A R C H I T E C T U R E
PORTFOLIO
DU
DIANA URIOSTEGUI
Table of Contents
03
04
CD
TR
TD
P. 30-42
P. 20-29
Construction Documents
P. 12-19
P. 4-11
Parasitic Architecture
Residential Kitchen & Bath Design
02
01
PA
Prison Architecture Design
Thesis Research
High School Performance Theater
Theater Design
Mix-Use Entertainment Venue
Parasitic Architecture
01
PARASITIC ARCHITECTURE
Parasitic Design Typology Parasitic Architecture Location Downtown San Diego, CA Project Description Parasitic Building Venue
CITY BLOCKS Island Avenue
Project Creation Graphics: Adobe Illustrator, Adobe Photoshop,and Adobe InDesign 3d Modeling/ Perspectives: RHINO 5 and Adobe Photoshop
Background
This project seeks to activate the chosen site area location by enhancing the current amenities that the city offers both to tourists and the inhabitants of the city. The main focus of this project was to find an urban strategy, considering infrastructure by inverting the city’s program from horizontal to vertical.
ACTIVITY MOVEMENT & PEDESTRIAN CIRCULATION
6th Street
6
PARASITIC ARCHITECTURE
7
Design Intent • To create performalism. convergence, as parasitic infills • To integrate architectural urban artifacts as performative artistic elements. • To design a performative performing prototype that serves the purpose of communication, exhibition, and performing center for the Downtown San Diego Gaslamp District The project was started off with an observation analysis of the pedestrian and vehicular flow based on the time, day, and activities happening within Gaslamp district in San Diego Downtown. The concept of the project derived from the dynamic movement of both pedestrian and vehicular circulation flows plus the activity flow of the city.
PERSPECTIVE VIEW OF PARASITIC STRUCTURE
8
PARASITIC ARCHITECTURE
Program Description The Design Concept is depicted through different paths that converge at different points, that then results in the emergence of a vertical form from the dynamic movement of pedestrian flow + vehicular flow + activity flow of the city. The concept implying the dynamic flow of movement was obtained from studying the city’s block circulation, as well as the varied activities of the city life. The parasitic structure is composed of the following program: • Open ground floor exhibition area • Transitional venue open space platforms • Upper roof top cafe/lounge area
Restaurant Cafe Outdoor lounge Area
Exhibition/ Venue Area
VIEW OF EXHIBITION VENUE AREA
PARASITIC ARCHITECTURE
9
VIEWS OF ROOF TOP RESTAURANT CAFE / LOUNGE
10
PARASITIC ARCHITECTURE
Structural Elements • • • • • • • •
Elevator core shaft Metal Deck Platforms Steel Trusses Light Steel Pipes Reinforced Concrete Columns Steel Support Pipes Metal Roof Panels Corrugated metal sheet decking with thin concrete topping
PARASITIC ARCHITECTURE
PERSPECTIVE VIEW OF PARASITIC STRUCTURE
11
Theater Design
02
14
THEATER DESIGN
School Theater
Typology Theater Design Location Carlsbad, CA Project Description School Building Addition
Project Creation
Graphics: Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and Autodesk AutoCad 3d Modeling/ Perspectives: RHINO 5 and Adobe Photoshop
Background
Sage Creek High School is located in Carlsbad, CA. The location of the campus is right at the front door on an open hill side. The school site had been designated as a high school location on the city’s general plan for several years. It took three years of processing an environmental impact report, and another three years were spent on construction. Construction finally started in October 2010. The school campus consists of an athletic stadium, ball fields, gymnasium, 42 classrooms, 6 science labs, a library, parking areas, and administrative support structures. The school design implements natural lighting, storm-runoff collection through vegetated bioswales, and native landscaping.
AERIAL VIEW OF SCHOOL THEATER
THEATER DESIGN
SITE PLAN
The main auditorium space seats 400 people with the audience seated in front of the main stage. The theater will accommodate a stage, dance rooms, music rooms, lectures, and panel discussions areas. A flexible proscenium separates the thrust stage from a backstage area used for scenic backdrops, wing space, and performer crossover.
The project also includes new restrooms, backstage support spaces, catwalks, and control room. The site lot for the new proposed performance theater building is adjacent to the existing Fine Arts and the Administration building. A new lobby space area will bridge the new building with the existing Fine Arts building and enhance the aesthetic view of the front entry to the school campus.
FIRST LEVEL
Design Intent
GROUND LEVEL PRIVATE STUDENTS, SCHOOL STAFF MIX VISITORS, STUDENTS, STAFF PUBLIC VISITORS, OTHERS
Program Description
N
• To create a pleasant public place for the end-users. • To allow for both communal and private pleasant experiences for the end-users such as interacting, viewing, listening, and other physical activities. • To incorporate spaces that would be desirable for the various types of audiences, performers, and performances. • To allow for exploration via all the senses in terms of materials, sunlight, volume, and acoustics.
15
16
THEATER DESIGN
MECHANICAL LIFT
DRESSING AREA STORAGE
EQUIPMENT STORAGE STAGE AREA
RESTROOMS
GIRLS DRESSING AREA
GREEN ROOM
UP RAMP
JANITOR
DOWN RAMP
RESTROOMS STORAGE
BOYS DRESSING AREA UP TO THEATER ENTRY
SHOP OFFICE
SHOP AREA
GROUND LEVEL
BLACK BOX EXISTING MECHANICAL ROOM
SHARED STORAGE
DANCE ROOM
TICKET BOOTH
THEATER DESIGN
OPEN TO BELOW
STORAGE
MAIN BAND ROOM
OPEN TO BELOW
BAND PRACTICE RM 1
BAND PRACTICE RM 2
BAND PRACTICE RM 3
EXTERIOR LOBBY AREA
BAND PRACTICE RM 4 DISPLAY
BAND PRACTICE RM 5
EXTERIOR FLEXIBLE CLASSROOM
BAND PRACTICE RM 6
DISPLAY
MEN RESTROOMS
AV ROOM
WOMEN RESTROOMS
MAIN ENTRY DOWN
INTERIOR LOBBY
FIRST LEVEL
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18
THEATER DESIGN
BUILDING STRUCTURAL SYSTEM METAL ROOF PANELS
THERMAL ROOF INSULATION
STEEL BEAM ROOF SUPPORTS
CONCRETE WALL
STEEL BRACED FRAME TYPE: K -BRACING
SECTION SIDE VIEW OF THEATER SEATING AREA SOUTH-EAST VIEW OF SCHOOL THEATER BUILDING
THEATER DESIGN
NORTH - WEST SIDE VIEW OF SCHOOL THEATER BUILDING
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Thesis Research
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22
THESIS RESEARCH
Thesis Research
Typology Prison Architecture Location Desert Hot Springs, CA Project Description Architecture of the Incarcerated
92% OF THE CURRENT PRISON POPULATION IS INCARCERATED ON NON-VIOLENT CHARGES
Project Creation
Graphics: Adobe Illustrator, Adobe Photoshop, and Adobe InDesign 3d Modeling/Perspectives: RHINO 5 and Adobe Photoshop
Problem of Study
Researchers describe U.S. prisons as human storage containers due to the increasing prison population resulting in overcrowding. Lack of space in prisons leads to early release of offenders who are not ready to successfully re-enter back into society. This hasty release of offenders threatens public safety. Another issue of the up-rise in the U.S. prison population is due to the 67% recidivism rate. This means that 67% of prisoners that get release commit an “offense” or “crime” within the first 3 years of being back in society.
Thesis Proposal
In the design industry, many designers advocate for ‘restorative justice’, an approach to the justice system which emphasizes rehabilitation and reconciliation in order to prevent people from re-offending. In support of the approach to viewing prisons as a place of ‘rehabilitation’ rather than punishment, this thesis challenges the traditional design of prisons to encourage a design method that will results in environments that can have a more positive psychological influence on the end-users.
PERSPECTIVE VIEW OF PRISON AREA
SOCIETY
PRISON
Current U.S. Prison System
THESIS RESEARCH
PRISON
SOCIETY PLACE
B
Thesis
Proposal Idea
PLACE
A
23
24
THESIS RESEARCH
Thesis Method
To create a A City within a City... The goal of this thesis proposal is to achieve rehabilitation of prisoners through restorative justice rather than punishment to reduce the U.S. recidivism rate. This will be achieved by creating a prison ‘utopia city’ that will focus on providing spaces that will aid in the restoration of prisoners in order to be able to have a healthy re-integration back to society. This thesis explores and examines the psychological impact of designed spaces in prisons, and aims to reduce the mental stress among the end-users through the architectural design of a prison ‘utopia city’.
A City Within A City
Pristopia INCARCERATION CITY PHASE
RESTORATION CITY PHASE
Inner Depth of City = Increased Security Middle Area of City = Controlled Flexibility
REINTEGRATION CITY PHASE
The City within a City Concept Inner Depth of City = Increased Security, More Controlled, Loss of Freedom Outer Depth, perimeter of city = Flexibility, More Liberal, Open
Outer Perimeter of City = More Liberal, Open
THESIS RESEARCH
25
DESIGN INTENT
This project challenges the traditional design of prisons as places of punishment. The design intent encourages the concept of restorative justice to reduce the recidivism rate in the U.S., through a design method that results in environments that have a more positive psychological influence on the end-users.
INCARCERATION CITY PHASE I RESTORATION CITY PHASE 2 ReINTEGRATION CITY PHASE 3
The design concept goal for this ‘utopia city’ is to focus on positive factors that influence the prisoner’s experience as he/she progresses from living in an institutional setting to re-entering back to a community setting. The design intent is executed by incorporating three city phases in which the prisoner will experience on their way back to society. This design intent promotes and applies the idea of restorative justice over punishment.
PRISON AREA PUBLIC PRISON AREA SEMI-FLEXIBLE PRISON AREA CONTROLLED
Incarceration Phase One Restoration Phase Two Re-Integration Phase Three
DIVISION OF CITY PHASES FOR PROGRAM CREATION
INCARCERATION CITY PHASE
MERGING OF CITY PHASE FOR PROGRAM PLACEMENT
RESTORATION CITY PHASE
REINTEGRATION CITY PHASE
CITY PHASES CONCEPTUAL PROGRAM ADJACENCY PLACEMENT
26
THESIS RESEARCH
Incarceration City Phase 1
The Incarceration Phase would be a security-controlled ‘City’ area. There would be some flexibility in movement to allow inmates to encounter and be in different environments throughout the day. This will enhance a more positive psychological mind set for the prisoners. In this City phase, a sense of place is created by designing “hub” environments composed of domestic scale buildings to minimize tension and promote healthy interaction between staff and inmates. The buildings are simpler and more symmetrical in form in the inner ‘City core’ where it’s more secure and controlled. The buildings become more ‘flexible’ in form as the circulation flow becomes more open and ‘loose’ towards the perimeter of the ‘City’.
PUBLIC/VISITORS FRONT ENTRY AREA STAFF SUPPORT OFFICES BUILDING AREA
PERSPECTIVE VIEW OF PRISON AREA
INCARCERATION AREA CITY PHASE 1 PRISONERS CELL AREA AND SECURITY STAFF BUILDING
THESIS RESEARCH
VIEW OF BRIDGE CONNECTING PRISON & RESTORATION AREA
Restoration City Phase 2 Restoration Node Program: Self-Improvement, Awareness Area Restorative Area: Semi-Flexible, Semi-Public • • • • •
Therapeutic Recreation “Camping Retreat” Secured Outdoors Area Educational Spaces Therapy and Meeting Spaces Vocational Training Spaces
RESTORATION AREA CITY PHASE 2
MAIN AREAS FOR PRE-RELEASED OFFENDERS, FULL RELEASED OFFENDERS, AND AUTHORIZED PUBLIC
27
28
THESIS RESEARCH
ReINTEGRATION City Phase 3 The ReIntegration City Phase is a dissemination process not a direct process. It is adjacent to the Restorative City Phase 2 area. In this city phase there is spatial movement flexibility in order to create a positive transitional experience from living in a controlled environment to being a more interactive environment. This City Phase 3 will reinforce healthy social skills, in order to be able to have a smooth transition back into mainstream society.
PERSPECTIVE VIEWS OF ReINTEGRATION CITY PHASE 3
ReINTEGRATION AREA CITY PHASE 3 SECURED PUBLIC AREA MAIN AREAS FOR FULL RELEASED OFFENDERS AND GENERAL PUBLIC/VISITORS
29 THESIS RESEARCH
A City Within A City
Pristopia
TUB FILLER
MOSAIC ACCENT WALL TILE FREE STANDING BATH TUB
SCHLUTER STRIP T.B.D.
T1
BATHROOM 96" CEILING HEIGHT
NEW ENTRYWAY OPENING
CLOSET SHELVES
REMODEL ADDITION OF WALK IN CLOSET BY CLIENT
T1- WALLS 12x24 TILE PLACED HORIZONTALLY T2- MOSAIC TILE T3- SHOWER FLOOR T4- FLOORING
NEW ENTRY DOOR SWING AT EXISTING OPENING
T5- 1/4" SCHLUTER EDGE
Construction Documents
SHOWER WALL NICHE
NOTE: FINISH DIMENSION NEEDS TO FIT 1 FULL 12x24 TILE INSIDE NICHE
PROJECT:
T1
DRAWN BY:
DATE:
04
REVIEWED BY:
PLOT SCALE:
A0
32 CONSTRUCTION DOCUMENTS
3"
3"
48"
20 1/2"
1/2"
43"
2"
1/2"
20"
20"
14"
VOID
14"
39 1/2"
21"
KITCHEN
28 3/8"
10 3/4"
14" 24"
REF
24"
Drafted by Diana Uriostegui
5 3/4"
12"
44"
PANTRY
120" CH NO SOFFIT 18"
1 1/4"
33"
3"
36"
1 E1 1 E3
104 1/2" 102" 18"
42"
24"
42x24 VENTILATION HOOD
81 5/8"
TRASH 21" RECYCLE
46"
23"
1 5/8" 33"
SINK
30 1/2"CC
145 1/4"
48" 42"
24 5/8"
54"
51 1/4" 19"
56 1/2"
21 3/4"
CL PROJECT NAME:
24"
1 E2 23"
1 5/8"
PLOT SCALE:
12"
36"
4"
33"
78"
18"
CL
69 3/8"
2 3/4"
Project Description High End Residential Design of Kitchen by Bonnie Bagley Catlin
Drafted Using Autodesk AutoCad 2015 version
CL
80 3/8"
Client Signature Designs Kitchen & Bath
227 3/4"
Professional Work
63 5/8"
DRAWN BY:
DW
28"
DATE:
MATERIALS NOTES:
REVIEWED BY:
5"
T6- FLOORING TILE- AEQUA NIX CERAMIC/PORCELAIN T7- BACK SPLASH "HL-PUMICE GLOSSY" SUBWAY T8- BACK SPLASH ACCENT " BAROQUE ALABESTRO" GLASS TILE
SC: 1/2"= 1' - 0"
1 3/4" 14" 24"
A1
CONSTRUCTION DOCUMENTS
227 3/4"
20"
20"
2" 14"
12"
12"
24"
24"
55 1/2"
1/2" 43"
20"
48"
33"
1/2"
3"
3"
78"
2 3/4" 18"
CL
69 3/8"
CL
80 3/8"
T8 T7
18" 30"
CL
120"
120"
18"
64 1/2"
T7
1 1/8"
29"
PROJECT NAME:
34 7/8" 15 1/4"
18"
33"
3"
48"
3" 12"
12"
36"
24"
36"
2 3/4" 80 3/8"
69 3/8"
CL
227 3/4"
MATERIALS NOTES:
78"
CL
21 3/4"
PLOT SCALE:
390 x (6) LIGHT BALANCE
560 TOE KICK
DATE:
DRAWN BY:
REVIEWED BY:
T6- FLOORING TILE- AEQUA NIX CERAMIC/PORCELAIN T7- BACK SPLASH 4"x12"- "HL-PUMICE GLOSSY" SUBWAY TILE T8- BACK SPLASH ACCENT "BAROQUE ALABESTRO" GLASS TILE TO BE PLACE HORIZONTALLY
SC: 1/2"= 1' - 0"
E1
33
34 CONSTRUCTION DOCUMENTS
63 5/8"
21 3/4"
23"
28"
12"
23"
33 3/4"
1 3/4"
12" 2"
CL
81 5/8"
145 1/4"
12"
12" 55 1/2"
3"
30"
CL
57" 120" 42" 5 3/4"
18" 1 1/2"
1 1/2"
34 1/2"
34 1/2"
PROJECT NAME:
VOID
64 1/2"
120"
24"
PLOT SCALE:
2"
36"
21"
42"
36"
5"
1 5/8"
1 5/8" 81 5/8"
42 1/4"
CL
145 1/4"
DRAWN BY:
21 1/4"
CL
DATE:
REVIEWED BY:
SC:
1
2"=
1' - 0"
E2
CONSTRUCTION DOCUMENTS
79"
4 1/2"
40 1/2"
33"
33"
18"
42"
60"
CL
18"
PROJECT NAME:
34 1/2"
1 1/2"
PLOT SCALE:
DRAWN BY:
102"
DATE:
REVIEWED BY:
SC:
3
4"
= 1' - 0"
E3
35
36 CONSTRUCTION DOCUMENTS
Project Description
EXISTING DOOR WAY ENTRY TO REMAIN
Signature Designs Kitchen & Bath
Client
Professional Work
1 3/8" 36 5/8"
33"
24"
Drafted by
Diana Uriostegui
BATHROOM
Drafted Using
56 1/4"
Autodesk AutoCad 2015 version
SHOWER
19 1/4"
15 3/8"
10 7/8"
8"
EXISTING INNER & SIDE WALLS TO BE EXTENDED OUTWARDS TO CREATE A SYMMETRICAL RECTANGULAR "BOX" FLOOR PLAN
31 1/2"
96" CH
24 3/4"
5 1/4"
23 3/4"
EXISTING DOOR WAY ENTRY TO REMAIN 46 1/8"
3 7/8" 63 1/8"
23 7/8"
119 1/2"
EXISTING FLOOR HAS A SLOPE/SLANT
PROJECT NAME:
EXISTING SHOWER HEAD PLUMBING LOCATION TO BE KEPT
Residential Bath Design by Bonnie Bagley Catlin
DRAWN BY:
ON-SITE NOTES: STUD TO STUD 60 1 2" AL-PUMICA GLOSSY 3x6 BRICK TILE FLOOR CALCUTA GOLD
DATE:
REVIEWED BY:
PLOT SCALE:
SC: 1/2" = 1' - 0"
A0
119 1/2"
16"
37"
2" 5 1/2" 7"
CL
31" 2"
2" 32"
28"
7"
CL
51 1/2"
CONSTRUCTION DOCUMENTS
18"
24" TOWEL BAR
6"
1/2"
2 3/4"
BATHROOM 96" CEILING HEIGHT
60"x30"-36" BATH TUB (EXPANSE SERIES- LEFT DRAIN)
24" 42" 52" 12" 2"
1 E1
70"
66"
60"
1 E2
1 E4
6"
1 E3
21 3/8"
MARGAUX WIDESPREAD SINK FAUCET POLISHED NICKEL 28" KALLISTA UNDER COUNTER 27" BASIN 18"
18"
9 3/4"
32 5/8" 28"
CL
2" 2"
30"
T1- H-LINE OUMICE GLOSSY-SUBWAY 3"x6" TILE - HORIZONTALLY T2- H-LINE CHAIR RAIL 2"x6" PUMICE GLOSSY
16 7/8"
30 1/8" CL
19" CL
119 1/2"
T4- H-LINE PENCIL BULL NOSE 1/2"x8" PUMICE GLOSSY T5- CALACATTA GOLD HON. HEX NATURAL STONE TILE-FLOORING
34 1/2"
19" CL
T3- H-LINE CHAIR RAIL CORNER 2"x1" PUMICE GLOSSY
SC: 1/2" = 1' - 0"
29 1/2"
48"
12"
C L
18"
70"
NEW POCKET DOOR AT EXISTING DOOR WAY ENTRY
T5
4" 6"
PROJECT NAME:
4"
DRAWN BY:
DATE:
REVIEWED BY:
PLOT SCALE:
A1
37
38 CONSTRUCTION DOCUMENTS
SSSS 3
0'- 96"
S3 S
PROJECT NAME:
S3S3
3
DRAWN BY:
DATE:
REVIEWED BY:
PLOT SCALE:
0'- 0"
SC: 1/2" = 1' - 0"
A2
31"
CL
37"
1/2" 30"
32"C C
5"
32"
18"
CL
36 1/2"
15"
119 1/2"
CONSTRUCTION DOCUMENTS
2" 3"
T1 T4 33 3/4" 40 3/4"
CL
96"
93" 96"
10 1/4" 24 1/4" CL
SHOWER LEDGE SLIGHTLY SLOPED
14"
31"
14" 54" 5" 18 1/4"
14"x16" SHOWER WALL NICHE
PROJECT NAME:
3 " EDGE PERIMETER 4 ON SHOWER WALL NICHE
DRAWN BY:
T1- H-LINE OUMICE GLOSSY-SUBWAY 3"x6" TILE - HORIZONTALLY T2- H-LINE CHAIR RAIL 2"x6" PUMICE GLOSSY T3- H-LINE CHAIR RAIL CORNER 2"x1" PUMICE GLOSSY T4- H-LINE PENCIL BULL NOSE 1/2"x8" PUMICE GLOSSY
SC: 1/2" = 1' - 0"
DATE:
REVIEWED BY:
PLOT SCALE:
E1
39
CL
52" 24"
3"
12"
42"
18"
2"
18"
28" 3"
70"
40 CONSTRUCTION DOCUMENTS
28"
2"
2"
12 3/8"
NEW POCKET DOOR AT EXISTING DOOR WAY ENTRY 96"
79 5/8"
96"
93"
40"
PROJECT NAME:
CL
56"
4" DRAWN BY:
DATE:
REVIEWED BY:
PLOT SCALE:
SC: 1/2" = 1' - 0"
E2
41 1/2"
14 1/2"
6"
24"
5 1/2"
CL
18"
CL
CL
24"
19 3/4"
24"
6" 13 3/4"
24 1/4" 1/2"
CL
16 7/8"
33 3/4"
18"
CL
35 1/2"
119 1/2" 6 7/8"
CONSTRUCTION DOCUMENTS
T4
16"
T1
CL
CL CL
77 3/4"
27 1/2"
T2 2"
1 1/2"
T1
DURASUPREME MAPLE CABINETRY WHITE/PEWTER ACCENT
39"
10"
36"
96"
10"
6"
CL
54"
37 1/2"
36"
30"
1 1/4" 17"
4"
4" 29 1/2"
12"
48"
53 1/2"
T1- H-LINE OUMICE GLOSSY-SUBWAY 3"x6" TILE - HORIZONTALLY T2- H-LINE CHAIR RAIL 2"x6" PUMICE GLOSSY T3- H-LINE CHAIR RAIL CORNER 2"x1" PUMICE GLOSSY T4- H-LINE PENCIL BULL NOSE 1/2"x8" PUMICE GLOSSY
SC: 1/2" = 1' - 0"
CL
6"
36"
49 1/4" CL
119 1/2"
60"x30"-36" BATH TUB (EXPANSE SERIES- LEFT DRAIN)
8" CL
T3
34"
PROJECT NAME:
96"
30"
30"
16 7/8" CL
DRAWN BY:
DATE:
REVIEWED BY:
PLOT SCALE:
E3
41
75 1/4"
42 CONSTRUCTION DOCUMENTS
6" 3 1/4"
66"
16"
T1
CL
33 3/4" 40 3/4"
34"
96"
14"
3
CL
10 1/4"
10"
CL
14"
36"
60"x30-36" BATH TUB (EXPANSE SERIES) LEFT DRAIN
1 1/4"
T1- H-LINE OUMICE GLOSSY-SUBWAY 3"x6" TILE - HORIZONTALLY T2- H-LINE CHAIR RAIL 2"x6" PUMICE GLOSSY T3- H-LINE CHAIR RAIL CORNER 2"x1" PUMICE GLOSSY T4- H-LINE PENCIL BULL NOSE 1/2"x8" PUMICE GLOSSY
24 1/4"
4"
EDGE PERIMETER OF NICHE
96"
CL
5" 31" 19"
18 1/4"
17" 60"
SC: 1/2" = 1' - 0"
14"x16" SHOWER WALL NICHE
CL
75 1/4"
6" 9 1/4"
SHOWER LEDGE SLIGHTLY SLOPED
77 3/4"
PROJECT NAME:
MARGAUX VALVE TRIM W/LEVER HANDLE FOR THERMOSTATIC VALVE
DRAWN BY:
DATE:
REVIEWED BY:
PLOT SCALE:
E4
DU THANK YOU!!
DIANA URIOSTEGUI