Curriculum Vitae
PERSONAL INFORMATION Male | 16 Sep 1997 43, MES Colony, Bhopal 462001 MP, India
DEVASHISH OJHA
+91 73050 03823
10th sem B.Arch
devashish.nitt@gmail.com
ACTIVITIES
EDUCATION
Feeds - Graphic Designer and Illustrator Archcult - Manager, Corporate relations Festember - Ex-Manager, Media Relations Fine Arts Club NITT - Artist NITT Field Hockey Team - Player
2016
National Institute of Technology, Trichy
2013
Kendriya Vidyalaya Bairagarh , Bhopal
2010
Kendriya Vidyalaya Gopalpur , Odisha
OBJECTIVE
achievements
2008
Army Public School Kapurthala, Punjab
To obtain a position which provides me with guidance under practicing architects in a professionally challenging environment to foster my skills in architecture, design and allied subjects.
ANDC 2017 (Top 67) Louis I Kahn Trophy ‘18 (Special mention award) Louis I Kahn Trophy ‘19 (Shortlisted) Md. Shaheer Landscape Trophy ‘19 (Shortlisted)
2005
Army Public School Jodhpur, Rajasthan
2001
Army Public School Dinjan , Assam
about me
Courses
ExpERIENCE
“less is more” - Mies van der Rohe, I have tried to build on this concept both in my professional and personal life, albeit in an adaptive form, which I like to call as “less, but better”. I intend to keep believing in this philosophy.
Building Construction and Materials | Climate Responsive Design | Landscape Architecture | AC and Mechanical Services | Artificial Lighting and Electrical Services | Water Supply and Drainage | Analysis and Design of RCC Structures | Working Drawing | Interior Design
6.5 months of Internship at Anthill Design, Ahmedabad (Ar. Riyaz Tayyibji) • Residences and Apartment • School project • Institutional project
PROFICIENCY
SKILLS
Languages
https://issuu.com/devashishojha https://issuu.com/devashishojha
https://www.linkedin.com/in/devashish-ojha-b33592141/ https://www.linkedin.com/in/devashish-ojha-b33592141/
https://www.behance.net/ojhadevash55a4 https://www.behance.net/ojhadevash55a4
Rhino | Sketchup | AutoCAD | Revit | ArchiCAD | Photoshop | Illustrator | Indesign | Lumion | Vray | Office | Staad Pro
2
Architectural Design | Architectural Visualization | Graphic Design | Analysis and Presentation | Sketching | Model Making | Marketing & Branding
English (fluent) िहंदी (fluent) ଓଡ଼ିଆ (native)
2
Contents
4
12
14
Shamuka Project
Residence
Vocational Training Center
Thesis project
III Sem academic project
V Sem academic project
18
22
24
Performance Arts Center, Chennai
Landscape Trophy 2019
Miscellaneous
VIII Sem academic project
Shortlisted entry NASA’19
Internship experience LIK Trophy 2018 | Special mention winnning entry Artworks & Graphic design
3
4
Aerial view of site | Modelled on Rhino | Post processing on Photoshop
SHAMUKA PROJECT THESIS | Guide: Dr. P.Gopalakrishnan
THE BRIEF - Twin objectives of providing new tourism products and unlocking the destination would offer the tourists an opportunity to feel and experience the rich culture, indigenous art & craft, customs and traditions of Orissa. It is envisaged to tap the requirements following huge corporate and industrial investments planned within the state. THE DESIGN - The program required packing a wide range of different experiences for the visitors. This will reflect well in the juxtaposition of distinct features in the design to deliberately avoid uniformity and mundaneness. Thus, an amusement park like ambience with all the puches of visual and experiences packed into this campus. As in all theme parks, the success depends on sustaining the illusion of the complete unit and eliminating any possible contradictions.
Cultural complex
DESIGN IDEOLOGY - The design of the space and the placement of features such as portals, paths, universal symbols that have meaning across all religions, nations and ethnic groups, lend to the openness of the space by inviting those outsides of the space to enter it. The combination of a space being open both at physical and spiritual level is what makes up open spaces, sacred places. The path invites exploration and discovery along the route. The destination point in the form of the temple that inexplicably draws visitors. Seating and resting place around the temple and ceremonial courtyard are features that make people gather around it. This is a point within the sacred space where those who visit always end up.
5
SHAMUKA PROJECT Temple form and drawings
6
A
Meditation Pavillion
B
1
A
SHAMUKA PROJECT 1
B
C
D
2
C
D
2 3 A
3
N N ATIO N ITATIO N DIT D ME VILLIOME0 VILLIO 0 PA . +45PA . +45 LVL LVL
ADMIN OFFICE LVL. +450
B
1
HIGHEST LVL.:(+5020)
C
4 D 2
HIGHEST LVL.:(+5020) 3
T.O. LOWER ROOF LVL.:(+3200)
4 N TIO ITA N MED VILLIO PA +450 LVL.
HIGHEST LVL.:(+5020) 4
5
B.O. LINTEL LVL.:(+2350) T.O. LOWER ROOF LVL.:(+3200)
T.O. LOWER ROOF LVL.:(+3200) 5
B.O. LINTEL LVL.:(+2350)
5
B.O. LINTEL LVL.:(+2350)
A
T.O. UNFIN.PLINTH LVL.:(+450) NATURAL GROUND LVL (±0 MM)
1
B
C
T.O. UNFIN.PLINTH LVL.:(+450) NATURAL GROUND LVL (±0 MM)
A D 2
1
B
3
TRANSVERSE SECTION OF BLOCKLVL.:(+450) T.O. UNFIN.PLINTH MODULE
A 4
N TIO ITA N MED VILLIO PA +450 LVL.
1
B
C
NATURAL GROUND LVL (±0 MM)
D
CEREMONY COURTYAD LVL. 0 5
2
C
50 X 50 mm wooden mullion integrated with grooves for glass door sliding
1
2
3
5
4
A
25 mm thick frosted glass sliding door on both sides
1
B
D
A
2 C
Transverse section of Pavillion module
B
D 2
MEDITATION PAVILLION LVL. +450
3
TRANSVERSE SECTION OF BLOCK MODULE TRANSVERSE SECTION OF BLOCK MODULE
C
3 4
N TIO ITA N MED VILLIO PA +450 LVL.
5
5
4
1
3
2
4
5
3
A
PLAN OF BLOCK MODULE
GREENS
4
2
4
1
3
N N ATIO N ITATIO N DIT D ME VILLIOME0 VILLIO 0 PA . +45PA . +45 LVL LVL
EMONY URTYAD VL. 0 EMONY URTYAD VL. 0
D
5
A
B
50 X 50 mm wooden mullion integrated with grooves for glass door sliding
B
MEDITATION PAVILLION LVL. +450
D
D
TOILET
1
2
3
5
4 25 mm thick frosted glass 50 X 50 mm wooden mullion sliding door on both sides integrated with grooves for glass door sliding
A
C
5
MEDITATION PAVILLION LVL. +450 C
1
B
A
1
2
3
5
4
A
25 mm thick frosted glass sliding door on both sides
1
B
C
A B
D
2
C
B
D
2
C 3
3
5
10
DATE : A0 SHEET
4
0 1
SCALE : 1:100 4
SHAMUKA BEACH PURI, ODISHA
C D
3
GRAPHIC SCALE
N N ATIO ATIO N N DIT DIT ME VILLIOME0 VILLIO 0 PA . +45PA . +45 LVL LVL
SHAMUKA TOURIST COMPLEX
MEDITATION PAVILLION LVL. +450 MEDITATION PAVILLION LVL. +450
N
DEVASHISH OJHA 101116015 THESIS - NIT TRICHY
SHALLOW +0 WATERBODY LVL.
D
5 5
GREENS GREENS
2
2
7
3
4
5
3
4
5
MEDITATION
Meditation Pavillion
PLAN OF BLOCK MODULE Plan of Pavillion module PLAN OF BLOCK MODULE
7
BIRD’s EYE VIEW (Structural form inspired from the Ar. Sameep Padora’s Jetavan spiritual center) 8
SHAMUKA PROJECT Meditation Pavillion
TRANSLUCENT BUILDING ENVELOPE • Meditative serence atmosphere. • Can absorb, disperse and amplify light. • Maximise natural lighting to the building’s interior by day. • Outwardly Illuminate the building at night. • Privacy - sense of curiosity • To infuse architecture with a sense of mystery or ambiguity.
Isometric exploded view
9
SHAMUKA PROJECT Hotel building
10
BASE FORM Cuboidal block
COURT Subtracting the court from the center
ACCESS Cutting the block into four through two passage axes
SLOPED LAWN Chamfering the inner edge of court
RETAINING WALLS Enclosure for retaining the lawn in sunken court
11
RESIDENCE III SEM | Guide: Prof. D. Kanamma
THE BRIEF - To design a luxury residence in a 60ft x 40ft plot in the foothills of Garhwal Himalayan ranges. The site is facing towards the road along the valley on the north and forested, steep topography on the south. THE DESIGN - The concept involves designing a modern seamless house while using passive solar gain and zoning based on overlapping the spatial boundaries and borrowing spaces thus eliminating the need for connecting spaces.
Sunshade and massing element Open to sky deck on first floor side profile of structure resmbling a “C” Curtain wall to allow radiation to enter interiors and for view towards the forested hill Swimming pool undet the C-deck
The idea of confining activities into certain enclosures is discouraged in the design. To intensify the user engagement and intimacy with the outside surroundings, clear glazing walls are used on the eastern side while also maintaining the privacy of users through the massing
Isometric model of residence
12
RESIDENCE III SEM | Guide: Prof. D. Kanamma
Ground Floor Plan
1. Living Room - 7018 x 2683 2. Kitchen - 3025 x 4055 3. Dining - 4030 x 3955 4. Common Bath - 2500 x 1500 5. Attached Bath - 2500 x 1500 6. Master Bed - 4390 x 2690 7. Bed 2 - 3000 x 4200
West Elevation
East Elevation First Floor Plan
1. Balcony - 14883x 2000 2. Recreational Area - 7018 x 2683 3. Store - 3025 x 4055 4. Reading Area - 4030 x 3955 5. Deck Overhang - 4833 x 9000 6. Common Bath - 2500 x 1500 7. Attached Bath - 2500 x 1500 8. Kids Room - 4198 x 2685
Section 1
Section 2
13
“Inbetween Spaces” | Juxtaposing trees present on the site and built environment in an attempt to quell contermporary architecture’s nature of territorial imperialism over mother nature.
14
vocational training
center nit trichy V SEM | Guide: Prof. Meenachisundaram
THE BRIEF - Proposal for a Training centre for skill development, exclusively for conductin various training programs for people involving in corporate, administration and academic activity. The site dimensions are 85 x 85 sq.m. and is located in the southern periphery of NIT Trichy campus. THE DESIGN - The concept is to put forward a highly functional, efficient, adaptable and modular design which puts the site context on priority and aims at a highly creative and ergonomic spaces. The design has evolved from a unique concept of “fluidity of modules”.
15
Suite on ground floor and double seater rooms on first Auditorium Block
Open canteen on ground floor and hostel mess on first
Parking
Single seater rooms on first and second floor
Conference room
Hostel block courtyard
Service entry
Dormitory on ground floor
Sky - Walk Park designed with pavement and using existing trees and laid
Administrative Block
Site Section
16
“Activity beyond functionality” | View from the multipurpose open space under the network of overwalks connecting different blocks in the site. Used as a learning as well as congregation space. | Modelled and Render done on Revit | Post processed on Photoshop.
17
Performance arts center, chennai VIII SEM | Guide: Dr. K. Thirumaran
Rhino Modelling | Museum complex | Render done on Vray | Post processed on Photoshop
Building profile swept across a rail to get an extruded solid.
18
Elongated cross section stacked one on top of another.
Block sweeped on the curved rail to get the final form of building.
Sectional detail | Rhino > Illustrator > Photoshop
Isometric view | Modelled on Rhino
19
3D Visualization | Museum complex | Modelled on Rhino | Render done on Vray | Post processed on Photoshop.
20
Performance arts center, chennai VIII SEM | CAD plans | Museum complex
OBSERVATION DECK
MANAGER'S ROOM
TEMPORARY EXHIBITION SPACE
CONTEMPORARY + CITY FUTURE GALLERY SCAPE
WAITING LOUNGE
MEETING ROOM
UP
UP
INFORMATION CENTER
TOILET
TICKET
ENTRANCE FOYER
TOILET
AC UNIT
AC UNIT
AC UNIT
DN
DN
HISTORY GALLERY STORAGE
PERMANENT EXHIBITION SPACE
PILOTIS / MULTIPURPOSE USE SPACE
CULTURAL GALLERY TOILET
TOILET
CONSERVATION ROOM
TOILET
TOILET
MUSEUM SECOND FLOOR PLAN
MUSEUM GROUND FLOOR PLAN
MUSEUM FIRST FLOOR PLAN
21
A
C
C
I
D
E
N
T
A
L
L
A
N
D
S
C
A
P
E
INTRODUCTION
design ideology
“Nature gets it right. Human intervention gets it wrong.” ~Dr. Libby Weaver
Working in special sites such as this quarry, the idea is to reveal the power of the site through subtle interventions where the strength of the project is not derived from the use of grandiose measures, but in the recognition and enhancement of its intrinsic qualities. As landscape architects we must establish ourselves as developers of “hidden” realities. Additionally, the design objective is to induce an element of curiosity for the visitor, each time he visits. The vision was also to dare to adopt unconventional strategies of making an interesting encounter between the old and the contemporary languages of design.
The mindless actions of humans has led to the destruction of resources, very often, with the realisation dawning upon them only when it’s nearly too late. Once faced with a need, humans are nothing short of rampant in their activities to procure what they need. The lack of knowledge about the extent of requirements, the ambitiousness and unending greed of humans has created more problems than the ones solved. Although it is a sad plight, one cannot deny the presence of an opportunity to revive the dying landscape to its former glory, albeit in a modified form. For, how much ever one tries to
bring down the beauty of nature, nature always triumphs. The destructive actions of humans themselves sometimes have potential in making the sites picturesque, albeit unintentionally. Examples of such “accidental landscapes” would include caves and quarries. These landscapes are unconventional, yet daringly beautiful, as they lack the straightforward elements often seen in landscaping. Finding a way to reconnect the people with these landscapes through collective ownership, will make way for the beauty to be sustained.
1950
1960
Soil level STRENGTH - picturesque view, presence of old temple making it a cultural stronghold in the locality
WEAKNESS - safety, difficult terrain, spoiled ecology due the presence of foreign tree species (Prosopis juliflora)
OPPORTUNITIES - natural vantage points overlooking to the mines
THREATS - maintenance of site, increase in water level inside the quarry in future
Thuvakudimalai locality Adjacent stone crusher highest point on the north Cluster of quarry Sedimalai temple more clusters of quarries towards the south
1990
22
NH-67
2000
Water level
2005
< 100 m below ground level
LANDSCAPE TROPHY - Shortlisted entry Competition | Guide: Prof. S. Rajendra Babu
SITE CONTEXT AND CLIMATE SITE : Thuvakudimalai Tiruchirappali, TN
quarry,
near
BHEL
Trichy,
LOCATION : 10°45’49.20”N 78°48’3.58”E CLIMATE : Tropical climate AVERAGE TEMP : 25° C - 32° C SOIL TYPE : Sandy alluvial soil
MICROCLIMATE
SITE JUSTIFICATION
HISTORY
The site (granite quarry and the stone crusher factory adjacent to it), is located along the Same Murugan temple, making the locality culturally rich. The form of the quarry is a physical reminder of the recorded past of industrialisation, forming an irreparable scar on the landscape. The quarry depth ranging from 500 ft to 300 ft deep acts like a void formed within the urban fabric and is not only neglected but also adds to the security and safety concerns of the local settlement. Local residents have adapted themselves to the presence of the quarry albeit the land being a wasteland owing to poor planning and poorer policies. These factors have inhibited the growth of the locality physically and socially, eliminating their chance at a prosperous life away from the quarry.
More than a 100 years old Sedimalai murugan temple marks the beginning of an era of faith, culture and industrialisation. What started as a barren land, would go on to succumb to the mindless industrialisation and turn into a brownfield land.
VEGETATION
Latent heat absorption for internal temperature of the quarry.
Prosopis Juliflora, a foreign invasive weed, brought to Southern India by the British, locally called karuvelam, constitutes most of vegetation in and around of the quarry. Saggy foliage, deep roots, water and nutrient hogging trait, excessive CO2 release, outcompeting nature among other coexisting indegenous vegetation, has significantly destroyed the natural habitat and had an adverse effect on the ecology. Rocky terrain increases the heat gain and makes the local temperature hotter
Peepal - Ficus religiosa Papaya - Carica papaya Pumpkin - Cucurbita Creeper - Confederate Jasmine
As the quarring started flourishing, deaths by quarry bombings, unexpected fall, accidents and suicides became a common occurrence.
EVOLUTION OF SETTLEMENT With the expansion of the quarries, many houses also mushroomed, all the way to edges of the pits.
Banana - Musa acuminata Neem - Azadirachta indica Karuvelam-Prosopis julifera Drumsticks - Moringa oleifera
CHALLENGES FOR THE SITE • • • • •
The temple located at he highest point in the local terrain, overlooking into the quarry site.
Reflecting the History Reinforcing Cultural Identity Economic Upliftment Ecological Renewal Social Integration
Location and urban disconnect due to presence of quarry made working in the quarry the only employment for the residents and leaving no other business opportunity. That being said, it did not stop influx of more migrants into the locality in search for employment. Quarry was privately owned until 80s, after which government took over the control. Dangerously increasing depth resulted in frequent accidents and eventually government had to stop the quarrying after it was banned in 2005. A good number of people of the low income community of wood collectors, contract labours, lorry drivers, construction workers and small scale businessmen moved elsewhere in due course of time in search of a better life.
23
PHYSICAL MODELS Tribal school, Live-project - Internship
SChool at poshina Physical model
24
PHYSICAL MODELS Twin houses, Live-project - Internship
TWIN houses at Santacruz, goa Physical model
25
25
FLOOR PLAN DRAWINGS Twin houses, Live-project - Internship
26
FLOOR PLAN DRAWINGS Twin houses, Live-project - Internship
27
TECHNICAL DRAWINGS Site plan worked on Archicad and processed on Ps | House with 3 Bays - Live project
28
TECHNICAL DRAWINGS Site Line-out drawing | House with 3 Bays - Live project
STANDARD INSTRUCTIONS :
OF TRE CEN
D ROA
ANY DISCREPANCY IN THE DRAWINGS AND ON SITE SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT PRIOR TO EXECUTION. ALL DIMENSIONS ARE IN MILLIMETERS. ALL DIMENSIONS REFER TO UNFINISHED UNLESS SPECIFIED OTHERWISE. ALL DIMENSIONS SHOULD BE READ NOT MEASURED.
A
B
0 2,50 0 2,50
00 22,5
0 2,50
CONCRETE SOLING LIGHT WEIGHT FILLING
StrucArt Design
0 2,50 0 2,50
G ININ Y ADJOPERT PRO
402, Ambiance Arcade, Opp. Paldi Post Office, Fatehpura, Ahmedabad - 380007 FAX - 40093309, Tele - (079)- 26642472 Email - info@nishchint.co.in, Website: www.nishchint.co.in
anthill design Office No-56, 6TH Floor, Sanidhya Complex, Opp. Uco Bank, Ashram Road, Ellis Bridge, Ahmedabad - 380006 Ph. No : 079-26580270 Email : contact@anthilldesign.com, www.anthilldesign.com
2 1,84
8 1,84
0 2,50
R.NO
DATE
R1
13/08/19
REMARKS
FOR LINEOUT
4,200 1,800 450 1,200 1,200 2,700
DN KITCHEN
3,600
1,200
LIFT
1,950
450
TOILET 2
1,950
INE KL BAC SET
9,065 (grid 11A to cl of wall on grid B)
9,027 (grid 11A to point P)
7,602 (grid 11A to junction of walls)
00
point Q (cl of wall)
REVISION AND ISSUE :
2 4,20
5 1,89
6,635 (grid 11A to cl of wall on grid C) 6,957 (grid 11A to point Q)
6 ,0 1,79 R 10
point P (cl of wall)
0 2,50
R 3,000
6,421 (grid 11A to cl of wall on grid D)
9 2,40
6,603 (grid 11A to point R) 6,427 (grid 11A to cl of wall on grid E)
PLANTER
6,919 (grid 11A to cl of wall on grid G)
5,699
STORE 2 STORE 1
CENTRAL AREA
STONE
FF-11, Geetanjali Complex, Nr Darpan Six Roads, Navrangpura, Ahmedabad - 380014 Ph.: +919825099046 Email: strucart.design@gmail.com
0 1,20
point R (cl of wall) ,204 5 3 3,14
COURTYARD
7,603 (grid 11A to cl of wall on grid H)
7,755 (grid 11A to point S) ENTRANCE FOYER
BEDROOM 1 TOILET 1
LIBRARY
BRICK
CONSULTANTS :
00 22,5
6 8,56
2 9 10,8 3 4,55
point S (cl of wall)
8 5,43
2 2,51
R15 R13 R12 R11 R10 R9 R8
TOP OF WALL TOP OF SLAB BOTTOM OF SLAB BOTTOM OF LINTEL TOP OF SILL UNFINISHED LEVEL FINISHED LEVEL
0 1,20 1,2 00 R
3 9,08
7 6,58
7 4,08
6 1,59
0 4,84 1 1,80
6 1,48
C
D
E 0 2,50
TOW TOS BOS BOL TOC UN.LVL FIN.LVL -
528
3 5,58
0 4,06
2 2,91
8 1,45
3 2,00
6 1,56
0 2,50 6 5,03
0 5,00 0 5,00 0 5,00 0 5,00
5 8,73
4 6,94
4 5,80
6 5,19 9 5,23 5 5,41 1 5,54
5 5,85 7 1,71
0 3,00
0 3,00 0 3,00 0 3,00 0 3,00 0 3,00 0 3,00 0 3,00 0 3,00
0 3,00 0 3,00 0 3,00 0 3,00 1 3,36 7 4,21 3 5,38 2 2,52 8 5,51
5,163
0 6,27
15,0 53
6 6,88
LEGENDS AND ABBREVIATIONS :
0 5,50
70
00
5 6,84
0 1,50
0 1,20
1,2
KS TAN TER ROOM WA UG PUMP &
THIS DRAWING IS THE SOLE PROPERTY OF ANTHILL DESIGN AND MAY NOT BE COPIED IN PART OR WHOLE WITHOUT THE PERMISSION OF THE ARCHITECTS.
0 5,00
R
ON E OF T G C ENTR DINS FROM C BU0 IL TER ME
0000 LEVEL FOR EACH BUILDING IS SET WITH REFERENCE TO BENCHMARK ESTABLISHED ON SITE. ALL OTHER LEVELS ARE WITH REFERENCE TO THE 0000 LEVEL. ALL LEVELS ARE INDICATED IN MILLIMETERS.
NOTES :
600
G TIN EXIS IETY SOCURITY SEC ABIN C
11,9
600
R 600
E OR GB TIN ION EXIS OCAT L
F
G
H
I
RA
RB
RC
900 8 6,29
3,000
0 5,00
1,200 1,200
OAD GR TIN L EXIS LEVE
2,400
00 1,5
E L LINAD) TRO HE RO
(3
1,200
00 1,5 00 3,6
00 1,5
6,900
RD
DRAWINGS ARE CROSS REFERENCED AND ARE TO BE READ IN CONJUCTION WITH OTHER DRAWINGS AS INDICATED.
00 57,0 RID G 3m
3,011
REFER STRUCTURAL DRAWINGS FOR ALL CONCRETE WORK AND DETAILS BELOW PLINTH.
6,240
RE
938
SCALE : 1:150
DATE : 8/13/2019
DRAWN : AMRUTA
CHECKED : RIYAZ
SIGNATURE AND SEAL
N
SITE - ROAD LINEOUT PART PLAN House for Dr. Rupesh & Preeti Mehta FOR LINEOUT
MH_AA_S04 _R1
29
TECHNICAL DRAWINGS Roof details done on Archicad | House with 3 Bays - Live project
I
RA
3,234
924
1,500
RD
RE
1,500
1,500
564 2,29
6
00 2,4
LIGHTWEIGHT FILLING AS SPECIFIED
0
125
3,600
R 75
variable level refer detail
+8,589 +8,542
RC
RB
GUTTER
550
H
2,51
4
r
+6,635 DRIP MOLD
DRIP MOLD
VARIABLE (REFER ROOF PLAN) 1,900 100mm shuttering
WALL I 17
8,718
ROOF SECTION RF-29 (BETWEEN GRIDS R13 & R15) (RADIAL SECTION) 30
EDGE OF GF SLAB
6,935
100
KITCHEN DESIGN
830
830
830
Kitchen details drafted on CAD - Live project (Internship)
20 MM THICK LAMINATE PLYWOOD MEMBER
20 MM THICK LAMINATE PLYWOOD MEMBER
20 MM THICK LAMINATE PLYWOOD MEMBER
20 MM THICK LAMINATE PLYWOOD MEMBER
20 MM THICK LAMINATE PLYWOO
20 MM THICK LAMINATE PLYWOOD MEMBER 688
728
728
20 MM THICK LAMINATE PLYWOO
20 MM THICK PLYWOOD LAMINATE SHUTTER
20 MM THICK PLYWOOD LAMINATE SHUTTER
20 MM THICK LAMINATE PLYWOOD MEMBER
20 MM THICK LAMINATE PLYWOOD MEMBER
HETTICH ESLINGA 40mm ht ALUMINIUM CHANNEL AS PER SPECIFICATION
HETTICH ESLINGA 40mm ht ALUMINIUM CHANNEL AS PER SPECIFICATION
380
20 MM THICK PLYWOOD LAMINATE
20 MM THICK LAMINATE PLYWOO
HETTICH ESLINGA 40mm ht ALUMINIUM CHANN SPEC 380
380
400
400
400
GRANITE MOLDING AT 45 ANGLE FIXED WITH 12MM MORTAR
GRANITE MOLDING AT 45 ANGLE FIXED WITH 12MM MORTAR GRANITE MOLDING AT 45 ANGLE FIXED WITH 12MM MORTAR
NIRALI - GRACEFUL ELEGANCE BIG SINK AS PER SPECIFICATIONS
NIRALI - GRACEFUL ELEGANCE BIG SINK AS PER SPECIFICATIONS NIRALI - GRACEFUL ELEGANCE BIG SINK AS PER SPECIFICATIONS
6MM THICK TILE WITH MM MORTAR AS P
6 MM THICK PLYWOOD LAMINATE BASE
6 MM THICK PLYWOOD LAMINATE BASE
THIS DRAWING IS THE SOLE PROPERTY OF ANTHILL
CONSULTANTS:
LEGENDS AND ABBREVIATIONS: TOWTOSBOSBOLTOCUN.LVL-
TOP OF WALL TOP OF SLAB BOTTOM OF SLAB BOTTOM OF LINTEL TOP OF SILL UNFINISHED LEVEL
BRICK STONE CONCRETE SOLING
860 742 329 75
75
75 ALL DIMENSIONS ARE IN MILLIMETERS. ALL DIMENSIONS REFER TO UNFINISHED SURFACES UNLESS SPECIFIED OTHERWISE. ALL DIMENSIONS SHOULD BE READ AND NOT MEASURED.
NOTES : ±0000 LEVEL FOR EACH BUILDING IS SET WITH REFERENCE TO BENCHMARK ESTABLISHED ON SITE. ALL OTHER LEVELS ARE WITH REFERENCE TO THE ±0000 LEVEL. ALL LEVELS ARE INDICATED IN MILLIMETERS.
115
860 554
20 MM THICK SKIRTING AS USED FOR THE FLOORING 20 MM THICK SKIRTING AS USED FOR THE FLOORING
SECTION S10
ANY DISCREPANCY IN THE DRAWINGS AND ON SITE SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION.
98
98 329
6 MM THICK PLYWOOD LAMINATE BASE 20 MM THICK SKIRTING AS USED FOR THE FLOORING
STANDARD INSTRUCTIONS:
524
150MM HIGH HETTICH SS BASKET ORGANIZER AS PER SPECIFICATIONS
329
20 MM THICK PLYWOOD LAMINATE SHUTTER
6 MM THICK PLYWOOD FOR PULLOUT DRAWER
742
860 742
PT WITH 25MM PIPE 6 MM THICK BACKING TILE WITH 12MM MORTAR
78MM THICK PLATFORM SLAB
6 MM THICK BACKING TILE WITH 12MM MORTAR 20 MM THICK PLYWOOD LAMINATE FOR PULLOUT DRAWER 100MM HIGH HETTICH SS BASKET ORGANIZER AS PER SPECIFICATIONS 6 MM THICK BACKING TILE WITH 12MM MORTAR 20 MM THICK PLYWOOD LAMINATE SHUTTER HETTICH ESLINGA 40mm ht ALUMINIUM CHANNEL AS PER SPECIFICATION
128
WOODEN FRAME FOR FIIXING HETTICH ESLINGA 40mm ht ALUMINIUM CHANNEL AS PER SPECIFICATION
635
486
128
115
400
78MM THICK PLATFORM SLAB HETTICH ESLINGA 40mm ht ALUMINIUM CHANNEL AS PER SPECIFICATION
50
140
50
20 MMTOP GRANITE TOP FIXED WITH 20MM MORTAR 20 MM GRANITE COUNTER FIXEDCOUNTER WITH 20MM MORTAR 20MM GRANITE FACIA PATTI FIXED WITH ARALDITE 20MM GRANITE FACIA PATTI FIXED WITH ARALDITE
128
78MM THICK PLATFORM SLAB FIXED PLYWOOD HELD BY WOODEN FRAME FIXTURE
6MM THICK TILE WITH MM MORTAR AS PER SPECS
115
20MM GRANITE FACIA PATTI FIXED WITH ARALDITE
6MM THICK TILE WITH MM MORTAR AS PER SPECS
111
98
50
140
6MM THICK TILE WITH MM MORTAR AS PER SPECS
140
20 MM GRANITE COUNTER TOP FIXED WITH 20MM MORTAR
510
SECTION S8
SECTION S11 STANDARD INSTRUCTIONS:
REVISION AND ISSUE:
ANY DISCREPANCY IN THE DRAWINGS AND ON R. SITE NO. SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION. ALL DIMENSIONS ARE IN MILLIMETERS. ALL DIMENSIONS REFER TO UNFINISHED SURFACES UNLESS SPECIFIED OTHERWISE. ALL DIMENSIONS SHOULD BE READ AND NOT MEASURED.
NOTES :
DRAWINGS FOR EXECUTION
REMARKS DATELEVEL FOR EACH BUILDING ±0000 IS SET WITH REFERENCE TO BENCHMARK ESTABLISHED ON SITE. ALL OTHER LEVELS ARE WITH REFERENCE TO THE ±0000 LEVEL. ALL LEVELS ARE INDICATED IN MILLIMETERS.
DRAWING:
SECTIONAL DETAILS -6
DRAWING NO:
IIT.DR.01.01.11
THIS DRAWING IS THE SOLE PROPERTY OF ANTHILL
SCALE:
1:10
DATE :
4th SEPT 2019
LEGENDS AND ABBREVIATIONS: IIT GANDHINAGAR TOWTOSBOSBOLTOCUN.LVL-
TOP OF WALL TOP OF SLAB BOTTOM OF SLAB BOTTOM OF LINTEL TOP OF SILL UNFINISHED LEVEL
BRICK STONE
CONCRETE anthill design SOLING
CONSULTANTS:
31
KITCHEN DESIGN
2070
6A
6A
S1
S2
S3
S4
S5
S1
S2
6085
5020
PNG line
S3
S4
S5
S6
S7
S7
S6
SA
Kitchen details drafted on CAD - Live project (Internship)
16A
2028 458
807
1065
6A
458
169
6085 1798 801
441
441
169
829
564
16A
667
554 594
SPACE FOR FRIDGE
Cooking
Fridge
3825
3105
EA
3105
EA
EB
G
667
N.T.
720
Wash
574 594
667
554 594
388
EB
ALL DIMENSIONS ARE IN MILLIMETERS. ALL DIMENSIONS REFER TO UNFINISHED SURFACES UNLESS SPECIFIED OTHERWISE. ALL DIMENSIONS SHOULD BE READ AND NOT MEASURED. REFER STRUCTURAL DRAWINGS FOR ALL CONCRETE WORK AND DETAILS BELOW PLINTH.
eq
TOWTOSBOSBOL2423 2428 To be divided into equal parts TOCeq eq eqUN.LVLFIN.LVL-
278
DATE
REMARKS
DRAWINGS FOR EXECUTION
S8
477
S1
S2
S3
S9
S10 S4
S5
S7
REVISION AND ISSUE: R. NO.
TOP OF WALL BRICK TOP OF SLAB BOTTOM OF SLAB STONE BOTTOM OF LINTEL 812 CONCRETE TOP OF SILL 818 To be divide into equal parts UNFINISHED LEVEL eq eq SOLING eq FINISHED LEVEL LIGHT WEIGHT FILLING
KITCHEN UNDERCOUNTER PLAN
487 1389 1425
IIT GANDHINAGAR
STANDARD INSTRUCTIONS:
DRAWING: PLAN - KITCHEN LAYOUT ANY DISCREPANCY IN THE DRAWINGS AND ON SITE ±0000 LEVEL FOR EACH BUILDING IS SET WITH SHOULD BE BROUGHT TO THE NOTICE OF THENO: REFERENCE DRAWING IIT.DR.01.01.01 TO BENCHMARK ESTABLISHED ON SITE. ARCHITECTS PRIOR TO EXECUTION. ALL OTHER LEVELS ARE WITH REFERENCE TO THE 4th SEPT 2019 : ARE INDICATED SCALE: ALL 1:25 ±0000 LEVEL. ALLDATE LEVELS IN ALL DIMENSIONS ARE IN MILLIMETERS. DIMENSIONS REFER TO UNFINISHED SURFACES MILLIMETERS. UNLESS SPECIFIED OTHERWISE. ALL DIMENSIONS DEVASHISH DRAWN: CHECKED: AMIT SHOULD BE READ AND NOT MEASURED. THIS DRAWING IS THE SOLE PROPERTY OF ANTHILL REFER STRUCTURAL DRAWINGS FOR ALL DESIGN AND MAY NOT BE COPIED IN PART OR IN CONCRETE WORK AND DETAILS BELOW PLINTH. WHOLE WITHOUT THE PERMISSION OF THE SIGNATURE ANDARCHITECTS. SEAL :
N
CONSULTANTS:
LEGENDS AND ABBREVIATIONS:
NOTES :
anthill design Anthill Design Office No.-56 6th Floor Sanidhya Building, Opp. UCO Bank Nr. Ellis Bridge Ashram road Ahmedabad : 380006 Ph – 079 - 26580270 Email: team@anthilldesign.com, www.anthilldesign.com
TOWTOSBOSBOLTOCUN.LVLFIN.LVL-
TOP OF WALL TOP OF SLAB BOTTOM OF SLAB BOTTOM OF LINTEL TOP OF SILL UNFINISHED LEVEL FINISHED LEVEL
BRICK
REVISION AND ISSUE:
956 To be divided into equal parts eq eq
STONE CONCRETE
5230 R (274)
500
912
R. NO.
DRAWINGS FOR EXECUTION
REMARKS
DATE
1500 To be divided into equal parts eq eq eq
1084 To be divided into equal parts eq eq
SOLING LIGHT WEIGHT FILLING
DRAWING:
PLAN - UNDERCOUNTER PLAN
DRAWING NO:
IIT.DR.01.01.02
SCALE:
1:25
DATE :
4th SEPT 2019
DRAWN:
DEVASHISH
CHECKED:
AMIT
384
350 R
728
728
98 171 156
65
65
370
370
697 860
860
PNG line
860 697
1592
600
592
3150
3150
592
3
98 171 156
1592
2
1
eq
32
eq 1522 mm to be divided into equal parts
eq
eq
eq
eq
To be divided into equal parts
ELEVATION EB
eq
eq
835 To be divided into equal parts
eq
eq
271
543
R
543
283
582
135 20
958 To be divided into equal parts
ELEVATION EA
IIT GANDHINAGAR
anthill design Anthill Design Office No.-56 6th Floor Sanidhya Building, Opp. UCO Bank Nr. Ellis Bridge Ashram road Ahmedabad : 380006 Ph – 079 - 26580270
N
SIGNATURE AND SEAL :
350
DRAWINGS ARE CROSS REFERENCED AND ARE TO BE READ IN CONJUNCTION WITH OTHER DRAWINGS AS INDICATED.
THIS DRAWING IS THE SOLE PROPERTY OF ANTHILL DESIGN AND MAY NOT BE COPIED IN PART OR IN WHOLE WITHOUT THE PERMISSION OF THE ARCHITECTS.
CONSULTANTS:
LEGENDS AND ABBREVIATIONS:
NOTES : ±0000 LEVEL FOR EACH BUILDING IS SET WITH REFERENCE TO BENCHMARK ESTABLISHED ON SITE. ALL OTHER LEVELS ARE WITH REFERENCE TO THE ±0000 LEVEL. ALL LEVELS ARE INDICATED IN MILLIMETERS.
350
ANY DISCREPANCY IN THE DRAWINGS AND ON SITE SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION.
344
1122
S11
S8
KITCHEN OVERCOUNTER PLAN STANDARD INSTRUCTIONS:
1729 1765
1650
S9
SA
S11
546
1560
2440
S6
1765
3645
S10
1650
Email: team@anthilldesign.com, www.anthilldesign.com
louis i kahn trophy SPECIAL MENTION AWARD
Charcoal Sketches
THE BRIEF - The brief of the LIK trophy 2018 called for the documentation of structres of administrative and public power. Essentially, structures which resonated the spirit of democracy THE SITE - The site chosen by us was the Telangana Legislative assembly previously known as the Mehbubiya Town hall. This site had it’s own unique significance. It was unlike any other structure because it was a building gifted to the then nizam of Hyderabad by his own people. This publically funded structure was used as the town hall for the Hyderabad up untill independence, after which it was adapted to function as the Legislative assembly of the state. These factors combined together satisfy the ultimate triangle of democracy. With people, power and symbol being it’s bertices which provided the key unlocking the puzzle of democracy the Brief set up. MY ROLE - My role in the team was to Ideate on the possible sites and analyse the historical connotations.of the Building, forming presentation ideas, conceptualising and pencil-charcoal Sketching/Rendering of the building ornamentation.
33
ARTWORKS Sketches and Doodles
34
POSTER DESIGN Personal and professional projects
35
35
“ What is familiar is what we are used to; and what we are used to is most difficult to ‘Know’ ” DEVASHISH OJHA | devashish.nitt@gmail.com | +917305003823