IRISH ART AUCTION Monday 3rd October 2011
Monday 3rd October 2011
35 Kildare Street, Dublin 2 Tel: 676 8300 Fax 676 8305 info@deveres.ie www.deveres.ie
Illustrations: Front Cover: Lot 15 Walter
Frederick Osborne RHA 1859-1903, CONNEMARA LANDSCAPE (1892) Back Cover: Lot 64 Edward Delaney RHA 1930-2009, CUCHULAINN Inside Front Cover: Lot 16 Walter Frederick Osborne RHA 1859-1903, SHEPHERDING Inside Back Cover: Lot 6 Gerard Dillon 1916-1971, WASHING drying – mid-day rest
B Behan, J Bell, S Bewick, P Blackshaw, B Bradley, A Brady, C Brohan, J.S Brophy, E Brunker, L
103 106 21,32 19,75 38,42,62 1,9,72,92 50,51 55 105
C Campbell, G 22 Carr, T 76 Carroll, M 100 Clarke, D 115 Coen, J 108 Coleman, E 96 Collins, P 12,13 Collis, P 4,29,98,99,124 Conor, W 49 Cooke, B 116,117,118 Cope, E 56 Cullen, S 91
D Daly, J Davidson, C Davidson, L Delaney, E Dillon, G Dunne, D F Farrell, M Friers, J G Gillespie, G Guinness, M
102,104 39 35 64 6 111 94,95,112 44,47,90 33, 67 93
H Healy, H 89 Higgins, L 107 Hone, E 11,68,68A,69 J Jellett, M K Kernoff, H Kerr, P King, C Kingston, J Kingston, R
101,128 71 122 41 61 82
L Leonard, P Lyndsay, R
57,84 40
M Madden, B 113,114 MacCabe, G 24 Miller, N 66 Morris, J 80,81 McCormack, S 109 McCormack-Green, C 110 McGuinness, N 10 McKenna, A 126 McQuitty, W 123 McSweeney, S 2,3 O Osborne, W.F 15,16 O’Malley, T 8,20,79 O’Neill, D 7,65A O’Neill, M 54 O’Ryan, F 23,25,28,34,36,52,77 P Patton, E
37
R Reid, H 125 Robinson, M 26,31,45,48,58, 73,87,97,119,120,121 Ryan, T 74 S Scott, W Scully, S Sutton, I Stuart, I
43,46 82A,85 27,30,53 63
T Taggart, E Taylor-Carson, R Teeling, N Teskey, D Treacy, L W Webb, K Wilmer-O’Brien, K Y Yeats, J.B After Yeats
83 17 59,60 65 86 88 5 14,18 127
Auction:
Monday 3rd October at 6pm.
Venue: The D4 Berkeley Hotel, Lansdowne Rd, Dublin 4. On View:
Saturday 1st October 10am - 5pm Sunday 2nd October 11am - 5pm Monday 3rd October 9am - 3pm
Contact:
01 238 2778 / 238 2779 (Viewing Times Only)
COLLECTION: D4 Berkeley, Tuesday 4th October 9am - 1pm. FEES: 17½% plus VAT
de Veres 35 Kildare Street, Dublin 2 01 676 8300 www.deveres.ie Live Bidding available at:
www.facebook.com/deveresArtAuctions
18 Jack
Butler Yeats RHA 1871-1957, KERRY HILLS (1913)
Next general art auction: Sunday 16th October, 2011
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visit Nextour general new website art auction: now Sunday 16th October, 2011
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Auctioneers: John de Vere White
Rory Guthrie
John de Vere White Managing Director
Rory Guthrie Director
Aisling Foran Associate Director
john@deveres.ie
roryguthrie@deveres.ie
info@deveres.ie
1
Charles Brady HRHA 1926-1997
THE PAINTER'S BOX Oil on canvas, 21" x 20" (53.5cm x 51cm), signed; inscribed label verso. â‚Ź3,000 - 5,000
5
2
Sean McSweeney HRHA b.1935
SHORELINE, BALLYCONNELL Oil on board, 6" x 6" (15cm x 15cm), signed & inscribed verso. Provenance: Taylor Galleries, Dublin (label verso). €600 - 900
3
Sean McSweeney HRHA b.1935
WHITE BOGLAND POOL (1997) Oil on board, 7½" x 11" (18cm x 28cm), signed & dated 1997, signed & inscribed verso. Provenance: Taylor Galleries, Dublin (label verso). €1,400 - 1,800 6
4
Peter Collis RHA b.1929
MAYO SEASCAPE Oil on board, 8" x 9½" (20cm x 24 cm), signed. €1,000 - 1,500
5 Kitty
Wilmer O’Brien RHA 1910-1982
WESTPORT BAY, CO. MAYO Oil on board, 13" x 22" (33cm x 56 cm), signed with initials; inscribed label verso. €700 - 1000
7
6
Gerard Dillon 1916-1971
WASHING drying – mid-day rest Gouache, 9" x 13" (23cm x 33cm), signed on the board verso. Dillon travelled to Spain in the early 1950s and spent some weeks in Malaga. There is no doubt he would have been drawn to the charm of Spain by his good friend and fellow artist George Campbell. Fishermen, farm workers etc resting after their labours was a favoured theme for Dillon. ₏4,000 - 6,000
8
7
Daniel O’Neill 1920-1974
GREETING THE DAY Oil on board, 14" x 21" (35.5cm x 51cm), signed, inscribed verso. Provenance: The Dawson Gallery, Dublin (inscribed label verso). Belfast born O’Neill produced a large volume of work from 1940 right up to his death in 1974. In 1945 he received encouragement and help from the Dublin Dealer, Victor Waddington, holding his first one person show with Waddington in 1946. He went on to exhibit extensively in both London, Amsterdam and further afield. His work is included in numerous civic collections. This particular work most probably dates from the late 50s, early 60s and was exhibited at The Dawson Gallery which Leo Smith ran after Victor Waddington moved to London. The noted art critic Brian Fallon wrote “His work is dreamy, rather withdrawn, full of brooding beauties, erotic reverie, figures in half-light”. (See Snoddy: Dictionary of Irish Artists p. 493). These sentiments capture the appeal of “Greeting the Day.” €8,000 - 12,000
9
8
Tony O’Malley HRHA 1913-2003
ARTIST’S ROOM FERRYBANK, ARKLOW, CO.WICKLOW Gouache, 11½" x 15¼" (29cm x 39 cm), signed. Provenance: Acquired by the present owner directly from the artist. This studio interior dates from the early 1950s and is almost certainly the interior of the artist’s makeshift studio at Ferrybank in Arklow. O’Malley was then a bank official with the Munster and Leinster Bank and he was transferred there in 1953. At this time the artist had gone through a long period of convalescence having suffered from various lung problems. Brian Fallon writes in Tony O’Malley: edited by Brian Lynch (p. 40) “the mid and late 1950s was a period of turmoil in O’Malley’s life, a period of fragile health and of strong tension between the artistic and banking careers and between his social and personal life” (p.42). In Ferrybank, Arklow, his landlady Mrs Porter, with whom he stayed from 1953 to 1955, gave him a garden hut in which to work. This interior may well be that hut. For many critics these early works, which were moving towards abstraction, are highly significant in terms of the artist’s oeuvre. €2,000 - 4,000
9
Charles Brady HRHA 1926-1997
PENCIL CASE Oil on canvas, 13" x 10½" (33cm x 27cm), signed. €2,000 - 3,000
10
10 Norah
McGuinness HRHA 1901-1980
THE SEASIDE PARK Oil on board, 14" x 19" (35.5cm x 48.2cm), signed & dated 53, inscribed label verso. €4,000 - 6,000
11 Evie
Hone HRHA 1894-1955
Continental VILLAGE Gouache, 15¾" x 11¾" (40cm x 28.5cm), signed. Provenance: Ex Collection of Margaret Clarke RHA. €2,000 - 3,000
11
12 Patrick
Collins HRHA 1911-1984
TREE IN BAGGOT STREET Oil on canvas, 20" x 16" (51cm x 41cm), signed; inscribed verso. Provenance: The Tom Caldwell Gallery, Dublin (label verso). In the 1980s Collins resided in a flat at 11 Hume Street. Baggot Street and the canal provided material for several works. In this simple, yet beautifully executed work Collins shows off his skill as a draughtsman. The particular treatment of simple subject matter such as this bears similarities to Basil Blackshaw in both style and technique. John deVere White, September 2011 â‚Ź4,000 - 6,000 12
13 Patrick
Collins HRHA 1911-1994
CITY PARK, SUNDAY MORNING Pen and crayon, 11¼" x 16" (28.5cm x 40.5cm), signed. €600 - 900
14 Jack
Butler Yeats RHA 1871-1957
stage set Pen, 8" x 10¼" (20cm x 26cm), signed. Jack B Yeats wrote and illustrated a number of children’s plays for the model (toy) theatre. Some were published by Elkin Matthews namely “James Flaunty – Terror of the western Seas”, “Scourge of the Gulf”, and “Treasure of the Garden” (1901-1903). However he also created and performed a number of other plays for children, whilst he was living in “Snails Castles” Strete in Devon, and this drawing is probably a set for one of these plays. €2,000 - 3,000
13
15 Walter
Frederick Osborne RHA 1859-1903
CONNEMARA LANDSCAPE (1892) Oil on board, 7½" x 11¼" (19cm x 28.5cm), signed. Provenance: Collection of John C H Benson and by descent to the present owner. Osborne attended Rathmines School from 1870-1879. The headmaster was Rev. C.W. Benson, a relative of the present owner. Literature: WALTER OSBORNE, by Jeanne Sheehy, Catalogue No 328 (p.132). €10,000 - 15,000
These two charming works by Osborne have been in the Benson family collection for over fifty years. Though small in size, they show the artist at the height of his powers. Osborne became a portrait painter out of financial necessity; however his true love was on the spot (plein air) studies of Irish landscape with all its various inhabitants. In Jeanne Sheehy’s wonderful book on Osborne she quotes Osborne (p.48). “Landscapes were apparently not very profitable:- It was a grievance of his that pictures with sheep for their chief feature were difficult to sell, and pigs commercially quite impossible”. Sheehy writes (p.25) “dating from around 1887 is a group of small landscapes in which the painter uses a technique of hatching with fairly broad brush strokes and a hard brush. They are sensitive renderings of corners of the country side and convey a rustic atmosphere without being either sentimental or anecdotal”. Sheehy remarks how Osborne adopted a looser style towards the end of his life with elegant free brush strokes; these two works are very fine examples from this period.
14
16 Walter
Frederick Osborne RHA 1859-1903
SHEPHERDING Oil on board, 5½" x 9" (14cm x 23cm). Provenance: Collection of John C H Benson and by descent to the present owner. Osborne attended Rathmines School from 1870-1879. The headmaster was Rev. C.W. Benson, a relative of the present owner. Exhibited: Royal Hibernian Academy of Arts, Exhibition of the Collected Works by the late Walter Osborne RHA, 1903-1904. No.263 ‘Study of Sheep’ lent by Miss French, St Annes, Donnybrook (original labels verso). €8,000 - 12,000
15
17 Robert Taylor
Carson HRUA 1919-2008
COTTAGE INTERIOR Oil on canvas, 20" x 24" (51cm x 61 cm), signed. €3,000 - 5,000
16
18 Jack
Butler Yeats RHA 1871-1957
KERRY HILLS (1913) Oil on board, 9" x 14" (23cm x 36cm), signed. Exhibited: 1914 Dublin; 1914 London; 1918 London Allied Artists; 1919 London; 1981 London, Waddington Galleries. Provenance: Sold by the artist to Edward le Bas, ARA, London, June 1946; Sotheby’s 14 December 1979 (lot 25); Theo Waddington, London (label verso). Literature: JACK B YEATS: A CATALOGUE RAISONNE, by Hilary Pyle, No.59, pge 53. Jack Yeats visited Kerry in the Summer of 1913, partly with the object of learning Irish, – and he painted a series of small landscapes of Kerry, all 9" x 14". (Pyle 43-64). – some of these being, “A Lane in Kerry”, “Iron Roofed Cottage in Kerry”, and “A Dusty Lane in Kerry”, and a number of paintings of Castlegregory and Mount Brandon. Lighting was a preoccupation of Yeats in these Kerry Landscapes - Pale colours beneath a grey or white sky creates the impression of a misty, damp (soft) day. €30,000 - 40,000
17
19 Basil
Blackshaw HRHA RUA b.1932
LANDSCAPE WITH CASTLE Oil on board, 8" x 10" (20cm x 25.5cm), signed, €2,000 - 3,000
20 Tony
O’Malley HRHA 1913-2003
BAHAMAS Oil on paper, 10¼" x 7½" (26cm x 19cm), signed & dated 1982; signed, inscribed & dated 1982 verso, Opus No. 1222. €2,000 - 3,000
18
21 Pauline
Bewick RHA b1935
WOMAN, TREE AND WILD ROSES Pen and watercolour, 16" x 22" (41cm x 56cm), signed, inscribed & dated 2003. €1,500 - 2,000
22 George
Campbell RHA 1917-1974
CIRCUS MOOD Oil on board, 30" x 20" (76cm x 51cm), signed, inscribed verso. Campbell first visited Spain in 1951 and he was to return virtually every year until his death in 1979. Spanish festivals and circus’ provided constant subject matter for his work. This strong colourful abstract image of a clown is a good example. €3,000 - 5,000
19
23 Fergus
O’Ryan RHA ANCA 1911-1989
CHRIST CHURCH, DUBLIN Oil on board, 32" x 60" (81cm x 132cm), signed; inscribed label verso. Exhibited: RHA, 1970, No.106 (£420-0-0) €4,000 - 6,000
24 Gladys
MacCabe ROI FRSA MA HRUA b. 1918
STILL LIFE WITH ARTIST'S PALETTE Oil on board, 23½" x 35½" (59.5cm x 90 cm), signed. €2,500 - 4,500 20
25 Fergus
O’Ryan RHA ANCA 1911-1989
GRAND PARADE, DUBLIN Oil on board, 28" x 44" (71cm x 112cm), signed; inscribed artists label verso. Provenance: Ex P.J. Carroll Collection (label verso); Sold these rooms 13th June 2006 (lot 106). €3,000 - 5,000
26 Markey
Robinson 1918-1999
COTTAGE ON THE HILL Gouache, 18" x 21½" (46cm x 54.5 cm), signed. €1,500 - 2,000 21
27 Ivan
Sutton b.1944
O’DOWDS RESTAURANT AND BAR, ROUNDSTONE Oil on board, 20" x 30" (51cm x 76cm) signed; signed & inscribed verso. €2,000 - 3,000
28 Fergus
O’Ryan RHA ANCA 1911-1989
CHRIST CHURCH, DUBLIN AND THE HOUSES OF WINETAVERN STREET Oil on board, 16" x 19" (41cm x 48cm), signed; inscribed verso. Provenance: Combridge Fine Art, Dublin. €1,500 - 2,500
29 Peter
Collis RHA b1929
WICKLOW ROAD Oil on paper, 10½" x 14" (26.5cm x 35.5 cm), signed; inscribed verso. €800 - 1,200
22
30 Ivan
Sutton b.1944
INIS OíRR SHAWLIES Oil on board, 20" x 30" (51cm x 76cm) signed; signed & inscribed verso. €2,000 - 3,000
31 Markey
Robinson 1918-1999
POTATO PICKING Gouache, 12" x 23" (30cm x 38.5cm), signed. €2,000 - 4,000
32 Pauline
Bewick RHA b1935
WASHING LINE, SUMMER 1982 Pen, watercolour and collage, 22" x 31" (56cm x 79cm), signed, inscribed & dated 1982. €1,500 - 2,000
23
33 George
K. Gillespie RUA 1924-1996
CUSHENDUN, CO. ANTRIM Oil on canvas, 20" x 24" (51cm x 61 cm), signed; inscribed verso. €2,000 - 4,000
34 Fergus
O’Ryan RHA ANCA 1911-1989
SKIPPERS ALLEY, DUBLIN Oil on board, 24" x 29" (61cm x 74cm), signed; inscribed label verso (price: 57 Gns), in its original Victor Waddington Gallery frame. Provenance: Victor Waddington Gallery, Dublin, whence purchased by Coletta Vaughan (Principal of the Hall School at Monkstown) and by descent to the previous owner; purchased Whytes 30th April 2007 (lot 56). A view of the Franciscan Friary of Adam and Eves on Merchants Quay, with the rear of St Audeons visible. €3,000 - 5,000 24
35 Lilian
Lucy Davidson ARHA 1893-1954
FARM WORKERS Watercolour, 22" x 28" (56cm x 71cm), signed with initials; inscribed verso. €1,500 - 2,000
36 Fergus
O’Ryan RHA ANCA 1911-1989
ST PATRICKS PARK, BRIDE STREET, DUBLIN Oil on board, 21½" x 26½" (54.5cm x 67cm), signed; inscribed artists label verso. €2,000 - 3,000 25
37 Eric
Patton RHA 1925-2000
STILL LIFE WITH FLOWERS Oil on canvas, 20" x 24" (51cm x 61 cm), signed; signed, inscribed & dated 1966 verso. Provenance: Richie Hendricks Gallery, Dublin (label verso). €400 - 600
38 Aidan
Bradley, Contemporary
39 Colin
Davidson b1968
HALPENNY bridge
O’CONNELL BRIDGE FROM LIBERTY HALL
Oil on board, 23¾" x 23¾" (60cm x 60cm), signed, inscribed verso.
Oil on canvas, 20" x 24" (51cm x 61cm), signed; signed, inscribed & dated 2004 verso.
€1,500 - 2,000
€1,000 - 1,500 26
40 Roy
Lyndsay b.1945
THE PHOENIX PARK RACES Oil on canvas, 15" x 37" (38cm x 94cm), signed, inscribed verso. €2,000 - 4,000
41 Cecil
King 1921-1985
42 Aidan
Bradley, Contemporary
BREAKAWAY
nelson street
Oil on canvas, 30" x 30" (76cm x 76 cm), signed & dated 82 verso.
Oil on board, 23¾" x 23¾" (60cm x 60cm), signed, inscribed verso.
€1,500 - 2,000
€1,500 - 2,000
27
43 William
Scott CBE RA 1913-1989
BLACK PAN, BEIGE CUP ON BROWN (1970) Silkscreen print, 23½" x 30¾" (60cm x 78cm) signed & dated 1970, artist’s proof. €2,000 - 4,000
44 Julian
Friers, Contemporary
CANAL WALK Oil on canvas, 18" x 24" (46cm x 61cm), signed. €1,500 - 2,000
45 Markey
Robinson 1918-1999
MOUNTAIN PEAK Gouache, 19" x 19" (48.25cm x 48.25cm), signed; inscribed verso. €1,500 - 2,000
28
46 William
Scott CBE RA 1913-1989
PAN AND BOWL, BLUES ON GREEN (1970) Silkscreen print, 23¼" x 30½" (59cm x 77cm) signed & dated 1970, artist’s proof. €2,000 - 3,000
47 Julian
Friers, Contemporary
GULLS ON THE LIFFEY Oil on canvas, 18" x 24" (46cm x 61cm), signed. €1,500 - 2,000
48 Markey
Robinson 1918-1999
FOUR GABLE ENDS Gouache, 6½" x 9½" (16.5cm x 24 cm), inscribed Oriel Gallery label verso. €600 - 900
29
49 William
Conor RHA RUA ROI 1881-1968
PORTRAIT OF A RED HAIRED GIRL Oil on canvas, 24" x 20" (61cm x 51cm), signed. Provenance: Purchased at Whytes, 21st September 2004 (lot 56), which detailed the following catalogue note: The sitter in this portrait has been variously identified as ‘Red-Haired Kitty’, ‘Lily’, ‘Miss Y’, and ‘Mrs T. Walker’. It seems likely that she is actually all of the above. A photograph exists in Conor’s papers (now in the Ulster Folk and Transport Museum), that would appear to be the basis of the present portrait. It is squared up in preparation for transfer to a larger composition, and on the reverse is written: “To Billy with best love from Lily”. The same woman appears in a crayon drawing, in exact mirror image to the present work (see Young Woman in Yellow Dress, catalogue no. 78 in the Conor exhibition, Children of Ulster, held at the McClelland Galleries, Belfast, in 1969, illustrated on p. 9 of the catalogue). Judith Wilson traced two further portraits of the same sitter. The first known, simply titled Kitty, was exhibited at the Royal Society of Portrait Painters in London, 1930, and was illustrated on the front cover of Colour magazine (Vol. III, No. 2, December 1930). This work is now in the collection of the Ulster Folk and Transport Museum. A second portrait of the same woman, this time leaning against a table, was painted circa 1930, and reproduced in The Daily Express, 10 December 1930, where it titled as Mrs T. Walker. It was used to illustrate an article by R. Stephen Williams, for part of a series by him on “Beauty in Ulster”. Conor was asked to select the representative beauties and paint their portraits, after which Williams interviewed them. The portrait was later exhibited as Red-Haired Kitty at the Royal Academy in London, 1931, and was illustrated in the accompanying catalogue. The following year it appeared on the front of G.F.S. Magazine, along with a short ‘puff’ by journalist May Cunningham, eulogising the sitter’s “charming and racy” looks. Conor evidently liked the work too, for he showed it again, this time in Dublin at the 1936 RHA, where it was enigmatically titled “Miss Y” and illustrated in a review of the exhibition. The present work was presumably a favourite of the artist’s, as gallery owner Nelson Bell recollects that it formerly hung over the fireplace in Conor’s dining room in his home on Salisbury Avenue, Belfast.
€5,000 - 7,000
50 James
S Brohan, Contemporary
51 James
S Brohan, Contemporary
FARMYARD
MILKING TIME
Oil on canvas, 10" x 14" (25.5cm x 35.5 cm), signed.
Oil on canvas, 10" x 14" (25.5cm x 35.5 cm), signed.
€600 - 900
€600 - 900 30
52 Fergus
O’Ryan RHA ANCA 1911-1989
ANGEL ALLEY, DUBLIN Oil on board, 25 1/2" x 17" (65cm x 43cm), signed; inscribed indistinctly verso. €2,000 - 3,000
53 Ivan
Sutton b. 1944
54 Mark
O’Neill b1963
LAUNCHING THE CURRACH, INISMOR.
THE WHITE COLLECTION
Oil on canvas, 20" x 30" (51cm x 76 cm), signed; inscribed verso.
Oil on board, 18" x 36" (46cm x 91.5cm), signed & dated 2001.
€2,000 - 4,000
Provenance: The Frederick Gallery, Dublin (label verso). €3,000 - 5,000 31
55 Elizabeth
Brophy, Contemporary
56 Elizabeth
Cope b.1952
SUMMER DAY
STILL LIFE
Oil on board, 12" x 16" (30.5cm x 41cm), signed, inscribed label verso.
Oil on board, 24" x 30" (61cm x 76cm), signed. €1,500 - 2,000
€800 - 1,200
57 Patrick
Leonard HRHA 1918-2005
58 Markey
Robinson 1918-1999
FARMYARD CORNER
THE WHITE ARCHWAY
Oil on board, 12" x 15" (30.5cm x 38cm), signed.
Gouache, 12¾" x 19¾" (32.5cm x 50cm). €800 - 1,200
€600 - 1,000
32
59 Norman Teeling, Contemporary
60 Norman Teeling, Contemporary
HORSES AT ST STEPHEN’S GREEN
FLOWER SELLERS, ANNE STREET SOUTH
Oil on board, 30" x 30" (76cm x 76 cm), signed.
Oil on board, 30" x 30" (76cm x 76 cm), signed.
€800 - 1,200
€800 - 1,200
61 Jennifer
62 Aidan
Kingston, Contemporary
Bradley, Contemporary
WRECK – SUB SEA SERIES
smithfield market
Oil on canvas, 20" x 24" (51cm x 61 cm), signed; inscribed verso.
Oil on board, 23¾" x 23¾" (60cm x 60cm), signed, inscribed verso.
€600 - 900
€1,500 - 2,000
33
63 Imogen
Stuart RHA b. 1927
MOTHER AND CHILD Portuguese Limestone, 20½" high (52cm), signed. €4,000 - 6,000
34
64 Edward
Delaney RHA 1930-2009
CUCHULAINN Bronze, 21½" high (57cm). €3,000 - 5,000
35
65 Donald Teskey RHA b.1956 POOLS AND SHADOWS Acrylic on paper, 28" x 36" (71cm x 92cm), signed & dated ’06. €8,000 - 12,000
65A
Daniel O’Neill 1920-1974
THE MEETING PLACE Oil on board, 16" x 24" (41cm x 61cm), signed. €5,000 – 7,000 36
66 Nick
Miller b. 1962
FIELDS RAIN Watercolour, 22¾" x 30½" (58cm x 77cm), signed & dated 2006. Provenance: Rubicon Gallery, Dublin. €1,000 – 2,000
67 George
K. Gillespie RUA 1924-1996
AUTUMN EVENING, BALLINAHINCH Oil on canvas, 24" x 36" (61cm x 91.5cm), signed; inscribed label verso. €3,000 - 4,000 37
Three cartoons for a 3-light stained glass window depicting symbols representing Noah’s ark, Abraham’s sacrifice, the Tablets of the Law, the Seven-branch Candlestick (LH); the Trinity, the Star of David, the Lamb, the five loaves and two fishes, a chalice and the Host (Centre); and the Dove with tongues of fire, the Crown of Mary, the keys of St. Peter, and the barque of the Church (RH) in All Hallows’ Church of England, Wellingborough, Northampton, Warwickshire, England (1955). 128” x 30” each; gouache on paper; signed and dated 1955; inscribed ‘Mrs Bardon, for Miss Hone’ and ‘Wellingborough cartoons’. These full-scale cartoons were designed by Hone preparatory to choosing and painting the glass she selected for the last window that she made before she died on March 13th, 1955. Two years earlier, she had been weakened by a stroke, having been conferred that year with an honorary LL.D. by Trinity College, Dublin for her contribution to the arts in Ireland. By then she had become well-known for her incorporation of symbols, sometimes semi-abstract, into the compositions of the fifty or so windows she had made during the previous twenty years. One of her earliest large windows, her prize-winning My Four Green Fields (12ft x 8 ft) made in Dublin for the 1939 Irish Pavilion of the New York World Fair, is composed of secular national symbols representing the four provinces of Ireland. Symbolic crests are central to her three windows for Rockwell College in Co. Tipperary (1940), while her treatment of the five windows formerly in the University Hall in Lr. Hatch Street, Dublin (now in Francis Xavier Church, Gardiner Street) is fundamentally symbolic and includes devices used in the Wellingborough window. Here, these are woven into an abstract pattern in three tiers within a large rectangular framework, rising at the entre top. The window combines some of the details to be found in her fine 5-light Last Supper and Washing of the Feet window for St. Michael’s Church, Highgate, London of 1954. Particularly relevant is her Symbols of the Passion and of the Sacraments rose window, completed in 1952 for the Jesuit Church in Farm Street, London, which incorporates no less than forty-one symbols, of whose knowledge she was particularly well versed. Although she is best known for her 18-light Eton College window (1947-52), which necessitated making an enormous 10.4 x 8.8 metre cartoon for its three sections, large commissions led her to break her overall design into a number of self-contained fragments, as can be seen here. Although her work was at its most intense when on a small scale, it is remarkable that she could overcome her impaired health, even at the very end of her life, to make a window on this scale. Her friend, the artist Hilda van Stockum, described how when she was preparing a window, she would send off the first sketch to the people who had commissioned the window. When this was approved, she “would start on the actual size cartoon, which had to be hung on the trolley” which she would “hoist or lower”. Because she had been crippled by infantile polio, this “was hard on her as she had to stand… unless it was laid out [on] the long table, where she could reach it more easily… Once the cartoon was finished it was traced and cut along the lead lines” in the traditional way. “Each paper piece had to be matched with a piece of glass, and Tommy, the glazier, had to cut it into the exact space… Each bit was matched by a piece of glass, taken from the crates under the table” of the studio where she worked in the Dower House at Marlay Grange, Rathfarnham. “When all the shapes were cut, Emmie, Evie’s housekeeper waxed them together. Later they would be put in lead, but that was irrevocable… Once they had been waxed together and put in a frame they could be hung in a window contraption and be painted.” Nicola Gordon Bowe September 2011
Refs: Nicola Gordon Bowe, David Caron & Michael Wynne, Gazetteer of Irish Stained Glass (Dublin 1988). Hilda van Stockum, 'Evie Hone as I knew Her', Martello Arts Review, Winter 1992.
38
Cartoons for stained glass windows at Wellingborough Church in Northhamptonshire
68 Evie
Hone 1894-1955
68A
Evie Hone 1894-1955
69 Evie
Hone 1894-1955
STUDY I
STUDY II
STUDY III
Gouache, 128" x 30" (325cm x 76 cm), signed & dated 1955.
Gouache, 128" x 30" (325cm x 76 cm), signed & dated 1955.
Gouache, 128" x 30" (325cm x 76 cm).
€800 - 1,200
€800 - 1,200 39
€800 - 1,200
70 Markey
Robinson 1918-1999
BREAKFAST Gouache on board, 5½" x 11" (14cm x 28 cm), signed. €2,000 - 3,000
71 Harry
Kernoff RHA 1900-1974
72 Charles
Brady HRHA 1926- 1997
MICK PRICE
PALETTE WITH WHITE PAINT
Pastel, 14½" x 11½" (37cm x 29 cm), signed & inscribed.
Oil on paper, 8¼" x 10½" (20.5cm x 26.6 cm), signed.
Provenance: Whyte’s Auction 29th April 2003 (label verso).
Provenance: Taylor Galleries (label verso). €1,500 - 2,000
€2,000 - 3,000 40
73 Markey
Robinson 1918-1999
STILL LIFE WITH KETTLE Gouache on paper, 10" x 13" (25.4cm x 33 cm), signed. €1,000 - 1,500
74 Thomas
Ryan PPRHA b.1929
THE LIFFEY, ISLAND BRIDGE Oil on canvas, 12" x 20" (30.5cm x 50.75 cm), signed; signed, inscribed & dated 1965 verso. €2,000 - 4,000
75 Basil
Blackshaw HRHA RUA b.1932
LANDSCAPE Oil on board, 7½" x 11¾" (19cm x 30 cm), signed; inscribed verso. €3,000 - 5,000
41
76 Tom
Carr HRHA RUA RWS 1909-1999
RIVER LAGAN Watercolour, 20" x 29.5" (51cm x 75 cm), signed. €2,000 - 4,000
77 Fergus
O’Ryan RHA 1911-1989
WINTER SPATE Oil on board, 33" x 43½" (84cm x 110 cm), signed; inscribed label verso. €3,000 - 5,000
78 Annie
Robinson
GALWAY BAY Oil on canvas, 24" x 36" (61cm x 90cm), signed. €1,400 - 1,800
42
79 Tony
O’Malley HRHA 1913-2003
FIRENZE 1 Carborundum print, 50" x 64½" (127cm x 164cm), signed; signed and inscribed verso, ed. 24/50. Provenance: Fenton Gallery, Cork (label verso). €1,000 - 1,500
80 John
Morris, Contemporary
SURFER ON INCH BEACH Oil on board, 24" x 24" (61cm x 61 cm), signed; signed, inscribed & dated 2010 verso. €800 - 1,200
81 John
Morris, Contemporary
MAIN STREET BALLYBUNION Oil on board, 14" x 12" (35.5cm x 30.5 cm), signed; signed, inscribed verso. €400 - 600
43
82 Richard
Kingston RHA 1922-2003
82A
Sean Scully b.1945
CAUSEWAY NO.57, 1992
COLOURED WALL (2003)
Oil on canvas, 30" x 24" (76cm x 61 cm), signed; inscribed verso.
Coloured lithograph, paper size 11¼" x 9½" (28.5cm x 24cm), signed, inscribed & dated 03, ed. 53/150.
Exhibited: Solomon Gallery, Dublin, February 2001.
€2,000 - 3,000
€3,000 - 5,000
83 Elizabeth Taggart b.1943
84 Patrick
TERRACE
VIEW AT SKERRIES
Watercolour, 9" x 11" (23cm x 28cm), signed & inscribed.
Oil on board, 12" x 16" (30.5cm x 40.5 cm), signed.
€400 - 600
€800 - 1,200 44
Leonard HRHA 1918-2005
85 Sean
Scully b.1945
GREEN ASCENDING Woodcut, 40" x 50" (101.5cm x 127cm), signed, ed. 17/20. €2,500 - 4,000
86 Liam Treacy 1934-2005
87 Markey
HOWTH
FIGURE IN THE TREES
Oil on board, 12" x 16" (30.5cm x 41 cm), signed; inscribed artists label verso.
Gouache, 8" x 12½" (20cm x 32 cm), signed. €600 - 900
€700 - 1,000 45
Robinson 1918-1999
88 Kenneth
Webb RWA FRSA RUA b. 1927
FARMYARD Oil on canvas, 10" x 20" (25.5cm x 51 cm), signed. €1,000 - 1,500
89 Henry
Healy RHA 1909-1982
90 Julian
GRAND CANAL WITH VIEW OF RATHMINES CHURCH
Friers, Contemporary
PIGEON HOUSE
Oil on board, 24" x 20" (61cm x 51cm), signed.
Oil on canvas, 24" x 18" (61cm x 46cm), signed.
€800 - 1,200
€1,500 - 2,000
46
91 Stephen
Cullen, Contemporary
IN THE GARDEN Oil on canvas, 30" x 42" (76cm x 107 cm), signed & dated ’90. €800 - 1,200
92 Charles
Brady HRHA 1926-1997
93 May
Guinness 1863-1955
SKETCH BOOK
At Sienna
Oil on paper, 13" x 9½" (33cm x 24cm), signed and dated ’72.
Pastel, 12½" x 8½" (31.8cm x 21.5cm), inscribed label verso.
€800 - 1,200
Exhibited: The May Guinness Memorial Exhibition, Dawson Hall, April 1956, Cat.No.34, price £7.7.0 (label verso). €600 - 900 47
94 Micheal
Farrell 1940-2000
95 Micheal
Farrell 1940-2000
SELF PORTRAIT
STORM IN A TEACUP
Etching, 19½" x 25¼" (49.5cm x 64cm), signed, inscribed & dated 77, ed. 52/80.
Coloured etching, 19½" x 25¼" (49.5cm x 64cm), signed, inscribed and dated 77, ed. 27/80.
€400 - 600
€500 - 700
96 Eamon
Coleman b. 1957
97 Markey
Robinson 1918-1999
ABSTRACT
GABLE ENDS
Gouache, 22" x 29" (56cm x 74cm), signed.
Gouache, 5½" x 11" (14cm x 28cm), signed.
€700 - 1,000
€400 - 600
48
98 Peter
Collis RHA b1929
99 Peter
Collis RHA b1929
Seascape
SHORELINE
Oil on paper, 9" x 9" (23cm x 23cm), signed.
Oil on paper, 7½" x 8½" (19cm x 21.5cm), signed.
€800 - 1,200
€800 - 1,200
100
Marie Carroll
101
Mainie Jellett RHA 1897-1944
POSTER DESIGN FOR PROBERT & FRANKS AUCTIONEERS AND VALUERS
DUBLIN AT NIGHT, SHELBOURNE HOTEL Oil on board, 28" x 40" (71cm x 102cm), signed.
Gouache, 51" x 30" (129.5cm x 76 cm), signed, inscribed & numbered 956.
€1,000 - 1,500
€600 - 900 49
102 Jarlath
Daly, Contemporary
TWO IN A BUSH Bronze, 24½" high (62cm), including base, signed. €1,200 - 1,500
105
Linda Brunker b.1966
103 John Behan RHA, Contemporary BIRDS
104 Jarlath
Daly, Contemporary
BIRDS Bronze, 22¾" high (58cm), signed.
Bronze, 17¾" high (45cm), signed.
€800 - 1,200
€1,400 - 1,800
106
Sandra Bell RHA b.1954
FACE
SUNBATHER
Bronze 10½" high (26.75cm), signed with initials, ed. 2/9.
Bronze, 27" wide (69cm), signed with initials. €1,000 - 1,500
€1,000 - 1,500 50
107
Leo Higgins b. 1951
108 John
Coen b.1941
UNTITLED
STANDING FIGURE
Bronze with gold leaf, 21½" high (54.5 cm).
Bronze, 13½" high (34 cm). €600 - 900
€700 - 1,000
109 Selma McCormack, Contemporary
110 Catherine McCormack Green, Contemporary
SUPLICATION
FIGURE
Bronze, edition of 9, 14" high, signed.
Bronze, 20" high (51cm), signed.
Bronze, 10" high, including base (25.5cm), signed & dated 2007, ed.2/8.
€800 - 1,200
€600 - 900
€1,000 - 1,500 51
111
David Dunne, Contemporary
THE REAL THING
112
Micheal Farrell 1940-2000
THE LAST BUT ONE HIBERNIAN FIGHTING THE BULL Coloured etching, 29½" x 41½" (75cm x 105.5cm), signed, inscribed & dated ‘94. Ed 5/20. €700 - 900
113 Bernadette Contemporary
Madden,
114 Bernadette Contemporary
Madden,
GOVERNMENT BUILDINGS
SILVER SPIRES
Batik on linen, 28" x 24" (71cm x 61cm) signed, inscribed verso.
Batik on linen, 22" x 20" (56cm x 51cm) signed; inscribed verso.
€800 - 1,200
€600 - 900
115
David Clarke 1920-2005
AUTUMN, PHOENIX PARK Oil on board, 15" x 13", signed. Provenance: The Frederick Gallery (label verso). €600 - 900
52
116
Barrie Cooke HRHA b. 1931
RECLINING NUDE Charcoal, 29½" x 20½" (75cm x 52cm), signed & dated 86. €700 - 1,000
117
Barrie Cooke HRHA b. 1931
118
Barrie Cooke HRHA b. 1931
NUDE STUDY I
NUDE STUDY II
Charcoal, 29½" x 20½" (75cm x 52cm), signed & dated 86.
Charcoal, 29½" x 20½" (75cm x 52cm), signed & dated 86.
€700 - 1,000
€700 - 1,000 53
119
Markey Robinson 1918-1999
THE ROAD HOME Gouache, 14½" x 22½" (37cm x 52cm), signed. Provenance: Acquired directly from the artist by the present owner. €1,000 - 2,000
120 Markey Robinson 1918-1999
121 Markey Robinson 1918-1999
122
COASTAL LANDSCAPE (A PAIR)
COASTAL LANDSCAPE (A PAIR)
Gouache, each 4" x 5½" (10cm x 14cm), signed.
Gouache, each 4" x 5½" (10cm x 14 cm), signed.
Acrylic on canvas, 20" x 16" (51cm x 41cm), signed & dated 2005; signed, inscribed & dated 2005 verso.
€300 - 500
€300 - 500
€300 - 500
54
Paul Kerr
The Kiss
123
William McQuitty
124
Peter Collis RHA b1929
JACK BUTLER YEATS IN HIS STUDIO
BEN BULBEN
Black and white photograph, 10½" x 10½" (27cm x 27cm), signed.
Oil on board, 30" x 28" (76cm x 71cm), signed. €3,000 - 5,000
€100 - 200
125
Harry Reid HRUA, Contemporary
126
Alex McKenna b.1943
A SMALL HARBOUR – EVENING LIGHT
ALONG THE CANAL
Oil on board, 4" x 6" (10cm x 15cm), signed with monogram; signed, inscribed verso.
Oil on board, 24" x 28" (61cm x 71cm), signed. €700 - 1,000
€200 - 300
Mainie Jellett RHA 1897-1944
127 SET OF PLAYERS CIGARETTE CARDS
128
IRISH PLACE NAMES ILLUSTRATED BY JACK B. YEATS
SKETCH FOR THE MADONNA
Set of 50 each 2¾" x 1½" (7cm x 4cm), circa 1930s.
Pencil on tracing paper, 22½" x 18½" (57.5cm x 47cm).
€200 - 300
€300 - 500 55
Standard Conditions of Business 1. Definitions In these Conditions, de Veres Art Auctions, who act as auctioneers and agents for the vendor, are called ‘the auctioneers’ (which expression shall be deemed to include their servants and agents) and the representative of de Veres conducting the auction is called ‘The Auctioneer’. 2. Third Party Liability Every person at or on the ‘Auctioneers’ premises or at any premises being used by the Auctioneer at any time shall be deemed to be there entirely at his/her own risk and shall have no claim whatsoever against the Auctioneers or their servants or agents in respect of any accident or incident which may occur nor any injury, damage or loss howsoever arising and whether or not same is the subject of any allegation of negligence. 3. General Whilst the Auctioneers make every effort to ensure the accuracy of their catalogue and the description of any lot: (a) Each lot as set out in the catalogue or as divided or combined with any other lots or lots is sold by the vendor with all faults, imperfections and errors of description. (b) Any claim under any Statute must be received in writing by the Auctioneers within three months of the sale. (c) The Auctioneers shall not be liable for consequential or resultant loss or damage whether sustained by a Vendor or a Purchaser or the owner of any item or their respective servants and agents arising in any circumstances whatsoever and irrespective of any claim made by any party as to negligence or lack of care of the Auctioneers or any part acting on their behalf. 4. The Auction (a) The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or to withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or previous notice. He may bid on behalf of the vendor for all goods which are being offered subject to reserve or at the Auctioneer’s discretion. (b) The highest bidder shall be the buyer except in the case of a dispute. If during the auction the Auctioneer considers that a dispute had arisen. He has absolute discretion to settle it or to re-offer the lot. The Auctioneer may at his sole discretion determine the advance or bidding or refuse a bid. (c) Each lot is put up for sale subject to any reserve price placed by the vendor. Whether or not there is a reserve price the seller has the right to bid either personally or by any one person (who may be the Auctioneer). (d) All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot. 5. Recession Notwithstanding any other terms of these Conditions, if within 12 months after the sale, the Auctioneers have received from the buyer any notice in writing that in his view the lot is a deliberate forgery and within twentyone days after such notification the buyer returns the same to the Auctioneers in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer satisfies the Auctioneers that considered in the light of the entry in the catalogue the lot is a deliberate forgery, then the sale of the lot will be rescinded and the purchase price of the sale refunded. In the event of a dispute then the matter shall be settled by the President of the Institution of Chartered Surveyors in the Republic of Ireland. Both the buyer and the vendor agree to be bound by the decision . 6. Default The Auctioneers disclaim responsibility for default by - either the buyer or the vendor because they act as Agents for the vendor only and therefore do not pay out to the vendor until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. 7. In the event of a sale by private treaty both the vendor and the buyer agree to be found by these and any Special Conditions of Sale.
8. Retention of Title All goods remain the property of the vendor until paid for in full. The Auctioneers will not assume liability to discharge nett proceeds arising from the sale of goods until those goods have been paid for in full. VENDOR’S CONDITIONS 9. Instructions All goods delivered to the Auctioneers’ premises will be deemed to be delivered for sale by auction and will be catalogued and sold at the discretion of the Auctioneer and accepted by them subject to all the Sale Conditions. By delivering the goods to the Auctioneers for inclusion in their auction sales the vendor acknowledges that he or she has accepted and agreed to be bound by all these Conditions. 10. Collection and Deliveries The Auctioneers do not normally undertake the packing, collection or delivery of goods but will if requested use their best endeavors as Agent of the Owner to arrange for an independent contractor on the owner’s behalf to deal with packing, collection and/or delivery. The Auctioneer will not in any event arrange insurance of the goods and will accordingly not be liable for any loss or damage to goods howsoever arising including breakages or for any damage to premises, fixtures or fittings therein caused by such contractor or otherwise and the owner is responsive for all arrangements to verify that any such contractor and the goods is/are appropriately insured. Unless instructions are received to the contrary, charges (including VAT) for such services will be charged to the vendor’s account or discharged through the Auctioneers by the purchaser as the case may be. The Auctioneers’ liability (if any) will rise only where they themselves carry out packing and collection/delivery and only in the case of breakage or loss caused through deliberate negligence of their employees and in any event in one single contract and the Auctioneers’ liability will not exceed £500. Provided further than the Auctioneers will not be liable for consequential loss in any circumstances whatsoever. 11. Loss or Damage and Storage The Auctioneers reserve the right to store or arrange for the storage of goods held by them or delivered to them either on their own premises or elsewhere at their sole discretion and entirely at the owner’s risk. The Auctioneers shall not be liable for any loss (including consequential loss) howsoever caused of damage to goods of any kind including breakages, or for unauthorised removal of goods. Should the owner of goods so wish it will be his/her goods while they are in the possession of the Auctioneers. 12. Right to Re-sell The Auctioneer reserves the right to re-sell any item which has not been collected within thirty days of purchase. 13. 3% commission due to saleroom.com for lots purchased using Live Bidding. TERMS Vendors 1. 10%+ VAT is charged on all goods sold. 2. de Veres Art Auctions do not charge a buying in fee where the reserve is agreed in advance. Purchaser 1. 17.5%+ VAT will be added to the hammer price for each lot up to €50,000. 12.5%+ VAT on the balance. 2. All accounts must be discharged by certified cheque, bank draft or cash. 3. The responsibility for items purchased passes to the purchaser on the fall of the hammer. 4. The Auctioneers reserve the right to look for 25% deposit on all goods. VAT Regulations: All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers’ premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyers.
Illustrations: Front Cover: Lot 15 Walter
Frederick Osborne RHA 1859-1903, CONNEMARA LANDSCAPE (1892) Back Cover: Lot 64 Edward Delaney RHA 1930-2009, CUCHULAINN Inside Front Cover: Lot 16 Walter Frederick Osborne RHA 1859-1903, SHEPHERDING Inside Back Cover: Lot 6 Gerard Dillon 1916-1971, WASHING drying – mid-day rest
B Behan, J Bell, S Bewick, P Blackshaw, B Bradley, A Brady, C Brohan, J.S Brophy, E Brunker, L
103 106 21,32 19,75 38,42,62 1,9,72,92 50,51 55 105
C Campbell, G 22 Carr, T 76 Carroll, M 100 Clarke, D 115 Coen, J 108 Coleman, E 96 Collins, P 12,13 Collis, P 4,29,98,99,124 Conor, W 49 Cooke, B 116,117,118 Cope, E 56 Cullen, S 91
D Daly, J Davidson, C Davidson, L Delaney, E Dillon, G Dunne, D F Farrell, M Friers, J G Gillespie, G Guinness, M
102,104 39 35 64 6 111 94,95,112 44,47,90 33, 67 93
H Healy, H 89 Higgins, L 107 Hone, E 11,68,68A,69 J Jellett, M K Kernoff, H Kerr, P King, C Kingston, J Kingston, R
101,128 71 122 41 61 82
L Leonard, P Lyndsay, R
57,84 40
M Madden, B 113,114 MacCabe, G 24 Miller, N 66 Morris, J 80,81 McCormack, S 109 McCormack-Green, C 110 McGuinness, N 10 McKenna, A 126 McQuitty, W 123 McSweeney, S 2,3 O Osborne, W.F 15,16 O’Malley, T 8,20,79 O’Neill, D 7,65A O’Neill, M 54 O’Ryan, F 23,25,28,34,36,52,77 P Patton, E
37
R Reid, H 125 Robinson, M 26,31,45,48,58, 73,87,97,119,120,121 Ryan, T 74 S Scott, W Scully, S Sutton, I Stuart, I
43,46 82A,85 27,30,53 63
T Taggart, E Taylor-Carson, R Teeling, N Teskey, D Treacy, L W Webb, K Wilmer-O’Brien, K Y Yeats, J.B After Yeats
83 17 59,60 65 86 88 5 14,18 127
IRISH ART AUCTION Monday 3rd October 2011
Monday 3rd October 2011
35 Kildare Street, Dublin 2 Tel: 676 8300 Fax 676 8305 info@deveres.ie www.deveres.ie