Dilsad Anil Portfolio 2014
dilsad.anil@gmail.com 00905363338116
Dilsad Anil | 1990:Vienna 01
The PlayGround 2014 | graduation project 02
Arthro
2013 | Design Studio VI
Education 2009-2014 2012-2013
03
Home Office
04
Social Resilience 2013 | the why factory
2011
Feral Child 2014 | workshop
06
Public Drawing 2014 | Design Biennial
07
Other
2009-2014 | Model Making Costume Design Photography Sculpting Painting
Architectural Association School of Architecture, London AA Visiting School Crafted Tower, Istanbul/Turkey
Robert College of Istanbul High School Science Diploma
Work Experience 2012 2013-2014 2011- ... 2014
05
Delft University of Technology Research and Design studio by The Why Factory / TU Delft and MVRDV
2004-2009
2014 | construction project
Istanbul Technical University Architecture Faculty
MArS Architects, Istanbul Construction Intern MArS Architects, Istanbul Architect European Architecture Students Assembly (EASA) National Contact of Turkey Salt Research Artist | 'Summer Houses - Claiming the Coast' exhibition
Workshop Participations 2014 Public Drawing with Atelier Bow-Wow | Istanbul Design Biennial 2014 Comput-DIY Feral Child | François Roche [R&Sie(n)] 2013 TU DELFT | Future Models 2013 T?F & TU DELFT | Real-Time City Workshop 2011 AA Visiting School | Crafted Tower Istanbul 2012 EASA013 Helsinki | Demolition Workshop 2011 EASA012 Cadiz | CLOUD Workshop 2013 INCM Bucharest | Eastern Lab 2012 INCM Vienna 2011 INCM Baku 2010 Spontaneous Schooling Exhibition and Publication London Festival of Architecture: ’Material Formations’
Awards 2014 2013 2011 2011
Archiprix Turkey Finalist Emotionstop : Transition/Transection/Transportation ITU Architectural Faculty Courtyard Design Competition ’Kadıköy Port and its Surroundings’ Chamber of Architects, National Students’ Competition 2012 ArchED | Project Awards for Architectural Students
| 1st Prize | 1st Prize | Purchase award | Honourable Mention
The Approach | Effectus exoskeleton endoskeleton
The Players: Performers and the Audience In the performance land, the invisible yet formal border between the Performers and the Audience will be volatile and questionable. All the visitors of the Play Ground will be referred as ‘The Players’.
first concept sketch | the beast
keyword map exoskeleton
endoskeleton artificial landscape code words Program boundaries: The Performance Land and the Archive The seperation in between the archive and the play land will be porous and permeable. These two programs could leak into oneanother creating hybrid situations.
bodily sensations
forms
labrinth
kinetic grid
feels like I am on the stage. exciting, anxious, playful, a little scared even. playground negative space carved out wood
flying or fleeing surrounded & lost
permeable
streched skin
gradient hill
sweet chill from the sea
smell materials
volatile
insect
womb gradual
bulky Fragmentation and Continuity The kinetic pixelated land of perfomance creates a volatile, ever-changing border with the city. When the archive units are underground, their roofs act as the continuum of the concrete pavement of the coastline area. When they are elevated, this everyday surface opens up to create space within and underneath to invite us inside the archive volume. The pixelated structure creates space for grand performances as well as small informal gatherings and performances. Playground leaves space for contemporary performances to encounter the daily urban life.
smooth
skin
sweat sun lotion concrete
dust syrup steel
wood
varnish
cigarettes water
textiles intersecting properties
The Site | Kadiköy
| The location and Surroundings of the site in three scales
The Logic | PlayGround
ı ap nik ye ır ak
-b
Moving vertically, the archive units position themselves in a way that a performance surface is created. The archive and the performance surface behave in a mutual manner. When there is be a performance gathering on the schedule, the archive units move vertically to position themselves accordingly. Dfferent types of performances require different archive arrangements, and vice versa for an archive event.
ön
ü
-k
ar ak
öy
y kö
ha yd a
rp
aş
ae
m
in
ön
ü
em
in
Archive positioning and possible events for the performance land
Timescales of Kadıkoy - Overlapped
ıköy öy kad bakırk apı
ik yen
ferry
ka
hotel
aşa
water purification facility
ship port
archive
24:00
23:00
22:00
21:00
20:00
19:00
18:00
17:00
16:00
15:00
14:00
13:00
12:00
11:00
10:00
09:00
08:00
07:00
Movie Night, Game, Concert, Performances
06:00
port stop
ship port
park
performance
ferry port
police station
rp da ay - h nü öy inö dık em
kadıköy eminönü - karaköy
port
The Site is situated in the waterfront of Kadıköy, one of the biggest neighbourhoods in the Anatolian side of Istanbul. The area is intersecting with many important transportation lines. Most importantly the recently built Metro line and the ferry ports that is widely use to cross to the European deniz otobüsü - bakırköy side of Istanbul. otobüsü - bostancı The site is situated at the very end deniz deniz otobüsü - yenikapı corner of the coastline, facing the kadıköy kartal metro Marmara Sea from both north and iskele-moda tram west directions. A water purification ship port facility is located at the southern side of the site and there is a police station and a park is at the eastern side.
OpenTalk, Meetings, Debates, Performances, Concerts, Presentations
archive Multiple Performances, Shows, Workshops, Movies, Games, Circus
The Design | Site Plan and main decisions Archive Units are situated and some are elevated according to the PlayGround schedule.
Library Axis offices & library
The archive specializes into a performing arts library and divides the performance land into two. Through this still axis, necessary services are provided for the kinetic performance land.
Void b provides main entrances for the library and enclosed performance hall
Void a a. connects the park with the sea-side
offices & library The building turns its back to the water cleaning facilities with the office and library.volumes
performance hall The enclosed performance hall is situated at the end of the library axis. This hall is used for big scale performances that requires specialized conditionsvolumes
The Design | Plans and Perspective Section
-1,44m level
+1,44m level
+4,32m level
The Hall This enclosed performance hall is for productions that could require special conditions. The interior structure of the hall is very similar to the archive units of the entire building. It is a ‘higher resolution‘ kinetic land for indoor performances. The seats and the stage surface could be reconsidered, redesigned and set according to the nature and the requirements of the performance itself . This provides us with so many possibilities to reconstruct the relationship between the audience and the performer.
Vertical perspective section through the Library & the Hall +5,76 level
The Design | Archive Units and Perspective Section
inspiration & adaptation The archive unit is inspired from a hydrolic lift that is being used to carry big aeroplane parts. The system is adapted to the design by enlarging the upper surface into an archive space and connecting the system to the structure and substructure of the building.
movement Arctive archive structures can move vertically according to the program they were assigned to.
circulation & all together Archive units coming together form a porous landscape. The circulation of this whole is provided with the stair units. With extra elements, the footsteps of these circulation units can be transformed into seats and mini open theatres are formed.
Horizontal section through the Library and Archive Units
The Design | The Skin and the Interior
Looking out from the Library
The Design | Scenes
Void #1 through the PlayGround - Connecting the Park and the Sea-side
Arthro is an attempt to redefine the edge of D100 highway. It offers an alternative publicity than the introverted ‘public’ commercial buildings of the D100 by embracing multiple vastly used transportation lines and by putting the elements of play at the center of the public experience. Arthro is where you come across with the unexpected, it is a hub of intersections, interconnections. The concrete envelope shelters transportation interconnections as well as cultural events. A new public life with dance classes, movie nights, playgrounds is defined tangential to the everyday rush of the metropolis.
Arthro
|relating to a joint Location: Uzuncayir, Istanbul Turkey Academic Project | Individual Work Design Studio VI Fall Semester 2013 Supervisor: Prof. Dr. Ayse Sentürer | senturer@itu.edu.tr
The Site | Urban Scale Analysis
D100
y cad libadiye
The Anatolian side of Istanbul is divided into 3 major parts by 2 main transporation axis; D100 and the railroad connecting Istanbul to Anatolia. The northern divider, D100, will be the focus of this project.
üna lan
metro : The Site
Bus stops
e li n us b ro et
Metrobus stops
e
m
op
tim
um
göz tep
Pedestrian bridge
örn ek
Metro stops
The Site Metrobus Stop
Pedestrian bridge
Underground pedestrian tunnel ur refo car
Metro Station this is where the train stops underground D-100: The Highway The Spine or the Wound?
tro line
Uzunçayır, is situated at the intersection of two major transportation lines of Istanbul; D100 highway carrying the Kadikoy-Kartal metro line, and Çevreyolu connecting up to the Bosphorus Bridge with the Metrobus infrastructure.
ptt
me
Uzunçayır - The intersection
D100 is the major transportation artery of the area, through its widely used public transportation routes, it makes its close-by neighbourhoods accesible. Therefore the city grows out and through this axis. While acting as a ‘spine’ of which all the crucial things are carried through, D100 is a big bold border. It blocks north-south connections, expecially the pedestrian flow. As well as dealing with intersection of transportation and public space, Arthro will question this vertical permeability.
The Site | Analysis and Sketches skecthes | the process 01. surroundings a
b
f
e
3
1
3
1
d
a.shopping mall and residence complex b.端nalan: low-income neighbourhood with mostly accomadation c.land owned by a private university. d.fikirtepe: low income neighbourhood undergoing a rapid gentrification e.open-air market site. (only on fridays) f. religious highschool
c
02. road infrastructure & transportation hubs
Elevated roads and public transportation nodes are marked on the diagram
collage | the site
The Design | Major Decisions and Model on Site Elevated highway The Bridge
Metrobus stop
Structure
Metrobus stop
Transportation axis
The Envelope
The concrete envelope acts as the continuum of the existing landscape. It slopes up to create space over and within itself
The Road The road goes through the structure D1 00
The Road structure is redesigned to carry both the envelope and the road
Envelope
The walkable envelope in folded and punctured to get natural light inside
Rift
sunken path towards the metro station
Metro
The Design | Sketch for the Interior
The Design | Plans and Sections b
b
b
b
a
a
a
a
+2,00 level
+6,00 level
a-a section
b-b section
Home Office for Juvenide
Location: Acibadem, Istanbul Turkey Academic Project | Individual Work Construction Design Project Fall Semester 2013 Supervisor: Prof. Dr. Aslihan Tavil| tavil@itu.edu.tr
1st floor plan
2nd floor plan
west facade
b-b section
north facade
1
The Design | Section and Details
| Construction Details
1
3 3
2
2
5 4
4
5
Resilient NL - Society
Location: Spangen, Rotterdam Netherlands Academic Project| Group Work with Yi Hsuan Lin Project VI Spring Semester 2013 Supervisors: The Why Factory Felix Madrazo | felix@internationaldesign.nl Winy Maas, Jeroen Zuidgeest, Felix Madrazo, Bas Kalmeyer, Mark van den Ouden “Resilient NL is a research by design studio by The Why Factory and the Ministry of Infrastructure and the Environment that tested unpredictable changes in different vectors of society and their effect on spatial planning. The studio envisioned new tools to address this situation. The changes that were explored are surprising and potentially have a radical impact on the spatial character of the Netherlands.” “Can the unexpected be predicted? Which latent risks on different elements and scales is the Netherlands facing? What principles of caution can be derived from these possible ‘shocks’? What measures could be taken before and after the shock? What collective intelligence can be used to be prepared and to develop a resilient urban planning? Can we be prepared? For everything? Or should we always have a plan B? Or a C even?” The Why Factory
Risk Maps from all groups are overlapped by Mark van den Ouden
Approach | Social Resilience & Social Cohesion During the Why Factory Studio, my and my groupmate Yi-Hsuan focused on the social resillience of the Netherlands. Throughout the semester, we studied the history and the culture of the Netherlands, proposed positive and negative factors in terms of social resilience and detected areas under risk of societal / cultural collapse. While constructing the scenerio for possible crisis, we studied the riots of Europe of the last decade , including the Gezi Park protests that happening in my hometown during those days. What triggers riots? What is the background of this rage? What could be the healing strategies for the post riot communities and cities?
Risk Analysis NL | Zooming in to the NL to find risk areas : Spangen / Rotterdam UNEMPLOYEMENT NL 2011 between 3% and 4% of the population
grรถningen friesland
grรถningen AMSTERDAM
between 4% and 5% of the population
2011 2012
between 5% and 6% of the population between 6% and 7% of the population between 7% and 8% of the population
170
amsterdam
ROTTERDAM
north holland
den haag utrecht 190rotterdam
2011
south holland utrecht
150
190
rotterdam THE HAGUE 2011 2012
170
crime rates 2011
amsterdam
2012
eindhoven
poverty 2011
unemployement UTRECHT
2011
2011 2012
Scenerio | Chain of events
BOMB 01
Revolution
New definition of Netherlands
Riots The city of crime Gotham city
BOMB 02
Ruined city
SOCIAL IN-COHESION Collapse of the government
Gated community
BOMB 03
Polarization M-shaped society
Conflicts among people Collapse of the welfare system Inequality
Strategy | Healing Strategy and Spatial Effects | Redesigning the wounds as Urban Generators 02
03
Ruined city
Polarization M-shaped society
PREVENT
TRANSITIVE
RECOVER
INTEGRATION
HEALING
EMPOWERMENT
01 Riots
Rainwater collection & distrubution Rain water is collected from the neighbour roofs and distrubuted back again to be used in the communal garden and the apartments as greywater
Solar panels Free electricity & wifi at the site
SCENORIO (BOMB)
TYPE OF STRATEGY
Diversity
Clustering
Feed-back loops
Capillarity action
Decentralization
Permeability
communal garden
Hybridizing Identities
RESILIENCE STRATEGY
lend a bike Urban acupuncture
Half housing
Local labor participation
Tissue transplant
Homemade Production
Urban Extensions
Cultural Surfing
Permeability SPACIAL STRATEGY
Proposal | Urban Generator
Permeability through building blocks were enabled through this porous frame intervention
Play Injecting elements of Play to the post-riot areas
Feral Child
Location: Bamboo Forest, Kanchanaburi, Thailand Workshop Participation | Group Work Summer 2014 Supervisors: Francois Roche | fr@new-territories.com Ezio Blasetti | ezioblasetti@gmail.com Stefan Henrich, Camille Lacadee, Danielle Willems The Crew: Dilsad Anil, Ehsan Fazli , Dennis Schiaroli, Josefine Kallehave, Annie-Locke Scherer, Timothy Sutherland, Agatha Partyka, Yagiz Söylev, Kristoffer Codam, Philip Marcantonio, Johnny Bocquet-Boone, Michel, Ian Donaldson, Yujia Claire Bian, Alexandra Singer-Bieder, and Agathe Michel.
“Even if her behavior seems to be plaintive and fearful, even if you can hear whispering sounds reminiscent of jungle animals groans, she is safe.Please do not disturb her, and do not feed her. We are not in a zoo. She has to be respected as the last wild anomaly in natural environment.” François Roche & Camille Lacadee
Last summer I attended the ‘DIY - Feral Child’ workshop organised by François Roche, Camille Lacadee, Ezio Blassetti, Stefan Henrich and Danielle Willems. The workshop took place in a Mon Village of Thailand, in the wilderness of bamboo forests nearby the Kwai River. Through research, narrative, material experimentation, design, fabrication and filming; we created the scenerio, the set, and the props and produced a movie that is about an imagined feral child in the deep Thai Jungle. Every one of us worked actively in every process of the production including design, construction and filming. I worked mainly on the design and production of the props; the mask. the latex patches, acupuncture needles, hair ect. I had the chance to work closely with actress of the feral child; an incredible Butoh dancer, Syv Bruzeau. The 10 minute film is soon to be published.
The Structure | Scenes
Props | Scenes
In order to understand the limits and the nature of the live bamboo material, we did a lot of experimentations through vapourising, heating, slicing and bending. These experiments provided us with the data to start building our design for the nest of the feral child. The nest that covers and protects but at the same time imprisons her. This shelter was going to be built by shaping, bending and connecting the existing bamboo’s at the site, therefore we 3dscanned the forest and designed it computationally, using the limitation data we extracted from material experimentations. Meanwhile, we were doing our material trials for the props as well. We were testing every material for the shootings. For the mask of the feral child, we proposed a design that reflects her wildness in an expressionless way. After 3d scanning the mould of the actress’s face, we designed the mask and 3d printed it. Using my experience with liquid latex sculping, I proposed to produce latex patches for the acupuncture scene. The patches connecting up to the electrode were designed and manufactured by me. After the completion of the props production and structure construction, I worked on the set for a week to put on the props on the actress.
Props | Scenes
dancer 3d scanned acupuncture needle locations
feral child’s nest at site the bamboo structure| positioning the Kuka
designing the mask for the feral child
Public Drawing with Atelier Bow-Wow
Location: Galata Bridge, Istanbul Group Work for Istanbul Design Biennial | The Future is Not What it Used to Be Summer 2014 Supervisors: Atelier Bow-Wow Yoshiharu Tsukamoto and Momoyo Kaijima
The Crew:
Dilsad Anil, Ogul Oztunc, Atil Aggündüz, Ece Yetim, Basak Tuna, Güler Nazli Pekdemir Hyunsoo Kim, Toprak Izgüven, Mari Ota, Kazuhiro Yasufuku, Eri Nakamura, Büsra Yurtnaç, Melike Yet “Public Drawing is a site-specific project focusing on Istanbul’s Galata Bridge. Joining two sides of the city, the bridge also functions as a kind of city itself, hosting a variety of activities such as fishing, cooking on boats, eating on the street, and waiting for the bus. Working with local students and students from Tokyo, the team spent time studying and recording the live environment. The resulting interaction and negoriation between theindividuals making the drawing is evident in the handwork, which resembles the experience of being with others in the public space. By emphasizing the drawing process as an active tool for architectural thinking Bow-Wow asks; ‘How might we record and transpose knowledge from one condition to another?’”
photo by Atil Aggündüz
Sculpture | The Torso
Photography
Model | Internship at Mars Architects
Costume | Latex and lacework
Painting and Drawing | The Circus
Painting | The Mapped Portrait