Sbbm3 laperlanegra(bb)score

Page 1

La Perla Negra Composed by Colin Skinner

Music for Brass Band Duration: 6:30 Minutes Percussion: 4 Players Drum Kit, Maracas, Xylophone, Triangle, Tambourine, Glockenspiel, Claves, Castanets and Marimba

Š 2014 www.superbrass.co.uk


La Perla Negra For this brooding piece the composer has used the following storyline. “A sad elderly man sits alone in a bar whilst an accordionist plays a slow tango. A beautiful woman walks in wearing a single black pearl necklace and proceeds to dance with the old man. Gradually the music becomes more and more spirited and the dance faster as the old man becomes youthful again. With a passionate kiss he passes out in the girls arms and when he awakens he is back in the bar alone save for the accordionist. As he contemplates his dream he notices a single black pearl left behind on the bar. The sombre mood is lightened in the middle section by a deliberately trite and vibrato fuelled section, but we soon return to the opening material for a slow fade-out� Colin Skinner Colin studied bassoon at the Royal Scottish Academy of Music and Drama in Glasgow and has played with the Scottish Chamber Orchestra and B.B.C. Scottish Symphony Orchestra. He joined Trinity College of Music and played saxophone with the Jazz Orchestra, directed by Bobby Lamb. In 1987 he started touring with the Glenn Miller Orchestra U.K., leaving in 1995 for a Caribbean cruise performing cabaret with The Mellotones vocal quartet. He also plays lead alto sax with Echoes of Ellington, Back To Basie and The Syd Lawrence Orchestra. West End shows include Company, Damn Yankees, Chicago, Anything Goes, Acorn Antiques, Sinatra, Babes In Arms, Porgy & Bess the musical and Crazy For You. He is increasingly in demand for his writing and arranging contributing to the library of The John Wilson Orchestra, The Syd Lawrence Orchestra, Matt Ford and his own big band "Skin Deep" and septet "Squatty Roo". He has performed with Shirley Bassey. Billy May, Sacha Distell, Tony Bennett and Kevin Spacey. 2011 saw the release of "Cookin' With The Lid On" a recording of a big band he co-leads with drummer Matt Skelton in homage to the legendary Terry Gibbs Dream Band. Superbrass Music Since the start of Superbrass in early 2005, I have strived to commission new original compositions and arrangements for brass and percussion. Superbrass Music is committed to developing accessible new music for brass of the very highest quality. Illegal photocopying denies composers and publishers of their rightful revenue. A lack of revenue deters publishers from investing in new commissions. ALL MUSICIANS suffer the consequences of illegal photocopying. The future is in your hands. Now that you have the facts, you can help the future of the creative music world. If you do happen upon any errors please let me know by contacting me personally at info@superbrass.co.uk Roger Argente / Artistic Director


Superbrass Music

Composed by Colin Skinner Arranged by Jock McKenzie Edited by Roger Argente

La Perla Negra Soprano Cornet

Solo Cornet

Repiano Cornet

2nd Cornet

3rd Cornet 

Flugelhorn

slow tango 

A lamentoso  

   

      

   

      

   



   



   

 

    

Harmon Mute

1. only

p - mp

1st Horn

2nd Horn 

1st Baritone

2nd Baritone 

1st Trombone

2nd Trombone

Bass Trombone 

Euphonium

Eb Bass

Bb Bass 



       









     

 



       







 

       





 

    



    



    



   



   



   

      

   







   



    



   



     

     

     

Drums

Percussion 1 Maracas & Xylophone

Percussion 2 Triangle, Tambourine & Glockenspiel

Percussion 3 Claves, Castanets & Marimba

 

mp

Solo Horn

     

2x only

 



Cup Mute

p - mp

pp

Triangle

 

pp



Claves

     pp

 

 

St. Mute

p - mp

        

p - mp



    

    

 

 

p - mp

p - mp



 

 

     

    

     

   

        

    



 

  

   

       



All Rights Reserved © 2014 Superbrass Music www.superbrass.co.uk

     

     

 



  



     

     





    


2

Sop Cor

Solo Cor

Rep Cor

2nd Cor

3rd Cor 

Flug

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Eb Bass

   

11

B  

2. 3. 2nd x only - Open

     



     





  



  



  



    



  



 

mf

 

  

 

 

  

  





  

  

   

   

   

 

  

 

  

 

     





  



  

  

  

2x only

    

2x only

 

   

 

   

 

mf

  

 

mf

2x only

mf

  



2x only



  

2x only

mf

    

     

   

 

mf

  

   

  

Perc 1

Perc 2

Drms

Perc 3

1. only 1st x with Harmon

  

Both x

mf

2x only

 

mf

Bb Bass 



 

 

 

 

 

 

 

 

 

mf

 

 

  

mf cresc. poco a poco

 

 

 

2x only

  

  

mf cresc. poco a poco

mf cresc. poco a poco

 

 

 

 


3

Sop Cor

Rep Cor

2nd Cor

3rd Cor 

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

   

Solo Cor

Flug

   

16

      

       



  

 

 

  

  

  

  

  

  

    

  



 



  

  

  

  

    

  



 



  

  

  

  

   

  

  

   



 

  

   

  

        

  

   



 

  

   

  

        

  

   

   

  



  





   

   

  

      

Lower 8va where possible

    

      



  

Eb Bass

       

   

      

       

  

   

Bb Bass 

     

   

   

    

 

  

  

 

 

  

 

 

 

Drms

Perc 1

Perc 2

Perc 3

 



 

   

 

 

   

 

 

 

   

 


4

Sop Cor

Rep Cor

2nd Cor

3rd Cor 

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

B Tbn 

Bb Bass 

C 2x only           

ff

          Tutti open

    

   



f - ff

         

  

   

  

  

f - ff

       f - ff

   

       f - ff

   

       f - ff

    

  

    

  

   





  

   

    

  

   

     





  







  

f - ff

   

       f - ff

f - ff

  

   





  

  

    





  

   



   

  



 

  



 

  

Drms

Perc 1

Perc 2

  

 



     

     

    

              

Eb Bass

Perc 3

  

   

2nd Tbn

Euph

      

Solo Cor

Flug

  

21

 

        

   

 

  

  

   

   





  

  

   

    





  

    

    





  

    

   

   

          

 

    

f - ff

f - ff

f - ff

         

    

   



 

 

 

  

   

 

  

f - ff

 

f - ff

 

f - ff

   

 





  

1x & 2x       





  

f - ff

f - ff



 

 

f - ff

 

 

  

   

f - ff

  

 

 

 

    

   

 

     

 

mf

 

   

  

f - ff


5

   Sop Cor  



Solo Cor

   

Rep Cor

   

2nd Cor

   



3rd Cor 

   



   



   



26

Flug

Solo Hrn

  



   



   

 



 

 



 



 

 



 



 

 



 



 

 



  



   



   



 

 

 

 

 

 

1st Hrn

   





 

 









 







 

  



 

2nd Hrn 

    



 



 









 

 



 



  



 

    





 

 









 







 

  



 

   



 



 









 

 



 



  



 

    





 

 









 







 

  



 

   



 



 









 

 



 



  



 









 









 











 

 

   



   



 

 

Eb Bass

   







 









 











Bb Bass 

  





 









 











 

  

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

  

 

  

 

Drms

Perc 1

Perc 2

Perc 3

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

   

  

 

   

 

 

 

 

   

  

 

 


6

      



Solo Cor

      



  

   





    



Rep Cor

      



  

   





    



2nd Cor

   

   

 

   



3rd Cor 

   

   

 

   



   

   

 

   



   

   

 

   



1st Hrn

   















 

2nd Hrn 

    















    













   











    









   















      



Sop Cor

Flug

Solo Hrn

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

31

  

Eb Bass

Bb Bass 





  

 



  

 



  

 



  

 

   

 

  

   

   

 

   

 

 

  

   



 

 

 

 

  

  

 

 





 

   

 

 

  

 

 







 

 

 

 

  

  

 

 









 

   

 

 

  

   









 

   

 



  

   

  



   























 

   

 









    















 

   

 









 

  

   

 

  

 

 

 

 

Perc 1

Perc 2

 

 

 

 

 

 

 

 

 

  

 

 



2.



Drms

Perc 3

1.

 

 

 



 

   

 

   

 

 

 

 

 







 


7

Sop Cor

accel.

  

36

D piu allegro agitato 

Solo Cor

  

Rep Cor

  

2nd Cor

   

3rd Cor 

  

   





   





f

f

  

 



 



   

 



  

 



 



   

 



   



 



 



   



 



 



   

   

1st Hrn

   

2nd Hrn 

   

   

   

Flug

Solo Hrn

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

 

 



 



 

 

 

 

  

 

 

 

 

 

 

 

 



 



 





 









   

   

 

   

f

f

  

f

f

Eb Bass

Bb Bass 

   









    









Drms

Perc 1

Perc 2

Perc 3

f

to Marimba

 

f

   

 

Glock

 f

  

  Xylo

 f



   

   

 





 

   



  


8

Sop Cor

Solo Cor

Rep Cor

  

41

3rd Cor 

Flug

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Bb Bass 

    

      

     



      

     



    

      

      

   

f

  

  

  

         

   



   

   

   

   

Perc 2

        

 

   

 

            

      

               

 

    

      

 

   

 



    

            

   



  





   





  



   





    

    

     

  

 

    

  

    

    

f

f

 

 



  



  



  

fz

  fz

  

  

 

 

 

   

  

 

 

 

   

  

 

 

 

   

   

        

fz

       

          

fz

f

fz





fz

  

  



fz

   

  





    



  

 

   

     

 

 



  

   

f

 

  

    

          



 

  

  

Perc 1

Perc 3

       

   

Drms

   

Eb Bass

     

   

f

Solo Hrn

f

f

2nd Cor

  

 

  

 

 

   

  

   


9

E

  

Solo Cor

  

Rep Cor

  

2nd Cor

    

3rd Cor 

     

Sop Cor

Flug

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Eb Bass

46

f

f

f

f

  

  





 

 

 

 

 

  

 

 

   

 

     

 

   

 

 

  

 



 



     

 



      

  

  

  

  

  

 

 

 

Perc 2

Perc 3

   











 



 

 

  

 

 

 

  





 



   







  

 

 

 



f







 

 

  

 

 

 



 

  

 

     

 





 



 





     

 



 



     

 



    

   

    

 



 



  

  

  



 

 

  

 

 

  

  

  

 



 



  

 



 

  

 



           

    

  

 





    





    





    



  

 

 

    

f

Perc 1



f

 



f

 

 





f

   



      



 



   

 

 





     

   

 

              

  



   

  





f





  



 





 





 









  

   





 



 

f



 

  

   

  



 



 



   



 



 



    

   

 



 



  

 

           

 

f



 

  

 



f

      

 

    

    

   

 

   

  







 

  

 

 







   



 

   

 

  

 

Drms



f

Bb Bass 



   

 

f





    



 

 

f

  



  

  

 

    

 



 

f

 

   

  

  



    

f

  

 

    

  

 

     

   

   

 



    






10

                

            

    

            

    

            

             

       

 

    

       

  

     

  

      

 

    

2nd Cor

       

 

   

3rd Cor 

       

      

Sop Cor

Solo Cor

Rep Cor

Flug

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

B Tbn 

Bb Bass 

     

       

   

      

       

      

  

 

   

     

      

      

  

 

   

     

      

      

  

 

  

 

  

   

   

     

 

        

   

  

 

  

  

     

        

   

  

  

      

  

  

  

             

   

             

  

           

   

   

      

      

      

      

      

     

     

     

                   

fz

fz

      

       

        

Perc 1

        

        

Perc 2

    

  

fz

 

 

       

        

fz

 

 

      

   

fz

 

 

      

Drms

Perc 3

   

Eb Bass

   

   

   

2nd Tbn

Euph

51

    

  

   

  



      

     

  

 

fp

 

fp

fp

fp

fp

 

fp

  fp

 

fp

       

  fp

  fp

  fp

    


11

Sop Cor

  

56

   

Solo Cor

Rep Cor

  

2nd Cor

   

3rd Cor 

Flug

Solo Hrn

1st Hrn

 

p

p

  

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Eb Bass

Bb Bass 

 

   

     p

  

 

  

    

  

 

  

  

   

  

 

  

  

   

  



  

  

   

  



  

p

p

p

  

  

  

  

  

  

  

  

Drms

Perc 1

Perc 2

Perc 3

  

p

2nd Hrn 

            

     

F

 

  p

 

 

  p

  

  

 

 

 

 

  



  

  



  

  

p

 

p

  

  

  

             

   

  

  

  

 

   

  

  

  

p

p

  

  

  

  

  

 

 

 

       p

 

  

   

 

 

 

 

p

 

 

p

 

 

 

 

 

 



 



 

 

 

 

 

 

 

 

 

 

 



 



 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 


12

Sop Cor

Solo Cor

2nd Cor

3rd Cor 

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

  

Bb Bass 

   

     

 

   

   

 

   

   

f

  

    f

  

    f

     

 

    

    

 

   

   

   

 

   

       

   

 

   

       

f

f

f

        

ff

    

   

  ff

f

     

 

        

      

 



    

 

     

 



    

 

        ff

 

  ff

 



 

     

ff

ff

ff

ff

   

   

    

 

     

   

   

        

     

   

   

   

 

 



    

 

     





    

       

 

   





f

f

 f

   

   

   

       

   

   

   

       

   

   

        

   

  

 

p

 

 

 





 f

ff

ff

ff

    

 

f

 

f

f

   

ff

f

  

 

 

 

   

 

              





  ff

      

 

 

       ff

 

 

      

 

 

      f

Perc 3

 1. 2.                        1. 2. 

ff

Drms

Perc 2

3. 4.

 

ff

ff

Perc 1

      

     

Eb Bass

f

   

Rep Cor

Flug

  

61

   

      

                

ff

       f

ff

       

f

   


13

G con moto 66   Sop Cor      

Solo Cor

2nd Cor

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

  

f

3        

        



    

     

        



    

     

p cresc.

1st Tbn

2nd Tbn

Euph

 3      

Open

1. 2. 3. 4.

  

       

 

     

3

3

3

  



 

   







  







 

       

  



 

   







  







 

         

  

  

  

   

  

 

   

 

   

 

p cresc.

  

        



1. only       

  

    p cresc.

  

 

Perc 1

Perc 2



     



   



 

     

   



 

Drms

Perc 3

 

     

p cresc.

Bb Bass 

 

p cresc.

Eb Bass

  

p cresc.

B Tbn 

p cresc.

2nd Bari 

p cresc.

3rd Cor 

1. 2. 3. St. Mute

  

Rep Cor

Flug

  

  

  



  

   





 

  

 

 

 

 

 p

 3   

               











 

 

  

  





  





 

   



 

       



 

 

Both



     

mf

                               

f

                 

 

     

 

 3  

 

  

  



  

 

p cresc.



p cresc.



     3

     3


14

Sop Cor

Solo Cor

     

   

     

       

71

    

Rep Cor

   

2nd Cor

f

3rd Cor 

Flug

    f

3

3

  

   

3

   



 



 



   



 



 



   

     

   

   

  

    

   

    

ff

ff

I scherzando







3

ff

   3

f

ff

ff

 

    

  

    

  

  

  

f

1st Hrn

   

     f

Solo Hrn

H    

f

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

  f

Euph

Bb Bass 

Perc 2

Perc 3

 

   



  

    



        

    

  

    

  

    

ff

ff

f

f

 

   

   

 

 



     

   



 



 



 

 



     

    



     



f

f

f

  

 

 

Drms

Perc 1

    

     

Eb Bass

 

  

f

f

B Tbn 

    

    



    3



         ff

sfz

 

ff

  



 

        

   

3

       ff

f



ff

ff

  

    

ff

  

   

 

 

 

 

 

 

 

 

 

3

   



mf



mf

   

 

   



  

 

   



  

  

Maracas







mf

 

 

  

 



3





f

  

3


15

Sop Cor

     

76

      

Solo Cor

Harmon w/stem

     

2nd Cor

f

3rd Cor 

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

3

wa

Harmon w/stem

     

wa

3

f

wa

wa

Perc 2

3





wa

wa

wa

wa

wa

wa

wa



wa

       

 

     

     

     

    

    

    

    



   

  



 

   



 



 

mf

mf

  

 

    

    



 

   



     

 



 





 





   



 





 



 





 





  

   

  



 

 





 





 



 





 





   





   

mf

   

 

 



 

 

   Tambourine



    

   



 

   



 

   



 

   





 

 

 

 



mf

    3



 

3



 

 

mf

 



 

 



 

 

 



  



 

Bass Tbn cue

   

 



 



  

mf



mf

mf

     

Perc 3

3

 3



 



Drms

Perc 1

3

mf

Bb Bass 

    

     

Eb Bass

    

Rep Cor

Flug

      

 

 

  

 

 

   

 

  

to Castanets


16

Sop Cor

Solo Cor

Rep Cor

1st Hrn

2nd Hrn 

2nd Bari 

2nd Tbn

B Tbn 

Euph

    

Eb Bass

Bb Bass 

Perc 2

Perc 3

molto vibrato 3

     

 Harmon w/stem

 3





3

3



 3

Open

 







    

   



    



    

   



 

  

  



 

3

3





3

3

 

 

        

     

     

        

    



   



        

   



   



    

 







   



 



    

    



   

    

   

 

        





    





  

 

Drms

Perc 1

         

Solo Hrn

1st Tbn

    

molto vibrato 3

3rd Cor 

1st Bari

     

2nd Cor

Flug

     

81



  

  

  

 

 

 

 

         

   



 

   



 

 

  

   

  

 

 

  




17

Sop Cor

Solo Cor

Rep Cor

2nd Cor

3rd Cor 

Flug

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Eb Bass

Bb Bass 

     

3 3 3                    

    

3 3 3                     

    

86

Perc 2

Perc 3

f

f

3

3

     

      

    



     

     

    

    

    

    

     

Solo

3

3

 

1.

       

  

    

 

   

   

  

   

to Xylo

  



3





 

 

3



 



3

  

3

   

  

 

   

  

 

3



  

  

 

   



 



 



3

 

     

  

   

   

3

3 3               

  

Castanets

3

3

          

   

  

3

 

3

3



 

  

   



  3

3

 

3

f

 

3

          

 

3

f

3

         

     

Drms

Perc 1

J


18

Sop Cor

Solo Cor

Rep Cor

     

 

 

 

    

   

 

  

 

 

 

  

    

 

 

 

  

   

 

  

91

2nd Cor

       

   

3rd Cor 

       

Flug

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Solo

     

Bb Bass 

Perc 3

     

     

     

      

    

 

  

  

  

       



  

 

 

  

 

 

    

 

 

 

  

    

     

 

  

 

  

  

 

   

  

 

  

 

 

 

  

 

  

       

 

  

 

  

     

Solo

    

    

 

  

3

  

      

Drms

Perc 2

        

Eb Bass

Perc 1

3

     

   

   

  

  

 

Choke





 

 





3

mp

        

 

   

  

  

  

  

  

  



    

  

Solo

mp

 

  

3

   

3

  


19

freely in the style of a street band a tempo K rubato3 3 96                Sop Cor     

rubato

f

Solo Cor

Rep Cor

3rd Cor 

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

 

 

 

     

 

3

 

 

 

 

 

 

Bb Bass 

f

3

  f

 

      

 

      

 

     

 

 

3

 

3

 

 

3

3 

3

 

 

3

 

 

3

  3 

3

 

f

 

3

 

 

  

 

 



f

3

f

3

  f

     f

  

 

  3

   

 

 

3

 

 

     



 



    

 

 

   



 

   

 

 

     



    

  

 

    



 

  

  3

 



   



   

  

 

   





  

 

   



 

  

 

   



 

   

 

    



 

  

  

f

3

 

3

 

 

 

  

3





3

 

 

 

 

 



 

 

 

3

f

3

f

    

    

   

  

  

 to Marimba

 

3

3

 

 

 

 

3

 

 

 

3

 

  

 

 

 

 

  

 

 

 

 







   

   

 

f

   





  

  

 

   



 

   

 

   



 

  

 

 

 

 

3

  f

3

 

 

Both

f

f



   

 

       

 

f

    

3

f

p

 

 

  f

 

 

  

f

f

 

f

 

  f

 

f

3

  

3

f

 

 

 

3

f

     

  

 



 

f





 

 

f

  

     

3

   

 

f

     

    

      

  

Perc 3

3

 

    

Drms

Perc 2

f

     

       

Eb Bass

Perc 1

f

     

2nd Cor

Flug

3

     

3

a tempo

   

 

 

 

 

 



 

 

 

 

 



 

 

  





  

  

p

 

  

 

 

 

 

3

 

 

3

p

 

3


20

Sop Cor

Solo Cor

Rep Cor

Solo

     

101

     

   



     

   



p

p

           

2nd Cor









   

p

3rd Cor 

Flug

Solo Hrn

     

p

        



  





 

 

     

1st Bari

1st Tbn

Euph

Eb Bass

Perc 2

                      



                      





 



 



 

f

f

 p

p

   



  



      









 



     





 

 







 

p

     

 

p

 

f

f

f

f





 

  

     





 

 

  

 















      



     















 















   

p





p

f

f









 

 

  

 



     

f

p

p

f

f

p





 

  

  

     





 

  

 

  

 

p

 

 

p

 

 

 

 

 

f

f

f

  

  



 

   f

p

   p

 

 p

 



       

  

Perc 3



Drms

Perc 1



p

Bb Bass 



      

p

B Tbn 

a tempo



p

2nd Tbn

 

f

p

2nd Bari 



       

p

2nd Hrn 

f

f

p

1st Hrn



3

p

 

 p















 

 Triangle

Claves

p

p

 

















 

  

  



 

 

 

  





  







 


21

Sop Cor

L

3rd Cor 

Flug

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

1st Tbn

B Tbn 

Euph

   

   

      



   



      



   



   

 

   





 



 

 

   

 

   





 



 

 

   

 

   





 



 

 

   

 

   





 



 

 

    f







 







 

 









 







 

  



 f







 

 



 



 









 

 



 



  



    







 







 

 









 







 

  



   







 

 



 



 









 

 



 



  



    







 







 

 









 







 

  



    f







 

 



 



 









 

 



 



  











 









 









 











 

      



   







 









 















 









 











 

 

 

  

f

f

f

f

f

f







 





f









 





 

f

  

Drms

Perc 1

Perc 2

Perc 3

   

Bb Bass 



f

Eb Bass

   

f

2nd Tbn

f

2nd Bari 

f

2nd Cor

f

Rep Cor

f

Solo Cor

  

      

106

mf

 

 

mf

 

mf

 

 

 

 

 

 

 

   

  

   

  


22

Sop Cor

Solo Cor

Rep Cor

    

 

 

   



    

 

 

   



  

   



 



    

 

 

   



  

   



 



111

 



 



 



 



   





   





 





   





 





 

   





 

   



2nd Cor

   

   

 

   



3rd Cor 

   

   

 

   



   

   

 

   



    

   

 

   



1st Hrn

    

















 

2nd Hrn 

    

















 

    

















 

    

















 

    

















 

    

































   



  

 

















 

   

 

















 

   

 

 

Flug

Solo Hrn

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

  

    

 

 

Eb Bass

     

Bb Bass 

  

Drms

Perc 1

Perc 2

Perc 3

      

 

 

 

   

 

 



 



 



  

 







   

  

 



 



 


23

M 116    Sop Cor  

     

1. With Flugel

Solo Cor

p

Rep Cor

2nd Cor

3rd Cor 

Flug

1st Hrn

2nd Hrn 

2nd Bari 

2nd Tbn

B Tbn 

Euph

Bb Bass 

    



  



  

  

  

      With Cornet

    



  p

  

  



    



 



  



  

  

   

   

  

  

  

  



  

   

p

   

Perc 1

Perc 2

p

 



 

 

   

    

  



 

 

   

     

 

 

 

   



 

 

    

 

   

  

    

 

 

 

 

  

 

   

  

p

p

With Horn

p

  

Drms

Perc 3

     p

Eb Bass

    



  With Euph   

Solo Hrn

1st Tbn

  

p

1st Bari

 

  


24

Sop Cor

Rep Cor

2nd Cor

3rd Cor 

1st Hrn

2nd Hrn 

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Bb Bass 

   

 

    

   

Harmon Mute

   

  

   

  

mf



  

 



  

 

1. Cup Mute

    

 

   

  

 



 



 

    

    

mf

   

   

   

  

  

  

  



St. Mute

Play 8va higher if need be

    

    

  

  

Perc 1

Perc 2

  



     



         

       

 

  

  

 

  

             

    

  

   

 

  

 

 p

  

   

  

     

    

  



mf

    

        

   

 

     

   

     

     



Drms

Perc 3

  

        

Eb Bass



       

Solo Hrn

1st Bari

    

Solo Cor

Flug

N

   

121

 p

 

   

p

 

   


25

Sop Cor

Solo Cor

Rep Cor

2nd Cor

3rd Cor 

Flug

Solo Hrn

1st Hrn

2nd Hrn 

1st Bari

2nd Bari 

1st Tbn

2nd Tbn

B Tbn 

Euph

Eb Bass

    



   

      

   



   



   



   



    

 

    

    



   



   



   

      

   

      







   



    



128

Tutti Cup Mute

mp dim. poco a poco

    



     

   ppp

         



      



    

         



      



    

mp dim. poco a poco

 

    



mp dim. poco a poco

Cup Mute

mp dim. poco a poco



    



    

     

  



    



    

     

  

Cup Mute

mp dim. poco a poco

ppp

ppp

    pp

   

Perc 1

Perc 2

Perc 3



         

Drms

     

dim. poco a poco

      

      

      

     

       pp

  

 

    

ppp

Lower 8va only if poss.

  pp

Bb Bass 

ppp

                                ppp



        

   

   

    

   

   

pp

    

                     

   

 

 

 

 

  







dim. poco a poco



dim. poco a poco

pp

ppp

  

  

  


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