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A scene from Sagalobeli, State Ballet of Georgia
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A scene from Sagalobeli, State Ballet of Georgia 5 A Message from Wayne Brown President & CEO, Detroit Opera 7 A Message from Jon H. Teeuwissen Artistic Advisor for Dance, Detroit Opera 8 A Message from Nina Ananiashvili Artistic Director of the State Ballet of Georgia 11 State Ballet of Georgia Company 12 Program 15 Detroit Opera Orchestra 16 Profiles 28 Detroit Opera Board of Directors 29 Detroit Opera Board of Trustees 33 Thank You to Our Donors 44 Administration & Staff 46 General Information Table of Contents SEASON SPONSOR William Davidson Foundation SPRING DANCE SPONSOR Ford Motor Company Fund WITH SUPPORT FROM Richard & Joanne Brodie Marvin, Betty, and Joanne Danto Family Foundation Endowment Fund Kevin Dennis & Jeremy Zeltzer MEDIA PARTNERS Michigan Radio 91.7 FM WDET 101.9 FM Thank You Detroit Opera Sponsors State Ballet of Georgia performances are presented by
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A message from Wayne Brown
Welcome to the Detroit Opera House for the inaugural visit of the State Ballet of Georgia. We are delighted to present this accomplished company under the artistic leadership of international ballet star Nina Ananiashvili, former prima ballerina with the Bolshoi Ballet, Royal Ballet, and American Ballet Theatre. This weekend’s performances serve as the culmination of a remarkable dance season, which once again features the Detroit Opera Orchestra.
Earlier this season, Detroit audiences were treated to dance performances by Alonzo King LINES Ballet, the Mark Morris Dance Group, and the Alvin Ailey American Dance Theater. Looking ahead to the 2023–24 season of opera and dance offerings at the Detroit Opera House, we promise to continue and expand on the distinct artistic qualities that our audiences have come to expect in Detroit. We invite all current subscribers to renew their seats for next season, and those wishing to learn more and to be among the first to subscribe should call or visit our box office, or our website: detroitopera.org
Performances of the State Ballet of Georgia are made possible through the Detroit Opera House Season Sponsor: The William Davidson Family Foundation; the Spring Dance Sponsor: The Ford Motor Company Fund; with additional support from Richard and Joanne Brodie; the Marvin, Betty, and Joanne Danto Family Foundation Endowment Fund; and Kevin Dennis & Jeremy Zeltzer.
For those of you looking for family experiences over the summer, we invite you to learn more about our education and community programs for young people and families at the Detroit Opera House in July and August. These include “Create and Perform,” a summer program in which young people ages 8 to 12 create and perform their own stories, music compositions, and dances; and “Operetta Remix,” in which young people ages 13 to 18 learn and perform scenes and songs from favorite operettas and musicals. Please see page 31 or check the Detroit Opera website for details: detroitopera.org
We now invite you to sit back and enjoy the program!
Wayne S. Brown President & CEO, Detroit Opera
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FORD FUND IS PROUD TO SUPPORT
FORD FUND IS PROUD TO SUPPORT
FORD FUND IS PROUD TO SUPPORT
DETROIT OPERA
DETROIT OPERA
DETROIT OPERA
fordfund.org
fordfund.org
fordfund.org
As the global philanthropic arm of Ford Motor Company, Ford Fund focuses on providing access to essential services, education for the future of work and entrepreneurship opportunities for underresourced and underrepresented communities. Ford Fund’s partnerships and programming are designed to be responsive to unique community needs, ensuring people have equitable opportunities to move forward.
As the global philanthropic arm of Ford Motor Company, Ford Fund focuses on providing access to essential services, education for the future of work and entrepreneurship opportunities for underresourced and underrepresented communities. Ford Fund’s partnerships and programming are designed to be responsive to unique community needs, ensuring people have equitable opportunities to move forward.
As the global philanthropic arm of Ford Motor Company, Ford Fund focuses on providing access to essential services, education for the future of work and entrepreneurship opportunities for underresourced and underrepresented communities. Ford Fund’s partnerships and programming are designed to be responsive to unique community needs, ensuring people have equitable opportunities to move forward.
@ fordfund
Photo credit: The State Ballet of Georgia
@ fordfund
Photo credit: The State Ballet of Georgia
@ fordfund
Photo credit: The State Ballet of Georgia
A Message from Jon. H. Teeuwissen
Welcome to a Georgian feast of dance! Artistic director Nina Ananiashvili has prepared a stellar program featuring three ballets of Georgian choreography, opening with George Balanchine’s masterpiece Serenade.
Prima Ballerina Assoluta Nina Ananiashvili was born in Tbilisi, Georgia. Described by The Daily Telegraph as “one of the twelve greatest ballerinas of all time,” she danced with the Bolshoi Ballet and American Ballet Theatre, and appeared as a guest artist with major ballet companies around the world, most notably with the Royal Danish Ballet performing works by choreographer August Bournonville, and New York City Ballet performing works choreographed by Balanchine. Since September 2004, she has been artistic director of the State Ballet of Georgia.
George Balanchine was of Georgian heritage, and is considered to be one of the most influential choreographers of the 20th century. Early in his career he choreographed for Diaghilev’s famous Ballets Russes in Europe, but ultimately came to America and with Lincoln Kirstein co-founded the New York City Ballet where he developed his “neoclassical” style.
Known for his musicality, in 1934 Balanchine choreographed a ballet to Tchaikovsky’s Serenade for Strings. Balanchine mostly created plotless ballets, but he himself wrote, “Because Tchaikovsky’s score, though it was not composed for the ballet, has in its danceable four movements different qualities suggestive of different emotions and human situations, parts of the ballet seem to have a story: the apparently ‘pure’ dance takes on a kind of plot. But this plot, inherent in the score, contains many stories—it is many things to many listeners to the music, and many things to many people who see the ballet.”
Divided into four parts: Sonatina, Waltz, Russian Dance, and Elegy, Serenade ends on a melancholy note, with the last two movements danced to Tchaikovsky’s score in reverse order. The ballet’s final scene creates the image of the “dark angel” ascending to the heavens.
In a 2016 article for The New Yorker entitled “A Discussion on George Balanchine’s Serenade,” Joan Acocella writes, “It is a story about hope. If you are young and don’t know anything or have anything, you can change that. If you aren’t beautiful, you can become beautiful.”
Suggested further reading about George Balanchine: Toni Bentley’s Serenade: A Balanchine Story (Pantheon, 2022) and Jennifer Homans’s Mr. B: George Balanchine’s 20th Century (Random House, 2022).
Enjoy the performance!
Jon H. Teeuwissen Artistic Advisor for Dance, Detroit Opera
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T:8.5" B:8.75" T:8.5" B:8.75" T:8.5" B:8.75"
A MESSAGE FROM Nina Ananiashvili
Artistic Director of the State Ballet of Georgia
It is a real happiness to both perform and watch George Balanchine’s ballets.
I remember, like a dream, the 1972 tour of his brilliant New York City Ballet here in Tbilisi. Thanks to some inexplicable miracle (I can find no other word to describe this heroic act!), my father managed to get tickets for one of their shows.
It was another moment of ethereal joy when Andris Liepa and I were granted the permission to accept the invitation of Balanchine’s company and spend January and February of 1988 with the New York City Ballet (without being accompanied by plain-clothes “art critics!”). Dancing Raymonda Variations, Symphony in C, Apollo, and experiencing the intoxicating sense of freedom— those were our greatest achievements.
Had Balanchine not passed away in 1983, I would not have returned to Moscow. In 1997 and 1998, as a result of a “secret operation” by my humble self and Alexey Fadeechev, the Bolshoi Ballet introduced the premiere of Mozartiana, Agon, and Symphony in C. Eyes of all dancers were shining like it was their first appearance on the famous stage. The critics and the audience saw the Bolshoi stars and the corps de ballet alike from a very different angle, while the main cause of the triumph was obviously Balanchine’s choreography and the tireless work carried out by Suzanne Farrell and John Taras.
Upon my return to Tbilisi, I set out to receive licenses for Balanchine ballets because his outstanding choreography truly makes dancers better. His works are, for them, what the classical
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Greek architecture is for modern architects—you can argue or agree with it, but ignorance towards it will make your work irrelevant. Balanchine’s choreography is the universal language, without which you cannot dance 20th and 21st century ballets.
Our theater’s repertoire includes 12 Balanchine ballets since 2005: Serenade, Apollo, Western Symphony, Mozartiana, Chaconne, Donizetti Variations, Tarantella, Bugaku, Tchaikovsky Pas de Deux, Duo Concertant, Concerto Barocco, and Symphony in C. This has been made possible thanks to the Balanchine Trust, which gave us the right to dance Mr. B’s masterpieces. Special thanks to the Embassy of the United States of America in Tbilisi for their continued support over the years with the implementation of the Balanchine Projects, including the 2014 celebrations surrounding the 110th anniversary of Mr. B’s birth.
In July 2021, during the difficult period of the Covid-19 pandemic, with the help of the U.S. Embassy, we are again able to host an evening of George Balanchine’s choreography and revive his ballets, for which I would like to thank the U.S. Ambassador to Georgia, Her Excellency Kelly C. Degnan.
Our thanks also go to all individuals, companies, and organizations that have assisted us with this project—the Ministry of Culture of Georgia and the Friends of the Georgian Ballet, who have been supporting us for 15 seasons now. Their work has enabled the State Ballet of Georgia and the Georgian audience to say again: “Welcome back home, Mr. B!”
A scene from Serenade,
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State Ballet of Georgia
The ballets of George Balanchine are presented by arrangement with The George Balanchine Trust and have been produced in accordance with the Balanchine Style© and Balanchine Technique© service standards established and provided by the Trust.
ARTISTIC DIRECTOR
Nina Ananiashvili
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A scene from Sagalobeli, State Ballet of Georgia
ARTISTIC DIRECTOR
Nina Ananiashvili
SOLOISTS
David Ananeli, Efe Burak, Mariam Eloshvili, Kaito Hosoya, Papuna Kapanadze, Nino Samadashvili
CORPS DE BALLET
Teona Akhobadze
Ina Azmaiparashvili
Giorgi Bestavashvili
Otar Bitsoshvili
Alisa Bogdanova
Elene Bujiashvili
Elene Gaganidze
Lana Gedevanishvili
Lana Gogisvanidze
Masaaki Goto
Tata Jashi
Gvanca Kakheli
Shorena Khaindrava
Nino Khakhutashvili
Ana Ksovreli
Mari Lomjaria
Ekaterine Makhachashvili
Nino Makhashvili
Ana Modebadze
Machi Muto
Sergei Petrosiani
Sophiko Phantsulaia
Natalia Rigvava
Mariam Eristavi ADMINISTRATIVE DIRECTOR
Ilia Tavberidze PR MANAGER
Mariam Levidze
PROJECT COORDINATOR
Niala Godziashvili STAGE MANAGER
Nata Chedilashvili
LIGHT MANAGER
Nino Ochiauri
BALLET MASTER, WARDROBE MANAGER
Gulnara Khuberashvili
CONCERTMASTER
Ekaterina Shavliashvili
ASSISTANT TO THE ARTISTIC DIRECTOR
Gela Pezuashvili
TECHNICAL SUPERVISOR
OZ Productions / Offer Zaks
NORTH AMERICA
TOUR COORDINATION
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Pyotr Tchaikovsky SERENADE
STAGED BY Bart Cook, Maria Calegari, Ben Huys
CONDUCTOR Gavriel Heine
SPECIAL THANKS Ms. Marilyn Burbank , President of Mirella Dancewear, for costumes of the ballet Serenade
The Tbilisi premiere was held on May 20, 2005
RUNTIME 30 minutes
FEMALE SOLOISTS
Mariam Eloshvili
Elene Gaganidze
Mari Lomjaria
MALE SOLOISTS
David Ananeli
Papuna Kapanadze
“A SERENADE IS A DANCE IN THE LIGHT OF THE MOON”
Serenade was my first ballet in the United States. Soon after my arrival in America, Lincoln Kirstein, Edward M. M. Warburg, and I opened the School of American Ballet in New York. As part of the school curriculum, I started an evening ballet class in stage technique, to give students some idea of how dancing on stage differs from classwork. Serenade evolved from the lessons I gave.
… Many people think there is a concealed story in the ballet. There is not. There are, simply, dancers in motion to a beautiful piece of music. The only story is the music’s story, a serenade, a dance, if you like, in the light of the moon.
Because Tchaikovsky’s score, though it was not composed for the ballet, has in its danceable four movements different qualities suggestive of different emotions and human situations, parts of the ballet seem to have a story: the apparently “pure” dance takes on a kind of plot. But this plot, inherent in the score, contains many stories—it is many things to many listeners to the music, and many things to many people who see the ballet.
Serenade has seen a number of different productions.
—From 101 Stories of the Great Ballets by George Balanchine & Francis Mason
INTERMISSION (20 minutes)
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PROGRAM
CONCERTO BAROCCO
MUSIC BY Johann Sebastian Bach, Concerto in D minor for Two Violins, BWV 1043
STAGED BY Bart Cook, Maria Calegari, Ben Huys
CONDUCTOR Gavriel Heine
Premiered on June 27, 1941 in Rio de Janeiro
The Tbilisi premiere was held on May 23, 2014.
RUNTIME 18 minutes
FEMALE SOLOISTS
Mariam Eloshvili
Nino Samadashvili
MALE SOLOIST
David Ananeli VIOLIN SOLOISTS (from Detroit Opera Orchestra)
Eliot Heaton
Daniel Stachyra
Balanchine said of Concerto Barocco: “If the dance designer sees in the development of classical dancing a counterpart in the development of music and has studied them both, he will derive continual inspiration from great scores.”
In the first movement of the ballet, the two ballerinas personify violins, while a corps of eight women accompany them. In the second movement, a Largo, the male dancer joins the leading woman in a pas de deux. In the concluding Allegro section, the entire ensemble expresses the syncopation and rhythmic vitality of Bach’s music.
This work began as an exercise by Balanchine for the School of American Ballet and was performed by American Ballet Caravan on its historic tour of South America and later entered the repertory of the Ballet Russe de Monte Carlo. In 1951, Balanchine permanently eliminated the original costumes and dressed the dancers in practice clothes, probably the first appearance of what has come to be regarded as a signature Balanchine costume for contemporary works. On October 11, 1948, Concerto Barocco was one of three ballets on the program at New York City Ballet’s first performance.
INTERMISSION (20 minutes)
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PROGRAM (continued)
SAGALOBELI
Ballet in One Act
CHOREOGRAPHY Yuri Possokhov
MUSIC Georgian folk melodies and music by Ioseb Ketchakmadze, Revaz Laghidze, Giorgi Tsabadze, and Merab Merabishvili
COSTUME DESIGNER Ana Kalatozishvili
LIGHTING DESIGNER Amiran Ananiashvili
Premiered on February 2, 2008
RUNTIME 37 minutes
FEMALE SOLOISTS
Mariam Eloshvili
Elene Gaganidze
Nino Khakhutashvili
Nino Samadashvili
MALE SOLOISTS
David Ananeli
Efe Burak
Papuna Kapanadze
Sagalobeli (Canticle) is a one-act abstract ballet created especially for the company by the well-known neo-classical contemporary choreographer Yuri Possokhov.
Based on the Georgian folk music performed by the Changi Ensemble (Changi is a Georgian string instrument), the choreographer tried to express his impressions of Georgia, its aesthetics, plastic arts, folk dances, and music. The stage becomes a magical and poetic place, where Georgian folk-dance steps and props are used organically in a contemporary approach, danced by the soloists and corps de ballet members.
Sagalobeli has become the signature ballet of the Company.
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DETROIT OPERA ORCHESTRA
Detroit Federation of Musicians, Local #5, of the American Federation of Musicians
Violin I
Eliot Heaton*
CONCERTMASTER
Henrik Karapetyan* ACTING ASSISTANT CONCERTMASTER
Molly Hughes*
Velda Kelly*
Jenny Wan*
Andrew Wu*
David Ormai
Tina Qu
Mallory Tabb
Violin II
Daniel Stachyra* ACTING PRINCIPAL
Emily Barkakati*
Anna Bittar-Weller*
Bryan Johnston*
Yuri Popowycz*
Courtney Lubin
Joachim Stepniewski
Viola
Scott Stefanko*
ACTING PRINCIPAL
Joseph Deller*
Jacqueline Hanson*
Julianne Zinn
Cello
Andrea Yun*
ACTING PRINCIPAL
Benjamin Maxwell*
Lauren Mathews
Allison Rich
Bass
Derek Weller* PRINCIPAL
Clark Suttle*
*Detroit Opera Core Orchestra Members of the violin sections occasionally rotate
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Tbilisi Z. Paliashvili Opera and Ballet State Theatre Ballet Company
The Theatre opened on April 12, 1851, and for the second season in 1852, the St. Petersburg Ballet Company (featuring F. Manokhin and E. Panov) arrived in Tbilisi; they presented the second act of F. Taglioni’s ballet La sylphide and Polka-Vengerka. This was the first ballet performance in Tbilisi. One year later Manokhin staged the second act of Giselle, and the first full-ballet performance took place in 1854 when Manokhin again mounted Taglioni’s three-act ballet Gitana the Spanish Gypsy. Unfortunately, due to lack of finances, he returned to the Bolshoi Theatre in the summer of 1854. In the 1880s and 90s, Tbilisi saw performances by the St. Petersburg Emperor Ballet Theatre.
The stage of Tbilisi Opera Theatre was the venue for the foreign debut of Maria Perini, pupil of Italian dancer Enrico Cecchetti. She was the dancer who demonstrated the 32 fouettés [from Swan Lake] to the Georgian audience for the first time. During 1897 to 1907, she performed at the Tbilisi Opera Theatre. The creation of the Georgian ballet school is associated with her name; she founded the first choreographic studio for classical dance. Perini lived in Georgia for 48 years. Before returning to Italy in 1936, she attended the first Georgian ballet, staged by her pupil Vakhtang Chabukiani and it became clear to her that her work had not gone in vain.
Mzechabuki (Heart of the Mountains in the following stagings) by Andria Balanchivadze is the first Georgian ballet and was staged by Vakhtang Chabukiani at the Tbilisi Opera and Ballet Theatre. From 1929 to 1941 he
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Artist Profiles
worked at the Kirov Opera and Ballet (Mariinsky) Theatre, performing all leading roles from the classical repertoire. Chabukiani returned to Tbilisi in 1941 and managed the Opera and Ballet State Theatre Ballet Company until 1973. His partners at various times were Galina Ulanova, Maia Plisetskaya, Raisa Struchkova, Marina Semyonova, Alla Shelest, and Natalia Dudinskaya. On the Tbilisi stage he was continuously partnered by the legendary Vera Tsignadze.
In the beginning of the 1970s, the ballet company had a new artistic director: George Aleksidze, Fyodor Lopukhov’s pupil. Aleksidze brought new aesthetics to the Theatre—neoclassical ballets became part of the repertory alongside classical works. The company’s next artistic director, from 1982 to 1985, was Mikhail Lavrovsky, the internationally known Bolshoi Theatre dancer and choreographer. Under his short directorship, several interesting ballets were staged, including his own version of Prokofiev’s Romeo and Juliet and Gershwin’s Porgy and Bess.
Since 2004, Nina Ananiashvili has been artistic director of the State Ballet of Georgia (GSB). More than 60 ballets and ballet miniatures have been staged during these years. The repertory has been completely changed, with various choreographic styles and trends introduced alongside the classics. The repertory now includes ballets by George Balanchine, Frederick Ashton, August Bournonville, and Jiří Kylián, as well as contemporary choreographers like Alexei Ratmansky, Trey McIntyre, Stanton Welch, Yuri Possokhov, and Medhi Walerski.
Vakhtang Chabukiani's Laurencia, Gorda, and Othello have been restored. The ballet company collaborates with renowned choreographers and ballet masters, including Mikhail Lavrovsky, Frank Andersen, Bart Cook, Ben Huys, Margaret Barbieri, Alexei Fadeyechev, Nancy Euverink, Ken Ossola, Patrick Delcroix, and Brigitte Martin.
Under the direction of Nina Ananiashvili, the GSB has been in demand for international touring and has performed in Japan, China, Taiwan, Israel, Egypt, Estonia, Russia, Ukraine, Belarus, Azerbaijan, Armenia, Ecuador, Oman, Dubai, Portugal, Scotland, and a few times in Spain and Italy. This is the GSB’s sixth U.S. tour.
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Nina Ananiashvili
PRIMA BALLERINA, ARTISTIC DIRECTOR OF THE STATE BALLET OF GEORGIA
Nina Ananiashvili took her first steps towards the art of ballet at the age of 10. She studied at the Tbilisi choreographic school, in the class of Tamara Vikhodtseva. In 1977 she pursued her education at the Moscow choreographic school, under the tutorship of the prominent pedagogue Natalia Zolotova.
From 1987 to 2004 she was prima ballerina at Moscow’s Bolshoi Theatre and under guidance of the outstanding ballerina Raisa Struchkova, she produced and performed all the parts from classical ballet heritage. The first season at the Bolshoi Theatre was a triumphant one for Nina. She performed Odette-Odile (Swan Lake) in Hamburg, Germany, during the Bolshoi Theatre tour and received 30 minutes of non-stop audience ovation after the performance.
Nina Ananiashvili is the only ballerina honored with the four most prestigious international ballet awards: Varna (Bulgaria) X International Competition Gold Medal (1980), Moscow IV International Competition Grand Prix (1981), Moscow V International Competition Gold Medal (1985), and Jackson (US) III International Competition Grand Prix (1986).
Performing with Andris Liepa with Balanchine’s New York City Ballet in 1988 is regarded as a milestone in her career. She was the first dancer from the former Soviet Union, who was invited to the theater and was given leading parts in the Balanchine ballets Symphony in C, Raymonda Variations, and Apollo. She also performed with the Royal Ballet (Covent Garden) in England, Royal Danish Theatre, and St. Petersburg’s Mariinsky Theatre. From 1993 to 2009, Nina Ananiashvili was guest prima ballerina at American Ballet Theatre (ABT). She also performed in Sweden, Norway, Portugal, Finland, Bavaria, Monte Carlo, Birmingham, Boston, and Tokyo.
Since September 2004, Nina Ananiashvili is Artistic Director of the Z. Paliashvili Tbilisi Opera and Ballet Theatre, as well as Principal Director at the V. Chabukiani choreographic state school. Under her leadership more than 60 ballet performances were staged at Tbilisi Opera and Ballet Theatre. The Theatre's repertoire includes both new choreographic versions of
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Artist Profiles
classical ballets, as well as those by George Balanchine, Sir Frederick Ashton, August Bournonville, and Jiří Kylián. Alexei Ratmansky, Alexei Fadeechev, Yuri Possokhov, Trey McIntyre, Stanton Welch, Jorma Elo, and other choreographers eagerly collaborate with the Theatre. Ballet performances have gained great success on tours in the United States (2007, 2008, and 2010), Japan (2007, 2010, and 2012), Egypt, Israel, Italy, Spain, Estonia, Taiwan, Ecuador, Azerbaijan, Armenia, Ukraine, and Belarus. In 2008, the Tbilisi Opera and Ballet Theatre company was awarded with the prestigious Herald Angels award at the Edinburgh International Festival. In 2012, the 30th anniversary of Nina Ananiashvili’s stage work was marked with the participation of the world's ballet stars.
Nina Ananiashvili has been invited as staging choreographer to various theaters around the world. Together with Alexei Fadeechev, she staged several ballet performances at Tbilisi Opera and Ballet Theatre, including Minkus’s Don Quixote, Glazunov’s Raymonda (Act III), and Herold and Hertel ‘s La fille mal gardée. She also staged a new choreographic version of Toradze’s ballet Gorda (choreography by Vakhtang Chabukiani). In 2012, Nina Ananiashvili staged Tchaikovsky’s Nutcracker Suite and Les Sylphides at the Beijing Dance Academy, and Minkus’s Don Quixote, while at the Lisbon Ballet School. In 2014, she staged Vakhtang Chabukiani’s Laurencia at Minsk Bolshoi Theatre.
Nina Ananiashvili is honored with the title of People’s Artist of Georgia (1989) and Russia (1995), the Zurab Anjaparidze and Rustaveli State Prize (1993), and the Presidential Order of Excellence (2010). She was awarded with the State Prize of the Russian Federation For the Merit to the Fatherland (2001). Ananiashvili is the first ballerina holding the Russian national prize “Triumph” for achievement in art (1992). The American Biographical Institute granted her the title of Lady (1997). She was awarded with the International Prize Golden Goddess (1999) set by the successor of the royal family of France, Princess Marie de Bourbon. She was named Dance Magazine Prize winner in 2002. Nina was elected as a United Nations Goodwill Ambassador in Georgia (2007) for achieving the Millennium Development Goals. In 2011, the president of Italy awarded her with the Italian Solidarity Medal of Honor.
Nina Ananiashvili has been serving on the juries of many international ballet competitions such as YAGP (NY), Velentina Kozlova (NY), Prix de Lausanne (Switzerland), Seoul (Korea), Shanghai (China), and is widely sought after as a master teacher and ballet coach.
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George Balanchine CHOREOGRAPHER
Early Life
Georgy Melitonovich Balanchivadze was born on January 22, 1904, in St. Petersburg, Russia. The son of a composer, Balanchine had a robust understanding of music. In 1914, he enrolled at the Mariinsky Theatre’s ballet school. He graduated in 1921 and subsequently attended the Petrograd State Conservatory of Music, leaving the conservatory after three years.
In 1922, George Balanchine married a 15-year-old ballet student named Tamara Gevergeyeva. This was the first of four separate marriages to dancers, and for each of his wives, Balanchine would make a ballet.
In 1924, Balanchine was invited to tour Germany as part of the Soviet State Dancers. A year later, the young choreographer joined Serge Diaghilev’s Ballets Russes. (His birth name, Balanchivadze, was shortened to Balanchine at Diaghilev's insistence.) At just 21 years old, Balanchine took over as choreographer for the group, one of the most renowned ballet companies in the world.
American Life
After the Ballets Russes collapsed, Balanchine created the company Les Ballets in 1933. Following a performance, American dance aficionado Lincoln Kirstein approached Balanchine about collaborating and the two began a 50-year creative partnership, co-founding the School of American Ballet in 1934. The following year, the professional company known as the American Ballet emerged, becoming the official company of New York's Metropolitan Opera until 1936.
In 1946, Kirstein and Balanchine co-founded a company that would become the New York City Ballet. Balanchine served as artistic director of the company, based out of New York State Theater at Lincoln Center. He produced more than 150 works for the company, including The Nutcracker.
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Artist Profiles
While money was tight, Balanchine presented the dancers in practice clothes instead of ornate costumes.
Legacy
In addition to ballet, George Balanchine choreographed Hollywood movies and Broadway musicals. He is known for his connection to Igor Stravinsky; Balanchine created many ballets to his music, some in collaboration with the composer. He made more than 465 works, which have been performed by nearly every ballet company in the world.
Balanchine created plotless ballets, where the dancing upstaged glitz and storytelling. His work never featured a star, as he believed the performance should outshine the individual. He is credited with developing the neoclassical style distinct to the 20th century. Balanchine served as the artistic director of the New York City Ballet until his death, on April 30, 1983, in New York City.
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Yuri Possokhov
CHOREOGRAPHER
Yuri Possokhov was born in Lugansk (Ukraine). After receiving his dance training at the Moscow Ballet School, he danced with the Bolshoi Ballet for 10 years, working primarily with ballet master Yuri Grigorovich. During this decade, he was promoted through the ranks to principal dancer. In 1992, he joined the Royal Danish Ballet as a principal dancer, at the invitation of ballet master Frank Andersen. The following December, Possokhov was cast as Prince Desiré in Helgi Tomasson’s The Sleeping Beauty, and after being invited to perform in San Francisco Ballet’s opening night gala, he moved West. In 1994, he joined San Francisco Ballet (SFB) as a principal dancer.
While performing, Possokhov studied choreography and the teaching of ballet at the State College of Theatrical Arts, completing the five-year course under Evgeny Valukin in 1990. In addition to participating in the Bolshoi’s frequent international tours, Possokhov was often invited to perform as a guest artist in Europe, Asia, and Latin America. He also performed with Bolshoi ballerina Nina Ananiashvili’s own company, Ananiashvili and Friends, in numerous performances and galas worldwide.
As a choreographer, Possokhov’s credits include Songs of Spain , choreographed in 1997 for former San Francisco Ballet Principal Dancer Muriel Maffre; A Duet for Two, created the same year for former San Francisco Ballet Principal Dancer Joanna Berman; and Impromptu Scriabin , for former San Francisco Ballet Soloist Felipe Diaz. In 2000 he completed a new work for a dancer at the Mariinsky Ballet, as well as Five Mazurkas for the Marin Dance Theatre.
Possokhov’s Magrittomania, a work inspired by the paintings of René Magritte, was commissioned for San Francisco Ballet’s Discovery Program in 2000, and in April 2001, Possokhov received an Isadora Duncan Dance Award for outstanding choreography for the work. In 2004, the ballet was performed by the Bolshoi Ballet in Moscow.
In February 2006, the Bolshoi Ballet premiered Possokhov’s Cinderella and it was subsequently performed by the company in London and Washington,
22
Artist Profiles
D.C. In spring 2006, Possokhov created the ballet Mori, which marked San Francisco’s earthquake centennial, in collaboration with Maffre. Following his retirement as a principal dancer from the company, Possokhov was named choreographer-in-residence in May 2006. His final engagement with the company as a principal dancer was on tour to New York’s Lincoln Center Festival in summer 2006.
In November 2006, Berman and San Francisco Ballet Principal Dancer Damian Smith premiered Possokhov’s Once More, set to the music of César Franck, for the New Century Chamber Orchestra Gala, presented at San Francisco’s Herbst Theatre. During the 2007 Repertory Season, Possokhov’s Firebird had its San Francisco Ballet premiere. In addition, Possokhov collaborated with Maffre on Bitter Tears, a new work presented at the 2007 Gala.
In February 2008, the State Ballet of Georgia gave the American premiere of Possokhov’s one-act work, Sagalobeli, which was performed on the company’s first-ever American tour.
In the following years, Yuri Possokhov has continued to create new works for each of San Francisco Ballet’s repertory seasons, including Fusion , Diving into the Lilacs, Classical Symphony, RAkU, and Francesca da Rimini. Both Classical Symphony, premiered in 2010, and RAkU in 2011, have been presented on the company’s national and international tours, including an engagement at London’s Sadler’s Wells Theatre. In 2013, he created The Rite of Spring to mark the centennial year of Stravinsky’s Le sacre du printemps; in 2015, the widely acclaimed Swimmer ; and in 2017, Optimistic Tragedy.
Yuri Possokhov is also a frequent guest at Chicago’s Joffrey Ballet, having staged both Bells and a new full-length Don Quixote for the company in 2011, as well as The Miraculous Mandarin and Bluebeard’s Castle (opera), in a program titled Bartók on Stage with the Cleveland Orchestra in 2012. Possokhov returned to Copenhagen in 2012 to create Narcisum for the Royal Danish Ballet, and in 2016 to choreograph a production of Cinderella at Tivoli Ballet Theatre, with sets and costumes by Denmark’s Queen Margrethe II. For the Bolshoi Ballet, in 2015 he choreographed the full-length ballet A Hero of Our Time, based on Lermontov’s literary classic, and in 2017 he created a full-length ballet about Nureyev.
23 DETROIT OPERA
Gavriel Heine CONDUCTOR
Gavriel Heine is one of the most exciting and multifaceted conducting talents of his generation, working with equal strength in opera, ballet, and the symphonic repertoire. In April 2022 he resigned from his position of resident conductor of the Mariinsky Theatre in St. Petersburg, Russia after 15 seasons with the world-renowned company where he debuted in 2007. He has been Music Director of Northern Lights Festival Opera in Minnesota since 2011. Heine was Assistant Conductor of Center City Opera Theater in Philadelphia from 2006 to 2007 and served as Chief Conductor of the Kharkiv Slobozhanski Symphony Orchestra in Ukraine from 2003 to 2007.
Born and raised in the USA, Heine was the first American citizen to graduate from the Moscow State Tchaikovsky Conservatory. He studied conducting with the legendary Ilya Musin and Leonid Korchmar at the Saint Petersburg Conservatory and at Indiana University, Bloomington, where he studied with Imre Palló, Thomas Baldner, and David Effron. Following his 2007 debut at the Mariinsky Theatre, by invitation of Valery Gergiev, he was appointed resident conductor, eventually leading over 850 performances with the company.
Both with the Mariinsky and as a guest conductor, Heine has performed in some of the world’s most important opera houses, festivals, and concert venues, including London’s Royal Opera House, the Festspielhaus BadenBaden, Moscow’s Bolshoi Theatrre, Teatro Regio Torino, Tokyo’s Bunka Kaikan, the Dubai Opera, Dorothy Chandler Pavilion in Los Angeles, the Segerstrom Center in Costa Mesa, Zellerbach Hall in Berkeley, the Brooklyn Academy of Music, the Boston Opera House with Boston Ballet, and Palacio de Bellas Artes in Mexico City.
Heine has guest conducted the Sinfonieorchester Basel, Orchestra della Svizzera Italiana, La Verdi Orchestra of Milan, the orchestras of the Teatro Comunale di Bologna and the Teatro Regio Torino, the Orchestra of the Royal Opera House (Covent Garden), the Kennedy Center Opera House Orchestra, Orchestre de Chambre de Lausanne, State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, Tatarstan National Symphony
24
Artist Profiles
Orchestra, Zagreb Philharmonic Orchestra, Athens State Orchestra, Moscow’s Symphony Orchestra of New Russia, the Saint Petersburg State Cappella Symphony Orchestra, the Jönköping Sinfonietta in Sweden, and the Mikkeli Chamber Orchestra in Finland. He led rehearsals with the Royal Concertgebouw Orchestra and Rotterdam Philharmonic Orchestra as assistant conductor to Valery Gergiev.
Recent events include Die Zauberflöte at the Northern Lights Music Festival, Eugene Onegin and Candide at Opéra de Lausanne, Swan Lake with the Royal Ballet at the Royal Opera House, and Romeo and Juliet with the State Ballet of Georgia at Dubai Opera. Upcoming events include an all-Balanchine U.S. tour with the State Ballet of Georgia, mixed programs with Reunited in Dance in Costa Mesa, and La bohème and symphonic programs at the Northern Lights Music Festival.
25 DETROIT OPERA
Volunteers Have Fun
For lovers of opera, dance, theatre, history and community.
Volunteers are the heart of Detroit Opera and the Detroit Opera House. Volunteers perform a number of vital tasks — not only ushering. You’ll have fun and make new friends as a volunteer at Detroit Opera.
Learn more at DetroitOpera.org/volunteer or e-mail us at volunteer@DetroitOpera.org
FUN FRIENDS GIVING SERVICE SHARING CARING COMMUNITY OPERA DANCE SHOWS BEAUTY HISTORY INTERACTION THEATRE
To join Detroit Opera Volunteer Association or for more information, please visit DetroitOpera.org/volunteer
26
A Si ure Even g w h ALVIN AILEY
AMERICAN DANCE THEATER
Detroit Opera gratefully acknowledges the generosity of our committee members, sponsors and donors for their support of A Signature Evening with Alvin Ailey American Dance Theater, which took place on March 18, 2023. Funds raised through this extraordinaryevent support Detroit Opera’s dance programming, education, and community engagement activities throughout Metro Detroit.
Comm tee
Ellen Hill Zeringue, chair
Elizabeth Brooks
Jill Bryant Veneable
Lisa Cobbs
Gretchen Davidson
Jasmin DeForrest
Dr. Fern Espino
Linda Gillum
Joya Harris-Sherron
Joyce Hayes-Giles
Denise J. Lewis
Sharon Madison
Dexter Mason
Spons s
Pamela Moore
Vivian Pickard
Pamela Rodgers
Shauna Ryder Diggs, MD
Anthony L. Smith
Lorna Thomas, MD
Denise J. Lewis and the International Women’s Forum
Sharon Madison
Don Manvel
Peter Oleksiak
Lorna Thomas, MD
Ellen Hill Zeringue
Wayne S. Brown & Brenda Kee
Lisa Cobbs
Carl & Mary Ann Fontana
Bharat & Lynn Gandhi
Linda Gillum
Joya & Bill Sherron
Joyce Hayes-Giles
Mary Kramer
Pamela Rodgers
Ankur Rungta & Mayssoun Bydon
Anthony L. Smith
27 DETROIT OPERA
**********
**********
BOARD OF DIRECTORS
JULY 1, 2022 – JUNE 30, 2023
Chair
Ethan D. Davidson
Vice Chair
Mary Kramer
Vice Chair
Peter Oleksiak
Vice Chair
Don Manvel Secretary
Gene P. Bowen
Treasurer
Enrico Digirolamo
Immediate Past Chair
R. Jamison Williams
President/CEO
Wayne S. Brown
Naomi André
Richard A. Brodie
James Ciroli
Kevin Dennis
Lisa M. DiChiera
Shauna Ryder Diggs
Michael Einheuser
Marianne Endicott
Fern R. Espino
Paul E. Ewing
Bharat Gandhi
John P. Hale
Devon Hoover
John W. Ingle III
Danialle Karmanos
Barbara Kratchman
Thomas M. Krikorian
Denise Lewis
Franck Louis-Victor
Alphonse S. Lucarelli
Dexter Mason
Ali Moiin
Donald Morelock
Sara Pozzi
Paul Ragheb
Ruth Rattner
Irvin D. Reid
Pamela E. Rodgers
Evan Ross
Ankur Rungta
Terry Shea
Matthew Simoncini
Richard Sonenklar
Lorna Thomas
Jesse Venegas
Gary L. Wasserman
Ellen Hill Zeringue
Directors Emeriti
Margaret Allesee
Elizabeth Brooks
Shelly Cooper
Cameron B. Duncan
Marjorie M. Fisher
Barbara Frankel
Herman Frankel
Dean Friedman
Jennifer Nasser
Charlotte Podowski
Audrey Rose
William Sandy
C. Thomas Toppin
Richard Webb
28
BOARD OF TRUSTEES
JULY 1, 2022 – JUNE 30, 2023
Kenn and Liz Allen
Lourdes V. Andaya
Naomi André
Harold Mitchell Arrington
Beverly Avadenka
Floy Barthel
Barbra Bloch
Gene P. Bowen
Betty J. Bright
Richard Brodie
Wayne S. Brown and Brenda Kee
Charles D. Bullock
James and Elizabeth Ciroli
Lois Cohn
Thomas Cohn
Françoise Colpron
Peter and Shelly Cooper
Helen Daoud
Maureen D’Avanzo
Ethan and Gretchen Davidson
Kevin Dennis and Jeremy Zeltzer
Cristina DiChiera
Lisa M. DiChiera
Shauna Ryder Diggs
Enrico and Kathleen Digirolamo
Debbie Dingell
Mary Jane Doerr
Michael Einheuser
Kenneth and Frances Eisenberg
Marianne Endicott
Alex Erdeljan
Fern R. Espino and Thomas Short
Paul and Mary Sue Ewing
Margo Cohen Feinberg and Robert Feinberg
Oscar and Dede Feldman
Carl and Mary Ann Fontana
Elaine Fontana
Bharat and Lynn Gandhi
Barbara Garavaglia
Yousif and Mara Ghafari
Carolyn Gordon
Toby Haberman
John and Kristan Hale
Doreen Hermelin
Derek Hodgson
Devon Hoover
John and Tara Ingle III
Alan and Eleanor Israel
Don Jensen and Leo Dovelle
Kent and Amy Jidov
Gary and Gwenn Johnson
Jill Johnson
Ellen Kahn
Peter and Danialle Karmanos
Stephanie Germack Kerzic
Mary Kramer
Michael and Barbara Kratchman
Thomas and Deborah Krikorian
Linda Dresner and Ed Levy, Jr.
Denise J. Lewis
Arthur and Nancy Liebler
Stephan and Marian Loginsky
Mary Alice Lomason
Franck and Soo Louis-Victor
Alphonse S. Lucarelli
Don Manvel
Ronald and Zvjezdana Martella
Jack Martin and Bettye Arrington-Martin
29 DETROIT OPERA
Dexter Mason
Benjamin Meeker and Meredith Korneffel
Phillip D. Minch
Ali Moiin and William Kupsky
Donald and Antoinette Morelock
E. Michael and Dolores Mutchler
Allan and Joy Nachman
Juliette Okotie-Eboh
Peter Oleksiak
Linda Orlans
Richard and Debra Partrich
Spencer and Myrna Partrich
Daniel and Margaret Pehrson
Sara Pozzi
Waltraud Prechter
Ted & Carrie Pryor
Paul and Amy Ragheb
John and Terry Rakolta
Ruth F. Rattner
Irvin D. Reid and Pamela Trotman Reid
Pamela E. Rodgers
David and Jacqueline Roessler
Audrey Rose
Evan and Kelsey Ross
Anthony and Sabrina Rugiero
Ankur Rungta and Mayssoun Bydon
Hershel and Dorothy Sandberg
Donald and Kim Schmidt
Arlene Shaler
Terry Shea
Matthew and Mona Simoncini
Sheila Sloan
Phyllis F. Snow
Richard A. Sonenklar and Gregory Haynes
Mary Anne Stella
Lorna Thomas
James G. Vella
Jesse and Yesenia Venegas
Marilyn Victor
Bradley Wakefield and Meghann Rutherford
Gary L. Wasserman
R. Jamison and Karen Williams
Mary Lou Zieve
Ellen Hill Zeringue
Trustees Emeriti
Agustin Arbulu
Lawrence and Dodie David
Dean and Aviva Friedman
Preston and Mary Happel
Robert and Wally Klein
Charlotte and Charles Podowski
William and Marjorie Sandy
Roberta Starkweather
C. Thomas and Bernie Toppin
Founding Members
Lynn* and Ruth* Townsend
Avern* and Joyce* Cohn
John and Mardell De Carlo
David* and Karen V.* DiChiera
Aaron* and Bernice* Gershenson
Donald* and Josephine* Graves
Roman* and Katherine* Gribbs
John* and Gwendolyn* Griffin
Harry* and Jennie* Jones
Wade* and Dores* McCree
Harry J. Nederlander*
E. Harwood Rydholm*
Neil Snow
Phyllis F. Snow
30
BOARD OF TRUSTEES continued
Richard* and Beatrice* Strichartz
Robert* and Clara* “Tuttie” VanderKloot
Sam* and Barbara* Williams
Theodore* and Virginia* Yntema
KEY
* Deceased
Make Your Debut at the Opera House!
SUMMER PROGRAMS 2023 Operetta Remix
July 27–August 11, 2023; 10 am–4 pm
AGES 13 TO 18
Operetta Remix is perfect for young people ages 13 to 18 who want to gain experience and receive direction in singing, acting, stage movement, healthy vocal technique, and audition practice. Taught by experienced opera and theatre professionals, Operetta Remix will explore scenes and songs from your favorite operettas and musicals, and will culminate with a performance on the main stage of the Detroit Opera House at 7:00 pm on August 11, 2023.
Create & Perform
July 10–21, 2023; 10 am–4 pm
AGES 8 TO 12
Create & Perform is an innovative two-week program in which young people create their own stories, music compositions, and dances, culminating in a performance at the Detroit Opera House. Participants in the Create & Perform program get to take part in all aspects of mounting a new production, and will build their skills as performers, composers, designers, directors, and crew members while they write and perform an original opera. Final performance will take place Friday, July 21 at 6:00 pm.
For more information and to register, scan the QR code.
Scholarships available! E-mail Andrea Scobie, Director of Education, at ascobie@detroitopera.org
31 DETROIT OPERA
Detroit Opera Needs You!
Because of your dedication and partnership, Detroit Opera continues to provide meaningful artistic experiences for our community and inspire audiences of the future.
Please consider a gift to Detroit Opera this spring. Help us to end our season with the strength financially that we have seen on stage artistically.
Your contributions to Detroit Opera generate a significant portion of our overall funding and represents an investment in the next generation of opera and dance.
Thank you for all the ways you support us!
Visit us at DetroitOpera.org /donate or give us a call at 313.27.3236 A scene from Serenade, State Ballet of Georgia
THANK YOU TO OUR DONORS
Detroit Opera Honor Roll
Detroit Opera gratefully acknowledges these generous donors for their cumulative lifetime giving. Their support has played a vital role in the history of Detroit Opera since being founded by Dr. David DiChiera as Michigan Opera Theatre in 1971 and the building of the Detroit Opera House in 1996. Their leadership plays an integral part in the company’s viability, underwriting quality opera and dance performances, as well as awardwinning community and education programs.
$10,000,000 and above
Ford Motor Company Fund
The State of Michigan
William Davidson Foundation
$7,500,000 and above
General Motors
$5,000,000 and above
Community Foundation for Southeast Michigan Stellantis
The Kresge Foundation
$2,000,000 and above
Mr.* and Mrs. Douglas Allison
Floy & Lee Barthel
Marvin, Betty & Joanne Danto
Dance Endowment and Marvin and Betty Danto Family Foundation
Linda Dresner & Ed Levy, Jr.
Mr. and Mrs. Herman Frankel
John S. and James L. Knight Foundation
Lear Corporation
Masco Corporation
McGregor Fund
The Skillman Foundation
R. Jamison and Karen Williams
$1,000,000 and above
Mr. Robert & Mrs. Margaret Allesee*
The Andrew W. Mellon Foundation
Mr.* and Mrs. Eugene Applebaum
AT&T Bank of America
Mr.* and Mrs. John A. Boll Sr. Compuware Corporation
Estate of Robert & RoseAnn Comstock
DTE Energy Foundation
Mrs. Margo Cohen Feinberg and Mr. Robert Feinberg
Mrs. Barbara Frankel* and Mr. Ronald Michalak
Mr. and Mrs. Samuel Frankel*
The Fred A. & Barbara M. Erb Family Foundation
Hudson-Webber Foundation
JPMorgan Chase
Mr. and Mrs. Peter Karmanos
Paul Lavins
Mandell L. and Madeleine H. Berman Foundation
Matilda R. Wilson Fund
Max M. & Marjorie S. Fisher Foundation
National Endowment for the Arts
Richard Sonenklar and Gregory Haynes Household
Gary L. Wasserman & Charles A. Kashner
Dr. and Mrs. Sam B. Williams*
Every effort has been made to accurately reflect donor names and gift levels. Should you find an error or omission, please contact Zach Suchanek at zsuchanek@detroitopera.org or 313.237.3427
KEY * Deceased
33 DETROIT OPERA
Contributors to Detroit Opera
Detroit Opera gratefully acknowledges these generous corporate, foundation, government, and individual donors whose contributions to Detroit Opera were made between November 1, 2021 and December 31, 2022. The generosity of our donors is vital to sustaining Detroit Opera’s position as a valued cultural resource.
Foundations, Corporate & Government Support
$500,000+
William Davidson Foundation
$250,000-$499,999
The Fred A. & Barbara M. Erb Family Foundation
$100,000-$249,999
Ford Motor Company Fund
General Motors Corporation
Hudson-Webber Foundation
John S. and James L. Knight Foundation
Max M. & Marjorie S. Fisher Foundation
The Mellon Foundation
National Endowment for the Arts
OPERA America
Ralph C. Wilson Jr. Foundation
$50,000-$99,999
Alex and Lil Erdeljan Foundation
Flagstar Bank
Gilbert Family Foundation
The Kresge Foundation
Marvin & Betty Danto Family Foundation
Milner Hotels Foundation
The Skillman Foundation
$25,000-$49,999
DTE Energy Foundation
Matilda R. Wilson Fund
MGM Grand Detroit
The State of Michigan
The Williams Family Fund
$10,000-$24,999
Audiovisions
J. Addison Bartush and Marion M. Bartush Educational Fund
Blue Cross Blue Shield of Michigan
Crain Communications Inc.
Geoinge Foundation
Gerson Family Foundation, Inc.
Herman and Sharon Frankel Foundation
Huntington Bank
Ida and Conrad H. Smith Endowment for MOT
The Mary Thompson Foundation
Masco Corporation
McGregor Fund
The Miami Foundation
Oliver Dewey Marcks Foundation
Ralph L. and Winifred E. Polk Foundation
The Rattner and Katz Charitable Foundation
SOLO World Partners LLC
Williams, Williams, Rattner & Plunkett P.C.
Worthington Family Foundation
Burton A. Zipser and Sandra D. Zipser Foundation
$5,000-$9,999
A Comprehensive Dermatology Center
Chemico LLC
The Dolores And Paul Lavins Foundation
Honigman LLP
Ida & Conrad H. Smith Endowment
Ideal Group, Inc.
Independent Bank
The Karen & Drew Peslar Foundation
Louis and Nellie Sieg Fund
Ms. Maryanne Mott
The Right Productions, Inc.
Rugiero Promise Foundation
The Samuel L. Westerman Foundation
Seligman Family Foundation
Strum Allesee Family Foundation
$1,000-$4,999
ABM Janitorial Services
John A. & Marlene L. Boll Foundation
Financial One Accounting
The Gilmour-Jirgens Fund
James & Lynelle Holden Fund
Josephine Kleiner Foundation
Joyce Cohn Young
Artist Fund
Marjorie & Maxwell Jospey Foundation
Pellerito Manzella Certa & Cusmano Family Foundation
Sandy Family Foundation
Sigmund and Sophie Rohlik Foundation
Somerset Collection
Charitable Foundation
Individual Support
$100,000+
Ethan and Gretchen Davidson
Dr. Evelyn J. Fisher*
Estate of Barbara Lucking Freedman
Linda Dresner & Ed Levy, Jr.
Matthew and Mona Simoncini
Richard Sonenklar and Gregory Haynes
Gary L. Wasserman & Charles A. Kashner
34 THANK YOU TO OUR DONORS continued
$50,000-$99,999
Richard and Mona Alonzo
Joanne Danto and Arnold Weingarden
Mrs. Barbara Frankel* and Mr. Ronald Michalak
Alphonse S. Lucarelli
Don Manvel
The Hon. Jack & Dr. Bettye Arrington Martin
The Nancy A. Norling Trust
Mrs. Ruth F. Rattner
Jesse and Yesenia Venegas
R. Jamison and Karen Williams
$20,000-$49,999
Wayne Brown and Brenda Kee
Edward and Judith Christian
Mr. Adam Crysler & Dr. Oxana Crysler
Kevin Dennis and Jeremy Zeltzer
Alex & Lil Erdeljan Foundation
Fern Espino and Tom Short
Mrs. Elaine Fontana
Mr. and Mrs. Herman Frankel
Ann Katz
Ms. Mary Kramer
Michael and Barbara Kratchman
Paul Lavins
Denise J. Lewis
Nancy and Bud Liebler
Susanne McMillan
Ali Moiin and William Kupsky
Donald and Antoinette Morelock
James and Ann Nicholson
Peter Oleksiak
Ankur Rungta and Mayssoun Bydon
Lorna Thomas, MD
$10,000-$19,999
Dr. Lourdes V. Andaya
Mr. Joseph A. Bartush
James and Elizabeth Ciroli
Ms. Julia Donovan Darlow & Hon. John C. O’Meara
Shauna Ryder Diggs, MD
Enrico and Kathleen Digirolamo
Carl and Mary Ann Fontana
Ralph and Erica Gerson
Christine Goerke
John and Kristan Hale
Dr. Devon Hoover
Ms. Mary C. Mazure
Benjamin Meeker & Meredith Korneffel, MD
Mr. Stuart Meiklejohn
Mr. Cyril Moscow
Dr. Paulette Moulton
Allan & Joy Nachman Philanthropic Fund
William and Wendy Powers
Dr. & Mrs. Samir Ragheb
Ms. Patricia H. Rodzik
Joe Skoney and Luisa Di Lorenzo
Mr. & Mrs. C. Thomas Toppin
Ricard Ventura*
Ellen Hill Zeringue
Anonymous
$5,000-$9,999
Mr. & Mrs. Robert & Margaret Allesee*
Dr. Harold M. Arrington
Richard and Susan Bingham
Gene P. Bowen
Ilse Calcagno
Mr. Thomas Cohn
John and Doreen Cole
Ms. Violet Dalla Vecchia
Mark Davidoff and Marjorie Dunn
Ms. Laurie R. Frankel
Gil Glassberg and Sandra Seligman
James and Nancy Grosfeld
Addison and Deborah Igleheart
Kent and Amy Jidov
Mrs. Stephanie Germack Kerzic
Stephan and Marian Loginsky
Robert and Terri Lutz
Phillip and Dawn* Minch
Mrs. L. William Moll
Ms. Maryanne Mott
Ms. Shirley Moulton
Evan and Kelsey Ross
Anthony and Sabrina Rugiero
Barbara Van Dusen
Dr. John Weber & Dr. Dana Zakalik
Ned and Joan Winkelman
Anonymous
$3,000-$4,999
Paul & Lee Blizman
G. Peter and Martha Blom*
Bob and Rosemary Brasie
Beverly Hall Burns
Robert C. and RoseAnn B. Comstock*
Carolyn Demps and Guy Simons
Cristina DiChiera and Neal Walsh
Dr. Elizabeth Goodenough
Mr. Robert Hage
Barbara Heller
Mr. William Hulsker
Carole Ilitch
John and Arlene Lewis
Sharon Madison
Ms. Mary McGough
Ms. Evelyn Micheletti
George and Nancy Nicholson
Mr. George & Mrs. Jo Elyn Nyman
Brock and Katherine L. Plumb
Mrs. Rosalind B. Sell
Lois and Mark Shaevsky
Mr. Michael Simmons
Frank and Susan Sonye
Dr. Gregory E. Stephens, D.O.
Margaret Winters and Geoffrey Nathan
Lucia Zamorano
$2,500-$2,999
Thomas and Gretchen Anderson
D.L. Anthony, Ph.D.
Marcia Applebaum
Gregory and Mary Barkley
Ms. Nicole A. Boelstler
Mr.* and Mrs. John A. Boll Sr.
Mr. Charles D. Bullock
Dr. & Mrs. Ronald T. Burkman
Ms. Karen Curatolo
Walter and Lillian Dean
Dr. Raina Ernstoff & Mr. Sanford Hansell
Sally and Michael Feder
Robert and Amy Folberg
Yvonne Friday and Stephen Black
Clifford and Zoe Furgison
Glendon M. Gardner and Leslie Landau
Allan Gilmour and Eric Jirgens
Samuel* and Toby Haberman
35 DETROIT OPERA
Max Lepler and Rex Dotson
Mary B. Letts
Eugene and Lois Miller
Van Momon and Pamela L. Berry
Dr. & Mrs. Peter Nickles
Terry Packer
Sara A. Pozzi, Ph.D.
Irvin and Pamela Reid
Janice Ross
Susan Sills-Levey and Michael Levey
Susan A Smith
Ms. Mary Anne Stella
Joel Tauber
Buzz Thomas & Daniel Vander Ley
Dorothy Tomei
Jeff and Amy Voigt
Stanley Waldon
Prof. Michael Wellman
Bret and Susanna Williams
$1,000-$2,499
Nina and Howard Abrams
Mr. James Anderson
Robert and Elaine Appel
Mr. Michael Asher
Mr. Steve Bellock
Mr. Stanislaw Bialoglowski
Ms. Constance Bodurow
Donald and Marilyn Bowerman
Albert and Janette Cassar
Howard & Judith Christie
Fitzroy and April Clarke
Devon Shea Cook
James and Christine Cortez
Patricia Cosgrove
Lisa DiChiera
Mr. Cameron B. Duncan
Marjory Winkelman Epstein
Paul and Mary Sue Ewing
Burke & Carol Fossee
Bharat and Lynn Gandhi
Michael and Virginia Geheb
Thomas M. Gervasi
Jillian Gibbs
Mr. Lawrence Glowczewski
Philip and Martha Gray
Nadia Clealure Greenidge
Ms. Carole Hardy
Ms. Nancy B. Henk
Derek and Karen* Hodgson
Eleanor & Alan Israel
Richard and Involut Jessup
Ellen Kahn
Roberto Kalb & Mane Galoyan
Marc Keshishian and Susanna Szelestey
Mr. & Mrs. Gerd H Keuffel
Julie Kim
Edward and Barbara Klarman
Gregory Knas
Mary Jane & Jeff Kupsky
Meria Larson
Mr. John Lovegren & Mr. Daniel Isenschmid
Ms. Denise Lutz
Mr. Loreto A. Manzo
Ms. Florine Mark
Ms. Janet Groening Marsh
Ronald and Zvjezdana Martella
Patrick and Patricia McKeever
Brian and Lisa Meer
Xavier and Maeva Mosquet
Harold Munson and Libby Berger
Brian Murphy and Toni Sanchez-Murphy
Richard & Kathleen Nauer
Joshua and Rachel Opperer
Ms. Linda Orlans
Gilbert Padula
Mr. Michael Parisi
Coleen Pellerito
Mark and Kyle Peterson
Mr. Shane Pliska
Michael and Charlene Prysak
Dr. Monique Reeves
Peter Remington and Peggy Daitch
George and Aphrodite Roumell
William and Marjorie Sandy
Mary Schlaff and Sanford Koltonow
William and Mary Schwark
James and Laura Sherman
Thomas and Sharon Shumaker
Mr. Zon Shumway
Frank and Rose
Marie Sosnowski
Ms. Theresa Spear & Mr. Jeff Douma
Gabriel and Martha Stahl
Mrs. Susanne Radom Stroh
Paul Tomboulian
Jeffrey Tranchida and Noel Baril
Joseph and Rosalie Vicari
John and Susan Zaretti
$750-$999
Ms. Geraldine Atkinson
Ms. Kanta Bhambhani
Barbra Bloch
Mr. Alan S Brown
Frank and Jenny Brzenk
Tonino and Sarah Corsetti
Brandt and Vanessa Crutcher
Jerry* and Maureen D’Avanzo
Sharon and Vito Gioia
Katharine Nipper
Mrs. Beverly A. Thomas
Ms. Kathryn Wilson
$500-$749
Dr. Antonia Abbey
Dr. Goncalo Abecasis
Michael and Katherine Alioto
Dr. Naomi André
Robert and Catherine Anthony
Nancy Azizi
Ms. Allison Bach
Beth Baerman
Dr. & Mrs. Jeffrey Band
Mr. Sean A Bannon
Leland Bassett
Mr. Al Beachum
Cecilia Benner
Eugene and Roselyn Blanchard
Ms. Barbara Bowman
Gerald and Marceline Bright
Marsha Bruhn
Ms. Susan Cameron
Beverly & Reginald* Ciokajlo
Jonathan Cohn and Daniela Wittmann
John and Cynthia Cross Charitable Fund
Ms. Joyce E. Delamarter
Eugene* and Elaine Driker
Daniel and Susan Drucker
Madel Ernemann
Daniel H. Ferrier
Barbara Fisher and William Gould
Sue Force
Daniel and Katharine Frohardt-Lane
36 THANK YOU TO OUR DONORS continued
Carol Gagliardi and David Flesher
Mrs. Louise Giddings
John Gierak and Dona Tracey
Joseph and Lois Gilmore
Thea Glicksman
Mr. Robert Theodore Goldman
Mr. Nathaniel Good
Ms. Glynes Graham
Mrs. Stefania Gualdi
Giacinta Gualtieri
Mr. Tom Hamon
Ms. Albertine Harmon
Michael Hathaway
Paul and Nancy Hillegonds
Beth Hoger & Lisa Swem
Ms. Theresa Munger Howard
William and Sarah Hufford
Elanah Nachman Hunger
Robert Jesurum and Christine Petrucci
David and Theresa Joswick
Geraldine and Jacqueline Keller
Kathy Kercorian
Judith and Stephen Kesler
Ms. Lee Khachaturian
Justin and Joanne Klimko
Mr. Alex Koprivica
Ms. Cynthia Kratchman
William and Jean Kroger
Mr. Eric Krukonis
Andy Levin & Mary Freeman
John and Kimi Lowe
Joseph and Sandra Lupo
Dr. William Lusk
Mrs. Marsha Lynn
Ms. Margaret MacTavish
Ms. Vera C. Magee
Steven and Jennifer Marlette
Matthew Mason and Renate Klass
Mr. John McElroy
Ms. Lynne M. Metty
Dr. Anne Missavage & Mr. Robert Borcherding
Carol Treat Morton
Richard and Kathleen Nauer
Ms. Lois Norman
Mr. D. Sean Panikkar
Anne Parsons and Donald Dietz
Ms. Haryani Permana
Elaine and Bertram Pitt
Garry Post and Robert Hill
Mrs. Janet Pounds
Mr. Dennis C. Regan & Miss Ellen M. Strand
Concetta Ross
Leroy and Maria Runk
Donald Runyon
Mr. Rodney Michael Rusk
Dr. Christina Shanti
Walter Shapero and Kathleen Straus
Ms. Brenda Shufelt
Allan Skoropa
Melissa Smiley
Andrew J. Sturgess
Patricia Terry-Ross
Michele and Scott Toenniges
John M. Toth
Barbara and Stuart Trager
Maria Urquidi
Mat Vanderkloot
Dennis and Jennifer Varian
Ms. Janet Beth Weir
Meredith Weston-Band and Jeffery Band
David and Barbara Whittaker
Mr. W. Gary & Mrs. Cathy Wood
Mr. David D. Woodard
Every effort has been made to accurately reflect donor names and gift levels. Should you find an error or omission, please contact Zach Suchanek at zsuchanek@detroitopera.org or 313.237.3427
KEY
* Deceased
Gifts in Tribute
We extend a heartfelt thank you to the families, friends, colleagues, businesses and groups who generously made gifts to Detroit Opera in honor of or in memory of the special peoples in their lives, whose names are listed bold below.
IN HONOR OF
Wayne Brown
Hugh Smith and Marsha Kindall-Smith
Ryan Taylor
Ethan & Gretchen Davidson
Joshua and Rachel Opperer
R. Jamison and Karen Williams
Peter Remington and Peggy Daitch
Christine Goerke
M. Calien Lewis
Beth Kirton
PEO Chapter X
Chelsea Kotula
Bernard and Eleanor A. Robertson
Mary Kramer
David and Carol Domina
Alphonse Lucarelli
Mr. Adam Crysler & Dr. Oxana Crysler
Dr. William J. Kupsky & Dr. Ali Moiin
Elliott Broom
Daniele & Stefania Castiglioni, & family
Ms. Wendy L Ecker
Carole Ilitch
Mary Jane & Jeff Kupsky
William and Elizabeth S. Kupsky
Household
Ms. Elizabeth Kupsky
Ms. Linda Orlans
Ms. Jane M Pappalardo
Mrs. Ruth F. Rattner
Susan J. Smith
Sanjay Soni
Ruth Rattner
Ann Katz
37 DETROIT OPERA
IN MEMORY OF
Tikiya Allen
Ms. Bonnie E Whittaker
Sylvester, Bedel
Mr. Brandon James Frey
Enola Dawkins Bell
Ms. Naomi Edwards
Martha Blom
Dorothy & Seth Hemming
John Boll
R. Jamison and Karen Williams
Mark Braciszewski
Jennifer & Megan Czar
Mary Munger Brown
Ms. Theresa Munger Howard
Reginald Ciokatlo
Beverly Ciokajlo
Gloria Clark
Joanne Danto and Arnold Weingarden
Steven and Jennifer Marlette
Harry T. Cook II
Ms. Susan Chevalier
Karen DiChiera
J. Addison Bartush and Marion
M. Bartush Educational Fund
Mr. Richard D. Cavaler
Hon. Avern Cohn* & Ms. Lois
Pincus Cohn
Community Foundation for Southeast Michigan
Joanne Danto and Arnold Weingarden
Nancy Kimball
Knudsen Family Fund at the Community Foundation for Southeast Michigan
Ms. Maryanne Mott
Ms. Maryanne Mott
Sarah Mumford
Patrick Murray
William & Martha Walsh
Kevin and Andrea Webber
Donald R. Epstein
Marjory Winkelman Epstein
Barbara Frankel
Janice and Larry Cohen
Melissa Cohen
Couzens, Lanksy, Fealk, Ellis, Roeder & Lazar P.C.
Gretchen & Ethan Davidson
Enrico and Kathleen Digirolamo
James and Margo Farber
Mr. and Mrs. Herman Frankel
Carolyn Gordon
David and Rose Handleman
Patti Kommel
Mark and Debbie Landau
Sarah Larges
Stanley Lecznar
Jan Rosen
Bernard and Donna Rubin
William and Marjorie Sandy
Brian Slickis
Dean Allan Maya Rose Slickis
Charles and Virginia Slickis
Mr. Charles Slickis
Debra Wichterman
Dorothy Gerson
Mrs. Ruth F. Rattner
William & Janet Goudie
Edward Goudie
Eugene Hillelfinger
Ms. Betty J. Atkins
Wallace Ayotte
Elizabeth Bacon-Pituch and Keenan Pituch
Samson Crowl and Carolyn Crowl
Ruth Daley
Mark and Susan Mutter
Mario Iacobelli
Brent & Wendy Bowman
Beverly M Campbell
Jim Eagle
Mr. Howard Emorey
Jillian Gibbs
Dean, Amy, Jason, & Alyse Gilbert
Howard & Janice Goldman
Mr. & Mrs. Donald Hosmer
Jorge & Sonia Just
Ms. Martha F Leviant
Karol and Patrick Mikula
Mrs. Karol Mikula
Joy & Allan Nachman
Earl and Sandra Rusnak
Lori Soifer
Stephen & Michelle Vurdelja
Erica Ward Gerson
Mr. George Waxler
Patrick & Dawn Werner
George D Westermen
Ronald Kohls
Dennis and Judith Voketz
Ms. Robin Renae Walker
Mr. & Mrs. Darwin Larson
Nancy Larson Ratajczak
Susan Lessien
Brenda Sanford
Mado Lie
Brenda Sanford
Blackbaud Giving Fund
Ms. Barbara Homan
Bonnie J. Jobe & Lawrence
Walsh
Marc Lie
Adam Lynch
Kate Netto
Annie Antar
Eugene and Roselyn Blanchard
William and Margaret Harber
Andrew Spector and Onyi Iwela
Tatiana C. Padula
Gilbert Padula
Elita Lily Salustro
Alison Hirschel
Ms. Sharon A Jourdan
Anne Neale and Richard Scott
Barbara Redstone
Carol Roble
Anita Salustro
Ms. Evelia Steinke
Ms. Janet Stenger
Ariel Sharon
Mali Sharon
James Slowick
Ms. Claire Galed
Ms. Susan Hill & Mr. Bill Holmes
Ms. Margaret Peters
Dr. Charles B. Smith
Dr. Peggie Smith
Robert Green Sweeten
Mary Margaret Sweeten
Brigadier
General
Norman Thorpe
Stacey Boyle
Peter Schwartz
Ms. Diane Wanagat
Alice Tomboulian
Paul Tomboulian
Richard Ventura
David Kwasny
Martha & Barry Taylor
Daryl and Lucie Witte
Tamara Lehew Whitty
Jason and Randi Albright
Sarah Bentley
Mr. Dan Convery
Mark Freeman
Ron & Marilyn Hudale
Daniel & Sharon Ihlenfeld
John and Arlene Lewis
Robert and Jennifer Moll
Mr. Michael Novak
Mr. & Mrs. John Shipman Osler, Jr
Drs. Adam and Rebecca Rubin
Anthony and Theresa Selvaggio
Avis Stewart
Jennifer Woodman
Every effort has been made to accurately reflect donor and honoree/memorial names for gifts received between November 1, 2021 and December 31, 2022. Should you find an error or omission, please contact Zach Suchanek at zsuchanek@detroitopera.org or 313.237.3427
* Deceased
38 GIFTS IN TRIBUTE continued
THE DAVID DiCHIERA ARTISTIC FUND
In remembrance of our founder and long-term general director, The David DiChiera Artistic Fund has been established to support and honor his artistic vision.
This fund enables Detroit Opera to produce compelling opera, present innovative dance, and engage with thousands of students and members of our community through our educational and outreach programs. Most importantly, it allows Detroit Opera to preserve David’s legacy and his dedication to the young people of Southeast Michigan and young emerging artists from all over the country.
Detroit Opera gratefully acknowledges the generous corporate, foundation, and individual donors whose gifts to The David DiChiera Artistic Fund were made before December 31, 2022.
INDIVIDUAL
Joe Alcorn (in honor of Joan Hill)
Richard and Mona Alonzo
Carl Angott and Tom Ball
Pamela Applebaum
Hon. Dennis W. Archer and Hon. Trudy Duncombe Archer
Gordon and Pauline Arndt
Timothy and Linda Arr
Mr. Jeffrey Atto
Kenan Bakirci
Landis Beard
Virginia Berberian (in memory of Joan Hill)
Jere and Carole Berkey
Henri and Anaruth Bernard
Mr. Robert Hunt Berry
Ms. Christine Jessica Berryman
Martha and Peter Blom* (in memory of Joan Hill)
Douglas and Rhonda Bonett
Ms. Priscilla Bowen
Wayne Brown & Brenda Kee
Frank and Jenny Brzenk
Ms. Patricia Byrne
Jeff Cancelosi
James and Susan Catlette
Mr. Richard D. Cavaler
Carol Chadwick
Edward and Judith Christian
Howard and Judith Christie
Hon. Avern Cohn* and Ms. Lois Pincus
Paula Lisa Cole
Mr. Martin Collica
Deborah L Connelly (in honor of Nadine DeLeury)
Holly Conroy (in honor of Nadine DeLeury)
Helen Constan
Telmer and Carmen Constan
James and Diana Cornell
Pat Cosgrove
Mr. John Craib-Cox
Geoffrey Craig (in memory of Joan Hill)
Mr. Stephen J. Cybulski
Gail Danto and Arthur Roffey
Dodie and Larry David
Walter and Lillian Dean (in honor of Nadine DeLeury)
Kevin Dennis and Jeremy Zeltzer
Cristina DiChiera and Neal Walsh
Lisa DiChiera
Nicholas Dorochoff and Joe Beason
Linda Dresner and Ed Levy, Jr.
Cameron B. Duncan
Mr. Keith Otis Edwards
Ms. Elaine K. Ellison
Marianne Endicott
Daniel Enright
Sundra Michelle Epps
Beth Erman (in honor of Ruth Rattner)
Paul and Mary Sue Ewing
Sandra Fabris
Mr. Andrew D Fisher
Barbara Fisher and William Gould
Carl and Mary Ann Fontana
Mrs. Barbara Frankel* and Mr. Ronald Michalak
Mr. and Mrs. Herman Frankel
Peter and Nancy Gaess
Lawrence and Ann Garberding
39 DETROIT OPERA
Wika Gomez
Sylvia and Gary Graham
William Greene and Peter McGreevy
Kristina K. Gregg
John and Kristan Hale
Stephen Hartle
Erik Hill
Ms. Rhea Hill
Ms. Rita Hoffmeister
Anne and Bob Horner
William and Sarah Hufford
Patricia Jeflyn
Dirk A Kabcenell (in memory of Joan Hill)
Mr. Martin Kagan
Ann Frank Katz and Family (in honor of Ruth Rattner)
Ms. Francine C Kearns-King
Mr. and Mrs. Gerd H Keuffel (in memory of Joan Virginia Hill)
Colin Knapp
Frank Kong
Michael and Barbara Kratchman
Mr. Jacob Krause (in memory of Manya Korkigian)
Arthur and Nancy Ann Krolikowski
James and Ellen Labes
Chak and Lizabeth Lai
Max Lepler & Rex L. Dotson
Mado Lie*
Bryan R. Lind
William and Jacqueline Lockwood
Stephan and Marian Loginsky
James LoPrete
Stephen Lord
Ms. Renee Lounsberry
Alphonse S. Lucarelli
Evan R. Luskin
Mary Lynch
Paddy Lynch
Marford Charitable Gift Fund
Ms. Jennifer Marling
Diana Marro Salazar
Ms. Alex May
Ms. Mary C. Mazure (in honor of Nadine DeLeury and Gregory Near)
Nadine McKay
Dr. Lisa Meils
Ms. Lynne M. Metty
Ali Moiin and William Kupsky
Mary Rose and Bill Mueller (in memory of Joan Virginia Hill)
Sarah Mumford
Katharine Nipper
Ms. Julia O’Brien
Jason O’Malley
Mr. and Mrs. Ralph A. Orlandi
Mrs. Sally Orley
Bonnie Padilla (in memory of Joan Hill)
Charles and Mary Parkhill
Nicole Patrick
Christopher Patten
Mr. Michael Poris
Mr. Wade Rakes, II
Rip and Gail Rapson
Ms. Deborah Remer
Ms. Marija D Rich
Pamela Rowland
Ankur Rungta and Mayssoun Bydon
Ms. Loretta W. Ryder
Barry and Deane Safir
Dmitriy and Svetlana Sakharov
William and Marjorie Sandy
Professor Alvin and Mrs. Harriet Saperstein
Dr. Mary J. Schlaff and Dr. Sanford Koltonow
Mr. David Schon
Yuval Sharon
Terry Shea and Seigo Nakao
Dorienne Sherrod
Peter and Mary Siciliano (in honor of Nadine DeLeury)
Ted and Mary Ann Simon
Matthew and Mona Simoncini
Joe Skoney and Luisa Di Lorenzo
Hugh Smith and Marsha Kindall-Smith
Kendall Smith
Lee and Bettye Smith
Richard Sonenklar and Gregory Haynes
Ms. Janet Stevens
Dr. Austin Stewart and Mr. Charlie Dill
Ronald Switzer and Jim McClure
Angela Theis
Mrs. Beverly A Thomas
Buzz Thomas and Daniel Vander Ley
Ms. Patricia A Thull
Mr. Jason P. Tranchida
Jeffrey Tranchida and Noel Baril
Elliott and Patti Trumbull
Mathew and Barbara Vanderkloot
Berwyn Lee Walker
William and Martha Walsh
Gary L. Wasserman and Charles Kashner
Kevin and Andrea Webber
Bradford J and Carol White
R. Jamison and Karen Williams
Peter Wilson (in honor of Nadine DeLeury)
Blaire R Windom
Mary Lou Zieve
CORPORATIONS & FOUNDATIONS
Aom, LLC
The Eugene & Marcia Applebaum Family Foundation
J. Addison Bartush & Marion M. Bartush Family Foundation
Community Foundation for Southeast Michigan
DeRoy Testamentary Foundation
Kresge Foundation
MOT Orchestra Fund (in honor of Nadine DeLeury)
Northern Trust Bank
Pal Properties, LLC
40
CAPITAL CAMPAIGN FOR THE DETROIT OPERA HOUSE
The Detroit Opera Board of Directors began the first phase of fundraising for Detroit Opera House capital improvements in January 2020. This multi-phase capital campaign grew from recommendations identified in the facilities master plan completed by Albert Kahn Associates, Inc. Scheduled facility improvements and upgrades will shape the patron experience at the Opera House for years to come.
We look forward to sharing full details about the capital campaign in the coming months. Until then, we extend heartfelt thanks to the following donors who made contributions that enabled capital improvements to begin.
Leadership Gifts*
Ethan and Gretchen Davidson
William Davidson Foundation
National Endowment for the Humanities
Matthew and Mona Simoncini
Campaign Contributors*
Naomi André
Michael Azar
Nancy Azizi
Blue Cross and Blue Shield of Michigan
Gene P. Bowen
Elizabeth Brooks
Elliott Broom
Wayne Brown & Brenda Kee
Edward & Judith Christian
James and Elizabeth Ciroli
John and Doreen Cole
Hon. Avern Cohn* & Ms. Lois Pincus
Mr. Adam Crysler & Dr. Oxana Crysler
Joanne Danto and Arnold Weingarden
Marvin & Betty Danto
Family Foundation
Ms. Julia Donovan Darlow & Hon. John C. O’Meara
Kevin Dennis & Jeremy Zeltzer
Shauna Ryder Diggs
Enrico & Kathleen Digirolamo
Mrs. Carol E. Domina
Mr. Cameron B. Duncan
Wendy L. Ecker
Mr. Michael Einheuser
Marianne T. Endicott
Alex and Lil Erdeljan Foundation
Fern Espino and Tom Short
Carl & Mary Ann Fontana
Mrs. Barbara Frankel* & Mr. Ronald Michalak
Mr. & Mrs. Herman Frankel
Toby Haberman
John & Kristan Hale
Dr. Devon Hoover
Eleanor & Alan Israel
Robert Jesurum and Christine Petrucci
The Karen & Drew Peslar Foundation
Velda Kelly
Ms. Mary Kramer
Michael & Barbara Kratchman
Denise J. Lewis
Alphonse S. Lucarelli
Don Manvel
McGregor Fund
Benjamin Meeker & Meredith Korneffel, MD
Ali Moiin & Bill Kupsky
Donald & Antoinette Morelock
James and Ann Nicholson
Peter Oleksiak
Ms. Linda Orlans
Penske Corporation
Mr. Shane Pliska
Prof. Sara A. Pozzi Ph. D
Waltraud Prechter
Paul & Amy Ragheb
Mrs. Ruth F. Rattner
Ankur Rungta & Mayssoun Bydon
Terry Shea & Seigo Nakao
The Skillman Foundation
Mr. Richard Slama
SOLO World Partners LLC
Richard Sonenklar & Gregory Haynes
The State of Michigan
Lorna Thomas, MD
Mr. & Mrs. C. Thomas Toppin
Jesse & Yesenia Venegas
R. Jamison & Karen Williams
Ellen Hill Zeringue
* Listing reflects gifts and pledges as of December 31, 2022 in alphabetical order.
41 DETROIT OPERA
AVANTI SOCIETY MEMBERS ENSURING THE FUTURE
Imagine a gift that outlives you, allowing future generations to experience and enjoy the world of opera and dance. That’s the goal of the Avanti Society, Detroit Opera’s planned gift recognition program.
The Italian word avanti means “ahead,” or “forward.” Detroit Opera’s Avanti Society represents a designated group of friends who have made plans to include Detroit Opera in their estates—whether by will, trust, insurance, or life income arrangement. We are grateful for the generosity and foresight of those listed below, who have chosen to declare their intentions and join the Avanti Society. Thank You Avanti Society Members!
Sarah Allison
Dr. Lourdes V. Andaya§
Mr. and Mrs. Agustin Arbulu§
Mr.* & Mrs. Chester Arnold§
Dr. Leora Bar-Levav
Mr. and Mrs. Lee Barthel
Mr. and Mrs. Brett Batterson§
Mr. W. Victor Benjamin
Mr.* and Mrs. Art Blair§
Mr. and Mrs. Richard Bowlby
Mrs. Doreen Bull
Mr.* and Mrs. Roy E. Calcagno§
The Gladys L. Caldroney Trust
Dr. and Mrs. Thomas E. Carson
Dr.* and Mrs. Victor J. Cervenak
Father Paul F. Chateau
Mary Christner
Mr. Gary L. Ciampa
Ms. Virginia M. Clementi
Hon. Avern Cohn* & Ms. Lois Pincus
Prof. Kenneth Collinson
Douglas and Minka Cornelsen
Dr. Robert A. Cornette§#
Mr.* and Mrs. Tarik Daoud§#
Mr. Randal Darby
Mr. Thomas J. Delaney
Walter and Adel Dissett
Ms. Mary J. Doerr#
Mrs. Helen Ophelia Dove-Jones
Mrs. Charles M. Endicott§#
Mr. Wayne C. Everly
David and Jennifer Fischer
Mr. and Mrs. Herb Fisher§
Mrs. Barbara Frankel* and Mr. Ronald Michalak§#
Mr. and Mrs. Herman Frankel§#
Mr. and Mrs. Harvey Freeman*
The Edward P. Frohlich Trust
Mrs. Jane Shoemaker French
Dr. and Mrs. Byron P. Georgeson§
Albert and Barbara Glover
Robert Green
Mr. Ernest Gutierrez
Mr. and Mrs. Stephen Hagopian
Mr. Lawrence W. Hall§
Mr. and Mrs. Jerome Halperin§
Ms. Heather Hamilton
Charlene Handleman
Preston and Mary Happel
Mr. Kenneth E. Hart§
Mr. & Mrs. Eugene L. Hartwig§
Dr. & Mrs. Gerhardt A. Hein
Ms. Nancy B. Henk
Mrs. Fay Herman
Derek and Karen* Hodgson
Andrew and Carol Howell
Dr. Cindy Hung§
Eleanor and Alan Israel
Ms. Kristin Jaramillo§
Mr. Donald Jensen§
Mr. John Jesser
Mr. John Jickling
Maxwell and Marjorie Jospey
Mr. Patrick J.* & Mrs. Stephanie Germack Kerzic
Josephine Kessler
Edward and Barbara Klarman
Mr. & Mrs. Robert Klein#
Mr. & Mrs. Erwin H. Klopfer§#
Misses Phyllis & Selma Korn§ *
Myron and Joyce LaBan
Mr. Max Lepler & Mr. Rex Dotson
Linda Dresner & Ed Levy, Jr.
Mr. Hannan Lis
Florence LoPatin
Mr. Stephen H. Lord
Ms. Denise Lutz
Laura and Mitchell Malicki
Ms. Jane McKee§
Bruce Miller
Drs. Orlando & Dorothy Miller§
Ms. Monica Moffat & Mr. Pat McGuire
Drs. Stephen & Barbara Munk
Miss Surayyah Muwwakkil
Mr. Jonathan F. Orser
Ms. Julie A. Owens
Mr. Dale J. Pangonis§
Mr. & Mrs. Charles A. Parkhill
Mr. Richard M. Raisin§
Mrs. Ruth F. Rattner§#
Ms. Deborah Remer
Dr. Joshua Rest
42
Mr. & Mrs. James Rigby§
Mr. Bryan L. Rives
Ms. Patricia Rodzik§
David and Beverly Rorabacher
Dulcie Rosenfeld
Concetta Ross
Professor Alvin and Mrs. Harriet Saperstein
Ms. Susan Schooner§
Mark and Sally Schwartz
Drs. Heinz & Alice Platt Schwarz§
Mrs. Frank C. Shaler§
Ms. Ellen Sharp
Ms. Edna J Pak Shin
Mr. & Mrs. Harold Siebert
Mrs. Loretta Skewes
Ms. Anne Sullivan Smith
Ms. Phyllis Funk Snow§
Mr.* & Mrs. Richard Starkweather§#+
Ms. Mary Anne Stella
Mr. Stanford C. Stoddard
Dr. Jonathan Swift* & Mr. Thomas A. St. Charles§
Mr. Ronald F. Switzer§
Lillie Tabor
Mary Ellen Tappan Charitable Remainder Trust
Peter and Ellen Thurber
Alice* & Paul Tomboulian
Mr. Edward D. Tusset§
Jonathan and Salome E. Walton
Susan Weidinger
Mrs. Amelia H. Wilhelm§#
Mrs. Ruth Wilkins
Mr. Andrew Wise
Mr. & Mrs. Larry Zangerle
We express profound thanks to these Avanti Society members whose planned gifts to Detroit Opera have been received.
Robert G. Abgarian Trust
Mr.* and Mrs.*
Robert Allesee#
Serena Ailes Stevens
Mr. and Mrs. J. Addison Bartush§#*
Mr. and Mrs. Mandell Berman
Margaret and Douglas Borden
Charles M. Broh
Milena T. Brown
Charlotte Bush Failing Trust
Mary C. Caggegi
Allen B. Christman
Miss Halla F. Claffey
Robert C. and RoseAnn B. Comstock
Mary Rita Cuddohy
Marjorie E. DeVlieg
Nancy Dewar
James P. Diamond
Dr. David DiChiera
Mrs. Karen V. DiChiera
Dr. and Mrs. Charles H. Duncan§
Mrs. Anne E. Ford
Ms. Pamela R. Francis§
Mrs. Rema Frankel
Barbara Lucking Freedman
The Priscilla A.B. Goodell Trust
Freda K. Goodman Trust
Priscilla R. Greenberg, Ph.D.§#
Maliha Hamady
Patricia Hobar
Mary Adelaide Hester Trust
Gordon V. Hoialmen Trust
Carl J. Huss
H. Barbara Johnston
Mrs. Josephine Kleiner
Mr. & Mrs.
Arthur Krolikowski*§
Mr. Philip Leon
Dores and Wade McCree*
Lucie B. Meininger
Helen M. Miller
Ella M. Montroy
Ronald K. Morrison
Ruth Mott
Elizabeth M. Pecsenye
Clarice Odgers Percox Trust
Thomas G. Porter
Mitchell Romanowski
Ms. Joanne B. Rooney
Mr. & Mrs. Giles L. & Beverly Ross
Ms. Merle H. Scheibner
Ms. Laura Sias
Mrs. Marge Slezak
Edward L. Stahl
Dr. Mildred Ponder Stennis
Margaret D. Thurber
Mr. & Mrs. George & Inge Vincent§#+
Herman W. Weinreich
J. Ernest Wilde Trust
Helen B. Wittenberg
Mr. & Mrs. Walter & Elizabeth Work§
Joseph J. Zafarana
Mr. & Mrs. George M. Zeltzer§
KEY
§ Founding Members
# Touch the Future donors
* Deceased members
Membership in the Avanti Society is open to all who wish to declare their intention for a planned gift to Detroit Opera. Call Angela Nelson-Heesch to learn more, 313-237-3416.
43 DETROIT OPERA
DETROIT OPERA ADMINISTRATION & STAFF
Wayne S. Brown
PRESIDENT AND CEO
Yuval Sharon
GARY L. WASSERMAN
ARTISTIC DIRECTOR
Christine Goerke
ASSOCIATE ARTISTIC DIRECTOR
Roberto Kalb MUSIC DIRECTOR
DEPARTMENT DIRECTORS
Lane DeCamp, Chief Marketing & Development Officer
Julie Kim, Chief Artistic Production Officer
Alexis Means, Director of Operations and Patron Experience
Rock Monroe, Director of Safety and Security, DOH and DOHPC
Angela Nelson-Heesch, Director of Development
Matthew Principe, Director of Innovation
Andrea Scobie, Director of Education
Ataul Usman, Director of Human Resources
Patricia Walker, Chief Administrative Officer
Arthur White, Director of External Affairs
ADMINISTRATION
William Austin, Executive Assistant
Christy Gray, Office Administrator
Laura Nealssohn, Board Liaison
Timothy Lentz, Archivist & Director, Detroit Opera Archive and Resource Library
Catherine Staples, Associate Archivist, Detroit Opera Archive and Resource Library
Bryce Rudder, Digital Asset Manager & Senior Librarian, Detroit Opera Archive and Resource Library
COMMUNITY PROGRAMS
Branden Hood, Program Coordinator
Mark Vondrak, Associate Director/ Tour Manager
HOUSE OPERATIONS
Juan Benavides, Building Engineer
Kathie Booth, Volunteer Coordinator
Holly Clement, Events Manager
Jennifer George-Consiglio, Manager of Venue Operations
Dennis Wells, Facilities Manager
Emily White, Events Assistant
FINANCE
Kimberley Burgess, Accountant
Rita Winters, Accountant
HUMAN RESOURCES
Josh Kozakowski, Human Resources Coordinator
PATRON SERVICES
Development
Chelsea Kotula, Director of Institutional Giving
Valentino Peacock, Development Operations Coordinator
Samantha Scott, Manager of Annual Giving
Gwendolyn Sims, Database Operations Manager
Zach Suchanek, Stewardship Coordinator
Carmen Szurpicki, Major Gifts Officer
Marketing/Public Relations
Michael Hauser, Marketing Manager
Jennifer Melick, Communications and Media Relations Manager
Jon Rosemond, Marketing Operations Coordinator
44
Box Office
Amy Brown, Senior Manager of Ticketing and Box Office Operations
Evan Carr, Box Office Lead
Jeffery Sanders, Group Sales Associate
Ellen Smith, Box Office Associate
Stephanie Stoiko, Box Office Associate
ARTISTIC DEPARTMENT
Nathalie Doucet, Head of Music
Dagny Hill, Artistic Assistant
DANCE
Jon Teeuwissen, Artistic Advisor for Dance
Kim Smith, Dance Coordinator
INNOVATION
Austin Richey, Digital Media Manager and Storyteller
PRODUCTION
Administration
Elizabeth Anderson, Production Coordinator and Artistic Administrator
Kathleen Bennett, Production Administrator
Shannon Schroer, Production Assistant
Technical & Design Staff
Daniel T. Brinker, Technical Director
Moníka Essen, Property Master
Heather DeFauw, Assistant Lighting Designer/Assistant Technical Director
Billy Osos, Assistant Technical Director
Kaila Madison, Technical Assistant
Music
Suzanne Mallare Acton, Assistant Music Director and Chorus Master
Molly Hughes, Orchestra Personnel Manager
Jean Posekany, Orchestra Librarian
Costumes
Suzanne Hanna, Costume Director
Amelia Glenn, Wardrobe Supervisor
Patricia Sova, First Hand
Mary Ellen Shuffett, Fitting Assistant
Laura Brinker, Tailor
Maureen Abele, Dylan McBride, Paul Moran, Rachel Parrott, Lupe Vazquez, Stitchers
Wigs & Makeup
Elizabeth Geck, Crew Coordinator
Guilia Bernardini, Morgan Bogdanski, Erika Broderdorf, Kaitlyn Denzler, Denise Llombart, Mallory Maxton, Theodore Place, Denitra Townsend, Wig & Makeup Crew
Cedasha Randolf, Swing
Stage Crew
John Kinsora, Head Carpenter
Frederick Graham, Head Electrician
Gary Gilmore, Production Electrician
Pat McGee, Head Propertyman
Chris Baker, Head of Sound
Pat Tobin, Head Flyman
Mary Ellen Shuffett, Head of Wardrobe
IATSE Local #38 Stage Crew
IATSE Local #786 Wardrobe
DETROIT OPERA YOUTH CHORUS
Suzanne Mallare Acton, Director
Dianna Hochella, Assistant Director
Twannette Nash, Chorus Administrator
Joseph Jackson, Accompanist
Jane Panikkar, Preparatory Chorus Conductor
Maria Cimarelli, Preparatory Chorus Accompanist
SAFETY & SECURITY
Lt. Lorraine Monroe
Sgt. Demetrius Newbold
Officer Gary Cabean
Officer Dasaian Dupree
Officer A.M. Hightower
Officer Sullivan Horton
Detroit Opera is a proud member of
45 DETROIT OPERA
IN CASE OF EMERGENCY
Please observe the lighted exit signs located throughout the theater. In the event of an emergency, remain calm and walk, do not run, to the nearest exit. Ushers and security personnel are trained to assist. An emergency medical technician (EMT) is onsite during most events. Contact an usher or staff member if you need medical assistance.
GUEST SERVICES –Vincent Lobby
There are a variety of amenities located in guest services for your comfort and use. Wheelchairs, booster seats*, earplugs, assisted listening devices, feminine hygiene products, basic first aid items, and more are complimentary and available for your convenience. Coat check is also available. This area is located on the Madison Street side of the building. *Limited quantity
PHOTOGRAPHY, RECORDING, AND CELL PHONE USE
Photography and/or recording during any performance is strictly prohibited. Photographs taken in the lobby areas, before or after a performance, and during intermission are welcome. As a courtesy to all guests, please turn off all electronic devices and refrain from use during the performance.
RESTROOMS
Women’s restrooms are located off the Ford Lobby (Broadway Street entrance) and down the stairs, and on third floor (Madison Street entrance). Men’s restrooms are located under the Grand Staircase and on the third floor (Broadway Street side). There are two sets of elevators or stairs available to access all third-floor restrooms. All third-floor restrooms are wheelchair accessible (women’s restroom, press 3R in the elevator). There are single-use unisex wheelchair accessible restrooms on the first floor of the Broadway Street side of the building and the Madison Street side of the building. There is also a wheelchair accessible women’s restroom on the Broadway Street side of the building.
NO SMOKING
The Detroit Opera House is a non-smoking facility. This includes e-cigarettes, vapes, and other “smokeless” products.
USHERS
Ushers are stationed throughout the building to assist patrons as needed. Please direct questions, concerns, and feedback to them during your visit. Enjoy volunteering? Please go to guest services or the Detroit Opera website, www.detroitopera.org/volunteers, for information on becoming a volunteer.
LOST AND FOUND
During the performance, lost and found is located in guest services. Unclaimed items are logged and taken to the Safety and Security office after each performance. To inquire about a misplaced or lost item, please call 313-961-3500. Items left over 30 days will be discarded or donated.
RECORDING IN PROGRESS
Entry and presence on the event premises constitute your consent to be photographed, filmed, and/or otherwise recorded, and to the release, publication, exhibition, or reproduction of any and all recorded media for any purpose whatsoever in perpetuity in connection with Detroit Opera and its initiatives. By entering the event premises, you waive and release any claims you may have related to the use of recorded media of you at the event.
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General Information
Spring is just around the corner and Ford House has events and experiences for everyone in your family to enjoy!
1100 LAKE SHORE RD. GROSSE POINTE SHORES, MI 48236 WWW.FORDHOUSE.ORG