Sbbm16 tangobuenosaires(bb)score

Page 1

Tango de Buenos Aires Composed by Keiron Anderson

Music for Brass Band Duration: 3:00 Minutes Percussion: 3 Players Drum Kit, Xylophone and Vibraphone

Š 2014 www.superbrass.co.uk


Tango de Buenos Aires Tango de Buenos Aires was written to celebrate the harmonic and rhythmic idioms used by the great Astor Piazzola, composer of dramatic Argentinian Tango music. This work attempts to capture the atmosphere with a modern adaptation of the dynamic rhythms and descending chromatic harmonies. It is a colourful addition to any programme and good for a quite serious or light concert. Keiron Anderson Keiron studied at the Royal Northern College of Music with Philip Jones OBE at a time when the Philip Jones Brass Ensemble was established as a real force in brass chamber music. He was fascinated by the methods used by Philip Jones to achieve the unique and sophisticated blend of the instruments and players and how to apply the techniques to other same-family instrumental groups. At the RNCM, Keiron experienced a wide range of musical styles including founding the college Big Band and Light Orchestra which involved arranging film music and jazz classics. After graduating, Keiron worked as a freelance trumpet player with many orchestras around the UK including the soon to be disbanded BBC Northern Radio Orchestra. He then spent several years with his own group as a Musical Director for Cunard Line before returning to the UK to compose, conduct and teach music. He now conducts the acclaimed Harlequin Brass Ensemble, Yorkshire Wind Orchestra, Nottingham Symphonic Winds, Phoenix Concert Band and works with many ensembles around the country. He has written music in a vast array of styles for Wind Orchestra, Brass Band, Clarinet Choir, Flute Ensemble, Brass dectet, Saxophone Groups and String Orchestra as well as several musicals and vocal works. Superbrass Music Since the start of Superbrass in early 2005, I have strived to commission new original compositions and arrangements for brass and percussion. Superbrass Music is committed to developing accessible new music for brass of the very highest quality. Illegal photocopying denies composers and publishers of their rightful revenue. A lack of revenue deters publishers from investing in new commissions. ALL MUSICIANS suffer the consequences of illegal photocopying. The future is in your hands. Now that you have the facts, you can help the future of the creative music world. If you do happen upon any errors please let me know by contacting me personally at info@superbrass.co.uk Roger Argente / Artistic Director


Superbrass Music

Soprano Cornet

Tango de Buenos Aries   q = 128  

 

Solo Cornets

  Repiano Cornet      p

2nd Cornets

     

3rd Cornets

    

Flugelhorn

     

p

p

p

    

Solo Horn

mp

     

1st Horn

  

2nd Horn

 Baritone 1   

p

  p

  Baritone 2      p

 Trombone 1  

                                                    

      

    

                   

         

    

                                          

mp

 

mp

    

    

   

 

 Trombone 2  

   

  

Drum Set

mp

   

Eb Bass Bb Bass

 

  

Euphonium

  

p

  

    

p

   

 

Percussion 1: Xylophone

 

Percussion 2: Vibraphone

   

p



mp

    

 

                     

Bass Trombone

Composed by Keiron Anderson Edited by Roger Argente

    

 





     



   

 

 

 

     

     



    

All Rights Reserved © 2014 Superbrass Music www.superbrass.co.uk

                                                                                                                                        

     







     



     



  

    

  

 

     

   

  

    

     



mp

   

                              



  

          mp    

                        

  

mp

   

      

         

  


2

Sop Cor

6

Solo Cor

Rep Cor

1st Hrn

2nd Hrn

2nd Bari

1st Tbn

2nd Tbn

mp

   

Eb Bass

Bb Bass

 

    

   

  

         

   

  

   

 



  



   

   

 

 

        

  



    

     

 

  











 





   

   

   

   

 

   

    

              

  

   

     

    

  



 

mp

 

           

mp

 

     

 

    

   

   

          

    

  

mp



    

  

                

 

mp

 

                      

 

 



   

         

  

 

      

     

         

     

  

         

  

     

                                               

         

     

    

  

     

  

  

mp

   

                                     

mp

Euph

 



 

mp

 

B Tbn

Perc 2: Vibes

   

       

1st Bari

     

     

Solo Hrn

Perc 1: Xylo



mp

Flug

   

3rd Cor

   

2nd Cor

Drms

  

 

   

  

 

mp



    



mp



mp

 

     

 

  

  

  

   


Sop Cor

11

Solo Cor

Rep Cor

2nd Cor

3

                                        

 

3rd Cor

                                

Flug

 

Solo Hrn

 

1st Hrn

2nd Hrn

1st Bari

2nd Bari

1st Tbn

2nd Tbn

  

  

Bb Bass

    

Perc 1: Xylo

  

Perc 2: Vibes

 

 

mp

  

 

     

    

   

                     

               

   

         

            

     

 

 

     

 

     

mf

mf

                              

   





  

                   

        

mf

  

     



     

 

mp

    

          

   

 

  

 

  

    

 

  

Eb Bass

Drms

                            



Euph

 

                              

   

B Tbn

mf

         

 

mf

  

       

 

       

     

 

            

          

           

                   


4

Sop Cor

17

 

Solo Cor

A

mf

Rep Cor

2nd Cor

    mf   

3rd Cor

   

Flug

Solo Hrn

1st Hrn

 

2nd Hrn

mf

  

mf

mf

 

 

1st Tbn

mf

Eb Bass

Bb Bass



Drms Perc 1: Xylo

Perc 2: Vibes

 

  

mf

  



mf

mf

  



mf



 

A   



  





 





     



mf

  

        

  

        

   

 

  

 

     

                               

   

  

 

 

  

         

  

 

    

                                   

        

mf

 

  

mf



3

mf

 



mf

  

   

  

mf

Euph

mf

  

  

         

   

 

                                           

B Tbn

      

         



2nd Bari

2nd Tbn

3

   

                                         



                    

1st Bari

      



                    





     



 



  

 

     

   

                

                

  

               


Sop Cor

22

  

Rep Cor

2nd Cor

3rd Cor

  

   

Flug

Solo Hrn

  

mf

2nd Bari

     

1st Tbn

   

1st Bari

2nd Tbn

 

B Tbn

Euph

Eb Bass

Bb Bass



Drms Perc 1: Xylo

Perc 2: Vibes

  

   

  

      

 

   

 

                    



 

                                

   

 

  

  

f

 



f



                 

p

         

                

p

       

             

p

         

                

         

         

                

 



 







     



 

     

 

                   

 



 

     



 

 

p

  

   

  

f

  

p

 

  

  

  



p



  

p

     

             



p

   

 

       

 

         



           f        

                



p

f

  



                    





f

 

f

                   

         

  



      

                

                   

 

     

2nd Hrn

      

     

1st Hrn

    

Solo Cor

5

           

p



    

  

   

     



  

  

  

   

 


6

Sop Cor

Solo Cor

Rep Cor

27

  

 

    

 

p

2nd Cor

p

3rd Cor

p

                       

                                                            

mf

mf

         

         

        

               

            

    mp

    

                 

                   

        mp                        mp                         

1st Tbn

     

               

2nd Tbn

     

              

2nd Hrn

1st Bari

2nd Bari

  

B Tbn

Euph

  mf

 

Eb Bass

  

Bb Bass

  

  

     

Drms

 

Perc 1: Xylo

  

Perc 2: Vibes

       p

  

p

mf

 

    

  



mf

    

 

 

   

  

 

 

 mf

   

mf



  

mf

   

  



  

                   

     

      

                         



        

mf

    

          

1st Hrn

             

         

                      

Solo Hrn

       

     

Flug

   

 

   

 

  

 

  



                      



           


Sop Cor

33

Rep Cor

2nd Cor

1st Bari

2nd Bari

 

   

         

     

      

     

p



mf

    mf



  

   

  

   

mp

    



  

    

  

  

mf

 





B  

mp

  

 

 

mp



mf

  



mf

  

mp

mf

  

    

  

    

    

Eb Bass

  

    



mf

 

Euph

         

Perc 2: Vibes

  

2nd Tbn

Perc 1: Xylo

p

Drms

p

1st Tbn

B Tbn

      

2nd Hrn

     

  

1st Hrn

   

    

Solo Hrn

     

         

Flug

         

  

3rd Cor

    p

Solo Cor

Bb Bass

B



 

 

 

 

   

   

       

  

    

     



  

f

    

f

    

  

  

  

 

     

  

     

   

      

   

   

               

mf

   

   

  

f

       mf         mf       mf

   



 

    

               f       

   

  

  

      

f

      

   

   



  

   

           mp         

     

    

                    f           

 

  

 

 

  

  

mf mf

     



 

 

   

 

        

f

    f

7


8

Sop Cor

Solo Cor

Rep Cor

2nd Cor

                                                             

38

3rd Cor

          

Flug

Solo Hrn

1st Hrn

2nd Hrn

                   

 

Euph

Eb Bass

Bb Bass



2nd Bari

1st Tbn

2nd Tbn

B Tbn

Drms

f

p

f

p

             p

              

  

    p

              

mf

   

  

mp

   

  

  

   

   

    

        



     

   

 

Perc 2: Vibes

                  

 

 



    

 

mf

 

 

    

 

 

mf

mf

       mf          

                    mf                  

      

                 

Perc 1: Xylo

   

f

         

                    

mp

   

                

                 

 

         

         

p

                 

     

p

             

  

       



         

   

        

    



      

        

  

1st Bari

 







mf

        



  

     

            

                   

  

mp

     

 


Sop Cor

44

  f

 

  

     

                                                                  

Solo Cor

Rep Cor



   



    





   



  



   



  



   

f

f

2nd Cor

3rd Cor

Flug

Solo Hrn

1st Hrn

2nd Hrn

1st Bari

2nd Bari

f

 

f



f

 f



      

f

f

f

     

f

 

Perc 1: Xylo





Perc 2: Vibes





f

 f



     f

  

 

   

  

 

 

     

 

 

           

         mp

        

mp

         mp          mp





   

             

   

mp

   

         mp

    

     

       

     

     

  

    

  

  

  

f

       

   

f

      

             

         

 

  

   

         f   

   Eb Bass    f  Bb Bass    

     

2nd Tbn

Drms

Euph

f

    

1st Tbn

B Tbn

f

9

      

    

  

  

  

 

 

         


10

Sop Cor

49

C

      

mp

Solo Cor

Rep Cor

2nd Cor

3rd Cor

Flug

1st Hrn

 

mp

       mp        mp

   

1st Bari

   

                         

        

 

                        

mf mf

                 mf mp                      mf mp                   mf              

                                      

      

       

 

   

mf

mf             mf

         

         

   

   

   

2nd Bari

1st Tbn

2nd Tbn

 

B Tbn

Euph

Eb Bass

Bb Bass

 

   p

 p

             

mp

Perc 2: Vibes



       mp

mf

        

      Drms          Perc 1:         Xylo 

C   

mf              

        

mf

   

              mf            

                         

mf

                   

                   mf                      mf              

                          



    

2nd Hrn

       mp       

     

Solo Hrn

      

mf

                       

           

             

    

                           

   

     

     

                

mf

   

mf

   

mf

      

     

                

      

    

            

     

      

     

                 

    

     


Sop Cor

55

                       

Solo Cor

Rep Cor

2nd Cor

3rd Cor

       

Solo Hrn

1st Hrn

2nd Hrn

mf                   

     

  

11

   

    

                                                                       

                                                                                   

Flug

mf                         

mf

                  

mf

             

                                                                                                     

 

 

 

 

1st Bari

2nd Bari

1st Tbn

2nd Tbn

 

B Tbn

Euph

         

        



  

        

     



     

  



  

     

            Drms                    Perc 1:         Xylo  mf

                              mf

                       

         

     

 



Perc 2: Vibes

         

Eb Bass Bb Bass

                     

               

           

          


12

Sop Cor

61

  f

Solo Cor

Rep Cor

2nd Cor

f

 

      

f

f

3rd Cor

f

Flug

f

Solo Hrn

f

      

1st Hrn

f

        

2nd Hrn

f

      

1st Bari

f

       

2nd Bari

f

Euph

Eb Bass

Perc 1: Xylo

Perc 2: Vibes

      

 

B Tbn

Drms

f

2nd Tbn

Bb Bass

      

1st Tbn

f

 

 

         

f

 f

f









  

                                                 

  

             







                   





f

f

  

 

 

         

    

  fp

                     





 

    

f

f

  f

                                      

  

f

                                                       

                 

 

    

    

  

 



f

                                   

         

f

                                       

         

   

         

 

        

                   

 

 

       

D    

 

                   

 

 

    

 

 f

fp

f

 

            f

f

D

 f

 

     



    

 

    



   

 

 

    

fp

             

    

 

 

f

 





f

 

 



f

 

     


Sop Cor

66

 











 







           

Solo Cor

Rep Cor

2nd Cor

 

Flug

Solo Hrn

1st Hrn

    

1st Bari

  

2nd Bari

  

1st Tbn



      

Eb Bass

   

Bb Bass

   

Drms

 

    

Perc 1: Xylo





Perc 2: Vibes





  

               

     

                                  

    

 

 

  



        

 

 

  

                  

                                             

f

                                 

         

 

    

mp

 

          

        

           

  

 

          

 

 

mp

      

      

   

mp

mp

mp

      mp        

                     

       

                    

mp

        mp

       

          

mp

          mp       mp

          mp           mp

            

           

mp

mp

                    

 

                 

         

mp

  

mp

       

   

mp

 

Euph



    

B Tbn

   

                       

    

2nd Hrn

2nd Tbn

3rd Cor

   

13

          

                                   

  

                  

          

mp




14

Sop Cor

Solo Cor

Rep Cor

2nd Cor

                                  

71

3rd Cor

Flug

Solo Hrn

1st Hrn

2nd Hrn

1st Bari

2nd Bari

1st Tbn

2nd Tbn

             

     

Euph

      

  

         

  

mf

  

mf

 



 



mf

  

mf

   

mf

  

 

mf

 



mf

  



mf

  



mf

 

mf



  

E



          

    





     



 

 

         

   

 

 

   

         

    

 

    

 

      

    

  

 

      

    

        



 

mf

   

 



         



           

                Perc 2:    Vibes  

mf

   

         

         

 

3

        

  

mf



mf

                   

mf

 

          

                      

  

mf

       





   

mf

         



3

  

       

           

  

                   

                  

 Eb Bass                  Bb Bass      

Perc 1: Xylo



mf

                                   

B Tbn

Drms

     

   

E    

   

    

     


Sop Cor

76

Rep Cor

2nd Cor

3rd Cor

Flug

  

         

   

      

     

         

   

         

  

        

    

Solo Hrn

   

1st Hrn

2nd Hrn

2nd Bari

1st Tbn

2nd Tbn

B Tbn

                                   

 

 



p

    

 



   

p

  

  

p

     



Perc 1: Xylo

  

                

Perc 2: Vibes

  

                

p

p

  

p

   

   

               

p    

 

   

  

 

     

 

 

   

mf



mf

mf

 



mf

 

  



   

     



   

     

         

      







     





 

 

 

mf

mf

   

 

     

mf

 







 





mf

 

 

mf

                   



mf

mp



 



mf

  

     

 



         

         

  

     

mf



 



mf

      



mf

                                         

mf

 



mf

         

 



      

mf

      

                    

         

   

     

mf

         

         

p

      

          mf

         

p

 

p

               

   

p

                p      p            p           

Eb Bass

         

Euph

 

1st Bari

Drms

            p 3                              

Solo Cor

Bb Bass

15

              

 

  

 

     

   

  

 



 



     


16

Sop Cor

81

Solo Cor



 

Rep Cor



 

mp

          

 

              

 

              

mp

mp

3rd Cor

Flug

Solo Hrn

2nd Cor

1st Hrn

2nd Hrn

1st Bari

1st Tbn

2nd Tbn

mp

mp

mp

        

  

Eb Bass

  



mp

 

 

  



mp

 

Perc 1: Xylo

 

Perc 2: Vibes





mp

   

    

 

 

     



    

                 

   

 



   

  

  

  



  

     



 

 

 

 

   

   

mf

      

 

  

  

  

 

 

   

  

  

 

  

 

mp

      mf

 

    

     

mp

  

 

mf

            

mp

     

                

      



    



mf

 

                        

  

  

                     

   

     

mp

                       

 

mp

                  

mp

 

                 

   

mp

Euph

                  

  

mp

              

    

mp

                 

mp

   

B Tbn

Drms

   

2nd Bari

Bb Bass

  

 

mf





     



   

   


Sop Cor

86

Rep Cor

   

2nd Cor

   

Solo Hrn

1st Hrn

2nd Hrn

1st Bari

  

   

         

         

   

         

          

   

   

         

   

   

1st Tbn

         

                    

   

2nd Bari

Flug

                                       

                                           

2nd Tbn

  

  



  

B Tbn

  

  



  

  



  

Euph

Eb Bass

Bb Bass

Drms

    

 

  

                   



 

   

  



     

   

           

         

3rd Cor

          

     

Solo Cor



  

     

   

   

             mf f               mf

f

17

 

             mf f                  

            

mf

f

mf

f

            

mf

f

       f

      

f

       f        f       

  

f

     

f

       f        f        f        f     

    

      

f

     

  f

    

   Perc 1:               Xylo         

       f

                  

      

Perc 2: Vibes

 

f


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