Architecture Portfolio (2013-2020)

Page 1

DHVANI SHAH Architecture Portfolio

dshah.arch@gmail.com +91 98204 03631


ADD TO CART Micro-Housing for Fishermen Community

P. 01

TOWN PLANNING Motilal Nagar, Goregaon

P. 04

WHITEFIELDS Commercial Building in Bangalore

P. 09

RAISING SPIRITS OF ODISHA Convention Centre for Craftsmen

P. 12

SARVA MANGALA PEETHAM Experience Centre for Women Empowerment

P. 17

BAHINABAI RESOURCE CENTRE Institute & Resource Centre for a Native Poet

P. 21

DESIGN SCHOOL CAMPUS Institute for Architecture, Interior Design, Fine Art Programs

P. 25


CONTENT Selected Work | 2013-2020

KNOWLEDGE HAAT Re-School for Education and Communal Activities

P. 26

JOURNEY Multisensory Cabins for Backpackers

P. 30

SECRET RESORTS Private Villas for Weekend Getaway

P. 33

FLOATING LEAVES Private Villas for Weekend Getaway

P. 37

KALOTE LAKE RESORTS Resort for Destination Wedding

p. 41

BRANDING Creating Brand and Identity of Architectural Projects

P. 43

PHOTOGRAPHY Conceptual Portraits, Interior, Travel and Lifestyle

P. 43


HOST : VOLUME ZERO RANK : FIRST JURY : EFFEKT, Denmark Penda Architecture, China People’s Architecture Office, USA ADND, India

01


ADD TO CART Making traditional communities viable & thrive though micro- housing

FUTURE EXPANSION

COMMUNITY SPACE

8 UNITS PER FLOOR CAN HOUSE 48 FAMILIES (MIN) RANGING FROM 1 PERSON TO 4 PEOPLE

*

IMAGE PRODUCED BY: MYSELF & AR. ABHINAV PRASOON COMMUNITY HOUSING | INTERNATIONAL COMPETITION| MALIB*| 2019 MALIB - MASTERPLAN, ARCHITECTURE, LANDSCAPE, INTERIOR, BRANDING


“Add to cart” is a modern solution for micro-housing that allows a house to grow within a given space. It is designed in a way that it can be multiplied, deducted & customised as per the different stages of a man’s life and his lifestyle choices. Mumbai, a megacity, is home to many traditional communities. Some communities bear the brunt of urban sprawl & migration and are on a verge of extinction. One such is the closely knitted Koli community of fishermen, entitled as the original inhabitants of Mumbai, that are suffering an economical, social and cultural loss today. The proposed Coastal road development along the water banks will hugely affect the profession of this community, eventually leading them to migrate from their original habitation. Our concept of microhousing shall retain and uplift this community, making it viable even through rapid urbanization. 1-2% of the city land is occupied by supporting structural systems that act as dead spaces, hence these structural systems can be constructed in such a way that they can host these communities. The housing takes place along the proposed infrastructure of the coastal road, while it saves green lands from undue rehabilitation of the fishermen. It also brings them closer to their profession and proposes a waterfront development program. This is the city supporting the fishermen’s concerns, fishermen supporting the city’s concerns inturn.

COMMUNITY SPACES FOR CULTIVATION

FLOATING SPACES AS MARKET & CULTURAL SCENES 02

IMAGE PRODUCED BY: MYSELF & AR. ABHINAV PRASOON


Existing structural column of the bridge

Each module bought can be added & subtracted as per the individual/ family requirements to form a 350sq.ft home Further both the modules of 350 sq.ft can also become one home.

4 modules bought as per requirement attached to form a living space. Roof of these modules will be used as terrace spaces by the family for gardening etc. Each module bought shall be attached to the existing structural member, left over floor area can be used as open/terrace spaces 350 sq.ft floor plate area comprises of 4 modules Circulation passages along with vertical movement (lift & staircase) encompassing the exisitng column

Central Column’s fabricated with angled structural members, such that the modules are attached as the individual/family space requirement grows

Floating community space that functions as per the high & low tide & can be expanded as per the community space requirement & usability

DIAGRAM PRODUCED BY : MYSELF


a. 01 Kitchen b. 01 Study + dining c. 01 Living + sleeping d. 01 Bathing & dressing e. 01 Study + sleeping Area : 350 sq.ft.

4

a. 01 Kitchen + dining b. 01 Bathing & dressing c. 01 Study + sleeping d. 04 Terraces

4

4

Area : 175 sq.ft.

5

5

32

3

a. 01 Kitchen b. 02 Sleeping c. 02 Bathing & dressing d. 01 Study e. 01 Terrace Area : 350 sq.ft.

a. 01 Kitchen + dini b. 01 Bathing c. 01 Living + sleepi d. 01 Bedroom e. 01 Terrace Area : 260 sq.ft.

5

6

1

OPENS OPENS

1

OPENS

OPENS

Ground Level

OPENS

OPENS

Mezzanine Level

12

2

21

25

29

OPENS

Age

4

3

OPENS

1 THE FA MI LY OF FOUR

T H E LO NE WO LF

T H E RO O M M AT ES

LEGEND: The Koli family, Residents of our site V, a migrant Rentee of the Koli family

03

P & A, Kids of T & V

T, a migrant Rentee on another site

P & A, growing up

Room-mates of T

V’s Parents

T & V’s Pets

On mezzanine On ground Terraces Terraces on mezzanine V’s income T’s income

T H E NE WLY


ing

a. 01 Kitchen b. 01 Study, dining, living c. 01 Bedroom d. 01 Bathing & dressing e. 01 Study + sleeping Area : 350 sq.ft.

ing

a. 01 Kitchen b. 01 Study, dining, living c. 01 Bedroom d. 02 Bathing & dressing e. 02 Study + sleeping Area : 350 sq.ft.

a. 01 Kitchen b. 01 Dining c. 01 Living d. 02 Bathing e. 01 Dressing f. 02 Bedroom

g. 02 Study b. 02 Terraces

Area : 525 sq.ft.

5 5

33

2 WED

2

6

4

55

Ground Level

Mezzanine Level

39

33

47

3 T H E OV ERW HEL MED FA MI LY

T H E B I G FA M I LY

Module study by using furniture located in typical housing to create most efficient area usage and combined with number of users to create different typologies of housing units

NARRATIVE, TIMELINE PRODUCED BY : MYSELF


04


MASS HOUSING Re-organising the Motilal Nagar stretch of Goregaon.

ROOF PLAN MASS HOUSING | SEM VII| MALIB | 2017


CONCEPTUAL PLANNING

05


TYPICAL PLAN








Commercial Building Whitefield Views:

View 1 09


WHITEFIELD COMMERCIAL BUILDING Bringing the green inside the corporate building, thus enhancing the working environment while also defining a state of the art commercial.

G F.

1 2 G F.

1 2 3 4 5

3 4 5 6 7

8

6 7

8 Massing Formation

IMAGE PRODUCED BY: MYSELF COMMERCIAL | RWAMP STUDIO | MALIB | 2018


Commercial Building Whitefield Site Analysis :

1

2

3

Commercial Building Whitefield 6

Views:

5

4

Perfo scree gree

10

Elevation


mmercial Building Whitefield

s:

w4

Green terraces

orated en with en wall

Meeting pods /terrace Stepped terraces

Entrance with landscape IMAGE PRODUCED BY: MYSELF


mercial Building Whitefield

g Options:

11


IMAGE PRODUCED BY: MYSELF


12


RAISING SPIRITS OF ODISHA Using architecture as a catalyst for social upliftment and enrichment of vanishing cultural values

THESIS GUIDE: PROFESSOR AR. UMESH PACHIGAR SOCIAL DEVELOPMENT | SEM X |FINAL DESIGN DISSERTATION | MALIB | 2018


“But, when the work was finished, the craftsman kept wishing that there were someone to ponder the plan of so great a work, to love its beauty, and to wonder at its vastness.� -Giovanni Mirandola

SWOT ANALYSIS COLLAGE FROM MY VISIT TO ODISHA The diagram explains how strengths, constraints and opportunities form different faces along any axis, and are important in defining the program and designing. 13


MASTERPLAN The proposed preposition encourages the idea of home close to work and also preserving the cultural heritage that has been residing here for decades. Such art forms have been and will always be an identity of the state and its people. It should be developed in such a way that would benefit the residents as well as many stake holders. This preposition promises to fulfill and meet the short comings faced by the artist colony, moreover improving their state of living and occupation drastically.


SECTION THROUGH THE DORMITORY

DETAIL @ F

DETAIL @ G

14


RESTAURANT’S TRUSSES AND BUILT IN-SITU SEATS FOR ETHNIC CONNECT

RECEPTION AREA CELEBRATING THE CRAFT OF BELL METALS


Screens to accelerate micro-climate Workshop Areas

Paper Mache Masks decorated at the entrance since the are considered auspicious Rock carved sculptures

Bell Metal art recreating the temple emotion Historic Pattachitra Paintings Spotlight created to celebrate the craftsmen

Jute, Cane, Coconut shells & Bamboo Products One huge saree draped to showcase handloom sector

AXONOMETRIC OF EXHIBITION BLOCK EXPLAINING THE CONCEPT OF ‘BACKSTAGE’ 15

Visitors participating in painting, guided by the craftsmen


RAISING SPIRITS OF ODISHA

Using architecture as a catalyst for social upliftment and enrichment of vanishing cultural values

UNDULATING ROCKY SURFACE ABSTRACTED AS THIN LEVELS AND THE EXHIBITED SCULPTURES ARE CARVED OUT OF ONE ROCK

HARMONIOUS SOUND OF BELL METALS AND STONE FLOORING CREATING THE AURA OF TEMPLES OF ODISHA THESIS GUIDE: PROFESSOR AR. UMESH PACHIGAR SOCIAL DEVELOPMENT | SEM X |FINAL DESIGN DISSERTATION | MALIB | 2018


VISITORS TAKE THESE STEPS TO WITNESS ‘PATTACHITRA’ PAINTINGS

VISITORS CAN POUR COLORS FROM THESE CYLINDERS AND PAINT IN TRADITIONAL STYLE UNDER GUIDANCE OF THE CRAFTSMEN

16


SPACED DESIGNED TO EXHIBIT TRADITIONAL SAREES/ HANDLOOM

BENCHES CRAFTED BY THE VILLAGERS TO EXHIBIT CANE& BAMBOO PRODUCTS


17


BAHINABAI RESOURCE CENTRE Breath in, Breath out, life so is your doctrine Life and death are just a breath apart -BAHINABAI

IMAGE PRODUCED BY: MYSELF INSTITUTIONAL BUILDING |RWAMP STUDIO | MALIB | 2018


REPETITION

RHYTHM

FLOW

PERSONIFICATION ADAPTATION OF POETRY IN ARCHITECTURE 18


GROUNDED AURA METAPHOR

FORM INSPIRATION

N

MASTERPLAN DIAGRAMS & MASTERPLAN PRODUCED BY: MYSELF


LIGHT AND SHADOW ANALYSIS 19


Lily Pool Centrally located lily water pond helps to maintain internal micro-climate and adds the the aesthetics of the building

Terrace Farming Building roof used as hydroponic terrace farm that efficiently uses storm water/rain water for irrigation. Terrace farm shall improve air quality and reduce heat from internal spaces.

Brick Jaali Wall South Facade of the building treated with fenestrations which is used to reduce direct harsh sunlight and warm air, and also to keep the internal spaces well ventilated. SUATAINABILITY FACTORS DIAGRAMS PRODUCED BY: MYSELF


20


IMAGES PRODUCED BY: MYSELF


21


DESIGN SCHOOL CAMPUS Institute for Architecture, Interior Design, Fine Art Programs, Fashion Design and Photography/ Cinematography

GUIDE: PROFESSOR AR. ARUN FIZARDO INSTITUTIONAL BUILDING | SEM IX | MALIB | 2017


HOST : VOLUME ZERO RANK : 13th, Honourable Mention JURY :Hellmut Raff, Ackermann+Raff GmbH & Co. KG

Taku Hibino, HIBINOSEKKIE Jun Sekino, JUN SEKINO Architect And Design Paulo Afonso, Paulo Vale Afonso Architecture Studio Hoang Thuc Hao, 1+1>2 Team TAM Associati, TAM Associati

22


KNOWLEDGE HAAT The ‘Haat’ is the heart of the community, the market is the core of any settlement, the school runs as a learning and working space and then transforms into workshop, market and exhibition spaces post school hours making it an ideal ‘Knowledge Haat’.

IMAGE PRODUCED BY: MYSELF & AR. ABHINAV PRASOON INSTITUTIONAL BUILDING | INTERNATIONAL COMPETITION | MALIB |


CLASSES ON, WALLS CLOSED

ONE CLASS ON BREAK, CRAFTSMEN USING INTERACTIVE SPACES TO WORK

COMMUNITY HOLDING MEETINGS WHILE THEIR CHILDREN PLAY NEARBY

OPEN EXHIBITION OF CRAFTS AND STUDENT WORK USING EXISTING FURNITURE

EXPERIENCE BASED EXHIBITION USING MIXED CONFIGURATION OF SLIDING WALLS

EVENING HAAT BEING USED AS EXHIBITION SPACES AND INDOOR MARKET

ADAPTIVE MODULE 23

DIAGRAMS PRODUCED BY: MYSELF


01 02

03 04 05 06

07

01. 02. 03. 04. 05. 06. 07.

GREEN ROOF PERGOLA ROOF IN BAMBOO ROOF TILES IN TERRACOTTA RAFTERS IN WOOD POLYCARBONATE SHEETS FRAMEWORK IN WOOD SITE WITH CIRCULATION

DIAGRAM SHOWING CIRCULATION AND ROOF SYSTEMS Education has consistently proven to be the fundamental aspect of future development, but in a country with 67% rural population, the present development of the community becomes primary. In scenarios like these, a school can not only be an educational hub but a community core. The design works best as an ideal co-working space for the school and the community artisans to work in unison. Sanitation, Food and Medication being the necessities unavailable, the design celebrates a public toilet and medication facility in-turn luring the community towards the school. Traditional arts are predominant here, the school encourages these and helps augment its future. The modular design of the classroom can be adopted anywhere invariably and can be incremented X and Y easily. The module is concepted such that it can shape-shift into larger spaces for various activities. Understanding that education is invariable of age, the program is keenly designed, independent of the grade depending on the subject adding to the flexibility. The school is programed such that the learning processes in the familiar open environment breaking the norm of a 4-walled classroom, also incu cating habits of nursery development and recycling. IMAGE PRODUCED BY: MYSELF & MR. MADHUR GUPTA


STREET DURING MORNING - SCHOOL

STREET DURING EVENING - ‘HAAT’

24


MODULE ADAPTED FOR MORNING - SCHOOL

MODULE ADAPTED FOR EVENING - ‘HAAT’ IMAGES PRODUCED BY: MYSELF & MR. MADHUR GUPTA

SECTIONAL ELEVATION IMAGE PRODUCED BY: MYSELF


COLOURING ON WALLS WITH NICHES TO CLIMB ON

INTERACTION IN RECESSED SEATING OUTDOORS

RECESS DURING SCHOOL HOURS 25


PROMOTING ART AMONGST THE YOUTH

LIBRARY WITH LADDERS AS CURIOUS POINTS

PEDESTRIAN BRIDGE AT REAR ENTRANCE

IMAGE PRODUCED BY: MYSELF & MR. MADHUR GUPTA


26


JOURNEY Journey is a camp-site for backbackers, living amongst localites, from where they trek upwards to explore vivid wildlife in Karnataka. The cabins across 22 acres of site occupies bare minimum land and gives a multisensory experience.

IMAGE PRODUCED BY: MYSELF HOSPITALITY | RWAMP STUDIO | MALIB | 2018


ILLUSTRATED DIAGRAM TO NOTE DOWN MAJOR PAUSE POINTS ON THE SITE 27

IMAGES PRODUCED BY: MYSELF


Experience the tops of trees where birds are usually found

You can fall asleep watching small animals play under your room

Using bamboo chimes to personify sounds of wind at the reception

Railings to be designed to add sound inducing experiences

Wood and granite to experience a temperature difference by touch IMAGES PRODUCED BY: MYSELF


LONGITUDINAL SECTION THROUGH THE CABIN

CROSS SECTION OF THE CABIN 28

IMAGES PRODUCED BY: MYSELF


LONGITUDINAL ELEVATION OF THE CABIN

SIDE ELEVATION OF THE CABIN IMAGES PRODUCED BY: MYSELF


29


SECRET RESORTS Spread across 6.5 Acres, the villas are amidst lush green mountains on all sides, and are meant for long stays for recuperation. A landscape spine with stepping squares of activities divides the villas on both sides. An app is developed for guests to understand and move around site.

IMAGE PRODUCED BY: MYSELF HOSPITALITY | RWAMP STUDIO | MALIB | 2018


MASTERPLAN DESIGN

20

19 19 18 10

03

06

17

04

15

15

11 15

15

13

12

07

30

21

05

14


01. 02. 03. 04. 05. 06. 07. 08. 09. 10.

Arrival Plaza Road Drop Off Plaza Reception /Restaurant Block Restaurant Spill Out Plaza Chess Square Existing Water Body/River Trail To Tree Dinning Space Tree Dinning Space Sculpture Garden

11. 12. 13. 14. 15. 16. 17. 18, 19. 20. 21.

Secret Spine River Deck Pod For 10-12 Ppl Pod For 4-6 Ppl Individual Villa Twin Villa Type 1 Twin Villa Type 2 Twin Villa Type 3 Twin Villa Type 4 Staff Stay Services

ENTRY 21

01

02

16

09

08

IMAGES PRODUCED BY: MYSELF


31 28



ARRIVAL PLAZA AND RESTAURANT

32

IMAGES PRODUCED BY: MYSELF


IMAGES PRODUCED BY: MYSELF


33


FLOATING LEAVES Due to natural contours, villas sit at a level such that roofs become the first impression on arrival. Roofs are structurally hanging so as to give the floating effect.

IMAGE PRODUCED BY: MYSELF HOSPITALITY | RWAMP STUDIO | MALIB | 2018


THATCH ROOF

RIDGE

RAFTERS

PURLIN

GLASS WALL TIE BEAM LINTEL/BEAM COLUMNS PLINTH

EXPLODED DIAGRAM OF STRUCTURAL SYSTEM’S STUDY ON RHINOCEROS 3D 34

IMAGES PRODUCED BY: MYSELF


STUDY MODEL FOR UNDERSTANDING THE FORM AND SHADOWS

ON-SITE CONSTRUCTION IMAGES IMAGES PRODUCED BY: MYSELF


CONCEPT & M

FLAT ROOF DOESNT WORK WITH THATCH

SURPLUS STRUCTURE HEIGHT TO ACHIEVE SLOPE FOR THATCH

MOST CONVEN TIONAL METHO TO ACHIEVE THA ROOF

DIAGRAMIC REPRESENTATION OF HOW D

ROOFS BEING THE FIRST IMPRESSION AFTER LOOK

SPREAD OF LEAVES ON THE SITE, M 1

2

ENTRY

SITE CONDITIONS

4

5

BREAKING THE MONOTONY, MERGING GREENS 35

DEMANDED LINEAR PLANNIN

LEAF INSPIRA

MASTER PLAN D


MASTER PLAN

NOD ATCH

DOME ROOFS DO NOT SUFFICE THE SLOPE REQUIREMENT EITHER

THATCH WOULDN’T WORK WITH INWARD SLOPING ROOF AS IT WILL RETAIN WATER

THATCH BEST SUITABLE FOR UNCONVENTIONAL ORGANIC, HIPPED SLOPE; ALSO ACHIEVED AT ADEQUATE HEIGHT

DIFFERENT ROOFS WORK WITH THATCH

KING AT ONLY FACADES ON THE WAY TO THE SITE

MAKING LINEARITY INTERESTING

NG BY THE CONTOURS

ATION

DEVELOPMENT

3

INVITING THE ARRIVAL’S GREEN BY ROTATING THE VILLAS

LEGEND ARRIVAL AREA

VIEW POINTS

CONTOUR FOR POOL

VILLA

LEVELED CONTOUR FOR VILLAS

POOL

CONTOUR FOR CLUB

EXISTING STRUCTURE DIAGRAMS PRODUCED BY: MYSELF


MASTER PLAN LAYOUT

VISUALIZING THE ENTRANCE TO THE RESTAURANT 36


VISUALIZING THE INTERIORS OF THE RESTAURANT IMAGES PRODUCED BY: MYSELF


MASTERPLAN

37


UB RWAMP DESIGN

KALOTE RESORTS The site is developed for destination wedding event with a four storey hotel key rooms and private villas.

IMAGE PRODUCED BY: MYSELF HOSPITALITY | RWAMP STUDIO | MALIB | 2019


WALKWAY PASSAGE

UB RWAMP DESIGN

WAY TO STEPPED GARDENS AND FLOATING DECKS

WALKWAY PASSAGE

38

UB RWAMP DESIGN

IMAGES PRODUCED BY: MYSELF


RESTAURANT

RESTAURANT

UB RWAMP DESIGN

UB RWAMP DESIGN

IMAGES PRODUCED BY: MYSELF


BRANDING PORTFOLIO Kindly click on the link or scan the QR code to view my work in branding of architecture projects. That includes developing concepts, desiging logos, color scheme, font styles, etc. Also includes software application and visitors’ brochure.

https://issuu.com/dhvanishah24/docs/branding_portfolio 39

SELECTED WORK | INDIVIDUAL & RWAMP STUDIOS | 2018 - PRESENT


PHOTOGRAPHY PORTFOLIO Kindly click on the link or scan the QR code to view my work in photography.I have undertaken conceptual portraits, interior spaces, product photography and also videography for a clothing brand. I have participated in photo-marathons and live events too.

https://issuu.com/dhvanishah24/docs/portfolio_dhvani_shah_9bb

SELECTED WORK | INDIVIDUAL PROJECTS | 2015 - PRESENT


DHVANI SHAH Architecture Portfolio

dshah.arch@gmail.com +91 98204 03631


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