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COVID-19 is still out there, and we are still in here — the house. Sometimes I look outside my bedroom window and scan my neighborhood also started a digital fashion line to keep

street as if this simple act can determine the level of threat the virus poses for the day. It’s silly, I know, but something tells me you can relate.

The pandemic has impacted all of us in various ways. The art industry is no exception. Particularly, the buzz around Fashion Week (past and upcoming) sounds slightly different as these renowned events have altered the way they present to the public. These highly anticipated events have scaled backed their invites to the chosen few, while others have had to take a backseat and watch via the internet. This turn of events made me contemplate the aspects of fashion that aren’t always at the forefront. So, in this issue we dive into the art of textile design as an overall conducted with Elizabeth Rachael — a textile and graphic designer. We also explore the art of tailoring and how it became popular (and necessary).

Niyitanga Olivier brings us couture design by way of Rwanda. His art has already garnered local awards, and he’s certainly guaranteed to earn more. He’s process, complemented by the interview By anttoniart

up productivity during the pandemic . We also check back in with Watercolor Batik artist, Belle Heppard. She guides us through all the tools we will need to create our very own masterpiece. Be sure to go to artdictionmagazine.com to view an exclusive video where Belle demonstrates this artform.

As we inch closer towards the end of the year, continue to be diligent in your efforts to stay safe and healthy. Pandemic fatigue is real! But we will get through it. See you next year!

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