INTERNATIONAL MEMBERS
FEBRUARY 2025
ROYAL PHOTOGRAPHIC SOCIETY
RPS House, 337 Paintworks
Arnos Vale, Bristol
BS4 3AR
+44 (0)117 316 4450
Editor: JANET HAINES ARPS international@rps.org
Article Commissioner: SOMDUTT PRASAD
Web Administrator
KATHERINE MAGUIRE ARPS
Contributing Editor & Layout: CHRIS RENK
THE RPS
Chief Executive Officer: DAN JONES
Finance Director: NIKKI MCCOY
Director of Marketing and Membership: LUCINDA STEWART
Membership Community Manager: NATHAN WOODMAN membership@rps.org
Membership Assistant: DEBBIE CANT
IFC - All right reserved.
COVER PHOTO
SERGEY SHCHEKOTOV-ALEXANDROV
Temple of Saturn, Roman Forum, Italy
The Temple of Saturn in the Roman Forum is one of the oldest temples in Rome.
It was erected around 489 BC in honor of the god Saturn.
The picture was taken in 2024.
Mahesh ViswanadhaPhotographing Through the Looking Glass 16 MEMBERS INTERVIEW
Dr. Martin Wale LRPS from Canada
Kazue
x
Images of the 25th December Challenge
40 WHAT TO READ RPS Publications available on ISSUU and the Web 42 REACH
Make contacts with other RPS members 44 SPECIAL INTEREST GROUPS
What are SIGs and where to find them
48 INTERNATIONAL SUPPORT GROUP Meet the Team
…. to everyone wherever you are in the world. You are all part of the Royal Photographic Society community.
Welcome to the February 2025 edition of the International Newsletter.
This is the sixth issue of this online publication and it is really feeling as if it is starting to engage with the majority of our RPS international members. It is about you and for you – so we encourage you all to read, be inspired, engage with activities and to feel part of the wider RPS community. Tell us about your exhibition. Send us stories and photos to include. We love to hear from you.
Whilst you may justifiably think that the RPS is UK centric I can assure you that at the regular UK meetings of the heads of the various groups international members are considered, and programmes adapted to facilitate your engagement. Every Special Interest Group (SIG) loves having overseas members for the variety and differences they bring. One or two of them have international members as part of their committees to ensure we are representing all RPS members wherever they live. Many of the online meetings are recorded precisely so that those in different time zones can catch up when convenient to them.
The RPS has 15 different Special Interest Groups. Some are based on photographic genre, others on technology. Why not take a look at them and what each has to offer. www.rps.org/ groups Take a wander around their web pages and maybe even book on to some of the online events. If you are dedicated to a specific genre and wish to consider doing a Distinction why not join that group as you can then get support in your chosen field. It can be lonely doing a Distinction without the support of others, so take full advantage of what’s on offer.
As this is my final issue leading the group of volunteers who produce this magazine I would like to thank each and every one of them for the work they do. I am sure the incoming new International Representative, Claudine Hart (see page 4/5) will continue to support and represent you all. You can contact Claudine on international@rps.org
Regards
Janet Haines Interim International Representative
INTRODUCTION OF CLAUDINE HART AS THE NEW RPS INTERNATIONAL REPRESENTATIVE
It is with great pleasure that we introduce Claudine Hart as the new International Representative for RPS. Claudine's appointment comes as the result of a closely contested ballot and the agreement of the Chapters.
Claudine brings a wealth of experience and a fresh perspective to the role, with a background in international relations and an impressive track record of fostering cross-cultural collaborations.
Her dedication to advancing the mission of RPS and her vision for the future promises to bring about significant advancements for our organization.
As we welcome Claudine Hart to this position, we look forward to the new opportunities and initiatives that will undoubtedly emerge under her leadership. Her commitment to excellence, coupled with her dynamic and inclusive approach, will serve to strengthen our global community and enhance our collective impact.
We extend our heartfelt congratulations to Claudine Hart and invite all members to join us in supporting her as she embarks on this exciting new role.
Claudine Hart - New International Representative
Hello, I’m Claudine and I’m a dual English / German national, born and raised in London, UK and currently living in Basel, Switzerland.
I am very pleased to have been appointed the international representative role and I look forward to liaising with you over the coming months to hear your thoughts, interests and wishes as an international member. Our aim is to further develop the international community and our support to existing members around the world. To provide you with information about the RPS whether events, qualifications, courses, challenges or our chapters, and to continue to highlight some of the fantastic photographic endeavours of our international members!
By way of introduction, my background over the past 30 years is in communications and managing programmes of work across Europe and internationally. My first job was with a print and reprographic business which started my long-running interest in design, photography and the printed image. I have worked independently since, advising businesses from design and production agencies to large multinationals.
I completed a two year Distinctions Course in Professional and Applied Photography, taught by Ron Frampton (FRPS) and gained my Licentiateship in 2012. Quite a few years later, I am finally working towards my Associateship! I continue to photograph digitally and with film, with a focus on travel and underwater photography, and have a love of fine-art printing in the darkroom. Over the years, I have travelled extensively across Europe, the Middle East, the Americas, Asia and Australasia and have documented this time through my photography.
You will see here a Giant Pacific Manta in the Revillagigedo Islands in Mexico, part of a series of underwater images which reflects my love of scuba diving, the peace it brings and the strong connection I have with the ocean. I have dived for over past 30 years now and qualified as a diving instructor in 2008 so most of the time I would rather be underwater!
I look forward to hearing from you and please do get in touch! international@rps.org
Giant Pacific Manta in the Revillagigedo Islands in Mexico
PHOTOGRAPHING THROUGH THE LOOKING GLASS
In this issue of the International Newsletter, Mahesh Viswanadha takes us into the mesmerizing world of glassware photography. What started as a curiosity became a journey of light, reflection, and storytelling. Through careful composition, digital innovation, and an eye for detail, Mahesh transforms transparent objects into captivating images.
Join us as we explore this luminous art form—where every glass tells a story, and light becomes the storyteller.
Mahesh Viswanadha
Rainy Day © Mahesh Viswanadha
Photography has always been a quiet fascination for me. Yet, until a few months ago, I had never delved into the niche of glassware photography. It was an online course that sparked my curiosity. I signed up with the sole intention of exploring something new, but little did I know, it would open up an entirely different dimension of storytelling.
A Collector’s Passion
To dive into this world, I began collecting unique glasses, each piece an artwork of its own. Shapes fascinated me the most; a single glass could whisper a story or evoke an emotion.
My collection grew to include not just locally sourced glasses but also treasures ordered from Denmark and the US. Each one has its unique essence—a diamond-cut glass that feels regal, a delicate flute that sings of love birds, or a bulb-shaped piece that sparks creativity. Over time, my shelf became a gallery of characters, waiting to come alive in photographs.
Building Narratives Through Glass
Glassware photography is storytelling with objects. Every frame has a hero object, supported by other pieces that enrich the composition. Depending on the story I want to tell, I use anywhere from three to seven objects. A dancing couple might take centre stage, with the others adding layers to the narrative. The play of light, reflections, and diffraction is the magic that ties everything together.
The most enchanting aspect of this style is the diffraction—the way light bends and refracts through glass. It’s unpredictable and equally mesmerising.
Clouds Background © Mahesh Viswanadha
A Digital Evolution
Initially, backgrounds were created manually and printing, and sticking them behind the glassware was cumbersome and limited the creative possibilities.
But digitalisation has transformed this process. Today, I design vibrant backgrounds in Photoshop and display them on my TV. The screen becomes a canvas, dynamically changing to find the perfect match for my composition. A cosmic swirl, a serene forest, or abstract geometric shapes—each background gives a new life to the glassware.
Food Colors © Mahesh Viswanadha
Gradient Wallpaper © Mahesh Viswanadha
Mastering the Details
Glassware photography is not for the impatient. The objects demand pristine cleanliness; even a minute speck or fingerprint can ruin a shot. I’ve learned to wear gloves while setting up compositions, treating each piece like a fragile treasure.
Lighting is another meticulous process. Shadows can make or break the photograph, and balancing them is an art in itself. I place a mirror beneath the objects to reflect light evenly and reduce unwanted shadows, while a top light adds brilliance to the scene.
Water sometimes enters the frame, bringing with it an extra layer of complexity. Distilled water, free of particles and bubbles, is carefully poured using a syringe for precise control.
For certain shots, I capture the drop of water mid-fall, setting my Nikon Z9 on a timer and executing the moment with precision.
Crafting Compositions
Before arranging the glassware, I often sketch the composition—a triangle, an L-shape, or a circular arrangement. This pre-planning minimises movement and keeps the glass spotless. The process of arranging these delicate objects demands patience and an eye for balance. It’s almost meditative, as I tweak each piece to find harmony in the frame.
Triangle Composition © Mahesh Viswanadha
Refraction of Light © Mahesh Viswanadha
Using Flecxify-2 Plugin © Mahesh Viswanadha
The Shelf of Stories
My glassware shelf has become a source of inspiration—a treasure trove of possibilities. Each time I stand before it, I envision a new story. Once the objects are selected, they’re placed carefully in front of the TV. The backgrounds come to life one after the other as I click away, experimenting with angles, light, and reflections.
What started as a hobby has become an artistic journey. Glassware photography is still an underappreciated style, perhaps because of the intricacies involved. Yet, for me, the challenges are what makes it so fulfilling. The satisfaction of seeing a perfectly composed shot, where light, glass, and story converge, is unparalleled.
Each photograph feels like a small miracle—an ephemeral moment captured forever. Behind the lens, I’ve learned patience, precision, and the beauty of imperfection. It’s a craft that requires me to slow down, to truly see the interplay of light and material, and to celebrate the extraordinary in the ordinary.
And as I continue this journey, I’m excited to see where the light will take me next.
https://www.facebook.com/mkviswanadha
https://www.instagram.com/viswanadhamahesh
Website www.maheshv.in
▲ Bald Eagle, drying its wings.
Credit: Dr. Martin Wale LRPS
EXPLORING PHOTOGRAPHY
ACROSS CONTINENTS: AN INTERVIEW WITH DR. MARTIN WALE LRPS
In this interview, Martin shares his journey from the UK to Canada, driven by career opportunities and a desire for space and nature. A longtime photographer, he reflects on how the move influenced his work, from landscapes to wildlife observation on Vancouver Island.
Q: What prompted you to move from the UK, and were you an RPS member before going to Canada?
A. My wife and I came to Canada because I was offered what sounded like a dream job, with removal expenses, in a great location. We’d come to the conclusion that we would never be able to afford to retire somewhere we’d really like in the UK, so I had been building my training, experience and contacts with a view to a move. We started in 2008, just in time for the credit crunch, so not everything was good. I never subscribed to the “grass is greener” - it’s just different grass, and there are up- and downsides of any such move.
We left partly because the UK is just so crowded. We live on (or near) Vancouver Island, off the West Coast of Canada. The Island itself is about the same size as England, with a population of about 900,000. There are large areas where there are few people.
I really miss the historical depth of the UK. Here, non-indigenous history isn’t more than a couple of centuries and many of the buildings are wood and thus relatively short-lived. As a photographer this makes a radical difference. The other aspect relates to landscape - here on the West (“Wet”) Coast, it rains for three months in the winter but then the summers are warm and often without rain for weeks, although these days we get smoke from wildfires. If you climb in the UK for even 300m then you’ll usually be rewarded by a decent view. Here, you’ll start surrounded by trees; after two hours of hard climbing you’ll still be surrounded by trees and probably not able to see very much at all.
I started taking photographs when I was at school because I can’t draw - I wanted to draw natural history. So I started in the Phot Soc at school but read widely and was largely self-taught. I came to LRPS after university and after higher professional training by doing City & Guilds in photography - this was great, giving me systematic taught and practical experience, some exposure to the principles of the main genres, and confidence to try things out. I’ve always been an early adopter. I still build on that framework now.
Q. What are the drawbacks of being an international member compared to a UK member?
A. The main issue is that so much of the RPS’s activity is UK-based and very introspective. I’ve done some of the short courses as an international and have thoroughly enjoyed them (even if the start is 3am). These days my inbox fills with emails from Billetto for events which are 7000 miles away (which is frankly just irritating after a while).
Q. Do you belong to a camera club in Canada and if so do you see much difference in photographic styles there as opposed to the UK?
A. Apart from at school I’ve always been busy and often worked out-of-hours or on-call (I’m a doctor). Clubs were always difficult to fit in - even the regular meetings, let alone carving out sufficient time to do assignments and competitions. So, since school I’ve never been in a club. My style is my own, although I’ve picked up bits from other photographers or from exhibitions.
Key influences are Heather Angel, Don McCullin, and latterly Robert Harvey (his advice that “if your feet aren’t wet then you’re standing in the wrong place” also works for natural history). Most of the photographs I shoot are of natural subjects, but the technology is amazing now and I can do things I’d always wanted to do, particularly incorporating motion.
Since 2017 I’ve run my own consulting business, so can work as I want to, and finally (theoretically) can make time to take and work with my photographs.
Q. Thinking about your own photography has being in Canada altered what you like to shoot?
A. We moved to Canada for space, outdoors, and activities such as kayaking. My photography followed along the same lines - landscape and natural history. Since 2014 we’ve lived part of the time on a small, steep, heavily forested island in the Salish Sea, with a year-round population of about 850. This has given me the opportunity to get to know a small area of forest and sea front very well. This is not the single visit of the tourist - it’s about observing the natural environment and its inhabitants, learning about how they live, and observing changes with the seasons and years.
I was also President of a small environmental non-profit (see www.simres.ca ) for five years, giving me a particular interest in whales. We equipped four (initially) of our more tech-savvy observers with Canon SX70 cameras, which is a 20MP camera with a 65x optical zoom - the results were very gratifying, and we’ve since extended the experiment. This is something I’d like to write up when I have time.
Q. How do you feel the RPS or Digital Imaging group could improve things for international members?
A. I’ve thought about this a lot. Currently, if I mention the RPS to almost anyone here, it’s met with blank looks, even from the photographers. I’d like to reply, separately, perhaps as a letter for publication.
Q. Please do show us your own favourite images and tell us why they are important to you?
A. I’ve a shortlist of three photos.
▲ Western Terrestrial Garter Snake
▲ Humpback whale is a whale called Heather
THE JAPAN CHAPTER
The Royal Photographic Society Japan Chapter (RPSJ) was established in September 1996 by volunteers as one of RPS’s international chapters worldwide. We currently have approximately 30 active members throughout Japan.
Mt.FUJI from the air by Yoshio Miyake
Credit: Yoshio Miyake
Our key activities include the annual photography exhibitions held in Tokyo, Shimonoseki, and Nagasaki. Each member contributes several photographs on a chosen theme. These exhibitions offer an excellent opportunity for members to showcase their work to a wider audience while promoting the art of photography.
In addition to exhibitions, we organise various events to foster the photographic community.
These include:
• Photo Sessions: These are Regular outings where members can practice photography together, explore creative perspectives, and exchange ideas.
• Expert Seminars: Sessions led by professional photographers and industry experts covering photographic techniques, composition, history, editing, and copyright laws.
• Workshops & Critique Sessions: Hands-on workshops that provide practical guidance and feedback on members’ work.
• Social Gatherings: Get-togethers, including exhibition opening parties, New Year’s parties, and informal meetups, to strengthen the bonds among members.
To ensure effective communication, we publish a quarterly newsletter that includes updates on upcoming events, member highlights, and educational articles. Our members also engage in discussions through online platforms, promoting continuous learning and collaboration.
The RPSJ invites photography enthusiasts of all skill levels, from beginners to experienced professionals. We are committed to nurturing an environment in which members can enhance their artistic vision, broaden their knowledge, and contribute to the worldwide photographic community.
If you have a passion for photography and wish to connect with like-minded individuals, consider joining the Royal Photographic Society Japan Chapter!
Yoshio Miyake Chairman RPS Japan
Website: https://www.rps-japan.com/ Contact: Japan@rps.org
Action by Kouichirou Tojo
Where London Meets Tokyo in Spring by Kazue Suzuki
TOKYO X LONDON BUS A PHOTOGRAPHIC JOURNEY THROUGH TIME
Kazue Suzuki, Tokyo, Japan
The Royal Photographic Society is delighted to showcase the captivating work of Kazue Suzuki, a Tokyo-based photographer who has devoted her art to capturing the nostalgic allure of 1960s London buses as they navigate through Japan’s vibrant capital. Her project, Tokyo x London Bus, serves as a visual bridge between eras and cultures, fusing history with the contemporary urban landscape.
東京駅 / Tokyo Station
Credit:
Kazue Suzuki
1914 年に竣工した赤レンガ造りの東京駅丸の内口駅舎は辰野金吾らが設計しました。
2003 年に丸の内駅舎は国の重要文化財に指定されています。
The red brick Tokyo Station Marunouchi Exit building was designed by Kingo Tatsuno and others and completed in 1914. In 2003, the Marunouchi Station building was designated as an Important Cultural Property of Japan.
ンドンの赤い二階建てバスは、イギリス文化の象徴的な存在であり、一目でそれとわかる歴史ある乗り物で す。しかし、これらのクラシックなバスが地球の裏側の都市で新たな命を吹き込まれたら、どうなるでしょう か？ 私のプロジェクト「Tokyo x London Bus」では、1960年代のロンドンバスが東京の街を走る姿を記録 し、過去と現在が交錯する予想外で魅力的な光景を捉えています。
かつてロンドンの賑やかな街並みを走っていたバスは、今では東京の活気ある地区を縫うように進みます。東京タワー、歴 史ある丸の内駅、英国大使館、そして六本木の桜並木を通り抜けるその姿は、単なる視覚的な珍しさを超えたものです。日 本におけるこれらのバスの存在は、動く歴史そのものであり、熟練の整備士たちによって細部まで丁寧に保存され、そのク ラシックなデザインが忠実に守られています。
このプロジェクトは、単なるノスタルジーを超え、ある文化の遺産が別の文化の中で新たな意味を持つ過程を探求するもの です。ヴィンテージの魅力を持つロンドンバスは、超現代的な東京の建築と対照的でありながらも、都市のエネルギーに見 事に溶け込んでいます。その結果、時代と地理を超えた写真シリーズが生まれ、過去の記憶と現在の躍動する精神を同時に 呼び起こします。
2024年6月には、この作品を個展で発表する機会に恵まれ、このユニークな異文化の融合を多くの人々と共有しました。東 京の街を走り続けるこれらの歴史的なバスが、私たちの身の回りにある物語への新たな視点をもたらし、歴史が常に動き 続けていることを思い出させるきっかけとなることを願っています。
London's red double-decker buses are an iconic symbol of British culture, instantly recognisable and steeped in history. But what happens when these classic vehicles find a new lease on life in a city halfway across the globe? In my project, Tokyo x London Bus, I document the journey of 1960s London buses as they navigate the streets of Tokyo, creating an unexpected yet mesmerising fusion of the past and present.
These buses, once traversing London’s bustling streets, now meander through the vibrant districts of Tokyo—passing landmarks such as Tokyo Tower, the historic Marunouchi Station, the British Embassy, and the cherry blossom-lined avenues of Roppongi. Their presence in Japan is more than a mere visual curiosity; it represents a moving piece of history, meticulously preserved by skilled mechanics who ensure every detail of their classic design remains intact.
This project, going beyond mere nostalgia, explores how objects from one cultural landscape can acquire renewed purpose in another. The London buses, with their vintage charm, provide a striking contrast to Tokyo’s ultra-modern architecture, yet they seamlessly integrate into the city’s vibrant energy. The result is a photographic series that transcends time and geography, evoking both memories of the past and the ever-evolving spirit of the present.
In June 2024, I had the privilege of showcasing this work in a solo exhibition, sharing the beauty of this unique cross-cultural connection with audiences. As these historic vehicles continue their journey through Tokyo, I hope my images inspire a deeper appreciation for the stories embedded in the objects around us — reminding us that history is forever in motion.
東京タワー / Tokyo Tower
Credit: Kazue Suzuki
1958年12月23日竣工。東京のシンボル、観光名所で、外国人観光客も多く訪れます。
創設者は前田久吉で、日本の「塔博士」とも称される内藤多仲らが設計した、高さ333メートルの展望台を有するト ラス構造の電波塔です。
Completed on December 23, 1958. A symbol of Tokyo and a tourist attraction, it attracts many foreign tourists. It was founded by Maeda Hisayoshi and designed by Naito Tanada, also known as the "tower doctor" of Japan, and is a truss-structured radio tower with a 333-meter-tall observation deck.
歌舞伎座は東銀座にある、日本の伝統と文化を伝える、日本で唯一の歌舞伎専用の劇場です。
Kabukiza, located in Higashi Ginza, is Japan's only theater dedicated to Kabuki, conveying Japanese traditions and culture.
Credit: Kazue Suzuki
銀座・歌舞伎座 / Ginza Kabukiza
東京ミッドタウンは、ホテル、文化 施設など、130に及ぶ商業店舗、オ フィス、住居、病院、公園などが集 約された複合都市です。2007年3月 30日六本木で開業。春には桜が咲 き誇り、とてもきれいな名所として 知られています。
Tokyo Midtown is a complex city that includes 130 commercial stores, offices, residences, hospitals, parks, and more, including hotels and cultural facilities. It opened in Roppongi on March 30, 2007. It is known as a beautiful spot where cherry blossoms bloom in spring.
六本木・桜 / Roppongi Cherry Blossoms
Credit: Kazue Suzuki
ロンドンバスは、駐日英国大使館の前を通過することもあります。
London buses sometimes pass in front of the British Embassy in Japan.
駐日英国大使館 / British Embassy Tokyo
Credit: Kazue Suzuki
青山通り口から外苑中央広場円周道路に至る、約300mのいちょう並木は、11月中 旬ごろより黄葉が始まり11月下旬になると黄金色に輝く。
The approximately 300m long ginkgo tree-lined street stretching from the Aoyama-dori entrance to the Gaien Central Plaza Circular Road begins to turn yellow in mid-November and shines golden in late November.
/ Ginkgo Tree Line in the Outer Gardens of Meiji Shrine
Credit:
Kazue Suzuki
ロンドンバスは、熟練した整備士による丁寧な手作業により、細部にまで細心の注意を払い、愛情を込めて整備 されています。
The London buses operating in Tokyo, Japan, are lovingly maintained with meticulous attention to detail through careful handcraftsmanship by skilled mechanics.
車庫 / Garage
Credit: Kazue Suzuki
鈴木和枝 写真展「TOKYO X LONDON BUS」
Kazue Suzuki Photo Exhibition "TOKYO X LONDON BUS" 私は2024年6月に写真展を開催した。
1960年代のイギリス・ロンドンで活躍したロンドンバスが、半世紀の時を越え、国境を越えて、日本の首都・東 京を駆け抜けることは、まさに時空を超えたコラボレーション。クラシックなデザインが誘うノスタルジアと、 東京、銀座、日本橋、新宿、渋谷、六本木などのシンボリックな都市風景が共演する、時空を超えた魅力を感 じます。
I held a photo exhibition in June 2024.
The London buses that were popular in London, England in the 1960s have crossed borders and half a century to travel through Japan's capital, Tokyo, making this a truly time- and space-transcending collaboration. The nostalgia evoked by the classic design and the symbolic cityscapes of Tokyo, Ginza, Nihonbashi, Shinjuku, Shibuya, Roppongi, and other areas all combine to create a charm that transcends time and space.
Credit: Kazue Suzuki
TALK-WALK-TALK PROJECT "PARKLANDS AND GARDENS"
In this project, Molly will talk about the wide-ranging possibilities of photography in Parklands and Gardens, from ‘finding the image’ all the way through to the editing process and beyond.
BOOKINGS OPEN on 3 March, 2025 go HERE
IGPOTY Gardens © Molly Hollman
TALK from Molly Hollman on Thursday, April 10, 2025 - 19:30 BST
You then go out and do a WALK from 11 April to 11 May.
Then there are 3 different dates and times to choose from in May for the follow-up TALK at which you enjoy other’s images and select one or two to go into the eZine
Mon, 12/05/2025 - 19:30 BST Sat, 31/05/2025 - 10:30 BST
Sun, 08/06/2025 - 16:00 BST
Book on which ever feedback TALK date suits you and it automatically also books you in for the initial TALK presentation on 10 April, 2025 at 19.30 BST. This talk will be recorded and you will be sent a link.
This project comprises 3 elements, and you are committing to joining all 3.
A T-W-T Parklands & Gardens eZine will be produced in June
We hope you will join us in this project, as it means you will be part of the RPS-wide community of photographers who will engage with this program.
RPS EVENTS
In her presentation, Vanda will focus on her journey from capturing single images, through creating collections and series, to working on short and long-term projects.
https://events.rps.org/en/looking-beyond-a-single-image-with-vanda-ralevska-feb-2025-5a2NN27likj/overview
https://events.rps.org/en/documentary-group-engagement-talk-tom-booth-woodger-feb-2025-5a2NN27k6cf/overview
Ron is one of the most successful AV producers of all time. With so many award winning AVs under his belt, this is a unique opportunity to hear from Ron about how he made them. The afternoon will be a chat show with your host talking to Ron about six of his most successful AV productions before we get to see them.
https://events.rps.org/en/4LrdQ66/g/3W7EHJJpVW/get-inspired-with-ron-davies-5a2NN28fKqz/overview
Another in our Engagement Talk series - Tom Booth Woodger. Tom is a designer, publisher & photographer based in London, UK.
RPS EVENTS
This is a unique platform for RPS Women in Photography to showcase their work. You can share 3-5 images and discuss them with other WIP members. https://events.rps.org/en/rps-women-in-photography-group-show-and-tell-march-2025-5a2NN29BDxg/overview
The RPS Women in Photography group is proud to present: An Introduction to Alternative Photographic Processes – A Talk by Malin Fabbri
https://events.rps.org/en/4LrdQ66/women-in-photography-group-alternative-photographic-processes-mar-25-5a2NN28ijzJ/overview
This is a follow-on talk from the award-winning "Little Print Show" and is based on Jonathan's new print talk "M.E., Myself and Eye". Jonathan is an artistic creative photographer based in Bedford. https://events.rps.org/en/the-thinking-behind-me-with-jonathan-vaines-5a2NN286WyH/overview
RPS EVENTS
Another in our Engagement Talk series - Murray Ballard https://events.rps.org/en/documentary-group-engagement-talk-murray-ballard-apr-2025-5a2NN27k9U5/overview
This is a unique opportunity to see some of the great AVs from the past and to hear comments from members of the RPS AV Group on what is was that made these AVs so great. https://events.rps.org/en/4LrdQ66/g/3W7EHJJpVW/avs-from-the-archives-5a2NN28fKuD/overview
Join our online talk, "Less is More: An Introduction to Minimalist Photography," and learn how to create striking images with minimal elements. https://events.rps.org/en/germany-chapter-the-art-of-minimalism-in-photography-apr-2025-5a2NN292OaY/overview
RPS EVENTS
Somewhat different to most photography talks. Doug won't be focusing on a procession through his images or talking about the 'how's?' of what he does. Rather he will be delving in to the 'why's?' of what we do.
https://events.rps.org/en/working-at-the-edge-of-an-unthought-seeing-what-isnt-there-with-doug-chinnery-5a2NN27XJnr/overview
This meeting is open to all; you do not need to be a member of the RPS. Generally, we start at 8pm and go on for 2 hours.
https://events.rps.org/en/benelux-chapter-online-study-group-meeting-may-2025-5a2NN278Nmb/overview
Join Chris Renk, an experienced landscape photographer and Chapter Organizer, as he shares his techniques for capturing stunning images that inspire others.
https://events.rps.org/en/germany-chapter-landscape-photography-the-art-of-seeing-the-beauty-may-2025-5a2NN297dvX/overview
DECEMBER 25TH CHALLENGE
For many, the 25th of December is recognised as Christmas Day, although this day is not celebrated in all countries or by all religions. Therefore, observing the events that occur on this date around the world would be both intriguing and educational.
The challenge was to take an image which shows a typical day for you on December 25th. Are you having a party on the beach, attending a religious gathering, or sharing a celebratory meal with family?
Perhaps it’s simply a normal day, and you’re scrubbing the kitchen floor or heading to work.
Let us take a look at what our international members were doing on 25 December 2024.
https://issuu.com/digweb/docs/25_challenge?fr=xKAE9_zU1NQ
CHAPTER AND SPECIAL INTEREST GROUPS PUBLICATIONS
Every month or quarter, the Royal Photographic Society's chapters and special interest groups publish documentation on their activities, events, and photo projects. This section provides a selection of publications and links to their online locations.
eMAGAZINE
RPS GERMANY CHAPTER eMAGAZINE
4th Quarter 2024
https://rps.org/news/chapters/germany/2025/ emagazine-q4-2024/
RPS AUSTRALIAN CHAPTER NEWSLETTER
January 2025
https://issuu.com/royalphotographicsociety/docs/rps_ newsletter_2025a_january
RPS BENELUX CHAPTER EJOURNAL
Spring 2025
https://rps.org/news/chapters/benelux/2025/ejournal-issue-7spring-2025/
RPS HERITAGE GROUP
January 25
https://issuu.com/royalphotographicsociety/docs/ january_2024_ver1_small_8e275e0b069b9c
RPS DIGITAL IMAGING GROUP
January 2025
https://issuu.com/digweb/docs/january_25_1
RPS CREATIVE EYE GROUP
Magazine 96
https://issuu.com/royalphotographicsociety/docs/ceg_ magazine_96_small
REACH OUT
In this section we invite members who would like to make contact with other RPS members in their area to ‘reach out’ to them by providing a little information about yourself and your email address for contact.
We suggest you say the town you are in or very near to, your name and email address. You could use this section for when you are visiting other countries as well.
Email international@rps.org if you wish to have an entry in the next newsletter.
RPS Indian Chapter — Join us for a Series of Webinars on RPS Distinctions
The RPS India Chapter is launching a series of webinars designed to guide aspirants through the RPS distinctions process.
These sessions will help participants understand the requirements and provide valuable insights on how to prepare. We will initially focus on LRPS and ARPS distinctions, featuring talks by RPS members who have successfully achieved their distinctions in the past few years.
The webinars are open to all, but priority will be given to members of the RPS India Chapter.
Participation is complimentary.
If you are interested in attending or have earned an RPS distinction within the last three years and would like to share your experience as a speaker, don't hesitate to get in touch with us at india@rps.org.
Candia Peterson
I live in the Catskills of Upstate New York and would love to make contact with other RPS members in the locality. Anyone from New York City, New Jersey and Pennsylvania to the South and New Hampshire, Vermont and Western Massachusetts to the North do feel free to email me on candia.peterson@gmail.com
Michel eCircle for those living in the Australian time zones.
What is an eCircle?
A small group of members that get together online once a month to show and share images. Michel recently moved to Australia and thought sharing images with members in his nearby time zones might be fun. So, if you live in the coloured zone of the map, why not get in touch and join the photo-sharing community?
Contact DICircles@rps.org
WHAT IS A RPS SPECIAL INTEREST GROUP (SIG) AND WHY WOULD YOU JOIN ONE?
Members elect to join groups and these are an optional extra to membership of the RPS.
Often they are based on a specific genre or aspect of photography that individuals closely align themselves with. The easy ones to identify with are Landscape, Nature, Travel etc and the less obvious might include Women in Photography or Digital Imaging as examples. At the end of this text is a list of all the various groups, a link to their web page, and a short statement about their purpose.
Each group is funded by a small annual subscription and sometimes additional fees for talks, workshops or specific activities. Because they are run exclusively by volunteers, who do not charge for the work they do to organise the various programmes, costs are kept to a minimum and what can be gained from membership represents amazing value for individuals. The staff team at RPS House run workshops, Distinctions, produce The Journal, and organise exhibitions; the life blood of the RPS is via the community groups.
Through community group membership you can engage with a wider variety of opportunities, gain inspiration, work closely with other RPS members. All groups are now considering how they can make more available to international members by recording meetings or putting them on at varying times.
It is worth following the links to the various web pages to see for yourself what each SIG offers. A few of them have even made short videos for the benefit of international members, which you can find HERE
Schedule of Special Interest Groups
Analogue. https://rps.org/groups/analogue/
To foster community among enthusiasts and a practitioners in analogue photography; facilitating skill sharing, resource exchange, and collaborative projects; to promote appreciation for traditional photographic techniques and processes; and advocate for the continued relevance of analogue techniques in modern photography practice.
Archaeology & Heritage. https://rps.org/groups/archaeology-heritage/
To facilitate collaboration among photographers and archaeologists, promoting best practices in the documentation, preservation, and dissemination of photographic records of archaeological sites, artefacts, and cultural heritage; and to contribute to public awareness and education about the use of photography in these fields.
Audio Visual. https://rps.org/groups/audio-visual/
To explore, discuss, and promote various forms of temporal (time-based) art, including video, film, sound, and multiplemedia performances and presentations; to foster collaboration among artists, researchers, and enthusiasts; and to advance techniques, theories, and appreciation for time- based artistic expressions across diverse audio and visual disciplines.
Creative Eye. https://rps.org/groups/creative-eye/
To inspire, educate, and connect photographers exploring innovative and artistic approaches; we provide a platform for sharing ideas, techniques, and critiques, fostering a supportive community that encourages experimentation and pushes boundaries in visual storytelling and expression.
Contemporary. https://rps.org/groups/contemporary/
To provide a forum for the encouragement and representation of its members in the pursuit of the production of coherent bodies of photographic work that “convey ideas, stimulate thought and encourage interpretation; photographs about rather than of.
Digital Imaging. https://rps.org/groups/digital-imaging/
To facilitate learning, collaboration, and advancement within the realm of image-making in which digital photography is the principal medium; we provides a platform for discussing new technologies, sharing techniques, critiquing work, and exploring the evolving landscape of digital imaging, enhancing skills and fostering creativity.
Documentary. https://rps.org/groups/documentary/
Documentary photography seeks to capture and present truthful narratives through visual storytelling; we support photographers dedicated to documenting social issues, cultures, and historical events, fostering discussion, education, and advocacy to promote understanding, empathy, and social change through the power of documentary imagery.
Schedule of Special Interest Groups
Historical. https://rps.org/groups/historical/
To act as a forum for photographic history, from the early nineteenth century to the present day; to promote knowledge of the history of photography and to encourage the preservation of photographs, photographic equipment and documents relating to the history of photography.
Imaging Science. https://rps.org/groups/imaging-science/
To provide a forum for the exploration and understanding of the science behind photography and other imaging systems; we facilitate interdisciplinary collaboration among scientists, engineers, and practitioners to discuss and drive progress in research, development, and real-world applications of imaging systems.
Landscape. https://rps.org/groups/landscape/
To encourage the art and practice of landscape photography and advance the skills of those photographers working in this genre; and to spread understanding and enable development of these techniques through practical use and collaboration.
Medical. https://rps.org/groups/medical/
To promote the use and advancement of imaging in all branches of medical and allied sciences to support medical developments, patient-care, medical education, research and publications.
Nature. https://rps.org/groups/nature/
We seek to celebrate, conserve, and share the beauty and wonder of the natural world through photography; we foster a community of photographers passionate about wildlife, landscapes, and ecosystems, promoting environmental awareness, education, and appreciation through reliable and accurate images, visual storytelling and advocacy.
Travel. https://rps.org/groups/travel/
To promote the enjoyment of photography that captures the spirit of a place; and to encourage and support the development of the skills necessary to achieve this ambition.
Visual Art. https://rps.org/groups/visual-art/
To support and encourage all types and styles of photography that shows evidence of a personal vision or style which conveys a sense of design, emotion, mood or some meaning which encourages the viewer to look beyond the subject.
Women in Photography. https://rps.org/groups/women-in-photography/
We are not a genre! We facilitate the celebration, education and collaboration of female and female-identifying photographers. We are the discussion that drives a greater awareness of the importance of women photographers past, present and future.
Subscription fees vary but as you can read none are very expensive and represent excellent value for money.
To join a SIG first go to the top right hand corner of the www.rps.org web page and click ‘Login’. Once you are logged in you will see a screen that says ‘Welcome’ and your name. Next to this is a blue link that says ‘Join a Specialist Group’ – click on this and you find a list of all SIGs. You simply check the box next to any/all you wish to join. If you have any difficulties with this process then email membership@rps.org for assistance.
The Team
JANET HAINES ARPS international@rps.org
I joined the RPS in 2003 when I aspired to try for my LRPS. Since then I have been a member of several committees, an LRPS panel assessor for a while, two years as an RPS Trustee, five years as the Benelux Chapter Organiser when I was living in the Netherlands, plus I am the Chair of the Digital Imaging Group.
My aim always is to make the RPS member experience as good as we possibly can wherever an individual lives in the world. For us all to get as much out of our photography and being part of a community of like-minded individuals, in which we inspire and help each other to progress in our chosen field of image making.
CHRIS RENK germany@rps.org
I joined the RPS in 2013 while living in the UK. After relocating back to Germany, the German Chapter asked me to join their Group and participate in their activities. In 2015, I became the Chapter Organizer and kept the role since then. Additionally, I took on the role of Web administrator and editor of the chapter’s publications. In 2015, the Chapter published its first magazine, the “Chapter Newsletter.” At this time, the newsletter was published irregularly. In 2019, we started publishing our magazine quarterly and called it “eMagazine.”
From 2020 onwards, the chapter and I expanded our involvement in the RPS's online education program. We conducted a diverse range of online talks and workshops, broadening our reach and impact. Supporting the international members by providing this newsletter is also first-line support to the German Chapter members!
SOMDUTT PRASAD somprasad@gmail.com
I joined the RPS in 2022 and regret not having done so earlier! As a busy medical specialist for two decades in the UK and then another decade back in India, photography took a back seat to my profession as an ophthalmologist. The Covid pandemic was a time of refocusing and re-evaluation. I decided to spend more time on my hobby and thus started entering some competitions.
This helped me appreciate the nuances of photography and as my understanding of photography increased, I began to take an interest in various societies, including the RPS, The PSA (Photographic Society of America) and FIP (Federation of Indian Photography). I have always believed that if you learn something from an organization's activities, you should try to contribute something back to the organisation. So I volunteered for this position. International members often feel isolated from the main activities in the UK and I hope this newsletter will help the worldwide membership build bridges amongst ourselves and with UK members.
SYLVIE DOMERGUE sylvielft@gmail.com
Lives in Madagascar and knows only too well how isolated an international member of the RPS can feel.
"When I discovered the Royal Photographic Society in 2019 as an international member, I knew that I had found my haven of peace and my home of artistic creation, within a team whose human values I admire , as well as the quality requirements, and the deep commitment to allow its members, wherever they are in the world, to participate in the great adventure that the art of photography represents in its different aspects."
KATHERINE MAGUIRE ARPS — internationweb@rps.org
I am originally from Scotland, moved to Amsterdam, the Netherlands in 1997, I gained Dutch nationality in 2023. I joined the RPS in 2009 and soon after that the Benelux Chapter, obtaining my LRPS in 2011 with the help of the Chapter’s study group held in Krommenie-Assendelft. In 2018 started working towards my ARPS with the help of Chapter’s study group in Rotterdam and in 2021 I got my ARPS with a documentary panel “Damaged Retinas” a series of images that demonstrates how I see the world. As I have now stopped working, I have the time to volunteer for the RPS Benelux Chapter, As a former software engineer my skills can used to help the Chapter and thus I became the Benelux Chapter webmaster in the Autumn of 2022, expanding the Chapter’s website and in 2023 I was asked to help relaunch the chapter’s eJournal by becoming its editor. Now I will be adding the role of International Web Administrator to my list of existing roles.
CHRISTINE ETHERINGTON FRPS — christineeltherington18@gmail.com
I joined the RPS Scottish Region in 2014 where I attended advisory days, Photo forums and distinction advisory days. Intending to take my photographic hobby to the next level I gained my LRPS distinction in November 2014. Two years later I decided to try for my Associateship which I gained in 2016. In 2022 I was successful in gaining my fellowship in documentary.
All of this was made possible with the encouragement and support of the Royal Photographic Society. In 2018 I became the RPS Scottish Regional Treasurer until my emigration to New Zealand in 2021. Having the experience of gaining my fellowship whilst living in New Zealand I feel I am well placed to encourage international members.
