PORTFOLIO DIPESH AGRAWAL
8
8
5
C E
8511862890 , 7984237896 dipeshagrawal176@gmail.com
DIPESH AGRAWAL
CV CURRICULUM VITAE
TO INTERN AT A FIRM IS AN OPPORTUNITY TO ADVANCE MY KNOWLEDGE IN THIS FIELD OF ARCHITECTURE , TO SHARPEN MY SKILL SET REGARDING PRACTICAL APPROACH TOWARDS DESIGN AND TO ENHANCE MY PROFESSIONAL CAPABILITIES AND CONTRIBUTE TO CREATE WORKING ENVIRONMENT .
DIPESH AGRAWAL PURSUING ARCHITECTURE Sixth semester student Department of Architecture, Arvind Patel Institute of Environmental Design (A.P.I.E.D), Vallabh Vidhyanagar, Anand , Gujarat.
ADDRESS N-8 Sagar Appartment, Opp. sarthi hotel , Vastrapur road, Ahmedabad - 380054.
CELLULAR NO. 8511862890 , 7984237896
EMAIL ADDRESS
“ONE OF THE GREAT BEAUTIES OF THE ARCHITECTURE IS THAT EACH TIME IT IS LIKE A LIFE STARTING ALL OVER AGAIN. “ - RENZO PIANO
EDUCATION QUALIFICATION 10TH std 12TH std 1st sem 2nd sem 3rd sem 4th sem 5th sem
Gujarat State Board Gujarat State Board A.P.I.E.D A.P.I.E.D A.P.I.E.D A.P.I.E.D A.P.I.E.D
80% 85% Pass Pass Pass Pass Pass
SKILLS
BEYOND ARCHITECTURE
Hand Drafting Presentation Model making Documentation Composition
Reading Graphic Design Photography Travel Volleyball
dipeshagrawal176@gmail.com
CO-CURRICULAR ACTIVITIES
D.O.B
Ÿ 361 CONFERENCE Ÿ CERAMICS WORKSHOP Ÿ NASA INDIA
Ceramics Sketching
O
28th March , 1998
LANGUAGES KNOWN English , Hindi , Gujarati
(NATIONAL ASSOCIATION OF STUDENTS OF ARCHITECTURE) 2016-17:ANDC TROPHY Member of Computational Team -SHORT LISTED IN TOP 60 ENTRIES 2016-17:REUBENS TROPHY -WON CITATION-2
SOFTWARES KNOWN COREL
AUTOCAD
LUMION
REVIT Beginner
PHOTOSHOP
SKETCH UP
MICROSOFT OFFICE
INDESIGN Beginner
CONTENT 1. ANTHROPOMETRY STUDIO ROOM OF 27 M3 VOLUME
2. MATERIAL STUDIO WEEKEND HOME
3. CONTEXTUAL STUDIO DAKOR - RESIDENTIAL HOUSES
4. INSTITUTIONAL STUDIO BUS TERMINAL
5. BASIC DESIGN SURFACE MODULATION
6. NASA WORK ANDC TROPHY , REUBENS TROPHY
7. ART WORK PHOTOGRAPHY SKETCHES
*PRESENTED DRAWINGS WERE EITHER HAND DRAFTED OR WERE MADE IN SOFTWARES
ANTHROPOMETRY STUDIO Ÿ TO DEVELOP UNDERSTANDING OF HUMAN SCALE AND
PROPORTIONS WITH SPACE , EXPLORING THE PRINCIPLES OF CONCEPTUALIZATION OF SPACE DESIGNING. Ÿ Ÿ MEASURE DRAWING AND STUDY OF HUMAN
ANTHROPOMETRY. Ÿ PROGRAM : SINGLE ROOM FOR STUDENT OF ARCHITECTURE 3 Ÿ VOLUME - 27 M
ANTHROPOMETRY STUDIO THE BRIEF WAS TO DESIGN A ROOM FOR A STUDENT OF ARCHITECTURE WITH ALL THE BASIC FACILITIES. THE VOLUME OF THE ROOM MUST NOT EXCEED 27M3 . REQUIREMENTS : SLEEPING AREA, PANTRY , WORKING TABLE , STORAGE , WARDROBE AND TOILET.
B
A
A
GROUND FLOOR PLAN
SECTION AA
SECTION BB
B
MATERIAL STUDIO Ÿ THIS STUDIO REQUIRES STRONG EXPLORATION OF MATERIALS
, ITS ANALYSIS AND EXPERIMENTING WITH ITS UNBOUNDING PROPERTIES AND WORKOUT DIFFERENT COMBINATIONS. Ÿ PROGRAM : WEEKEND HOME FOR AN ARTIST -PAINTER .
STONE AS A PRIMARY MATERIAL AND WOOD WAS SECONDARY MATERIAL. Ÿ SITE: SITE WAS LOCATED ON THE BANKS OF RIVER MAHI IN
VADODARA , GUJARAT. AREA- 1130 SQ.M
JOINERY DETAILS:
MATERIAL STUDIO
BOTH SLAB AND BEAM ARE MADE UP OF STONE.IF SPAN IS MORE THAN 3 M THAN CONTINUOS BEAM IS NOT POSSIBLE.IN SUCH CASE A FRAME MUST BE CREATED FOR RESTING OF BEAM AND SLAB.
THE BRIEF WAS TO DESIGN A WEEKEND HOME FOR AN ARTIST AWAY FROM THE CITY. HOME WILL BE FOR THE FAMILY OF FOUR MEMBERS . PLAN BRIEF: G.F - LIVING ROOM , KITCHEN , DINING , MASTER BEDROOM , POOL , RECREATIONAL SPACE , OPEN DECK , CLAY WORKSHOP FOR ARTIST . F.F - 2 BEDROOM , GATHERING SPACE , OPEN DECK
AMENITIES PROVIDED: 1.ENTRANCE 2.PARKING 3.SERVANT’S QUARTER 4. PLINTH +0.6 5.OTS WATER BODY 6.RECREATIONAL SPACE 7.STAIRS 8.LIVING SPACE 9.OPEN DECK
10.BEDROOM 11.KITCHEN 12.DINING TABLE 13.DECK 14.SWIMMING POOL
15.CHANGEROOM 16.STORAGE 17.CLAY WORKSHOP 18.SITTING A C
WOODEN BEAMS WERE USED AS A SUPPORT FOR THE WOODEN DECK.
2
N
1
B
GROUND FLOOR PLAN
B
SLATES PLACED ON THE ROOF WERE JOINED WITH THE HELP OF PINS SO THAT THEY WONT SLIP AWAY.
A C
ENTIRE STRUCTURE IS LOAD BEARING AS IT IS MADE OUT OF STONE . AS THE STONE STRUCTURES ARE VERY HEAVY, AS HEIGHT OF STRUCTURE INCREASES. SO IT IS MANDATORY TO DECREASE THE USE OF STONES AND INCREASE THE USE OF OTHER MATERIALS TO MAINTAIN IT.
SLATES ARE JOINED TO EACH OTHER BY PINS. THEN THE TOP MOST SLATE IS JOINED WITH THE WOODEN FRAME BY PIN.
A C
VARIOUS MATERIALS USED: WOOD: ROOF FRAME AND DECKS TERRACOTA STONE: FLOORING STONE: ROOF AND BEAMS GRANITE: WALLS
B
B
FIRST FLOOR PLAN
CENTRAL SQUARE BEAM IS USED AS A RESTING OF BEAM. THEN SLAB IS PLACED ON BEAM.
A C
SLAB OF STONE IS FORMED BY SEVERAL BLOCKS WHICH WERE JOINED LIKE THIS.
SECTION AA
SECTION CC STONE HAS MANY QUALITIES SUCH AS HARDNESS DENSITY , DURABILITY , WORKABILITY , STRENGTH , AS WELL AS APPEARANCE. STRATIFIED STONES SHOULD BE EASILY DRESSED. STONE AND WOOD WORKS BEST AS A COMBINATION AND THAT’S THE REASON WOOD HAS BEEN CHOSEN AS A SECONDARY MATERIAL FOR THE DESIGNING.
SECTION BB
CONTEXTUAL STUDIO 타 TO DEVELOP CONTEXTUAL UNDERSTANDINGS AND ITS
ASPECTS IN DESIGN PROCESS. IT MUST REFLECT UPLIFTMENT OF LOCALE , THEIR NEED , SOLUTION TO CORE ZONAL PROBLEMS , COMMUNITIES , RELIGION , CULTURE , MATERIAL , ECONOMY AND CLIMATE. 타 PROGRAM : DESIGN HOUSES FOR 9 FAMILIES IN GIVEN AREA. 타 SITE: GOPALPURA STREET IN DAKOR , GUJARAT. 타 AREA - 535 SQ.M
DOCUMENTED HOUSE
SITE
S T R E E T TOWARDS BUS STAND OPEN SPACE
DAKOR KEY PLAN
STREET TOWARDS RANCHODRAIJI MANDIR
DOCUMENTED STREET
JOINERY DETAILS:
CONTEXTUAL STUDIO
STEAM BENDING METHOD
THE BRIEF WAS TO DOCUMENT THE EXISTING HOUSES IN THE SITE AND THEN REDESIGNING CLUSTER OF HOUSES FOR 9 FAMILIES THAT MUST RESPOND TO THE CONTEXT AS WELL AS MATCH THEIR LIVING PATTERNS. DESIGN BRIEF: 9 HOUSES - 5 (2BHK), 2 (3BHK), 2(4BHK) MOREOVER A COMMUNITY SPACE MUST BE INCLUDED FOR THE FAMILIES TO INCREASE THE INTERACTION AMONG THEMSELVES AND NEIGHBOURS.
BRACKET
ATTIC
RED INDIAN PLASTER
THE SITE DOCUMENTED HOUSE
RESIDENTIAL COMMERCIAL
BRACKETS ARE USED AS BASIC KOTA STONE SUPPORTS . SOFT WOOD SHEET BENDED USING STEAM WOOD PURLINS BENDING WHERE STRIPS OF WOOD ARE STEAM HEATED USING STEAM BOX. THE HARDNESS OF WOOD WILL DETERMINE HOW LONG IT IS REQUIRED TO SOAK THE WOOD EXPLODED 3D VIEW IN WATER BEFORE BENDING.
THE STRUCTURE IS FOLLOWING THE RADIAL PATTERN. COURTYARD WAS CENTRALLY BUILT AND HAVING VERY LESS VENTILATION. THERE WERE LARGE NUMBER OF OPENINGS ON SOUTH FACING TO CAPTURE LARGE AMOUNT OF DAYLIGHT.
EAST SIDE ELEVATION
NORTH SIDE ELEVATION
COURTYARD PLAYS AN IMPORTANT ROLE AS A GATHERING SPACE AND LIGHTNING ELEMENT. DUE TO LESS WIDTH OF THE STREET COMPARED TO HEIGHT OF THE STRUCTURE , NO SUNLIGHT CAN ENTER FROM FRONT FACADE. HERE COURTYARDS ARE PLACED IN THE CENTRE OF THE STRUCTURE SO THERE IS CIRCULATION OF LIGHT THROUGHOUT THE STRUCTURE DURING DAYTIME.
STREET IS VERY NARROW i.e. X:Y RATIO IS 1:3. HENCE THERE IS CONSTANT SHADOW IN THE STREET THROUGHOUT THE DAY. DUE TO IT ALSO CREATES A FUNNEL EFFECT BY WHICH AIR FLOWS AT HIGH VELOCITY.
SKYLINE OF THE SITE
STREET REMAINS CROWDED THROUGHOUT THE DAY. SO CAMERAS WERE INSTALLED ON THE ELECTRIC POLES FOR SAFETY.
DESIGN
2 BHK G+1
(2)2 BHK G+3
4 BHK G+2
(2)2 BHK G+3
4 BHK G+2
A
A 3 BHK G+2 3 BHK G+2
B
MASTER LAYOUT A COMMUNITY SPACE HAS BEEN PROVIDED INSTEAD OF SEPARATE COURTYARDS IN CENTRE WHICH CAN ACT AS A GATHERING SPACE FOR EVERYONE AND HAS DIRECT CONNECTION WITH THE STREET .
SECTION - AA UNITS WERE DESIGNED IN SUCH A WAY THAT THEY H A V E OPENINGS ON ALMOST ALL THE SIDES.
SECTION - BB
A A
A
TYPICAL GROUND FLOOR PLAN
A
TYPICAL FIRST FLOOR PLAN
PARKING HAS BEEN PROVIDED ON GROUND BELOW THE UNIT.
SECTION AA
C E N T R A L COMMUNITY SPACE CAN BE U S E D B Y CHILDREN TO PLAY.
INSTITUTIONAL STUDIO Ÿ THIS STUDIO EMPHASIZES ON ZONING , UNDERSTANDING THE
SCALE OF THE INSTITUTE , FUNCTIONALITY , CLIMATE RESPONSIVENESS , ENERGY ISSUES ,INSTITUTE IMAGE UPLIFTMENT , OVERLAPPING OF FUNCTIONS , EDUCATION QUALTITY THROUGH QUALITY OF SPACES. Ÿ PROGRAM : TO DESIGN A BUS TERMINAL Ÿ SITE: LOCATED IN OLD CITY OF AHMEDABAD OPPOSITE TO
PRESENT GEETA MANDIR BUS TERMINAL. AREA- 31000 SQ.M
INSTITUTIONAL STUDIO THE BRIEF WAS TO DESIGN A BUS TERMINAL THAT ACCOMMODATES 40,000 PASSENGERS AND 800 BUSES IN A DAY. THE CONCEPT WAS TO MINIMIZE THE WASTAGE OF GROUND SPACE AND PROVIDE BETTER CIRCULATION FOR PASSENGERS AND BUSES. TO RESOLVE THE ISSUES OF PARKING ,ENCROACHMENTS , TO RESPOND TO THE HERITAGE SITE NEARBY AND TO THE CONTEXT. MAXIMUM HEIGHT OF THE STRUCTURE IS REDUCED TO 15 M.
ASTODIYA DARWAJA
PRIVATE VEHICLES EXIT
PARKING 2 ST BUSES EXIT
PRIVATE VEHICLES ENTRY +200 MM
B
B
+0 MM
A
A BA
YS
+600 MM
RT
UR
E
+0 MM
D
EP
A
WORKSHOP
+200 MM ARRIVAL BAYS
PRIVATE VEHICLES EXIT
+1000 MM
BRTS STAND
PARKING 1
BUSES ENTRY
SINGLE SIDE ROAD
SINGLE SIDE ROAD
ST BUSES ENTRY
+0 MM
PRIVATE VEHICLES ENTRY
BRTS CIRCULATION ST BUSES CIRCULATION PRIVATE VEHICLES CIRCULATION
SITE MASTER LAYOUT
SECTION - AA
SECTION - BB TERMINAL CONCOURSE: TICKET COUNTER ENQUIRY ROOM WAITING AREA FOOD COURT SHOPS (16)
B
B ARRIVAL BAYS
A
A
GROUND FLOOR PLAN THE CONCEPT WAS TO DIVIDE THE ENTRY AND EXIT FOR THE PASSENGERS TO AVOID THE RUSH DURING PEAK HOURS. STAFF ACCOMMODATION DELUXE WAITING AREA RECREATIONAL SPACE DIVISIONAL OFFICES DORMITORY
B
B
A
A
FIRST FLOOR PLAN
BASIC DESIGN SURFACE MODULATION Ÿ IT IS DONE THROUGH CUTTING AND
EXTRUSION OF THE PART OF THE SURFACE FROM THE WHOLE. Ÿ THE TECHNIQUE INCLUDES REMOVING THE SURFACES IN GRIDS TO GET THE PERFECT COMBINATION OF LIGHT AND SHADOW. Ÿ THE SURFACES THAT ARE FORMED WILL BE OBSERVED AFTER THE FORMATION.
SPACE MODULATION Ÿ IT IS DONE THROUGH CUTTING AND EXTRUSION OF ALUMINIUM RODS AND WIRES. Ÿ THE TECHNIQUE INCLUDES PROPORTIONATE BENDING AT RIGHT ANGLES AS WELL AS 45 . Ÿ THE QUALITY OF SPACES FORMED WERE OBSERVED LATER AFTER THE FORMATION.
POLYHEDRON Ÿ WITH THE USE OF DIFFERENT MODULES OF POLYHEDRONS, DEPICTION OF COLUMNNESS ,WALLNESS ,
SPACENESS IS DONE BY REPETITION OF MODULES IN EITHER DIRECTION AND FORMING DIFFERENT KIND OF SPACES.
COLUMNNESS
WALLNESS
SPACENESS
CREASE AND FOLD MODELS Ÿ MODELS HAD BEEN PREPARED BY USING CREASE AND FOLD METHOD. Ÿ WE CAN EITHER INCREASE OR DECREASE THE SIZE OF THE MODULE AND WORK OUT DIFFERENT
COMBINATION OF THE SAME MODULE BY REPETITION METHOD. Ÿ BY DOING SO INTERESTING SPACES HAVE BEEN CREATED WITHIN THE MODELS .
MODEL 1
MODEL 2
SPACE VISUALIZATION Ÿ CONVERSION OF A 2
DIMENSIONAL GRAPHIC INTO 3 DIMENSIONAL MODEL. Ÿ A GRAPHIC WAS SELECTED AND DIFFERENT COLOUR SCHEMES WERE APPLIED TO IT.
GRAPHIC WAS LATER CONVERTED INTO A 3D SKETCHES AND SKETCHUP MODEL AND FOAM MODEL. SIPOREX MODEL HAS BEEN MADE WHICH WAS COMBINED WITH MODELS OF DIFFERENT A GRAPHIC HAS BEEN MADE BY I N D I V I D U A L S A N D W E R E COMBINING THE GRAPHICS OF 2 INSTALLED ON THE WALLS OF INDIVIDUALS AND GREY COLOUR THE COLLEGE. SCHEME IS APPLIED TO IT.
SKETCHES
SKETCHUP MODEL
SIPOREX MODEL
NASA WORK ANNUAL NASA DESIGN COMPETITION 2016-17
NASA WORK REUBENS - SUSTAINABILITY
PHOTOGRAPHY
SKETCHES
THANK YOU DIPESH AGRAWAL
CONTACT NO 8511862890 , 7984237896 EMAIL ID dipeshagrawal176@gmail.com