PROGRAM: Bravo 1972 Opera

Copyright 2010, Michigan Opera Theatre

BALDWIN

THE MOST TALKED ABOUT PIANO IN THE WORLD

"Baldwin ... is in itself a magnificently sensitive and brilliant SS-piece ensemble ... completely satisfying to me both as Pianist and Conductor."

.. . Leonard Bernstein

The New Baldwin Concert Grand is heralded by artist, audiences and critics alike as the Piano of the Century ... it is the result of a constant search for perfection, through 110 years of uninterrupted piano building, without change of ownership.

"If Beethoven had had a piano like that (Baldwin) the course of music would have been radically altered."

Robert CommandaY3 San Francisco Chronicle-August 9 3 1966

"The evening was further enhanced by the magnificent tones of one of the finest concert grands I have ever heard another of those remarkable new Baldwin instruments."

Harris Goldsmith3 High Fidelity/Musical American-January 1966

"The carrying power was imposing, something for which the Brahms Second provides a really severe test There has been a significant technological advance in pianos in decades We might all wind up being grateful to Baldwin for forcing a development."

Michael Steinberg 3 The Boston Sunday Globe-May 8 3 1966

was another contributing factor, too, the piano itself ... I cannot remember, in fact, hearing any make of piano with a better, truer, more musical treble right up to the top It 1S clear that the Baldwin people have taken a big forward step with this new instrument."

Alan Rich, New York Herald-Tribune-October 28 3 1965

OF THE DETROIT GRAND OPERA ASSOCIATION

The Music Hall Theatre

Detroit, Michigan

September 28 - December 16, 1972

David DiChiera

DA

VID

DiCJIIERA, General Director

ROBERT M. HEUER, Managing Director

Detroit has done it again! A beautiful theatre, outstanding singers, and enthusiastic audiences have ensured that opera theatre is here to stay. Overture to Opera, recently accepted into OPERA American (the organization to which all major opera companies belong), opens its season for the second time in an ideal setting - The Music Hall Theatre.

This season our productions span three centuries of opera, from Mozart to Menotti. A varied repertoire has been characteristic of Overture to Opera - last year we presented a rock opera, and Puccini's La Rondine with soprano Nancy Shade. On our drawing boards for the future are ideas for productions of works by Offenbach, Barber and Verdi. We wiU continue to present familar as well as less-famous operas, always emphasizing the fact that opera is, above all, theatre.

As a regional company, our casts consist primarily of the finest professional artists in the Great Lakes area, as well as outstanding young singers from around the country. New dimensions are added when major international stars such as Phyllis Curtin perform with us.

Overture will continue with its extensive in-school educational program. New is the Opera in Residence Program beginning in February, in which Michigan communities will host the Overture Company in their town for a week of opera experience. The week will include classes, workshops and a full production.

Overture is grateful for the gTant from the National Endowment for the Arts which will enable us to carry our Tosca to Flint and Kalamazoo. We wish again to extend heartfelt thanks to the many volunteers whose behind-the-scenes labors have sustained and strengthened us.

Every great city needs a full gamut of cultural offerings. Overture to Opera is proud to provide the citizens of Southeastern Michigan with a full season of opera, thus joining the theatres, the Detroit Symphony and the Institute of Arts in offering Detroiters yet another outlet for their multi-faceted interests. Your generous contributions are making Overture possible, but your enthusiastic reception as an audience gives the company the spiritual support that cannot be measured.

Copyright 2010, Michigan Opera Theatre

THE OVERTURE TO OPERA COMPANY

ADMINISTRATIVE STAFF

General Director: Dr. David DiChiera

Managing Director: Robert M.Heuer

Public Relations: Cindy Skalsky

Secretary/Receptionist: Diann Wolfe

Company Photographer: Bill Morse

MUSIC STAFF

Music Director: William Byrd

Chorus Master: Dr. Raynold Allvin

Coach/Accompanists: Beverly ·Labuta

Donna Edwards

Harpsichordist: Dr. David Daniels

ORCHESTRA

The Flint Symphony Orchestra

William C. Byrd, Music Director

CHORUS

Soprano: Basses:

Jan Albright

Nancy Hoover

Cindy Jackson

Joan Wells

Lee Ann Wolf

Pat Smith

Phyllis Snow

Carol Weisswasser

Altos:

Rose Burnett

Leta Dockett

Diann Wolfe

Tenors:

Jim Anderson

Larry Bellaire

Mike · Albrigh t

Ron Bobo

James Dutcher

George Jahn

Tom Murphy

Steven Olds

John Rahleeh

Albert Shont

Roman Terleckyj

Kenneth Young

Boys Chorus:

Gary Adams

Carl Allvin

Bruce Brunsdon

Gary Cobb

BIRMINGHAM GALLERY Inc.

1025 HAYNES, BIRMINGHAM, MICH 48011

ARTISTS

CORITA KENT

KEGHAM TAZIAN CLIFTON McCHESNEY

MICHAEL ROTHENSTEIN

JANET FOLSOM

CAROLYN HALL

MICHAEL MTLLER

J. FRED WOELL

EMIL WEDDIGE DON CROUCH

Carmen Cavallero

William Kaminski

Jim Wells

Larry Wolf

PRODUCTION STAFF

Stage Directors:

J. Michael Bloom

Carolyn Lockwood

Hal Youngblood

Designers:

Tom Byrant

George Dusincki

Dayvid Warda

Allen White

Tim Hershberger

Bob Munn

Tim Thomas

Steve Tomlinson

FLOWERS

Stage Manager: Linda Connor

FINE ARTS GRAPHICS CUSTOM FRAMING RESTORATION

1972 FALL SEASON COMMITTEES

THE COMMITTEE

Mr.& Mrs. Lynn A. Townsend, Co-Chairmen

Mr.& Mrs. Avern L. Cohn

Mr.& Mrs. John H. DeCarlo

Dr.& Mrs. David DiChiera

Mr.& Mrs. Aaron H. Gershenson

Mr.& Mrs. Donald Graves

Hon.& Mrs. S. Gribbs

Mr.& Mrs. John C. Griffin

EX-OFFICIO

Mr.& Mrs. Frank W. Donovan

Mr.& Mrs. Joseph Vance

AFFILIATED INSTITUTIONS

Detroit Institute of Technology

University Center for Adult Education

SEASON TICKET COMMITTEE

Mrs. Donald Young Chairman

TEAM CAPTAINS

Mrs. Harvey Berman

Mrs. Sigmund Blum

Mrs. Edward Bush

Mrs. Abraham Cooper

Mrs. Paul K. Cousino

Mrs. Ralph Curtis

Mrs. Robert Cutler

Mrs. Robert Dewar

Mrs. Edward Frohlich

Mrs. Matthew Garrisi

Mrs. Eric T. Goullaud

Mrs. John C. Griffin

Mrs. Horace Holloway

Mrs. Robin Hough

Mr.& Mrs. Harry Jones

Hon.& Mrs. Wade H. McCree Jr.

Mr.& Mrs. Harry J. Nederlander

Mr. E. Harwood Rydholm

Mr.& Mrs. Neil Snow

Mr.& Mrs. Richard Strichartz

Mr.& Mrs. Robert C. Vander Kloot

Mr.& Mrs. Sam B. Williams

Mr.& Mrs. Theodore o. Yntema

Mr.& Mrs. Wilber H. Mack

Oakland University University of Detroit Wayne State University

Mrs. Napolean Jones

Mrs. Gunnar Karlstrom

Mrs. Jay Benton Lackey

Mrs. Thomas V. LoCicero

Mrs. Lorenzo Lorenzetti

Mrs. Scott McKean

Mrs. Irving Pasman

Mrs. Laurence Rattner

Mrs. Arthur J. Rooks

Mrs. Ernest J. Shave

Ms. Pat Smith

Mrs. William B. Ten Eyck

Mrs. Robert C. Vander Kloot

OPERA PARTY (NIGHT AT THE OPERA Party)

Mrs. Avern L. Cohn and Mrs. Sam B. Williams Co-Chairmen A ZANY FUN-FILLED EVENING Spectacular Italian buffet Fabulous singing waiters Famous celebrities

movies Exotic fun

SEPTEMBER 28, 30 & OCTOBER 6, 7, 1972

NEW PRODUCTION

W,A, MOZART

Cosi 3an 7utte [Wom en ane Like

OPERA IN TWO ACTS

Libretto by Lorenzo Da Ponte

Translation by Ruth and Thomas Martin

Conductor: William C. Byrd

Stage Director: J.Michael Bloom

Technical Director: George Dusincki

Costumes Designed by Dayvid Warda

Fiordiligi ..•................ Doralene Davis

Dorabella .................... Barbara Windham

Guglielmo •....•.............. Charles Roe

Ferrando ..................... Richard Conrad

Despina ...................... Roma Riddell

Don .•................ John Ostendorf

Servants: James Anderson, James Dutcher, Thomas Murphy, Roman Terlackj

The action takes place in Naples

Richard Conrad, tenor, a sinuer of ex traordinary gifts has made successful tour s of Europe and South Africa. He also has many recordin gs to his credit, including the award winning "The Age of Bel Canto " with Joan Sutherland and \larilyn Horne. .'Ilr. Conrad appeared previously with The Overture to Opera Company in productions of LA RO;\D!;\E and HELP , HELP THE GLOBOLI;\KS

John O s tendorf , bas s- baritone, comes to us from tlle .'Iletropolitan Opera Studio, and as an up-and-coming young artist, he is in great demand around the country. Recent engagements have included performances with the Houston Grand Opera, the Opera and an appearance in LES TROY AS S at Carnegie Hall.

Charles Roe has appeared lvith numerous orciIestras, includin g a performance opposite Beverly Sills with th e Cleveland Orchestra. In 1966 he ",as named runner-up in the :'IJational Singer of the Year competition h e ld in \\a s hington , D C. :'olr. Roe has appeared in many leailin g roles in opera and mu"ical comedv, incl uding The Overture to Opera Company productions of LA RO;\DI;\E and RJTA.

Doralene Davis, soprano, has toured extensively as soloist wi th th e Rouer Wagner and the Robert Chorale throughout South America, the U.S.S.R., Europe and the Cnited States. \Jiss Davis has al so made so lo I appearances at the \lcadow Brook Festival and ,vith the Detroit Svmphony Orchestra. She gained siderable acclaim for her interpretation of \ladame Eut e rpova in The Overture to Opera Company production of HELP , HELP THE - GLOBOU:\KS.

Roma Riddell, soprano , began her career at the Toronto Conservatory of \Iu s ic and established herself as a leading artist with the Toronto Symphony, the Toronto Opera Festival and the C.B .C. Opera Company. Now a resident of Detroi t, this talented and beautiful singing actress frequently appears with The Overture to Opera Company and is also very active in the Detroit musical scene.

Barbara Windham ha s appeared in many productions of both grand and light opera and musical comedy, with such groups as the Toledo Opera Company and the Windsor Light Op e ra Company. She is a memb e r of the Kenneth Jewell Chorale and wa s seen in the much heralded production of THE PERFECT FOOL.

David Daniels is the harpsichordist for all performances.

PLEASE NOTE: There are a limited number of season tickets available The full price of single admission tickets for this opera may be applied on those tickets with an accompanying savings. Please bring your ticket stubs to the Music Hall Box Office during the next few days.

Copyright 2010, Michigan Opera Theatre

OCTOBER 27, 28 & NOVEMBER 2, 4, 1972

PRODUCTION * GIACOMO PUCCINI 'losca

OPERA IN THREE ACTS

Libretto by Giuseppe Giacosa and Luigi Illica John Gutman

Conductor: Wl'llictm C. Byrd

Stage Director: Carolyn Lockwood

Chorus Master: Raynold Allvin

Sets Designed by George Dusincki

Lights Designed by Allen White

Costumes Designed by Dayvid Warda

Floria Tosca, an opera singer

November 2, matinee performance

Mario Cavaradossi, a

Baron Scarpia, the chief of the Roman police

Phyllis Curtin

Charles Hindsley

October 27 and 28 ..........•.........•.. Micheal Ingham

November 2 and 4 ........................ Ronald Holgate

Cesare Angelotti, an underground fighter •........ Charles Roe

A Saclistan ......•............................... Davis Gloff

Spoletta, a police agent Joseph Ryan

Sciarrone, Scarpials orderly

Kenneth Young

A Jailer ...........•......•.•.................... Thomas Murphy

A Shepherd Boy

Act I - The Church of Santi Andrea Della Valle

Act II - Palazzo Farnese

Act III - Castel Santi Angelo

Gail White

* This production of T os ca is supported by a grant from the National Endowment for the Arts in Washington, D.C., a Federal Agency.

Copyright 2010, Michigan Opera Theatre

The management reserves the right to make any changes in the above cast in case of unforeseen exigencies.

Phyllis Curtin, world renown ed soprano, heads the list of artists starring as the beautiful and tragic Tosca. Her following is as numerous as her list of accomplishments, tours, and superlatives preceeding her name. "Her voice is extraordinary , s he is beautiful, and her rep e rtoire is fantastic." London Vogue "Curtin's voice is a miracle. This was more than singing : this was creating."

Holland, Amsterdam Handelsblad

Ronald Hol ga te is a rarity of a performer. He is not only a trained operatic and concert baritone , but also an accomplished actor who won the much coveted Tony award for his rol e in " 1776 ." After his appearance here in Detroit last spring, Collins Geor ge of the Detroit Free Pr ess had this to say of "dr. Holgate: " With that voice, good looks of a movie character and great stage presence, Holgate 's name will be known from now on!"

Charles Hindslev, who will star in the rol e of is a young American tenor whose performance s with numerous op e ra companies have crarnered him such critical acclaim

"He has a clear lyric tenor that carries well and hi s high notes have quitea touch of body and brilliance."

Max Schaunsee, Philadelphia Evening Bulletin. For the New York City Opera he has sung lead tenor roles in LA TRAVIATA, THE LOVE FOR THREE ORI\J\'GES, LA BOHEME as weJl as the world pr e miere of Giannini's THE SERVA1'lT OF TWO f\-1ASTERS. He recently starred as Rhadames opposite Martina Arroyo in the Meadow Brook Festival's production of AIDA.

Alternating with :\lr. Holgate in the role of Scarpia, is Michael Ingham', a young 'ba ritone , fast rising on the operatic scene. A product of the Indiana University Opera where he sang many leading roles, he also appeared for two seasons with the Central City Opera. Critics have lauded him for his passionate, intense in terpreta tions.

DECEMBER 7, 9, 15, 16, 1972

NEW PRODUCTION

GIAN-CARLO MENOTTI

'lhe'Telephone

OPERA BUFFA IN ONE ACT

Conductor: William C. Byrd

Stage Director: Hal Youngblood

Sets Designed by George Dusincki

Lucy ......................... Onita Sanders

Ben Charles Roe

The scene is Lucy's apartment &

OPERA IN TWO ACTS

Conductor: William C. Byrd

Stage Director: (to be announced)

Designed by Thomas A. Aston

Madame Flora (Baba) .......... Muriel Greenspon

Monica ....................... Nancy Hoover

Toby ......................... (to be announced)

Mrs. Gobineau ................Phyllis Gaide

Mr. Gobineau ..........•...... Kenneth Young

Mrs. Nolan ..............•.... Suzanne La Croix

Act I -A squalid room in a flat Act II - The same

By arrangement with G. Schirmer, Inc.

Copyright 2010, Michigan Opera Theatre

The management reserves the right to make any changes in the above cast in case of unforeseen exigencies.

Miss Greenspon returns this year to do the title role she first performed here in 1967. At that time Collins George of The Detroit Free Press commented: "To watch her build the tension carefully from the humdrum opening to the almost unbearably taut climax was fascinating. Miss Greenspon has been and will remain a great gift to the musical theatre."

Subsequently, Miss Greenspon was chosen by Menotti himself to create the role for the famed Festival of Two Worlds in Spoleto, Italy. Critical acclaim was so overwhelming that Miss Greenspon was asked to return the following season for an unprecedented repeat production. Miss Greenspon, a native Detroiter, is considered the world's leading interpreter of the role.

Nancy Hoover received he B.M. degree in voice at W. Virginia University. She did her postgraduate study, majoring in lieder and opera at Mozarteum Academy, Salzburg, Austria. She has had private study with Ludwig Bergman, Marian Manderen, and Marjorie Gordon.

Her experience before coming to Detroit includes summer stock in New Hampshire and Pennsylvania, and operatic roles in Austria. Previous Overture to Opera performances include Th e Por t ug uese and Monica in the 1968 production of Th e Medium.

Onita Jackie Sanders, lyric Soprano, gained considerable experience in doing leading roles with the Celeste Cole Opera Theatre. She has performed for the last two seasons with the Detroit Symphony in their "Summer Music Theatre" Series. Her Overture to Opera debut as Lisette in L a R ondine garnered her rave review.

WOULD YOU Ll KE TO BE ON THE OPERA MAl

Ll Ll ST ?

If you are not now on our mailing list and would like to be, p lease call 377-2044 or write to OPERA, 383 Varner Hall, Oa kland University, Rochester, Michigan 48063.

Copyright 2010, Michigan Opera Theatre

Cast Biographies (continued)

Musical scholarship and award winner Phyllis Gaide is a talented soprano who has appeared in Overture to Opera productions of Menotti's The Medium and The Consul. A student of Avery Crew, she has also studied at the 1965 Meadow Brook School of Music at the Opera Workshop directed by Dr. David DiChiera. Miss Gaide has made numerous appearances as soloist with Detroit musical organizations.

* * * * * *

Davis Gloff is a young Detroit baritone who has embarked upon a most promising and professional career in opera. A student of Avery Crew, his recent credits include performances with the Detroit Symphony Orchestra and the role of Tonio in Pagliacci for Delta College. He debuted with Overture Fiorello in the 1970 production of The Barber of Sem"lle; and last year won critical praise as the Wizard in Overture's premiere production of Holst's The Perfect Fool.

* * * * * *

Accomplished singer and actress Suzanne LaCroix has studied at Wayne State University and in New York. She is well known to Detroit audiences for her numerous appearances in productions at the Bonstelle Theatre and in nightclubs in the metropolitan area. She toured with the Overture to Opera Company as the lead in The Medium and appeared in the Company's productions of Jl Campanella and Der Jasager.

* * * * * *

Lyric spinto soprano Brenda Sinka has appeared with Indiana University Opera theatre and was a leading artist with the Rendsburg Opera in Germany and the Goldovsky Grand Opera Theater. She has made guest appearances with symphony orchestras in Chicago, Cleveland, and Dusseldorf. Most recently she won plaudits for performances in the title role of La Traviata, in Grand Rapids.

*

Kenneth Young is a lyric baritone who holds a masters degree in voice fromlndiana University. He was an apprentice artist with the Santa Fe Opera Company and has appeared as soloist with the Detroit Symphony. His previous Overture to Opera performances included roles in The Portuguese Inn, LaBoheme, and Help, Help, the Clobolinks.

Costumes Executed By: Mary M. Boone; Wigs and Hairstyles by Dayvid B. Warda; Beading by James Beaudoin: Custom Millinery by Mary-Magda Boone; Artwork by Stephen C. Foster.

Technicians: Timothy Alberts, Sue Adler, James Beaudoin, Kathy Grabruck, Karen McKean, Kelly O'Neil, Phyllis Snow.

Special Thanks To: Richard Bunn, Mrs. Funk, Mrs. White, Emma Vandenheede, Richard Foster, Johnston Optical Company

Set Crew: Jim Adams, Dwight Baldwin, William McAdam, Steve Thomas Copyright 2010, Michigan Opera Theatre

(QTUQ( FRIENDS OF OVERTURE (CONTRIBUTORS FOR THE 1971 FALL SEASON) TO P(RA

l'lr • &: Mrs. Don E. Ahrens

Dr. &: Mrs. E. Bryce Alpern

Mr. &: Mrs. Gordon E. Areen

Mr. &: Mrs. J. Merriam Barnes

Mr. &: Mrs. Carl Barton

Mr. &: Mrs. Mortimer Bernhardt

Mr. &: Mrs. Virgil E. Boyd

Mrs. Benjamin Brewster

Mr. &: Mrs. Rinehart Bright

Burroughs Corporation

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Mr. &: Mrs. Roy Chapin

Mr. &: Mrs. Grant Chave

Chrysler Corporation

Mr. &: Mrs. Ferdinand Cinelli

Mr. &: Mrs. Walker Cisler

Mr. &: Mrs. Avern L. Cohn

Mr. &: Mrs. Edward Cole

Mrs. Abraham Cooper

Mr. &: Mrs. John DeCarlo

Mr. &: Mrs. Walter Denison

Mr. &: Mrs. Robert E. Dewar

Dr. &: Mrs. Edward Dolan

Mr. &: Mrs. Frank W. Donovan

Mr. &: Mrs. Robert Doran

Mr. &: Mrs. Charles Endicott

Mrs. Maxwell Fead

Mrs. Charles T. Fisher, Jr.

Mr. &: Mrs. Max Fisher

Mr. &: Mrs. Charles T. Fisher, III

Mr. &: Mrs. Harold A. Fitzgerald

Ford Motor Company

Mr. Phillip Fox

Mr. &: Mrs. Marvin Frenkel

Mr. Richard W. Frey

Mr. &: Mrs. Edward P. Frohlich

Mr. &: Mrs. John Garlinghouse

Mr. &: Mrs. Hans Gehrke

General Motors Corporation

Mr. &: Mrs. Aaron H. Gershenson

Mr. &: Mrs. L. C. Goad

Mr. &: Mrs. Stephen L. Goodale, Jr.

Mr. &: Mrs. Alan Gornick

Mr. &: Mrs. H. James

Mr. &: Mrs. Donald Graves

Mr. &: Mrs. John Griffin

Mr. &: Mrs. David Handleman

Mr. &: Mrs. Paul Handleman

Mr. &: Mrs. W. D. Hanway

Mr. &: Mrs. David Hill

Mr. &: Mrs. Henry C. Johnson

Mr. &: Mrs. Ernest A. Jones

Mr. &: Mrs. Harry L. Jones

Mr. &: Mrs. Semon E. Knudsen

Selma Korn

Dr. &: Mrs. James Labes

Mr. &: Mrs. Mark D. Littler

Mr. &: Mrs. Thomas LoCicero

Mr. &: Mrs. Alan Loofburrow

Mr. &: Mrs. Denver McCord

Mr. &: Mrs. Ralph T. McElvenny

Mr. &: Mrs. Paul McKenny

M &: M Distribution Company

Mr. &: Mrs. Wilbur H. Mack

Mr. &: Mrs. Gerald Manko

Mr. &: Mrs. F. W. Misch

Judge &: Mrs. Arthur Moore

Mott Foundation

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Mr. &: Mrs. John S. Pingel

Mr. &: Mrs. David Pollack

Mr. &: Mrs. John J. Riccardo

Mrs. Hans Rogind

Mrs. George Roumell

Mr. &: Mrs. Ross Roy

Mr. Harwood Rydholm

Dr. &: Mrs. Herman Scarney

Mr. &: Mrs. Robert B. Semple

Mr. &: Mrs. Joseph Seregeny

Mr. &: Mrs. Joseph Shaheen

Mr. &: Mrs. Gerald R. Slattery

Mr. &: Mrs. Neil Snow

Mr. &: Mrs. Sidney R. Solomon

Mrs. Gould Teachout

Mr. &: Mrs. Lynn A. Townsend

Mr. &: Mrs. Macon C. Trabue, Jr.

Mr. &: Mrs. Emmett E. Tracy

Dr. &: Mrs. Arthur Turner

Mr. &: Mrs . . Joseph A. Vance, Jr.

Mr. &: Mrs. Robert C. VanderKloot

Mr. &: Mrs. H. C. VanWormer

Mr. &: Mrs. Harold G. Warner

Miss Katherine E. Wasserfallen

Mr. &: Mrs. Jervis Webb

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The Hon. &: Mrs. G. Mennan Williams

Mr. &: Mrs. R. Jamison Williams

Mr. &: Mrs. Sam B. Williams

Mr. &: Mrs. John Wilson

Mr. &: Mrs. Isadore Winkelman

Mr. &: Mrs. Theodore Yntema

The Overture to Opera Company is not self-supporting, and is therefore dependent upon personal and financial support. Contributions, which are tax deductible, amy be made by check, payable to Detroit Grand Opera Ass'n. - Overture, and mailed to Opera Fund, 383 Varner Hall, Oakland University, Rochester, Michigan 48063.

Copyright 2010, Michigan Opera Theatre

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