
ADOBE PHOTOSHOP
MODEL MAKING
WOOD SHOP
AUTODESK AUTOCAD
ADOBE INDESIGN
LASER CUTTING
3D PRINTING
CHAOS GROUP V-RAY
ADOBE ILLUSTRATOR
GOOGLE SKETCHUP
MICROSOFT OFFICE
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CONTENTS
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01
SUSHI POP-UP RESTAURANT
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02
S33 CHAIR / BOOK CONTAINER HYBRID
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03
CONCATENTATION: THE WALL, THE CHAIR, THE STAIR
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04
ARTIST IN RESIDENCE
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05
ACCOR HOTELS INTERNATIONAL DESIGN COMPETITION 2018: DESIGN SUITE SO / CLUB
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06
CASE STUDY: BAKER D. CHIRICO
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07
BAR +/-
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08
MINIATURE FURNITURE FABRICATION
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09
FLOOR LAMP
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SUSHI POP-UP RESTAURANT Year: Spring 2019 Professor: Juan Roldan
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A Sushi Pop-up Restaurant located in the ground floor of the Mirdif City Centre in Dubai. The project is inspired from the Japanese curtain called ‘Noren’; fabrics that genearlly act as partitions in rooms. In this space, these fabrics are emphasized with a noren installation, with its heavy usage in the entrance, that later gets elevated in the dining area to create a light atmosphere. The dining area features concave booths and a sliding table that is part of the kitchen counter, to provide a private dining experience.
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SHIBUSA SHIBUSA
Renzoku A
A
SHIBUSA
Japanese word which refers to continuity. The word becomes relevant to the space in the sense that the restaurant features a RENZOKU RENZOKU POP-UP RESTAURANT continuous arrangement of noren fabrics.
SECTION A-A
DE302_A02 Renzoku Renzoku SHA NOUREEN PALLACHIYIL | 69351 IDE302_A02 POP-UP RESTAURANT AISHA NOUREEN PALLACHIYIL | 69351
B
C
RENZOKU
Renzoku
FLOOR PLAN 1:50 C
B
C
B
A
A
A
A
B
SECTION B-B
C B
C
FLOOR PLAN 1:50 FLOOR PLAN 1:50
SECTION A-A
SECTION A-A SECTION A-A
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SECTION B-B
SECTION C-C
SECTION C-C
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10
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S33 CHAIR / BOOK CONTAINER HYBRID Year: Fall 2018 Professor: Maria Isabel Oliver
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After the analysis and understanding of the formal aspects, material components, and assembly pieces of the chair, S33, by Mart Stam, a ‘book container’ is developed, that stores and displays around 50 books.
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CONCATENTATION: THE WALL, THE CHAIR, THE STAIR Year: Fall 2018 Professor: Maria Isabel Oliver
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The project comprises of a gallery space containing exhibition and work space, reading area, office, bathroom, kitchenette and stair. The space showcases a varying density of metal tubes that are derived from the horizontal and vertical beams and pipes present in the existing space. A system of grid is generated using the extension of the module created from the S33 Chair, which act as both, platforms for exhibiting three-dimensional peices and as book containers. The idea of having primary materials such as plastic sheets and metal tubes, like the corrugated and concrete walls in the exisiting space is enhanced.
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B
BB
B Ground Floor Plan 1:50
C
C
D
B
A
C
B
D
D
B
B
AA
A
A
A
Ground Floor Plan
Ground Floor Plan 1:50
C
C
A
A
Mezzanine Floor Plan Mezzanine Floor Plan
D
1:50
C
D
Mezzanine Floor Mezzanine Plan Mezzanine Mezzanine Floor 1:50 Plan Floor Floor 1:50 Plan Plan 1:50 1:50
C
IDE 301
| Al Serkal Warehouse 61 | CONCATENATION
C
D
CC
DD
1
5
B
SPATIAL ORGANIZATION
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D
Aisha Noureen Pallachiyil | 69351 0
B
D
CIRCULATION
SERVED SERVICE
BOOK CONTAINER POP-UP
Stainless Steel metal tubes integrated with light
Fibre Optic Translucent Fabric
Matt Stainless Steel
the primary material of the exhibition space
Lighting on Ground Floor Plan
Black Plastic
used as the planar element to support the exhibited pieces
Black Plastic Countertop
to replicate the black plastic sheet used for the exhibition modules
Gypsum Plaster Wall
Corrugated Wall is mounted on top of the Concrete Wall thus highlighting the different kinds of textures in the space
Exploded Axonometric
Concrete
Linear lights integrated in the floor that aligns with the exhibition module
Lighting on Mezzanine Floor Plan
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Section A-A Section A-A
Section B-B
1:50
Section B-B
IDE 301
| Al Serkal Warehouse 61 | CONCATENATION
1:50
Aisha Noureen Pallachiyil | 69351 0
Detail of relevant ideas
Images of existing conditions 24
Diagrams of ideas
1
5
Section C-C Section C-C
Section D-D
1:50
Section D-D
IDE 301
| Al Serkal Warehouse 61 | CONCATENATION
1:50
Aisha Noureen Pallachiyil | 69351 0
1
5
Perspectives mounted on photo of existing space 25
CORRUGATED CONCRETE
S33 CHAIR
BAR STOOL
BAR TABLE
WHITE POWDER COATED METAL FRAME WITH WHITE LAMINATE TOP
POLISHED CONCRETE
BLACK LEATHER
WHITE POWDER COATED METAL
GREY POLISHED CONCRETE
WHITE GYPSUM PLASTER WALL
BLACK PLASTIC
Section Perspective 26
The Exhibition space 27
Overlooking the cafe 28
The Administration area 29
ARTIST IN RESIDENCE Year: Spring 2018 Professor: Juan Roldan
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0.4 Morph Sharjah
Site Intergration
SAF
The project is located in the Sharjah Art Foundation. The brief was to provide a space for an artist, for instance, Jean Michel Basquiat, a highly admired American painter chosen here, to work, rest and exhibit in the gallery within the space. Public space that features the exhibition and cafe embraces double height, whereas, the private space that houses the artist’s studio is given a standard room height. The difference in height allows for the entry of skylight. The courtyard features the contemplation space which is bounded by vertical louvres that play with the transparency/privacy of this semi-public space. The exhibition space accomodates the artist’s masterpieces on the art rack pull out storage panels.
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B
A
B
A 11
7
9
10 11
7
9
10
6
8
4 6
8
Concrete 4
5
Black stones Concrete 5
C
C
White marble Black stones
1
C
Water
C 1
Wood 2 3
Water
Granite Wood
2
Black anodized aluminum Granite
3
B
White marble
Finishings Floor Plan
A
Black anodized aluminum B
Finishings Floor Plan
A
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
E 202_Artist in residence_A01_Floor Plan + Diagrams_ Aisha Noureen Pallachiyil
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g00069351
Reception + Toilet Storage Gallery Lounge Contemplation 1. Reception + Toilet Patio 2. Storage Studio 3. Gallery Storage 4. Lounge Kitchen + Dining 5. Contemplation Bedroom + Toilet 6. Patio Patio 7. Studio 8. 9. 10. 11.
Storage Kitchen + Dining Bedroom + Toilet Patio
service
Private /mass
open
served
Semi private
closed
Public /light Private /mass
service served
Semi private
open closed
Public /light
Scale 1:100
0
1
5
10
Section A-A
Section B-B
Section C-C
Photographs of tthe physical model 33
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Contemplation Space
Overlooking the Cafe 36
The Studio space 37
ACCOR HOTELS INTERNATIONAL DESIGN COMPETITION DESIGN SUITE SO / CLUB Year: 2018 Mentor: Maria Isabel Oliver
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The brief of the competition was to design a Junior Suite for the Sofitel Hotels that centers around a world-famous fashion designer in order to create a space that reflects the designer’s work. Michael Cinco, a Filipino fashion designer based in Dubai, is world renowned for his exquisite couture gowns. With his intricate craftsmanship and detailed juxtapositions of fabric and Swarovski crystals, Cinco has created a name for himself in the world of luxury fashion. Cinco describes his style as feminine, romantic, with a dream-like flair to it, with clothes that simply ooze luxury and timelessness. 39
C
Floor Plan 1:50 FOR BATHROOM
A A
B
A
STONE SLAB
WHITE MA
B B
Floor Plan 1:50 Floor Plan 1:50
B
Floor Plan 1:50 C
C
Material board
A
FOR REST OF THE SPACE
A
Floor Plan B
GYPSUM PLASTER
MASHRAB
DOUBLE COLOR FOAM BOARD
STONEWO BAMBOO
Floor Plan 1:50
Material board Material board Material board
WHITE ACRYLIC RODS 40
Section B-B 1:50
Section B-B
Section A-A 1:50
BLACK-OU
ARBLE
C
A A A
TRANSPARENT GLASS
SectionA-A A-A 1:50 Section
Section A-A 1:50
BIYA BLINDS
BLACK ACRYLIC
OOD GREY O FLOORING
WHITE ACRYLIC
UT CURTAINS
BLACK TEXTURE PAINT
Section C-C 1:50
Section SectionC-C C-C 1:50
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White Plasterboard White Plasterboard
The organic faom rubber continues The organic foam rubber continues upto the upto ceiling.until the cieling. It It accomodates aaTV thatthat can be operated to accomodates TVscreen screen can be operated to drop to drop to the human eye level using a remote controller. the human eye level using a remote controller
Recycled Foam Rubber
Fluid and intriguing with its deep undulating curves are Recycled Foam Rubber inspirede from the UAE’s surprising sandstorms. The depth Fluid and intriguing with its deep undulating curves are of the panel designed to provide high sound inspired from theisUAE's surprising sandstorms.The depth absorption of panel is designed to integrated give it a high absorption with sound system with it. of sound with sound sytem integrated with it. behind the foam rubber The led light source is installed Theensure led lightthat source installed behind the foam rubber to to theis back-lighting is uniform, which leads to ensure that the back-lighting is uniform, which leads to surfaces playing a game gameof of reflected chiaroscuro and surfaces being with a reflected light, light, chiaroscuro shadow effects. and shadow effects. The samematerial material is used the andarea seating area The same is used for thefor bed andbed seating
Glass Glass for the walk-in shower
for the walk-in shower
Non -slip Marble
for bathroom flooring Non-slip Marble
for bathroom flooring
VOC- free Black Paint VOC-free Black Paint Mashrabiya pattern blinds that deoicts the arabicthe Arabic culture Mashrabiya pattern blinds that portray culture are to used to restrict harsh morning rays. are used restict the the harsh morning rays
Black-out curtains are controlled by a remote controller Black out curtains are controlled by a remote controller
Cast plexiglass on Acrylic Wall Cast plexiglass on Acrylic wall
Hollow cast plexiglass rods that hold the led light Hollow cast plexiglass rods that holds the led light source, penetrate the black acrylic wall that reflects the source, penetrate the black acrylic wall that style the has on reflects thefashion effex thedesigner fsshion designer hasthe on juxtaposition of the juxtaposition of fabric and crystals. fabric and crystals.
Polished Corian Polished Corian
The surface that ties the kitchen, workdesk, and the The surface that ties the kitchen, cabinet appear seamless appear seamless. This reflects workdesk and shelf appear seamless. the designer’s approach of making his collections have This reflects the designer's approach aoffloating light-weight making hisand collections have a effect. floating and light-weight effect.
Humidifier with essential oils oils Humidifier with essential
Solid Bamboo Flooring Solid Bamboo Flooring
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Exploded Axonometric
Exploded Axonometric
Day View Render
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Night View Render
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Bathroom Renders 46
Night View Render
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CASE STUDY: BAKER D. CHIRICO Designed by March Studio Year: Fall 2018 Professor: Maria Isabel Oliver
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The analysis of the interior space of the bakery, Baker D. Chirico, located in Carlton, Australia is done through the means of a conceptual exploded axonometry. Moreover, a diagram that explains the use of vertical and horizontal elements in the space, such as the plywood shelving unit depicts the concept of linearity in the narrow space, as revealed in the floor plan.
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DIAGRAM OF THE FLOOR PLAN
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DIAGRAM OF THE SECTION
White Ceramic Tiles
White ceramic tiled partition wall in the kitchen, sings with the white tubelight, thus providing a clean ambience for the workspace
Mirror
This facade on the wall adds an impression of a longer space to an existing small area
DIAGRAM OF THE CONCEPT
Peeled-off Plaster
Scraping off the wall’s coating exposed numerous layers of concrete that revealed the history and the place’s previous function
Partitions
These elements divide the space into three zones that cater to the served and service areas
CNC- ROUTED PLYWOOD
Secondary Space
Volume that defines the service areas
Primary Space
Volume that features the bakery
White Marble and Stainless Steel
White marble countertop on stainless steel counter works in harmony with the white walls in the service space
WHITE MARBLE CONCRETE WALL
Chequered Tiles
Black and white chequered tiles reflect the linearity of the space, including the vertical and horizontal elements in the bakery
Timber
Timber on chopping board counter to replicate the plywood used for the shelves
CNC Routed Plywood
Undulating plywood shelving system expands to enclose the cieling
Exploded Axonometric Diagram
CERAMIC TILES CHEQUERED FLOORING STAINLESS STEEL COUNTER GREEN GYPSUM PLASTERBOARD
PLYWOOD
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BAR +/Year: Spring 2017 Professor: Greg Watson
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This study explores the relationship between subtracted volumes from a solid that requires the construction of a mold which replicates the positive as negative and the negative as positive.
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Hand Drawn Four Elevations
Subtracted volumes from a solid. Chipboard and museum board. 54
Plaster cast of the study.
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MINIATURE FURNITURE FABRICATION Year: Spring 2019 Professor: Camilo Cerro
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ORIGINAL CHAIR
1/6 SCALE MODEL OF ORIGINAL
The Drop Chair was originally produced alongside the Swan and Egg chairs for the interior of Radisson Blu Royal Hotel in Copenhagen, designed by Danish designerand architect, Arne Jacobsen. Jacobsen took his inspiration from the human forms and contours of the body. In this way, he humanized technologyand the Drop Chair for the hotel represents a clever combinationof art and industry. The shell is made pf ABS plastic with nylon as reinforcement inside. The base consists of four legs in powder coated steel tubes in colors matching the shell, with leg ferrules of black synthetic material.
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3D PRINTED SEAT
SPRAY-PAINTING THE SEAT AND LEGS
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SANDING OF THE SEAT
PREPARATION OF LEGS AND ASSEMBLY OF CHAIR
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FLOOR LAMP Year: Spring 2018 Professor: Dr. Igor Peraza
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The lamp is created using a hybrid of paper origami and cardboard intersections. the sharp folds of the paper enhance the shade and shade created within the origami and how the cardboard peices intersect each other allow for light to infiltrate out. The source of light being the tiny LED light bulbs creates some areas of strong light intensity and some less intense, thus producing an illusion of movement of light.
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AISHA NOUREEN PALLACHIYIL
aishanouri@gmail.com g00069351@aus.edu +971 506427893 64