VISHAL JOSHI
/a rchitect portfolio
index
2006 - 11
2009 - 10
2011 - 13
Works created and concieved at the undergraduate architecture level at Kamla Raheja Vidyanidhi Institute for Architecture, Mumbai
Project worked on at Tunghai University Taichung, Taiwan during a two month exchange program.
Designs & assignments which eveolved while working with Parijat Mishra & Associates
WORLD EXPO
GOLF & SAILING CLUB SERENA LAKE VICTORIA, UGANDA
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ACADEMIC /
EXCHANGE/
PROFESSIONAL/
NEIGHBOURHOOD FOCII FOR TEJPAL SCHEME
05
LOW COST HOUSING WADAR WASTI SLUM, PUNE
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SUMARIA INDUSTRIAL TOWNSHIP UGANDA
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INTERNATIONAL AIRPORT AURANGABAD
14
EXHIBITION CAMPUS TICKET BOOTH ZAMBIA
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NEGHBOURHOOD RESOURCE CENTRE DEHRADUN
16
MUSEUM FOR PROGRESSIVE ARTIST’S GROUP
17
THE PRINCELY STATES MUSEUM
19
MUNICIPAL CORPORATION INTERVENTION
21
PROTOTYPE FOR HOUSING STREET VENDORS
24
AN ARTIST’S INSTALLATION
25
SHADE & SHADOW
26
RE-HOUSING A TAILOR
27
DOCUMENTING A SECTION TARKARLI
29
SPACIAL EXPLORATION USING PLASTER OF PARIS
31
PLOTTING A CAPSICUM
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ACADEMIC /
2006 - 11 Kamla Raheja Vidyanidhi Institute for Architecture
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NEIGHBOURHOOD FOCII FOR TEJPAL SCHEME MUMBAI, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Final Year 2010-11
THESIS RESEARCH My Neighbourhood in transition
The locality of Tejpal Scheme was going through a huge phase of transformation. The neighbourhood of small bungalows and chawls (community housing), was suddenly being replaced by large apartment blocks and commercial buildings, disturbing the existing fabric of the vicinity.
DEVELOPMENT PLAN 1970 & PRESENT INDICATING THE INEVITABLE CHANGE
SITE LOCATION MAPS
Unable to cater to the huge influx of new residences, the institutions of the area were becoming obsolete. The research looked at the past of the Tejpal Scheme and how the area had evolved over time. The study had an indepth analysis of the residents of the neighbourhood.
DIAGRAMS INDICATING CHANGES OCCURING
SCHEMATIC HISTORICAL EVOLUTION OF VILE PARLE EAST
SCHEMATIC HISTORICAL EVOLUTION OF TEJPAL SCHEME
GRANDPARENTS & THEIR LINKS WITH MIGRATION ROUTES
For over 50 years the area was home to both sets of my grandparents who lent great insights into it’s past. These stories established a link between the people of the area and their native villages. Each individual had contributed to the area with a relic of their past. They rebuilt these contributions either as a temple for a deity of their village or recreated an architectural feature of their ancestral homes into their new homes. This was done by my grandparents as well.
LINGUISTIC COMMUNITIES PLAN
LAND USE PLAN
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The study progressed by investigating the activities of various people, their daily movements and festivals. This finally resulted in an architectural quest to revive and regenerate the outmoded institutions of the neighbourhood which were under a constant threat of encroachment and demolition, so as to preserve its way of life.
FESTIVALS & ACTIVITIES
SITE MODEL
(AT CUL DE SACS)
/ DAHI HANDI
/ STREET CRICKET
/ GANESH CHATURTHI
/ MORNING VEGETABLE MARKET
/ NAVRATRI
/ RAM NAVAMI RATH YATRA
/ PEOPLE’S DAILY MOVEMENT CHARTS
DESIGN PROGRAM /
The Sports Complex /
Multi-purpose Ground Jogger’s Park Yoga Pavilion Swimming Pool Gymnasium Other Sports amenities Multi-purpose Hall Guest Rooms Cafeteria
The plot is divided into three zones. The jogger’s park caters to people of all age groups. It comprises of a jogging track, children’s play area, seating enclaves and pavilions for yoga and exercise.
PERSPECTIVE VIEWS ONCEPT & FINAL MODEL
The multi-purpose ground provided for teens, gives them a large acreage to play cricket and other sports. The sports club diversifies and incorporates a variety of sports activities. The upper level has a multi-purpose hall and guest rooms to serve for different events. The building has a large contiguous sloping roof which is characteristic of the area and is used as an archetype for all the other interventions.
GROUND FLOOR PLAN
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DESIGN
PROGRAM
The Cultural Centre /
Archive Library Day Care Centre
The building is split into three units, the day care centre, the archive and the library. These units are separated by two courtyards, one which is a playing ground for children; the other is used as an alternate reading zone for members of the archive and library. The entrance to the building is marked by a colonnade, built as an assembling zone for the people offering their prayers to the ‘Rath Yatra’, taking place twice a year.
FRONT ELEVATION
SECTION A-A’
A large continuous sloping roof with punctures for the courtyards gives it the reminiscent local character. CONCEPT SKETCHES
GROUND FLOOR PLAN CONCEPT & FINAL MODEL
DESIGN PROGRAM
Slum Redevelopment /
Housing Units This form of the building is derived by highlighting the movement Commercial Units of people along the site. The units are designed around a central open space which is a basic necessity for the people in the area as it would handle social and religious gatherings and festivals. The last remaining well which was worshipped and still in use, is kept intact. The lower level has commercial space to provide for the electricians, tailors, plumbers, laundries and provision stores already existing in the area. The upper levels have long corridors with wooden sun breakers that form a distinctive architectural feature of the structure.
SECTIONAL ELEVATION F-F’
SECTIONAL ELEVATION E-E’
CONCEPT SKETCHES
GROUND FLOOR PLAN CONCEPT & FINAL MODEL
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LOW COST HOUSING WADAR WASTI, PUNE, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Fourth Year 2009-10
PROGRAM
INTENT
Residential Units Commercial Units Balwadi (Free School for kids) NGO Offices Clinics
The preliminary study of the slum showed that the trees of the area were worshipped, used as a community gathering space or cut down to make way for more space. They were even incorporated into the dwelling if people could not afford to bring it down. The tree had become an integral unit of the slum which was either revered or ignored.
CONCEPT SKETCHES
CONDITION OF TREES ON SITE
CONCEPT MODELS
The clusters that were designed were synonymous to this tree. These clusters highlighted and incorporated the tree as a community gathering space. The building also reacted to its surroundings, where the ground level would either be commercial blocks (near the main access road), NGO offices or clinics depending upon its immediate contextual needs.
SITE STRATEGY PLAN
BUILDING MODULES, FUNCTIONS & DETAILS
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These clusters had large verandahs at every level to allow the close knit community to have their social interaction vertically. These new structures would be self-sufficient, having solar panels to deal with lack of electricity and rain water harvesting systems to tackle with the frequent water shortage.
SITE MODEL
CLUSTER MODEL
SECTIONAL ELEVATION A-A’
GROUND FLOOR MASTER PLAN
MASTER PLAN AT SECOND FLOOR
CLUSTER PLAN FIRST FLOOR
CLUSTER PLAN SECOND FLOOR
INTERNATIONAL AIRPORT AURANGABAD, INDIA ACADEMIC / EXCHANGE / PROFESSIONAL Fourth Year 2009-10
PROGRAM Airport INTENT The airport at Aurangabad was designed using ‘tensile structures’, the properties of which were the best solution to the semi-arid climate of the city as it’s translucent sheets diffused the harsh sunlight. The tensile structures were broken up by cubical forms which would act as the functional heart, incorporating the major utilities and services of the airport. It allowed the area covered to be free of any such obstructions, also enabling the lower arrival level to be illuminated through openings on the departure level.
CONCEPT VIEWS
GROUND FLOOR PLAN
MODEL
Keeping in mind the sizeable number of people waiting outside the airport, a large visitor’s porch with a number of elliptical kiosks, each with different functions was added to cater to the crowd thereby making the airport a lighter, brighter and more efficient structure.
SECTIONS
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CONCEPT MODELS
CONCEPT SKETCH
AXONOMETRIC VIEW
NEIGHBOURHOOD RESOURCE CENTRE MAHAVIR CHOWK, DEHRADUN, INDIA PROGRAM Library Ward Office Trade Union Offices Multi-purpose Hall Exhibition Space Public Amenities
ACADEMIC / EXCHANGE / PROFESSIONAL Fourth Year 2009-10
INTENT To combat the density of the surrounding vicinity, most of the plot is released to make a public plaza. The plaza has a series of large steps that provide for suitable seating zones. This directs pedestrian movement into the plaza rather than being constrained to the narrow crowded road. All the public amenities are placed on the ground level for easy access. The Ward Office, Trade Union Offices and the Library are placed a level above these functions. The floors above have majestic intersecting architectural forms providing shade to the plaza below. The Multipurpose Hall and Exhibition Space are placed at the top of each building to insulate them from the noisy street below.
SECOND FLOOR PLAN
MODEL THIRD FLOOR PLAN FRONT ELEVATION
SECTION
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MUSEUM FOR PROGRESSIVE ARTIST’S GROUP MALAD, MUMBAI, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Third Year 2008-09
PROGRAM
CONCEPT
Auditorium Permanent Gallery for the Progressive Artist’s Group, Exhibition Space, Library, Conservation Room, Conference Room, Restaurant
The building is designed to resonate the striking significance that the Progressive Artist’s Group had had on the art culture in India. The building is located in Malad a suburb of the city that critically lacks cultural and social spaces. MODEL
The museum intends to architecturally overshadow the plain grey concrete buildings around, and hence is infused with distinct coloured glass panes and varied structural skin to become a landmark in its own. SITE PLAN
VIEWS
PROCESS
The edge of the museum forms its entrance. Triangular jutting volumes break the planar form offering a vantage point for the surrounding area. Vivid triangular pavilions scattered around provide for many cultural/public functions such outdoor exhibition spaces, public seating areas, legal hawker shops, bus stops, information kiosks, etc.
SECTION
ELEVATION
FIRST FLOOR
SECOND FLOOR
AXONOMETRIC VIEW
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THE PRINCELY STATES MUSEUM GANGTOK, SIKKIM, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Second Year 2007-08
PROGRAM
INTENT
Permanent Display Gallery, Exhibition Space, Conservation Cell, Viewing Gallery, Information Desk
Sikkim’s tumultuous past left it’s monarchy of over four hundred years overthrown by its own people with assistance from the Indian Army. This resulted in Sikkim’s accession into the Union of India. Today this lies forgotten. Sikkim was the last one of the 565 Princely States of India, the rest of which met a similar fate. CONCEPT SHEET
CONCEPT MODEL
AXONOMETRIC VIEW 1.0
FINAL MODEL
The building is conceived to be a museum for these Princely States and their contributions. The site selected for the museum is a steep slope adjacent to Ridge Road where most riots and incidents took place, marking its significance. The design is composed of 9 large vaults encompassing smaller enclosed vaults, some embedded in the slope, representing the death of these kingdoms. The larger vaults form the main structure of the building, while the smaller ones form galleries where artifacts can be displayed. The circulation ramp and paths in the museum allow great views of the surrounding mountains and of the City of Gangtok below.
ELEVATION
UPPER LEVEL PLAN
SECTION A-A
SECTION B-B
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MUNICIPAL CORPORATION INTERVENTION K-EAST WARD, ANDHERI, MUMBAI, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Second Year 2007-08
PROGRAM PROCESS DRAWINGS
Information Kiosks Public Seating Areas
AXONOMETRIC VIEW
INTENT Ironically, this public building lacks any sort of civic convenience. Long queues are made to interact with the lowest officer in-charge. The large ground in front of the municipality is bereft of any form a public amenities and is filled with security guards displaying a fake sense of protection. The design is made up of five distinctly coloured information kiosks to attend to people. Each kiosk represens a distinct wing of the municipality and provides guidance on the same. These kiosks are backed by zig zag walls which look impregnable at first, but have visually hidden openings. In a sense they mock the perception of the farcical need for protection from its own people. This wall on the other side has large seating enclaves which are highly needed. SIDE ELEVATION
PLAN
FRONT ELEVATION
CONCEPT MODELS
FINAL MODEL
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LIVING UNIT 1
POLICEBOOTH
SITE DRAWINGS
SHOP
AXONOMETRIC VIEW
COMMON TOILET
LIVING UNIT 2
PROTOTYPE ON SITE
COMMUNITY UNIT
PROTOTYPE FOR HOUSING STREET VENDORS MUMBAI, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Second Year 2007-08
PROGRAM
CONCEPT
Housing Units Shop Police Booth Public Toilets
We were given 5 photographs, the common thread of which was ‘containment’. The idea was to derive a site, form and function from this word. I looked at the space below a flyover as a container which housed a street vendors making & selling festoons and flowers. These vendors lived and bathed there making this place unsanitary. The idea was to address this problem occurring throughout the city of Mumbai.
CONCEPT MODELS
The building is a combination of two containers i.e. the design of a honey comb and the material (corrugated sheets) from shipping containers, making the structure low cost and strong. This module contains two housing units for the street vendors, public toilets, a shop and a police booth. The colourful units can be easily dismantled, transported, replicated and rebuilt at any point in the city making it a sight for passersby.
CONTAINMENT
FINAL MODEL
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AN ARTIST’S INSTALLATION CAPT. VINAYAK GORE FOOTBRIDGE, MUMBAI, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Second Year 2007-08
PROGRAM
INTENT
Temporary Outdoor Gallery
Artist Nalini Malani deals with mythology, feminism, social unrest and political issues through her work. The site for the installation was a pedestrian rail over bridge, a daily transit route for people. The installation comprises of two sets of display units. One, where paintings can be displayed and described. Another that acts as a mirror of varying forms (shattered, bordered and plain), that ‘reflect’ on society. These display units have flaps above them to provide shade to the viewers. The centre piece of the installation is a podium for feminist paintings, surrounded by barricades that exacerbate the ethos of her paintings of women being worshipped and trapped simultaneously.
PROCESS DRAWINGS
AXONOMETRIC VIEW
SHADE AND SHADOW
ACADEMIC / EXCHANGE / PROFESSIONAL Second Year 2007-08
PROGRAM
CONCEPT
Documenting the shadow of a conceived 3-D form.
In this exercise we had to evolve a form using a single word and discrete materials, photographically documenting its shadow from different directions. The word selected is ‘anxiety’. The sketch is a metaphor of animal paws foraying in different directions. This is then drafted giving it a logical shape and size which is then explored graphically. The next step involves extruding these forms at different heights. Using opaque and transparent materials, the final step was to keep this newly emerged form in the sun and record its shadows. This allowed us to understand and explore shadows in a broader holistic manner.
SKETCH & DRAFTED DRAWING
MODEL WITH SHADOWS
AXONOMETRIC VIEW
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RE-HOUSING A TAILOR CHARKOP, MUMBAI, INDIA
PROGRAM
INTENT
ACADEMIC / EXCHANGE / PROFESSIONAL First Year 2006-07
Re-Housing a tailor in a house that works as a machine.
First we studied the house of Gopal, the Tailor. The 5.5m x 3m house was where he lived and worked. A tailor shop in the morning and evening transformed into a tuition class in the afternoon, and then became a home in the night. This study became the basis of designing the new module. The site is a hypothetical plot in Charkop where each student was given a plot of land measuring 7.5m x 10m.
STUDY OF GOPAL TAILOR’S HOUSE
AXONOMETRIC VIEW
DESIGN
This new house is conceived as a machine with 6 different blocks, each having collapsible walls all around allowing each block to interconnect with the other. Each unit is designed keeping in mind the provisions of the 4 family members and their services. These blocks move mechanically at different times of
MORNING & EVENING COMBINATION
AFTERNOON COMBINATION
the day catering to the various functions of the family’s daily requirements e.g. 3 blocks would come together at the street front in the morning and convert in the evening to the Tailor’s shop. The furniture units can be modified too with respect to the need of the hour.
NIGHT COMBINATION
MODELS
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DOCUMENTING A SECTION TARKARLI, MALVAN TALUKA, MAHARASHTRA, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL First Year Study Trip 2006-07
PROGRAM Surveying, recording a part of Tarkarli Village using various mediums. Group Project: Shivani Shedde, Vishal Joshi. I created the plan, illustrations and documented the area through photographs
INTENT Tarkarli, a village located on a peninsula with the Arabian Sea on one side and the River Karli on the other, both having abundant aquatic life making the village a fertile stretch of land with plenty of fresh water sources and rich soil. Fishing and farming communities live here. PHOTO STRIP / Fisherfolk activity
/ The Ice Factory
/ The Samant’s House
The section that was surveyed had an ice factory by the sea side, providing ice to the local fishermen. The main vehicular road was the highlight of the village, dotted with rich family homes, large coconut plantations and fresh water wells.
PLAN OF THE DOCUMENTED AREA
/ The Chandrakant’s House
/ The Kamble House
Moving along the section towards the river, the elaborate Samant and Chandrakant Houses (brick and stone) give way to the mud, thatched roofed Kamble House. These were interesting architectural distinctions as it reflected the caste of each family.
AN ILLUSTRATION OF THE AREA AND ITS ACTIVITIES
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PLOTTING A CAPSICUM
ACADEMIC / EXCHANGE / PROFESSIONAL First Year 2006-07
PROGRAM
INTENT
Graphically plotting the deformation of a capsicum.
This study was a basic design drafting exercise. It involved documenting a half cut capsicum in a grid. This was followed by the surface development of the capsicum into measurable units. The grid was then deformed. Similarly the capsicum was also deformed as per this modified grid. .
STEP 1
STEP 2 : SURFACE DELOPMENT
STEP 3 : DEFORMATION
STEP 4 : SECTION
SPATIAL EXPLORATION USING PLASTER OF PARIS
ACADEMIC / EXCHANGE / PROFESSIONAL First Year 2006-07
PROGRAM
CONCEPT
Developing a form using Plaster of Paris depicting change
The project is about developing an abstract three dimensional space from an existing two dimensional drawing. The drawing was inspired by John Hejduk’s poem, ‘Changes In Memory’. The drawing reflects ‘memory’ as a tree under threat from ‘change’ brought about by modernization.
The drawing then evolved into a three dimensional space using Plaster of Paris (P.O.P.). The final design composed of 5 P.O.P. blocks. These showe a series of changes represented as branches growing from a central core, finally leading to the destruction of this core. PERSPECTIVE VIEWS
PROCESS MODELS
PROCESS
SKETCH
FINAL MODEL
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EXCHANGE /
2009 - 10 The Department of Architecture
Tunghai University Taichung, Taiwan
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WORLD EXPO PAWAN HANS AIRFIELD, VILE PARLE, MUMBAI, INDIA
ACADEMIC / EXCHANGE / PROFESSIONAL Fourth Year 2009-10
PROGRAM
INTENT
Developing architectural templates through computer based design mediums
This Architectural Design studio in Taiwan was focused on computer based designing mediums. The process involved selecting two ‘activities’. The ones selected were ‘grass movement in the wind’ and ‘meiosis’.
The next step was to graphically and mathematically represent these two, to derive an equation. This equation was then directly plugged into the three dimensional software of grasshopper. Once there, the forms had to then be converted into templates.
GRASS MOVEMENT SKETCHES
GRASS MOVEMENT TEMPLATE
EVOLUTION OF SKETCHES IN GRASSHOPPER
These acquired templates i.e. a wave and horizontal plates, were merged to generate a single form. This newly developed form was then given a fixed architectural framework, scale and a definitive surface area. The resulting template was utilized in designing the ‘world expo’ in the city of Mumbai. MEIOSIS SKETCHES DERIVING AN EQUATION
TEMPLATE FOR MEIOSIS
EVOLUTION OF SKETCHES IN GRASSHOPPER
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LOCATION PLANS
BUILDING SKETCH
CONCEPT SKETCH (MERGING THE TWO TEMPLATES
LAYOUT PLAN
The site selected was an old airstrip, which was being used as a helipad. This is one of the last remaining large swatches of land in the city. The Expo buildings were placed along one of the unused runways. This also allowed for direct connectivity between the Vile Parle Station and Juhu beach and activated the entire site. The Expo buildings consisted of shops, cafeteria, restaurants and commercial spaces.
The design was an amalgamation of a wave like roof and smaller horizontal members that were devised to be slabs and shading canopies. The expo was also a sustainable building. The crests of the wave had solar panels along its surface area to utilize the suns energy. The troughs of the wave functioned as rain water harvesting and flood control channels (as this was a low lying area). Roof gardens allowed restaurants and cafÊ’s to grown their own produce thus encouraging organic farming.
RESOLVING THE EXPO & CAFETERIA MODULES
VIEWS INDICATING SURFACE AREAS
VIEWS
EXPO
CAFETERIA
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PROFESSIONAL /
2011 - 13 Parijat Misra & Associates
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GOLF & SAILING CLUB
SERENA LAKE VICTORIA, KAMPALA, UGANDA
ACADEMIC / EXCHANGE / PROFESSIONAL 2011-13
PROGRAM
INTENT
Restaurant Bar Conference Rooms Changing Rooms Admin Offices Outdoor Party Area Golf Shop
The Serena Lake Victoria development is a 33acre township having villas, apartments, health clubs out of which the Golf and Sailing Club was the landmark. This building was designed to be the focal point of the township, due to which we created an artificial water inlet to connect it directly to the lake.
SITE LOCATION
The above google earth maps show the development of the artificial water inlet from the lake.
CONCEPT SKETCHES
THE SERENA LAKE VICTORIA MASTER PLAN indicating the Golf Club
The building reflects vernacular African architecture. This is brought about by adding a large sloping roof above it. A clock tower is coupled with this roof to give it the all important height. The entrance of the building has a direct view of the lake ahead.
The other primary feature of the club is that every room faces the lake.A distinct verandah with a colonnade is added on the lake side, to allow for a shaded space which has the vantage point of both the water body and the golf course.
FRONT ELEVATION
CONCEPT VIEWS
42
LAKESIDE ELEVATION
GROUND FLOOR & LANDSCAPE PLAN
SECTION
This enhances the lake side elevation, giving it a more balanced look, making it a captivating scene for a person arriving via a yacht. The club is defined by large French windows present in the corridors offering more transparency for the bar and restaurants on one hand, and also allowing more light to penetrate into the building.
Using such windows is an attempt at blurring the difference between the inside and the outside. The interiors of the bar are planned to have a rustic appeal. All the material used for the interiors e.g. wooden chairs, tables, joists and terracotta tiles are local. This maintains the indigenous feel of the bar and subsequently reduces costs.
MODEL
ON SITE DEVELOPMENT PHOTOGRAPHS
BAR INTERIOR CONCEPTUAL VIEWS
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SUMARIA INDUSTRIAL TOWNSHIP
JINJA – KAMPALA ROAD, NAMANVE, UGANDAPALA, UGANDA
Group Project
INTENT
Amol, Rehan, Vishal.
The 16.5 acre development was to be a new trend in Uganda, i.e. rental warehousing. The warehouse blocks are oriented in an east-west direction to allow for maximum utilization of the plot and to adequately use the slope. Circulation in the plot is another defining factor in the master plan. Two separate roads, one for trailers and the other for cars are incorporated into the
I created the presentation and design of ancillary structures
PROGRAM Warehouse / Factory Units with Offices, Workers Canteen and Changing Area, Weigh Bridge Office, Trailer Loading/Unloading Area
LOCATION
CONTOUR LAYOUT
VIEW
ACADEMIC / EXCHANGE / PROFESSIONAL 2011-13
master plan, allowing for free and discrete movement of goods and people also providing enough space for loading/unloading trailers without hindrance. Each warehouse block is designed to have an office as well as a retail space, giving more possibilities to the tenants. A separate workers changing and canteen building is designed to provide for all the workers on site.
SECTION
CIRCULATION PLAN
WEARHOUSE PLAN
MASTER PLAN
EXHIBITION CAMPUS TICKET BOOTH LUSAKA, ZAMBIA
ACADEMIC / EXCHANGE / PROFESSIONAL 2011-13
Group Project
CONCEPT
Amol, Rehan, Vishal.
This small intervention was designed as a signature entrance to the Exhibition Campus. As the ticket booth was at the political heart of Zambia, it had to be modern but at the same time have a relic of the country’s past. The form derived is a steel structure supported on branching stanchions.
I worked on the presentation, conceptualization of the design
PROGRAM Ticket Booths
LOCATION PLAN
TICKET BOOTH PLAN
The booth is oriented in a way, so as to allow for maximum inflow of people and at the same time to make provisions for the handicapped. Each individual ticket booth has a diving panel. This distinguishing surface is clad with local ‘buching stone’ reminiscent of Zambia and its past. A large contiguous defining roof gives the structure a semblance of order.
VIEW
CIRCULATION PLAN
PLAN INDICATING THE CAPACITY OF PEOPLE
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Thank You