&tradition The Collection 2016 by Design Spichlerz

THE VILL AGE F L O W E R P O T BY V E R N E R PA N T O N T O PA N BY V E R N E R PA N T O N P A L E T T E D E S K B Y J A I M E H AY O N P A S S E P A R T O U T B Y J A I M E H AY O N T H E M O O R B Y A L L T H E W AY T O P A R I S B E L L E V U E L A M P BY A R N E J A C O B S E N

W E CO N N E C T W I T H T H E O L D M A ST E R S W H I L E G I V I N G S PAC E TO N E W D E S I G N E R S TO D E F I N E F U T U R E C L A S S I C S . W E S E E A K I N S H I P B E T W E E N T H E O L D M A ST E R S W H O W E R E AVA N T- G A R D E I N T H E I R T I M E A N D D E S I G N E R S O F TO DAY C R E AT I N G T H E G R O U N D - B R E A K I N G I CO N S O F TO M O R R OW.

THE DESIGNERS

A L L T H E WAY TO PA R I S A R N E J ACO B S E N BENJAMIN HUBERT FLEMMING LASSEN J A I M E H AYO N JÃ&#x2DC;RN UTZON L E X P OT T LU C A N I C H E T TO MIA HAMBORG NORM ARCHITECTS ONTWERPDUO SAMI KALLIO SAMUEL WILKINSON SOFIE REFER S PAC E CO P E N H AG E N STUDIO VIT V E R N E R PA N TO N V I C TO R V E T T E R L E I N

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THE VILLAGE T H E S H OW R O O M B Y & T R A D I T I O N I S C R E AT E D A S A CO N T E M P O R A R Y S M A L L S C A L E V E R S I O N O F A M O N O C H R O M E A N D H A R M O N I O U S V I L L AG E S T R U C T U R E I N S I D E A B I G WA R E H O U S E .

The idea is to make the structure balance between a coherent minimalist spatial art installation - drawing on inspiration from works of artists and architects such as Donald Judd, Richard Serra and Peter Eisenman, combined with classic architectural elements from the village - the main street, the alley, the square, the tower, the city wall. each house in this village - twelve in total - is built with a completely matt monochrome exterior like an architectural model landscape in 1:1 revealing each house very differen tiated interior with its own function and purpose. One house is built with light wood inside resembling a minimalist Japanese pavillon. Another would be all color inside inspired more by Luis Barragan or Carlo Scarpa, creating a completely different universe for displaying the &tradition products. Some of our houses will be created in collaboration with our favorite partners continuously redecorated and rearranged to inspire our clients to see and choose materials for their furniture and boutiques. You’ll spot Paper Island with its many low warehouses if you stand on the terrace of the contemporary glass and brick theatre that houses the Royal Danish Playhouse, in the heart of Copenhagen. Despite its close proximity to the centre of town, for decades the island was off-limits to the public as this was where the Procurement Association of the Danish Press stored its paper, hence the island’s name.

In 2012, the last of the paper stock was moved and the warehouses abandoned and one of central Copenhagen’s last industrial areas fell into the hands of developers, turning it into a vibrant district with space for cultural initiatives and creative businesses, cafés and restaurants, and now, &tradition’s first showroom. But it’s the contemporary intervention by Danish firm, Norm Architects, that makes this such a unique warehouse conversion. In place of walls and partitions, Norm Architects has designed a miniature village made up of 12 abstract buildings with a high street running through the middle.

EMBLEMATIC OF AN ERA

“Flower Power” was the slogan for the peace and love movement championed by a generation who questioned authority and the es tablishment, eager to embrace counter culture ideals. At the same time, there was an intense focus on the race into outer space, where designers where put to the task of designing a utopic future. Enter Verner Panton. A playful, provocative and prolific architect and designer keen on challenging the status quo. Boldly breaking away from the strict design dictates of Bauhaus, with its starkness, severity and straight lines, Panton was a pioneer pursuing more fluid forms. Sculptural shapes, vibrant colours, mesmerising patterns and immersive surroundings. Fascinated by the potential of plastic - a novel, controversial material at the time, Panton experimented extensively with forms previously impossible with other materials. This led to the development of his eponymous Panton “S” chair, the first one-piece, injection-moulded

plastic chair in the world. A sleek design with no discernible legs, it earned him accolades as a daring visionary, with the chair appearing in one of the most famous futuristic films ever. Stanley Kubrick’s masterpiece “2001: A Space Odyssey”. Panton’s creative quest for innovation went beyond singular objects. He explored the impact of design on entire environments. Drawing on his insights as an architect, Panton developed living spaces fusing floors, furniture, walls and ceilings into immersive ambient experien ces. Featuring textiles in geometric Op Art patterns. Psychedelic colours. Unconventional curvaceous seating configurations. Lamps as decorative accents on the walls and ceilings. Including the FlowerPots - in an array of explosive, vibrant tones. The impact was impressive. Panton went on to design similar such interiors saturated with colours, shapes and patterns for the Astoria Hotel in Trondheim, the Spiegel Publishing House headquarters in Hamburg and the Circus Building in Copenhagen, amongst others. Culminating with his Fantasy Landscape Room exhi bited at Visiona 2 for the Cologne Furniture Fair in 1970. The enticing new colours launched by &tradition will carry the legacy of the FlowerPot lamps into a con temporary arena where its iconic appeal is timeless. Honouring a man whose ground-breaking body of work continues to resonate with a new generation. Far beyond the power of the flower … F LOW E R P OT V P 1

Two semi-circular spheres in vivid colours formed the basis of a series of lamps that epitomised an entire era. The FlowerPot Lamps. They became an endearing icon of the 60s conceived by one of the most avant-garde designers from Denmark’s stable of Modernism masters - Verner Panton. Regarded as an enfant terrible, Panton took a drama tic departure from his contempo raries to create a riveting design idiom still seen as radical to this day.

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Verner Panton remains one of the most radical Danish designers of all time, given his avant-garde approach to fluid shapes previously impossible, along with his palette of vivid colours and striking geometric patterns. Panton’s penchant for playful provocation took him beyond designing furniture, lighting, textiles, posters and rugs to creating entire environments akin to visually immersive experiences. Earning him admiration the world over for his conviction to continuously question convention.

FLOWERPOT & T R A D I T I O N I S P L E A S E D TO A N N O U N C E T H E L AU N C H O F T H E I CO N I C F LOW E R P OT L A M P S I N CO N T E M P O R A R Y N E W CO LO U R S . BY

V E R N E R PA N TO N

The FlowerPot Lamps became synonymous with the Flower Power movement from the late 60s. Reflecting a break from convention to embrace a more open, modern mentality that promoted peace and harmony. Such was the mindset of their designer, Verner Panton. One of the most forward-thinking talents of his time. The lamp’s simple design consisting of two semi-circle spheres facing each other is not only an icon of that era, the FlowerPot Lamps remain equally as appealing to new generations. Especially in the new series of colours launched by &tradition. Panton passionately pursued a vibrant palette of colours. Well aware of the emotional effect colours can have on the human psyche, he drew on a rainbow of hues to group certain colours together. Based on his belief that choosing colours should be a conscious decision because “you sit better on a colour that you like.” For &tradition Brand Manager Martin Kornbek Hansen, “Panton was always on the cutting edge of design. He fearlessly experimented with new shapes, colours and materials in design concepts that looked futuristic then – and now. To honour this design visionary, we are introducing a series of high gloss hues. New colours to keep the lamps one step ahead. Like Panton himself.” Watch for an enticing selection of tones that are at once contemporary yet timeless, and in sync with the rest of &tradition’s collection. All the more luscious in lacquered metal featuring white, black blue, deep red, grey beige and polished brass, amongst others. The colour schemes vary between the FlowerPot Pendant Lamp VP1, the larger Pendant Lamp VP2 and the FlowerPot Table Lamp VP3.

Excellent as singular decorative accents or grouped together in clusters, the FlowerPot will enhance any space with its innate charm. Whether you grew up with the peace and love movement or simply read about it in retrospect, Panton’s vision went beyond any culture or time constraints. Seen in this stunning example of how curves and colours can create an enduring sense of elegance.

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TOPAN & T R A D I T I O N I S P L E A S E D TO A N N O U N C E T H E L AU N C H O F T H E TO PA N L A M P B Y V E R N E R PA N TO N I N N E W M O D E R N CO LO U R S . BY

V E R N E R PA N TO N

Even before the Pop Art Movement gained momentum, Verner Panton was leagues ahead of his contemporaries with visionary designs that continue to be compelling. The Topan Pendant Lamp, with its simple spherical silhouette, remains as captivating today as it was when ini tially introduced in 1959. To be launched in a series of contemporary colours that resonate with new generation of design aficionados. The Topan lamp was originally designed for Norway’s Astoria Hotel and Restaurant in Trondheim. Here Panton created a stunning, colour satu rated universe where the Topan lamp served as more than merely a source of illumination. The lamp became an integral part of the decorative elements that comprised Panton’s immersive approach to designing entire interiors. For Panton, choosing colours should be “a conscious decision. Colours have a meaning and a function.” As a tribute to this master who knew the deeper meaning of colour and its emotional impact, &tradition is propelling the Topan into the future with a series of modern colours. “Panton was passionate about colour and even went so far as to say that colour was more important than form,” explains &tradition Brand Manager Martin Kornbek Hansen. “The Topan Pendant Lamp was Panton’s first mass-produced lamp and the predecessor to his subsequent series of FlowerPot lamps. So we are proud to keep Panton’s iconic designs alive with new hues that appeal to a global audience. In fresh tones that also match the rest of our collection.”

Look for glossy versions of white, black blue, deep red, grey beige and dark green, which are all the more alluring in Topan’s lacquered alumi nium. Current colours such as matt white will remain only available while stocks last. Wherever you place the Topan Pendant, the global shape will emit a gorgeous glow adding a cosy factor to any environment. Choosing from an array of new hues to create a singular lighting solution or a decorative statement in clusters.

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F O R M A K A M I J H 4 â&#x20AC;&#x201C; J H 5 , A N OT H E R R U G A P 1 - A P 3

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Jaime Hayon is a Spanish artist / designer with offices in Italy, Spain and Japan. Known for his deep respect for artisan skills, finely-crafted details and a passion for play, Hayon is considered one of the most influential creators of our time, blurring the lines between art, decoration and design. A prolific designer always seeking new design horizons, his scope of work extends from furniture, lighting and home acces sories to hotel and retail interiors, as well as ceramics, shoes and timepieces.

PALETTE DESK & T R A D I T I O N L AU N C H E S T H E PA L E T T E D E S K . A S E R I E S O F T H R E E , D O U B L E -T I E R E D D E S K S F E AT U R I N G A M I X O F M A R B L E , S TA I N E D A S H V E N E E R O R S AT I N P O L I S H E D B R A S S . BY

J A I M E H AYO N

Spanish artist / designer Jaime Hayon brings a suspended sense of ani mation to a new series of desks which partner two different shapes together in a mix of materials. The result is a freeze frame of motion in a double-level design reminiscent of Alexander Calder’s kinetic sculptures. “Calder transformed a 2D object into an enthralling 3D kinetic experi ence,” says Hayon. “At first his mobiles appear flat, until the slightest breeze rushes in, breathing life into these simple geometric shapes. When I first saw them I was almost mesmerised. My Palette Desk is an homage to this supremely simple concept of poetry in motion. As I see it, a desk is where we’re supposed to sit still and make decisions. And yet, it’s also where we find distractions. For the Palette Desk, I merged two different sized shapes in contrasting materials to hopefully bring a cohesive sense of order out of chaos.” An elongated bean shape and a small round shape are the two different elements appearing in various colours and materials which converge together to create a brilliant balancing act, secured by a metal armature. For the table tops look for an elegant choice between two marbles, either honed Bianco Carrara or Nero Marquina. Adding earthiness is the option of stained ash veneer in red, dark grey, grey-green or black. Or satin polished brass. Adding a contemporary touch is powder coated steel tubes as the base. It’s this contrast from coupling diverse colours and materials that creates cohesion.

For Martin Kornbek Hansen, founder of &tradition, “Hayon adds a Spanish accent to our Scandinavian sensibility. With the Palette Desk, he creates a new design lingo by fusing different shapes and materials into a hybrid that’s harmonious and holistic.”

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PASSEPARTOUT & T R A D I T I O N L AU N C H E S PA S S E PA RTO U T L A M P S I N T H R E E D I F F E R E N T CO LO U R S A N D S H A P E S . BY

J A I M E H AYO N

Just like the name implies, the Passepartout Lamps by Spanish artist / designer Jaime Hayon act almost like a frame that enhances the visual appeal of whatever they’re illuminating. At home in any type of architectural setting, they’re sensational lamps as decorative additions to any décor, available in three different finishes, where each one is a distinctive shape. How do you add a lamp to illuminate a space – without the lamp being too anonymous or too imposing? It’s a question Hayon has often asked himself. “The answer came from the picture frame. The picture is the focus and the frame is there to guide your eyes to it. Of course, with a lamp you have light, without it you have darkness. So the lamp is actually the unsung hero that brings any setting to life.” Place the Passepartout Lamps on the wall or ceiling, in the living room or corridor and they’ll never look out of place. Choose from three diffe rent shapes and finishes: satin polished brass, polished aluminium or matt white. With the Passepartout lamps, you can even cluster the various colours and shapes together to create a unique aesthetic effect. As for the illumination factor, it’s nothing less than fantastic. The Passepartout Lamps use built-in LED technology that ensures an energyefficient, high quality light emission. What’s more, they’ve been custom designed to provide illumination that’s soft and soothing, emitting a light that’s dispersed uniformly throughout the space.

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According to founder of &tradition, Martin Kornbek Hansen, “With the Passepartout Lamps, we have combined decorative and technical lighting into one solution. The result is a collection that fits perfectly into both private and architectural buildings. Available in a variety of shapes and colours that add a decorative accent - with a touch of personality.”

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All The Way To Paris is a Copenhagen- based graphic design studio founded in 2004 by Petra Olsson Gendt and Tanja Vibe. Since 2004, ATWTP has grown into an international team of eight designers, creating award-winning solutions for a broad spectrum of visual communications including rugs, fabrics and design objects.

THE MOOR & T R A D I T I O N L AU N C H E S T H E M O O R R U G S , A S E CO N D S E R I E S O F R U G S . BY

A L L T H E WAY TO PA R I S

Inspired by the vast, heather-covered hills in the countryside of their native Scandinavia, the Moor rugs by All The Way To Paris capture the ambience of the landscape. “This collection of rugs focuses on texture, shape and depth of colour – not patterns,” explain founders and Partners Tanja Vibe and Petra Olsson Gendt. “Our intention with the rugs is to gather a room together both emotionally and aesthetically. To create a feeling of closeness and to somehow ‘ground’ the room.” Seen from above when you arrange the rugs all together, the sense of scale disappears and the effect is a subtle glistening cluster of gemstones. A striking fusion of classic geometric gemstone cuts expressed with graphic simplicity. In keeping with the moor theme, enjoy an array of rich colours symbolising the sky, rays of sun and the natural surroundings across the landscape. Starting with a golden hue, beige for the drops of dew, grey moss and red for heather, as well as dark grey coal and midnight blue. All with a very slight touch of shimmer.

For an extra velvety feeling, ATWTP used a special hand-woven technique found in hand-loomed rugs from the Middle and Far East. “In doing so, ATWTP have brought the past back to the present,” adds founder of &tradition Martin Kornbek Hansen. “It’s one of the cornerstones of our collections at &tradition. We draw on classic craftsmanship to create contemporary products using high quality materials. ATWTP has also brought their penchant for graphic purity to this new series of rugs that both unify and enhance a room.”

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A LAMP WITH A LEGACY

Back in 1929, Arne Jacobsen and Flemming Lassen’s “House of the Future” was an early indication of his forward thinking vision. A round house built with a helicopter landing pad on the roof and a garage door that opened automatically (unheard of in those days). There were built-in typewriters, a convey or tube for receiving mail and a kitchen replete with ready-made meals. Including an antenna on the roof to collect electricity to be transferred wirelessly. A concept inconceivable at the time. This brought Jacobsen recognition as a name worth knowing, and the chance to design a seaside resort in Klampenborg north of Copenhagen.

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Thus began Jacobsen’s numerous projects for Bellevue. Starting with the Bellevue Beach, where he designed everything from the blue-striped lifeguard towers to the changing room cabins and even the staff uniforms. A trait he subsequently became known for, reflecting the Gesamtkunstwerk aesthetic theory. That art should be an all-encompassing endeavour,

designing everything from the stairs to the spoons. The Bellevue Theatre went on to become another cherished icon of design. Inaugurated in 1936, the building boasts a unique detail. It’s one of the only buildings of its kind in the world where the roof retracts, so that summer performance can be experienced outside – while sitting inside. Jacobsen wanted the ocean and the nearby forest to become part of the theatre-going experience. His next project is the one many experts view as a functionalist masterpiece. The Bellevue Petrol Station. Affectionately called “The Mushroom,” Jacobsen designed the top to be elliptical and illuminated from below. The result is an intri guing oval silhouette, designed to be seen in the dark. At the time, Jacobsen’s designs for Bellevue were seen as “the dream of the modern lifestyle”. So it should come as no surprise that his beautiful Bellevue Lamp is akin to a souvenir from that eventful era. The Bellevue Beach is still there. So is the theatre and the petrol station. They have a fascinating past. And the Bellevue Lamp has a future that lives on ...

With its swan neck and slim, curvaceous silhouette, the Bellevue Lamp personifies the signature style of its famous designer - Arne Jacobsen. A man considered one of the most influential Danish architects and designers of the 20th century, who was instrumental in putting Denmark on the Modernism map. In fact, his Bellevue projects served as a pivotal point in his career and the launch pads for his subsequent success.

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Arne Jacobsen is one of the most influential Danish architects of the 20th century, defined by his pure, fluid lines and streamlined designs. Highlights from his countless architectural achievements include designing the SAS Royal Hotel Copenhagen and Danmarks National bank, as well as numerous other lamps, furniture, textiles, wallpaper and silverware. Jacobsen’s designs can be found in museums, galleries and private collections around the world.

BELLEVUE LAMP & T R A D I T I O N I S P L E A S E D TO A N N O U N C E T H E I CO N I C B E L L E V U E L A M P B Y A R N E J ACO B S E N P R O D U C E D I N I T S O R I G I N A L S H A P E S , L AU N CH ED I N F O U R CO N T E MP O R ARY CO LO U R S . BY

A R N E J ACO B S E N

The Bellevue Lamp is one of the signature pieces from Danish design master, Arne Jacobsen. Slim, statuesque and imbued with a timeless simplicity, the Bellevue Lamp was Jacobsen’s first foray into lighting concepts, mirroring the tubular steel seen in modernist designs that emerged during the Bauhaus era. As a tribute to Jacobsen, the Bellevue Lamp revisits its roots – with a new production in its original shapes: the floor, table and wall versions. It’s all about authenticity, honest materials and the design in its most iconic version. Known for its sleek silhouette and graceful swan neck, the 45-degree cut shade went on to become a prominent element in Jacobsen’s subsequent designs. “Jacobsen’s Bellevue Lamp reflects the true tenants of form follows function,” explains founder of &tradition Martin Kornbek Hansen. “It captures the essence of elegance, with nothing to add and nothing to take away. My passion for this lamp led to this re-launch of these three versions in their original shapes. Even the swan neck is back in brass, as it was when initially introduced. As design purists at &tradition, it’s our way of honouring this pioneer of Danish Modernism.” While the look harkens back to 1929 when Jacobsen designed the lamp, it now comes in five more modern hues with a material mix. Such as satin polished brass, or a choice of mixing brass with ivory, black, grey beige or anthracite. Compelling combinations to keep Jacobsen’s design legacy alive in contemporary homes for decades to come.

Boasting the ability to direct the light without excessive glare, the Bellevue Lamp is ideal for brightening up a dark corner of a room, as a reading lamp or office lamp. What’s more, it bears the name “Bellevue”, which marks one of Jacobsen’s earliest architectural accomplishments, encompassing the Bellevue Theatre and Bellevue Petrol Station. Both remain icons till this day.

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Product category Materials Dimensions (cm/in) Stock items 8-10 wks. lead-time

Sofa Solid oak base, internal solid wood frame, CMHR foam, fabric or leather upholstery. H: 82cm/32.3in, D: 62cm/24.4in, L: 200cm/78.7in, Seating height: 40c m/17.3in. White oiled oak / Sunniva 2 242 Smoked oiled oak / Sunniva 2 242 Black lacquered oak / Balder 3 192 Oiled or Black lacquered oak / Silk aniline leather. Other fabrics/leathers and COM available upon request.

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Product category Materials Dimensions (cm/in) Stock items 8 wks. lead-time

Sofa Structure in wood and metal with no-zag springs. CMHR foam, Comforell and feather pillows. Solid steel legs. Fabric or leather upholstery. H: 75cm/29.5in, D: 84cm/33in, L: 168cm/66in, Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Desert Stone – Sunniva 2 717 & RAL 7044. Other fabrics/leathers and COM available upon request with chromed or bronzed legs.

75cm / 29.5in

82cm / 32.3in

200cm / 78.7in Seating height: 40cm / 15.7in.

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168cm / 66in

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Sofa Structure in wood and metal with no-zag springs. CMHR foam, Comforell and feather pillows. Solid steel legs. Fabric or leather upholstery. H: 75cm/29.5in, D: 84cm/33in, L: 220cm/86.5in, Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Desert Stone – Sunniva 2 717 & RAL 7044. Other fabrics/leathers and COM available upon request with chromed or bronzed legs. Also available with 2 back pillows and 2 seat pillows for custom and COM orders.

Product category Materials Dimensions (cm/in) 8 wks. lead-time

Product category Materials Dimensions (cm/in) Stock items 8 wks. lead-time

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L U CA N I C H E T T O 2015 Product category Materials Dimensions (cm/in) Stock items 8 wks. lead-time

Pouf Plywood base. CMHR foam, Comforell and feather pillow. Solid steel legs. Fabric or leather upholstery. H: 40cm/15.7in, D: 72cm/28.3in, L: 78cm/30.7in, Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Desert Stone – Sunniva 2 717 & RAL 7044. Blue Tweed – Sonar 2 773 & RAL 5004. Other fabrics/leathers and COM available upon request with chromed or bronzed legs.

40cm / 15.7in

75cm / 29.5in

100cm / 39.3in

LN4

Lounge chair Structure in wood and metal with no-zag springs. CMHR foam, Comforell and feather pillows. Solid steel legs. Fabric or leather upholstery. H: 75cm/29.5in, D: 84cm/33in, L: 100cm/39.3in, Seat height: 40cm/15.7in. Black Blue – Sunniva 2 192 & RAL 5004. Desert Stone – Sunniva 2 717 & RAL 7044. Other fabrics/leathers and COM available upon request with chromed or bronzed legs.

75cm / 29.5in

220cm / 86.5in

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Sofa Plywood frame. Solid wood & steel base with no- zag springs. CMHR foam, Comforell and feather pillows. Solid steel legs. Fabric upholstery. H: 75cm/29.5in, D: 84cm/33in, L: 220cm/86.5in, Seat height: 40cm/15.7in. All fabrics/leathers and COM available upon request.

75cm / 29.5in

220cm / 86.5in

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Product category Materials Dimensions (cm/in) Stock items 8 wks. lead-time

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78cm / 30.7in

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Product category Materials Dimensions (cm/in) Stock items 8-10 wks. lead-time

Sofa with side tables Oak frame and base. CMHR foam and feather pillows. Fabric upholstery. H: 70cm/27.6in, D: 80cm/31.5in, L: 240cm/94.5in. Seating height: 40cm/15.7in. White oiled oak/Chivasso Hot Madison (CH1249/094), Smoked oiled oak/Chivasso Hot Madison (CH1249/093), Smoked oiled oak/ Harald 182. Other fabrics and COM available upon request.

Product category Materials Dimensions (cm/in) Stock items 8-10 wks. lead time

Pouf Oak base. CMHR foam and feather pillows. Fabric upholstery. H: 40cm/15.7in, D: 80cm/31.5in, L: 80cm/31.5in. Seating height: 40cm/15.7in. White oiled oak/Chivasso Hot Madison (CH1249/094), Smoked oiled oak/Chivasso Hot Madison (CH1249/093), Smoked oiled oak/ Harald 182. Other fabrics and COM available upon request.

80cm / 31.5in

40cm / 15.7in

70cm / 27.6in

240cm / 94.5in

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Sofa Oak frame and base. CMHR foam and feather pillows. Fabric upholstery. H: 70cm/27.6in, D: 80cm/31.5in, L: 162cm/63.8in. Seating height: 40cm/15.7in. White oiled oak / Chivasso Hot Madison (CH1249/094), Smoked oiled oak / Chivasso Hot Madison (CH1249/093), Smoked oiled oak/ Harald 182. Other fabrics and COM available upon request.

162cm / 63.8in

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SC3

S PA C E C O P E N H A G E N 2013

Lounge chair Oak frame and base. CMHR foam and feather pillows. Fabric upholstery. H: 70cm/27.6in, D: 80cm/31.5in, L: 87cm/34.3in, Seating height: 40cm/15.7in. White oiled oak / Chivasso Hot Madison (CH1249/094), Smoked oiled oak / Chivasso Hot Madison (CH1249/093), Smoked oiled oak/ Harald 182. Other fabrics and COM available upon request.

87cm / 34.3in

F LY S O FA

S PA C E C O P E N H A G E N 2013

Product category Materials Dimensions (cm/in) Stock items 8-10 wks. lead-time

SC2

80cm / 31.5in

F LY C H A I R

F LY TA B L E

SC4

S PA C E C O P E N H A G E N 2013

Lounge table Oak base with marble table top. H: 26cm/10.2in, D: 60cm/23.6in, L: 120cm/47.2in. White oiled oak base with honed Bianco Carrara marble table top or smoked oiled oak base with polished Nero Marquina marble table top.

Product category Materials Dimensions (cm/in) Stock items 6-8 wks. lead-time

J A I M E H AYO N 2014

Chair with armrest Molded PU foam, CMHR foam, oak legs, Kvadrat by Raf Simons fabrics or CA-MO leather upholstery. H: 90cm/35.4in, D: 58cm/22.8in, W: 58cm/22.8in, Armrest height: 68cm/26.8in, Seating height: 45cm/17.7in. White oiled oak/Sunniva 2 242. Black lacquered oak /Balder 3 192. Oiled or Lacquered oak/Silk aniline leather. Other fabrics/leathers and COM available upon request.

Product category Materials Dimensions (cm/in) 6-8 wks.lead-time

Chair with armrest Molded PU foam, CMHR foam, aluminium swivel base, Kvadrat by Raf Simons fabrics or CA-MO leather upholstery. H: 90cm/35.4in, D: 58cm/22.8in, W: 58cm/22.8in, Armrest height: 68cm/26.8in, Seating height: 45cm/17.7in. Polished aluminium swivel , Sunniva 2 242, Pilot 582, Pilot 972, Pilot 792, Silk leather. Black aluminium swivel , Balder 3 192, Silk leather. Other fabrics/leathers and COM available upon request.

58cm / 22.8in

90cm / 35.4in

60cm / 23.6in

120cm / 47.2in

JH2

26cm / 10.2in

80cm / 31.5in

26cm / 10.2in 80cm / 31.5in

Product category Materials Dimensions (cm/in) Colours

CAT C H C H A I R

JH1

J A I M E H AYO N 2014

Lounge table Oak base with marble table top. H: 26cm/10.2in, D: 80cm/31.5in, L: 80cm/31.5in. White oiled oak base with honed Bianco Carrara marble table top or smoked oiled oak base with polished Nero Marquina marble table top.

80cm / 31.5in

CAT C H C H A I R

S PA C E C O P E N H A G E N 2013

Product category Materials Dimensions (cm/in) Colours

SC5

58cm / 22.8in

F LY TA B L E

IN BETWEEN

S K1

SAMI KALLIO 2013

SAMI KALLIO 2013 Chair with armrest Solid wood and formpressed veneer. H: 77cm/30.3in, W: 58cm/22.8in, D: 54cm/21.2in Armrest height: 70cm/27.6in, Seating height: 45cm/17.7in. White oiled oak, Smoked oiled oak Stained black ash (RAL 9005).

Product category Materials Dimensions (cm/in) Stock items 6-8 wks. lead-time

Chair with armrest Solid wood and formpressed veneer. The chair comes with a full upholstered seat. H: 77cm/30.3in, W: 58cm/22.8in, D: 54cm/21.2in. Armrest H: 70cm/27.6in, Seating H: 45cm/17.7in. White oiled oak/Cognac Silk Leather. White oiled oak/Balder 3 132. Smoked oiled oak/Black Silk leather. Smoked oiled oak/Sunniva 2 242. Black stained ash/Black Silk leather. Black stained ash/Balder 3 192. Other fabrics/leathers and COM available upon request.

Product category Materials Dimensions (cm/in) Colours 6-8 wks. lead-time

Dining table Lacquered solid oak and oak veneer, Stained solid oak and oak veneer. SK5: D: 200cm/78.7in, W: 90cm/35.4in, H: 73cm/28.7in. SK6: D: 250cm/98.4in, W: 100cm/39.4in, H: 73cm/28.7in. Clear lacquered oak, Smoked stained oak, Black stained oak. Available in custom sizes with veneer, laminate, nano laminate and linoleum table top upon request.

73cm / 28.7in

120cm / 47.2in

73cm / 28.7in

90cm / 35.4in

73cm / 28.7in

58cm / 22.8in

Dining table Solid oak. SK3: Ø: 90cm/35.4in, H: 73cm/28.7in. SK4: Ø: 120cm/47.2in, H: 73cm/28.7in. White oiled oak, Smoked oiled oak, Black stained oak (RAL 9005).

73cm / 28.7in

54cm / 21.2in

250cm / 98.4in

70cm / 27.6in

58cm / 22.8in

Product category Materials Dimensions (cm/in) Colours

S K 5 & S K6

SAMI KALLIO 2015

77cm / 30.3in

54cm / 21.2in

IN BETWEEN

SK3 & SK4

SAMI KALLIO 2014

Product category Materials Dimensions (cm/in) Colours

IN BETWEEN

SK2

200cm / 78.7in

IN BETWEEN

N A TA B L E

H O O F TA B L E

NA2

N O R M. A R C H I T E CT S 2011

SAMUEL WILKINSON 2012

Product category Materials Dimensions (cm/in) Colours

SW1

Product category Materials Dimensions (cm/in) Colours

S H U F F L E TA B L E

SW2

Coffee table Solid oak with a brushed surface. Ø: 50cm/19.7in, H: 50cm/19.7in Solid smoked oiled oak Solid white oiled oak Solid black stained oak (RAL 9005)

Product category Materials Dimensions (cm/in) Colours

MH1

M I A H A M B O RG BL A C K E D I T I O N B Y P E T E R H A G E N 2010

SAMUEL WILKINSON 2012

Dining table Powdercoated steel structure and sand blasted solid oak legs with table top in either ash veneer, laminate or solid oak. H: 75cm/29.5in, D: 90cm/35.4in, L: 200cm/78.7in. Black powdercoated steel with black stained oak legs and black stained ash veneer table top. White powdercoated steel with natural oak legs and white laminate table top. Black powder coated steel with smoked oiled oak legs and table top.

H O O F TA B L E

Coffee table Solid oak with a brushed surface. Ø: 90cm/35.4in, H: 40cm/15.7in. Solid smoked oiled oak Solid black stained oak (RAL 9005)

Product category Materials Dimensions (cm/in) Colours

Side table PU Lacquered MDF, polished marble, PU lacqured solid beech, Solid oiled oak. Ø: 45cm/17.7in, H: 69cm/27.2in. Black lacquered wood and polished Nero Marquina marble or Multicolour.

Ø: 45cm / 17.7in

Ø: 30cm / 11.8in

Ø: 90cm / 35.4in

69cm / 27.2in

Ø: 50cm / 19.7in

40cm / 15.7in

200cm / 78.7in

50cm / 19.7in

75cm / 29.5in

90cm / 35.4in

PA L E T T E

JH6

J A I M E H AYO N 2015

Product category Materials Dimensions (cm/in)

Lounge table Stainless steel, white Bianco Carrara marble, pink stained ash. D: 82.5cm/32.5in, W: 70.8cm/27.9in, H: 46.7cm/18.4in.

PA L E T T E D E S K

JH8

J A I M E H AYO N 2015

Product category Materials Dimensions (cm/in)

PA L E T T E

JH7

J A I M E H AYO N 2015

Product category Materials Dimensions (cm/in)

Lounge table Brass, black Nero Marqina marble, black stained ash. D: 115.2cm/45.4in, W: 67.8cm/26.7in, H: 47cm/18.5in.

JH9

Lounge table Brass, red Rosso Levanto marble, blue stained ash. D: 66.3cm/26in, W: 54.9cm/21.6in, H: 57 cm/22.4in.

Product category Materials Dimensions (cm/in)

Desk Polished black Nero Marqina marble, black stained ash veneer. Honed white Bianco Carrara marble, red stained ash veneer. Satin polished brass, grey-green stained ash veneer. H: 73/83cm/28.7/32.7in, D: 62cm/24.4in L: 146cm/57.5in

40cm / 15.7in

54.9cm / 21.6in

66.3cm / 26in

62cm / 24.4in

146cm / 57.5in

115.2cm / 45.4in

73cm / 28.7in

67.8cm / 26.7in

83cm / 32.7in

57cm / 22.4 in

82.5cm / 32.5in

47cm / 18.5in

46.7cm / 18.4in

70.8cm / 27.9in

THE MOOR

AP5 & AP7

A L L T H E WAY T O PA R I S 2016

Product category Materials Dimensions (cm/in) Colours

Rug Handloom-woven rug with a dense, soft and highly exclusive velvet-like expression made from 85% pure New Zealand wool, 15% viscose. AP5: W: 170cm/66.9in, L: 240cm/94.5in AP7: W: 200cm/78.7in, L: 300cm/118.1in Grey moss, Beige dew

Product category Materials Dimensions (cm/in) Colours

A P 1 – A P4

A L L T H E WAY T O PA R I S 2014 BY

Rug Handloom-woven rug with a dense, soft and highly exclusive velvet-like expression made from 85% pure New Zealand wool, 15% viscose. W: 300cm/118.1in, L: 300cm/118.1in Blue midnight, Grey moss

Product category Materials Dimensions (cm/in) Colours

Rug Handwoven kelim rug made from carefully selected natural materials. 80% pure New Zealand wool, 20% cotton. AP1: W: 90cm/35.4in, L: 140cm/55.1in. AP2: W: 90cm/35.4in, L: 240cm/94.5in. AP3: W: 170cm/66.9in, L: 240cm/94.5in. AP4: W: 200cm/78.7in, L: 300cm/118.1in. Green Jade, Red Volcano, Blue Thunder, Yellow Amber.

300cm / 118.1in

240cm / 94.5in

A N OT H E R R U G

Rug Handloom-woven rug with a dense, soft and highly exclusive velvet-like expression made from 85% pure New Zealand wool, 15% viscose. W: 240cm/94.5in, L: 240cm/94.5in Red heather, Beige dew

200cm / 78.7in

300cm / 118.1in

AP8

A L L T H E WAY T O PA R I S 2016

170cm / 66.9in

240cm / 94.5in

THE MOOR

AP6

300cm / 118.1in

THE MOOR

TRUE COLOURS NA3 & NA4

L E X POT T 2013

N O R M. A R C H I T E CT S 2011 Stool Powdercoated steel and sandblasted solid oak. NA3: H: 46cm/18.1in, D: 45cm/17.7in, W: 50cm/19.7in. NA4: H: 73cm/28.7in, D: 45 cm/17.7in, W: 50cm/19.7in. Natural oak with white powder coated steel (RAL 9016), Black stained oak with black powder coated steel (RAL 9005).

Product category Materials Dimensions (cm/in) Colours

Product category Materials Dimensions (cm/in) Colours Light source

Vases Brass, Aluminium, Copper, Steel. LP1: Ø: 10cm/3.9in, H: 20cm/7.9in LP2: Ø: 10cm/3.9in, H: 24cm/9.4in LP3: Ø: 8cm/3.1in, H:20cm/7.9in LP4: Ø: 8cm/3.1in, H: 10cm/3.9in LP5: Ø: 10cm/3.9in, H: 14cm/5.5in LP6: Ø: 6,5cm/2.6in, H: 16cm/6.3in LP7: Ø: 8cm/3.1in, H:18cm/7.1in Blue brass, White aluminium, Pink brass, Green copper, Brown steel, Black brass

H: 18cm / 7.1in

H: 16cm / 6.3in

H: 14cm / 5.5in

H: 10cm / 3.9in

H: 20cm / 7.9in

H: 24cm / 9.4in

46cm / 18.1in

73cm / 28.7in

H: 20cm / 7.9in

75˚

ONTWERPDUO 2010 Product category Materials Dimensions (cm/in) Colours Light source

90˚

75˚

120

60˚

120

60˚

160

LP1

LP2

Ø: 8cm / 3.1in

Ø: 10cm / 3.9in

LP3

LP4

LP5

Ø:6.5cm / 2.6in LP6

Ø: 8cm / 3.1in LP7

60˚

160

200

Ø: 10cm / 3.9in

Wall mounting set Lacquered copper, aluminium, ABS, 3 meter clear pvc cord with CE plug. Conf.1: H: 120cm/47.2in, W: 70cm/27.6in. Conf.2: H: 95cm/37.4in, W: 150cm/59.1in. Slightly textured matt forest green. 3 x E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

80 60˚

OD2

Ceiling light Lacquered copper, aluminium and ABS. Conf.1: W: 100cm/39.4in, D: 100cm/39.4in. Conf.2: W: 125cm/49.2in, D: 120cm/47.2in. Conf.3: W: 145cm/57.1in, D: 75cm/29.5in. Conf.4: W: 100cm/39.4in, D: 75cm/29.5in. Slightly textured matt forest green. 3 x E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E . Bulb is not included.

200

45˚

Ø: 10cm / 3.9in Ø: 45 cm / 17.7in

LIGHT FOREST

90˚

45cm / 17.7in

OD1

ONTWERPDUO 2010

Product category Materials Dimensions (cm/in) Colours

LIGHT FOREST

L P 1 – L P 7

45˚ cd/klm

45˚

45˚ cd/klm

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

30˚ C0,0-C180,0

15˚

0˚

15˚

30˚

C90,0-C270,0

N A S TO O L & BA R S TO O L

MARBLE LIGHT

SV1

STUDIO VIT 2014

Product category Materials Dimensions (cm/in) Light source

MARBLE LIGHT

SV2

STUDIO VIT 2014

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 11,5cm/4.5in, H: 7cm/2.7in. Glass: Ø: 8cm/3.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

45˚

300

75˚

100 150

60˚

200 250 45˚

45˚

300

90˚

cd/klm

cd/klm 30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

Marble: Ø: 11,5cm / 4.5in, Glass: Ø: 8cm / 3.1in

90˚

75˚

100 150

60˚

200 250 45˚

45˚

300

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 9cm/3.5in, H: 6cm/2.3in. Glass: Ø: 11cm/4.3in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

90˚

75˚

100 150

60˚

200 250 45˚

45˚

300 cd/klm

30˚

Marble: Ø: 8cm / 3.1in, Glass: Ø: 13cm / 5.1in

Product category Materials Dimensions (cm/in) Light source

90˚

cd/klm 30˚

30˚

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 7cm/2.7in, H: 5cm/1.9. Glass: Ø: 8cm/3.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

Marble: 6cm / 2.3in.

250

75˚

Product category Materials Dimensions (cm/in) Light source

Marble: 5cm / 1.9.in

60˚

90˚

Marble: 10cm / 3.9in

150 200

Marble: 7cm / 2.7in

75˚

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 8cm/3.1in, H: 10cm/3.9in. Glass: Ø: 13cm/5.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

S V4

STUDIO VIT 2014

90˚

100

Product category Materials Dimensions (cm/in) Light source

MARBLE LIGHT

SV3

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Marble: Ø: 7cm / 2.7in, Glass: Ø: 8cm / 3.1in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Marble: Ø: 9cm / 3.5in, Glass: Ø: 11cm / 4.3in

MARBLE LIGHT

SV5

STUDIO VIT 2014

MARBLE LIGHT

STUDIO VIT 2014

Product category Materials Dimensions (cm/in) Light source

S V6

Product category Materials Dimensions (cm/in) Light source

BLOWN

STUDIO VIT 2014

Pendant White Bianco Carrara marble and clear mouth blown borosilicate glass with 4 meter white fabric cord. Marble: Ø: 5cm/1.9in, H: 16cm/6.3in. Glass: Ø: 16cm/6.3in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

SV7

SAMUEL WILKINSON 2014

Table lamp White Bianco Carrara marble and clear mouth blown borosilicate glass with 2 meter white fabric cord with dimmer. Marble: Ø: 7cm/2.7in, H: 5cm/1.9in. Glass: Ø: 16cm/6.3in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

Product category Materials Dimensions (cm/in) Light source

Pendant (SV2) with marble floor weight and 10 meter cable. White bianco carrara marble with 10 meter white fabric cord fitted with G9 lamp holder. The floor weight is delivered with a white metal hook for ceiling installation and a self-assembly CE plug. Marble: Ø: 20cm/7.8in, H: 8cm/3.1in. G9 Max 25 Watt. This luminaire is compatible with bulbs of the energy classes: B - E. This luminaire is sold with a bulb of the energy class: D.

Product category Materials Dimensions (cm/in) Colours Light source

120˚ 90˚

250 45˚

45˚

300

60˚

105˚

60˚

150 100

75˚

90˚

Marble: 8cm / 3.1in

60˚

200

Marble: 5cm / 1.9in

150

60˚

120˚

100

45˚

250 200

Pendant Mouth-blown glass, powdercoated metal suspension, coated wire, 4 meter fabric cord. Ø: 28cm/11in, H: 28cm/11in. Silver lustre glass with black textile cord, Blasted white glass with white textile cord. E27 Max 100 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

105˚

90˚

75˚

60˚

28cm / 11in

75˚

100

Marble: 16cm / 6.3in

75˚

300

45˚

10 m

90˚

SW3

60˚

cd/klm 30˚

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

75˚

30˚

Marble: Ø: 5cm / 1.9in, Glass: Ø: 16cm / 6.3in

C0,0-C180,0

60˚ 45˚ 30˚ 15˚ 0˚ 15˚ 30˚ 45˚ 60˚ C90,0-C270,0

75˚

45˚

Marble: Ø: 7cm / 2.7in, Glass: Ø: 16cm / 6.3in

Ø: 20cm / 7.8in

C0,0-C180,0

30˚

15˚

0˚

C90,0-C270,0

15˚

30˚

45˚

28cm / 11in

cd/klm

J H 10

J A I M E H AYO N 2016

J H 11

J A I M E H AYO N 2016

Product category Materials Dimensions (cm/in) Colours Light source

PA S S E PA R TO U T

Product category Materials Dimensions (cm/in) Colours Light source

J H 12

MILK

J A I M E H AYO N 2016

Ceiling & wall lamp Aluminium, Polycarbonate, ABS Ø: 15.5cm/6.1in, H: 17cm/6.7in. Matt white, Satin polished brass, Polished aluminium. 11,5 Watt dimmable LED. The luminaire is compatible with bulbs of the energy classes: A++ - A. The built-in LEDs cannot be changed in this luminaire.

PA S S E PA R TO U T

N O R M . A R C H I T E CT S 2010

Ceiling & wall lamp Aluminium, Polycarbonate, ABS Ø: 20cm/7.9in, H: 15.5cm/6.1in. Matt white, Satin polished brass, Polished aluminium. 11,5 Watt dimmable LED. The luminaire is compatible with bulbs of the energy classes: A++ - A. The built-in LEDs cannot be changed in this luminaire.

Product category Materials Dimensions (cm/in) Colours Light source

N A1

Ceiling & wall lamp Aluminium, Polycarbonate, ABS Ø: 28cm/11in, H: 12.5cm/4.9in. Matt white, Satin polished brass, Polished aluminium. 11,5 Watt dimmable LED. The luminaire is compatible with bulbs of the energy classes: A++ - A. The built-in LEDs cannot be changed in this luminaire.

12.5cm / 4.9in

17cm / 6.7in

15.5cm / 6.1in

Product category Materials Dimensions (cm/in) Colours Light source 120˚

Table lamp Mouth blown opal glass, solid ash legs, 2 meter fabric cord with dimmer. Ø: 20cm/7.9in, H: 25cm/9.8in. Untreated ash legs with white fabric cord, Untreated ash legs with black fabric cord, Black stained ash legs with black fabric cord, Smoked oiled ash legs with black fabric cord. G9 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: B - E. The luminaire is sold with a bulb of the energy class: E. 120˚

75 60 45

105˚

90˚

75˚

60˚

60˚ 45˚

Ø: 15.5cm / 6.1in

Ø: 20cm / 7.9in

Ø: 28m / 11in

25cm / 9.8in

C0,0-C180,0

30˚

15˚

0˚

15˚

C90,0-C270,0

30˚

45˚

20cm / 7.9in

PA S S E PA R TO U T

FORMAKAMI

JH3

J A I M E H AYO N 2015

120˚

Product category Materials Dimensions (cm/in) Colours Light source

120˚

Pendant Ivory white paper, black stained oak, 4 meter black fabric cord. Ø: 50cm/19.7in, H: 50cm/19.7in. Ivory white paper with black stained oak. E27 2 x Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

Product category Materials Dimensions (cm/in) Colours Light source

120˚

J K1

S O F I E R E F E R , J A KO B S TA E R A N D J E S P E R KO N G S H A U G 2011

Pendant Ivory white paper, black stained oak, 4 meter black fabric cord. Ø: 70cm/27.6in, H: 74cm/29.1in. Ivory white paper with black stained oak. E27 2 x Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

120˚

Product category Materials Dimensions (cm/in) Colours: Light source

Chandelier Lacquered aluminium, acrylic diffuser, silicon cord. Canopy: H: 55cm/21.7in, D: 26cm/10.2in, L: 5cm/1.9in. Total max length 250cm/98.4in. Black, White. 8 x built-in 2,5 Watt LED - 3000 Kelvin. The luminaire is compatible with bulbs of the energy classes: A++ - A. The built-in LEDs cannot be changed in this luminaire.

90˚

-9

75˚

60˚

105˚

90˚

75˚

60˚

105˚

90˚

75˚

60˚

75˚

500 750

60˚

1000 1250 45˚

cd/klm

cd/klm 45˚

C0-C180

30˚

15˚

0˚

C90-C270

15˚

30˚

45˚

Ø: 46cm / 18.1in

C0-C180

30˚

15˚

0˚

C90-C270

15˚

30˚

250cm / 98.4in

90˚

105˚

74cm / 29.1in

90˚

-8

50cm / 19.1in

105˚

68cm / 26.7in

105˚

J A I M E H AYO N 2015

Pendant Ivory white paper, black stained oak, 4 meter black fabric cord. Ø: 46cm/18.1in, H: 68cm/26.7in. Ivory white paper with black stained oak. E27 2 x Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

A R R AY

JH5

45˚

Ø: 50cm / 19.7in

45˚ cd/klm

C0-C180

30˚

15˚

0˚

C90-C270

15˚

30˚

45˚

Ø: 70cm / 27.6in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

55cm / 21.7in

Product category Materials Dimensions (cm/in) Colours Light source

FORMAKAMI

JH4

B E L L E V U E TA B L E

AJ7

A R N E J ACO B S E N 1929

Product category Materials Dimensions (cm/in) Colours Light source

60˚

160

90˚

75˚

80 120

60˚

160 200

200 45˚

45˚

42cm / 16.5in

120

60˚

45˚

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Base: Ø: 27.3cm / 10.7in Lamp: D: 60cm / 23.6in

Wall lamp Satin polished brass with lacquered aluminium and steel, 2 meter fabric cord. On-off switch on wall mount base. Wall Mount: Ø: 8.5cm/3.3in. Lamp: D: 28cm/11in, W: 16.5cm/6.5in, H: 30cm/11.8in Ivory white & brass, Black & brass, Grey beige & brass. E14 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

75˚

80 120

60˚

160 200 45˚

cd/klm

Product category Materials Dimensions (cm/in) Colours: Light source

45˚

30˚

15˚

0˚ C90,0-C270,0

15˚

30˚

Base: Ø: 17.5cm / 6.9in Lamp: D: 42cm / 16.5in

Pendant Lacquered aluminium with 3 meter fabric cord. Ø: 21cm/8.3in, H: 19cm/7.5in Grey beige, White, Black blue, Dark green, Deep red. E27 Max 40 Watt, The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

75˚

40 60

60˚

80 100 45˚

cd/klm

C0,0-C180,0

Product category Materials Dimensions (cm/in) Colours Light source

19cm / 7.5in

75˚

130cm / 51.2in

75˚

Table lamp Satin polished brass with lacquered aluminium and steel, cast iron base, 2 meter fabric cord. On-off switch on base. Base: Ø: 17.5cm/6.9in. Lamp: D: 42cm/16.5in, W: 16.5cm/6.5in, H: 42cm/16.5in Ivory white & brass, Black & brass, Grey beige & brass. E14 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

VP6

V E R N E R PA N T O N 1959

Base: Ø: 8.5cm / 3.3in

90˚

Product category Materials Dimensions (cm/in) Colours Light source

TO PA N

AJ9

A R N E J ACO B S E N 1929

Floor lamp Satin polished brass or satin polished brass with lacquered aluminium and steel, cast iron base, 2 meter fabric cord with on-off switch. Base: Ø: 27.3cm/10.7in. Lamp: D: 60cm/23.6in, H: 130cm/51.2in Brass, Ivory white & brass, Black & brass, Grey beige & brass. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

B E L L E V U E WA L L

AJ8

45˚

120 cd/klm

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Lamp: D: 28cm / 11in

C0,0-C180,0

15˚

0˚ C90-C270

15˚

30˚

Ø: 21cm / 8.3in

BELLEVUE FLOOR

F L O W E R P OT

VP1

V E R N E R PA N T O N 1968

90˚

75˚

60˚

100

60˚

90˚

75˚

60˚

120

60˚

160

Pendant Lacquered metal with 3 meter fabric cord. Ø: 23cm/9.1in, H: 36cm/14.1in Polished copper, Polished brass, Matt black, Matt white, Polished stainless steel. E 27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

75˚

60˚

36cm / 14.2in

75˚

Product category Materials Dimensions (cm/in) Colours Light source

50cm / 19.7in

90˚

Product category Table lamp Materials Lacquered steel with 2 meter clear PVC cord. Cord Dimensions Ø: 23cm/9.1in, H: 50cm/19.7in Colours Grey beige, Deep red, Black blue, Dark green, Matt Grey, White, Polished stainless steel, Polished brass. Light source E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

Pendant Lacquered metal with 3 meter fabric cord. Ø: 50cm/19.7in, H: 36cm/14.2in. White, other colours upon request. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

36cm / 14.2in

90˚

16cm / 6.3in

75˚

Product category Materials Dimensions (cm/in) Colours Light source

V P4

V E R N E R PA N T O N 1968

Pendant Lacquered metal with 3 meter fabric cord. Ø: 23cm/9.1in, H: 16cm/6.3in. Dark green, Mustard, Beige red, Deep red, Black blue, Grey beige, White, Matt black, Matt white, Matt grey, Polished copper, Polished stainless steel, Polished brass. E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

F L O W E R P OT

VP3

V E R N E R PA N T O N 1969

V E R N E R PA N T O N 1968

Product category Materials Dimensions (cm/in) Colours Light source

F L O W E R P OT

VP2

60˚

120

125 45˚

45˚

160

150 cd/klm

45˚

cd/klm 30˚

C0-C180

15˚

0˚ C90-C270

15˚

30˚

Ø: 23cm / 9.1in

45˚

200

45˚

cd/klm

C0-C180

15˚

0˚ C90-C270

15˚

30˚

Ø: 50cm / 19.7in

45˚

160 cd/klm

C0-C180

15˚

0˚ C90-C270

15˚

30˚

23cm / 9.1in

C0-C180

15˚

0˚ C90-C270

15˚

30˚

23cm / 9.1in

45˚

MASS LIGHT

NA5

N O R M. A R C H I T E CT S 2012

N O R M . A R C H I T E CT S 2012

Product category Materials Dimensions (cm/in) Light Source

Pendant Marble, copper or brass, white acid-etched opal glass, 4 meter black fabric cord. Mass Light can also be bought as a chandelier with a canopy for 9 pendants. Ø: Ø12.6cm/5in, H: 18.3cm/7.2in. G9 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: B - E. The luminaire is sold with a bulb of the energy class: E.

120˚

105˚

90˚

120˚

40 30

105˚

90˚

Product category Materials Dimensions (cm/in) Colours Light source

120˚

J Ø R N U TZ O N 1947 BY

Chandelier Mouth-blown glass and anodised aluminium with clear PVC cord. SR6: Ø: 38cm/14.9in L: 180cm/70.8in. Custom sizes available upon request. Clear glass with anodized aluminium. Silver lustre glass with black anodized aluminium. Gold lustre glass with gold anodized aluminium. 9 x G4 Max 10 Watt. The luminaire is compatible with bulbs of the energy class: C. The luminaire is sold with a bulb of the energy class: C.

Product category Materials Dimensions (cm/in) Colours Light source

90˚

60 45

105˚

90˚

75˚

60˚

90˚

75˚

60˚

45˚

30˚

15˚

0˚

C90-C270

15˚

30˚

45˚

Ø: 12.6cm / 5in

C0-C180

30˚

15˚

0˚

C90-C270

15˚

30˚

45˚

40cm / 155.7in Base: 16cm / 6.3in

45˚ C0,0-C180,0

30˚

15˚

0˚

15˚

C90,0-C270,0

30˚

Ø: 38cm / 14.9in

45˚

160

30˚

45˚

60˚

120 45˚

C0-C180

Pendant Lacquered metal, 3 meter fabric cord. Ø: 22cm/8.7inH: 23cm/9.1in. White lacquered steel with white fabric cord. Lacquered copper with black fabric cord. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

120˚

105˚

JU1

23cm / 9.1in

90˚

Chandelier Marble, copper or brass, white acid-etched opal glass, 4 meter black fabric cord. Ø: 12.6cm/5in, H: 18.3cm/7.2in, L: Min 80cm/31.5in Max 175cm/68.9in. W: 40cm/155.7in. Base: 16cm. 1 x G9 – max 40 Watt. G9 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: B - E. The luminaire is sold with a bulb of the energy class: E.

UTZON LAMP

180cm / 70.8in

18.3cm / 7.2in

40 105˚

Product category Materials Dimensions (cm/in) Light source Lamps included

S R 6 – S R 10

SOFIE REFER 2006

Min: 80cm / 31.5in Max: 175cm / 68.9in

120˚

ICE CHANDELIER

NA6

C0-C180

15˚

0˚ C90-C270

15˚

30˚

Ø: 22cm / 8.7in

MASS LIGHT

BY S PA C E C O P E N H A G E N 2014

Product category Materials Dimensions (cm/in) Colours Light source

75˚

60˚

V I CT O R V E T T E R L E I N 2010

Product category Materials Dimensions (cm/in) Colours Light source

90˚

75˚

60˚

120

60˚

Product category Materials Dimensions (cm/in) Cord Colours Light Source:

Pendant Lacquered aluminum shade with plated steel suspension, 6 meter fabric cord with safety wire. Ø: 60cm/23.6in, H: 53cm/20.7in. Matt black, Matt white. E27 Max 150 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

75˚

60˚

120

Table lamp Paper pulp, 2 meter bordeaux fabric cord. H: 52.4cm/20.6in, L: 25.4cm/10in, W: 16.5cm/6.5in. Natural paper bordeaux fabric color. E27 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

90˚

75˚

60˚

100 45˚

45˚

160

45˚

30˚ C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

Ø: 20cm / 7.8in

45˚

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Ø: 35cm / 13.8in

45˚

100 cd/klm

cd/klm 30˚

30˚

160

45˚

cd/klm

52.4cm / 20.6in

75˚

Pendant Lacquered steel shade with plated steel suspension, 4 meter fabric cord. Ø: 35cm/13.8in, H: 40cm/15.7in. Matt black, Matt white. E27 Max 100 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

V V1

53cm / 20.7in

90˚

TRASH ME

BY S PA C E C O P E N H A G E N 2014

40cm / 15.7in

90˚

25cm / 9.8in

75˚

60˚

Product category Materials Dimensions (cm/in) Colours Light source

Pendant Lacquered steel shade with plated steel suspension, 4 meter fabric cord. Ø: 20cm/7.8in, H: 25cm/9.8in. Matt blush, Matt moss, Matt slate, Matt black, Matt white. G9 Max 40 Watt. The luminaire is compatible with bulbs of the energy classes: B - E. Bulb is not included.

90˚

C O P E N H AG E N P E N DA N T S C 8

C O P E N H AG E N P E N DA N T S C 7

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

Ø: 60cm / 23.6in

C0,0-C180,0

15˚

0˚ C90,0-C270,0

15˚

30˚

25.4cm / 10in x 16.5cm / 6.5in

C O P E N H AG E N P E N DA N T S C 6

SPINNING LIGHT

BH1

BY B E N J A M I N H U B E RT 2010

Product category Materials Dimensions (cm/in) Colours Light source

BULB

BH2

SOFIE REFER 2001

B E N J A M I N H U B E RT 2010 Product category Materials Dimensions (cm/in) Colours Light source

Product category Materials Dimensions (cm/in) Colours Light source

Pendant Lacquered aluminium with 4 meter PVC cord. Ø: 40cm/15.7in, H: 34cm/13.4in. White, Black, Dark matt grey. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

120˚ 90˚

90˚

60˚

160

75˚

100 150

60˚

200

250

45˚

cd/klm

C0-C180

15˚

0˚ C90-C270

15˚

30˚

105˚

90˚

75˚

120˚

60˚ 30˚

Ø: 25cm / 9.8in

105˚

120˚

Pendant Mouth blown glass with 3 meter cord and porcelain lamp holder. Ø:18cm/7.1in, H: 23cm/9in Clear glass with black fabric cord, Clear glass with clear cord, Silver lustre glass with black fabric cord, Gold lustre glass with white fabric cord, Silver lustre glass with clear PVC cord, Gold lustre glass with clear PVC cord. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

105˚

90˚

75˚

45˚ cd/klm

30˚

120˚

Product category Materials Dimensions (cm/in) Colours Light source

23cm / 9in

120

60˚

75˚

Pendant Mouth blown glass with 3 meter cord and porcelain lamp holder. Ø:11cm/4.3in, H: 16.3cm/6.4in Clear glass with clear PVC cord, Clear glass with black fabric cord. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

16.3cm / 6.4in

90˚

34cm / 13.4in

75˚

45cm / 17.7in

75˚

90˚

SR2

SOFIE REFER 2006

Pendant Lacquered aluminium with 4 meter PVC cord. H: 45cm/17.7in, Ø: 25cm/9.8in. White, Black, Dark matt grey. E27 Max 60 Watt. The luminaire is compatible with bulbs of the energy classes: A++ - E. Bulb is not included.

MEGA BULB

SR1

C0-C180

15˚

0˚ C90-C270

15˚

30˚

60˚ 45˚

Ø: 40cm / 15.7in

C0,0-C180,0

30˚

15˚

0˚

15˚

C90,0-C270,0

30˚

60˚

45˚

60˚ 45˚

Ø: 11cm / 4.3in

C0,0-C180,0

30˚

15˚

0˚

15˚

C90,0-C270,0

30˚

45˚

Ø: 18cm / 7.1in

SPINNING LIGHT

C O N C E P T A N D C R E AT I V E D I R E CT I O N All the Way to Paris P H OTO G RA P H Y Mikkel Rahr Mortensen, Petra Bindel, Casper Sejersen S TY L I N G All the Way to Paris A RT I C L E S Julie Ralphs P R I N T E D AT Narayana Press

&tradition PapirĂ¸en, Trangravsvej 24 DK - 1436 Copenhagen K andtradition.com ÂŠ&tradition 2016

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