ArtDiction July/August 2020

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books God’s Shadow: Sultan Selim, His Ottoman Empire, and the Making of the Modern World Alan Mikhail Liveright Publishing Corporation August 2020 The one piece of information that American students routinely hear about the Ottoman Empire is Tsar Nicholas I’s sobriquet calling it “the sick man of Europe.” This dismissive remark was leveled at the Ottomans in their waning years in the mid-19th century, but it obscures the rich history of a former glob-al superpower. In God’s Shadow: Sultan Selim, His Ottoman Empire, and the Making of the Modern World, Alan Mikhail works assiduously to dispel this misconception and to place the Ottomans where they belong— squarely in the middle of world history. God’s Shadow chronicles Selim I, who became sultan in 1512. The book begins with his upbringing in Istanbul and his time as a provincial leader in the backwater Anatolian city of Trabzon. There, his fre-quent battles with Shiites and various other powerful groups earned him the respect and loyalty of the Janissaries, the elite military force whose support every sultan relied upon. As was the Ottoman custom, Selim knew he would have to kill his halfbrothers to take the throne after his father, and in 1512 he took the unprecedented step of removing his still-living father from the throne. He then captured and murdered his father’s sons by other concubines (see Beyond the Book), which ensured his accession to the throne. Support from the Janissaries and Ottoman military struc-ture allowed Selim to succeed in his brazen deposition of his father, who died shortly thereafter en route to his “retirement.” Mikhail succeeds in capturing the tension and power struggles that marked Selim’s accession, but he

pauses to present a revisionist yet vital depiction of the Ottomans’ larger role in European politics. He describes how fear of the growing Ottoman Empire—and its stranglehold on EastWest trade routes—drove Christopher Columbus to seek a western path to the New World. Americans are taught that after the Reconquista of Spain in 1492, Columbus and his Spanish crew sough “God, glory and gold,” which again obscures the role of the Ottomans. Mikhail deftly shows that a virulent desire to expel Muslims from Jerusalem and desperate tactics to avoid Ottoman trade blockades were the true drivers of Spanish colonial exploration. The violent Reconquista did not sud-denly pivot to an innocent search for India via the western route—it was a starting point for Spain’s worldwide crusade against the most powerful empire at the time. This is an eye-opening interpretation that also helps explain Europeans’ interactions with Native Americans. Indigenous people’s culture and appearance were described as “Moorish” (i.e., Muslim), and fears were stoked regarding the possibility of Muslim African slaves converting Native Americans to Islam. Mikhail expertly ties together disparate threads showing that fear of the Ottomans was reflect-ed in conquistadors’ experiences in the New World. From there, the author shifts his focus back eastward and relates in detail Selim’s vast territorial con-quests, defeating the Safavid empire in Iran and the Mamluks in Egypt, thus extending the Ottoman Empire across three continents. Selim’s reign was relatively short, however, and when he died unex-pectedly in 1520 at age 50, he bequeathed his massive empire to his only son, Suleyman, who was the first Ottoman sultan to avoid a bloody fratricidal struggle for the throne. Mikhail also analyzes the Ottoman ArtDiction | 8| July/August 2020

role in the Reformation, which is traditionally viewed as a Christianonly phenomenon. But as the global hegemon at the time, the Ottomans were held up both as a threat and a punishment for the corrupt Catholicism that Luther decried. The Ottomans represented the possibility of crushing defeat in battle, to be sure, but Luther also called them the “lash of iniquity” that God used “to punish Christendom for its sins— sins that Church leaders willfully ignored, even en-couraged by allowing absolution to be so cheaply bought.” In this way, the author ties the sale of in-dulgences (i.e., absolution), one of the driving forces of Luther’s work, to crusades against Ottoman Muslims. This becomes a springboard to examine persistent ideas of “otherness” in European discourse about Muslims, as enemies, adversaries and the objects of fascination to Westerners. Mikhail traces this characterization all the way to the contemporary United States and hysteria over banning sharia law and blocking Muslims from entering the county, thus providing a searing relevance between the early modern world and today. This is an excellent way to conclude the legacy of the Ottomans and the fear they engendered in Euro-pean observers, yet Mikhail unfortunately misses the opportunity to explain how Orientalism, with its depictions of Muslims and “the East” as inherently illogical, exotic and sinful, was directly related to the existential fears of the Ottomans that he otherwise skillfully describes. It was during the Empire’s later years that the very differences Columbus, Luther and other Europeans decried solidified into the sociological idea that Muslims were uncivilized compared to Europeans and “the West.” Nevertheless, God’s Shadow is a refreshing corrective to the literary and historical traditions that portray the Ottomans as weak and


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