DESIRE LUBWAMA C o l l e c t i o n
Table of Contents Kensington’s Urban Banana Conservatory Year 3, Semester 2 Design Statement Site Plan Long Section and Short Section The structure Elevation and Plans Interior Views conservatory Interior Views Brewery Exterior view elevations
The Salon of: Natural History and Appropriation of East African/Ugandan culture. Year 3, Semester 1 Design Statement John Speke the untold story African cartography Remembered/reimagined East African mapping Conceptual collage Long section detail and interior views Plans and Axonometric Perspective section
London museum of fashion and textiles Year 2, Semester 2 Collection of works.
Work Experience: Adjaye Associates Visitor’s Pavillion Brixton Market Development Holocaust Memorial
Making memory, Taking memory Dissertation
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The Urban Pleasure Gardens
KENSINGTON’S URBAN ‘BANANA’ CONSERVATORY: A vertical plantation and Production Cycle Design Statement summary Addressing issues of cultural, historical and ecological sustainability, the Conservatory serves as a pedagogical tool that reveals narratives of the Ugandan/East African landscape. The displaced urban site of the Natural History Museum serves as a complex web of natural and manmade systems for social pleasures. Intended to appear like a ‘jewel’ on an urban site, the thirty-five-metre high volume is faceted with layers of double glazed glass and ETFE cushions to create a sculptural presence and generate a tropical environment for the banana plantation. The cultivation of bananas on site is maximised through vertical stacking, orientated to face southwards for maximum sunlight for the exuberant growth of these tropical plants. Located in the heart of London’s cultural community, this facility aims to amalgamate five programs that define ideas of urban pleasure in this instance. These are a library, café, sculpture gallery, laboratory and brewery.
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Key Spaces: Banana plantation premise facade|Biotechnological laboratory|Auditorium| Stolen artefacts gallery|Brewery|Conveyor Belt. Tutors: Dr. Constance Lau and Stephen Harty
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Conservatory Program diagrams: Maximising Densities on site .1 Sectional collages experimenting with design proposition on site .2&3
Conservatory Program diagrams: Maximising Densities and capacities by fitting different programs of urban pleasure in a grid surface area of the site
SIte Plan Transcript. The New Proposal follows the Darwin Phase 1 footprint
Library
Banana premises
Cafe/restaurant
Laboratory
Plantation beds
SEM 1:The Salon of Natural History and Appropriation of East African Culture
Displaced Natral history museum site
Faceted shape massing models for the roof structure. Facesfor constructed Faceted shape massing models the to maximise sunlight on site for the growth of banana plants. The roof will be double glazed with two layers, on one side with openings to allow air flow in conservatory facade structure the building.
SEM 1 extension to the urban displaced site (NHM)
Exsisting Natural History museum site and phase II Darwin Centre
By Maximising plantation space on site. Through sunpath study analysis on site, 420 bananas can be grown traditionally site receiving maximum sunlight.
Exsisting Natural History museum (NHM) site museum and phase II Darwin Exsisting Natural History site and phase II Darwin Centre
Faceted shape massing models for the roof structure. Faces constructed to maximise sunlight on site for the growth of banana plants. The roof will be double glazed with two layers, on one side with openings to allow air flow in the building.
Phase 1 Darwin Centre
core transporting the bananas laboratory Lift core transporting bananasLift from the biotech from the biotech laboratory
Lift core transporting the bananas from the biotech laboratory
Ugandan mapping readings onto the displaced Natural history museum site. from SEM 1transferred onto the displaced Natural history museum site.
Collage of ideas from Ugandan mapping readings transferred Collage of ideas Ugandan mapping ontofrom the displaced Naturalreadings history transferred museum site.
Areas site on sitereadings taken into consideration for : Tsunami memorial Exisiting driving Tsunami Tsunami memorial proposal user experience:
Areas on site taken consideration for : the into proposal the proposal
Memorial
Wildlife garden plan Wildlife Gardens
Wildlife garden plan
Massing models Massing models Light andtesting Shadow tests ononsite testing light andonshadow site light and shadow site
The facade is oriented to face directly to the south sun allowing plants to
garden’stofacade will be oriented to face The garden’s facade willThe be oriented face the south sun allowing planting space directly to the south sundirectly allowingto planting space the conseravtory to maximise sunlight. within the conseravtory within to maximise sunlight.
The grids are carefully placed in areas that will receive maximum sunlight, each grid is 3x2 feet the required spacing for a Banana Planatation
Thethe grids represent The grids represent the spaces where Banana plants the spaces where the Banana plants will grow and is based on the required spacing need for will grow and is based on the required spacing need for their growth their growth
Technical Section through Conservatory and Brewery.
Brewery following Phase 1 Darwing Centre footprint.
Tsunami Memorial
Wildlife Gardens
Rendered Section of the Urban Banana Conservatory showing its faceted ‘jewel’ form, structural strategy and the programs within.
Technical Details of ETFE facade structure to ETFE Cushions
Key spaces 1. Tissue Culture Laboratory 2.Auditorium 3.Treetop walkway 4.Banana Premise facade 5. Vertical Plantation beds 6.Stolen Artefacts gallery 7.Viewing platform /cafe/library 8.Conveyor Belt 9.Waste Depository
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Detailed Short Section of the Urban Banana Conservatory showing the Biotech Laboratory,Vertical Plantation spaces, Cafe Library and Stolen Artefacts gallery
CONSTRUCTION SEQUENCE It will take at least 24 months for construction to take place due to planning and disassembling the Phase I Darwin Centre in order to re-use the Main structural parts for this building, Structural elements of the dissemnled Darwin Centre will be reused for the construction of the Brewery, in particular maintaining using its existing footprint steel structure.
Concrete roof and Etfe Cushion skin
The Landscape has been re-designed including a wildlife garden walkway and pathways to help construction equipment and machinery reach the building, considering that this is on the main roads of South Kensington(a) and the road behind is quite narrow.
CONSTRUCTION SEQUENCE It will take at least 24 months for construction to take place due to planning and disassembling the Phase I Darwin Centre in order to re-use the Main structural parts for this building, Structural elements of the dissemnled Darwin Centre will be reused for the construction of the Brewery, in particular maintaining using its existing footprint steel structure. The Landscape has been re-designed including a wildlife garden walkway and pathways to help construction equipment and machinery reach the building, considering that this is on the main roads of South Kensington(a) and the road behind is quite narrow.
Existing Darwin Phase I building that will be dissembled for a period of 24 months with existing site context, Natural History Museum and Darwin Phase II building
1. Week 1-12 Excavating takes place and Lower Ground/ Core basement Laboratory is filled in with supporting steel structure and concrete walls. Existing steel structure from the Darwin Phase I is kept.
ETFE steel triangulated structure
Existing Darwin Phase I building that will be dissembled for a period of 24 months with existing site context, Natural History Museum and Darwin Phase II building
CONSTRUCTION SEQUENCE It will take at least 24 months for construction to take place due to planning and disassembling the Phase I Darwin Centre in order to re-use the Main structural parts for this building, Structural elements of the dissemnled Darwin Centre will be reused for the construction of the Brewery, in particular maintaining using its existing footprint steel structure. The Landscape has been re-designed including a wildlife garden walkway and pathways to help construction equipment and machinery reach the building, considering that this is on the main roads of South Kensington(a) and the road behind is quite narrow.
Existing Darwin Phase I building that will be dissembled for a period of 24 months with existing site context, Natural History Museum and Darwin Phase II building
1. Week 1-12
2. Week 12- 15
Excavating takes place and Lower Ground/ Core basement Laboratory is filled in with supporting steel structure and concrete walls. Existing steel structure from the Darwin Phase I is kept.
Foundation for ground floor conservatory level is filled in and steel structure from basement continues upwards
Existing Darwin Phase I building that will be dissembled for a period of 24 months with existing site context, Natural History Museum and Darwin Phase II building
1. Week 1-12
Foundation
Excavating takes place and Lower Ground/ Core basement Laboratory is filled in with supporting steel structure and concrete walls. Existing steel structure from the Darwin Phase I is kept.
3. Week15-26
4. Week 26-30 Steel triangulated roof truss Conveyor Belt for transporting bananas across the facility is attached to the connecting to ETFE Double structure existing structure. glazing structure is also attached to both Conservatory and Brewery.
Main core terracotta wall is constructed, Plantation beds in Banana in facade together with the Terracotta walls for the Brewery’s skin is attached onto existing steel structure
All vertical plantation beds are added too.
Existing Darwin Phase I building that will be dissembled for a period of 24 months with existing site context, Natural History Museum and Darwin Phase II building
3. Week15-26
4. Week 26-30
Main core terracotta wall is constructed, Plantation beds in Banana in facade together with the Terracotta walls for the Brewery’s skin is attached onto existing steel structure
Conveyor Belt for transporting bananas across the facility is attached to the existing structure. Double glazing structure is also attached to both Conservatory and Brewery. All vertical plantation beds are added too.
Main core terracotta wall is constructed, Plantation beds in Banana in facade together with the Terracotta for in theand Brewery’s skin is attached onto existFoundation for ground floor conservatory levelwalls is filled steel structure ing steel structure from basement continues upwards
5. Week 30-38
3. Week15-26
Steel conveyor belt
Glass and steel structure observatory above the exist
3. Week15-26 2. Week 12- 15
1. Week 1-12 Excavating takes place and Lower Ground/ Core basement Laboratory is filled in with supporting steel structure and concrete walls. Existing steel structure from the Darwin Phase I is kept.
Main core terracotta wall is constructed, Plantation beds in Banana in facade together with the Terracotta walls for the Brewery’s skin is attached onto existing steel structure
5. Wee
Etfe triangulated steel structure is con treetop walkway which acts as
6. Week 38-42
Etfe triangulated steel structure is constructed as well as the Wildlife Garden treetop walkway which acts as an entrance to the conservatory. Glass and steel structure observatory and tasting room is constructed sitting above the existing steel columns
4. Week 26-30 Double Glazing and roof structure
Conveyor Belt for transporting bananas across the facility is attached to the existing structure. Double glazing structure is also attached to both Conservatory and Brewery. All vertical plantation beds are added too.
Etfe Cushions are fitted on site within the triangulated steel structur Concrete roof structure is fitted above the structure with wind turbines an water collection points for watering the plants within.
5. Week 30-38 Etfe triangulated steel structure is constructed as well as the Wildlife Garden treetop walkway which acts as an entrance to the conservatory. Glass and steel structure observatory and tasting room is constructed sitting above the existing steel columns
Timber structure for packaging and sorting
3. Week15-26
Vertical Terracotta 4. Week 26-30 Plantation beds Conveyor Belt for transporting bananas across the facility is attached to the
Main core terracotta wall is constructed, Plantation beds in Banana in facade together with the Terracotta walls for the Brewery’s skin is attached onto existing steel structure
existing structure. Double glazing structure is also attached to both Conservatory and Brewery. All vertical plantation beds are added too.
5. Week 30-38
6. Week 38-42
Etfe triangulated steel structure is constructed as well as the Wildlife Garden treetop walkway which acts as an entrance to the conservatory.
Etfe Cushions are fitted on site within the triangulated steel structure Concrete roof structure is fitted above the structure with wind turbines and rainwater collection points for watering the plants within.
Glass and steel structure observatory and tasting room is constructed sitting above the existing steel columns
Hanging Steel structured Banana premise facade Steel frame treetop walkway
The conservatory’s structure is carefully crafted with the integration of parametric capabilities of Grasshopper to generate the patterns, as- sign materials and control the analysis in Radiance of the high-tech polished tectonics. ETFE is highly appropriate for the 35 metre design of the con- servatory as it is strong enough to bear 400 times its own weight, is thin and is lightweight. It is also stretchable to three times its length without loss of elasticity hence why the cushions of the Darwin Phase I will be stretched to fit the triangulation of the carefully crafted steel panel structure
Exploded Axonometric Urban Banana Conservatory Structural Members
Construction Sequence Diagrams
It will take at least 24 months for construction to take place due to planning and disassembling the Phase I Darwin Centre in order to re-use the Main structural parts for this building, Structural elements of the dissemnled Darwin Centre will be reused for the construction of the Brewery, in particular maintaining using its existing footprint steel structure
North Elevation Showing Conservatory front Facade, Treetop walkway entrance, Natural History Museum front Facade and Brewery
Ground Floor Plan
First floor Plan
Second floor Plan
Roof Plan
Banana Premise Facade Construction studies Light and Structure
What the King of Buganda sees (Client) Interior view showing the King of Buganda Muteesa I, viewing the condesation/mist from the bananas,that sparks memory of his experience back in Uganda in a Banana Plantation. The experience is intimate creating a sense of belonging for the King.
View showing the forest of bananas growing in their carefully crafted terracotta beds, cafe and Library, Stolen Artefacts gallery and Conyeyor belt.
A phenomenology construct takes place as the incorporation of East African/Uganda culture is introduced through manipulation of its spaces, programs, the chosen materiality and furthermore the intangible phenomenon of light and shadows casted by all the showcased stolen art to be understood beyond their natural physical state as oppose to how they are currently being displayed in museums around London today.
Banana Pseudo-Trunk
Diameter at midpoint
Pseudo-Trunk Internal Structure
Conservatory section with pinned viewports
View showing the romantic, yet carefully crafted qualities of the Banana plantation facade.
Abstracted Internal Structure
The Brewery Experience The Brewery hosts events where the general public can experience the brewing of Bananas and drink Banana beer. East African women are invited to sing in order to carry out the ceremony as it is practiced in Uganda (refer to manual ISUU link).The King of Buganda together with the other clients are invited to first taste the beer in the observatory stacked above the brewery as they enjoy views of the The Royal Albert Hall, The Science Museum and The Albert Memorial.
3D Detail exploration of steel frame and double glazing glass
East African women demonstrating the grinding of sorghum used as a recipe for banana beer in making for the ceremony
Bananas being transported through conveyor belt and brew tanks.
Brewery Section
Detail of Steel Frame connection to floor
West Elevation Experience Key spaces shown
Urban Banana Conservatory showcasing its ‘Jewel’ like qualities. Brewery. Natural History Musuem. Museum western gates entrance. Wildlife gardens tree top walkway.
Front Elevation Experience Banana Plantation facade interior lit up at night with LED lights attached on terracotta wall for the plants efficient growth. The lights create an illuminating atmosphere and museum like experience for it’s neighbours and passers by.
View of the jewel’s volume in relation to the phase II Darwin centre’s Cacoon. This view also shows the connection of the Brewery to the Natural History Museum.
Sweet Disorder and the Carefully Careless
John Speke at the source of Nile
Marrianne North Picturesque painting
THE SALON OF: Natural History and the Appropriation of East African/Uganda Culture Design Statement summary The title of the design brief is, ‘Sweet Disorder and the Carefully Careless’, my response to Robert Maxwell’s essay of the same title quotes his description that “it is possible to see all cultural manifestations as a mechanism whose aim is to ensure a balance between control and inspiration, between order and disorder, in a dynamic situation of constant change.”Through critiquing the influence/effects of colonialism on the Ugandan/East African landscape and how its culture has been appropriated since the coming of the colonial rule. The key ideas for ensuing the design proposal have been generated through analysing the layers imposed on the Ugandan/East African landscape, the different representations and views of the East African/ Ugandan natural landscape by the natives both before and after the coming of the colonisers in the nineteenth century, (missionaries, explorers etc) as well as the western view of the East African/Uganda culture. The brief title concerns the layering and integration of ideas from the picturesque. In these various ways where East African/ Ugandan culture and its meanings of nature have been appropriated by western cultures, the salon’s spaces are designed to reintroduce/reveal the Ugandan/East African natural history through the eyes of its natives an in turn educate the museums users through the different montages of experiences Key Spaces: Marianne North’s gallery |Banana Plantation space |Terracotta kiln and kitchen |Oral Gallery Client: King of Buganda conceptual collage. The experience
Nineteeth century Western discoveries
John Speke’s ‘route’ to the source of the Nile
A manufactured picturesque painting Marianne North on John Speke’s discovery of the Source of the Nile in Uganda
John Speke the Untold Story Collage
The Natural History Museum On Appropriation of East African Culture
Long Section showing Key Spaces 1.Marianne North’s gallery 2. Banana Plantation space 3. Terracotta kiln and kitchen 4. Oral Gallery
Natural History Museum Hintze Hall
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Constructing the Ugandan Map A family activity
Box(map) Construction Drawing Axonometric
East African Cartography Box with slots where objects will be placed
Hierarchy Temporarity 4
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Transitions 3
Engraved Ugandan map Original engraved ugandan map
The constructed Map Shifts, Layers, Representation, Temporarirty
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A reimagined Lukasa board 6
Initial Map (Box) Construction drawing Axonometric 1:10
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Choreographed Ugandan memory map A continously unfolding landscape
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1. Lake 2. Royal court of Kalala Illunga 3. Path to Spirit Capital 4. Sacred trees in Kings Compound 5. Trees associated with Royal Proverbs 6.Mbidi Kiluwe 7. Royal Residence of Nkongolo near Lake Boya 8. Royal meeting house 9. Connectivity road for the Spirit capital 10. Spirit Capital of the initiation society
Lukasa Memory Board Zaire
A Journey Across Time Remembered/Reimagined map of East Africa
East Africa unmapped 1.1548 Ptolemy’s African map, Search for the source of the Nile 2. Francis Wilford’s map, About the Nile and the Mountains of the Moon 3. John Speke’s map of East Africa, Journey to the source of the nile 4. East African Map today. Uganda Municipal Council. .Different discoveries of the source of the Nile
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KEY 1. Lukasa of Zaire. A Sacred kingdom 1800
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2. Water bodies. (Lake Victoria, Lake Albert and Indian Ocean) 3. East African connection 4. Pastoral Usage
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5. Forests (Mabira, Timberline and Montage) 6. Ptolemy - Mountains of the moon. (Kilimanjaro and Rwenzori) 1819
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7. Explorer Boats (J. Speke and Grant) 1860 8. Tribes/Settlement (Divide and Rule) 1900 9. Rivers
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10.Countries (Uganda, Kenya, Tanzania, Rwanda and Burundi) 2019
The East African Picturesque Reintroduced in the Natural History Museum
Arched Entrance to Museum with Terrachota monkey sculptures
Spaces in the Natural History museum will be deconstructed to make space for the Terracotta Kiln and Kitchen. The floor in the Hintze hall will also be excavated for the Banana plantation spaced 3X2 following a traditional East African in particular Ugandan Banana Pla.ntatation.
Terrachota Kiln: Made on site for firing Casts and Cooking Terrachota oven wall
The timber scaffolding during construction will be reused to move efficiently through the kiln to the oral gallery and african artefact space.
Existing Monkey carving in Museum’s columns
Timber Scaffolding which will later be used for the restaurant/Oral galley sapce and East African cast displays
Marianne North Gallery with mirrors projecting the Banana plantation
Banana Plantation: Spaced 2.5 x 3m
Water Well: Collection of water from Banana plant watering
Detailed Long Section of the Salon through the main key spaces. 1.Marianne North Gallery 2, Banana Plantation space 3. Terracotta kiln and kitchen 4. Oral Gallery
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View of Marrianne North Gallery
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View of Oral gallery and Stolen Artefacts Gallery
Detail Section of Kiln and Kitchen during construction
Ground Plan
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Basement Plan
Ground Floor Plan Initial ConstructionPlan Drawings Construction begins in the Natural History Musuem basement in close collaboration with the clients the V&A cast Courts
1.Marianne North Gallery 2, CBanana Plantation space 3. Terracotta kiln and kitchen 4. Oral Gallery
The salon’s plan is orientated to follow the Albertopolis principles and is directly perpendicular to the Natural History Museum’s plan.
KEY Marianne North Gallery Banana Plantation Terrachota Kiln and Terrachota Oven Oral gallery screens/restaurant and East African Architecture cast displays
The terrachota clay oven and Kiln casts will be focused on the origins of life; “From the dust we are born, the dust we reach, we must use earth to build” Kabaka Muteesa 1, Buganda King. The earth, or better said clay/Terrachota. The material is porous and provides temperatures ranging 23-30 degrees providing a tropical climate temperature for banana growth. The construction process of the casts will be developed in close collaboration with my client the Cast Court as well as additional external experts in ma^ Û^e] h_ m^kkZ\ahmZ dbegl !bg]b`^ghnl dghpe^]`^ experts
Isonometric cut through Terracotta Kiln and Kitchen
The salon will promote a sense of place, add to museum diveristy by providing many opportunities mh bgm^kZ\m pbma ma^ liZ\^l maZm phne]g m ghkfZeer [^ exbihited in a museum and encourage users to see the museum from a fresh perspective.
Basement Plan
Terrachotta Clay Experiments >qi^kbf^gmbg` pbma ma^ Ünb]bmr h_ M^kkZ\ahmZ Zg]
Perspective Section through: Marianne North Gallery, Natural History Museum Hintze Hall, Banana Plantation space,Terracotta kiln and kitchen, Oral Gallery and African Artefacts Gallery
The Experience A tall central arch, part of the Natural History museum’s Hintze hall Architecture forms the frame to the initial view of the salon a form echoed around the perimeter of the space, providing a rhythm and scale. A route runs around the perimeter, leading to the eastern side of the museum where the Banana plantation, Terracotta kiln and kitchen, and restaurant/oral gallery are placed. The Banana plantation is systematically placed along the columns of museum to the Eastern side of the museum. On the Western side of the museum is the Marianne North Gallery, directly perpendicular to the kiln and kitchen mirroring the Banana plants on the Eastern Side of the salon giving a new interpretation of reading nature.
LONDON MUSEUM OF FASHION AND TEXTILES Combining fabric surface and structure with urban delight Academic work - 2nd Year Semester 2
Design Statement summary Following the brief title, London and Belonging. This project reveals fashion and textiles from a new perspective following themes of social hierarchy, place and culture in City of London. A site rich in history, this project further revives the lost cloth fair and the livestock market that no longer exists.This project also seeks to be an extension to the culture mile a strategy set by the City of London council to extend culture to areas around the site.
Conceptual collage
Ground Floor Pan Axonometric
Long Perspective section
North Elevation
Short Section
Model Interior view 1
Model Interior view 2
KING SALMAN PARK Adjaye Associates - Current Part 1 placement
Sky Pavilion Plan
Auditorium PavilionPlan
Professional Ongoing project : Riyadh Saudi Arabia I am currently working at Adjaye Associates as a Part 1 architectural assistant where I developed visuals(examples-right), plans and models with colleagues for the Visitor’s Pavillion Project. I have also assisted in the development of concept design and conceptual drawings and participated in meetings with the clients and various members of the design team including consultants, structural engineers and landscape designers. I have also done research and put together presentations for the various consultants. Practising within a medium size architecture office on large scale projects, I have gained confidence in the use of primary and secondary research techniques to inspire the development of my design process.
Exterior view of Sky Pavilion and viewing platform
View from Prism Base
View from Entrance Pavilion
Pavillion’s Roof Plan
View of Entrance Pavilion from Entrance Plaza
BRIXTON MARKET DEVELOPMENT Adjaye Associates - Internship (June 2019 - August 2019) Professional Ongoing project : Brixton London During a two month internship, I worked hand in hand with colleagues on developing 3D visuals orthographic drawings on revit. I also prepared the 3D model for laser cutting and assembled it for the clients, Hondo Enterprise. I also took prepared presentations and took part of the meetings with clients, consiltants and structural engineers.
Interior View from Ground level
Long Section
Exterior Market view
HOLOCAUST MEMORIAL Adjaye Associates - Two week Placement Professional Ongoing project : Westminster,London During a two week placement with Adjaye Associates where I was involved in the design process of the controversial Holocaust memorial project. I created 3D models for laser cutting and assembled the model. I also too part in a meeting the landscape designers and consultants.
Exterior View
Memorial laser cut modelNorth Aerial View
Roof Plan
Interior View
MAKING MEMORY, TAKING MEMORY David Adjaye and conservation of Memory, Indentity and culrtural heritage through Brixton’s Landscape Shortlised Dissertation This analysis presents the erasure of collective memory through the political and social landscapes imposed on Brixton, addressing the issues connected to remembering events and measures for rebuilding Brixton’s identity.Through critical analysis of the gradual erasure of the collective memory of the Windrush generation this paper will argue that David Adjaye’s recent architectural proposal for the Brixton market development.
MAKING MEMORY, TAKING MEMORY:
Brixton, Popes Road
David Adjaye and the conservation of memory, identity and cultural heritage through Brixton’s landscape.
The indoor market today inDecember 2020
Desire Lubwama: W1594039 BA (HONS) Architecture University of Westminster Tutor: Kate Jordan Word count: 5062
Brixton’s indoor market in January 1981.
Dissertation Cover