R
T
F O
L
O
2 0 1 4 O
F
g a ra l ie n
This book contains personal works and school projects of Garalien during 2012 - 2014
t
2012 - 2014 PORTFOLIO
O
R
P
O
O
GARALIEN
P
C o n t e n
t
INTRODUCTION
1 - 2
RESUME // CV
5 - 6
BCA BANK br and i ng
9 - 16
MY JAKARTA magazine cover
17 - 18
BUAVITA pac ka g i ng d e s i g n
19 - 24
VARIOUS ILLUSTRATION illus t r a t i o n
25 - 36
NEONOTE illus t r a t i o n
37 - 40
ART NEWSLETTER t y pog r a p hy
41 - 48
SINGAPORE BROCHURE typography
49 - 52
ROLLING STONE LAYOUT typography
53 - 56
s
H 1
ll
2 My name is Dhea Metanasti but I’m more known in a nickname of Garalien.
of Visual Communication Design in Bina Nusantara University, Jakarta.
I’m a Graphic Designer, an Illustrator and a part-time music player. My best friend are a pencil and a sketchbook, they help me to find chunks of creativity everytime and everywhere. I’m currently still in- seventh semester, finishing the first degree
My focus are into Graphic Design, Illustration, and Typography. I define myself as an adaptable, friendly, self-motivated, and an easy going person.
M U L I V
T
A
E
U C I R U C
Curiculum Vitae of Garalien. a basic information of myself.
RESUME CV
FOCUS Graphic Design, Illustration, Typography
EXPERIENCE
5
- Osmosis 2012 exhibition; artwork - Makrab DKV 2012 committee - TKH DKV 2012 & 2013 committee - Liason officer in Asia’s English Olympic - Plaza Desain DKV 2014 committee - Freelancer Illustrator - Freelancer Designer at Talk Fusion BSD - Telex Free Company
INTERESTS
Music
Cat
Video Games
Any kind of Art
PORTFOLIO GARALIEN
www.behance.net/garalien dheametanasti@gmail.com +62 878 83311902
E D U C AT I O N 1999
2005
Cikal Harapan
Al-Azhar BSD
junior high school
2011-2015
Tangerang Selatan senior high school
Bina Nusantara university
6
elemntary school
2008
SKILLS
Ai Ps Id Fl Pr Dw
LANGUAGES
/////////////////////////////////////
///////////////////////////////////// ///////////////////////////////////// ///////////////////////////////////// ///////////////////////////////////// /////////////////////////////////////
9/10
8/10
2/10
r k
Wo
I l l u s t r a t i n g
r e B r a n d i n g
r e P a c k a g i n g L a y o u t i n g
BRANDING
BCA BANK
9
BCA BA NK
Rebranding BCA Bank is a school assignments. The assignment was to rebrand a big company’s brand to look more modern visually, especially for those that had been established for decades and had yet rebranded themselves in visual design.
BRANDING
BCA BANK
10
BCA new logo is the combination of the old BCA logo that represents clove, shield as a meaning of safety
BRANDING
11
12
BCA BANK
BRANDING
BCA BANK
13
BCA BANK
14
BRANDING
BCA Bank general stationary. all using the supergraphic of the logo itself
BRANDING
BCA BANK
15
BCA BANK
16
BRANDING
MAGAZINE COVER
My Jakarta is a school assignments. It’s for practicing the way of placing or layouting the cover magazine contents. I was the one who decided the headline or subheadline for the cover itself. The concept is how to make it clean and simple. so that I used typeface that has a thin strokes.
17
MY JAK A R TA
18
MY JAKARTA
PACKAGING DESIGN
19
BUA VITA It’s a school assignments which goal was to redesign the packaging of Buavita tetra pack. The challange was how the design must look more destinctive than other juices and still stay fresh. Changing the logo was needed to match it with the new design.
BUAVITA
PACKAGING DESIGN
BUAVITA
The new logo represent the flow of juice fluids which is dynamic.
Butaa Vi
Butaa Vi 20
Butaa Vi
PACKAGING DESIGN
21 The new packaging design uses the color of light-yellow green and fruit’s. The function of green itself to make it fresh and represents the color of nature, that the fruits freshly harvested from the farm as so they say. The fruits were made from tracing to enhance it into perfection and cleanliness. There’s also a straw comes out from the fruit and goes to the straw hole as the essence of drinking juice from fresh fruits
BUAVITA
BUAVITA
22
PACKAGING DESIGN
PACKAGING DESIGN
23
24
BUAVITA
ILLUSTRATION 25
MANUAL//DIGITAL
26
ILLUSTRATION
This section contains my personal artwork and also pieces of vector illustration from my school assignments.
ILLUSTRATION
MANUAL//DIGITAL
27
MANUAL//DIGITAL
28
ILLUSTRATION
ILLUSTRATION
MANUAL//DIGITAL
29
MANUAL//DIGITAL
30
ILLUSTRATION
ILLUSTRATION
31
32
MANUAL//DIGITAL
ILLUSTRATION
MANUAL//DIGITAL
33
MANUAL//DIGITAL
34
ILLUSTRATION
ILLUSTRATION
35
36
MANUAL//DIGITAL
ILLUSTRATION
NEONOTE
NEONOTE 37 Neonote is a group project. We made a brand new notebook to be sold. It’s a notebook which has a neon color on the cover and with the illustration pattern that represents youngster’s characters today. Neonote has 4 variations of colors, the neon colors are our unique selling product. For the illustrations themselves are made by me.
N
NEONOTE
38
ILLUSTRATION
ILLUSTRATION
NEONOTE
39
NEONOTE
40
ILLUSTRATION
Here are the four variations of Neonote.
TYPOGRAPHY
ART TYPO NEWSLETTER
ART TY P 41
O
Art Typo is a school assignments that demanded student to maximize their explorations on typography in designing editorial. Before that, we were introduced to the system of breaking the grid or many kind of modules to then be applied on the editorial.
TYPOGRAPHY
ART TYPO NEWSLETTER
42
The cover of Art Typo Newsletter and the example of contents. It is 6 pages of contents.
TYPOGRAPHY
43
44
ART TYPO NEWSLETTER
TYPOGRAPHY
45 The reference is David Carson and Bahaus style. Geometric shape and diagonal movements is dominant to make it dynamic and as the leading grid for hierarchy.
ART TYPO NEWSLETTER
ART TYPO NEWSLETTER
t
46
TYPOGRAPHY
TYPOGRAPHY
ART TYPO NEWSLETTER
47
ART TYPO NEWSLETTER
48
TYPOGRAPHY
TYPOGRAPHY
SINGAPORE BROCHURE
SIN GAPOR E
49 Singapore brochure is a school assignment. It challanged us to place and layout the most important contents into a tri fold brochure, also how to keep it in a good hierarchy. The brief was emphasize on the minimum possible of an image usage. Typography must be dominant
SINGAPORE BROCHURE
50
TYPOGRAPHY
TYPOGRAPHY
51 They are the looks of how if the tri-fold brochure was spread. outer side on the left page and inner side on the right page.
SINGAPORE BROCHURE
SINGAPORE BROCHURE
52
TYPOGRAPHY
TYPOGRAPHY
ROLLING STONES
O LLI NG STO NES Still lingering on typography exploration, this one is another school assignment which goal is to use 80% of a magazine spread as a field in exploring typography instead of using images. The shapes usage and punctuation marks is recommended to be played along. here are the 3 alternatives of the layouts I made.
ROLLING STONES
54
TYPOGRAPHY
TYPOGRAPHY
55
56
ROLLING STONES
THANK YOU!
TH A N YOU
Y
K
GARALIEN