I
'1-3
MARY LAKE MEMORIAL
Digitized by the Internet Archive in
2007
with funding from
Microsoft Corporation
http://www.archive.org/details/completewritings07whitrich
THIS EDITION
IS
ISSUED
UNDER ARRANGEMENT WITH
MESSRS. SMALL, MAYNARD,
&
CO.,
OF BOSTON
THE PUBLISHERS OF THE AUTHORIZED EDITIONS OF
THE WRITINGS OF WALT WHITMAN
PAUMANOK
EDITION
This Edition of the Complete Works of Walt
Whitman
printed on Ruisdael hand<^made
is
paper, and limited
which
to
Three Hundred
this is
Number
3.5
(r)
Sets,
of
CQMPLETg WRITINGS or
WALT \!/HlTMA Issued under the editorial super-
vision of his Literary Executors,
Richard
Maurice Bucke, Thomas B.Harned, and Horace L. Traubel
With
additional
bibliographical
and
critical
ma-
prepared by Oscar Lovell Triggs, Ph.D. terial
G.P.PUTNAM'5 S2NS
NEWYeRK
^
LCNDON
THE KNlCKERBeCKER PRESS
^.
LEAVES OF GRASS BY
WALT WHITMAN VOLUME in
INCLUDING VARIORUM READINGS, TOGETHER WITH FIRST DRAFTS OF CERTAIN POEMS REJECTED PASSAGES, AND POEMS
DROPPED BY THE WAY EDITED BY
OSCAR LOVELL TRIGGS,
G.
p.
Ph.D.
PUTNAM'S SONS
NEW YORK AND LONDON XTbe Tknicfterbocfter
1902
press
y^/Kji^r^^
iJ^ COPYRIGHT
1871,
1876,
i860,
1855,
1856,
1881,
1882, 1883,
BY
1867 1884, 1888,
1891
WALT WHITMAN
COPYRIGHT 1897 BY RICHARD MAURICE BUCKB
THOMAS
B.
HARNED AND HORACE
LITERARY EXECUTORS OF
L.
TRAUBEL
WALT WHITMAN
COPYRIGHT 1902
BY THOMAS
B.
HARNED AND HORACE
SURVIVING LITERARY EXECUTORS OF
L.
TRAUBEL
WALT WHITMAN
ENTERED AT STATIONERS' HALL
•• «
•••• • •< ••••••
••
Ube
ftniclierboclter press* l^evp IQorli
Contents
GOOD-BYE
MY Out
Sail
FANCY.
for
Good, Eid6lon Yacht
I
...
^^^^
...
8
7
Lingering Last Drops
My
Good-Bye
7
Fancy
On, on the Same, Ye Jocund Twain
My
1
8
71st Year
9
Apparitions
The
Pallid
9
Wreath
10
An Ended Day Old Age's Ship
To
10
&
Crafty Death's
.
.11
.
the Pending Year
11
Shakspere-Bacon's Cipher
12
Long, Long Hence
12
Bravo, Paris Exposition! Interpolation
To
Sounds
.
.
.-. '.•^'
.
.
.
.
the Sun-set Breeze
Old Chants
A
.
.
-'.i'-il^,/
;
,
.
.
^
*>.,-,
.'''\'-h*
.12 '')''''
.
y,
>,
t
^
>
U M
*'•';'•'•'''.'" ''15
16
Christmas Greeting
Sounds of the Winter
17
A Twilight Song When the Full-Grown
17
Poet
Came
Osceola
...
18 19
A
Voice from Death
A
Persian Lesson
.19 21 [iil]
S73541
Contend
MY FANCY— Continued
GOOD-BYE
PAOB
The Commonplace
22
" The Rounded Catalogue Divine Complete "
23
Mirages
23
L.
of G.
Purport
's
The Unexpress'd Grand
24
...
^^-
23
the Seen
Is
26
Unseen Buds
26
My
Good-Bye
Fancy
1
...
.
.
21
OLD AGE ECHOES. To Soar Then
in
Freedom and
in Fullness of
Shall Perceive
Power
31
....
31
The Few Drops Known One Thought Ever at the Fore
32
While Behind
32
A
All
31
Firm and Erect
Kiss to the Bride
Nay, Tell
32
Me Not To-day
the Publish'd
Shame
33
Supplement Hours
34
Of Many a Smutch'd Deed Reminiscent To Be At All
34 .
Death's Valley
35
On the Same Picture A Thought of Columbus
A Backward
....
Granee'b'er.Traverd Roads
ln(^?H pf; First -Lip^s
j.
:;.]
35
.
36
.
31 41
.
.
.)
69
A RIORUM READINGS.
f^
Part
I.
Part
II.
—Variorum Readings — Rejected Lines and Passages .
Part III.— Rejected Poems
M
....
.
.
.
85
20 292
miustrations fValt
Whitman From a
....
daguerreotype,
Owned
18^4.
Frontispiece by J. H.
Johnston, Esq., Brooklyn, N. Y.
Walt Whitman, aged 72 From an
.
etching by H. D.
...
30
Young from a photo-
graph by Thomas Eakins.
Walt Whitman, 1890 From a photograph
100
by F. Gutekunst, Philadelphia.
'60
Walt Whitman From a photograph
by F. Gutekunst, Philadelphia.
W
(Second Annex)
Copyright, 1891, by VOL.
inâ&#x20AC;&#x201D;
Walt Whitman [i]
IPreface
Bote
Conclu&fna %* ot
Had
I
2b Hnnei
to
©.— 1891*
not better withhold
paralysis of
me) such
(maybe specks,
it
afterward
?
from the
too democratic for such avoidances.
Perhaps Besides,
the verse-field, as originally planned by
for
my In
— (indeed amid no loud
call
am
I
is
—
not
theory,
me
to
or market
sort of poetic utterance).
answer, or rather defiance, to that kind of well-
put interrogation, here comes this conclusion of all
my
sufficiently illustrated— and full time for
silently retire ?
first
parrot-like repetitions
nor platitudes and the commonplace.
now
dusty jour-
have probably not
I
afraid of careless touches,
— and am not now — nor of
age and
and fringe-dots
stains,) as follow a long
ney, and witness
been enough
(in this old
tags
little
my preceding
little
clusters.
clear that, as here collated,
it
is
cluster,
and
Though not
at
worth printing
—
while have nothing fresh to write) away the hours of my 72d year hours of forced by putting in shape this confinement in my den (certainly
I
—
small old age collation
:
[3]
—
I
ILeavee of (Braea
Last droplets of and after spontaneous rain,
From many limpid
distillations
and past showers;
mere exhalations
(Will they germinate anything? are
Will they
filter
any deep emotion
to
However
may
that
day's opportunity and
years
be,
exhaustion,
chirps
certain
probably (undoubtedly) gather and put (for
my
any heart and brain
the
lulls
month, even I
am
— lingering-dying
me
I
may
like
ones
as well
they are dimming, and refuses,
slight tasks or revisions).
these current years 1890 and
(each successive fortnight getting
much
two
last
type while able to see correctly
in fair
In fact, here
?)
of illness and
more and more palpably neglects or
after
deeper)
all
improving to-
During the
up.
— which now
eyes plainly warn
my brain month
in
?
feel like
I
wind
have sent out,
I
as they
— the land's and sea's — America's;
stiffer
some hard-cased
'91,
and stuck
dilapidated grim
ancient shell-fish or time-bang'd conch
(no legs,
up high and dry on the nothing shore-sands, helpless to move anywhere left but behave myself quiet, and while away the days yet assigned, and discover if there is anything for the said grim and time-bang'd conch to be got at last out of inherited good spirits and primal buoyant utterly non-locomotive) cast
—
centre-pulses
down
his gray-blurr'd
must allow a are too
many
there deep
old
little
shell.
fun
.
here —
.
somewhere within (Reader, you
for
.
one reason there
of the following poemets about death,
&c., and for another the passing hours O^ly [4]
5,
1890)
preface mote
And
are so sunny-fine.
most a
part of
some
old as
am
I
I
to-day
feel
frolicsome wave, or for sporting
yet like a kid or kitten
— probably a streak of physi-
adjustment and perfection here and now. lieve I have it in me perennially anyhow.)
cal
Then behind a glum one, but in
all, I
al-
I
the deep-down consolation
be-
(it is
dare not be sorry for the fact of
it
the past, nor refrain from dwelling, even vaunting
here at the end) that this late-years palsied old shorn
and
shell-fish
condition of
me
outcome and growth, now near
is
the indubitable
for
20 years along,
emo-
of too over-zealous, over-continued bodily and tional excitement 1862,
'3,
'4
and
and action through the times of visiting
'5,
and waiting on wounded
and sick army volunteers, both
campaigns
sides, in
or contests, or after them, or in hospitals or fields
south of Washington City, or
where—those volunteers,
all
in that place
and
else-
—
the army wrenching times the States,—or North or South
hot, sad,
—
wounded, suffering, dying ing summers, marches,
— the
exhausting, sweat-
— those trenches hurriedly heap'd by the corpse-thousands, — mainly unknown— Will the America of the future will this vast rich
Union ever
back there
all
after
?—those
deaths—Those times whole book
is
carnage
battles,
realize
what
itself cost,
hecatombs of
of which,
O
battle-
far-off reader, this
indeed finally but a reminiscent me-
morial from thence
by me
to
[51
you
?
fmc^
(5oob^Bi2e (Vb^
Sail
©ut
tor Goot), Bt&6lon Kacbtl
Heave the anchor short Raise main-sail and
O
little
(I
will not call
jib
— steer
white-hull'd sloop, it
forth,
now
speed on
really
deep waters,
our concluding voyage,
But outset and sure entrance to the Depart, depart from
solid earth
truest, best, maturest;)
— no
more returning
to these
shores,
Now
on
for
Spurning Sail
all
aye our
infinite free
venture wending.
yet tried ports, seas, hawsers, densities, gravitation.
out for good, eid61on yacht of
me
I
XiriQCvim Xast Drops,
And whence and why come you ?
We know not whence, (was the answer,) We only know that we drift here with the That
we
linger'd
now To make
rest.
and lagg'd— but were wafted
here.
the passing shower's concluding drops
M
at last,
and are
Xeavca of ©raea
Good-bye* But Is
't
my fancy— (I
when
—The best
till
the
word or say,
of any man's
proper place arrives—and for
its
keep mine
I
had a word to say,
not quite the time
is
its
meaning,
last.)
®n, on tbe Same, Be 5ocun& XTwatn
I
On, on the same, ye jocund twain!
My
and
life
Fitful as
containing birth, youth, mid-age years.
motley-tongues of flame, inseparably twined and merged
—combining soul —aims, confirmations,
one
in
My
recitative,
single
all.
failures,
joys
—Nor
single
soul alone, I
chant
my
nation's crucial stage, (America's, haply humanity's)
—
^the trial great,
A
the victory great,
strange Eclair cissement of
all
the
masses
past, the eastern
world, the ancient, medieval. Here, here from wanderings, strayings, lessons, wars, defeats
here at the west a voice triumphant
A
gladsome pealing cry
—a
song
for
—^justifying
all,
once of utmost pride and
satisfaction * Behind a Good-bye there lurks much of the salutation of another beginning to me, Development, Continuity, Immortality, Transformation, are the chiefest
meanings of Nature and Humanity, and are the sine qua non of
all
facts,
life-
and each
fact.
Why
do folks dwell so fondly on the last words, advice, appearance, of the Those last words are not samples of the best, which involve vitality at its full, and balance, and perfect control and scope. But they are valuable beyond measure to confirm and endorse the varied train, facts, theories and faith of the whole preceding life. departing ?
[8]
1
chant from
it
(the best
the
common
bulk, the general average horde,
no sooner than the worst)â&#x20AC;&#x201D; And
now
I
chant old
age,
(My
verses, written first for forenoon
life,
and for the summer's,
autumn's spread, I
pass to snow-white hairs the same, and give to pulses wintercool'd the same;)
As here
in careless
trill,
I
and
my
with
recitatives,
faith
and
love,
Wafting to other work, to unknown songs, conditions, On, on, ye jocund twain! continue on the samel
Ob^ list Keat* After surmounting three-score and
With
My
all
ten,
their chances, changes, losses, sorrows,
parents' deaths, the vagaries of
passions of me, the
As some
war
my
of '63 and
life,
the
many
tearing
'4,
old broken soldier, after a long, hot, wearying march,
or haply after battle.
To-day
at twilight, hobbling,
with Reporting
answering company
roll-call,
Here,
vital voice.
yet, saluting yet the Officer
over
all.
Hpparittons*
A
VAGUE mist hanging 'round
(Sometimes That
all
how
half the pages:
strange and clear to the soul,
concepts, these solid things are indeed but apparitions,
non-realities.) [9]
leavee of (Braas Zbc Somehow Let
it
With
I
cannot
go
let it
Mreatb^
ipallit)
yet, funeral
remain back there on pink, blue, yellow,
it is,
suspended.
its nail
all
though
blanch'd, and the white
now
gray
and ashy.
One But Is
wither'd rose put years ago for thee, dear friend
do not forget
I
Hast thou then faded
thee.
the odor exhaled
?
Are the
colors, vitalities,
No, while memories subtly play For but
Thy So
night
I
woke, and
dead
?
— the past vivid as ever;
in that spectral ring
saw
thee,
smile, eyes, face, calm, silent, loving as ever:
the wreath hang
let
It is
last
?
still
awhile within
not yet dead to me, nor even
an The soothing
pallid.
]£nt)eJ) 5)ai?»
hurried contest-glare and rush are done;
triumph! transformation! jubilate!*
*NoTE. rations
eye-reach,
sanity and blitheness of completion.
The pomp and
Now
my
I
— Summer country
life.
— Several years. —
found a woody place near the creek, where
for
In
my
rambles and explo-
some reason the
birds in
happy mood seem'd to resort in unusual numbers. Especially at the beginning of the day, and again at the ending, was sure to get there the most copious bird-concerts, repair'd there frequently at sunrise and also at sunset, or just before. Once the question arose in me: Which is the best singing, the first or the lattermost ? The first always exhilarated, and perhaps seem'd more joyous and stronger; but always felt the sunset or late afternoon sounds more penetrating and sweeter I
—
I
.
.
.
I
—
seem'd to touch the soul
— often
two or three of them, resome of the mornings, found
the evening thrushes,
sponding and perhaps blending.
Though
myself getting to be quite
punctual at the evening utterances.
Another Note.
strictly
I
miss'd
— " He went out with the [10]
tide
I
and the sunset," was a phrase
From
east
Two
mighty masterful vessels
and west across the horizon's edge,
we 'U make
But
sailers steal
upon the
race a-time
seas
upon
us:
— a battle-contest yet!
bear lively there
(Our joys of
strife
and derring-do to the
Put on the old ship
Crowd
all
and royal studding-sails,
top-sail, top-gallant
Out challenge and defiance
As we take
to the open
—
no weapon-word
I
and flaunting pennants added,
flags
— take to the deepest,
penOtng
XTo tbc
Have
last!)
power to-day!
her
for
freest waters.
ISear*
thee—-some message
brief
and
fierce ?
(Have
fought out and done indeed the battle?)
I
shot
For
all
Nor I
for
Is
there
no
left.
thy affectations,
lisps, scorns,
myself — my own rebellious
heard from a surgeon describing an old
manifold
silliness ?
self in thee ?
sailor's
death under peculiarly gentle
conditions.
During the Secession War, 1863 and
Washington,
I
'4,
visiting the
form'd the habit, and continued
it
Army
Hospitals around
to the end, whenever the ebb or
flood tide began the latter part of the day, of punctually visiting those at that time
Somehow
populous wards of suffering men.
(or
I
thought
so) the effect of the
hour
and would like to talk a little, or be talk'd to. Intellectual and emotional natures would be at their best: Deaths were always easier; medicines seem'd to have better effect when given then,
was
The badly wounded would
palpable.
and a
lulling
get
even with
fields cover'd
ease,
atmosphere would pervade the wards.
and hours, day-close, after gi-eat bathad more than once the same experience on the
Similar influences, similar circumstances tles,
some
all
with
their horrors. fallen or dead.
1
leavee of Down, down, proud gorge! Thy bearded
6mes
— though choking thee;
throat and high-borne forehead to the gutter;
Crouch low thy neck
to
eleemosynary
gifts.
Sbaftspere^JBacon's Ctpben I
DOUBT
it
not
In each old
(Different
— then more,
song bequeathed
— something
more
far
—
in
every noble page or text,
unreck'd
before
— some
unsuspected
author,) In every object,
As
A
part of each
mountain,
tree,
and
star
—
in
every birth and
life,
— evolv'd from each — meaning, behind the ostent,
mystic cipher waits infolded.
XonGt
%om
fbcncc.
After a long, long course, hundreds of
years, denials,
Accumulations, rous'd love and joy and thought,
Hopes, wishes, aspirations, ponderings,
victories,
^^^^^'^'
Coating, compassing, covering
—
Then only may these songs reach
myriads of [tations.
after ages'
and ages' encrus-
fruition.
JSravo, parts Bjposttion!
Add
to your
With
all
show, before you close
it,
France,
the rest, visible, concrete, temples, towers, goods,
chines and ores, [12]
ma-
Our sentiment wafted from many but
million heart-throbs, ethereal
solid, [sires,)
(We
grandsons and great-grandsons do not forget your grand-
From
fifty
Nations and nebulous Nations, compacted, sent over-
sea to-day,
America's applause, love, memories and good-will.
f nterpolatfon Sount)5» (General Philip Sheridan was buried at the Cathedral, IVashington, D.
August, 1888, with all the pomp, music, and ceremonies of the
Roman
C,
Catholic
service.)
Over and through
the burial chant.
Organ and solemn
service, sermon,
To me come
me, crowding up the
Of sudden
bending
priests.
interpolation sounds not in the
battle's
aisle
show
— plainly to
and from the window.
hurry and harsh noises
— war's grim game to
sight and ear in earnest;
The scout
call'd
— the general mounted and new-brought word — the instan-
up and forward
aids around
him
— the
his
taneous order issued
The
rifle
crack
from
The
— the
cannon thud
— the
rushing forth of
men
their tents;
clank of cavalry
— the strange
celerity of
forming ranks-—
the slender bugle note;
The sound of
horses' hoofs departing
— saddles, arms, accoutre-
ments.* Note.— Camden, N. J., August 7, 1888.— Walt Whitman asks the A/w York " Herald " to add his tribute to Sheridan :
"
In the
grand constellation of
five or six
[X3]
names, under Lincoln's Presidency,
leaver of 6ra00 TCo tbe Sun.»set Breeze*
Ah, whispering, something again, unseen,
Where Thou, Me,
late this
tempering
laving,
old, alone, sick,
Thou,
(Thou
all,
talk,
hast,
O
book,
and firm yet
soft,
— and my
on
companion
better
art,
my
taste to breathe within
face
heart
beyond
them,)
this is of
So sweet thy primitive fingers
cool-freshing, gently vitalizing
Nature! elements! utterance to
the rest
door,
weak-down, melted- worn with sweat;
nestling, folding close
than
my window,
heated day thou enterest at
— thy
soothing
and hands.
Thou, messenger-magical strange bringer to body and
spirit
of me,
— occult
(Distances balk'd
medicines penetrating
me
from head
to foot,) I
feel
the sky, the prairies vast
I
feel
the ocean and the forest
swift-swimming
Thou blown from
in
— the mighty northern — somehow the globe I
I
lakes,
feel
itself
space;
so loved,
lips
feel
now gone — haply
from endless
store, God-sent,
(For thou art
spiritual,
Godly, most of
all
known
to
my
sense,)
that history will bear for ages in her firmament as marking the last life-throbs of secession,
and beaming on
tion rising out of the
taking notice
of.
If
its
now
dying gasps, Sheridan's
dead
soldier's
will
example as
be bright. it
passes
my
One
considera-
mind,
is
the war had continued any long time these States,
worth in
my
would have shown and proved the most conclusive military talents ever evinced by any nation on earth. That they possess'd a rank and file ahead of all other known in points of quality and limitlessness of number are easily admitted. But we have, too, the eligibility of organizing, handling and officering equal to the These two, with modern arms, transportation, and inventive American other. genius, would make the United States, with earnestness, not only able to stand the whole world, but conquer that world united against us." opinion,
[14]
(5oo&^B?e flD? ifancu Minister to speak to me, here and
and cannot
told,
tell.
Art thou not universal concrete's
tronomy's
last
Hast thou no soul
refinement
Can
?
now, what word has never
I
distillation ?
Law's,
all
As-
?
not know, identify thee
?
r ÂŽl^ Gbant0ÂŤ
An
ancient song, reciting, ending.
Once gazing toward
thee,
Musing, seeking themes
Accept for me, thou
And name for me (Of
many
New
saidst, the elder ballads.
before thou goesteach ancient poet,
World's
Old chants, Egyptian
The Hindu Biblic
The
Iliad,
fitted for thee,
chieftest debt
is
to old poems.)
back, preluding thee, America,
far
The
All,
debts incalculable.
Haply our Ever so
Mother of
priests,
and those of Ethiopia,
epics, the Grecian, Chinese, Persian,
books and prophets, and deep Odyssey,
plots, doings,
idyls of the Nazarene,
wanderings of Eneas,
Hesiod, Eschylus, Sophocles, Merlin, Arthur,
The
Cid, Roland at Roncesvalles, the Nibelungen,
The troubadours,
minstrels, minnesingers, skalds,
Chaucer, Dante, flocks of singing birds,
The Border
Minstrelsy, the bye-gone
plays,
Shakspere, Schiller, Walter Scott, Tennyson, [15]
s
ballads, feudal tales, essays,
Xeavee of (5ra00 As some The
vast
great
wondrous weird dream-presences.
shadowy groups gathering around,
Darting their mighty masterful eyes forward at thee,
Thou! with
as
now
thy bending neck and head, with courteous
hand and word, ascending,
Thou! pausing a moment, drooping thine eyes upon them, blent with their music.
Well pleased, accepting
Thou
all,
curiously prepared for
enterest at thy entrance porch.
H
Cbrtstmas 6reetina*
(From a Northern Star-Group
Welcome,
A
by them,
loving
to
a Southern.
1889-90.)
— thy ample place ready; hand — a smile from the north — a sunny Brazilian brother
is
instant
hail!
(Let the future care for
itself,
where
it
reveals
its
troubles,
im-
pedimentas, Ours, ours the present throe, the democratic aim, the acceptance
and the
To
faith;)
thee to-day our reaching arm, our turning neck
— to
thee
from us the expectant eye,
Thou
cluster free!
thou
brilliant lustrous
one! thou, learning
well
The
true lesson of a nation's light in the sky,
(More shining than the Cross, more than the Crown,)
The height
to
be superb humanity. [16]
Soun^9 ot tbe MIntct* Sounds of the winter
too.
Sunshine upon the mountains
From cheery
— many a distant
— from nearer
railroad train
field,
strain
barn, house,
— even the mute crops, garner'd apples, corn, women's tones — rhythm of many a farmer and
The whispering air Children's and
of
An
flail,
old man's garrulous lips
among
the
Think not we give out
rest.
yet.
Forth from these snowy hairs we keep up yet the
As
I
sit in
twilight late alone
by the
Musing on long-pass'd war-scenes
unknown Of
lilt*
flickering oak-flame.
— of
the countless buried
soldiers.
the vacant names, as unindented
air's
and
sea's
— the un-
return'd.
The
brief truce after battle,
with grim burial-squads, and the
deep-fill'd trenches
Of
gather'd dead from
all
whence they came
America, North, South, East, West,
up,
From wooded Maine, New-England's
farms, from
fertile
Penn-
sylvania, Illinois, Ohio,
From the measureless West,
Virginia, the South, the Carolinas,
Texas,
(Even here
in
my
room-shadows and
flickering flames, VOL. Ill—
£x7]
half-lights in the noiseless
TUavcB of (Braea Again
I
ranks on-filing, rising
see the stalwart
—
I
hear the
rhythmic tramp of the armies;)
You
names
million unwrit
all, all
—you dark bequest from
all
the
war,
A
special verse for
mystic
Each name
roll
you
—a
flash of
duty long neglected
— your
strangely gather'd here,
recall'd
me
by
from out the darkness and death's
ashes.
Henceforth to be, deep, deep within
many Your mystic
my
heart recording, for
a future year. roll entire
Embalm'd with love
of
unknown names,
or North or South,
in this twilight song.
Kllben tbe jTulUGtown poet Came.
When
the full-grown poet came.
Out spake pleased Nature its
(the
shows of day and
round impassive globe, with
night,) saying,
He
is
all
mine;
But out spake too the Soul of man, proud, jealous and unreconciled.
Nay, he
is
— Then the full-grown
mine alone; poet stood between the two, and took
each by the hand
And
to-day and ever so stands, as blender, uniter, tightly holding hands.
Which he
will never release until
And wholly and
he reconciles the two>
joyously blends them.
[i8]
©sceola, ikyhen I was nearly grown 1838), /
had long
that
him
talks with
The
ceola.
latter
time— was made
When
his
New York
in Brooklyn,
Marines from Fort Moultrie,
S.
— learn' d the occurrence below
described
was a young, brave, leading Seminole
{middle of S.
C, and
— death of Os-
in the Florida
war of
surrender' d to our troops, imprison' d, and literally died of " a
He
broken heart " at Fort Moultrie. officers
manhood
to
met one of the return' d U.
every allowance
hour
He slowly
Drew on
his
around
of his confinement
— the doctor and the close.)
had come,
for death
rais'd
sicken' d
and kindness possible for him; then
himself from the bed on the
war-dress,
shirt,
floor,
leggings, and girdled the belt
his waist,
Call'd for vermilion paint (his looking-glass
was
held before him,)
Painted half his face and neck, his wrists, and back-hands,
Put the scalp-knife carefully in
his belt
— then lying down,
rest-
ing a moment,
Rose again,
half
sitting,
hand to each and
Sank
low
faintly
Fix'd his look
(And here
smiled, gave in silence his extended
all,
[handle,)
to the floor (tightly grasping the
on wife and
a line in
little
memory
H
children
of his
IDoicc
name and
last:
death.)
from Deatb,
{Thefohnstown, Penn., cataclysm,
A
— the
tomahawk
May
31, 1889.)
VOICE from Death, solemn and strange, in
all
his
sweep and
power,
With sudden,
indescribable
by thousands
blow
— towns drown'd — humanity
slain,
[19]
Xeavee of (Bra^a The vaunted work
of
goods, dwellings, forge,
thrift,
street, iron
bridge,
Dash'd pell-mell by the blow
(Amid the
A
saved
—a
baby
come and unannounc'd,
I
usher'd
life
amid the rushing, whirling, wild
woman
suffering
Although In
rest,
— yet
pouring flood and
fire,
safely
continuing on, debris,
born !)
in horror
and
in
and wholesale elemental
pang, crash, (this
voice so solemn, strange,) I
too a minister of Deity.
Yea, Death,
We
mourn
The
fair,
we bow
our
the old, the
faces, veil
our eyes to thee,
young untimely drawn
to thee,
the strong, the good, the capable.
The household wreck'd, the husband and
the wife, the engulf'd
forger in his forge,
The
corpses in the
The
gather'd thousands to their funeral mounds, and thousands
whelming waters and the mud,
never found or gather'd.
Then
after burying,
(Faithful to
them found
new
past, here
A
day
—
a passing
Silent, resign'd,
War,
mourning the dead, or unfound, forgetting not, bearing the
musing,)
moment
n^,^
or an hour
— America
itself
bends
submissive.
death, cataclysm like this, America,
Take deep E'en as
1
to thy
proud prosperous
chant, lo! out of death,
The blossoms
heart.
and out of ooze and slime,
rapidly blooming, sympathy, help, love, [20]
From West and Its
from South and North and over
East,
hot-spurr'd hearts and hands humanity to
human
sea,
aid
moves
on;
And from Thou
within a thought and lesson yet.
ever-darting Globe! through Space and Air!
Thou waters
that
Thou
all
that in
Thou laws
Thou
encompass us
the
life
and death of
permeate them and
invisible that
that in
all,
us, in action or in sleep!
and over
all,
all.
and through and under
all,
inces-
sant!
Thou thou !
!
the
vital, universal,
giant force resistless, sleepless,
calm,
Holding Humanity as
thy open hand, as some ephemeral toy,
in
How
ill
For
too have forgotten,
I
(Wrapt
to e'er forget thee
in these little
potencies of progress, politics, culture,
wealth, inventions, civilization,)
Have
lost
my
recognition of your silent ever-swaying power,
ye mighty, elemental throes. In
which and upon which we
float,
and every one of us
buoy'd.
H For
his o'erarching
and
In the fresh scent of the
On
Persian Xesson* last lesson
morning
the greybeard
in the
open
air,
the slope of a teeming Persian rose-garden, [21]
sufi,
is
Xea\>e6 of (5rae0 Under an ancient chestnut-tree wide spreading Spoke to the young **
Finally
my
branches,
and students.
priests
children,
its
envelop each word, each part of the
to
rest,
Allah
is all, all, all
Maybe
—
is
immanent
in
every
life
many and many-a-more removes
at
Allah
is
object,
— yet
Allah, Allah,
there.
**Has the estray wander'd far?
hidden
and
the reason-why strangely
Is
?
Would you sound below Would you know
the restless ocean of the entire world
the dissatisfaction
?
?
the urge and spur of every
life;
The something never
still'd
need of every seed *'
It is
return to
Latent the
its
gone
?
the invisible
?
same
in subject
The commonplace cheap
is
evil,
downfallen,)
divine source and origin,
XTbc
How
entirely
the central urge in every atom,
(Often unconscious, often
To
— never
I
and
in object,
however
distant,
without one exception."
dommonplace*
sing;
health!
how
cheap nobility!
Abstinence, no falsehood, no gluttony, lust;
The open
air
I
sing, freedom, toleration,
(Take here the mainest lesson
—
less
schools,) [22]
from books
—
less
from the
The common day and night Your farm
â&#x20AC;&#x201D; your work,
â&#x20AC;&#x201D; the common earth and waters,
trade, occupation.
The democratic wisdom underneath,
**
XTbe 1Rount)eb Catalogue
{Sunday,
like solid
ground
for
all.
Mvinc Complete/'
â&#x20AC;&#x201D;
A
fVent this forenoon to church. college 'professor gave us a fine sermon, during which I caught the above words; hut the minister included in his "rounded catalogue" letter and spirit, only the .
Rev. Dr.
,
and entirely ignored what
esthetic things,
The
name
in the following.)
and the dark, the dying and
devilish
The
I
countless
(nineteen-twentieths)
diseas'd,
low and
evil,
crude and
savage,
The
crazed, prisoners in
Venom and
filth,
jail,
the horrible, rank, malignant.
serpents, the ravenous sharks,
liars,
the disso-
lute;
(What
is
the part the wicked and the loathsome bear within
earth's orbic
scheme
Newts, crawling things
The barren
soil,
?)
in slime
and mud, poisons,
the evil men, the slag and hideous rot
/Dtrades* (Noted verbatim after a supper-talk out doors in Nevada with two old miners. J
More Times
experiences and sights, stranger, than you 'd think again,
Sometimes
now
mostly just
for;
after sunrise or before sunset.
in spring, oftener in
autumn,
in plain sight,
[23]
perfectly clear weather,
Xeave0 of (Braee Camps
far or near,
the
crowded
streets of cities
and the shop-
fronts,
(Account
for
it
And my mate
or not
— credit or not —
there could
fab'd about
tell
you the
true.
it is all
like
— we have
often con-
it,)
People and scenes, animals,
trees, colors
and
lines, plain as
could
be,
Farms and dooryards of home, paths border'd with box,
lilacs in
corners.
Weddings
in
churches, thanksgiving dinners, returns of long-
absent sons.
Glum
funerals, the crape-veil'd
Trials in courts, jury
mother and the daughters.
and judge, the accused
in the box.
Contestants, battles, crowds, bridges, wharves.
Now (I
and then mark'd faces of sorrow or
could pick them out this
Show'd
Or
to
me
moment
if
I
joy,
saw them
again,)
just aloft to the right in the sky-edge,
plainly there to the left
on the
hill-tops,
%. ot (3/s ipurport
Not
to exclude or demarcate, or pick out evils
from their formid-
able masses (even to expose them,)
But add,
fuse,
complete, extend
— and
celebrate the immortal
and the good.
Haughty
To span
this song, its
words and scope,
vast realms of space
Evolution
and time,
— the cumulative — growths and generations. [24]
Begun
in ripen'd
youth and steadily pursued,
Wandering, peering, dallying with all— war, peace, day and night absorbing.
Never even I
end
I
sing of
it
for
my
one brief hour abandoning
task,
here in sickness, poverty, and old age.
life,
yet
mind me well of death
To-day shadowy Death dogs has for years
Draws sometimes
my
steps,
my
seated shape, and
—
close to me, as face to face.
r XTbe Taneipress*6.
How
dare one say
it
?
After the cycles, poems, singers, plays.
Vaunted
Ionia's,
India's
— Homer,
— the
long, long
of stars
— Nature's
Shakspere
times' thick dotted roads, areas.
The
shining clusters and the Milky
Ways
pulses reap'd. All retrospective passions, heroes, war, love, adoration.
All ages' All
plummets dropt
human
lives, throats,
to their utmost depths,
wishes, brains
—
all
experiences' utter-
ance; After the countless songs,
or long or short,
all
tongues,
all
lands, Still
something not yet told
in poesy's voice or print
— something
lacking,
(Who knows ?
the best yet unexpress'd and lacking.) [as]
Xeaves of (Braes (3ran&
Grand
ITs
tbe
me — grand
the seen, the light, to
is
Seem are the sky
and
stars,
Grand
is
the earth, and grand are lasting time and space.
And grand
their laws, so multiform, puzzling, evolutionary;
But grander ing
far
all
the unseen soul of me, comprehending,
endow-
those,
Lighting the
light,
the sky and stars, delving the earth, sailing
the sea,
(What were
all
those, indeed, without thee, unseen
what amount without thee More
?)
O my
evolutionary, vast, puzzling,
More multiform
far
soul? of
soul
— more lasting thou than they.
TUnseen Bu^s. Unseen buds,
infinite,
Under the snow and
hidden well.
ice,
under the darkness,
in
every square or
cubic inch,
Germinal, exquisite, in delicate Like babes in
wombs,
Billions of billions,
(On earth and
and
lace,
latent, folded, trillions
in the sea
of
microscopic, unborn.
compact, sleeping;
trillions
of
them waiting,
— the universe — the
stars there in the
heavens,)
Urging slowly, surely forward, forming endless,
And
waiting ever more, forever more behind. [26]
Goo&«»Bse
my
Good-bye
/IDs if anc]?
Fancy!
Farewell dear mate, dear love! I
'm going away,
Or
to
what
fortune, or
my
So Good-bye
Now
for
know
I
my
The slower
last
not where,
whether
I
may
ever see you again.
Fancy.
—
let
me
moment;
look back a
fainter ticking of the clock
is
in
me,
Exit, nightfall,
and soon the heart-thud stopping.
Long have we
lived, joy'd, caress'd together;
Delightful
Yet
!
— now separation —Good-bye my Fancy.
me
let
not be too hasty.
Long indeed have we
lived, slept, filter'd,
become
blended
really
into one;
Then
if
we
die
we
die together, (yes,
we
*11
remain one,)
we go anywhere we go together to meet what happens. Maybe we be better off and blither, and learn something, Maybe it is yourself now really ushering me to the true songs, '11
If
'11
(who knows
May
be
it
is
now Good-bye
?)
you the mortal knob
finally.
— and
hail
1
my
Fancy.
[27]
really
undoing, turning— so
©lb Hae lEcboes (Posthumous Additions^
[*»]
AN EXECUTOR'S DIARY NOTE, I
said to
W. W.
Leaves, closed
"Though you have put
to-day:
them with your good-by, you
The question
longer and writing more poems.
poems when the time comes I
am
not unprepared
reserve:
—
demand
may have
*'
under ban
it
?
"
anything to do with
complete as able,
You have
different editions, to
be added to the Leaves I
left it,
what
living a year
will
volume
— applying not so much to
?
shall
it
"
make a volume.
I
Why
place
with them
have a
I
title
?
in
by
the roadside, as
Some day
— how
could
it ? I
?
you
the world will "
'*
So
Certainly.
far as
you
be supplementary, avowed as such, leaving the book
deep down, unobliteratable division I
—
these
upon you the injunction that whatever may
consecutive to the point
pleases with the book.
I
"Do
"
" Do you think
should
two
or
you do with
things as to echoes of things,
dropt enough
to have that put together somewhere." it
the finishing touches on the
go on
have even contemplated that emergency
I
Old Age Echoes
Should you put
is,
to fix their place in the
reverberant, an aftermath."
went along, from
will
1891.
am
1
left oft",
line.
marking always an unmistak-
In the long run the
determined to have the world
world
will
know what
do as I
was
pleased to do."
Here
a late personal note from
is
good
will,
There
W. W. " :
JVly
tho't
is
to collect a lot of prose
— small or smallish mostly, but a few — appealing to the the heart — sorrowful ones not rejected — but no morbid ones given."
and poetry
is
pieces
larger
no reason
Echoes," was
W.
for
W.'s
doubt that
"A Thought
last deliberate
of Columbus," closing
**
composition, dating December, 1891.
[30]
Old Age
©lb Hge JEcboes XTo
Soar
in if ree^om
anb in jfuUness of power*
I
HAVE not so much emulated the birds
I
have abandon'd myself to
The hawk, the
seagull,
broad
flights,
have
that musically sing, circles.
more possess'd me than the
far
canary or mocking-bird. I
have not
felt
I
have
to soar in freedom
felt
to warble
and
trill,
however sweetly,
and
in the fullness of
power,
joy,
—
that
volition.
Zbcn Sball
perceive*
In softness, languor,
bloom, and growth.
Thine eyes,
thy sense
ears, all
— thy
loftiest attribute
all
takes cognizance of beauty, Shall rouse
and
fill
— then
shall perceive!
tCbe ipew
Of
Drops Itnown.
heroes, history, grand events, premises, myths, poems,
The few drops known must stand
On
this beautiful
for oceans of the
and thick peopl'd
specimen put on record, [31]
earth, here
unknown.
and there a
little
TLcnvcB Of 6vaB6
A
little
of Greeks and
Romans, a few Hebrew
canticles, a
few
death odors as from graves, from Egypt —
What
are they to the long
and copious retrospect of antiquity
One ZboviQbt One thought That
ever at the fore
in the Divine Ship, the
iBvct at tbe iFore*
— World, breasting Time and Space,
All Peoples of the globe together sail, sail the
bound
to the
same
all,
same voyage,
an5 Erect.
firm and erect as ever,
Undismay'd amid the rapids
— amid
the irresistible and deadly
urge.
Stands a helmsman, with brow elate and strong hand.
H
fciBs to tbe :Bvi^c.
Marriage of Nelly Grant, A/ay 21, 1874.
Sacred, blithesome, undenied.
With benisons from East and West,
And
salutations North
and South,
Through me indeed to-day a Wafting a million
million hearts
and hands,
loves, a million soulfelt prayers;
— Tender and true remain the arm that shields thee! Fair
winds always
are
destination.
TWlbile JBebtnb HIl jf itm
While behind
?
fill
the ship's sails that [32]
sail
thee!
®l& Uqc igcboea Clear sun by day, and light stars at night,
Dear
girl
For the
O
New
World, through me, the
O
youth and health!
thee!
too.
old, old
sweet Missouri rose!
Yield thy red cheeks, thy
Unto
beam on
— through me the ancient privilege
wedding
greeting;
O
bride!
bonny
to-day.
lips,
a Nation's loving kiss.
Via^, Uell ADe laot Ucvbai? tbc pubU5b*5 Sbamc. IVinter of 1873, Congress in Session.
Nay,
tell
me
not to-day the publish'd shame.
Read not to-day the
journal's
The
merciless reports
The
guilty
To-day
to
still
branding forehead
column following
me
Turning from
crowded page. after forehead.
guilty column.
the tale refusing, it
— from the white capitol turning,
Far from these swelling domes, topt with statues,
More
endless, jubilant, vital visions rise
Unpublish'd, unreported.
Through
all
States,
Your
your quiet ways, or North or South, you Equal
you honest
million untold
farms.
manly healthy
lives, or
East or West, city
or country.
Your
noiseless mothers, sisters, wives, unconscious of their good.
Your mass of homes nor poor nor
rich,
in visions rise
— (even
your excellent poverties,)
Your
self-distilling, VOL. 111-3
never-ceasing virtues, self-denials, graces, ,
_
C33]
Xeave0 of 6ra60 Your endless base Your
of deep integrities within, timid but certain,
blessings steadily bestow'd, sure as the light, and
(Plunging to these as a determin'd diver
down
still,
the deep hidden
waters,
These,
these to-day will
To-day
I
brood upon
—
all
else
refusing,
these
con,
1
to these give audience.
Supplement Doura^ Sane, random, negligent hours. Sane, easy, culminating hours. After the flush, the Indian
Away
from Books
summer, of
my
life.
— away from Art — the lesson
learn'd, pass'd
o'er,
— the sane, magnetic. the day and night themselves — the open the the seasons, — the
Soothing, bathing, merging
Now Now
for
all
air,
for
insects, trees
fields,
rain
and
snow.
Where wild
bees
flitting
hum.
Or August mulleins grow, Or
stars in the skies roll
The
silent
sun and
©t
/iDani^
or winter's snowflakes
round
fall,
—
stars.
a Smutcb'& !S)ee^ IRemlniscent
Full of wickedness,
I
— of
many
— of worse deeds capable, [34]
a smutch'd deed reminiscent
ÂŽlb Hge ficboea Yet
look composedly upon nature, drink day and night the
I
joys of
Because of
and await death with
life,
my
because of his boundless love
XTo J5e (C/.
To I
be
at all
think
if
â&#x20AC;&#x201D; what
there
is
me.
better than that ?
were nothing more developed, the clam
not in any callous shell;
I
am
cased with supple conductors,
all
over
by the hand, and
object
in its
were august enough.
am
They
are thousands, each
They
are always watching with their
my
love and
Ht HIU
I
They take every
for
1
stanza 27, "Song of Myself," p. 68.)
callous shell in the sand
to
perfect equanimity,
tender and boundless love for him
one with
lead
it
within me;
his entry to himself; little
eyes, from
my
head
feet;
One no more
than a point
lets in
and out of
me
such bliss and
magnitude, I
think
I
could
me and
lift
the girder of the house
whatever
I
from
lay
between
request.
IDallei?*
" The Valley of the Shadow of Death,"
the painting by George Inness.
Nay, do not dream, designer dark.
Thou
if it
wanted.
Bcatb's To accompany a picture; by
away
hast portray'd or hit thy
theme [35]
entire;
leaves of (Brase hoverer of
I,
by
late
glimpses of
this
dark valley, by
it,
my right to make
Here enter lists with thee, claiming For
have seen
I
many wounded
After dread suffering
And
confines, having
its
a
symbol too.
soldiers die.
— have seen
with smiles;
their lives pass off
have watch'd the death-hours of the old; and seen the
I
infant die;
The
rich,
And
then the poor, in meagreness and poverty;
And
I
Amid
And I
with
myself
for long,
O
and
his doctors;
Death, have breath'd
my
every breath
out of these and thee, a scene, a song (not fear of thee,
Nor gloom's
Of
his nurses
the nearness and the silent thought of thee.
make
Nor
all
ravines, nor bleak, nor dark
—
for
I
do not
fear thee,
celebrate the struggle, or contortion, or hard-tied knot).
the broad blessed light and perfect
air,
with meadows,
rip-
pling tides, and trees and flowers and grass,
And
the low
hum
of living breeze
— and
beautiful eternal right hand,
Thee, holiest minister of Heaven
midst God's
in the
r^^
l^^^
Rich, florid, loosener of the stricture-knot call'd
life,
Sweet, peaceful, welcome Death.
On tbe Same Intended for first stanza of
Aye, well
I
know
'tis
picture* **
Death's
yalley.*'
ghastly to descend that valley:
Preachers, musicians, poets, painters, always render [36]
^f ^U^
— thee, envoy, usherer, guide
it,
ÂŽlb Hge JEchoce Philosophs exploitâ&#x20AC;&#x201D;the beds, All, all
all
battlefield, the ship at sea, the
lands,
the past have enter'd, the ancientest humanity
now
for us
we know,
Rome's;
Syria's, India's, Egypt's, Greece's, Till
myriad
under our very eyes spreading the same to-day,
Grim, ready, the same to-day, for entrance, yours and mine. Here, here
't
is
limn'd.
H The mystery
Ubougbt of dolumbus^
of mysteries, the crude and hurried ceaseless flame,
spontaneous, bearing on
itself.
The bubble and the huge, round,
A breath
of Deity, as thence the bulging universe unfolding!
The many
The
concrete orb!
issuing cycles from their precedent minute!
eras of the soul incepting in an hour,
Haply the widest,
farthest evolutions of the
world and man.
Thousands and thousands of miles hence, and now four centuries back,
A
mortal impulse thrilling
its
brain
cell,
Reck'd or unreck'd, the birth can no longer be postpon'd:
A
stalking, sudden.
phantom of the moment, mystic,
Only a
down
silent thought, yet toppling
of
more than walls
of
brass or stone.
(A
flutter at the
darkness' edge as
if
old Time's and Space's
secret near revealing.)
A
thought! a definite thought works out in shape.
Four hundred years
roll
on. [37]
Xeapea of (Braee The
roll
The
—
rapid cumulus
trade, navigation, war, peace,
on
restless
armies and the
fleets
of time following their leader
— the old camps of ages pitch'd The
democracy,
newer, larger areas.
eclaircissement of
long-deferr'd
tangl'd,
in
human
life
and
hopes boldly begins untying.
As
here to-day up-grows the Western World.
(An added word yet
to
my
song, far Discoverer, as ne'er before
sent back to son of earth If still
—
thou hearest, hear me,
Voicing as
now— lands,
races, arts, bravas to thee.
O'er the long backward
path to thee
— one
vast consensus,
north, south, east, west,
Soul plaudits
One
I
acclamation! reverent echoes
manifold, huge
The modern world
memory
to thee
to thee! oceans and lands!
and thought of thee!
[38]
H
Backwatb
(Blance o'er ZTravel'b
IRoabs*
From " November Boughs."
Copyright, 1888, by
[39]
Walt Whitmah
H
Backwarb
(5lance o'er Uraverb
IRoabs
Perhaps the best of songs heard, or of any and true love, or
trying scenes on land or sea,
or any of them,
is
the resume of them,
long afterwards, looking at the
away back
actualities
all
episodes, or sailors', soldiers'
life's fairest
past,
How
excitations gone.
with
all
their practical
the soul loves to float amid
such reminiscencesi
So here old age
—
I
1
sit
and
gossiping
the early candle-light of
my book — casting backward glances
over our travel'd road. the journey
in
— (a
After completing, as
it
varied jaunt of years, with
were,
many
—
or some lengthen'd shipand gaps of intervals voyage, wherein more than once the last hour had apparently arrived, and we seem'd certainly going halts
— yet reaching port — discomfitures at
down all
in
last)
a sufficient
after
way through
completing
my
po-
am curious to review them in the light of their own (at the time unconscious, or mostly unconems,
I
with certain unfoldings of the These lines, thirty years they seek to embody. therefore, will probably blend the weft of first scious)
intentions,
[41]
a
ffiachwarb (5lance o'er ^raverb IRoaba
purposes and speculations, with the warp of that experience afterwards, always bringing strange de-
velopments. Results of seven or eight stages and struggles
extending through nearly thirty years, (as three-score-and-ten
I
I
nigh
on memory,)
live largely
my
look
I
upon Leaves of Grass, now end of its opportunities and powers, as my definitive carte de visite to the coming generations of the New World,* if may assume to say so. That have not gain'd finished to the
I
I
the acceptance of
my own
time, but have fallen back
— anticipations — Regnar dies") — that from a ('
on fond dreams of the future lives the song,
though
'
still
worldly and business point of view Leaves of Grass has been worse than a failure—that public criticism on the book and myself as author of
it
yet
shows mark'd
— C'l of enemies to you everywhere," — K., Boston, May 1884) — and that
anger and contempt more than anything else find a solid line ter
from
W.
S.
let-
28,
solely for publishing
it
have been the object of two
I
or three pretty serious special official buffetings all I
probably no more than
had
my
choice
for soft eulogies,
ought to have expected. commenced. bid neither 1
returns, nor the appro-
bation of existing schools and conventions. fill'd
or partially
When
is
I
when big money I
—
fulfilled,
As
ful-
the best comfort of the
Champollion, on his death-bed, handed to the printer the revised proof Grammar, he said gayly, " Be careful of this it is my carU d%
—
of his Egyptian
visite to posterity."
[42]
a
BackwarD Glance
^raverb IRoabe
o'er
whole business (after a small band of the dearest and upholders ever vouchsafed to man or cause doubtless all the more faithful and uncompromising—this little phalanx! for being so few) friends
—
—
is
unstopp'd and unwarp'd by any influence
that,
outside the soul within me,
my
have had
I
tirely
my own
—the
value thereof to be decided by time.
way, and put
say en-
unerringly on record
it
calculating that decision, William
O'Connor and Dr. Bucke are far more peremptory than am. Behind all else that can be said, consider Leaves Grass and its theory experimental as, in the of In
I
I
—
deepest sense, to be, with
its
I
consider our American republic
theory.
(I
think
I
have
at least
itself
enough
philosophy not to be too absolutely certain of any-
any
thing, or
ume
is
results.)
a sortie
— whether to
conquer
its field
nothing
less
answer.
I
all
second place, the vol-
prove triumphant, and
of aim and escape and construction,
than a hundred years from
consider the point that
gained a hearing, to far
and
In the
I
fully
have positively
more than make up
other lacks and withholdings.
was from the
now can
any
for
Essentially,
and has remain'd throughout, the main object. Now it seems to be achiev'd, am certainly contented to waive any otherwise momentous drawbacks, as of little account. Candidly and that
first,
I
dispassionately reviewing
all
my
that they
were creditable— and
whatever
it
may
be. [43]
I
intentions,
I
feel
accept the result,
H
Bachvparb <5lance o'er ^raver& IRoaba and
After continued personal ambition
young
as a
effort,
fellow, to enter with the rest into competition
for the usual
— to take
rewards, business,
political, literary,
&c.
part in the great melee, both for victory's
—
and to do some good after years of those aims and pursuits, I found myself remaining prize itself
possess'd, at the age of thirty-one to thirty-three,
with a special desire and conviction.
Or
be quite exact, a desire that had been
flitting
my
previous
rather, to
through
or hovering on the flanks, mostly
life,
had steadily advanced to the front, defined itself, and finally dominated everything else. This was a feeling or ambition to articulate and faithfully express in literary or poetic form, and unindefinite hitherto,
compromisingly, intellectual,
and
my own
physical, emotional, moral,
assthetic Personality, in the
midst
of,
and tallying, the momentous spirit and facts of its immediate days, and of current America and to exploit that Personality, identified with place and
—
date, in a far
more candid and comprehensive sense
than any hitherto
Perhaps this
sought to do.
poem
or book.
is in brief,
or suggests,
all
I
have
Given the nineteenth century, with
the United States,
and what they furnish as area
and points of view, Leaves of Grass is, or seeks to be, simply a faithful and doubtless self-wiird the record. In the midst of all, it gives one man's author's identity, ardors, observations, faiths, and
—
—
thoughts, color'd hardly at
all
[44]
with any decided color-
a
Bacftwarb (Blance o'er ^raverb IRoabe
ing from other faiths or other identities.
songs had been
sung— beautiful,
adjusted to other lands than
and stage of evolution; but out or put
I
Plenty of
songs— these— another spirit would sing, and leave matchless
quite solely with reference to America
in,
Modern
and to-day.
science and democracy seem'd
to be throwing out their challenge to poetry to put
them
in
statements
its
songs and myths of the
haps too
late),
lenge and
I
in
contradistinction to the
As
past.
I
see
now
it
(per-
have unwittingly taken up that chal-
made an attempt
at
such statements—
which certainly would not assume knowing more clearly what it means. I
to do
now,
For grounds for Leaves of Grass, as a poem, I abandon'd the conventional themes, which do not
appear
in
it
:
none of the stock ornamentation, or
choice plots of love or war, or high, exceptional per-
sonages of Old-World song; nothing, as for beauty's
sake
— no
nor euphemism, nor rhyme.
age of humanity and
in
its
identities in the
now in
ripen-
each of
practical occupations
examples and
the United States to-day.
One main of
say,
But the broadest aver-
ing nineteenth century, and especially their countless
may
I
legend, or myth, or romance,
my
verses,
contrast of the ideas behind every page
their different relative attitude
the objective universe, and confession,
establish'd poems,
compared with
assumption,
towards God, towards
still
&c.) [45]
is
more (by the
quite
reflection,
changed
a Bachwarb
(Blance o'er ZTraiocrb 1Roab0
attitude of the ego, the
one chanting or
talking, to-
wards himself and towards
his fellow-humanity.
certainly time for America,
above
adjustment
in
all,
to begin this re-
the scope and basic point of view of
As
verse; for everything else has changed. I
It is
I
write,
see in an article on Wordsworth, in one of the
current English magazines, the lines, ''A few
weeks
owing
to the
ago an eminent French special
I
said that,
tendency to science and to
force, poetry
But
critic
would cease
Only a
area begins to exist
firmer,
— nay,
is
— to
which the poetic genius must Whatever may have been the case in
already form'd emigrate.
new
all-devouring
to be read in fifty years."
anticipate the very contrary.
vastly broader,
its
years gone by, the true use for the imaginative faculty of
modern times
is
to give ultimate vivification
to facts, to science, and to
common
lives,
endowing
them with the glows and glories and final illustriousness which belong to every real thing, and to real things only. Without that ultimate vivification reality which the poet or other artist alone can give would seem incomplete, and science, democracy, and
—
—
life itself,
Few
finally in vain.
appreciate the moral revolutions, our age,
which have been profounder far than the material or inventive or war-produced ones. The nineteenth century, now well towards its close (and ripening into fruit the seeds of the
The ferment and germination
two preceding
centuries^')
even of the United States to-day, dating back [46]
to,
H
Bachwarb
(Blance o'er
^raverb IRoabe
—the
uprisings of national masses and shiftings of boundary-lines— the historical and other prominent
United States— the war of attempted Secession— the stormy rush and haste of nebulous
facts of the
forces— never can future years witness more excitement and din of action never completer change of
—
army
front along the
world.
For
all
whole
line,
the whole civilized
new and evolutionary facts, new poetic messages, new forms
these
meanings, purposes,
and expressions, are inevitable. My Book and I—what a period we have presumed to span! those thirty years from 1850 to '80— and America in them! Proud, proud indeed may we be, if we have cull'd enough of that period in its own spirit to
worthily waft a few
live breaths of
it
to the
future!
me
Let
not dare, here or anywhere, for
my own
purposes, or any purposes, to attempt the definition of Poetry, nor answer the question what Religion,
made
in
all
my
my
opinion no definition that
sufficiently encloses the
but some great exception
advent
is
lost
name
may
it.
opinion mainly founded on, the Elizabethan age in English history, the Indeed, when we pursue it, what growth or
age of Francis Bacon and Shakspere.
dues
in-
give a sufficiently accurate
and disregard and overturn
arise
Like
nor can any rule or convention ever so
;
absolutely obtain
and
we
to them, in
has ever been Poetry
is.
Love, Nature, while those terms are
dispensable, and
meaning
it
there that does not date back, back, until lost
—
in
the receded horizons of the past
[473
?
— perhaps
its
most tantalizing
H
Backwari) (Blance o'er ZTraverb IRoaba
must be
remember'd that firstclass literature does not shine by any luminosity of its own; nor do its poems. They grow of circumstances, and are evolutionary. The actual living light Also
is
it
carefully
always curiously from elsewhere
countable sources, and
There
best.
are,
unac-
lunar and relative at the
is
know,
I
—follows
certain controlling
themes
that
seem endlessly appropriated to the poets
war,
in
the past
adoration
—
the Bible, religious rapture and
in
— always
love, beauty,
pensive or other emotion.
sound
at first,
I
is
for
the best elements of modern song.
their kind,
entirely
all
it
may
something striking
deeper and towering
far
fine plot, or
But, strange as
say there
will
some
far
Just as
— as
higher than those themes
the old imaginative works
rest,
after
on long trains of presuppositions, often
unmention'd by themselves, yet supplying
most important bases of them, and without which they could have had no reason for being, so
the
Leaves of Grass,
before
supposed something it
stands,
is
a line
different
was
written,
pre-
from any other, and, as
the result of such presupposition.
should say, indeed,
it
I
were useless to attempt read-
book without first carefully tallying that preparatory background and quality in the mind. Think of the United States to-day— the facts of these thirtysixty or eight or forty empires solder'd in one ing the
—
seventy millions of equals, with their sions, their future
lives, their
pas-
—these incalculable, modern, Amer[48]
a BachwarD
(Blance o'er ?Iraperb IRoa&e
around
ican, seething multitudes
inseparable
Think,
parts!
us, of
which we
are
comparison, of the
in
petty environage and limited area of the poets of past or present Europe, no matter how great their
Think of the absence and ignorance
genius.
cases hitherto, of the
multitudinousness,
in all
vitality,
and the unprecedented stimulants of to-day and here. It almost seems as if a poetry with cosmic and dynamic features of magnitude and to the
human
soul,
limitlessness suitable
were never possible before.
certain that a poetry of absolute faith for the use of the democratic In
It is
and equality
masses never was.
estimating first-class song, a sufficient Nation-
ality, or,
on the other hand, what may be
call'd
negative and lack of
it,
(as in Goethe's case
times seems to me),
is
often,
element.
One needs
only a
if
it
some-
not always, the
little
the
first
penetration to see,
more or less removes, the material facts of their country and radius, with the coloring of the moods of humanity at the time, and its gloomy or hopeful prospects, behind all poets and each poet, and format
ing their birth-marks.
I
know
very well that
my
Leaves could not possibly have emerged or been fashioned or completed, from any other era than the of the nineteenth century, nor any other land than democratic America, and from the absolute
latter half
triumph of the National Union arms.
I
And whether my friends claim it for me or not, know well enough, too, that in respect to pictorial V0U.U.-4.
j^^3
H Bachwarb talent,
(Blance o'er {Traverb IRoaba
dramatic situations, and especially in verbal
melody and
all
the conventional technique of poetry,
not only the divine works that to-day stand ahead in
the world's reading, but dozens more, transcend
(some of them immeasurably transcend) all have done, or could do. But it seem'd to me, as the objects in Nature, the themes of asstheticism, and all special exploitations of the mind and soul, involve I
not only their
own
inherent quality, but the quality,
and important, oi their point of view, '^ the time had come to reflect all themes and things, old and new, in the lights thrown on them by the just as inherent
advent of America and democracy
— to chant those
themes through the utterance of one, not only the grateful and reverent legatee of the past, but the born child of the
New World — to
illustrate
all
through the genesis and ensemble of to-day; and that
such
illustration
and ensemble are the chief demands
of America's prospective imaginative literature. to carry out, in the approved style,
some choice
Not plot
of fortune or misfortune, or fancy, or fine thoughts, or incidents, or courtesies
—
done overwhelmingly and but that while be exceird
—
all
of
which has been
well, probably never to in
such aesthetic present-
ation of objects, passions, plots, thoughts, &c., our
lands and days do not want, and probably will never
have, anything better than they already possess from According significance to
to all
Immanuel Kant, the
the
last
rest.
[SO]
essential
reality,
giving shape and
H
Bachwarb 6lance
the bequests of the past, that there
o'er ^EraveFb IRoaba
it still
even towards
is
all
remains to be said those a subjective
and contemporary point of view appropriate to ourselves alone, and to our new genius and environments, differing from anything hitherto; and that
such conception of current or gone-by for us the
life
and
art is
only means of their assimilation consistent
with the Western world. Indeed, and anyhow, to put
not the time arrived when,
has
specifically,
it
must be plainly said, for democratic America's sake, if for no other) there must imperatively come a readjustment of the whole theory and nature of Poetry? The question is important, and may turn the argument over and repeat it: Does not the best thought of our day and Republic conceive of a birth and spirit of song supe(if it
I
rior to
anything past or present?
To
and moral consolidation of our lands
the effectual (already,
materially established, the greatest factors in
as
known
greater through
what they
pre-
lude and necessitate, and are to be
in future)
â&#x20AC;&#x201D; to
history,
and
far, far
conform with and build on the concrete theories of the universe furnish'd
by
realities
science,
and and
henceforth the only irrefragable basis for anything, verse included
â&#x20AC;&#x201D; to root both
influences in the
emo-
and imaginative action of the modern time, and dominate all that precedes or opposes them is not either a radical advance and step forward, or a
tional
new
â&#x20AC;&#x201D;
verteber of the best song indispensable? [SI]
H
Bacftwarb (Blance o'er tTraverb IRoabe
The
New World
poems of
receives with joy the
the antique with European feudalism's rich fund of epics, plays, ballads
— seeks not
in
the least to deaden
or displace those voices from our ear and area
them indeed
as
indispensable
influences,
But though the dawn-dazzle
records, comparisons.
of the sun of literature
studies,
— holds
is in
those poems for us of to-day
— though perhaps the best parts of current character in nations, social
woman's from them
groups, or any man's or
—
Old World or New, are and though if were ask'd to name the most precious bequest to current American civilization from all the hitherto ages, am not sure but would name those old and less old songs ferried hither from east and individuality,
1
I
west
I
— some serious words and debits remain;
acrid considerations
poems
demand
receiv'd from abroad
a hearing.
Of the
is
great
and from the ages, and
to-day enveloping and penetrating America,
one that
some
is
there
consistent with these United States, or
them as they are and are to be ? Is there one whose underlying basis is not a denial and insult to democracy ? What a comment it forms, anyhow, on this era of literary fulfilment, essentially applicable to
with the splendid day-rise of science and resuscitation of history, that our chief religious and poetical
works are not our own, nor adapted to our light, but have been furnish 'd by far-back ages out of their arri^re and darkness, or, at most, twilight dimness! What is there in those works that so imperiously and [52]
a
ffiackwarD (5Iance o'er ZTravert) IRoaba
scornfully dominates
our advanced civilization
all
and culture ? Even Shakspere, who so suffuses current letters and art (which indeed have in most degrees grown out of him) belongs essentially to the buried past. Only he holds the proud distinction
for certain
phases of that past, of being the
loftiest
life
has yet given voice
to.
All,
important
of the singers
however,
relate to
upon conditions, standards, politics, sociologies, ranges of belief, that have been quite eliminated from the Eastern Hemisphere, and never existed at all in the Western. As authoritative types of song they belong in America just about as much as the persons and institutes they depict. True, it may be said, the emotional, moral, and aesthetic natures of humanity that in these the old have not radically changed poems apply to our times and all times, irrespective of date; and that they are of incalculable value and
rest
â&#x20AC;&#x201D;
as pictures of the past.
I
willingly
make those
ad-
missions, and to their fullest extent; then advance
the points herewith as of serious, even paramount
importance. 1
have indeed put on record elsewhere
my
rever-
ence and eulogy for those never-to-be-excell'd poetic bequests,
and
their
indescribable preciousness as
Another and separate point must now be candidly stated. If I had not stood before those poems with uncover'd head, fully aware of their colossal grandeur and beauty of form and heirlooms for America.
ÂŁ53]
H Bachwar& spirit,
My
I
(Blance o'er ZTravert) 1Roa&6
could not have written Leaves of Grass,
and conclusions as illustrated in its pages are arrived at through the temper and inculcation of verdict
the old works as
perhaps more
America
fully
much
than
and
as through anything else
through
fairly
anything
construed
is
else.
—
As
the legitimate
and evolutionary outcome of the past, so would dare to claim for my verse. Without stopping to qualify the averment, the Old World has had the poems of myths, fictions, feudalism, conquest, caste, result
I
dynastic wars, and splendid exceptional characters
which have been great; but the New World needs the poems of realities and science and of the democratic average and basic equality, which shall be greater. In the centre of all, and object of all, stands the Human Being, towards whose heroic and spiritual evolution poems and everything directly or indirectly tend, Old World or New. and
affairs,
Continuing the subject, than once
suggested — or
my
may possessing me
friends
be the garrulity of
— some further em-
advancing age
is
bryonic facts
of Leaves of Grass,
how
have more
and especially
upon them. Dr. Bucke has, in his volume, already fully and fairly described the preparation of my poetic field, with the particular and general plowing, planting, seeding, and occupation I
enter'd
of the ground,
and ready to
till
everything
start its
was
fertilized, rooted,
own way for good or bad. [54]
Not
H till
Bacftwar& Glance o'er ZTraverb IRoa&a
after all this, did
ance with poetic
I
attempt any serious acquaint-
Along
literature.
in
my
sixteenth
had become possessor of a stout, well-cramm'd one thousand page octavo volume (I have it yet,) containing Walter Scott's poetry entire an inexhaustible mine and treasury of poetic forage (espeyear
1
—
cially
the endless forests and jungles of notes)— has
been so to
me
for fifty years,
and remains so to
this
day.*
summers and falls, used to go week at a stretch, down in the
Later, at intervals, off,
sometimes
for a
I
country, or to Long Island's sea-shores— there,
presence of outdoor influences,
oughly the Old and
New
I
or indoor
room
the
thor-
Testaments, and absorb'd
(probably to better advantage for library
went over
in
—
it
me
than
makes such
in
any
difference
where you read,) Shakspere, Ossian, the best translated versions
I
could get of Homer, Eschylus, So-
German *'Nibelungen," the ancient Hindoo poems, and one or two other masterpieces, read the Dante's among them. As it happen'd, The Iliad (Buckley's latter mostly in an old wood.
phocles, the old
1
prose version)
I
read
first
thoroughly on the penin-
* Sir Walter Scott's Complete Poems; especially including '* Border Minstrelsy"; then "Sir Tristrem"; " Lay of the Last Minstrel"; " Ballads from the German"; "Marmion"; "Lady of the Lake"; "Vision of Don Roderick"; "Lord of the Isles";
"Rokeby"; "Bridal
Dauntless";
all
of Triermain"; "Field of Waterloo";
"Harold the
the Dramas; various Introductions, endless interesting Notes, and
Essays on Poetry, Romance, &c. Lockhart's 1833 (or '34) edition with Scott's latest and copious revisions and an(All the poems were thoroughly read by me, but the ballads of the
notations. **
Border Minstrelsy " over and over again.)
[SS]
H ®achwar&
(Blance o'er
^raver& 1Roa&0
end of Long Island, in a shelter'd hollow of rocks and sand, with the sea on each side. (I have wonder'd since why was not sula of Orient, northeast
I
overwhelm'd by those mighty masters. cause
1
read them, as described, in the
of Nature,
Likely be-
full
presence
under the sun, with the far-spreading
landscape and vistas, or the sea rolling
Toward the
in.)
had among much else look'd over Edgar Poe's poems— of which was not an admirer, tho' I always saw that beyond their limited range of melody (like perpetual chimes of music bells, nnging from lower ^ flat up to^) they were melodious expressions, and perhaps never excell'd ones, of cerlast
I
I
tain
Poetic area
so
human
pronounc'd phases of
many
is
But
mansions!)
by the idea
morbidity.
very spacious — has room I
was
for all
(The
— has
repaid in Poe's prose
that (at any rate for our occasions, our
day) there can be no such thing as a long poem.
The same thought had been haunting fore,
my
mind be-
but Poe's argument, though short, work'd the
sum and proved
it
to me.
Another point had an early settlement, clearing the ground greatly. saw, from the time my enterI
and questionings positively shaped themselves (how best can express my own distinctive era and
prise
I
surroundings, America, Democracy
?)
that the trunk
and centre whence the answer was to radiate, and to which all should return from straying however far a distance, must be an identical body and soul, a per[56]
a
BacftwarD (Blance o'er ZTraveri) 1Roa&5
sonality
ations
— which
many
personality, after
and ponderings,
I
deliberately settled should be
myself— indeed could not be any other. strongly (whether have shown it or not) I
and
true
full
consider-
I
also felt
that to the
estimate of the Present both the Past
and the Future are main considerations. These, however, and much more might have gone on and come to naught (almost positively would have come to naught,) if a sudden, vast, terrible, direct and indirect stimulus for new and national declamatory expression had not been given to me. It
certain,
is
1
say, that, although
1
had made a
start
before, only from the occurrence of the Secession
War, and what
show'd me as by
it
with the emotional depths
ning,
arous'd (of course, only,
1
saw
it
I
mean
don't
in
flashes of light-
sounded and
it
my own
heart
just as plainly in others, in millions)
—
that only from the strong flare and provocation of that war's sights and scenes the final reasons-for-be-
ing of an autochthonic and passionate song definitely
came forth. went down 1
1862), lived tles all
to the
war
in
camp
the fluctuations, gloom,
arous'd, courage cause, too
evoked
— along
and
despair,
— death filling
readily risk'd
— the
(more than 1776-83) of [57]
hopes again
— ^A^
those agonistic and
lurid following years, i863-'64-'65
tion years
(end of
— saw great batand nights afterward — partook of
thenceforward
and the days
fields in Virginia
real parturi-
this henceforth
a Backward
(Blance o'er
^rave^^ IRoaD^
homogeneous Union. Without those three or four years and the experiences they gave, Leaves of Grass would not now be existing. But
I
with the intention also of indicating
set out
or hinting
some
see (though
I
which
point-characteristics
since
I
did not then, at least not definitely)
were bases and object-urgings toward those Leaves from the
first.
the description
The word myself put primarily for of them as they stand at last, is the I
word Suggestiveness.
round and
I
anything; and could not,
finish
consistently
little,
with
if
my
The reader will always have his or her do, just as much as have had mine. seek state or display any theme or thought, and
scheme. part to less to
I
I
more to bring you, reader, into the atmosphere of the theme or thought there to pursue your own flight. Another impetus-word is Comradeship as for all lands, and in a more commanding and acknowledg'd sense than hitherto. Other word signs would be Good Cheer, Content, and Hope. The chief trait of any given poet is always the spirit he brings to the observation of Humanity and Nature the mood out of which he contemplates his subjects. What kind of temper and what amount
â&#x20AC;&#x201D;
â&#x20AC;&#x201D;
Up to how recent a What the equipment, and
of faith report these things ?
date
is
the song carried ?
special raciness of the singer
coloring ?
The
last
value of [58]
â&#x20AC;&#x201D; what
his tinge of
artistic expressers,
past
a
Bacftwarb (Blance o'er braver?) IRoabe
and present our
— Greek
aesthetes,
own day Tennyson,
erson—is
Shakspere
— or
Victor Hugo, Carlyle,
in
Em-
certainly involv'd in such questions.
I
say the profoundest service that poems or any other writings can do for their reader is not merely to satisfy the intellect,
and
interesting, nor
or supply something polish'd
even to depict great passions, or fill him with vigorous and
persons or events, but to clean
manliness, religiousness, and give him good heart as a radical possession and habit. The educated world seems to have been growing more and
more ennuy^d heritance of
it
for ages, leaving to all.
our time the
Fortunately there
in-
the original
is
inexhaustible fund of buoyancy, normally resident in
the race, forever eligible to be appeal'd to and
relied on.
As
for native
tain to
and
American
individuality,
come, and on a large
ideal
though
cer-
scale, the distinctive
type of Western character (as consistent
with the operative
and even money-making features of United States' humanity in the nineteenth century as chosen knights, gentlemen and warriors were the ideals of the centuries of European feudalism)
it
the stress of
has not yet appear'd.
my poems
upon American because that
political
is
I
have allow'd
from beginning to end to bear
individuality
and
assist
a great lesson in Nature,
it
— not only
amid
all
her
generalizing laws, but as counterpoise to the level-
ing tendencies of
Democracy [59]
—and
for other reasons.
a
Bacftwar& (5Iance o'er ^raperb 1Roa&6
Defiant of ostensible literary and other conventions,
avowedly chant self," and permit
''the great pride of
1
nearly
all
to an
my
verse.
American.
more or
to be
it
I
less a
him-
in
motif oi
think this pride indispensable
think
I
man
it
not inconsistent with
obedience, humility, deference, and self-questioning.
Democracy has been so retarded and jeopardized
by powerful to
clip,
personalities, that its first instincts are fain
conform, bring
thing to a dead of
my
song
is
gate Nation,
in stragglers,
While the ambitious thought
level.
to help the forming of a great aggreit
is,
perhaps, altogether through the
forming of myriads of individuals.
and reduce every-
develop'd and enclosing
fully
Welcome
as
are
equality's
and
and popular education, a accompanies them all, as we see.
ternity's doctrines liability
primal and interior something in man,
abysms, coloring
and,
all,
giving the last majesty to ally
fra-
certain
That
in his soul's
by exceptional
fruitions,
himâ&#x20AC;&#x201D; something
continu-
touch'd upon and attain'd by the old poems and
ballads of feudalism, and often the principal foundation of
themâ&#x20AC;&#x201D; modern
to be endangering,
science and
Democracy appear
perhaps eliminating.
forms an appearance only; the reality ent.
The new
influences,
surely preparing the
than ever.
way
for
is
But that quite differ-
upon the whole,
are
grander individualities
To-day and here personal
hind everything, just the same.
force
is
The times and
bede-
pictions from the Iliad to Shakspere inclusive can [60]
a
Bachwarb
(Blance o'er TEraioerb IRoabe
happily never again be realized— but the elements of
courageous and
lofty
manhood
are unchanged.
Without yielding an inch the working-man and working-woman were to be in my pages from first The ranges of heroism and loftiness with to last. which Greek and feudal poets endow'd their godlike or lordly
born characters— indeed prouder and
better based and with
fuller
ranges than those
—
I
was to endow the democratic averages of America. was to show that we, here and to-day, are eligible to the grandest and the best— more eligible now I
than any times of old were. utterances in
spirit
(I
the
I
will also
want
my
said to myself before beginning) to be
poems of the morning.
been founded and mainly written
in
(They have
the sunny fore-
noon and early midday of my life.) will want them to be the poems of women entirely as much as men. I have wish'd to put the complete Union of the States in my songs without any preference or parHenceforth, if they live and are tiality whatever. I
read,
as
it
must be
much
just as
much South
as
North—just
along the Pacific as Atlantic— in the valley
of the Mississippi, in Canada, up in Maine,
down
in
Texas, and on the shores of Puget Sound.
From another point of view Leaves of Grass is avowedly the song of Sex and Amativeness, and
— though
meanings that do not usually go along with those words are behind all, and will duly emerge; and all are sought to be lifted even
Animality
[6i]
B Bachwarb
(Blance o'er
into a different light
^raverb IRoaba
Of this feature,
and atmosphere.
intentionally palpable in a
few
lines,
shall
I
only say
the espousing principle of those lines so gives breath
my
whole scheme that the bulk of the pieces might as well have been left unwritten were of
to
life
those lines omitted.
become, shifted
in
my
Difficult as
opinion,
from
attitude
it
will be,
has
it
imperative to achieve a
superior
men and women
towards the thought and fact of sexuality, as an element in character, personality, the emotions, and a theme
in literature.
question by vitality of
it
significance
itself; it is
â&#x20AC;&#x201D;
am, not going to argue the does not stand by itself. The I
altogether in
relations, bearings,
the clef of a symphony.
like
analogy the lines
its
I
and the
allude to,
they are spoken, permeate
all
At
last
which Leaves of Grass, and spirit in
work must stand or fall with them, as the human body and soul must remain as an entirety. Universal as are certain facts and symptoms of
the
communities or individuals
all
times, there
is
nothing
so rare in modern conventions and poetry as their
normal recognizance.
Literature
is
always calling
the doctor for consultation and confession, and
ways
in al-
giving evasions and swathing suppressions in
which only a
place of that ''heroic nudity"^ on
genuine diagnosis of serious cases can be built.
And
in
respect to editions of Leaves of Grass in time
to
come
(if
there should be such) * Nineteenth Century, [62]
July, 1883.
I
take occasion
H Bachwarb
Glance o'er tlraverb IRoaba
now
to confirm those lines with the settled convic-
tions
and deliberate renewals of
hereby prohibit, as
any
elision of
Then
still
beneath
far
them. a purpose enclosing
Ever
all.
and to as word of mine can do so, thirty years,
and over and might be call'd
all,
what
since
thought, or the budding of thought,
my
youthful mind,
some worthy record
I
had had a
began
in
desire to attempt
of that entire faith and accept-
ance C'to justify the ways of ton's
fairly
God
to
men"
is
Mil-
well-known and ambitious phrase) which
the foundation of moral America.
my young
positively then in
old ones
;
to formulate a
days as
I
1
felt
it
do now
all
in
is
as
my
poem whose every thought
or fact should directly or indirectly be or connive at
an implicit belief
in
the wisdom, health, mystery,
beauty of every process, every concrete object, every
human
or other existence, not only consider'd from
the point of view of
While
all,
but of each.
cannot understand
I
fully believe in a clue
it
or argue
and purpose
it
out,
I
in nature, entire
and several and that invisible spiritual results, just as real and definite as the visible, eventuate all conMy crete life and all materialism, through Time. book ought to emanate buoyancy and gladness ;
legitimately enough, for
it
was grown out
elements, and has been the comfort of it
was
originally
One main
my
of those life
since
commenced.
genesis
-
motive of the Leaves was [63]
a my
ffiacftwarb (Blance o'er ZTraveFb IRoaba
conviction (just as strong to-day as ever) that
the crowning growth of the United States
and
spiritual
To
heroic.
growth—or even
is
to be
help start and favor that
to call attention to
it,
or the need
of it— is the beginning, middle, and final purpose of
the poems.
summ'd
when
(In fact,
to the
plowing up
last,
terminable average fallows of
government justification
"
merely, in the
main
and
and
really cipher'd out in
earnest the in-
humanity— not ''good common sense— is the
purpose of these United
States.)
any rank or grace or
Isolated advantages in
for-
—the direct or indirect threads of the poetry of the past— are my opinion distasteful to the
tune
all
in
re-
publican genius, and offer no foundation for Establish'd poems,
verse.
I
its fitting
know, have the very
great advantage of chanting the already performed,
so
full
of glories, reminiscences dear to the minds of
men.
my
But
volume
is
a candidate for the future.
"All original art," says Taine, anyhow, 'Ms regulated,
without;
and no it
not receive
blood"
original art can be regulated
carries its it
own
my
from
counterpoise, and does
from elsewhere
—a solace to
self-
—lives
on
its
own
frequent bruises and sulky
vanity.
As the present
is
perhaps mainly an attempt at
personal statement or illustration,
I
will
allow myself
as further help to extract the following anecdote from
a book. Annals of
Old
Painters, conn'd [64]
by me
in
a Bachwarb
(Blance o'er ZCraioert) IRoaba
Rubens, the Flemish painter,
youth.
wanderings through the
came
answer to
his
After looking at
good while, and
criticisms of his suite of students, in
one of
galleries of old convents,
across a singular work.
thoughtfully for a
in
listening to the
he said to the
their questions, (as to
it
latter,
what school the
work
implied or belonged,) *M do not believe the
artist,
unknown and perhaps no
longer living,
who
has given the world this legacy, ever belong'd to any school, or ever painted anything but this one picture,
which
is
a personal
affair
â&#x20AC;&#x201D;a
piece out of a man's
life."
Leaves of Grass indeed iterate)
(I
cannot too often
has mainly been the outcropping of
emotional and other personal nature
from
first
to
to put a Person, a
last,
(myself, in the latter half in
â&#x20AC;&#x201D; an
my own attempt,
human being
otthe nineteenth century,
America,) freelyy^fully and-truly on record.
could not find any similar personal record literature that satisfied
re-
But
me.
it
is
I
in current
not on Leaves
of Grass distinctively as literature, or a specimen thereof, that
one
will get at
them
to dwell, or advance claims.
feel
I
my
verses
who
insists
No
upon viewing
as a literary performance, or attempt at such
performance,
or as aiming
mainly toward
art
or
aestheticism. I
say no land or people or circumstances ever
poems difown, as the
existed so needing a race of singers and fering from
all
others,
and
VOL. UI.â&#x20AC;&#x201D; 5.
[65]
rigidly their
H
Bacftvoarb (Blance o'er ^raveFb 1?oa&0
land and people and circumstances of our United States need such singers and
the future.
Still further,
poems
to-day, and for
as long as the States con-
tinue to absorb and be dominated
by the poetry
of
the Old World, and remain unsupplied with autoch-
and define
their
and give color to material and political success, and
minister to
them
distinctively, so long will
thonous song, to express,
vitalize
they stop
short of first-class Nationality and remain defective. In the free
evening of
my
day
I
give to you,
reader, the foregoing garrulous talk, thoughts,
rem-
iniscences,
As
idly drifting
Such
down
the ebb.
ripples, half-caught voices,
echo from the shore.
Concluding with two items genius of the West,
when
what Herder taught
to the
great poetry
is
always
it
for the imaginative
worthily rises
young Goethe,
(like the
privilege of a polish'd
and
First,
that really
Homeric or
canticles) the result of a national spirit,
â&#x20AC;&#x201D;
Biblical
and not the
select few; Second, that
the strongest and sweetest songs yet remain to be sung.
[66]
flnbei ot jfirst
[«7]
%mcs
irnbei of jfirst A
batter'd, wreck'd old
Aboard
A A
at a ship's
California
man
Adieu
O
.
.
—
—
.
take to the open road
I
.
After a long, long course, hundreds of years, denials
of physical anguish
.
After surmounting threescore After the dazzle of day
and ten gone
is
—
Ages and ages returning
at intervals
.
after the
little
winds day is done .
.
294
ii.
12
ii.
91
.
i.
.
iii.
177 12
ii.
321
iii.
.
ii.
9 297 24
.
ii.
^22
.
.
.
.
i.
131
.
.
.
i.
1
.
.
lesser proof than old Voltaire's, yet greater
57
i.
287
i.
238
.
.
ii.
305
.
.
ii.
261
.
iii.
14
i*
^57
ii.
318
ii.
63
ii.
170
recks the laborer
Ah, not this marble, dead and cold Ah, poverties, wincings, and sulky retreats Ah, whispering, something again, unseen A leaf for hand in hand
A A
.
19
25
iii.
ii.
glimpse through an interstice caught great year and place
Ah
198
.
...
After the sea-ship, after the whistling After the supper and talk
A A
PAGB
ii.
.
Soldier
week
VOL.
i.
a resume a repetition show, before you close it, France
Afoot and light-hearted After a
.
ii.
song
to your
.
helm
carol closing sixty-nine
Add
.
Xines
.
.
.
line in long array where they wind betwixt green
islands inner, secure, un-
submit to them where they sit, approachable to analysis in the soul All you are doing and saying is to America dangled mirages Always our old feuillage
All
.
[69]
.
.
"•33 i«
206
leaver of (Braea VOL.
A
march
in the ranks hard-prest,
and the road un
known
u.
A
mask, a perpetual natural disguiser of herself Amid these days of order, ease, prosperity Among the men and women the multitude An ancient song, reciting, ending And now gentlemen And whence and why come you And who art thou ? said I to the soft-falling shower And yet not you alone, twilight and burying ebb A newer garden of creation, no primal solitude .
.
.
.
.
A
noiseless patient spider
An An
old
man bending
I
.... ....
come among new
old man's thought of school
faces
.
Apple orchards, the trees all cover'd with blossoms Approaching, nearing, curious A promise to California Are you the new person drawn toward me
â&#x20AC;&#x201D;
.... ....
Arm'd year year of the struggle As Adam early in the morning As at thy portals also death As consequent from store of summer As down the stage again Ashes of Soldiers, South or North As I ebb'd with the ocean of life As if a phantom caress'd me
rains
.
.... ...
A
sight in
As As As As As As As As
A A
camp
I
lay with
I
ponder'd
I
sit in
in the
my
head
daybreak gray and dim your lap camerado
31
ii.
316
i.
161
iii. i.
146
iii.
u.
9 314
ii.
301
ii.
177
ii.
229
ii.
13
ii.
^13
ii.
298
ii.
296
i.
156
i.
149
ii.
43
i.
136
ii.
280
11. ii.
27 308
ii.
273
1
ii.
14
.
ii.
227
.
ii.
in
in silence
twilight late alone
69
ii.
by the flickering oak flame
sit with others at a great feast, suddenly while the music is playing I sit writing here, sick and grown old I walk these broad majestic days of peace I watch'd the ploughman ploughing one by one withdraw the lofty actors
ii.
88
i.
I
iii.
17
u.
2^2
u.
295 269
I
.
.
song, a
song
poem
of
itself
â&#x20AC;&#x201D; the word
for occupations [70]
itself a
dirge
ii.
u.
ii.
234 304 310
i.
257
ii.
In&ey of
A
song of the
Xinee
jflvat
and of words according As the Greek's signal flame, by antique records told As the time draws nigh glooming a cloud rolling earth,
.
As they draw to a close As toilsome I wander'd Virginia's woods
.
A
.
.
""^ .
L
268
.
ii.
320
.
ii.
271
ii. .
thousand perfect men and women appear At the last, tenderly A vague mist hanging 'round half the pages A voice from Death, solemn and strange, in all his sweep and power A woman waits for me, she contains all, nothing is .
.
.
.
lacking
Aye, well
I
know
't
is
ghastly to descend that valley
—
.
Beat! beat! drums! blow! bugles! blow Be composed be at ease with me I am Walt Whitman, liberal and lusty as Nature Beginning my studies the first step pleas'd me so much Behold this swarthy face, these gray eyes . Brave, brave were the soldiers (high named to-day) who lived through the fight . By blue Ontario's shore By broad Potomac's shore, again old tongue By that long scan of waves, myself call'd back, resumed
—
—
.
.
.
fitful
by the gate
.
.
-^6
161
i.
.
.
i.
.
.
ii.
.
.
.
.
.
52
295 107
ii.
264
ii.
301
ii.
65
ii.
139
ii.
297
ii.
222 1
5
"-57 make
the continent indissoluble
.
.
i.
142
i.
279 276
i*
here
's
a letter
from our
Pete
!!*
yet,
9 1
ii.
i.
Come my tan-faced children Come said the Muse Come up from the fields father, Courage
124
ii.
City of ships will
i.
iii.
.
out of the sides
I
19
.
City of orgies, walks and joys
Come,
iii.
44
Centre of equal daughters, equal sons Chanting the square deific, out of the One advancing, .
9
ii.
flame
the city dead-house
2'^'^
iii.
.
upon myself the bivouac's
ii.
.
.
By By
ii.
294 72 38
ii.
my
brother or
my
sister!
[71]
.
.
.
ii.
^^ 142
leavee of (Braea Darest thou
VOL.
now O
soul
ii.
Delicate cluster! flag of teeming
Did
we
O
count great,
life
.
mighty books Did you ask dulcet rhymes from me Down on the ancient wharf, the sand, .
new-comer
.
.
Soul, to penetrate the
sit,
.
.
Earth, my likeness Ever the undiscouraged, resolute, struggling soul of man
Far hence amid an
isle
First
O
of
O
Fast-anchor'd eternal
.
.
O woman
I
135
i.
308
.
.
ii.
138
.
.
i.
160
.
.
ii.
40
.
i.
191
i»
9
.
iii.
21
.
ii.
31
ii.
128
ii.
230
.
.
.
for
.iii.
11
ii.
26^
.
.
the splendid silent sun with
all
beams
his
Gliding o'er
all,
old Revolutionary
through
Good-bye my Fancy Good-bye my Fancy Grand is the seen, the
.
.
i.
162
iii.
34
ii.
77 58
ii. ii-
all
(I
had a word to say me grand are the sky
—
light, to
stars [72]
.
10
1
iii.
37 27 8
iii.
26
iii.
—
and
.
45
i.
full-
dazzling
me your hand
ii.
— of many a smutch'd deed remi-
niscent
Give
158
310
i.
.
me
i.
ii.
.
From all the rest I single out you, having a message you From east and west across the horizon's edge From far Dakota's canons From Paumanok starting I fly like a bird From pent-up aching rivers Full of life now, compact, visible
Give
3^7
.
!
I
*•
.
songs for a prelude
wickedness
295 89
.
Flood tide below me I see you face to face For him I sing For his o'erarching and last lesson the greybeard sufi Forms, qualities, lives, humanity, language, thoughts For the lands and for these passionate days and for myself
Full of
ii.
.
love
.
ii.
.
wondrous beauty
love!
88
with a
chatting
Facing west from California's shores Far back, related on my mother's side
ii.
themes of
.
I
.
PAGE
22
.
In&ey of fivBt Xlnea VOL.
Greater than
Had
memory
of Achilles or Ulysses
the choice to tally greatest bards
I
.
.
.
ii.
296
.
ii.
299 249 38
some wild trumpeter, some strange musician Hast never come to thee an hour Have no weapon-word for thee some message brief Hark,
.
.
.
.
ii.
.
ii.
—
I
and
fierce
Have you
iii.
learn'd lessons only of those
who
PAGB
.
1
admired
you, and were tender with you, and stood aside
you Heave the anchor short for
Here
first
crete
frailest
leaves of me, and yet
my
dare one say
— see
this
it
sends back (who
is
it
solemn as one by one sweet the silent backward tracings
.
.
.
I
AM he
I
celebrate myself,
amorous love and sing myself then more, far more I doubt it not I dream'd in a dream I saw a city invincible to the attacks of the whole of the rest of the earth If I should need to name, O Western World, your powerfulest scene and show 1 have not so much emulated the birds that musically that aches with
156
ii.
30
iii.
25
ii.
87
ii.
297
—
i.
10
ii.
106
.
.
.
.
i.
133
.
.
.
.
i.
33
.
.
.
.
iii.
12
.
.
i.
158
.
ii.
302
iii.
31
i.
73
i-
4
.
.
sing
hear America singing, the varied carols
I
hear
.
.
heard that you ask'd for something to prove this puzzle the
I
11
they are provided for upon the earth (appearing
Hush'd be the camps to-day
I
312
i.
it?
at intervals
I
ii.
i.
up sternly it you
it
is
How How How How
7
strongest
lasting
Hold
317
the duties of to-day, the lessons of the con-
Here, take this gift
Here the
ii. iii.
New World
heard you solemn-sweet
Sunday morn
I
.
.
:
.
•
pipes of the organ as last
pass'd the church [73]
.
.
.
.
i«
^34
Xeavee of (5ra60 I
hear
was charged
it
against
me
that
I
sought to de-
stroy institutions I
met a seer
.
region little
fix'd
house keep house
pictures suspended,
I
need no assurances, of his
own
I
am
a
man who
is
many
a face of anguish
bloom, and growth some unused lagoon, some nameless bay
In softness, languor,
I I
saw saw
.
ii.
i«
^37
.
.
iii.
.
.
ii.
in Louisiana a live-oak
growing
.
.
.
old General at bay
me now
army
halting
grandly as sing the
body
it
pours
in the great sea
its
52
ii.
64
.
ii.
mother,
ii.
38 36
i.
113
.
.
.
1
82
see the sleeping babe nestling the breast of
a traveling
i.
31
320
ii.
I
.
electric
and look out upon all the sorrows of the world, and upon all oppression and shame Is reform needed ? is it through you I stand as on some mighty eagle's beak sit
.
.
.
.
ii.
34
.
.
.
ii.
165
.
.
.
ii.
293
ii.
201
ii.
256
ii.
162
ii.
285
wander all night in my vision was asking for something specific and
my I
2
227 266
see before
I
176
u
ii.
see in you the estuary that enlarges and spreads itself
I
ii.
.
I
I
172
.
I
I
ii.
pre-occupied
soul
midnight sleep of In paths untrodden In
In
5
not a
it is
In cabin'd ships at sea I
^54
i.
far-away northern county in the placid pastoral
In a
In a
i«
perfect for
city
was looking
a long while for Intentions
.
.
.
Joy, shipmate, joy
Last of ebb, and daylight waning
Laws
.
.
.
.
for creations
Let the reformers descend from the stands are forever bawling
—
[74]
300 160
ii.
212
ii.
126
where they
let an idiot or insane person appear on each of the stands Let that which stood in front go behind . . . .
ii.
ii.
.
.
.
Unbey of Jlret ILinea Locations and times
— what
is it
all, whenever and wherever, Long, too long America
Look down fair moon and bathe Lo, the unbounded sea
me that meets them and makes me at home this
scene
.
.
.
Manhattan's
streets
I
eleve of
...
.
saunter'd pondering
things to absorb
I
.
.
teach to help you
imperturbe, standing at ease in Nature More experiences and sights, stranger, than you
1
.
ii.
30
.
ii.
146
i,
i^q
i.
12
.
.
'd
and noble name resumed science-friend, my noblest woman-friend fit
.
think iii.
2-^
.
.
ii.
293
.
.
ii.
311
ii«
1 59 289
yours dear brother
Myself and mine gymnastic ever
86 89
for
spirit to
77
ii.
become
.
city's
ii.
ii.
mine
Me
My My My
38
ii.
i.
on the peaks Lover divine and perfect Comrade Lo, Victress
Many
''°'"
in
.
i.
Nations ten thousand years before these States, and many times ten thousand years before these States Native moments when you come upon me ah you
ii.
144
.
.
—
are here
—
now
Nay, do not dream, designer dark
Nay
tell
me
i«
^33
.
.
iii.
35
.
.
iii.
-^^
ii,
2^1
.
.
not to-day the publish'd shame
Night on the
.
prairies
No
labor-saving machine Not alone those camps of white, old comrades of the wars Not from successful love alone Not heat flames up and consumes Not heaving from my ribb'd breast only Nothing is ever really lost, or can be lost Not meagre, latent boughs alone, O songs (scaly and
i.
1
57
ii.
283
ii.
.
.
.
i.
298 50
.
.
.
i.
144
.
.
.
ii.
309
ii«
3^9
ii.
72
iii.
24
.
1
!
bare, like eagles' talons
Not the
charged himself to bring his ship into port, though beaten back and many times baffled Not to exclude or demarcate, or pick out evils from their formidable masses (even to expose them pilot has
.
[75]
Xeave0 of (Braee VOL.
Not youth
Now Now
list
my
to
me
shore
finale to the
morning's romanza,
Answerer
the
Now
pertains to
precedent songs, farewell
tell
I
A
new
— by every name
Of Equality
my
—
Captain! our fearful trip
is
286
i.
200
ii.
321
fare-
song, a free song
Captain!
85
ii.
the signs of
well
O O
PAGE
ii.
done
.
ii.
46
ii.
105
ii.
38
as if it harm'd me, giving others the same chances and rights as myself as if it were not in-
—
dispensable to the
Of
my own
rights that others possess
same
heroes,
history,
grand events, premises,
poems Of him love day and I
dead
night
1
dream'd
I
myths, iii.
31
ii.
225
ii.
37
ii.
37
ii.
32
heard he was
—
as if Justice could be anything but the Of Justice same ample law, expounded by natural judges and
saviors
Of obedience, faith, adhesiveness as if one fit to own things could not Of ownership at pleasure enter upon all, and incorporate them .
—
.
.
.
into himself or herself
Of persons arrived at high scholarships,
positions, ceremonies, wealth,
and the
like
Of public opinion Of that blithe throat of thine from arctic bleak and blank Of these years sing Of the terrible doubt of appearances O hymen! O hymenee! why do you tantalize me thus I
.
Old farmers,
travelers,
workmen
.
(no matter
.
how
always dying magnet-South! O glistening perfumed South! South me, man of slack faith so long !
On
a
flat
.
life
!
.
.
of the questions of these recurring
road runs the well-train'd runner [76]
.
.
262
ii.
306
ii.
275 145
i.
133
ii. ii.
312 230
ii.
254
ii.
257
.
ii.
.
ii.
}^ 36
crip-
living always,
O O me O
162
ii.
i.
.
pled or bent
O O
ii.
my .
Xines
flnbey of firet
Once
pass'd through a populous city imprinting
I
brain for future use with
my
shows, architecture,
its
customs, traditions
One hour
me
to
furious!
O
U4 confine
not
One's-self
1.
sing, a simple separate person
I
One thought
On
O
madness and joy!
129
i.
.
ever at the fore
I
iii.
journeys through the States
we
start
Only themselves understand themselves and the
i.
II
11.
33
11.
170
like
of themselves
On my
Northwest coast in the midst of the night a fisherman's group stands watching On, on the same, ye jocund twain
On On
the beach at night
....
the beach at night alone
O sight of pity, shame and dole O star of France O take my hand Walt Whitman O tan-faced prairie boy
.
....
may
what they like most jubilant song Out from behind this bending rough-cut mask Out of the cradle endlessly rocking Out of the murk of heaviest clouds Out of the rolling ocean the crowd came a drop gently Others
O to
make
to
praise
the
ii.
2\
ii.
150
ii.
170
i.
163
ii.
86
iii.
168
i.
213
ii.
6 264
1.
131
iii.
13
ii.
81
ii.
I
are
longingly
heard the Mother of All
i.
i6r
I
.
Poets to come! orators, singers, musicians to come Proudly the flood comes in, shouting, foaming, ad.
i«
153
"•
234 282
ii. i.
ii«
[77]
56
ii.
know how
vancing
1
.
look upon you Pensive and faltering I
19
ii.
me
Pensive on her dead gazing
8
ii.
.
Over and through the burial chant Over the carnage rose prophetic a voice Over the Western sea hither from Niphon come O you whom I often and silently come where you that I may be with you Passing stranger! you do not
iii.
301
ateavee of (Braae VOL.
Proud music of the storm
me know
Quicksand years that whirl
Race of veterans
I
not whither
Roaming
.
ii.
....
— race of victors
Recorders ages hence Rise O days from your fathomless deeps,
228 85 147
you
till
loftier,
sweep
fiercer
PACK
i.
54
thought over the Universe, I saw the little that is Good steadily hastening towards immortality Roots and leaves themselves alone are these in
35 149
Sacred, blithesome, undenied
m.
32
Sane, random, negligent hours
ill.
34
Sauntering the pavement or riding the country by-road, lo,
..... ....
such faces
Scented herbage of
my
breast
Sea-beauty stretch'd and basking Shot gold, maroon and violet, dazzling !
silver,
244 158
293
emerald,
fawn
317
Shut not your doors to me proud libraries Silent and amazed even when a little boy Simple and fresh and fair from winter's close emerging Singing my days Skirting the river road (my forenoon walk, my rest Small the theme of my Chant, yet the greatest namely,
14
.
3^ 296
.
One's-Self
— a simple, separate person.
the use of the
Somehow
I
cannot
New
I
I
That, for
sing
1.
go yet, funeral though it is me where I thought I was safest I
love
I
fill
myself with rage
Spirit
form'd this scene
whose work
is
done
—
3n
iii.
10
ii.
140
for
effuse unreturn'd love
160
Soon shall the winter's foil be here Sounds of the winter too Spirit that
35
—
let it
Something startles Sometimes with one fear
World,
186
315
....
spirit
of dreadful hours
Splendor of ended day floating and filling Spontaneous me. Nature Starting from fish-shape Paumanok where [78]
me
17
268
90 278 126
I
was born
16
In&ey of
Xinea
jfirat
VOL.
Steaming the northern rapids— (an old
St.
reminiscence
though the one I sing Stranger, if you passing meet me and desire to speak to me, why should you not speak to me Suddenly out of its stale and drowsy lair, the lair of slaves Still
u.
299
i.
14
15
.
27
Tears! tears! tears in old age thanks ere I go That coursing on, whate'er men's speculations That music always round me, unceasing, unbeginning
—
Thanks
.
3^3
.
yet long untaught
That shadow
my
I
did not hear
ii.
.
likeness that goes to
and
fro
a livelihood, chattering, chaffering
The business man the acquirer vast The commonplace sing The devilish and the dark, the dying and diseas'd Thee for my recitative The last sunbeam The mystery of mysteries, the crude and hurried cease .
I
spontaneous, bearing on
itself
.
Then last of all, caught from these shores, this hill The noble sire fallen on evil days The prairie-grass dividing, its special odor breathing There was a child went forth every day These carols sung to cheer my passage through the world I see These I singing in Spring collect for lovers The sobbing of the bells, the sudden death-news every where
The soft voluptuous opiate shades The soothing sanity and blitheness of completion the loftiest The touch of flame the illuminating fire
i.
161
ii.
258
ii.
297
ii.
281
iii.
22
iii.
23
ii.
2^3
ii.
79
m. ii.
37 302
ii.
56
i.
155
u.
135
ii.
286
i.
142
ii.
284
ii.
319
iii.
ID
11.
322
ii.
ii.
314 285
ii.
21
—
—
look at
228
seeking
That which eludes this verse and any verse The appointed winners in a long-stretch'd game
less flame,
PACK
Lawrence
last
The two old, simple problems ever intertwined The untold want by life and land ne'er granted The world below the brine
.
....
[79]
.
Xcavee of (Braee VOL.
They
shall arise in the States
Thick-sprinkled bunting
flag of stars
!
This dust was once the man This is thy hour O Soul,
ate
— these
262
ii.
267
ii.
106
11.
270
thy free flight into the
wordless This latent mine
unlaunch'd voices
— passion-
powers
295
This moment yearning and thoughtful sitting alone Thither as I look I see each result and glory retracing
154
.
itself
and nestling
close,
....
always obligated
Thou Mother with thy Equal brood Thou orb aloft full-dazzling! thou hot October noon Thou reader throbbest life and pride and love the .
same
as
Thou who
PAGB
ii.
I
hast slept
night
all
upon the storm
1.
12
ii. ii.
23^ 243
1.
15
ii.
18
Through the ample open door of the peaceful country barn
Through the
evening
soft
—
air
enwinding
all
To be at all what is better than that To conclude, announce what comes after me
ii.
36
ii.
175
m.
35
a rude brief recitative To-day, from each and all, a breath of prayer a pulse of thought To-day, with bending head and eyes, thou, too, Columbia To get betimes in Boston town I rose this morning early
ii.
286 22
ii.
298
11.
320
ii.
25
To To To To To To
u.
309
i.
159
I
To-day
—
get the final
lilt
of songs
the East and to the
West
thee old cause the garden the world
anew ascending
the leaven'd soil they trod calling
I
.
sing for the last
1.
4
1.
no
ii.
92
the States or any one of them, or any city of the
much, obey
States, Resist
To To
ii.
.
think of time
those
— of
who 've
Trickle drops!
all
fail'd, in
my
little
that retrospection
aspiration vast
.
blue veins leaving
Turn
O
Two
boats with nets lying off the sea-beach, quite
Libertad, for the
war
is
over
[80]
.
still
i.
10
ii.
213
ii.
294
1.
151
11.
92 242
11.
flnbey of fflret XInea Unfolded out of the folds of the woman man comes unfolded, and is always to come unfolded Unseen buds, infinite, hidden well .
Upon
this scene, this
Vigil strange
I
.
.
ii.
.
.
iii.
.
show
kept on the
one night
field
.
.
Vocalism, measure, concentration, determination, and the divine power to speak words .
Wandering at morn Warble me now for joy of
.
.
in,
my
hardy
â&#x20AC;&#x201D;
life
.
Welcome, Brazilian brother thy ample We two boys together clinging We two, how long we were fool'd
What am
are those of the
.
place
.
.
ready
is
22}
ii.
263
iii.
16
.
.
.
.
i.
132
ii.
166
it over and over but to ascend and enter
repeating
known
.
hour for death had come I heard at the close of the day how my name had been receiv'd with plaudits in the capitol, still his
happy night
for
me
ii.
286
ii.
267
11.
307
11.
154
the
....
I
a
152
i.
156
I
I
ii.
i.
...
was not
157
.
What ship puzzled at sea, cons for the true reckoning What think you take my pen in hand to record What you give me cheerfully accept
it
ii.
.
.
When When
67
.
I
When When
ii.
.
the Unknown What best see in thee What hurrying human tide, or day or night What may we chant, O thou within this tomb What place is besieged, and vainly tries to raise siege
305
but a child, pleas'd with the sound
my own name ?
of
What
after all
I
ii.
(returning in
wan
naked,
66 26
"'174 lilac-time
reminiscence
Weapon shapely, Weave in, weave
1
that follow'd
heard the learn'd astronomer
i.
14
u.
229
i.
159
u.
34
ui.
19
i.
148
ii.
32
peruse the conquer'd fame of heroes and the victories of mighty generals, I do not envy the I
generals
When When
I
read the book, the biography famous
lilacs last in
VOL.
III.
â&#x20AC;&#x201D;
the dooryard bloom'd
6.
[81]
.
i*
^55
.
.
i.
.
.
ii.
9 94
leavee of (Braaa YOL.
When
came ceaseless crowd moves on the
the full-grown poet
PAGE
iii.
i8
long day ii. While behind all firm and erect as ever .iii. While my wife at my side lies slumbering, and the wars are over long ii. While not the past forgetting ii. Whispers of heavenly death murmur'd I hear ii. Who are you dusky woman, so ancient hardly human ii. Whoever you are holding me now in hand i. Whoever you are, I fear you are walking the walks of dreams i. Who has gone farthest ? for I would go farther ii. Who includes diversity and is Nature ii.
164
Where
the city's
.
.
.
.
.
live-
.
.
.
.
.
.
Who learns my lesson complete Why reclining, interrogating? why
.
.
.
.
.
.
.
myself and
of a miracle
.
.
.
Wild, wild the storm, and the sea high running With all thy gifts America With antecedents
all,
beautiful as the
World take good
sky
.
39 163
.
ii. ii.
2^ 1 76
i,
292
.
.
ii.
.
.
.
ii.
303 64
ii.
^(i
.
.
.
ii.
.
.
ii.
87 86
.
.
.
.
boughs Youth,
large, lusty, loving
â&#x20AC;&#x201D; youth
full
.
i.
291
.
ii.
271
.
ii.
73
.
ii.
226
ii.
160
ii.
319
of grace, force,
1-275
fascination
You
tides
168
ii.
Year of meteors brooding year Years of the modern! years of the unperform'd . Year that trembled and reel'd beneath me Yet, yet, ye downcast hours, 1 know ye also You felons on trial in courts You lingering sparse leaves of me on winter-nearing .
167
.
notice, silver stars fading !
284 260
ii.
Word
over
84 140
.
With husky-haughty lips, O sea With its cloud of skirmishers in advance Women sit or move to and fro, some old, some young .
82 31 221
all
drowsing
Why, who makes much
ii.
^2
with ceaseless swell! you power that does
this work You who celebrate bygones [82]
ii.
299
iÂŤ
4
VARIORUM READINGS OF
"LEAVES OF GRASS" TOGETHER WITH
FIRST DRAFTS OF CERTAIN
POEMS; REJECTED PASSAGES; AND POEMS
DROPPED BY THE WAY
EDITED BY
OSCAR LOVELL TRIGGS,
Part I.— VARIORUM
READINGS
Part II.— REJECTED LINES
Part III.— REJECTED
Ph.D.
AND PASSAGES
POEMS
[83]
The
various readings are
texts of the
poems
editions of 1855,
The notes appended first
collating the original
to each title give the date of the
publication in the central volume, the various
to designate the in
made up by
of Leaves of Grass as they appeared in the 1856, i860, 1867, 187 1-2, 1876, and 1881.
the
body
poem's
names used
poem, and the date and nature of each revision
of the work.
[84]
part H TDatiorum IReabinas Come, Said
A
my
poem
prefatory
in 188 1 written
Inscriptions.
A
group
Soul.
on
[See
title
page.]
in 1876 edition, called "author's edition";
title
page and signed by the author.
[I., p. i.]
title for
As
poems
nine
in the
1871-2 edition: One's-
Ponder' d in Silence, In Cabin d Ships at Sea, To Foreign Lands, To a Historian, For Him I Sing, When I Read the Book, Beginning my Studies, To Thee Old Cause. In 1 88 1 twenty-four poems were included in the group. The name was taken from a prefatory poem in the edition of 1867 Self I Sing,
I
^
called Inscription.
One's-Self I Sing.
[I.,
p. i.]
The original reprinted in was poem was called Inscription in 1867 and Sands at Seventy under the title Small the Theme of my Chant The present poem is a variation of the (see vol. II., page 311). 1871
:
in its present
form and with
this title.
1867 Inscription, other details being added in 1871.
As
I
Ponder'd in Silence.
[I., p. i.]
187 1-2, p. 7.
In Cabin'd Ships at Sea. 1 87 -2, page 8. Line 3, 1871-2: after
[I., p. 2.]
1
"waves"
in 1881. [85]
read
"In such"; discarded
Xeavea of (Braea To Foreign Lands.
[I., p. 4.]
To Other Lands, page 402
i860:
with present
1871
;
title;
transferred to Inscriptions in 1881.
Line
i860
i,
to represent the
"I
liear
you have been asking
new
race,
our self-poised Democracy."
:
for
something
Line 2: added in 1871.
To a
Historian.
[I., p. 4.
Chants Democratic, No, 10, page 181; 1867 with present title in second annex, page 31; 1871 transferred to Inscriptions, page 9. i860:
The '*
original
poem
who
Historian! you
You have explored life
read celebrate bygones!
the outward, the surface of the races
that has exhibited
You have
treated
rulers,
and
man
— the
itself.
as the creature of politics, aggregates,
priests;
But now I also, arriving, contribute something; an habitue of the Alleghanies, treat man as he
I,
ences of Nature, in himself, in his
Advancing, to give the
and the
spirit
own
traits
is
in the influ-
inalienable rights.
of
new Democratic
ages, myself, personally,
(Let the future behold
tradictory
arrogant of I
do not
What
all in
so puzzling and con-
by records and documents, no further me, will furnish, by
(talking to every born American,) requires
silently
who
will hear
meditating alone;
press the pulse of the itself,
life
that has hitherto
illuminate feelings, faults, yearnings, hopes last,
seldom exhibited
but has generally sought concealment,
pride of man, in himself,) I
most loving and
men ;)
proof than he or she
I
me — Me,
a Manhattanese, the
the usual facts, proved
tell tell,
I
them
— Me,
no more ashamed nor
—
I
(the great
have come at
afraid
Chanter of Personality, outlining a history yet to be, I project the ideal man, the American of the future." Line 4
(line 5
above) 1867:
*' I,
[86]
habitue of the Alleghanies,
IDariorum TReaMnge man
treating
as he
in himself, in his
is
page
rights."
Present
-^
To Thee Old Cause. 1871,
own
^
reading in 1871.
[I., p. 4.]
II.
Lines 8 and 9 added in 1881. Line 12, 1871 read ''Around the idea of thee the strange sad :
war
revolving."
for thrice a
1871: read **With yet unknown thousand years."
Eidolons.
[I.,
Line
14,
scriptions in
Him
For 1
1
I
Rivulets (vol. 2) page 17;
transferred to In-
88 1.
I Sing.
87 1, page
When
come,
p. 5.]
Two
1876, in
results to
[I., p. 9.]
10.
Read the Book.
[I., p. 9.]
1867, page 268; transferred to Inscriptions in 1871. For lines 5, 6, and 7, read in 1867 '' As if you, O cunning Soul, did not keep your secret well! " Written in 1871 as now. :
Beginning
my
Studies.
[I., p. 9.]
1867 in the Drum- Taps annex, page 18. Transferred to Inscriptions 1871, page 11.
{Drum- Taps,
1865.)
Line 3: "love" added 187 1.
Lines 5 and 6: read in
Drum-Taps
(1865)
*' I have never gone, and never wish'd to go, any farther, But stop and loiter all my life, to sing it in extatic songs."
Written as Beginners.
now
[I., p. 10.]
page 416;
i860,
in 187 1.
1
87 1, page ^62, in a group entitled Leaves of
Grass; transferred to Inscriptions
To
the States. i860:
ent
title
[I., p.
[Valt
in 1881.
10.]
Whitman
s
Caution, page 401
and under Inscriptions. [87]
;
1881 with pres-
Xeapee of (Braae On Journeys through
the States.
[I., p.
ii.]
i860: Chants Democratic, No. ly; dropped from 1867 edition, but reprinted in Passage to India; transferred to Inscriptions in 1881.
For lines i, 2, and 3 read in i860: ''Now we start hence, I with the rest, on our journeys through The States." Written in present form in 1871. Line
i860:
5,
for
"we"
read "I."
" have said " read " I have said." After line 11, i860: read " Promulge real things Never forget the equality of humankind, and never forget immortality." This was dropped in 1871. Line
i860:
6,
for
—
To a Certain
Cantatrice.
[I., p.
11.]
i860: To a Cantatrice, page 401; 1867 with present page 238; transferred to Inscriptions in 1881.
Line
i860: for
2,
Line
"speaker" read "orator."
"One who
i860:
3,
title,
should serve the good old cause,
the progress and freedom of the race, the cause of
my
Soul."
Me
Imper-
Present reading in 1867.
Line 4 added in 1871.
Me
Imperturbe.
12.]
[I., p.
i860: Chants Democratic, No. 18, page 91 1867 turbe, page 318; transferred to Inscriptions in 1881. ;
Line
i860: "
Me imperturbe, Me standing at ease in
i,
Nature."
Present read-
ing in 1867.
"Me
private, or public, or menial, After line 4, i860, read: all these subordinate, (1 am eternally equal with the
or solitary
best
—
—
am
I
Savantism
This sentence dropped in 1881.
not subordinate.") [I., p.
12.]
page 417; transferred to Inscriptions
i860,
The Ship
Starting.
1867:
The Ship,
in 1881.
p. 13.]
[I.,
first
published in Drum-Taps, 1865; 1871:
The Ship Starting, page 27; transferred to Inscriptions Line
2,
1867: "
On
its
breast a Ship, spreading [88]
all
in 1881.
her sails^-
IDarlorum IRea&lnfla an ample Ship, carrying even her moonsails."
Present reading
in 1881. I
Hear America Singing.
[I.,
p. 13.]
i860: Chants Democratic, No. 20, page 192; 1867 / Hear America Singing, page 308; transferred to Inscriptions in 1881.
Line
i,
i860: read "American mouth-songs!"
Present read-
ing 1867.
Lines
10,
1 1
:
written as one line in i860:
â&#x20AC;&#x201D;
The day what belongs to the day At night, the party of young fellows, robust, friendly, clean-blooded, singing with **
melodious voices, melodious thoughts." Present reading 1867. line, i860: read **Come! some of you! still be The States with hundreds and thousands of mouth-songs, The States only."
After last
flooding fit
for
This line dropped in 1867.
What
Place
is
Besieged ?
[I.,
p. 14.]
i860: Calamus, No. 3/, section is
Besieged, page 158.
The
first
2,
page}'] 2; 1867:
part of the i860
the piece entitled in 1867 Here Sailor
What Place
poem became
â&#x20AC;&#x201D; Uter What Ship Fuelled
at Sea, Still 1
Though 87
the
0ne
I Sing.
[I., p. 14.]
page 363; transferred to Inscriptions
1,
Shut not Your Doors.
[I., p.
in 1881.
14.]
to me Proud Libraries; first pubDrum-Taps, 1865; transferred to Inscriptions in 1881. The following was the original poem
1867
:
Shut not Your Doors
lished in
" Shut not your doors to me, proud libraries. For that which was lacking among you all, yet needed most, bring;
A book And
1
have made
for you,
O
for
your dear sake,
O
soldiers.
soul of man, and you, love of comrades [89]
I
Xeapea of (5ra60 The words of my book nothing, the life of it everything A book separate, not link'd with the rest, nor felt by the intellect; But you will feel every word, O Libertad! arm'd Libertad! It shall pass by the intellect to swim the sea, the air, With joy with you, O soul of man." volume (1871) four
In Passage to India
''Through Space and Time fused
lines
in a chant,
were added: and the flowing,
eternal Identity,
To
Nature, encompassing these, encompassing
God
â&#x20AC;&#x201D;
^to
the joy-
ous, electric All,
To
â&#x20AC;&#x201D; and accepting, exulting
the sense of Death
same
turn, the
The entrance These
Man
of
as I
sing."
were dropped
lines
Poets to Come.
[I.,
in Death, in its
life.
in 1881.
p. 15.]
i860: Chants Democratic, No. 14, page 186; 1867: Poets to Come, page 317; transferred to Inscriptions in 1881.
Line Line
i,
added
in 1871
2,
i860:
"Not
we
and what
:
"orators, singers, musicians to come."
to-day
is
to justify
are for."
Line
4,
i860:
"You must justify me."
Line
5,
1871
"myself" added.
:
me, and Democracy,
Present reading 1871. Present reading 1871.
After line 4, i860: read
" Indeed,
What I
is
if it
the
for you, what would I be ? have done, except to arouse you
were not
little
I
depend on being
realized,
prairies spread,
?
long hence, where the broad
and thence
to
Oregon and
fat
California in-
clusive, I
expect that the Texan and the Arizonian, ages hence, will under-
I
stand me, expect that the future Carolinian and Georgian will understand
me and I
love me,
expect that Kanadians, a hundred, and perhaps many hundred years from now, in winter, in the splendor of the snow and woods, or on the icy lakes, will take me with them,
and permanently enjoy themselves with me. [90]
IDarlorum IReaMnsa Of to-day
I
know am momentary, untouched — am I
I
the bard
of the future, I
but write one or two indicative words for the future,"
These page 227.
To You.
[I., p.
Thou Reader.
Starting
in
1867.
Compare Thoughts,
:
v.
II.,
15.]
page 403; transferred to Inscriptions
i860,
1881
dropped
lines
etc.
in 1881.
[I., p. 15.]
written for Inscriptions,
from Paumanok.
[I., p.
16.]
The introductory poem of i860 with the title of Proto-Leaf, pages 5-22; 1867: Starting from Paumanok, pages 7-22. In i860 the stanzas are numbered to 65. In 1867 the poem is divided i
into sections
to 20)
(i
and stanzas
made
for the 1867 edition,
§1.
[p. 16.]
In
i860 the
first
(i
to 65); the main revision
but some changes in 1881.
stanza reads:
**Free, fresh, savage. Fluent, luxuriant, self-content, fond of persons
and
places,
Fond of fish-shape Paumanok, where I was born. lusty-begotten and various. Fond of the sea Boy of the Mannahatta, the city of ships, my city. Or raised inland, or of the south savannas. Or full-breath'd on Californian air, or Texan or Cuban
—
Tallying, vocalizing
all
air.
— resounding Niagara — resounding Mis-
souri,
Or rude in my home in Kanuck woods. Or wandering and hunting, my drink water, my diet meat. Or withdrawn to muse and meditate in some deep recess. Far from the clank of crowds, an interval passing, rapt and happy. Stars, vapor, snow, the hills, rocks, the Fifth Month flowers, my
amaze,
Aware
my
love.
of the buffalo, the peace-herds, the
and
bull,
strong-breasted
hairy.
of the mocking-bird of the wilds at daybreak, Solitary, singing in the west, I strike up for a new world."
Aware
[91]
Xeaves of (Bra00 had its present form, except line 4, which Mannahatta, ''city of ships"; and line 11, which read "earths" for "earth." Present reading in 1871. In 1867 this stanza
read after
§2.
[p. 17.]
i, i860: after "time" read "the Soul, your-self, the and future lands"; present 1867: drop "Soul." Present reading
Line
1871.
Lines 8 and 9 printed i860:
"See, revolving,
—the
The globe
ancestor-continents, away, grouped together,'*
etc.
i860: line 21 begins with § 3.
"And."
[p. 18.]
Line
i,
i860: for
"conquerors" read
"masters."
Present
reading 1867.
Stanza
2,
i860: read
" Chants of the prairies, Chants of the long-running Chants of Ohio, Indiana,
Mississippi, Illinois,
Wisconsin, Iowa, and Min-
nesota,
Inland chants
Chants away
—chants of Kanzas, down
to Mexico,
and up north to Oregon
— Kana-
dian chants,
— —
Chants of teeming and turbulent cities chants of mechanics, Yankee chants Pennsylvanian chants chants of Kentucky and Tennessee, Chants of dim-lit mines chants of mountain-tops. Chants of sailors chants of the Eastern Sea and the Western
—
—
—
Sea,
Chants of the Mannahatta, the place of my dearest love, the place surrounded by hurried and sparkling currents. Health chants— joy chants
—
—robust chants of young men,
Chants inclusive wide reverberating chants. Chants of the Many In One." Present reading in 1867.
Following section
3, in
i860: read C93]
Dartorum IReaMnge " In the Year 80 of the States, My tongue, every atom of my blood, formed from this
soil, this
air,
Born here of parents born here. From parents the same, and their parents' parents the same, I,
now
thirty-six years old, in perfect health, begin.
Hoping
to cease not
till
death.
Creeds and schools in abeyance. Retiring back a while, sufficed
at
what they
are,
but never for-
gotten.
With accumulations, now coming forward in front, harbor, for good or bad permit to Arrived again,
—
I
1
speak,
Nature, without check, with original energy,"
and 8 and part of Song of Myself, section i, in 1881.
This section, except lines transferred to
§4.
line 9,
was
[p. 18.]
Line
i860: read
i,
added
line
1
§5.
"Take my
leaves America!"; the rest of
in 1867.
[p. 19.]
Line
among
6,
it)
Line
7,
Line
8,
"
i860: read
added
"I"
before
i860: read "I think" for "think." i860: read "I regard "for "regarding"; "then dis-
missing it" added in 1867. Line 9, i860: read "Then take
own
''own"; "(moving awhile
in 1867.
my
day and race here." 15, i860: read "the mistress"
Line
§6.
place for
good with
my
Present reading in 1867. for
"my
mistress."
[p. 19.]
i860: after line 7 read " And I will ganic bargains of These States— And a
make shrill
a song of the orsong of curses on
him who would dissever the Union." Dropped 1867. Lines 10-13 added 1867. i860 a line added after line 17
"And
sexual organs and acts! do you concentrate in [93]
me— For
I
%cwoce of <5tae6 am
determined to tell you with courageous clear voice, to prove you illustrious."
was
This line
transferred in 1871 to section 12; see stanza 4,
line 5.
ยง7.
[p. 21.]
Line
i860: after "people" read *'en-masse"; dropped
2,
1871.
Line 6: **and
Line
my
nation is" added in 1867.
earth" for 'Mand."
7,
i860: read
*'
8,
i860: read
**I
Present reading
1867.
Line
into the arena."
Line
wars"
for
*M descend
i860: read "thereof, the conqueror's" for "there,
9,
the winner's pealing."
Present reading in 1867 and 1871.
"who knows"
Line 10:
Lines 13 and 14:
Line
too go to the
Present reading 187 1.
added
"yet" added
in 1867. in 1867.
i860: read "I specifically
16,
announce"
for
"I say."
Present reading 1867.
Lines 18 and 19 added 1867.
ยง8.
[p. 22.]
Line
3,
i860: read "materials" for "politics."
Present read-
ing 1867. [p. 22.]
ยง 9.
Line
2,
i860:
read
"comrade"
for
"camerado."
Present
for
"Dear son."
Present
reading 1867. Line
3,
i860: read
"Moncher!"
reading 1867. Line
ยง10.
4,
Present reading 1867.
[p. 23.]
Stanza
poems
i860: "Proceed, comrade."
i,
i860: the stanza
read " O,
I
see the following
germs of a greater Religion." Present reading 1867, but "solely" added in 1871. Line 6: " own, the unseen and the seen," added in 1867. After line 8, i860: read "wondrous interplay between the seen and unseen." Dropped in 1867 (in part transferred to are indeed to drop in the earth the
line 26). [94]
IDatlorum IRcaMnge After line thrilling
Line
with
12,
i860:
9,
read " Extasy everywhere touching and
Dropped
me."
i860:
1867.
"Not
read
he, adhesive, kissing
me
Present reading 1867. Line 14, i860: read ''to the spiritual world " for the spiritual world." Present reading 1881. After line 14, i860: read "
my unknown Line
ing
And
"and
all
to the identities of the Gods,
Dropped 1881. i860: read "such" after "suggesting." Present read-
15,
lovers."
in 1867.
Line
16,
"O such O
so long
his daily kiss."
i860:
themes! Equalities!
amazement of things!
O
divine average!'*
Present reading 1881. Lines 17 and
18,
i860: began
"O
warbling" and
"O
strain."
Present reading in 1881.
Line
i860: read "I
19,
add"
for
"add."
Present reading
1881.
§12.
[p. 24.]
Line
4,
i860: read "the earth" for "earth."
Line 6: "outlaw'd" added in 1867. Line 8, i860: read "Namely to earn," etc.; for read
"whatever"
"what."
Line
11,
transferred from section 6.
i860: read "And 1 will show there is no imperfecmale or female, or in the earth, or in the present and can be none in the future." Present reading in 1867. Line 15, i860: read "no one thing in the universe is inferior Present to another thing" for "time and events are compact."
Line
12,
—
tion in
reading in 1867. Line 18, i860:
read "But I will make leaves, poems, poemets, songs, says, thoughts, with reference to ensemble." Present reading 1881. § 14.
[p. 27.]
After line
4,
i860:
read
"Toward the President, new Judiciary,
gress, the diverse Governors, the
Live [95]
words
—words
the
Con-
to the lands."
Xeavee of (Svnee The its
first
of these lines dropped in 1867; the second given
present reading in 1881.
The
first lines
of third stanza, i860 read
''O the lands! Lands scorning invaders! Interlinked, food-yielding lands! Land of coal and iron! Land of gold! Lands of cotton, sugar, rice!
Odorous and sunny land Floridian land Land of the spinal river, the Mississippi! Land of the Allegha!
Ohio's land!
nies!
Land of wheat,
beef, pork!
Land of wool and hemp! Land
of
the potato, the apple, and the grape!
Land of the
Land
pastoral plains, the grass-fields of the world!
of those sweet-aired interminable plateaus! Land there of
Land
the herd, the garden, the healthy house of adobie!
there of rapt thought, and of the realization of the stars!
Land of simple,
holy,
untamed
lives! " etc.
Present reading in 1867. Line 12: "eastern" added in 1867.
Line
i860: read ''Land of
15,
Line
17,
**Land of
i860: read ''the passionate lovers" for
"the pas-
Present reading in 1867.
Present reading 1867.
sionate ones."
Line 22, i860: read for
"O
"O
any rate," etc. Line 2^ added in 1867. I
I
cannot be discharged from you"
Present reading in 1867.
at
Line 27,
many oceans"
for
the ocean shores."
"many towns"
i860: read
"every town."
for
Present reading in 1867.
Line 35, i860:
"Yet
a child of the North
—
^yet
Kanadian,"etc.
Present reading in 1867.
Line 39, § 15.
"and
equal " added in 1867.
[p. 29.]
i860: after line 2 read
"Of
all
can unloose you and toughen you." § 17.
the
men
of the earth,
Dropped
I
only
in 1881.
[p. 30.]
Line
i,
i860: read "
O
expanding and swift! [96]
O
henceforth."
IDarlorum IReaMnae Present reading in 1881. Line
4,
"with new contests" added
Line
5,
i860: read ''These! These," etc.
in 1867.
Present reading in
1867.
§18.
[p. 31.]
Line
5,
i860: read **Kanzas" for
"Kaw."
Present reading
in 1881.
Line
6,
1
860
read
:
before "ceaseless." After line millions,
* *
old and
handsome,
f or
" cities
"
;
" and "
Present reading in 1867.
i860: read
6,
new cities "
tall,
and dignified clothes
"See the populace,
— teaching,
erating, equally electing
millions
upon
muscular, both sexes, clothed in easy
and
commanding, marrying, genDropped in 1867.
elective."
added 1867: "stretching across the Continent, from Present reading in 1881. the Western Sea to Manhattan." 8 in Line added 1867. Line
7,
[p. 32.]
§ 19.
Line
i860: read
i,
After line
"O O
"O my
comrade!"
for
"O
camerado
Present reading in 1867.
close."
power,
i,
i860: read
liberty, eternity at last!
to be relieved of distinctions! to
make
as
much
of vices as
virtues
O to
O
to level occupations and the sexes!
O
ground! O adhesiveness! the pensive aching to be together— you
know Dropped Line
6,
bring
know
all
to
common
not why, and
I
not why." in 1867.
i860:
read
"O
[I., p.
33-]
haste" for
"O
to haste" in both
places.
Song
of Myself.
The introductory poem of the 1855 edition, pages 14-56, without title; i8'56: A Poem of Wait Whitman, an American, pages 5-102; i860: Walt Whitman, pages 23-104, preceded by Proto-Leaf, stanzas numbered (i to 372); 1867: Walt Whitman, pages 23-94, with numbered sections (i to 52) and stanzas (i to vou.n.-6. ^^^3
Xeavee of (Svaee 1881
^66)]
Song of Myself, with numbered sections (i to 52). Whitman in workman's clothes was used
:
In 1855 the portrait of
1876 this portrait faced the
as a frontispiece; in
Whitman, and so remained I.
§
poem
IValt
in later editions.
[P' 33.1
Line
i
'*and sing myself" added in 1881.
:
Stanzas 3 and 4: transposed in 1881 from Starting from Pau-
manok.
Compare "I
am
early manuscript reading of lines in this section
your voice
—
was
It
tied in
celebrate myself to celebrate every
I
loosen the tongue that
It
begins to talk out of
was
my
tied in
—
In me it begins to talk. man and woman alive;
you
I
them,
«
mouth."
"I celebrate myself to celebrate you: say the same word for every man and woman alive. And I say that the soul is not greater than the body,
I
And
I
say that the body
is
not greater than the soul."
§ 2. [p. 33.]
Line
9,
1855
*' :
ripples,
and buzzed whispers."
Present read-
ing 1856.
Line
12,
1855: After
*'
"words"
voice"
repeated.
Dropped
1881.
Early manuscript reading of the thought of this section
" I
I
call
back blunderers;
give strong meat in place of panada
expose what ties loads on the soul. Are you so poor that you are always miserly, Priests ? Will you prize a round trifle like a saucer, done in red and yellow
I
paint ? I
offer
men no
painted saucer
the sun; I
have plenty more
—
I
—
I
make every one
have millions of suns
§ 3. [p. 35.]
Line 9: "always sex" added in 1856. Lines 23 and 24, 1855: read [98]
left."
a present of
IDarlorum IReabinge **AsGod comes
a loving bed-fellow
and sleeps
at
my
side
all
night and close on the peep of the day,
And
leaves for
me
baskets covered with white towels bulging
the house with their plenty." 1856:
" As the hugging and loving Bed-fellow sleeps at my side through the night, and withdraws at the peep of the day, And leaves for me baskets covered with white towels, swelling the house with their plenty." Present reading in 1867. Line 27, 1867: read "show me a cent" for "show me to a cent"; 1881: "show to me a cent"; the original 1855 reading in 1888.
Line 28, 1855: read ''contents" for "value" in both places. Present reading in 1881. Early manuscript reading of lines of this section:
"
I
ask nobody's faith
You doubt You doubt You doubt
Do I
I
but
I
am
very
little
concerned about
that.
not your desires or your fingernails, not metal or acid or steam.
.
.
.
not prove myself?
show
a scarlet tomato, or a sprig of parsley, or a paving
stone or All
...
not the east and the west,
some seaweed.
acknowledge and admire the
â&#x20AC;&#x201D; Savans
and Synods as much
as
rest.
I meet not one heretic or unbeliever, Could do as well with the love of the pulpit? the whole or any I
part of
it
?
Whatever say of myself you shall apply to yourself, If you do not it were time lost listening to me. I
I
think there will never be any more heaven or hell than there
now, Nor any more youth nor age than there is now, Nor any more inception than there is now, Nor any more perfection than there is now." [99]
is
%cavcB of (5ra60 ยง 4. [p. 37.]
Line 2, 1855: read *'of the Present reading in i860.
to
ward" and
'*of the
nation."
**news" for "dates." "looks" read "business," 1856 changed "work." Dropped in 1867. Line 7 added in 1867. Line 8, 1855: read "They" for "These." Present reading Line
3,
1855: read
Line
4,
1855: after
in i860.
"or" added in i860. "Looks with
Line 12: Line
1855: read
13,
" Looking with side-curved head."
ยง5.
its
sidecurved head" for
Present reading in i860.
LP. 38.]
Line
6,
1855: read "I
mind how once we Line 7:
mind how we
"How"
lay in
June"
for
"I
Present reading in i860.
lay."
added
in i860.
Lines 10-12, 1855:
"Swiftly arose and spread around
knowledge
And And
I
I
know know
that pass
that the
me
the peace
and joy and
the art and argument of the earth;
all
hand of God
that the spirit of
is
God
the elderhand of is
my own, my
the eldest brother of
own." Present reading of line 10 in 1867; of lines 11 and 12 in 1856. Line 17, 1855: read "And mossy scabs of the wormfence,
and heaped stones, and elder and muUen
and pokeweed."
Present reading in 1881.
ยง6.
[p. 39.]
5, 1855: read "dropped" for "dropt"; the latter spelling in 1867. Simple changes in spelling are recorded here only
Line
occasionally.
Line
16,
1855: after
"people" read "and from women."
This clause dropped in 1881. Line 31, 1855: read
ยง7.
"and
nothing."
[p. 40.]
10, 1855: read "all that have" for "those that have.'* Present reading 1856.
Line
[100]
IDarlorum IReabine^ first line
1855:
merge?" Line
of stanza 5 read
Dropped
1855: read **can never
17,
**
Who
need be
afraid of the
1867.
be"
for ''cannot be."
Pres-
ent reading 1867.
§8.
[p. 41.]
Line
1855: read "
6,
the pistol had fallen."
Compare an ' '
The
suicide
It is
so
—
I
witnessed the corpse
—there
Present reading 1867.
early manuscript reading of this line:
went
to a lonesome place with a pistol and killed
himself, I
came
that
Line
and
way and stumbled upon 1853: read
7,
"The and
sluff of bootsoles
him."
blab of the pave talk of the
— the
tires of carts
promenaders."
Present
reading i860 and 1881. Line 9, 18^5: read "The carnival of sleighs, the clinking and shouted jokes and pelts of snowballs." Present reading 1856. After line 14, 1855: read " The souls moving along are they invisible while the least atom of the stones is visible?" 1856:
—
read "while the least of the stones
is
visible."
Dropped
in
1867.
Line
15,
1855
:
read "
who fall on
the flags."
Present reading
1856.
—
Line I
1855: read "I mind them or the resonance of them again and again"; 1856: read "Icome and I depart";
19,
come
"or the show" added § 10.
in i860.
[p. 43.]
Line
5,
1855: read
"soundly" before
"falling."
Dropped
1867.
Line 6, 1855: read "under her three skysails" for "under her skysails." Present reading in 187 1. Line 12, 1855: read "sat near by" for "sat near." Present
reading in 1856. Line 13, 1855: read
new
line
after
"neck"— "One
hand
resting on his rifle—the other hand held firmly the wrist of the
red girl."
Present reading in 1867. [lOl]
Xeavea of (5ra00 § II.
[p. 44.]
Line
i6,
1855: read ''swell" for **bulge."
Present reading
in 1856.
§ 12.
[p. 45.]
Line
1855: read "roll" for **swing."
7,
Present reading in
1867.
§13.
[p. 46.]
Line Line line
" long
Line
yoke or
etc.
"
added
for
"long."
" Huge
dropped
"
in 1881.
1853: the line ended with added in 188 1.
9,
9 and
"huge"
1855: read
2,
in 1867;
"bending"; the
of
rest
line 10
11,
1855: read
part of line
first
shade."
halt in the
"Oxen
that rattle the
Present reading in 1867.
Line
16,
1855: read "red yellow and white."
Line
17,
Line
19,
1855; read "the green." 1855: read "And the mockingbird in the
swamp,"
Present reading in 1867. Early manuscript readings of lines in this section
"
All tends to the soul,
As As
materials so the soul. procreation, so
the soul
—
if
procreation
is
impure,
all
is
impure.
As the shadow concurs with the body and comes not unless of the body, so the soul concurs with the body and comes not unless of the body.
As materials are so the soul, As experiences, childhood, maturity, suffering, so the soul. As craft, lies, thefts, adulteries, sarcasm, greed, denial, avarice, hatred, gluttony, so the soul,
As the types
set
up by the printers are faithfully returned by what they are for, so a man's life and a
their impression,
woman's
life is
returned in the soul before death and in-
terminably after death."
"And
to
me
each minute of the night and day
visible,
[102]
is
vital
and
IParlorum IReaMnga And And And And And
I
say the stars are not echoes,
I
perceive that the sedgy
weed
has refreshing odors
potatoes and milk afford a dinner of state,
guess the chipping bird sings as well as never learned the gamut;
I
my
to shake
friendly right hand, governors
shall stand all
And
me
to
day waiting
I,
although she
and millionaires
their turns.
each acre of the land and sea exhibits marvellous
pictures;
They
And
the worm-fence and lie on the heaped hooked to the elder and poke weed;
fill
me
to
the
perfect
ยง 14.
cow
crunching with depressed head
is
and are a statue
and plumb."
[p. 47.]
Line
1855: read
3,
**I listen
Line
closer" for ''listening close";
Present reading in 1881.
1856: "I listen close."
1855: read "I find" for "find";
4,
"wintry."
Line
"November"
for
Present reading in i860.
Line 13, 1855: read "of the wielders" and Present reading in i860. 1855:
15,
nearest and easiest
ยง15.
stones,
read
"What
is
"of the
drivers."
commonest and cheapest and
Me."
is
[p. 48.]
Line
9,
1855: read
First-day loafe."
"of
a
Sunday"
for
"as he walks on
a
Present reading in i860.
read " his eyes get blurred "for "while his reading in i860. Present eyes blur," etc. Present for "surgeons." "anatomists" read Line 14, 1855: Line
13,
1855:
reading in 1867.
"AucLine 16, 1855: read "stand" for "auction stand." tion" added in 1871. Line 21, 1855: read "and takes his position and levels." Present reading in 1856.
Line 23:
"as" added
in i860.
After line 26, 1855: read
"The
reformer ascends the platform, he spouts with his mouth
and nose, [103]
Xeavea of (Braaa The company
returns from
its
excursion, the darkey brings
up
the rear and bears the well-riddled target."
Dropped
in 1867.
Line 29:
"as" added
in 1867.
Line 30: "while " added in i860. Line 31, 1855: read "a week ago she bore her Present reading in i860.
first
child."
"The nine months' gone is in the chamber, her faintness and pains are advancing."
After line ^2, 1855: read parturition
Dropped
in 188 1.
Line 33, 1855: read
"red"
for
"blue."
Present reading in
1881.
Line 37: " the race is begun " added in 1867. Line 38, 1855: "watches his drove, he sings "for "watch-
ing his drove sings,"
etc.
Present reading in i860.
Line 39, 1855: read "The camera and plate are prepared, the lady must sit for her daguerreotype." Dropped in 188 1. Line 45, 1855: read "holds a cabinet council, he Present reading in i860.
is," etc.
Line 46, 1855: read "five friendly matrons" for "three matrons stately and friendly." Present reading in 1867. Line 49: "as " added in i860. Present Line 52, 1855: read "July " for "Seventh-month."
reading in i860. Line 56, 1855: read "the flatboatmen."
Line 57, 1855: read "The coon-seekers go now," Line 58, 1855: read "the torches." Line 60, 1835: read "abode," a misprint for
etc.
"adobe"
(1856).
Line 64, 1855: read
"And
these one and
all," etc.
"One
dropped in 1881. Line 66: added in 1881.
and
all"
ยง16.
[p. 52.]
Line
many
5,
"one
1855: read
nations," etc.
of the great nation, the nation of
Present reading in 1881.
"down by
the Oconee I live" added in 1867. Line 8: " a Louisianian or Georgian " added in 1867.
Line 6:
[104]
IDarlorum IReabinga Line 9, 1855: read ent reading in 1856.
"a
Hoosier, a Badger, a Buckeye."
Pres-
After line 9, 185^: read "A Louisianian or Georgian, a pokeeasy from sandhills and pines." Dropped in 1867. Line 16: '*yet" added in i860.
Line
1855: **of every hue and trade and rank, of every 1856: ''of every hue, trade, rank, of every religion "; i860: "of every hue, trade, rank, caste and religion." Present reading in 1867. 17,
and caste and caste
religion ";
After line 17, 1855: read *' Not merely of the New World but of Africa, Europe or Asia a wandering savage." Dropped in
—
1867.
Lines 18 and
1855: read
19,
''A farmer, mechanic, or
artist
— a gentleman,
sailor,
lover, or
quaker,
A
prisoner, fancy-man,
The
rowdy, lawyer, physician, or
priest."
1856 read:
first line in
**A farmer, mechanic,
artist,
gentleman,
sailor, lover,
Present reading of both lines in 1867. Line 21, 1855: read ''And breath" for "Breathe." Line 24, 1855: read "The suns I see and the suns see," etc. Present reading in 1881. § 17.
quaker."
I
cannot
[p. 54.]
Line
i
"
:
really "
added
in 1881.
After line 2, 1855: read "If they do not enclose everything they are next to nothing." Dropped in 1867.
§18.
[p. 54.]
Lines
i
and
"marches"
2,
read
appearing as here printed
in
1867 (except for
"great marches") are reduced from three
stanzas of 1855 edition:
" This is the breath of laws and songs and behaviour, This is the tasteless water of souls, this is the true sustenance, It is
for the illiterate, is
it
is
for the judges of the
for the federal capitol
and the
[105]
supreme
state capitols,
court,
it
Xeavea of Ovaes It
the admirable
for
is
communes
of literary
men
(1856, '60
:
and composers and singers and lecturers and engineers and savans, It is for the endless races of working people (1856, '60: workpeople) and farmers and seamen. This is the trill of a thousand clear cornets and scream of the octave flute and strike of triangles. here marches) for victors only, I play not a march (i860: not I play great marches for conquered and slain persons." literats)
In i860 the first line read:
the breath for America, because
**This
is
This
for laws, songs, behavior."
is
it is
my
breath.
and 6, 1855: read "I sound triumphal drums for the dead I fling through my embouchures the loudest and gayest music to them"; 1856: read ''blow " for "fling"; "my"for "the"; i860: read "beat" for "sound." Present reading in Lines
—
5
1867.
Line
§19.
7,
1855: read
"those"
for
"to
those."
[p. 55.]
Line
i,
read
1855:
"This
is
the meal pleasantly set
the meat and drink for natural hunger."
—
this is
Present reading in
1871.
Line
4,
Line
1855
12,
read " and " between nouns.
:
Line
14,
"April rain has" for "Fourth-month
Present reading in i860.
1855:
read
"or
the early redstart" for "does the
Present reading in 1856.
early redstart."
§ 20.
read
1855:
showers have."
[p. 56.]
Line
3,
1855: read
After line
7,
1855:
nothing remains
Dropped Line
"and what" read " That
at the
for
"what."
a suck and a sell, and end but threadbare crape and tears." life is
in 1881.
9,
1855:
read
"cock"
for
"wear."
Present reading in
1867.
Line
10,
1855: read "Shall
ceremonious?"
I
pray?
Present reading in i860. [106]
Shall
I
venerate and be
IDarlorum IRea&inge Lines
"
ii
and
1855: read
12,
have pried through the strata and analyzed to a hair, counselled with doctors and calculated close and found no sweeter fat than sticks to my own bones."
I
And
The *'ands" dropped Line
15,
Line
18,
read
1855: reading 1881.
dropped §21.
1855
:
*'
read
in 1856.
*'
And
And
1
I
Present reading in i860.
know" know "
for
"I know."
"
for
I
know."
Present **
And
"
in 1856.
[p. 58.]
Line pride."
1855: read '*! chant the Present reading in 1856.
7,
new
chant of dilation or
After last stanza of this section, 1855: read
me
'^Thruster holding
We
tight
and that
I
hold tight!
hurt each other as the bridegroom and the bride hurt each other."
Dropped
in 1867.
Early manuscript reading of lines in this section *'
— —
Night of south winds night of the large few stars! slumberous night mad, naked summer night
Still
Smile,
O
voluptuous procreant earth!
Earth of the nodding and liquid trees! Earth of the mountains, misty-top't!
— Earth of shine and dark,
Earth of departed sunset
mottling the
tide of the river!
Earth of the vitreous
fall
of the
full
moon
just tinged
with blue!
Earth of the limpid gray of clouds purer and clearer for
Earth of
far
arms
—
my
sake!
rich, apple-blossomed earth
Smile, for your lover comes!
Spread round
Take me Till
as
me
many
Spread with your curtained hours;
earth!
you
a time
springing up in
.
.
've taken;
.
Prodigal, you have given me love; Sustenance, happiness, health have given; [X07]
Xeave0 of ©raas Therefore,
I
to
you give love
O, unspeakable, passionate love!" § 22.
[p. 59.] ''
Sea of the brine of life! Sea of unshovelled and alvv^ays ready graves!
Line
1855: read
9,
Present reading in 1881.
Line 12:
"I" added
in 1867.
1855: before line 16 read:
*M am the poet of and of immortality."
common
Dropped
in 1867.
Line
1855: read "
16,
sense and of the demonstrable
And am not"
*M am not."
for
After line 16, 1855: read
Washes and
**
razors for foofoos
— for
me
freckles
and a
bris-
tling beard."
Dropped
in 188
1.
Lines 17 and 18 in an early manuscript read:
What
**
tell
I
babble
you
1
love
is
about virtue
this
all
—
I
love
what you
call
vice just the
same
as
1
love virtue."
Line 2^, 1855: read
"
1
step up to say that is
right
Witnesses of
what we do
—and some
is
is
one side a balance,"
us,
right
and what
we
affirm
only the ore of right. etc.
Present reading in 1867. § 23.
[p. 60.]
2, 1855: read "a word" for ''the word." Present reading in 1867. Line 4, 1855 ^^^^
Line
:
'*One time as good as another, here or henceforward same to me."
it is all
the
Present reading in 1867.
Lines
5
and 6 added
in
1867;
" wonder." [108]
read ''wonder
1
love" for
IParlorum IRea&inge '* A word of reality." 7, 1855: read Present reading in 1867.
Line
11, 1855 read " or chemist " for "this the chemist." Present reading in 1856.
Line
:
Line 13, 1855: read "and" after "geologist." Lines 14 and following, 1855: read
"Gentlemen
I
receive you,
and attach and clasp hands with
you.
The
facts are useful
by them
am
and
real
—they are not my dwelling—
1
enter
to an area of the dwelling,
reminder of property or qualities, and more the reminder of life. And go on the square for my own sake and for others' sakes, I
less the
And make
short account," etc.
Present reading in 1867. Early manuscript reading of lines in this passage:
" I am the poet of Reality, And say the stars are not echoes. And say that space is no apparition 1
I
But all the things seen or demonstrated are so Witnesses and albic dawns of things equally great, yet not seen. I announce myself the Poet of Materials and exact demonstration Say that Materials are just as eternal as growth, the semen of God
that
swims
the entire creation.
Hurrah for Positive Science! Bring honey-clover and branches of
lilac!
These are the Philosophers of Nature, Every one admirable and serene. Traveling, sailing, measuring space, Botanizing, dissecting, or § 24.
making machines."
[p. 62.]
Line
i,
roughs, a
1855: read "
kosmos
"
;
Manhattan the son."
Walt Whitman, an American, one of the read " Walt Whitman am 1, of mighty
1867 In
:
1871:
added "a kosmos"
Present reading in 1881. [109]
after
"L"
Xeavee of (Braaa After line 8, 1855
Dropped
turn."
Line 13:
''
read "
:
And whatever do I
or say
I
also re-
in 1867.
prisoners
After line 13,
and" added
1855: read
'*
in 1881.
Voices of prostitutes and of de-
formed persons." Dropped in 1881. Lines 18 and 19, 1855: read
" Of the
Of fog
and flat and foolish and despised, and beetles rolling balls of dung."
trivial
in the air
Present reading in 1856, except
"deformed" added
in 1881.
Line 29, 1855: read 'Ms aroma"; "is" dropped in i860. Line 30, 1855: read "This head is more than churches or Present reading in i860. bibles or creeds." Line 31, 1855 read " If I worship any particular thing it shall :
be some of the spread of my body." Present reading in 1867. Lines }^ and 34, 1855: read "Shaded ledges and rests, firm masculine coulter, it shall be you." Present reading in i860. Present Line 40, 1853: read "head and beard and brawn." reading in 1856. Line 52, 1855: read
" To walk up it
That
I
my stoop
is
unaccountable
â&#x20AC;&#x201D;
1
pause to consider
if
really be.
eat
and drink
is
spectacle
enough
for the great authors
and
schools."
Present reading of
i860; second line dropped in
first line in
1867.
§25.
[p. 65.]
Line 4: "
Line
9,
O"
added
in i860.
1855: read "understand" for "contain."
reading in 1867. Line 11, 1835 read " Do you not know are folded ?" Present reading in 1867. :
Line 15: "all " added in 1881. Line 17, 1835: read " The best Present reading in 1867. Line
19,
ward you";
I
am"
Present
how the buds beneath
for
"what
1
really
am."
1855 read " I crowd your noisiest talk by looking toi860: read "sleekest talk," "simply looking." Pres:
ent reading in 1867.
[no]
IDariorum IReablnge Line 22, 1835
With the hush of my Present reading in 1867.
read
:
topmost skeptic." §26. "
I
lips
confound the
I
[p. 66.]
Stanza
i,
think
will
And
''
I
accrue
1855: read
do nothing
what
for a long time but listen, hear into myself and let sounds contribute
—
I
toward me." Present reading in 188 1. Lines 4 and **
I
I
5,
1855: read
hear the sound of the
hear
Present reading of
Line
voice
9,
first line in
and
them"
Dropped
fruit pedlars."
"shaky"
1855: read
— a sound
I
love.
their uses," etc.
1836; of second in i860.
1855: read after "like
7,
fish-pedlars
Line
human
sounds as they are tuned to
all
— "the
recitative of
in 1867.
for "pallid."
Present reading
in 1867.
Line 13, 1855: read "The slow-march played at night at Present reading in i860. the head of the association." Lines 15-17, 1855: read *'
I
hear the violincello or man's heart's complaint,
And hear
the keyed cornet or else the echo of sunset."
Present reading of
Line
19,
first line in
1867; of second in 1856. is music! " Present reading
1855: read "this indeed
in i860.
Lines 22 and following, 1855: read
"
I
hear the trained soprano of
my
— she convulses me
like the
climax
love-grip;
It
orchestra whirls me wider than Uranus flies. wrenches unnamable ardors from my breast.
It
throbs
It
sails
The
me to gulps of the farthest down horror. me — dab mine bare feet — they are licked by I
the indo-
waves, cut by bitter and poisoned hail. I am exposed my windpipe squeezed Steeped amid honeyed morphine lent
—
—
fakes of death, [III]
in the
leaves of (Braas Let up again to
And
that
we
feel
call
the puzzle of puzzles,
Being."
"The
1856: line 2 read
me,
I
did not
know
I
orchestra wrenches such ardors from
possessed them."
i860: *'at length " added to line 1867: line
with hers 1881
:
is
"
I
read "
I
7.
hear the trained soprano
— (what work, my
this ?); to line 4 was added " 1 lose breath." exposed " dropped from line 6; and present reading.
Early manuscript readings of lines in this section ** A soprano heard at intervals over the immense waves, Audible these from the underlying chorus.
Occupants and joyous vibraters of space. **
Never
fails
the combination.
An
A A
underlying chorus, occupant and joyous vibrater of space. clear transparent base that lusciously shudders the universe, tenor strong and ascending, with glad notes of morning
—
with power and health."
§28.
[p. 68.]
Early manuscript reading of lines in this section
" It
My
hand will not hurt what it holds and yet will devour it. must remain perfect before me though I enclose and divide
it.
Only one minute, only two or three sheathed touches. Yet they gather all of me and my spirit into a knot, They hold us long enough there to show us what we can be. And that our flesh, and even a part of our flesh, seems more than senses and life.
become of my senses ? jolted down all of them but feeling; He pleases the rest so every one would swap off and go with him. Or else she will abdicate and nibble at the edges of me."
What
has
Touch has
§29.
[p. 69.]
The following
are early manuscript readings of this section [112]
Darlorum IReabinga *' You villain touch What are you doing ? Unloose me, the breath is leaving my throat; Open your floodgates You are too much for me. !
1
do you keep the heaviest with your teeth at parting ?
Grip'd wrestler
Must you
bite
I
Will you struggle worst
Does
make you ache
it
?
I
pull for the last ?
plunge you from the threshold.
so to leave me!
Take what you like, I can resist you; Take the tears of my soul if that is what you
some one
Pass to Little as
else;
your mouth,
no miracle
**It is
Touch
is
the miracle!
is
it
A
it
now
What
has drained
that
we
.
.
me
dry of
my
strength."
are to live always.
change our dresses, or sleep long,
to be lost, or
when
are after.
.
minute, a touch and a drop of us can launch immortality; henceforth are proof and argument needful,
Little
Eternity has no time for death, each inch of existence
And
that to pass existence
thought death
§30.
is
but
is
life
supreme over
all,
is
so
.
and what
.
.
we
brought to a firmer parturition."
[p. 70.]
15, 1855: read "every one" for "one and reading in 1881.
Line
all."
Present
Early manuscript reading of lines in this section:
"There can be nothing small or useless The insignificant is as big as the noble;
What
is
less
All truths
than a touch
wait
in the universe;
?
in all places,
They wait with inclined heads and arms folded over their They neither urge their own birth nor resist it; VOL. 111.â&#x20AC;&#x201D; 8.
["3]
breasts;
Xeavee of (Braea They do not need the obstetric forceps of the surgeon; They enclose to those who ever fetches the warmth of the and the moisture of
light
rain.
Logic and sermons never convince of the night drives deeper into the soul.
The dew
A
test of
anything!
the experience and senses of men and women! and you will see whether they doubt; They do not doubt contact or hunger or love; They do not doubt iron or steam We do not doubt the mystery of life We do not doubt the east and the west; We do not doubt sight." It
proves
itself to
Bring
it
§31.
[p. 70.]
my
to folk
1855: read after line 7 *' And I could come every afternoon of life to look at the farmer's girl boiling her iron tea-kettle and
baking shortcake." Line
8,
Dropped
in 1881.
1855: the nouns connected
by *'and"
â&#x20AC;&#x201D; dropped
in
1856.
Line
11,
1855
:
read
**
close " for
'*
back."
Present reading in
1881.
Early manuscript reading of lines in this section
*'The crowds naked in the bath, Can your sight behold them as with oyster's eyes ? Do you take the attraction of gravity for nothing ?
Does the negress bear no children ? Are they never handsome ? Do they not thrive
?
Will cabinet officers become blue or yellow from excessive gin ? Shall I receive the great things of the spirit on easier terms than I
do a note of hand ?
Who
examines the philosophies in the market less than a basket of peaches or barrels of salt fish ? Who accepts chemistry on tradition ? The light picks out a bishop or pope no more than the rest A mouse is miracle enough to stagger billions of infidels." [114]
Darlorum IReablnee ยง 32. [p. 71.]
Line i, 1855: read *Mive awhile with the animals." reading in 1856. Line
2,
**I stand and look at them sometimes i860: " I stand and look at them sometimes
1855: read
day long."
half the
Present
an hour
at a stretch." Present reading in 1867. Line 8: read " industrious " for '' unhappy."
Present reading
in 1881.
Compare an "
I
early manuscript reading of lines in this stanza:
stand and look at them sometimes half the day long.
They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God; Not one is dissatisfied. Not one takes medicine demented with the mania of owning things." .
.
.
or
is
Lines 11 and 12, 1855: read
" I
do not know where they got those tokens, must have passed that way untold times ago,"
I
1856: "I
may have
etc.
passed."
i860, line i: read *'get" for **got."
Present reading in 1867. Lines 16 and
17,
1855: read
-^
Picking out here one that shall be my amie. Choosing to go with him on brotherly terms." *'
1856: read " Picking out here one that
i860: read
**
love."
I
Picking out here one that
1
love, to
go with on
brotherly terms."
Present reading in 1867.
Line
19,
1855: read ''forehead and wide";
"and" dropped
in 1856.
Line 21, 1855: read
dropped
in 1856.
"Eyes well
Present reading
apart and
full," etc;
"and"
in 1871.
Line 22: " as " added in i860. Line 23, 1855: read "we speed" for "as we speed." Present reading in 1871.
"as
["5]
we
race."
i860:
Xeavc6 of (Braee Lines 24-26, 1855: read
but use you a moment and then I resign you stallion do not need your paces, and outgallop them. And myself as I stand or sit pass faster than you." **I
— and
1856: the connective "and" dropped and line 2 read "pass" ing " for " pass." Present reading in i860, except for " minute
read
"moment"; "minute"
§ 33.
[p. 73.]
Line
know etc.;
in 1881.
Space! My Soul! Now I guessed at"; i860: "O swift wind," swift wind! O space and time," etc. Present
1855: read "Swift wind!
i,
is
true
1867:
"O
it
what
I
reading in 1881.
Line Line
me"
"leave
1855: after
3,
Dropped
read
"1 travel
—
I
sail"
in 1881.
6,
1855: read
"The
sierras."
10, 1855: read "Hoeing my onion-patch, and Present reading in 1856. carrots," etc.
Line
Line 16:
"shaped" added
rows
of
in 1867.
Line 17: " yellow-flower'd " added in 1867. Line 25, 1855: read "July" for "Seventh-month."
Present
reading in i860.
"Where
flails
keep time on the
Line 30, 1835: read "out of" for "under."
Present reading
After line 25, 1855: read
the
barn floor." in 1871.
"them"
for "it."
the ground-shark's fin."
Present
Line 33, 1853: read "calves" for "calf"; Present reading in i860. Line 35, 1855 reading in i860.
:
read "
Line 38, 1853: read Present reading in 1867. Line 43,
1833:
Where
"Where
the striped and starred flag."
nouns connected by
"and"
— dropped
in
1856.
Line 44, 1833: read
"sqush"
for
"mash."
Present reading
in 1867.
Lines 46 and 47,
dropped
1833:
phrases connected by
in 1836.
[116]
"and"
—
IPariorum IReablnge Lines 48 and following,
1855:
read
**and"
for
*'
where."
Present reading in 1856. Line 54, 1855: read ** slappy shore and laughs" for "shore Present reading in 1856.
where she laughs."
1835: read ** Pleased most Present reading in 1881.
Line 66, etc.
women,
the homely,"
Line 68, 1855: read ''primitive tunes" for "tune." reading in 1856.
Present
—
"preacher" read "or any preacher i860: "impressed" for "looking"; "or any preacher" dropped in 1881. Line 70, 1855 read "pressing " for " flatting." Present readLine 69,
1855:
after
looking seriously,"
etc.
:
ing in i860. Line 71 Line 73, :
"or down
a lane or along the beach " added in 1881.
1855: read
dark-cheeked bush-boy
"Coming home with
the bearded and behind him at the drape of the "bearded." Present reading in
— riding
day"; i860: read "silent"
for
1867.
Line 76, 1855: read "
By
the coffined corpse."
Present read-
ing in 1867. Line 89, 1855: read " I visit the orchards of God and look at the spheric product." Present reading in 1856. Line 94, 1855: read "no law can prevent me." Present
reading in 1867. Line 100, 1855
:
read "
We sail through," etc.
Present reading
in i860.
Line
103,
1855:
read
"point up"
for
"show."
Present
reading in 1856.
"one"
"an."
Present reading in
Line 118 added in i860. Line 124, 1871: read "olden martyrs."
Present reading in
Line 116, 1855: read
for
1881.
1881.
Line 125: " of old " added in 1881. Line 126, 1855: the clauses connected by " and
"— dropped
in 1856.
Line 135, 1855: read "they taunt" for "they beat." reading in 1856. [117]
Present
Xeave0 of (Braea Line 138, 1855: read " hurt turns " for "hurts turn." ent reading in 1871. Line 151, 1855: reading in 1867.
Line
"Again
read
1855:
152,
"reveille" for "long
read
mortars and howitzers."
roll."
Pres-
Present
attacking cannon
the
and
Present reading in 1867.
Line 153, 1855: read "Again the attacked send their cannon responsive"; 1856: dropped " their"; i867:read "Again the cannon responsive." Present reading in 1871.
Line 155, 1855: read "cries and curses and roar."
reading in 1856. Line 157, 1855: read " and to ent reading
make
" for
"making."
Present Pres-
in 1856.
Early manuscript reading of lines in this section
" Where the little musk ox carries his perfumed bag Where the life car is drawn on its slip noose,
at his navel.
At dinner on a dish of huckleberries, or rye bread and a round white pot cheese."
ยง34.
[p. 82.]
Line
i
added
in 1867.
After line 4, 1855
Dropped
rise."
:
read " Hear
now the
tale
of a jetblack sun-
in i860.
Line 5, 1855: read'"Hearof the murder in cold blood of," etc. " Hear now the tale of the murder in cold blood of," etc.
i860:
Present reading in 1867.
Line
11,
courtship."
1855: read
"a
horse, a
rifle,
a song, a supper, or a
Present reading in 1856.
Line 12, 1855: read "Large, turbulent, brave, handsome, generous, proud and affectionate"; i860: the same with rear-
rangement; "brave" dropped in 1871. Line 15, 1855: read " Sunday " for "First-day."
Present
reading in i860. After line 26, 1855: read "
Dropped ยง35.
And
that
was
a jetblack sunrise."
in i860.
[p. 84.]
Line
i, 1855: read fashioned frigate-fight
"Did you ? "
read in the seabooks of the old-
Present reading in 1867. [118]
IDarlorum IRea&inse Line
1855: read ''Did
2,
you
learn," etc.
Present reading in
1867.
Line 3 added in 1867, but read ''story" for "yarn." ent reading in 1881.
Pres-
Line 4: " said he " added in 1867.
Line 5: "surly" added in 1867. Line 11 added in 1867. Line 12, 1855: read "shining" for
"well up"; "and the
leaks " for " our leaks."
Line
14,
Line
15,
Present reading in 1867. 1855: read "was" for "is." 1855: read "saw" for "see."
1867 the verbs in this section and in section 36 were changed from the past tense to the present tense. In
Line 20, 1867: at end of line read "says
my
grandmother's
father."
Line 32, 1855: read "twelve at night,"
etc.
Present reading
in 1881.
§36.
[p. 85.]
This section began in 1867 with the
" I
O now feel
it is
it is
I
11
Line
14,
blood
my
grandmother's father there
in the fight;
myself."
Dropped Line
not
lines:
in 1871.
added
— the
1855: short
in 1881.
"The wheeze,
the cluck, the swash of falling
wild scream, the long dull tapering groan."
Present reading in 1856.
§37.
[p. 86.]
Lines
"
O
i
Christ!
What What
and
my
1855: read
fit is
mastering me!
the rebel, said gaily adjusting his throat to the rope-noose,
the savage at the stump, his eye-sockets empty, his spirting
What What
2,
whoops and defiance, traveler come to the vault
mouth
at Mount Vernon. the sobers the Brooklyn boy as he looks down the shores of the Wallabout and remembers the prison ships,
stills
[119]
Xeavee of (SvnBB What
burnt the gums of the redcoat at Saratoga dered his brigades,
These become mine and 1
become
much more
as
when he
me
every one, and they are but
as
like."
I
surren-
little,
i860: read
'*0 Christ! This is mastering me! Through the conquered doors they crowd.
two
In 1867 these
I
am
lines only are given.
possessed,"
etc.
Present reading in
1881.
Line
become any presence
1855: read "I
3,
manity here." body." After last
or truth of hu*'
Present reading in 1867, except read
em-
1855: read
line,
through
**Irise extatic
I
and sweep with the true gravitation, is elemental within me."
all
The whirling and whirling i860: read *'
Enough
—
1
bring such to a close.
Rise extatic through
Dropped
all," etc.
in 1867.
Early manuscript reading of lines in this section:
" The
fester of defeat sharper
What choked
than the bayonet holes in his side;
the throat of the brigadier
when
he gave up his
brigade
These become mine and me, every one;
And §38.
1
become much more when
I
like."
[p. 87.]
Line
i
Line
3,
added
in 1867.
1855: nouns connected
by "and"
— these
dropped
in 1856.
Line
4,
1855
mistake." Line 8: Line
11,
:
read
**
1
discover myself on a verge of the usual
Present reading in 1856.
"now" 1855
:
added
read "
in i860. roll
away "
ent reading in i860. [120]
for
"
roll
from me."
Pres-
IDarlorum IReaMnga After line 12, 1855: read
"
We
walk the roads of Ohio and Massachusetts and Virginia and Wisconsin and New York and New Orleans and Texas and Montreal and San Francisco and Charleston and Savannah and Mexico."
i860: " the roads of the six North Eastern States," etc. Whole sentence dropped in 1867. Line 13, 1855: read "Inland and by the seacoast and boundary lines
—and we pass the boundary
Line years."
lines. " Present reading in 1 867. read "two thousand 1855: 15, years " for "thousands of Present reading in 1867.
Lines 16 and 17, 1855: read *'
Eleves,
1
see the approach of your numberless gangs,
And And And
I
salute you,
t see you understand yourselves and me. know that they who have eyes are divine, and the blind and lame are equally divine,
that
my
are
aware that
go before them. with you no more than I am with
steps drag behind yours yet
am
I
everybody." Present reading in 1867.
§39.
[p. 88.]
Lines 4 and 5, 1855 read ** Is he from the Mississippi country ? or from Iowa, Oregon, or California ? or from the mountains ? or :
prairie
life
or bush-life ? or from the sea
1856 except "sailor" prefixed to
Line
7,
last
? "
Present reading in
phrase in 1881.
by "and."
Present
the phrases connected by "and."
Present
1855: the clauses connected
reading in 1856. Line 9, 1855: reading in 1856.
§40.
[p. 89.]
Line
read 9, 1835 ent reading in 1871.
Line
:
17,
"What
1855: read
tier," etc., for
"To
" To a cotton
I
a
give
I
give out of myself."
Pres-
drudge of the cornfields or empdrudge or cleaner," etc. Pres-
field
ent reading in 1867. [121]
Xeavea of Gvaee § 41.
[p. 90.]
After line
7,
1855: read
*'The most they offer for mankind and eternity of my own seminal wet."
Dropped
in 1867.
Line
1855:
8,
Dropped
away." Line for
Line
laying
them
in 1856.
Present reading in 1856.
1855: read "all idols and images" for "every idol
12,
and image." Line
â&#x20AC;&#x201D; '*and
than a spirt
names connected by **and"; read '*Adonai"
1853:
10,
"Buddha."
"Jehovah"
read after
less
Present reading in 1856. 1855: read "honestly taking" for "taking."
13,
Pres-
ent reading in 1856.
Line
14,
Line
15,
"day"
1855: read
for
"days
"admitting they,"
1855:
"
Present reading in
etc.
1867.
Line 20, 1855: read "those" for "lads"; Present reading in 1867.
"more"
"no
for
less."
After line 31, 1855: read
"Guessing when
1
am
it
will not tickle
me much
to receive puffs
out of pulpit or print."
Dropped
in 1867.
Early manuscript readings of lines in this section
"I 1
know
as well as
you
is
live in
no such
Would you 1
beard
?
Have you no more
infinitesimal
meanness as
bribe the Lord with
some
faith
than that
?
that.
stray
change
?
outbid you shallow hucksters!
All
you
pile
my I
my breast and
also a revelation just as divine.
But do you stop there I
that Bibles are divine revelations,
say that each leaf of grass and each hair of
say that
up
is
not august enough to dent the partition in
nose; all
the churches
now
standing were well employed in
orisons to a sprig of parsley [122]
IDarlorum IReablnge
I
tell
you
that
Jehovah I
your caste have said about Belus, Osirus, and
all is
a shallow description.
way framing a house, there with rolled-up sleeves and sweat on his
claim for one of those framers over the
The young man superb
face.
More than your
craft three
thousand years ago, Kronos, or Zeus grandson."
his son, or Hercules his
*'foot to fee lawyers for his brother and sit by him while he was tried for forgery. Fables, traditions and formulas are not animate things; .
.
.
Brick and mortar do not procreate like In
all
them and
of as
I
am
I
think
I
grow
existing creeds
all
in
men
grows not so much of God
my moustache my time to be
a God much good and be as pure and
myself waiting I
do
shall
as
prodigious as
any, I am do you suppose from pulpit or print ?
And when
empty consent
Doctrine gets It
The I
or
wriggles through mankind, throat
is
mocking
me
to receive puffs
politeness,
never loved or believed,
it is
not safe that speaks
will take a sprig of parsley
will please
it
it
aloud.
and a budding rose and go through
the whole earth.
You
shall see
Can you say §42.
I
will not find
as
much
of
all
one heretic against them. the lore of the priesthood
" ?
[p. 92.]
Line
6,
1855: read ''their" for ''your."
Present reading in
1867.
Line
7,
1855: read "evolves" for "slues round."
Present
reading in 1856. Line 14: compare an early manuscript reading:
"And
their
voices, clearer than the valved cornet
hoot! hoot! to us
and bring the
all
our
lives till "
sly ones forth
[123]
!
we
â&#x20AC;&#x201D; they
cry
seek where they hide
!ILeave0 of
Qvaee
Line 19, 1855: read ''buying or taking or selling." reading in 1856.
Present
Line 20, 1855 read ''sweating and ploughing and thrashing." Present reading in 1856. :
Line 23, 1855: read "churches" for "wars, markets." Line 24, 1855: read "Benevolent societies, improvements," etc. Present reading in 1881; after "factories" read '^ markets, stocks and stores and real estate and personal estate."
Present
reading in 1856. Line 25, 1855: read
"the
little
plentiful
"They who
manikins."
piddle and patter here" for
Present reading in 1867.
Line 26, 1867: "actually" added; 1871: read "positively" for "actually."
Line 27, 1855: read after "myself"
— "under
lipped and pipe-legged concealments."
Dropped
Line 31, 1855: read "cannot say" for
all
the scrape-
in 1856.
"must not write"; "must
1867: "cannot write"; 1871: "will not write"; 1881:
not write." Lines 33 and 34, 1855
and to motive power." added in 1881. tioning,
:
indicate
read "
My words
reality";
are words of a quesadd to above "and 1867, except "this song"
i860,
Present reading in
After line 35, 1855: read
"The
marriage estate and settlement, but the body and mind of the bridegroom
The panorama of the
Dropped
?
also those of the bride ?
sea,
but the sea itself?"
in i860.
Line 37, 1855: read
modern improvements
"The
fleet
— but the
of ships of the line and
craft
all
the
and pluck of the admiral ?"
Present reading in 1867. Line 38: "In the houses" added in 1867.
—
Line 41, 1855: read "Sermons and creeds and theology but the human brain, and what is called reason, and what is Present reading in 1867. called love, and what is called life ?"
§43.
[p. 95.]
Line Line
i
:
3,
"all time, the world over" added in 1881.
1855: read "all worship." [124]
Dariorum IReaMnge Lines 12 and 13: ''or" used as connective in i860. Line 19, 1855: read
know
*'I
every one of you, and
know
the unspoken interroga-
tories,
By experience
I
know
them."
Present reading in 1867. After line 24, 1855
and me and
all."
:
read ''And the day and night are for you
Dropped
in 1867.
Line 25 " precisely the same " added in 1856. Line 27, 1855: read "But I know it is sure and alive and sufficient." Present reading in 1867. Line 28, 1855: the clauses connected by " and "—dropped in :
1856.
Line 37,
myriads."
§44.
1855: read "nor one of the myriads" for "the Present reading in 188 1.
[p. 97.]
After line 4, 1855: read
"Eternity
lies in bottomless reservoirs, ever and ever,
its
buckets are rising for-
They pour and they pour and they exhale away." Dropped
in i860.
Line 20, 1855: read after "Nothing" nostrils of death." Dropped in 1856.
— "the vapor from the
Line 21, 1855: read "andslept while God carried the lethargic mist." Present reading in 1856. Line 36, 1855: read "Now Present reading in 1867.
I
me through
stand on this spot with
my
soul."
Early manuscript reading of lines in this section
"My
spirit
sped back to the times when the earth was burning
mist,
And
peered
aft
and could see Concord beyond the
aft,
forming
the mist,
And And And
brings a
word
that Dilation or Pride
they are
Amours
is
a father of Causes,
—
Goodness or Love the Parents yet, and witness and
mother of Causes
is
eternally; [125]
register their
Xeavee of 6ra00 And devise themselves to These States this hour. And my spirit travelled ahead and pierced the stern hem and went fearlessly through, And came back from the grave with serene
And
said. It is well,
I
am
satisfied,
yet.
I
beheld Dilation just the same afterwards.
I
beheld Love and Concord also in the darkness afterwards."
§ 45.
life
face,
behold the causes
I
of
[p. 99.]
Lines
Line
i
7,
**0" added in i860. 1855: nouns connected by "or."
and
2:
Present reading in
1856.
After line
1855: read
7,
"Or
while
I
swim
in the bath, or
drink from the
pump
the opera, or
glimpse at a woman's face in the railroad car."
Dropped
I
is
down
O
welcome
"
added
in i860.
Line 22, 1855: read "I and you"; after "surfaces" the palpable life," etc. Present reading in 1867. Lines 29 and 30,
pointed,
at
in 1867.
Line 11: "
all
or the curtain
at the corner,
God
will
1855: read
"Our rendezvous
be there and wait
till
we
come."
— "and
is fitly
"It
is
apcer-
tain" added in 1867. Line 31 added in 1867. § 46.
[p. lOI.]
Line
i
Line
2,
:
" come
listen all! "
1855: read
added
"and good
in 1867.
shoes."
Present reading in
1856.
Line 4, 1855: read reading in 1856.
Line
5,
Line
7,
"nor church nor philosophy."
1855: nouns connected 1855: read
"hooks"
Present
—
dropped in 1856. by "or" "hooking." Present read-
for
ing in i860. Line 8, 1855: read "and points" for "pointing." Present reading in i860. 1855: read "a plain public road" for "the public road." Present reading in 1881. Line 15: "dear son " added in 1867.
Line 22\
"but" added
in 1867.
Line 25, 1855: read "wayfarer" for "dear son." reading in 1867. [126]
Present
IDarlorum IReabinsa Line 27, 1855: read
by
" for
you";
'*l will certainly kiss
"my
good-
"a good-by."
Present readings in 1867. Line 33, 1853: the clauses connected by ** and "
— dropped
in
1856. [p. 103.]
§ 47.
wound
7, 1855: read "a Present reading in 1867.
Line
Lines 9 and **
steel cuts."
1855: read
10,
Preferring scars
cuts" for ''sharp
and
faces pitted
with small-pox over
all
lath-
erers
And
those that keep out of the sun."
Line
16,
1855: read "It
was
in i860.
Present reading in
tied," etc.
i860.
Line
17,
''again" added
Line
18,
1855
:
read "
never will " for "I will never."
I
Pres-
ent reading in i860. Line 24, 1855: read reading in 1867.
"pretty well"
for
"well."
Line 27, 1855: read "my words must sail" for Present reading in 1856.
"my
Present
words
sail."
Lines 28-30 added in 1867.
Line ^^, 1855: read "shall Present reading in 1 856. § 48.
comprehend"
for
"comprehend."
[p. 105.]
1855 read " And any man or woman shall stand cool and supercilious before a million universes." Present reading in
Line
9,
:
1867.
Line
10,
1855: read "call" for "say."
Present reading in
1867.
Line § 49.
19,
" Wheresoe'er
I
go
"
added
in 1867.
[p. 106.]
Line
19,
1855: read
"And
perceive of the ghastly glitter the
sunbeams reflected." 1856: "And perceive of the ghastly glimmer the sunbeams reflected." i860: "I perceive of the ghastly glimmer the sunbeams reflected." Present reading in 1867. Early manuscript readings of lines in this section: [127]
%eaveB of (3ra60 " There
No To
is
array,
his infatuation
tell
Who
no word in my tongue, no form of symbol.
would define the scope and purpose of God.
Mostly this we have of Lo, the Sun; Its
God we have man. :
glory floods the moon.
Which
of a night shines in
some
turbid pool,
Shaken by soughing winds;
And And
there are sparkles
mad and
their archetype
the sun.
is
tossed and broken.
I know not But this I know; I can comprehend no being more wonderful than man; Man, before the rage of whose passions the storms of Heaven are but a breath
Of God
whose caprices the lightning is slow and less fatal Man, microcosm of all Creation's wildness, terror, beauty and power. And whose folly and wickedness are in nothing else existent." Before
"O
you corpse, do not smell
dirt,
reckon you are good manure
I
I
smell your beautiful white roses
I
kiss
§ 50.
—
your leafy lips your breasts."
I
slide
my
hands
for the
—but that
brown melons
I
of
[p. 107.]
Line
Line
5,
1855: nouns connected
10,
by
"or"— dropped
in 1856.
1855: read **form and union and plan."
Present
reading in 1856.
§51.
[p. 108.]
Line
3,
1835: read
you" dropped Line
5,
"Hear you— what have you,"
etc.
" Hear
in 1881.
1855: read "for no one," etc.;
"for" dropped
in
1856.
§ 52.
[p. 108.]
Compare an
early manuscript reading of lines in this section: [128]
IPariorum TRea&lnfle "The spotted hawk salutes the approaching night; He sweeps by me and rebukes me hoarsely with his He complains with sarcastic voice of my lagging.
invitation;
it and go; tamed yet."
I
feel
apt to clip
I
am
not half
Adam.
p. no.] group title for i6 poems. In i860 called Enfans d'Adam, with 15 poems, pages 287-314. Present title in 1867, with 14 poems, and following Walt Whitman {The Song of Myself )y
Children of
[I.,
A
pages 95-1
17.
To the Garden the World. i860: Enfans
[I.,
p.
d'Adam, No.
no.]
i; 1867: present
title.
From Pent-up Aching Rivers. [I., p. no.] i860: Enfans d' Adam, No. 2; 1867: present title. Line i: "From pent-up aching rivers" added in modification of line 10 in i860:
myself," which
Line year."
13,
**From the pent up
1867,
a
rivers of
was then dropped.
i860: read **ten thousand years" for "
many
a long
Present reading in 1867.
After line 14, i860: read
" Singing what, to the
Soul, entirely
one, the prostitute,
who
redeemed
detained
her, the faithful
me when went I
to the
city;
Singing the song of prostitutes."
Dropped
in 1881.
After line 23, i860: read
**
The
body for sale Dropped in 1871.
slave's
with harsh voice, auctioneering."
—
I,
sternly
Line 29, i860: read **
O
I
wish that you and I escape from the O free and lawless."
—
Present reading in 188 1. After line 40, i860: read VOL. in.—o.
[X29]
rest,
and go
utterly off
Xeavee of 6vaee *'To talk to the perfect
The
To
girl
who
understands
States,
waft to her these from own body."
Dropped
my own
lips
—
^to
me—the
effuse
girl
of
my
them from
in 1881.
Line 56, i860: read "enfans" for '*act divine and you chilPresent reading in 1867. dren." I Sing the
Body
Electric.
[L, p. 113.]
1855, without title, pages, 77-82; 1856: Poem of the Body, pages 167-179; i860: Enfans d' Adam, No. 3; 1867: with pres-
ent
and
title
§1.
position.
[p. 113.]
Line i: 'M sing the body electric" added in 1867; read " O my children O mates! "
i860:
!
Line of
all
bodies of men and women engirth i860: read *'0 the bodies of you, and
engirth them."
men and women
Line I
1
"The
1855: read
2,
me, and
engirth me," etc.
"They
1855: read
3,
go with them and respond
Present reading in 1867.
will not let
to
me
off nor
I
them
them and love them."
till
Present
reading in 1867. Line 4 added in i860: read ''And respond to the contact of them, and discorrupt them, and charge them with the charge of the Soul." Present reading in 1867. Lines 5 and
**Was
it
1855: read
6,
dreamed whether those
who
bodies could conceal themselves
And whether
who
those
who
defiled the
corrupted their
defiled the living "
dead
own
live
?
were as bad as they
?
1856:
"Was
it
doubted
if
those
conceal themselves
And
if
those
who
the dead
who
corrupt their
own
live
bodies
?
defile the living are as
" ?
Present reading in 1867. Lines 7 and 8 added in 1856. [130]
bad as they
who
defile
IDartorum TReaMitQe
ยง 2.
[p. 114.]
Lines
i
and
1855: read
2,
" The expression of the body of man or woman balks account, The male is perfect and that of the female is perfect." Present reading in i860.
Line 3 added in i860. Line 4: ''but" added in i860. Line
7,
1855: read " supple " after
for "broadcloth."
Line
"sweet"; read "flannel"
Present reading in 1881.
1855: "the
transparent greenshine, or lies on with the heave of the water." Present reading in 1856, except "to and fro" added in i860. After line 11, 1855: read "Framers bare-armed framing a house, hoisting the beams in their places or using the mallet and
his
11,
back and
mortising-chisel."
Line all
13,
salt
rolls silently
Dropped
their exquisite offices."
Present reading in 1856.
After line 15, 1855: read his axe in the
dropped
"The woodman
woods, the young fellow,"
etc.
rapidly swinging
The
first
clause
in 1856.
Line 18, 1855: read Present reading in 1856. Line 24, 1855: read wrestle with wrestlers,
and pause and
ยง3.
in 1856.
1855: read "Girls and mothers and housekeepers in
listen
"The
coats,
"And swim and march
and count."
vests
and caps,"
etc.
with the swimmer, and line with the firemen,
in
Present reading in 1856.
[p. 116.]
Line
i,
1855
:
read "
I
knew a man, he was a common
farmer,
he was the father of
Present reading in 1867. five sons." Line 2, 1855: after "them " read " were." Present reading in
1881.
Line
3,
1855: read "vigor and calmness and beauty," etc.
Present reading in 1856. Line
4,
read "the richness and breadth in 1871. arrangement Present
1855: after
of his manners."
"head"
[131]
%cavce of (Braea [p. 117.]
ยง 5.
Line
1855: after "earth" read "the atmosphere and the
5,
fringed clouds."
Dropped
in 1881.
Line 22: "sanity " added in 188 1. After line 2^, 1855: read "I see the bearer of the great fruit
which is immortality, the good thereof and never can be.'' Dropped in i860. ยง6.
is
not tasted by roues,
[p. 118.]
Line
1855: read "fiercest" for "wildest."
5,
Present read-
ing in i860. Line
who it
11,
is
"
meanest one Line
1855: read "it is no matter who" for "no matter it is sacred " added in 1 860 read slave " for the
"
;
'
in
1855:
16,
' *
'
;
the laborers' gang ?"
Present reading in 1881.
"read "beautiful"
for
"perfect."
Present
reading in 1881. Line 17, 1855: read "Do you know so much that you call " Yourself" added in i860. the slave or the dullface ignorant ?" Present reading in 1881.
Line 20, 1855: "only" added in i860. [p. 120.]
ยง 7.
Line
i,
1855: read
"A
Present reading in
slave at auction."
1836.
Line 2 added in 1881. Line 4, 1855: read "curious creature" for ent reading in 1856. Lines
5, 6,
and
7,
1855: read
"him"
"wonder."
for "it."
Pres-
Present read-
ing in 1856. 9, 1855: read "the making of the attributes of heroes "makings of heroes." Present reading in 1867. Line 10, 1835: read "very cunning"; 1836: "so cunning";
Line for
"so" dropped Line
in 188
1.
1833: read Present reading in 1836.
Line of
line,
13,
17,
19,
his
blood"
read "his heart" for
1833: "there
aspirations."
Line
1833:
"runs
all
"a
for
"runs blood."
heart."
passions and desires,
all
The
rest
reachings and
Present readings in 1836. 1833: read
"he
is
the father" for "this the father."
Present reading in 1881. [132]
IParlorum IReaMnga §8.
[p. 121.]
Line
i,
1855:
read
*'
A woman
at auction."
Present reading
in 1856.
After line
3,
1855: read
**Her daughters or their daughters' daughters— who shall mate with them ?
knows who
Who knows In
through the centuries what heroes may come from them ? them and of them natal love in them the divine mystery the same old beautiful mystery."
—
Dropped Line
4,
in 1867.
1855: read
Have you ever loved a woman ? Your mother is she living? have you been much with her? and has she been much with you ?" *'
—
1856: read
" Have you ever loved the body of a
woman ?
Have you ever loved the body of a man Your father, where is your father ? Your mother," etc.
?
Lines 3 and 4 of this passage dropped in 1881. Line 7, 1855: read "If life and the soul are sacred" for
anything Line
is
9,
sacred."
1855: read
*'If
Present reading in 1856. *'
beautiful as the
most
**more beautiful than the most beautiful face."
beautiful face" for
Present reading
in 1881.
After line 11, 1855: read
Who degrades or defiles the living human body is cursed. Who degrades or defiles the body of the dead is not more cursed." **
Dropped § 9.
in 1856; the entire ninth section added.
[p. 122.]
Line 2: **and that they are the soul "added in i860. Line 30, 1856: read ''his own body or another person's
body"
Present reading in 1867. for "the body." Lines 35 and 36, 1856: read "think" for "say." [133]
Xeavee of (BraeŠ After line 36, 1856: read "If these are not the soul,
Dropped
the soul?"
A Woman
Waits for Me.
Poem of
1836:
5,
is
124.]
[I., p.
A Woman
Enfans Waits for Me,
1856: read ''Semitic" for ''seminal."
Present read-
Procreation, pages 240-243;
d' Adam, No. 4, pages 302-304; 1867: pages 108-109.
Line
what
in i860.
i860:
ing in 1871. After line 10, 1856: reaid
"0
1
will fetch bully breeds of children yet!
They cannot be
on
terms than mine. Electric growth from the male, and rich ripe fibre from the fetched,
I
say,
less
female, are the terms."
The
dropped
first line
in 1867;
the second and third dropped
in i860.
Line
"Now"
1 1 :
added
in 1867.
Line 34, 1856: read "are drops of" for "shall grow." ent reading in i860.
Spontaneous Me. No.
[I., p.
126.]
i860: Enfans d' Adam,
Bunch Poem, pages 309-312.
1856:
Pres-
1867: Spontaneous Me, pages 110-112. 5, pages 304-307. added in i860. Line i
Line 2: "the loving
sun " added Line
1856: read
5,
day" added
in i860;
"the mounting
in 1867.
"gorgeous" before "hues."
Dropped
in
1867.
Line }}: "the mystic amorous night" added in 1867. Line 41 "My Adamic and fresh daughters " added in i860. :
One Hour
to
Madness and Joy.
i860: Enfans
present
Line
d'Adam, No.
6,
p. 129.]
pages 307-309;
pages 11 2- 113. " One hour to madness and joy!
1867 with
title, i
:
After line
" (Know,
I
7,
am
"
added
in 1867.
i860: read a
man,
attracting, at
or touch with the tips of
Or
[I.,
that touches
my
any time, her I but look upon,
my
fingers.
face, or leans against
[134]
me.)
Darlorum IReaMnge Line 8: *'0 bashful and feminine" added in 1867. After line 9, i860: read *'0 rich and feminine! O to show you to realize the blood of life for yourself, whoever you are and no matter when and where you live." Dropped in 1867.
—
Line
i860: read "follies and degradations" for "ties and Present reading in 1867. This and following
12,
conventions." After line
in i860.
read '*0 madness amorous!
i860:
16,
Dropped
bling."
Out
"0"
began with
lines
of the Rolling
O
trem-
in 1881.
Ocean the Crowd.
131.]
[I., p.
published in Drum-Taps, 1865. In annex to 1867 edition, page 67. Transferred to present group in 1871, First
Ages and Ages Returning at page
title,
We
Intervals.
Enfans d'Adam, No.
i860:
116.
How
Two,
p. 131.]
[I.,
page 313; 1867 with present
12,
Long
We
were FooPd.
Enfans d'Adam, No. present title, page 14. i860:
[I.,
p. 132.]
pages 309-310;
y,
1867 with
1
Before line
Dropped
are."
Line
3,
i860: read
i,
i860: read
''Now
up
Line
is
— we
in Virginia."
are
delicious, transmuted, swiftly
we
"We
are
two peaks
Dropped
i860: read "
18,
we
I
Present reading in 1867.
After line 10, i860: read
rising
— what the earth
is,
You and
in 1867.
escape, as Nature escapes."
the Tennessee
**
what
the flowing
wet of
of the Blue Mountains,
in 1867.
we two have "
for
"
we
two."
Present
reading in 1881.
Hymen!
Hymenee!
[I.,
p. 133.]
i860: Enfans d' Adam, No. 13, page 313; 1867 with present title,
1
page
1 1
7.
Am He that Aches with Love. i860:
title,
Enfans d'Adam, No.
p. 133J page 314; 1867 with present
[I.,
14,
p. 117.
Line
i:
"amorous" added
in 1867.
[135]
Xeavee of (Braaa Native Moments. present
title,
Line
page
I
I
1
8,
pages 310-31
my
love
some
in 188 1.
Pass'd through a Populous City.
page
1867 with
1;
5.
Dropped
i860: Enfans title,
1
i860: after ''calls" read "I take for
7,
prostitute."
Once
p. 133.]
[I.,
Enfans d' Adam, No.
i860:
d'Adam, No.
[I.,
p. 134.]
g, page 311; 1867 with present
115.
Heard You Solemn-Sweet Pipes
annex to 1867
page
edition,
of the Organ.
Drum-Taps
First published in Sequel to
[I.,
p. 134.]
(1865-6).
second
In
17.
Facing West from California's Shores.
[I.,
p. 135.]
i860: Enfans d' Adam, No. 10, page 312; 1867 with present title,
page
Line Line
116.
added
i
2,
Line
am." Line
4,
i860: after
Dropped
over to
yet un-
i860: read
5,
"sea" read "having
arrived at last
9,
"coming"
for "starting."
i860: read "
Now
face the old
I
home
again
â&#x20AC;&#x201D; looking
joyous, as after long travel, growth, and sleep."
it,
where
in 1867.
Line 8 added in 1867.
Line
is
Present reading in 1867.
found."
I
in 1867.
i860: read "that yet unfound " for ''what
Pres-
ent reading in 1867.
As Adam Early in the Morning. i860: Enfans d' Adam, No. title,
page
Line
i
Calamus.
[I.,
75,
p. 136.]
page 314; 1867 with present
117. :
"as [I.,
Adam"
added
in 1867.
p. 137.]
A
group title for 45 poems in i860, pages 341-378; 1867 with 42 poems, in present position following Children of Adam, pages 19-144.
â&#x20AC;&#x201D;
1
In Paths Untrodden.
[I., p.
i860: Calamus, No. title,
page
i,
137.]
pages 341-342;
119. [136]
1867 with present
IDarlorum TReaMnge Line
1871: read
4,
*^
eruditions" after
*'
Dropped
profits."
in 1881.
Line
i860:
7,
read
1871:
1867.
**
after
rejoices"
read
most."
''rejoices
**onIy"— dropped
in
Present reading in 1881
(the reading of 1867).
Compare an
And now
*'
my
I
early manuscript draft of lines of this
care not to
walk the
poem
earth unless a friend
walk by
side,
And now dare sing no other songs For now know the life which does I
I
contains
And going
all
the
only those of lovers, not exhibit
itself
but which
rest,
forth regardless of
all
the rest
I
see substantial
life
that contains the whole, I
proceed America to leave you types of athletic love for the
young men, I
proceed to celebrate the need of comrades."
My Breast.
Scented Herbage of
[I., p.
138.]
i860: Calamus, No. 2, pages 342-344; title, pages 120-122.
Line
i860: read ''yield" for "glean."
2,
1867 with present Present reading in
1881.
—
surely 7, i860: read "O burning and throbbing one day be accomplished." Dropped in 1881. Line 11: " finally " added in 1871. Line 23, i860: read " Away !" before "1 will say." Dropped
After line
all
will
in 1881.
Line 29: "inseparably" added in 1867; all" after
"together"
Whoever You
are Holding
Calamus, No.
i860: title,
—dropped
Me Now
3,
"above
in
Hand.
pages 344-34^
I
[I.,
p. 140.]
1867 with present
pages 122-123.
Line
Dropped Line
6,
i860:
after
"affections"
read
"Are you he?"
in 1867. 7,
structive."
i860: read
"the
result slow, uncertain,
maybe de-
Present reading in 1867.
" for "your 8, i860: read " your God, sole and exclusive and exclusive standard." Present reading in 1881.
Line sole
i860: read
in 1867.
[137]
Xeavca of (Braee Line
i860: read "only by stealth"; ''only" dropped in
13,
1867.
O
For You
Democracy.
[I., p.
142.]
Calamus, No. 5, stanzas 13, 14, and Present title in 1881. 1867: A Song, page 125. '' Line Come " added in 1867. The chorus repetend added in 1867. i860:
i
These
I
15,
page 351;
:
Singing in Spring.
[I., p.
142.]
i860: Calamus, No. 4, pages 347-348.
Present
title
in 1867,
page 124. Line I
8,
i860: read
*'
Far, far in the forest, before
Not Heaving from
my RibbM
Breast Only.
i860: Calamus, No. 6, pages 351-352.
page
think where
[I.,
p. 144.]
Present
title in
1867,
title in
1867,
126.
Of the Terrible Doubt of Appearances.
[I., p.
i860: Calamus, No. y, pages 3^2-}^}.
page
I
Present reading in 1867.
get."
145.]
Present
127.
Line
i860: read ''Of the doubts, the uncertainties after
2,
Present reading in 1867. Line 9, i860: read "May-be they only Present reading in 1867.
aU."
The Base 1
of All Metaphysics.
[I., p.
to
me,"
etc.
146.]
87 1, page 129.
Recorders Ages Hence.
[I., p.
147.]
i860: Calamus, No. 10, pages 356-357; title,
seem
page
Line
1867 with present
128.
i,
i860: read
" You bards of ages hence! when you refer to me, mind not so much my poems, Nor speak of me that I prophesied of The States, and led them the
way But come,
of their glories; I
Dropped
will take you," etc. in 1867.
[138]
IPariorum 1?eabing0
When
Heard at the Close of the Day. [I., p. Calamus, No. n, pages 357-358. i860: I
148.]
Present
title
in
1867, pages 128-129.
Are You the New Person Drawn toward Me. i860: Calamus, No. 12, pages 358-339. in 1867,
Line
pages 129-130. i,
from
nificant
Line
me
—
i860: read " probably " for
2,
149.]
With present
title
*'me" *'and asking something Dropped in 1867.
i860: read after
?"
[I., p.
*'
surely."
sig-
Present read-
ing in 1867. After line 9, i860: read **
O
O the
next step
may
precipitate you!
how many
have
on the same as you are pressing now, many have fondly supposed what you are supposing only to be disappointed."
now
some
let
past deceived one hiss in your ears,
prest
How
—
Dropped
in 1867.
Roots and Leaves Themselves Alone.
[I., p.
page
1867,
Line
i.
''Calamus (For
I
149.]
With present
i860: Calamus, No. i), pages 359-360.
title in
130.
i860: read taste,
must change the
strain
— these are not to be pensive
leaves,
but leaves of joy,)
Root and leaves unlike any but themselves." Present reading in 1867.
Line
5,
i860: read "breezes" before
"set."
Dropped
in
1881.
After line 10, i860: read
"They
are comprised in
perhaps more than
They
are not
comprised
you in
in
just as
much
as in themselves
—
themselves.
one season or succession, but many
successions.
They have come slowly up out of the come slowly up out of you." Dropped in 1867. C«39)
earth
and me, and are
to
Xeavee of (Bra^e Up and Consumes.
Not Heat Flames
[I., p.
i860: Calamus, No. 14, page 360.
150.]
Present
title in
1867,
page
131.
Trickle Drops.
pages
1
[I., p.
75,
page 361.
Present
page ^6}.
Present
title
in
1867,
title
in
1867,
31-132.
Line
added
i
City of Orgies.
in 1867.
p. 151.]
[I.,
Calamus, No.
i860:
page
151.]
Calamus, No.
i860:
18,
133.
Line
i860: read **City of
i,
my
walks and joys."
Present
reading in 1867. Line 2: "in your midst" added in 1867.
Behold
this
Swarthy Face.
i860: Calamus, No. 19,
Stanza
i
152.]
[I., p.
page 364.
Present
title
in 1867,
page
in i860: read
" Mind you the timid models of the rest, the majority? for have adopted Long I minded them, but hence I will not models for myself, and now offer them to The Lands."
â&#x20AC;&#x201D;
Dropped Line
i,
in 1867.
i860: read
these gray eyes." face
5,
Dropped I
**
Behold this swarthy and unrefined face ** Behold this swarthy, this unrefined
1867:
â&#x20AC;&#x201D; these gray eyes."
Line
Saw
Present reading in 1871.
i860: read '*And
I,
in the public
in Louisiana a Live-Oak Growing.
I
etc.
[I., p.
152.]
Present
title in
1867,
134.
Compare an **
room, or,"
in 1871.
i860: Calamus, No. 20, pages 364-365.
page
I
saw
early draft of this
poem
it
manuscript:
growing. and the moss hung down from the branches,
in Louisiana a live-oak
All alone stood
in
[140]
IDarlorum IReaMnga Without any companion
it grew there, glistening out with joyous leaves of dark green, And its look, rude, unbending, lusty, made me think of myself; But I wondered how it could utter joyous leaves, standing alone there without its friend, its lover. For I knew 1 could
â&#x20AC;&#x201D;
not;
And
I
plucked a twig with a certain number of leaves upon twined around it a little moss, and brought it away. I have placed it in sight in my room."
it,
and
â&#x20AC;&#x201D; And
To a
Stranger.
[I., p.
153.]
i860: Calamus, No. 22, page 366.
This
Moment Yearning and
Present
Thoughtful.
i860: Calamus, No. 2^, page 367.
title in
[I., p.
Present
1867,
page
1867,
page
154.]
title in
136.
Line
i,
i860: read *'This
thoughtful." Line
moment as
I
sit
alone, yearning
and
Present reading in 1867. i860:
5,
read "better"
after
"men."
Dropped
in
1867.
After line
5,
"It seems to in
Hear
It
me
my own
Dropped I
i860: read
they are as wise, beautiful, benevolent, as any lands," etc.
in 1867.
was Charged against Me.
[I., p.
i860: Calamus, No. 24, page 367.
154.]
Present
title in
1867,
page
136.
Line
i,
i860: read "is" for
"was."
Present reading in
1867.
The Prairie-Grass Dividing.
[I., p.
155.]
i860: Calamus, No. 25, page 368.
Present
title in
1867,
page
137.
Line
i,
i860: read
"own"
for "special."
in 1867.
[141]
Present reading
*
leavea of ©raes Line
When
I
i860:
7,
at
Dropped
power."
end add
*'
choice and chary of
love-
its
in 1867.
Peruse the Conquered Fame.
p. 155.]
[I.,
i860: Calamus, No. 28, page 370.
Present
title in
page
1867,
138.
Line
i860: read "I read" for "I hear." Present reading in
3,
1871.
Line
the book, and
We Two
read after "pensive"
i860:
6,
walk away,"
—
'*!
hastily
Boys Together Clinging.
Present
title in
137.
After line
7,
read
i860:
—With
down
p. 156.]
[I.,
i860: Calamus, No. 26, page 369.
swimming
put
Present reading in 1871.
etc.
"With
birds singing
and
trees branching
page
1867,
—With
fishes
Dropped
leafing."
in
1867.
A
Promise to California. [I., p, 156.] i860: Calamus, No. jo, page 371. Present
title in
1867,
page
139.
Line
i,
i860: read
"A
promise and
gift," etc.
Present read-
ing in 1856.
Here the Frailest Leaves of Me. [I., i860: Calamus, No. 44, page 377.
p. 156.]
Present
title in
1867,
page
140.
Before line
Line
i,
i860: read
Dropped
baffling." 2,
i860:
"Here
my
last
words, and the most
in 1867.
"Here
read
Present reading in 1871
I
down and
shade
"myself" added
;
No Labor-Saving Machine.
[I.,
hide," etc.
in 1871.
p. 157.]
i860: Calamus, No. j^, page 372.
Present
title in
1867,
page
140.
Line
6,
i860: read "
Only these"
for
" But a few."
Present
reading in 188 1.
A
Glimpse.
[I., p.
157.]
i860: Calamus, No. 29, page 371. 138.
[142]
Present
title in
1867,
page
Darlorum IRea&luae Line
i,
interstice."
A
Leaf for
"One
i860: read
glimpse, caught through an
flitting
Present reading in 1867.
Hand
in
Hand.
[I., p.
157.]
i860: Calamus, No. jy, page 375.
Present
title in
1867,
page
142.
Line
2,
"young"
i860: after
and you on the Western Earth,
My
Likeness.
!
read
Dropped
"
"You on
the Eastern Sea
in 1867.
158.]
[I., p.
i860: Calamus, No, j6, page 376.
Present
title in
1867, page
Present
title in
1867,
141.
I
Dream'd in a Dream.
158.]
[I., p.
i860: Calamus, No. 3^, page 373.
page
141.
What Think You
I
Take
My Pen
in
Hand?
i860: Calamus, No. 32, page 372.
[I., p.
Present
159.]
title in
1867,
page
140.
Line
3,
i860: read " But
I
record " for " But merely."
Present
reading in 1881.
To
the East and to the West.
159.]
[I., p.
i860: Calamus, No.j^, page 374.
Present
title in
1867,
page
141.
Line
i,
i860:
read
"To you
of
New
England."
Present
reading in 1867.
Sometimes with One
I
Love.
[I., p.
i860: Calamus, No. 39, page 375.
160.]
Present
title in
1867,
page
142.
For
lines 3
and
4,
i860: read
" Doubtless I could not have perceived the universe, or written one of the poems, if I had not freely given myself to comrades, to love." Present reading in 1867. [143]
Xeavce of Graea To a Western Boy.
[I., p.
i6o.]
i860: Calamus, No. 42, page 377.
Present
title in
1867,
page
143.
Before line
i,
1867: read **0
boy of the West!
"
Dropped
in
1881.
Line
i,
sorb, to engraft, to develop,
mine." Line
young man, many things to abteach, to help him become eleve of
i860: read **To the I
Present reading in 1881. 2,
i860: read ''But" for "Yet."
Present reading in
3,
i860:
read ''he" for "you."
Present reading in
1867.
Line 1867.
Line
4,
"he "
i860: read
Fast-Anchor*d Eternal
O
for
"you."
Love.
[I., p.
i860: Calamus, No. ^8, page 375.
Present reading in 1867. 160.]
Present
title in
1867,
page
142.
Line
i,
i860: read " Primeval
my love
for the
woman
I
love."
Present reading in 1867. Line
2,
i860:
read
"more enduring"
after
"resistless."
Present reading in 1867.
Line
3,
i860: read "the purest born " for " or another born."
Present reading in 1867.
Among
the Multitude.
[I., p.
161.]
i860: Calamus, No. 41, page 376.
Present
title in
1867,
page
143-
Line 5:
"Ah"
Line
i860: read
6,
added
in 1867.
"by my
faint" for
"by
faint."
Present
reading in 1881.
O You Whom
I Often
and
Silently
Come.
i860: Calamus, No. 43, page 377.
[I., p.
Present
161.]
title in
1867, page
title in
1867,
144.
That Shadow
My Likeness.
[I.,
p. 161.]
i860: Calamus, No. 40, page 376. 143.
[144]
Present
page
Darlorum IReaMng^ Line
i860: read " But in these, and
4,
my
carolling
Full of Life
songs."
Now.
among my
lovers,
and
Present reading in 1881.
[I., p.
162.]
i860: Calamus, No, 4^, page 378.
Present
title in
1867,
page
144.
Line
i,
i860: read
"sweet-blooded "for **now."
Present
reading in 1867. Line
i860: read 'Mover " for
8,
ing comrade."
Monde!
Salut au
[I., p.
Poem of
1856:
comrade
";
1867: read "lov-
Present reading in 187 1. 163.]
Salutation,
Monde! pages 243-258;
pages 103-120;
1867: with the
same
i860: title
Salut au
and
in the
present position, following Calamus,
§1.
[p. 163.]
Line
1856: read " lands " for " cities."
7,
Present reading in
1881.
Line
10,
1856: read "
Who are the
three old
men,"
etc.
Pres-
1867:
read
ent reading in 187 1. § 2.
[p. 163.]
Line
7,
" plants" Line
8,
"plains"
for
"forests";
Present reading in 1881.
1856: read "Oceanica, Australasia" for "Malaysia,"
Present reading in
§3.
read
1856:
for "plains."
1
867.
[p. 164.]
After line 3, 1856: read
" I hear the inimitable music of the voices of mothers, I
hear the persuasions of lovers.
I
hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on Lines
i
and 2 dropped
hills."
in i860;
the third dropped in 1881.
After line 8, 1856: read
"
I
hear the Virginia plantation chorus of negroes, of a harvest night, in the glare of pine-knots, VOL. III.— 10.
[145]
leaver of (5xnee I
hear the strong baritone of the 'long-shore-men of Mannahatta
—
I
hear the stevedores unlading the cargoes, and
singing, I
hear the screams of the water-fowl of solitary northwest lakes,
I
hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of
The first
their terrible clouds."
four lines dropped in 1881, the
fifth
changed to
its
present reading. After line
1856: read
10,
on the streams of Canada."
"I hear the bugles of Dropped in 1881.
raft-tenders
After line 13, 1856: read *M hear the wail of utter despair of
the white-haired Irish grandparents, of their grandson."
Dropped
when
they learn the death
in 1881.
After line 15, 1856: read
"
the sibilant I
women tied up for punishment, whisk of thongs through the air,
hear the entreaties of
I
I
hear
hear the appeal of the greatest orator, he that turns states by the tip of his
The §4.
first line
tongue."
dropped
in 1881
;
the second in i860.
[p. 165.]
Line
3,
1856: read "the air "for
6,
1856: read
9,
1856: after "
'*
Present reading
space."
in 1881.
Line
*'
silent" for "rapid."
Present reading in
1881.
Line
Andes
" read
" and Alleghanies. "
Pres-
ent reading in 1881.
Line
11
added
in 1871.
"I see the Rocky Mountains, and Dropped in 1881.
After line 11, 1856: read
the Peak of Winds."
Line 14 and
after,
1856: read
" I see Vesuvius and Etna
—
I
see the Mountains of the
I
see the
I
see
I
see the Anahuacs,
Moon, and the Snow Mountains, and
Red Mountains of Madagascar, Vermont hills, and the long string of Cordilleras, the vast deserts of Western America." the
Dropped
in 188 1. [146]
IDarlorum IReaMnaa Lines i8 and 19, 1856: read "The Japan waters, those of Hindostan, the China Sea, and the Gulf of Guinea." Present
reading in 1881. After line 21,
North America."
1856:
read '*The inland fresh-tasted seas of
Dropped
Line 26, 1856: read "
I
in 1881.
behold the steam-ships of the world.''
Present reading in 1867. **
Line 29:
sail "
added
in 1867.
"Others add to the exits and enSandy Hook." Dropped in 1881. Line ^2, 1856: read "Others to the comers," etc. "others the Hoangho Line 35, 1856: read after "Congo" and Amoor." After line 31, 1856: read
trances at
â&#x20AC;&#x201D;
Line
1856: read
^(i,
" Others wait
at the
wharves of Manahatta, steamed up, ready
to
start.
Wait
swift and swarthy in the ports of Australia."
Present reading in 1881. After line 38, 1836: read
"Wait
at their
New
Philadelphia, Baltimore, Charleston,
Dropped
Francisco."
§5.
moorings
at Boston,
Orleans, Galveston, San
in 188 1.
[p. 167.]
them welding state to state, through North America." Dropped
After line 2, 1856: read "I see
county to county, city to
city,
in 1881.
Line
6,
1856: read
"I see the long thick I
see
where the
river-stripes of the earth,
Mississippi flows,
I
see
where the Columbia
flows, I
see the St. Lawrence and the
"Thick "dropped from the dropped
falls
of Niagara."
first line in
in 1881.
Line 8 added in i860. Line
9,
" the Danube
"
added
in 1871.
[1473
i860; the other lines
Xcave0 of (Svaeo §6.
[p. i68.]
Line
1856: read ''great old empire."
i,
Present reading in
i860.
Compare
early manuscript reading of the first part of this
section
"Asia, steppes, the grass, the winter appearances,
The Tartar life, Nomadic pasturage, the herds, The tabounshic or horse-herd (taboun, a herd of The oxen, cows, women preparing milk.
am
I
a Russ, an arctic sailor,
A Kamskatkan
on
my
I
The
traverse the sea of Kara,
slight-built sledge,
The ancient Hindostanee with
horses),
drawn by dogs.
his deities.
great old Empire of India; that of Persia
and
its
expeditions
and conquests;
The The
Sanskrit idea
— the ancient poems and laws; Gods
of
incarnated
by
their
avatars in
man and
woman; The
waters of the Ganges over the high rim of Saukara The poems descended safely to this day from poets of three thousand years ago." falling of the
[p. 169.]
§ 7.
Line
19,
1836: read
"Guacho"for "Wacho."
After section 7 read the following sections in 1856: ''I
see the
little
habited I
see
two
and large sea-dots, some inhabited, some unin-
;
boats with nets, lying off the shore of Paumanok, quite
still I
— they discover now a thick school — they drop the joined seine-ends the
see ten fishermen waiting
of mossbonkers
in
water.
The boats The
separate, they diverge
and row
off,
each on
its
round-
ing course to the beach, enclosing the mossbonkers. net is drawn in by a windlass by those who stop ashore.
Some
of the fishermen lounge in their boats, others stand negligently ankle-deep in the water, poised [148]
on strong
legs,
\Dariorum IReaMnga The boats
are partly drawn up, the water slaps against them, the sand, in heaps and winrows, well out from the water, the green-back'd spotted mossbonkers."
On
lie
man in the west, lingering about the banks of Moingo, and about Lake Pepin, He has beheld the quail and honey-bee, and sadly prepared to *'
see the despondent red
I
depart."
Both of these sections were dropped
in 1881.
[p. 170.]
ยง 9.
Line
i
Line
"
"at random
:
1836: read "
2,
I
added
in i860.
am a real Londoner,
Parisian, Viennese.'*
Present reading in i860.
Line 3: " Vienna" added in i860. Line 5:
"London" added
Line 7:
" or
ยง 10.
in i860.
added
in Siberian Irkutsk"
in i860.
[p. 171.]
Line 5
" Yedo " added
:
" For " Yedo " read " Tokio
in i860.
in 1881.
Line 11, 1856: read "songs, philosophies" conquering kings, dynasties." Present reading ยง II.
"records of
[p. 172.]
Line
i,
1856: read
"You, where you
"You,
inevitable
"You
Tasmania! you of Papua!
You
Dropped
2,
"
i860:
of Australia!
you of
where you
are
!
Present reading in 1871.
are."
1856: read
After line
man
free free
woman
of the same!"
in i860.
Line 8:
added
for
in 1881.
"You
stock
whence
I
myself have descended"
in 1881.
Line
1856: read "
13,
You
citizen of
Prague! "
etc.
Dropped
in
1881.
Line 31 "each and " added in i860. Line ^2, 1856: read "I salute you for myself and for Present reading in i860; also a line added: " For ica." :
ac-
and each." This was dropped in 1867. Present 1856: read "purport" for "purports."
knowledge you Line 35,
Amer-
we
all
reading in 1867. [149]
leaver of (Braea § 12.
[p. 174.]
Line
Dropped
owners of slaves." After line
— **you
white or black
in 1867.
''You
read
1856:
2,
Dropped
idiots!"
"hordes"
1856: read after
i,
deformed persons,
felons,
in i860.
—
After line 3, 1867: read "\ dare not refuse
of the world, and of time and space, are
the scope you upon me." Dropped in
1881.
hills
**
1856: read
After line 4,
You low
of Utah, Oregon, California! "
After line 9, 1856: read
Dropped
''
You
expiring aborigines of the
Dropped
in 1881.
bather bathing in the Ganges!
in 1881.
After line 10: read
'*
You peon
of Mexico! you Russian serf!
you quadroon of Carolina, Texas, Tennessee Lines 11, 12, and 13, 1856: read
!
"
Dropped
in
1
88 1
'M do not refuse you my hand, or prefer others before you, do not say one word against you."
I
Present reading in i860. § 13.
[p. 175.]
Line
1856: read "brothers, sisters" for "equals and."
2,
Line 3 added in i860. Line 4, 1856: read "I think Lines
6,
I
have risen with you, you
Present reading in i860.
vapors," etc. 7,
and
8,
1836: preceded
by "I think."
Dropped
in i860.
Line
i860: "the highest
8,
"to Line 9 added in
etc., in 1871
After line
;
1
1,
cry thence "
embedded rocks"; read "high," added
in i860.
i860.
1856: read "
I
find
my home
wherever there are
any homes of men." Dropped in i860. Lines 12-15 added in i860, but first line read "Toward all" "You" and "in America's name" added in 1881.
Song
Open Road. [I., p. 177.5 Poem of the Road, pages 22^-2^%
of the
1836:
Open Road, pages 225-237. Salut au Monde, in 1881.
Given
[ISO]
its
Song of the 1871 present position, after :
tDariorum IReaMng^ §1.
[p. 177.]
Line 4: "myself" added in 1867. Line 6 added in 1881.
§2.
[p. 178.]
Line
"You
1856: read
i,
road
travel
I
and look around,"
etc.
Present reading in 1867. Line
1836: read **are" for ''shall be."
9,
Present reading in
1881.
§ 3. [p. 178.] After line 3, 1856: read *' You animals moving serenely over the earth! You birds that wing yourselves through the air! you insects! You sprouting growths from the farmers' fields! you stalks and
weeds by the Dropped Line
5,
fences!
in 1871.
"curious"
''think" for "believe";
1856: read
" in 1881
" unseen."
" Believe
Line
1856: read
13,
"
" unseen
;
"been near"
for
for
" in 1867.
"touch'd."
Present
reading in 1881. Line
14,
1856:
"dead"
after
read "I think."
Dropped
in
1881.
§4.
[p. 179.]
Line
1 1 :
"and
all
After line 12, 1871 forth try
by the open
§5.
180J
[p.
Before line
Dropped Line
i,
free
poems also " added in 1871. "(My judgments, thoughts, the road:)" Dropped in 1881.
read
:
air,
1856:
read
"From
hour,
this
I
hence-
freedom!"
in 1881. 6,
1856:
read "air" for "space."
Present reading in
1871.
Line 8: "better" added in 1871. § 6.
[p. 181.]
Line
5,
1856:
read
"Here
is
space
— here
a
great,"
etc.
Present reading in 1871. Line
6,
1856: read
"a great"
for
in 1881.
[151]
"such
a."
Present reading
Xeape0 of 6ra60 Line 19, 1856: read *'The animals, the past, the future, light, if they," etc. Present reading in 1871.
space, majesty, love,
ยง7.
[p. 182.]
Line
2,
1856: read
"The
comes through
efflux of the soul
beautiful gates of laws, provoking questions."
Present reading
in 1867.
ยง 8.
[p. 183.]
Line 2: **open" added in 1881. ยง ID.
[p. 184.]
Line
i,
1856: read
**
great to
you"
for
**
greater."
Present
reading in 1871.
ยง12.
[p. 186.]
After line 2, 1856: read
''Over that which hindered them, over that which retarded, passing impediments large or small, Committers of crimes, committers of many beautiful virtues."
Dropped ยง 13.
in 1881.
[p. 187.]
After stanza
"The
i,
read the following stanza, 1856:
soul travels;
The body does not travel as much as the soul; The body has just as great a work as the soul, and last for
Dropped
Line 25
:
away
at
in 1881.
Line 24, 1856: read "Allons!" etc.; come forth" added in 1881. Line 26,
parts
the journeys of the soul."
"or man
or
woman
"sleeping or dallying there," added in i860. 1856: read "Allons!" etc.; "out from behind the
screen," added in 1881.
Line 32, 1856: read
"No
husband, no wife, no friend, no Present reading in
lover, so trusted as to hear the confession."
1867.
Line 33, 1856: after
goes."
Dropped
Line 36, 1856: after
Dropped
"goes"
read
"open and above-board
it
1867.
"women"
in 1867. [152]
read
"among
their families."
IDarlorum IReabinge §14.
[p. 189.3
Lines, 1856: read reading in i860. § 15.
[p.
Line
'*
contentions" for "desertions."
Present
190.]
1856:
2,
with "AllonsI"
The
last
made another
clause
beginning
line
Present reading in 1881.
Line 7, 1856: read *'Mon enfant" for "Camerado." reading in 1881.
Crossing Brooklyn Ferry.
[I.,
Present
p. 191.]
Sun- Down Poem, pages 211-222;
1856:
i860: Crossing Brooklyn Ferry, pages 379-388; 1871: given the same relative position as it now occupies, but not placed finally till 1881, following Song of the Open Road. § I.
[p. 191.]
Line
you,
i,
face
''watch"
1856: read ''Flood-tide of the river, flow on! to
face."
for
"see."
reading in
Present
Read "see"
i860,
I
watch
except read
in 188 1.
Line 2: "there" added in i860.
Line 4: "returning § 3.
home" added
in i860.
192.]
[p.
After line 2, 1856: read "1 project myself, also I
am
with you, and
Line
8,
know how
it
Dropped
is."
I
return
—
in 1881.
1856: read "the sun half an hour high " for
"of old."
Present reading in 1881. Line
1856:
9,
"Twelfth-month"
for
read
"December."
Present reading in i860. Lines
10, 11,
9,
and
12,
began
in
1856 with
"L"
Dropped
in 1881.
§ 4.
[p. 194.]
After line
you — also §5.
I
i,
1856: read "I project myself a
return."
Dropped
moment
to
tell
in 1881.
[p. 194.]
Line 4: "Brooklyn of ample hills was mine" added in 1867. But read, i860: "1 was of old Brooklyn." [153]
Xeavee of (Braes §6.
[p. 195.1
Line
laugh at Line
me?" 5,
''meagre"
read after
1856:
4,
Dropped
1856: read "
not " for
It is
1856: read after "sly"
10,
coward, a malignant person."
friendly,
"But Dropped in
§7.
and proud!"
After section It is
Not
— "a
it."
Present read-
solitary committer,
a
I
was
a Manhattanese, free,
1881.
[p. 196.]
Line 6: "for
"
"Nor is
Present reading in i860.
Line 14 added in 1881. read
After line 14, 1856:
not people
in 1881.
ing in 1881. Line
— ''Would
all
the distance" added in 1881.
7,
1836: read
not you alone, nor
I
alone,
few generations, not a few centuries, It is that each came, or comes, or shall come, from its due emission, without fail, either now, or then, or henceforth. Everything indicates the smallest does, and the largest does, A necessary film envelops all, and envelops the soul for a proper a
few
races, not a
—
time."
Dropped §8.
in 188 1.
[p. 196.]
Line
i,
"Now am
1856: read
I
curious
what
sight can ever,"
Present reading in 1881.
etc.
Lines 4 and
Dropped
5,
read
1856:
"What
After last line, 1856: read
not
start, is started
§ 9.
"Curious"
"what."
before
in 1881.
by
me
personally,
the push of reading could is it
not
?
"
[p. 197.]
After line free
After line
any one
5,
1856: read " Bully for you!
Manhattanese." 7,
Dropped
1856: read "Blab, blush,
after us! "
Dropped
you proud,
friendly,
in 1871. lie, steal,
you or
I
in 1871.
After line 25, 1836: read
" We descend upon you and all things, we arrest you We realize the soul only by you, you faithful solids and
all.
[154]
fluids,
or
IDartorum IReaMngs Through you color, form, location, sublimity, ideality, Through you every proof, comparison, and all the suggestions and determinations of ourselves. Dropped
in 1881.
Line 26, 1856: read after
**
ministers" "novices."
Dropped
in 1881.
Song
of the Answerer.
Two poems
[I.,
p. 200.]
were brought together
in 1881
under the
title
given above. ยง I.
[p. 200.]
1835, without title, pages 85-87; 1856; Poem of the Poet pages 244-248; i860: Leaves of Grass, No. ^, pages 204-208; 1867: Now List to My Morning's Romania, pages 294-297 87 1 with the 1867 title, but under the general group title of The Answerer, ;
Given
its
present
Stanza
added
i
title
added
and place
in 1867;
1
:
in 1881.
**I tell
the signs of the
Answerer"
in 1871.
Line
3,
**
1855: read
with "for
**
bearing."
Present reading
in 1867.
Lines 6 and 7, 1855: the verbs in this stanza in the past tense. Present reading in 1871. Line
7,
1855: read *'the poet "for '*him that answers for
alL"
Line 12: " (so
tell
I
my
morning's romanza) " added
Line 20, 1855: read ''city " after ''own." Line 40, 1855: read "captain "for "soldier."
in 1867.
Present read-
ing in 1867. Line 49, 1855: read "or Delaware" for Present reading in i860.
"or Paumanok
sound."
After last stanza, 1855:
read
"You think it would be good to be the writer of melodious verses, it would be good to be the writer of melodious verses But what are verses beyond the flowing character you could have ? or beyond beautiful manners and behavior ? Or beyond one manly or affectionate deed of an apprenticeboy ? or old woman ? or man that has been in prison, or
Well,
is likely
to be in prison ?
"
[1551
OUavee of (Braee §2.
[p. 204.]
Poem of the Singers, and of the Words of Poems, pages 262-264; i860: Leaves of Grass, No. 6, pages 215-217; 1867: The Indications, pages 313-314; 1871, The Indications, under the general title of The Answerer; 1881 given present position of 1856:
:
section 2 of Song of the Answerer,
Line
Line
added
i
in 1867.
3,
1856: read " flaw " for ''break."
5,
1856: read
Present reading in
1881.
Line
*'
complete"
Present read-
for ''general."
ing in 1881. Line 10: "the
Answerer" added
in 1871.
Line 13, 1856: read "The name of each is, a heart-singer, eye-singer, hymn-singer, law-singer, ear-singer, head-singer,
sweet
singer, wise-singer, droll-singer, thrift-singer, sea-singer,
echo-singer,
wit-singer,
love-singer,
parlor-singer,
passion-
singer, mystic-singer, weeping-singer, fable-singer, item-singer,
Present reading in 1867. Line 14: " true " added in 1871.
or something else."
Lines 15 and 16 added in 1871.
Line 21
:
"the Answerer" added
in 1870.
Line 22, 1856: read "The builder, geometer, mathematician, astronomer, melodist, philosoph, chemist, anatomist, spiritualist, language-searcher, geologist, phrenologist, artist
â&#x20AC;&#x201D;
all
these un-
maker of poems." Present reading in 1867: but "the Answerer" added in 1871. Present Line 24, 1856: read "romances" for "daily life."
derlie the
reading in 1881. Line 28, 1856: read
Our Old
"They
are not the finish, but rather the
Present reading in i860.
outset."
Feuillage.
[I.,
p. 206.]
i860: Chants Democratic, No. American Feuillage, pages 251-256.
4,
pages
Present
159-166; title
1881.
Line
i,
i860:
read
" America always! Always me joined with you, whoever you [156]
are!
"
1867:
and place
in
Dariorum IReabinge
*'
Line i, i860: read "own"for *'old." Present reading in 1881. Line 34, i860: read "turpentine and tar dropping," etc.; There is the turpentine distillery " for ** There are the turpen-
tine
works."
Present reading in 1867.
Line 54, i860: read at end of present line ''you also
Dropped
also."
â&#x20AC;&#x201D; me
in 1881.
Line 64, i860: '*the individuality and sovereignty of Present reading in 1867.
States."
Line 69, i860: read after pelicans breeding."
*'
Florida "
â&#x20AC;&#x201D;
**
The
or in Louisiana, with
Line 77, i860: "out of a thousand diverse contributions"
added
in 1881.
Line 79: *'war" added in 1871. Line 80, i860: read "endless" for "the old." ing in 1 88 1.
A
Song
of Joys.
[I.,
Poem of
i860:
p. 213.]
:
jubilant
i,
1867: Poems of Joy, India annex, pages 43-52,
Joys, p'dges 2^^-26S.
pages 271-279. in Passage 1871 under original title. With present Line
Present read-
i860: read
"a most
to
title
and place
jubilant
song"; 1867: "the most
poem"
jubilant
in 1881.
"the most poems." Present for
reading in 1881. After line i, 1871: read "Even to set off these, and merge with these, the carols of Death." Dropped in 1881. Lines 2 and 3, i860: begin with "O." Dropped in 1881. Lines 5 and 6, i860: read "poem" for "song." Present
reading in 1881. After line 6, i860: read
"O to be on the sea! the wind, the wide O to sail in a ship under full sail at sea." Dropped
waters around;
in 1871.
Stanza 5: transferred to this place in 1871 from near the end of the
poem.
After line 31, i860: read
"O male and female! O the presence of women to
me
(I swear, nothing is more exquisite than the mere presence of women;) !
C157]
%cwocB of (5ra66
O O
my
for the girl,
the
mate!
young man him who,
as
for
my
happiness with
O am I
mate!
sick after the friendship of
me.
the streets of cities
The
flitting faces
cannot
O
O
pass!
fear, is indifferent to
I
O
I
of
men
— the
— of
OI
costumes!
feet,
I
only one look
The
expressions, eyes,
how welcome they are to me women toward me as pass — The memory
tell
last line
— the boy lingering and
dropped
in 1871
;
of
waiting."
the whole stanza dropped in
1881.
Lines 33 and 34, i860: read **0 to," After line 35, i860: read ** O it is 1."
etc.,
and
"O
Dropped
Line 43, i860: sentence begins with "Or"; Present reading in 1881.
the," etc.
in 1881.
so the
first
line
of next stanza.
Line 55, i860: read ''the Niagara (the
Niagara" dropped Line 65, i860:
St.
Lawrence)"; ''the
in 1881.
read
"O
the joys of the soldier!"
Present
reading in 1871. Line 66, i860: read "general" for "
commanding
officer."
Line 69: "crash of" added in 1867.
Line 89, i860: read " perfect happiness
"
" perfect
;
"
dropped
in 1881.
Lines 94-97
:
transferred from near the
end of the poem
in
1871.
Line 99, i860: read "O" before "my"; after "from" read Present read"facts"; after "touch" read " my phrenology." ing in 1881.
"O
Line 100, i860: read Line loi, i860: read "
my,"
etc.
O what is
proved,"
etc.
Present read-
ing in 1871. After line 109, i860: read
"O the
pleasure with trees!
—
—
^the oak, cedar, pine, pekan-tree. the forest The orchard The honey-locust, black-walnut, cottonwood, and magnolia."
Dropped Line
1
in
1881.
15-120:
transferred from near the
1867. [158]
end of the poem
in
IDarlorum IReaMnga Line in 188
1
16,
i860: read " Personality" before "to be."
Dropped
1.
21-133 added
Lines
1
After
line
in 1871.
i860:
136,
read
"O me
repellant
and ugly."
Dropped in 1881. Compare an early manuscript: *'
Perfect serenity of
mind
To take with entire self-possession whatever comes. What is this small thing in the great continuous volumes where This
is
?
—
— not to
but a temporary portion not to be dwelt upon not to have prominence
distress
—
,
Superior nonchalance
—
every-
—
No fumes no ennui no To find how easily one can
complaints or scornful criticisms. abstract his identity from temporary
affairs."
Lines 139-143: transposed from an earlier position in the
poem
in 1881.
"O
"O Death!
Line 139, i860: Death." 1871: of Death." Present reading in 1881.
the voyage
"O
Line 140, i860: read the beautiful," etc. Line 141, i860: read **0 that of myself," etc. Present reading of 140 and 141 in 1881. Before line 147, i860: read *' O the joy of suffering! " in 188
Dropped
1.
Line 147: "O" added in 1881. Line 148, i860: read "I" for "one."
Present reading in
1867.
Line 149, i860: read "death" after "odium."
Dropped
in
1881.
Lines 152-156 added in 1871.
Line 157, i860: read " O to have of joys! " Present reading in 1871. After line 158, i860: read full
of joys."
This
line
"An
my life henceforth my poem
athlete
ended the poem
—
in
full
of rich
words
i860 and 1867.
Lines 159, 160, 161 added in 1871. In the original poem of i860 there were 41 stanzas. [159]
—
These
Xeavee of ©raea have been transposed in part and a few combined. The following stanza was dropped in 1871 (stanza 38 of i860):
**0 love-branches! love-root! love-apples! chaste and electric torrents! O mad-sweet drops."
O
Song
of the
Broad-Axe.
[I.,
p. 223].
1856: Broad- Axe Poem, pages 140-160; i860: Chants cratic,
No.
2,
The present
169-182.
1867: with present
pages 126-142;
position, following
A
Demo-
pages Song of Joys, given title,
in 1881.
Among Whitman's notes
made
for this
'^Broadaxe
—
manuscripts were found the following
poem
First as
coming
in the
rough ore out of the
— Then as being smelted and made into usable shape working — then into some of the weapons of the axe kind — battleaxe — headsman's axe — carpenter's broadaxe — (process earth
for
earlier
of making, tempering and finishing the axe,) inquire **USES OF
fully.
THE BROADAXE.
*Mn cutting away masts when the ship is on her beam-ends. *Mn hewing the great timbers for the old-fashioned houses and barns. ''Passage describing the
putting up of a good styled log
— the whole — — logs the company the fun — the axe.
cabin in the western
woods
process
— joining the
**The sylvan woodman or woodboy. **The cutting down of an unusually large and majestic tree for some kelson to a frigate or first-class live oak or other steamship (what wood is the kelson generally ?) ** the Procession of portraits of the different users of the axe raftsman, the lumberman, the antique warrior, the headsman,
—
—
—
— the butcher, the framer of houses, the squatter of the west — the pioneer. * '
Founding of cities.
Make
it
the American
emblem
preferent
to the eagle. *'
In ship building.
"The
In cutting a
passage through the
butcher in his slaughter house. [160]
ice.
'"%
^ 'h;
"A '
ir^ 9If '^^^^l
> ^^
IParlorum IReablnge *' Full Picture. The antique warrior always with his great the brawny swinging arm the clatter and crash on the axe the death howl and the quick tumbling body helmeted head
—
— and rush of friend and foe thither — the summons to surrender — —
the battering of castle-gates and city-gates.
"Building wharves and piers. "Picture full of the pioneer. "The Roman lictors preceding the consuls. " The sacrificial priest, Grecian, Roman and Jewish. "What in Scandinavia "All through the framing of a house all through the hewing of timbers the knocking of beams in their places laying them regular. The framers wielding the axe their attitudes standing, bending astride the beams driving in pins as the frame is being raised they on the posts or braces their limbs holding on the [one arm] hooked around the plate, the other arm wielding the axe. " Episodic in the cutting down of the tree about what the
—
—
—
—
—
wood
is
for
—
— — — —
— —
—
for a saloon, for a ceiling, or floor, for a coffm, for
a workbox, a sailor's chest, a musical instrument,
fo**
firewood
for rich casings or frames.
" In a
terrible fire the use of the
axe to cut
down
connecting
— the excitement — the firemen — the woodwork glare — the hoarse shouts — the flames — the red faces and dense to stop the
fire
shadows." § I.
[p. 223.]
Line
i,
1856: read
Compare an
"Broad-Axe"
for
"Weapon."
early manuscript:
" The irregular tapping of rain off my house-eaves the storm has lulled. Gray-blue sprout so hardened grown Head from the mother's bowels drawn Body shapely naked and wan Fibre produced from a little seed sown." § 3.
[p. 224.]
Line 9: " the outset anywhere " added in i860. VOL. III.— 11.
[161]
at night after
%cavc6 of (5ra00 After line 9, 1856: read ''The Year i of These States, the that year began with, scythe, pitch-fork, club, horse-
weapons
Dropped
pistol."
Line
in i860.
read *'and" for ''striking the."
1856:
34,
Present
reading in i860. Line 45, 1856: read "the echoed
ยง4.
rise
and
fall," etc.
[p. 228.]
Line
"And"
1856: read
5,
"For."
for
Present reading in
1881.
Line
for
"a
great";
1867:
1856: read "the greatest" for
"a
great";
1867:
1856: read "the greatest"
8,
" the great." Line
15,
Present reading in 1861.
" the great."
ยง5.
Present reading in 1881.
[p. 229.]
Line
1856: read "the greatest" for
i,
After line
every day
7,
"Where
Dropped
Dropped
Line
16,
they are,"
same
in 1881.
Where
behavior
is
the finest of the
"taught" read "from the jump
Dropped
Line 20, 1856: after the orators the
added
may be
in 1867.
1856: after
etc.
these
in 1867.
After line 9, 1856: read " fine arts."
great"; 1867, "the "
seen going with their arms familiar to the shoulders
1856: read
in the streets,
of their friends."
"a
" merely
Present reading in 1881.
great."
that
in 1867.
"men"
as the
read
men."
"and
Dropped
are appealed to
by
in 1867.
Line 25, 1856: read "greatest" for "great."
Present read-
ing in 1867. ยง 6.
[p. 230.]
Line
i,
1856: read "
How beggarly appear poems,
orations, before an electric deed."
arguments,
Present reading in 1867.
After section 6 read in 1856: '*
Was
that
your best
?
Were
those your vast and solid
?
Riches, opinions, politics, institutions, to part obediently from
the path of one
man
or
woman [162]
IDarlorum IReaMnga The
centuries,
of one
Dropped
and
man
all
or
authority, to be trod under the foot-soles "
woman!
in 1871.
[p. 231.]
ยง 7.
1856: after *' druids " read **and the bloody body hollow of the great stone." Dropped in 1867. Line 14, 1856: for *Mong" read "incalculably"; 1867: ''long,
Line
10,
laid in the
Present reading in 1881.
long."
ยง8.
232.]
[p.
Line
8,
1856: read ''princes" for "lords."
Present reading
in i860.
ยง9.
[p. 233.]
Line
Dropped
19,
1856: after
"Penobscot" read "or
St.
John's."
in i860.
Line 20: " or on the Columbia " added in i860.
Line 22, 1856: read "Dwellers up north in Minnesota and
by the Yellowstone Line 28:
"and
After line 28, arise!
river," etc.
canal" added
new
1856: a
Present reading in 1881. in 1871.
stanza beginning
"The
shapes
"
Line 29, 1856: read " Atlantic and Pacific " for "Eastern and seas." Present reading in i860.
Western ยง 10.
[p. 235.]
After line 11, 1856: read
"The shape
of the pill-box, the dis-
graceful ointment-box, the nauseous application, and
applying
it."
After line
Dropped
1856: read
15,
him or her
in 1867.
"The
shape of the
slats
of the bed
of a corrupted body, the bed of the corruption of gluttony or alcoholic drinks."
Line
17,
Dropped
in 1867.
1856: read "the sickening dangling," etc.; "sick-
ening" dropped
in 1871.
After line 23, 1856: read [163]
leaver of (Braea "Their shapes
Men
arise, the
shapes of full-sized men!
taciturn yet loving, used to the
of the open
open
air,
and the manners
air.
Saying their ardor in native forms, saying the old response, Take what I have then, (saying fain,) take the pay you approached for. Take the white tears of my blood, if that is what you are after."
Dropped
in 1867.
After section 11, 1856: read
*'His shape arises!
Arrogant, masculine, naive, rowdyish,
Laugher, weeper, worker,
idler, citizen,
Saunterer of woods, stander upon
hills^
countryman,
summer swimmer in
rivers
or by the sea,
Of pure American from
taint
breed, of reckless health, his
body
perfect, free
from top to toe, free forever from headache and
dyspepsia, clean-breathed.
Ample-limbed, a good feeder, weight a hundred and eighty pounds, full-blooded, six feet high, forty inches round the breast and back. Countenance sun-burnt, bearded, calm, unrefined, Reminder of animals, meeter of savage and gentleman on equal
terms. Attitudes lithe and erect, costume free, neck open, of slow
ment on
move-
foot.
Passer of his right
arm round the shoulders of
his friends,
com-
panion of the street. Persuader always of people to give him their sweetest touches, and never their meanest Manhattanese bred, fond of Brooklyn, fond of Broadway, fond of the life of the wharves and the great ferries, Enterer everywhere, welcomed everywhere, easily understood
A
after
all.
Never offering
others,
always offering himself, corroborating his
phrenology, Voluptuous, inhabitive,
combative,
conscientious,
alimentive,
intuitive, of copious friendship, sublimity, firmness, self-
[164]
IDariorum IReablnea esteem, comparison, individuality, form, locality, eventuality.
Avowing by
life,
results of
manners, works, to contribute
The
illustrations of
States,
Teacher of the unquenchable creed, namely, egotism, of others continually henceforth to
Inviter
try
their
strength
against his.
The shapes
arise
Shapes of America, shapes of centuries. Shapes of those that do not joke with life, but are
in earnest
with
life,
Shapes ever projecting other shapes, Shapes of a hundred Free States, begetting smother hundred north and south, Shapes of turbulent manly cities. Shapes of an untamed breed of young men, and natural persons, Shapes of the women fit for These States, Shapes of the composition of all the varieties of the earth. Shapes of the friends and home-givers of the whole earth. Shapes bracing the whole earth, and braced with the whole earth."
These stanzas were dropped (12)
in 1867
was substituted. The original
**The main shapes arise! Shapes of Democracy, total
â&#x20AC;&#x201D;
and the present section
(1867) reading
is
the following:
result of centuries
Shapes, ever projecting other shapes
Shapes Shapes Shapes Shapes Shapes
of a hundred Free States, begetting another hundred; of turbulent manly cities; of the
women
fit
for
These
States,
of the friends and home-givers of the whole earth.
bracing the earth, and braced with the whole earth."
Present reading in 1871.
Song
of the Exposition.
[I.,
p. 238.]
After All, Not To Create Only, the last appendix, pages 1-14; named Song of the Exposition in 1876 and applied to the 1871
:
Xeavee of (Braea Centennial Exposition under general
title
of Centennial Songs, in
Two Rivulets volume. The poem was by Whitman at the opening of the Fortieth An-
the third section of the originally recited
nual Exhibition of the American Institute, 7,
87
1
In 1876,
1.
was accompanied by
it
"Struggling steadily to the
Government, and the
ion, also,
we
ery,
Inventions,
front,
like, but,
York, September
this preface:
not only in the in
due time,
spirit of
Opin-
in the Artistic
see actual operative labor and laborers, with Machin-
Farms, Products, &c.,
over the whole civilized world.
time,
New
pressing to place our Holding these by the
hand, we see, or hope we see, the muse (radiating, representing, under its various expressions, as in every age and land, the healthiest, most heroic Humanity, common to all, fusing all) entering the demesnes of the New World, as twin and sister of our Democracy at any rate we will so invite Her, here and now to permanently infuse in daily toils, and be infused by them. ** Perhaps no clearer or more illustrative sign exists of the current adjustment and tendency than those superb International Expositions of the World's Products, Inventions and Industries, that, commencing in London under Prince Albert, have since signalized all the principal Nations of our age, and have been rife in the culminating in this great Exposition at PhiladelUnited States phia, around which the American Centennial, and its thoughts and associations, cluster with vaster ones still in the future. still ''Ostensibly to inaugurate an Exposition of this kind more to outline the establishment of a great permanent ClusterPalace of Industry from an imaginative and Democratic point of view was the design of the following poem from such impulses
—
—
—
—
—
—
it
was
§1.
;
first orally
[p.
238.]
Stanza 2.
deliver'd."
i
added
in 1881.
[p. 238.]
read "The same on the walls of your Gothic 6, 1871 European Cathedrals, French and German Castles "; 1876: " The same on the walls of the great Italian Cathedrals, and German, French and Spanish Castles." Present reading in 1881. Line
:
[166]
Darlorum IReaMng^ [p. 239.]
§ 3.
After line
1871
3,
*'She comes! pected
read
:
famous Female
this
— as
was indeed
to be ex-
;
(For who, so ever-youthful, 'cute and handsome,
would wish
to
stay in mansions such as those,
When With
offer'd quarters
all
the fun that
Dropped Line
's
with all the modern improvements. going and all the best society ?)
—
in 1881.
1871
15,
''submerged"
read
:
for
Present
''ended."
reading in 1881. Line
read "Silent through time,"
1871:
18,
etc.
Present
reading in 1881. Line 19
:
"ended the
Line 20,
call of the muses" added in 1876. "Thalia closed and dead." Present
primitive
read
1871:
reading in 1876. Line 21, 1871
read "Seal'd" for "Ended."
:
Present reading
in 1876.
Line 25: "from its waters" added in 1881. Line 28: "foreign" added in 1876.
Line 30,
Dropped
1871:
read after " vault "
I
say
laid
on the
shelf."
in 1881.
Lines 33-38 in 1871
"
—"
see,
I
my
:
read
you do
friends, if
not, the
Animus
of
all
that
World, Escaped, bequeath'd,
— And
remains, and I
vital,
now
can hear what
fugacious as ever, leaving those dead
this spot approaching, filling;
maybe you do
not
—a
terrible aesthetical
commotion.
With howling desperate gulp of 'flower' and 'bower,' With Sonnet to Matilda's Eyebrow quite, quite frantic; With gushing, sentimental reading circles turn'd to ice or stone; With many a squeak, (in metre choice,) from Boston, New York, '
'
Philadelphia,
As
London;
she, the illustrious Emigre, (having,
it
is
true, in her day, al-
though the same, changed, journey'd considerable,)"
These
lines,
except the
last,
dropped
[167]
in 1881.
etc.
Xeapea of (Braaa §4.
[p. 241.]
Line
1871: read *'what else indeed have
2,
I
come for?"
Present reading in 1881.
§5.
241.]
[p.
Line
I
"really " added in 188 1.
:
Line 2}, 187
1
''Somewhere within the walls of
read
:
all."
Present reading in 1881. Lines 25 and 26 added in 1881. Line 38, 1871: after "infinite" read reading in 1881.
§7.
Present
[p. 244.]
After line 14, 1871
"To
"solemn."
read
:
this resplendent day, the present scene,
These eyes and ears that around, before me."
Dropped
like
some broad
parterre
bloom up
in 1876.
After line 18, 1871: read "Boldly to thee, America, to-day! and thee, Immortal Muse! " Dropped in 1881.
Line
1871: read "practical" before "manual."
19,
Dropped
in 1881.
Line 30,
"general"
read
1871:
for
"practical."
Present
reading in 1881. Line 37,
"With
1871: read
inter-transportation of the
Line 40:
"Hoosac
1876; "Gothard
"
:
works"; "the
in 1876.
the Brooklyn bridge " added in
in 1881.
read "Science advanced, in grandeur and
Dropped
analyzing everything."
reality,
§8.
tunnels,
added
After line 40, 1871
latest materials,
world" added
in 1876.
[p. 246.]
Line
i,
1871:
read
"And
thou, high-towering
One
—Amer-
Present reading in 1876. Line 2, 1871 read "Thy swarm of offspring towering high,"
ica."
:
etc.
Present reading in 1881..
Line
9, 1871
:
read
"and Union
" for
in 1881.
[168]
"
for All."
Present reading
IDariorum 1Rea&inQ0 "Behold"
Line 25, 1871: read
before *'how."
Dropped
in
1881.
After line 29, 1871: read
"Behold!
the procession moves,)
(for still
Behold, Mother of
The myriads Dropped
All,
of thy
thy countless
young and
boatmen, coasters
sailors,
old mechanics!
"
in 1881.
Line 36: "oil " added in 1881.
§9.
[p. 249.]
After line
187 1: read
16,
"The
poets,
diers, farmers, miners, students thine! "
Song of the Redwood Tree. 1876,
in
the
I.
[I.,
its
sailors,
sol-
in 1876.
p. 251.]
Rivulets volume,
Given
tennial Songs. §
Two
women,
Dropped
the second of the Cen-
present place in 1881.
[p. 251.]
Line 26, 1876: read "and" tor "with." Line 42, 1876: read " valleys grand " "far" added in 1881. Line 76, 1876: read " wood-spirits' " before "voices." ;
A Song
for Occupations.
1855,
Work of
without the
title,
[I., p.
257.]
pages 57-64.
1856,
Workmen and Workwomen of
Poem of the Daily These States, pages
i860, Chants Democratic No. 3, pages 143-158. 1867, To Workingmen, pages 239-248. 1871, Carol of Occupations, pages 209-218. Given present title and place in 1881. In 1855, the poem began with the following stanzas (dropped
121-139.
in 1881):
" Come closer to me, Push close my lovers and take the best I possess. Yield closer and closer and give me the best you possess. This I
is
was
—
me how is it with you ? with the cold types and cylinder and wet paper
unfinished business with chilled
between
us.
[X69]
Xeavea of (5ra00 Male and Female * pass so poorly with paper and types I contact of bodies and souls. !
American masses f I do not thank you for liking
—
I
must pass with the
!
me I.
§
[p.
—
I
know
that
me
as
good
it is
I
for
am, and liking the touch you to do so."
oi
257.]
Stanza
i
added
of occupations
*' ;
in 1867: the first line read
*'poem" became
'*
"This
carol" in
is
poem
the
present
1871;
reading in 1881. Line 4: *' Workmen and Workwomen " added in i860. Line 10, 1855: read "am 1" for "I." Line 13, 1855: read "If you are a workman or workwoman, I
stand as nigh as the nighest that works in the same shop."
Present reading in i860.
Line
dropped
15,
Line
then
I
1855: read "lover or husband or wife."
Connectives
in 1856.
1855: read
16,
become so
will
"If you have become degraded or ill, Present reading in for your sake."
1856.
Line
17,
1856: after "deeds "read "plenty of them."
Dropped
in 1867.
Line 18, 1855: "I say Present reading in 1856. Line
meet."
19,
1855: read
"do
I
I
not often
me,
meet"
for
"I carouse."
"why
I
often
Present reading in 1867.
After line 19, 1855: read "If in
carouse" for
will
I
see just as
you see a good deal remarkable in you." Dropped in
much remarkable
1867.
Line 24, 1855: read "that you reading in 1881.
was"
for
"were."
Present
Line 25, 1855: read "or diseased, or rheumatic, or a prostior are so now." Present reading in 1881.
tute
§2.
—
[p. 258.]
After line
3,
1855: read
* " Male and Female " added
in i860.
f
[170]
" American masses " added
in i860.
IDarlorum IReaMnge "
you and what you give and take, you cannot give and take ? see not merely that you are polite or white-faced, married or I
see and hear
What I
is
there
single, citizens of old states or citizens of
nent
in
some
or dressed in the
Not only the
new
emi-
states,
profession, a lady or gentleman in a parlor, jail
uniform, or pulpit uniform.
Utahan, Kansian, or Arkansian, not only the free Cuban, not merely the slave, not Mexican native, or Flatfoot, or negro from Africa, free
Iroquois eating warflesh, fish-tearer in his
Esquimaux
transverse eyes,
bounshick
at the
I
I
see
who you
are
much
see not so
of rocks and sand,
Bedowee, or wandering nomad, or head of his droves."
Dropped in 1867. Compare an early manuscript '*
lair
the dark cold snow-house, Chinese with his
in
if
that
ta-
reading:
nobody else sees nor you either, you are polite or white-faced
I see less a citizen of an old State or a citizen of a new State, Alabamian, Canadian, British, French, or Malay or from Africa, or savage off there in the woods, or fisheater in his lair of
rocks and sand, or Chinese with his transverse eyes, a wandering nomad, or tabounshick at the head of his drove,
Man and woman and
child indoors and outdoors I see behind them or through them, see the wife and she is not one jot less than the husband, see the mother and she is every bit as much as the father, all
I
I
I
see
.
.
.
and
else
you engineer, laboring person,
minister,
editor,
immi-
grant, I
I
you sailors, man-of- wars-man, and merchantman and man, see you and stand before you driver of horses, see
Son, progenitor
coast-
"
Line 4: *'one just as much as the other" added in i860. Line 9, 1855: read " of those not rich " for '*of ignorant and poor." Present reading in 1867. [171]
!lLeave6 of (Braae
After line lo, 1855: read
"The
naive, the simple vote, he
who
and hardy, he going to the
has a good time and he
who
polls to
has a bad
time;
Mechanics, southerners,
new
arrivals, sailors,
man-o'-wars-men,
merchant-men, coasters."
These
was
lines
were discarded
in 1867
and what
now
is
line 11
substituted.
Line 15 1855: read " 1 bring not money or amours or dress Present reading in 1856, but or eating but I bring as good."
—
**
erudition" added in 1881. After
*'
readiest "
provoked by them
:
read "
— What
it is
is
not them, though
it is
there ready and near
endlessly
you now ?"
Present reading in 1867. [p. 260.]
§ 3.
9, 1853: after "forever" read "and each acre of surface and space forever." Dropped in 1867. Line 10 added in 1867. Line 11, 1855: read "as mainly for a trade" for "for your
Line
trade."
Present reading in 1856.
Line 13: "that" added in 1881. Line 20, 1855 read " prudence " for " cash." :
in
Present reading
1836.
Line 21, 1855: read "but "for "then."
Present reading in
1856.
I
Line 25, 1855: read " But 1 am eternally in love " for am in love." Present reading in i860.
§ 4.
"Then
[p. 262.]
1, 1855: read "value and respect" Present reading in 1856.
Line
Line 4, 1855: read Present reading in i860.
"December"
for
for
"reverence."
"Twelfth-month."
Line 6 added in 1867. Line
7,
1855: read "All doctrines,
Line
8,
1855: read "All sculpture," [172]
all
politics," etc.
etc.
IDarlorum T?eaMnQ0 Line
1855: read
15,
**
notes"
for
"score."
Present reading
in 1856.
§5.
[p. 263.]
Line
5,
1855: read
"and
here with
me"
for
"with
the
mys-
unseen soul."
Present reading in 1867. Section 5 was given its present reading in 1867. The following is the reading in i860 which differs only in minor details from tic
and 1856:
that of 1855
"The
old,
forever-new things
simplest things, this
â&#x20AC;&#x201D; you
foolish child! the closest,
moment with
you,
Your person, and every particle that relates to your person, The pulses of your brain, waiting their chance and encouragement at every deed or sight. Anything you do in public by day, and anything you do in secret between-days. called right and what
What
is
or touch, or
The ankle-chain
â&#x20AC;&#x201D;
is called wrong what you behold what causes your anger or wonder.
of the slave, the bed of the bed-house, the cards
of the gambler, the plates of the forger.
What What
is is
seen or learnt in the
street, or intuitively learnt.
learnt in the public school, spelling, reading, writing,
ciphering, the black-board, the teacher's diagrams,
The panes
of the windows,
going forth
in the
all that appears through them, the morning, the aimless spending of the
day,
(What
is it that you made money what you wanted ?)
?
What
is
it
that
you got
The
usual routine, the work^shop, factory, yard, office, store,
The
jaunt of hunting or fishing, and the
desk. life
of hunting or
fishing, Pasture-life, foddering,
milking, herding, and
all
the personnel
and usages.
The plum-orchard, apple-orchard, gardening,
seedlings, cuttings,
flowers, vines,
Grains, manures, marl, clay, loam, the subsoil plough, the shovel, pick, rake, hoe, irrigation, draining, [173]
Xeavee of ©ra^a The curry-comb,
the horse-cloth, the halter, bridle, bits, the very
wisps of straw, The barn and barn-yard, the bins, mangers, mows, racks, Manufactures, commerce, engineering, the building of cities, every trade carried on there, and the implements of every trade. The anvil, tongs, hammer, the axe and wedge, the square, mitre, jointer, smoothing-plane. The plumbob, trowel, level, the wall-scaffold, the work of walls and ceilings, or any mason-work,
The steam-engine,
lever,
beam,
boiler,
governors, up and
The
crank, axle, piston, shaft, air-pump,
pulley,
hinge, flange, band, bolt, throttle,
down
rods.
ship's compass, the sailor's tarpaulin, the stays
and lanyards,
the ground tackle for anchoring or mooring, the life-boat for wrecks,
The
sloop's
tiller,
smack
the pilot's wheel and bell, the yacht or fish-
— the
great gay - pennanted three -hundred -foot
steamboat, under
and her
The
trail,
full
headway, with her proud
fat breasts,
delicate swift-flashing paddles.
line,
hooks, sinkers, and the seine, and hauling the
seine.
The
gunpowder, shot, caps, wadding, ordnance for war, and carriages Every-day objects, house-chairs, carpet, bed, counterpane of the bed, him or her sleeping at night, wind blowing, indefinite arsenal, small-arms, rifles,
noises.
The snow-storm in the
or rain-storm, the tow-trowsers, the lodge-hut
woods, the
still-hunt.
City and country, fire-place, candle, gas-light, heater, aqueduct.
The message of
the
Governor, Mayor, Chief of Police
— the
dishes of breakfast, dinner, supper.
The bunk-room, the
fire-engine, the string-team, the car or truck
behind.
The paper I write on cross
what we
The
or
you write
on, every
word we
write, every
and twirl of the pen, and the curious way
we
write
think, yet very faintly,
directory, the detector, the ledger, the
books
in
book-shelves, the clock attached to the wall, [174]
ranks on the
IDarlorum IReaMnge The
ring on your finger, the lady's wristlet, the scent-powder, the druggist's vials and jars, the draught of lager-beer,
The
etui of surgical instruments, the etui of oculist's or aurist's
instruments, or dentist's instruments.
The permutating lock that can be turned and locked ferent ways as there are minutes in a year.
as
many
dif-
Glass-blowing, nail-making, salt-making, tin-roofmg, shingledressing, candle-making, lock-making and hanging. Ship-carpentering,
dock-building,
fish-curing,
breaking, flagging of side-walks
The pump,
by
ferrying,
stone-
flaggers.
the pile-driver, the great derrick, the coal-kiln and
brick-kiln.
Coal-mines,
all
that
is
down
there, the
lamps
in the darkness,
echoes, songs, what meditations, what vast native thoughts
looking through smutch'd faces. Iron-works, forge-fires in the mountains, or by river-banks,
— —
men
around feeling the melt with huge crowbars lumps of the blastore, the due combining of ore, limestone, coal furnace and the puddling-furnace, the loup-lump at the the rolling-mill, the stumpy bottom of the melt at last
—
bars of pig-iron, the strong clean-shaped
T
rail
for rail-
roads,
Oil -works, silk -works, white -lead -works, the sugar -house,
steam-saws, the great mills and Lead-mines, and
all
that
is
done
factories.
in lead-mines, or
with the lead
afterward.
Copper-mines, the sheets of copper, and what is formed out of the sheets, and all the work in forming it. Stone-cutting, shapely trimmings for facades, or window or door lintels
— the
mallet, the tooth-chisel, the jib to protect the
thumb.
—
Oakum, The
the kettle of boilthe oakum-chisel, the caulking-iron ing vault-cement, and the fire under the kettle, cotton-bale, the stevedore's hook, the saw and buck of the
sawyer, the screen of the coal-screener, the mould of the moulder, the working-knife of the butcher, the ice-saw, and all the work with ice,
The four-double
cylinder press, the hand-press, the frisket and [175]
Xeavea of ©raaa tympan, the compositor's stick and
type-setting,
rule,
making up the forms, all the work of newspaper folders, carriers, news-men,
The implements
for
daguerreotyping
— the
counters,
tools of the rigger,
grappler, sail-maker, block-maker,
Goods of gutta-percha, papier-mache, ing, glazier's
The veneer and
colors, brushes,
brush-mak-
implements.
glue-pot, the confectioner's ornaments, the decan-
and glasses, the shears and flat-iron. The awl and knee-strap, the pint measure and quart measure, the counter and stool, the writing-pen of quill or metal the making of all sorts of edged tools, The ladders and hanging-ropes of the gymnasium, manly exerter
—
game
the
cises,
of base-ball, running, leaping, pitching
quoits.
The designs
oil-cloths, carpets, the fancies for
for wall-papers,
goods
for
women,
The brewery, brewing,
the book-binder's stamps.
the malt, the vats, every thing that
done by brewers,
also
by wine-makers,
also
is
vinegar-
makers.
coach-making, boiler-making, rope-twisting,
Leather-dressing,
distilling, sign-painting,
picking
—
Stave-machines,
lime-burning, coopering, cotton-
electro plating, electrotyping, stereotyping.
planing-machines, reaping-machines,
plough-
ing-machines, thrashing-machines, steam-wagons.
The cart of the carman, the omnibus, the ponderous dray. The wires of the electric telegraph stretched on land, or laid
at
the bottom of the sea, and then the message in an instant
from
a
thousand miles
off,
The snow-plough, and two engines pushing
it
— the
ride in the
go through a howlthat is done about a
express-train of only one car, the swift
ing storm
— the
locomotive, and
locomotive,
The bear-hunt or coon-hunt lot in
— the bonfire of shavings
the city, and the
The blows of
all
in the
open
crowd of children watching,
the fighting-man, the upper-cut, and one-two-
three,
Pyrotechny, letting off colored fire-works at night, fancy figures
and
jets,
[176]
\Darlorum IRcabinge Shop-windows,
ware-room,
coffins in the sexton's
fruit-stand
— beef
in
the butcher's
fruit
on the
the slaughter-
stall,
house of the butcher, the butcher in his killing-clothes, The area of pens of live pork, the killing-hammer, the hog-hook, the scalder's tub, gutting, the cutter's cleaver, the packer's
maul, and the plenteous winter-work of pork-packing, the barrels Flour-works, grinding of wheat, rye, maize, rice and the half and quarter barrels, the loaded barges, the
—
high piles on wharves and levees.
Bread and cakes in the bakery, the milliner's ribbons, the dressmaker's patterns, the tea-table, the home-made sweetmeats Cheap literature, maps, charts, lithographs, daily and weekly ;
newspapers,
The column of wants
one-cent paper, the
in the
news by
tele-
graph, amusements, operas, shows,
The business
parts of a city, the trottoirs of a city
when
thou-
sands of well-dressed people walk up and down. The cotton, woollen, linen you wear, the money you make and spend.
Your room and bed-room, your
piano-forte, the stove
and cook-
pans,
The house you
live in, the rent,
the other tenants, the deposit in
the savings-bank, the trade at the grocery.
The pay on Seventh Day
going home, and the pur-
night, the
chases; In
them the
— me—
heft of the heaviest
in
them
far
more than you
estimated, and far less also, In
them
In
me. them, not yourself
realities for
you and
in
them poems
for
you and
—you and your Soul enclose things, provokers — the whole earth has no all
re-
gardless of estimation. In
them themes,
hints,
if
not,
themes, hints, provokers, and never had.
I
do not
affirm
what you
see
beyond
is futile
—
I
do not advise you
to stop, I
do not say leadings you thought great are not VOL. 111.— 13.
_
_
[177]
great,
Xeape6 of (Braae But
I
say that none lead to greater, sadder, happier, than those lead to."
§6.
[p. 266.]
Line 4: ''knowledge" added in i860. Line 5, 1855: read after ** touch" ''always in your friend or brother or nighest neighbor Woman in your mother or lover
—
—
or wife."
Present reading in
1867;
"sister" for "lover" in
1881.
Lines 6 and 7 added in 1856. In i860 this part read as follows:
"Will you seek In things best
afar off ?
known
You
surely
come back
at last.
to you, finding the best, or as
good
as the
best,
folks nearest to
In
you finding
also the sweetest,
strongest,
lovingest,
—
Happiness, knowledge, not in another place, but this place not for another hour, but this hour, Man in the first you see or touch always in your friend, brother,
The popular
tastes
— —Woman
in your mother, lover, wife. and occupations taking precedence in poems
nighest neighbor or any where.
You workwomen and workmen of These divine and strong
States having your
own
life.
Looking the President always sternly
in the face,
unbending,
nonchalant,
Understanding that he is to be kept by you to short and sharp account of himself. And all else thus far giving place to men and women like you.
you 1
robust, sacred
you how love America for,
cannot
All
I
tell
I
love you; is
contained in
men and women
like
you."
1855: for this line, added in 1856, read the following: "When the sacred vessels or the bits of the eucharist, or the lath and plast, procreate as effectually as the young silver-
Line
12,
smiths or bakers, or the masons in their overalls." [178]
IDariorum IReaMnge Compare " Priests!
also an early manuscript:
you can explain a paving stone do not try to exGod; Until your creeds can do as much as apples and hen's eggs let down your eyebrows a little Until your Bibles and Prayer-books are able to walk like me, And until your brick and mortar can procreate as can, 1 beg you, sirs, do not presume to put them above me." until
plain
I
In 1867
what
is
A Song
and 1871
now
this stanza
of the Rolling Earth.
1856:
was
section 4; then given
Poem
placed at the beginning of original place in 1881.
its
[I., p.
268.]
of the Sayers of the
Words of
the Earth, pages
}22-^}\\ i860: To the Sayers of Words, pages 329-336; 1871: Carol of Words, pages 231-238. Present title and place in 1881. §
I.
[p. 268.]
1856: for line
"Earth, round,
i
read the following stanza:
rolling,
— suns, moons, animals — advances — beings, premonitions,
compact
these are words.
Watery, vegetable, sauroid
all
lispings of the future these are vast
words."
Present reading in 1881.
Line
16,
1856: read
"The
great masters, the sayers."
Pres-
ent reading in 1867. After line 16, 1856: read
" Syllables are not the earth's words. Beauty,
reality,
manhood, time,
life
— the
realities
of such as
these are the earth's words."
Dropped
in i860.
Line 25, 1856: read "invitation of the earth," etc. earth" dropped in 188 1.
"Of
the
Line 51, 1856: read "her eyes glancing back from it" for " her eyes glance back from it." Present reading in i860. Line 52, 1856: read " Glancing there as she sits "for "Glance as she sits."
Present reading in i860. [179]
leaver of (Braaa Line 68, 1856: read " liquid " for " fluid."
Present reading in
i860.
§2.
[p. 272.]
Line 7: ''true" added in 1881; 1867: "such etc;
''such" dropped
Line
"not"
read
1856:
8,
is
the word,"
in 1881.
"no."
for
Present reading in
i860.
§3.
[p. 273.]
2, 1856: read "I swear the earth remains broken and jagged only to him who remains broken and jagged"; "i swear" dropped in 1881 "broken and jagged" transposed in
Line
;
1867.
Line
1856: read "art" for "song."
5,
Present reading in
1881.
Line
1856:
10,
read
"I swear
think
I
all
merges,"
etc.
Present reading in 1881.
Line § 4.
"of the words,"
1856: read
12,
etc.
[p. 274.]
Before line the earth
i,
of words"; 1871:
Line
"This
1856: read
is
a
poem
— these are hints of meanings";
i,
"a
carol of
1856: read
for the sayers of
i860: "for the sayers
words." The line dropped in 188 1. Present are they that echo," etc.
"These
reading in 1871. Line
6,
1856: read
"Say
Line
7,
on, sayers of the earth!"
"Sing
added 1856: read "substantial" before "words."
earth" dropped in i860.
on, singers! "
"Of
the
in 1881.
Dropped
in i860.
After line
7,
not breaths"). Line
10,
i860: read "
This line
1856:
Work
on
—
was dropped
"and ready" added
In the last stanza,
(it is
materials
you
bring,
in 1881.
in 1881.
1856: each line began with "I swear."
Present reading in 1881.
Line
11,
them!"
1856: after "fail" read "I announce
Dropped
in 1881.
Youth, Day, Old Age and Night. 1881
:
with present
title
and
[I.,
place.
[180]
p. 275.]
them and
lead
Dariorum IReablnge Birds of Passage.
A
group
[I., p.
title for
276.]
poems
7
Song of the Universal.
[I.,
in 1881.
p. 276.]
A Commencement Poem
delivered at Tuft's College, Mass.,
June 17, 1874. First published in 1876 among the Centennial Songs of the Two Rivulets volume, pages 15-17. § 2.
[p. 276.]
husk"
Line
5,
1876: read *'a
Line
7,
1876: read "roads" for "routes."
§4.
for **husks."
[P.278J Line
18, 1876: sentence ended with "ensemble." ever " began a new sentence.
Pioneers I
Pioneers I
First published in
[I., p.
"What-
279.]
Drum-Taps
in
1865; 1867: in the annex
to Leaves of Grass, pages 25-30.
Stanza
1867: read
7, line 3,
"and
the virgin" for
"we
the
Present reading in 187 1.
virgin."
Stanza 22, line
2,
1867: read "sleep" for "rest"
Present
reading in 1881.
To You.
[L, p. 284.]
1856: Poem of You, Whoever You Are, pages 206-210; i860: To You, Whoever You Are, under general title of Messenger Leaves, pages 391-394; 1867 Leaves of Grass, No. 4, pages 165167; To You in 1871, but its present place in 1881. :
Line
added
1856:
2,
read
"those"
for
"these."
"Supposed"
in 1867.
Line
1856: read "shops" — "law, science"; — "medicine, print"; "suffering" — "begetting." after
5,
"house"
after
after
Present reading in 1881. After line
"They
5,
1856: read
receive these in their places, they find these or the like
of these, eternal, for reasons.
They
do not find that the water tend to endure forever, and they not endure."
find themselves eternal, they
and
soil
Dropped
in i860.
[181]
Xeavee of (Braea Line 24,
much"
1856: read *'as
for
"the same."
Present
reading in i860. After line }2,
and turnings, never
read
1856:
track through your windings
'*I
come upon you where you thought eye should
I
come upon you."
Dropped in 1867. you are to hold " for " claim."
*'
Line 39, 1856: read reading in i860.
Line 44, 1856: read "Old, young, male, female,"
France, The i8th Year of these States. i860: with present
Line
2,
Present
etc.
[I.hP* 287.]
pages 406-407. i860: read "rising" for "out-sounding." title,
Present
reading in 1867. Line
13,
i860: read " Here too keeps the blaze, the bullet and
1867: " Here too the blaze, the bullet," etc. read " grape-shot " for "bullet."
the axe,"
Line
etc.
;
i860:
14,
read "
still is
not destroyed. "
;
1871
Present read-
ing in 1867. Line
"would demand"
i860: read
16,
for
"demanding."
Present reading in 1867.
Myself and Mine.
289.]
[I., p.
i860: Leaves of Grass, No. 10, pages 224-226; 1867: Leaves of Grass, No. 2, pages 161-163; 1871: in the Passage to
India annex, pages
"
It is
ended
These
00-101.
poem begins
i860: the
After to-day
1
â&#x20AC;&#x201D; I
dally
I
no more.
inure myself to run, leap,
dropped
lines
in
1867, the
swim, wrestle,
fight."
poem beginning with
its
present reading.
Line
4,
i860: read
reading in 1867. Line 14, i860: after "
Dropped
in 188
"my own" Who are
for
"our own."
you " read " you mean
Present devil
1.
After line 25, i860: read
" Let others deny the evil their enemies charge against them but how can the like ? 1
[182]
" !
IDadorum IReaMnga Nothing ever has been, or ever can be, charged against me, as bad as the evil I really am."
Dropped
half
in 1867.
Line 32, i860: read **a gymnast " after "riser."
Dropped
in
1867.
Year of Meteors.
{18^9-60.)
published in
First
[I., p.
Drum- Taps
291.] 1867, in first
(1865).
annex to
Leaves of Grass, pages 51-52. Among Whitman's manuscripts was found a note upon a shower of meteors, with a few trial lines:
—
''The shower of meteors this occurred in the night of I2th-i3th Nov., 1853 toward morning myriads in all directions, some with long shining white trains, some falling over each other like falling water leaping, silent, white apparitions around up there in the sky over my head.
—
—
—
And
there
wondrous and dazzling, the The States, between
the meteor-shower,
is
I2th-i3th eleventh month, year '58 of
midnight and morning; See you the spectacle of the meteors overhead, See you myriads in all directions, some with long shining trains. Some rolling over each other like water poured out and falling leaping, silent, white apparitions of the sky.
Such have I in the round house hanging and they are but little." Line
1867: read " sweet
11,
boy
—such pictures name
" for
"young
prince."
I
Pres-
ent reading in 1881. After line
"
I
know
1
3,
1
867
:
not why, but
little
read I
loved you
.
.
Far over sea speed like an arrow, carrying
And
.
(and so go forth
song.
find in his palace the
youth
I
love,
my
love
all
folded,
and drop these
lines at
his feet)."
Dropped
in 1881.
Line 22, 1867: after "forebodings" read "year of the youth
love!"
Dropped
in 1881.
[183]
I
%cnvce of (Braea With Antecedents.
292.]
[I., p.
Chants Democratic, No. present title, pages 182-184. i860,
§ 2.
pages 174-176; 1867 with
7,
[p. 293.]
Line 8 ("torn, stormy, amid these vehement days,") added in
but read after
1867,
dropped
stormy" ''even
*'
I";
as
this
clause
in 1881.
Line 11: " anything in the past " added in 1881. Line
16,
i860: for
"must"
read "should."
18,
i860: for
"must"
read "should."
Present reading
in 1881.
Line
A
Broadway Pageant.
[II., p. i.]
Drum-Taps
published in
First
§1.
with
(1865)
"Reception Japanese Embassy, June annex Leaves of Grass, pages 61-65.
16,
i860"
;
the sub-title 1867: in
first
[p. I.]
Stanza
" Over
i,
1867: read
sea, hither
from Niphon,
Courteous, the Princes of Asia, swart-cheek'd princes. First-comers, guests,
two-sworded
princes.
Lesson-giving princes, leaning back
in their
open barouches,
bare-headed, impassive.
This day they ride through Manhattan." Present reading in 1871.
Line 1871
:
6,
1
867 read
Princes of Asia " for
'
:
'
" nobles of Asia."
Line
9,
1867:
"its" for "her."
read
' *
nobles of Niphon"
Present reading in 1881.
Present reading in
1871.
§ 2.
[p. 2.]
After line 6, 1867: read
Caucasus Line
14,
1867: read
tann'd Japanee only." Line
"The
—the nest of birth."
15,
"Not
land of Paradise
Dropped
— land of the
in 1871.
the errand-bearing princes, nor the
Present reading in 1871.
1867: read " the whole Asiatic," etc.
Line 18: "Eastern" added in 1871. [184]
IDartorum IReaMnge
—
person" for "persons" followed by "the divine Buddha." Present reading in 1881, but "the divine Buddha" dropped in 1870. Stanza 7, lines 41, 42, and 43, 1867: began with "I chant." 26, 1867: read
Lirife
Dropped
*'
in 1881.
"resumed"
Line 44, 1867: read reading in 1871.
for
"renew'd."
Present
§ 3. [p. 4.]
Line 2:
"and thousands" added
Line
1867: read "Princes " for " nobles."
3,
in 1881.
Present reading
in 1871.
Sea-Drift.
A 1
[II., p. 6.]
group
title for
certain sea
poems
first
employed
in 188 1.
In
87 1, the same group was called Sea-Shore Memories.
Out of the Cradle Endlessly Rocking. i860: y4 title in
Word Out of the
[II., p. 6.]
Sea, pages 26^-2^*].
Given present
1871.
Line
i860: read
i,
"Out
of the rocked cradle."
Present
reading in 1871. After line 2, i860: read
"Out of the boy's mother's womb, and from the nipples of her breasts." Dropped in 1867. Line 11, i860: read " From those beginning notes of sickness and love, there in the transparent mist." Present reading in 1881.
After the
poem was
first
stanza, in i860, a sub-title to this part of the
given as Reminiscence;
it
did not reappear.
Line 24, i860: read "When the snows had melted, and the Fifth Month grass was growing " read "When the snows 1871
had melted
Month
— when the
grass
;
lilac-scent
was growing."
:
was
in the air,
and the
Fifth
Present reading in 1881.
Line 26: " feather'd " added in 188 1. Line }2'. the third "shine" added in 1867. Line 40, i860: read " If we two but keep together. "
Present
reading in 1871. Line 52: the third "blow" added in 1867. Line 63, i860: read " For once, and more than once." ent reading in 1881. [185]
Pres-
Xeat>e0 of Grasa
Line 71
the third " soothe " added in 1867.
:
Line 74: the second '* not me" added in 1867. Line 76: the second ''with love" added in 1867. Line 81
the third " loud " added in 1867.
:
Line 88: "the shape" repeated in 1867. Line 90: " loud " repeated in 1867. ** only " added in 1867. Line 91 Line 95: '* O trembling throat " added in 1867. Lines 105 and 106, i860: read :
*' But soft! Sink low soft
—
Soft!
me
Let
murmur."
just
Present reading in 1867. "
Line 109: *'be
still
Line 114: ''for
you" added
repeated in 1867. in 1867.
Line 117: " the fluttering " repeated in 1867. After line 124, i860: read '
'
O
Murmur Murmur on murmurs you yourselves make me !
not
—
continue to sing,
Dropped
know
in 1881.
Line 125, i860: read " O past! O joy " 1867, except "happy," added in 1881. !
Line 128, Present
I
why."
i860:
reading in
read 1867,
— but
"Loved
except "love
1881.
Present reading in
no more with me."
"became "mate "in
—
Line 132, i860: read "The winds blowing the notes of the wondrous bird echoing." Present reading in 1867. Line 133, i860: after
"mother"
read "yet, as ever."
Pres-
ent reading in 1867.
Line 143, i860: read "to the outsetting bard of love." Line 144, i860: read "Bird! (then said the boy's Soul.)" Present reading in 1867. Line 145, i860: read " mostly " for "really." ing in 1 88 1 .
Line 150, i860: read [186]
Present read-
IDariorum IReaMnge *'0 throes!
O you
demon, singing by yourself
â&#x20AC;&#x201D; projecting me."
Present reading in 1867.
Line
151:
after
"cease" read "imitating."
Dropped
in
1867.
"dusky demon"
Line 156, i860: read
"messenger
for
there."
Present reading in 1867. Lines 158 and following, 1867:
"
O
O O
me
give
am
if
I
a
word
the clew!
to have so !
O
what
(it
lurks in the night here
much, is
read
my
let
me
somewhere;)
have more!
destination
?
fear
(1
it
henceforth
is
chaos;)
O how
joys, dreads, convolutions,
human
shapes, and
all
shapes,
spring as from graves around me!
O O
phantoms! you cover all the land and all the sea! I cannot see in the dimness whether you smile or frown upon
O O
vapor, a look, a word!
me;
O
well-beloved!
you dear women's and men's phantoms! Present reading in 188 1. Line 165, i860: read "Answering, the sea."
Present reading
in 1867.
"me."
Line 168, i860: read "constantly" after 1867.
Dropped
in
â&#x20AC;&#x201D;
Line 169, i860: read "And again Death ever Death," etc. Line 172: " and laving me softly all over" added in 1867. Line 175, i860: read "two together" for Present reading in 1867.
"my
dusky demon
and brother."
Line 176, i860: read
"That was sung"
for
"That he sang."
Present reading in 1867.
Line 182 added in 1881.
As
I
Ebb'd with the Ocean of
Life.
[II., p. 14.]
i860: Leaves of Grass, No. i, pages 195-199; 1867: Elemental Drifts, pages 331-334; 1871: in the group of SeaShore Memories; 1881 with present title and place. :
[187]
Xeave0 of (Braaa ยง1.
[p. 14.]
The poem opened
in
i860 with this stanza (dropped in
1881): '*
Elemental
drifts!
wish I could impress others as you and the waves have been impressing me."
I
Line
i,
i860: read '*As
I
just
ebbed with an ebb of the ocean of
Present reading in 1881.
life."
Line
3,
i860: read
'*
sea-ripples" for
*'
''continu-
ripples";
ally" added in 1871.
Line
by the
read "Alone, held
i860:
7,
that threatens to get the better of me,
and
eternal self of stifle
me;"
me
1867:
"Alone, held by this eternal self of me, out of the pride of which have utter'd my poems." Present reading in 188 1.
1
Line
read "In the rim,"
9,
i860:
17,
i860: read "eternal self of
Present reading in
etc.
1881.
Line
me"
for "electric self."
Present reading in 1881.
ยง 2.
[p. 14.]
After line
4,
i860: read
belongs to me, or that
I
"At once
see or touch,
find, the least thing that
I
know
I
not."
Dropped
in
1867.
Line
8,
lows." Line
i860: after "earth" read "here preceding
Dropped 11,
what
fol-
in 1867.
i860:
read "insolent" for "arrogant."
Present
reading in 1881. Line
Dropped Line less
13,
i860:
after
"written"
read
"or
shall
write."
in 1867. 14,
i860: read "Striking
upon the sand."
me
with
insults
till I fall
help-
Present line in 1867.
"0
Line
15,
i860: read
Line
16,
i860: read "I perceive Nature," etc.
1
perceive," etc.
Present read-
ing in 1881. After line 16, i860: read " Because
Dropped
in 1867.
[188]
I
was assuming so much."
IDarlorum IRea&inge
§3.
[p. 15.]
Stanza
"You
i860: read
i,
oceans both!
You
Nature!
tangible land!
—
—
Be not too rough with me I submit These little shreds shall, indeed, stand
I
close with you.
for all."
1867: read
"You
oceans both
Those
little
shreds
!
I
close with you;
indeed, stand for all."
shall,
Present reading in 1871.
Line
16,
read **the
i860:
wondrous murmuring."
Present
reading in 1871. After line 16, i860: read another line
**For
I
fear
utter
I
shall
become
Sea-raff! Crook-tongued
O,
I
will yet sing,
Dropped
crazed,
myself as well as
some
if
I
and a stanza: cannot emulate
it,
and
it.
waves!
day,
what you have
me."
said to
in 1867.
[p. i6.]
§4.
Line 5: ''and all" added in 1871. Line 7: after *'mine" read "we."
Line 20: Tears.
in 1881.
Leaves of Grass, No. 2, pages 249-250; in the group of SeaShore Memories.
1871
with
title,
To the Man-of- War-Bird. with present
[11., p. 18.]
and London Athenceum in 1876, and the volumes of the 1876 edition.
will
Aboard at a Ship's Helm.
p. 19.]
1881
Dropped
to line in 1867.
[11., p. 17.]
1867: present
"You" added
:
title
[II.,
place.
Appeared
originally in
be found pasted
in
some
of
1867: Leaves of Grass, No. j, page 250; 1871 with present the group of Sea-Shore Memories.
title, in
[189]
%cwoce of (5ra00 i,
1867: read **the ship" for
3,
1867: read
Line Line
A
**
bell
"a
ship."
through fog,"
etc.
Present read-
ing in 1881.
On
Beach
the 1871
at Night.
with
:
[II., p.
this title, in the
19.]
group of Sea-Shore Memories.
1871: read
*'
brothers" for "sisters."
Line }2, 1871: read
*'
brothers" for "sisters."
Line
10,
The World Below the Brine.
p. 21.]
[II.,
i860: Leaves of Grass, No. 16, page 235; Grass, No. 4, page 288; 1871 with present
Leaves of Sea-Shore
1867: title,
in
Memories. Line
i,
"Sea- water, and
read
i860:
all
living
below
it."
Present line in 1867.
On
the Beach at Night Alone.
[II., p. 21.]
1836: C/^/Po^w, pages 249-251
i860: Leaves of Grass, No. pages 229-231; 1867: Leaves of Grass, No. /, p. 315; 1871 with present title, in Sea-Shore Memories. In 1856 the poem ;
12,
began
"This night
As
watch,"
I
Line
i
I
am happy etc.
adopted
in 1867.
Line 2 added in i860, but read,
sways
the old mother
to
and
fro,
"As I walk the beach where singing her savage and husky
song."
Present reading in 1871. Line 3: "bright " added in 1867. After line 3, 1856: read
"What can the future bring me more than have Do you suppose wish to enjoy life in other spheres ? I
I
I
say distinctly
I
comprehend no
I
comprehend no better
life
better sphere than this earth,
than the
life
of
my
body.
do not know what follows the death of my body. know well that whatever it is, it is best for me. And I know well that what is really Me shall live just as much
I
But
I
as before. [190]
Darlorum TRcablnge I
am
Here I
I
have good housing to myself, I like the rest any better ? and rafters are grown parts of me. the studs
not uneasy but
But this
my
is
first
grew up
I
—
I
shall
— how can
I am to be beloved by young and old men, and to love them the same, suppose the pink nipples of the breasts of women with whom I
am
not uneasy but
shall sleep will taste the
same
to
my
lips,*
But this is the nipple of a breast of my mother, always near and always divine to me, her true child and son, whatever comes, t I
I
be eligible to visit the stars, in my time, myriads of new experiences and that the have I experience of this earth will prove only one out of myriads believe my body and my soul already indicate those ex-
suppose suppose
But
I
I
am
to
—
shall
periences.
And
believe
I
nothing in the stars more majestic and have already found on the earth. have this night a clue through the universes, have this night thought a thought of the clef of
shall find
I
beautiful than
And And
I
believe
I
believe
I I
I
eternity."
Dropped Line
Dropped
in 1867.
1856:
5,
after
''planets"
read
**
comets,
asteroids."
in 1881.
All the substances of the same, and upon the same." Dropped in 1881. Line 8: "ever so different" added in i860. After line 9, 1856: read "All men and women me also." Dropped in 188 1. "and Line 14: "and compactly hold them " added in i860 enclose" added in 1871.
After line
all
that
is
5,
1856: read
**
spiritual
—
;
Song
for All Seas, All Ships.
[II., p.
Two
volume,
1876:
in
Rivulets
22.] in
group of
Centennial
Songs. * i860 reads " f r
'•
will touch the side of my face the same." whatever comes " added in i860.
[191]
%cavee of (5ra06 Patroling Bamegat. 1881
After the Sea-Ship.
Two
1876: in
By
group
A Boston
title.
[II., p. 24.]
Rivulets volume, the
the Roadside.
A
[II., p. 23.]
with present
:
first part,
page
32.
[II., p. 25.]
title in
Ballad.
1881 for 29 poems. (1854).
[II., p. 25.]
pages 89-90; 1836: Poem of Apparitions in Boston, the ySth Year of These States, pages 271-274; i860: Boston Ballad, the ySth Year of These States, pages 337-340; 1867: To Get Betimes in Boston Town, pages 195-197; 1871 Boston Ballad (1854). Given its present position in 1881. 1855: without
title,
A
:
A "
1855 poem began with *' Clear the way there, Jonathan! the first stanza in the present poem being the second in the
The
original.
Line in
i,
1855: read
Boston town."
*'I
rose this
morning
early to get betimes
Present reading in 1867.
Line 5, 1855: read **and the phantoms afterward" for "and the apparitions copiously tumbling." Present reading in 1856. Line 7, 1855: read "foremost with cutlasses" for "cutlasses of the foremost troops! " Present reading in 1856.
Line 11: "indeed" added in 1867. Line
and
13,
1855: read "Uncountable phantoms gather by flank
rear of it."
Line that
Present reading in 1867.
"To
26'.
"back"
your graves
read before "to."
"Now
Line 34, 1855: read Line 36, 1855: read
"Here
â&#x20AC;&#x201D; back!"
added
in
i860, except
Present reading in 1867. the President's marshal," etc. is" for " This." Present reading
call
in 1836.
Europe, the y2d and y}d Years of These
States,
[II., p. 27.]
pages 87-88; 1836: Poem of the Dead J2d and y^d Years of These States, pages 252-234; i860 with present title, pages 283-285. 1835: without
title,
Young Men of Europe, Line
2,
1853: read
the
"Europe"
i860. [192]
for "it."
Present reading in
IDarlorum IRea&lnge Line 5: ''exiled patriots" added in i860. 12, 1855: read "strike of personal revenge."
Line
Present
reading in i860. Line
1855: read "rulers" for "monarchs."
14,
ing, in
1
Present read-
87 1.
Line 16: "lord" added in i860. Line
Line 21
A
added
[II., p.
"
added
[II., p.
i860: with this
all, lo,
a
Shape"; "hover-
in i860.
" crook'd
:
Hand-Mirror.
Gods.
"Yet behind
1855: read
17,
ing, stealing"
in i860.
30.]
page 415.
title,
30.]
First published in
Passage to India pamphlet (1870);
1871:
the Passage to India annex, page 115. In
1
87 1 the
"Thought Be thou
God."
Dropped
"Or thee,
for its first stanza the following:
of the Infinite— the All!
my
Stanza
poem had
5,
in 1881.
1871
:
the
first
three lines read
Old Cause, where'er advancing;
All great Ideas, the races' aspirations. All that exalts, releases thee,
Lines
i
Stanza etc.
and
3
dropped
6, line 3,
1871
:
my
Soul!
"
in 188 1. read " Or shape in
I
myself— or some,"
Present reading in 1881.
Germs.
[II., p.
31.]
i860: Leaves of Grass, No. ig, page 238; 1867: Leaves of Grass, No. 2, in last annex, page 2y^ 1871 with present title,
page 360. Line
7,
i860:
read
"That
contains," etc.
Present reading
in 1881.
After line
7,
i860: read
"That
Dropped
in 1867. VOL. ni.— 13.
[193]
is
the theory as of origins."
Xeavca of (Braea Thoughts.
[II., p. 32.]
Thoughts, No.
i860:
2,
page 408.
But the
first line
was
part
of Thoughts, No. 4, page 410. Thoughts, No. 2, i860, began
*'0f waters,
Of Of
forests, hills,
the earth at large, whispering through
medium
of
me;
vista," etc.
Present reading in 1881.
When I Heard First
page
the Learn'd Astronomer.
published in
Drum- Taps
(1865)
[II., p.
1867
:
32.]
the
in
first
annex,
34.
Perfections.
[II., p.
i860: with this
OMe!
OLife!
33.]
page 417.
title,
[II., p.
33.]
published in Sequel
First
to
Drum-Taps
second annex, page 18. Answer, line 2, 1867: read " will"
To a
;
President.
[II., p.
for
(1865);
1867:
'*may."
33.]
i860: in the group of Messenger Leaves, page 402. I Sit
and Look Out.
in
[II., p.
;
34.]
ly, page 236; 1867: Leaves of Grass, No. ^, page 289; 1871 with present title. Line 4, i860: read "the young woman" for "young
i860: Leaves of Grass, No.
women." To Rich
Givers.
[II., p. 34.]
i860: with this
Line
2,
Line
5,
any man or
i860: read
woman
the universe."
The Dalliance 1
title,
one of Messenger Leaves, page 399.
i860: read "these" before "as."
is
"For no
less
1
know
that
Present reading in 1867. of the Eagles.
881: with this
what
I
than the entrance to
[II., p.
title.
[194]
350
bestow upon all
the gifts of
IDariorum IReaMnge Roaming 1
in
Thought.
881: with this
A Farm
Picture.
[II., p.
published in
First
[II., p. 35.]
title.
36.]
Drum-Taps
{1865).
I"
annex
1867,
page
(1865).
In
annex
1867,
page
(1865).
I"
annex
1867,
page
46.
Line 3 added in 1871.
A
Child's
Amaze.
[II., p. 36.]
Drum-Taps
First published in
37-
The Runner.
[II., p.
1867: with this
Beautiful
36.]
title,
Women.
page 214.
[II., p.
36.]
i860: one of Debris, page 423.
Mother and Bahe.
[II., p.
36.]
Drum-Taps
First published in
41.
Thought.
[II., p.
37.]
Thoughts, No. 7, page 411.
i860: Visor'd.
[n., p. 37.]
i860: one of Debris, page 422; 1867 with present
Thought.
[II., p.
37.]
i860: Thoughts, No. 4, lines 3 and
GUding 0Âťer 1871
:
Line
All.
on the
5,
page to Passage
i860:
to
1871: read "I sing" for "I
881: with this
Thought.
page 410.
[II., p. 37.] title
Hast Never Come to Thee an Hour. 1
4,
India annex.
'11
sing."
[II., p.
38.]
title.
[II., p. 38.]
Thoughts, No. 4, line
To Old Age.
2,
page 410.
[n., p. 38.]
i860: one oi Messenger Leaves, page 402. [195]
title.
Xcapee of (Bra00 Locations and Times.
860
[II., p.
38.]
Leaves of Grass, No. 2j, page 24 1 After line 2, i860: read "What is the relation between 1
:
and them?" Offerings.
Dropped
in 187
[II., p. 38.]
i860: one of Debris J page 422; 1867:
present
To the
me
1.
Picture;
1871
with
title.
To Identify the
States,
[II., p.
i860: with this
Drum-Taps.
The
i6th, lyth, or i8tk Presidentiad.
39.]
page 400.
title,
[II., p.
40.]
war poems, published sepaadded as an annex to the Leaves in 1867, and incorporated into the volume in 1871. In 1870 Drum- Taps opened with a prefatory poem, which general
title
of the group of
rately in 1865,
was afterward "'
discarded
Aroused and an^ry,
alarum, and urge relentless war; But soon my fingers fail'd me, my face droop' d, and I thought to beat the
I resigned
myself.
To
sit
by the wounded dead,
First
and
soothe them, or silently watch the
'
Songs for a Prelude.
[II., p.
40.]
(1863) 1867.
Line 27, for
1867: read ''gathering" for "gather";
"arming"
"arm." Line 55, 1867: read
"Old matron
of the city! this proud,"
etc.
Eighteen Sixty-One.
[II., p.
43.]
(1865) 1867.
Beat! Beat! Drums!
[IL, p. 44.]
(1865) 1867.
Line
2,
1867:
read "burst like a force 01 ruthless men." [196]
IDarlorum TReaMnge From Paumanok
Starting I Fly Like a Bird.
[II., p.
45.]
(1865) 1867.
Song
Banner
of the
Daybreak.
at
[11., p.
46.]
(1865) 1867.
Poet
Lines 16 and 17 added in 1871.
(i).
Pennant
(2),
1867: read
Banner and Pennant."
**
1867: read **us"for ''me." Line 10, 1867: read " But Poet (5).
Line
4,
Banner and Pennant
(8).
am
I
of that," etc.
This section read in 1871
Banner and Pennant. Speak to the child, O bard, out of Manhattan; (The war is over out of it, we are yet never over born to real life and identity ;) Speak to our children all, or north or south of Manhattan, Where our factory-engines hum, where our miners delve the *'
—
.
.
.
ground,
Where
our hoarse Niagara rumbles, where our prairie-plows are
plowing; Speak,
O
bard
!
point this day, leaving
— and yet we know not why;
all
the
rest, to
us over
all
For what are we, mere strips of cloth, profiting nothing. in the wind ?"
Only flapping
Present reading in 1881.
Poet
(9), line 15,
Banner and "carnage." Line
1867: read '*thirty-six " for "thirty-eight."
Pennant
(10),
line
3:
read
"or four
"
added
in 1871.
Line
12,
1867: read "thirty-five" for "forty."
Line
13,
1867: read
Father (12), line day."
Banner 2,
"war." Line
5
after
1867: read "are ours" after "moisten."
9,
Line 11:
Line
"also"
(13).
3,
"from
this
In 1867 these
1867: read
Dropped added in
day"
for
" henceforth."
1867: read "henceforth" for "after this
words were spoken by the
"and banner
in 1881.
1870. [«97]
Poet.
so broad and blue" after
Xeavea of (Braea After line 12, in 1867, there
was
a
new
section spoken
by the
Banner and Pennant:
Aye all! forever, for all! From sea to sea, north and '*
Fusing and holding,"
south, east and west,
etc., to
the end of the section.
The present arrangement made
in 1881.
Poet (14), line i, 1867: after ''dilate" read ''The blood of the world has fill'd me full." Dropped in 1881. Line
read
1867:
4,
"My
sight,
my
hearing and tongue."
Present reading in 1881.
Line 7: " indeed " added in 1871; " again " added in 1871. Line 10, 1867: read "unless" for "except." Present read-
ing in 1871. Line 21
Rise
"absolute owner of all" added
:
Days from Your Fathomless Deeps.
in 1871. [II., p.
54.]
(1865) 1867.
Virginia First
â&#x20AC;&#x201D; the West. published in
Two
1876: in the to
Drum- Taps Line
10,
[II., p. 56.]
As a
Strong Bird on Pinions Free (1872);
Rivulets volume, the fourth part.
in
1
Transferred
88 1
1876: read "Virginia" for "Rebellious."
City of Ships.
[II., p.
57.]
(1865) 1867.
The Centenarian's
Story. Volunteer of 1861-2 {at Washington [II., p. 58.] Park, Brooklyn, assisting the Centenarian).
(1865) 1867.
The Centenarian, line 21, 1867: after "arrived" read "the king had sent them from over the sea." Dropped in 1881. Line 33, 1867: read "many" for "most." Present reading in 1881.
Terminus, 1867, before line 7: read "It is well like that, always comes good." Dropped in 1881. After line 17, 1867: read illumin'd to
Dropped
me
at sunrise
â&#x20AC;&#x201D;a
lesson
"Ah, river! henceforth you will be with something besides the sun."
in 1881.
[198]
Darlorum Line
i8,
IRea&infle
"Encampments new!
1867: read
in the midst," etc.
Present reading in 1881.
Cavalry Crossing a Ford.
[II., p.
63.]
(1865) 1867.
Line 6 added in 1871.
Bivouac on a Mountain Side.
[11., p.
64.]
(1865) 1867.
Line **
1867:
7,
read
studded with the eternal stars"
**
studded, breaking out, the eternal stars."
for
Present reading in
1871.
An Army First
Army
Corps on the March.
published
in
Sequel to
on the March; 187
1
:
[11., p. 64.]
Drum-Taps
with present
(1865-6); 1867:
An
in the
Drum-
advances."
Pres-
and
title
Taps group. Line
1867: read "
7,
As the army
resistless
ent reading in 1871.
By
the Bivouac's Fitful Flame.
[II., p.
65.]
(1865) 1867.
Come Up from
the Fields Father.
[11., p. 65.]
(1865) 1867. Vigil Strange I
Kept on the Field One Night.
[II., p.
67.]
(1865) 1867.
A March
in the
Ranks Hard-Prest and
the
Road Unknown.
[II.,
p. 69.]
(1865) 1867. Line 6, 1867: read "'tis Line
A Sight
16,
in
1867: read
Camp
in the
now," etc. "forms of soldiers."
Daybreak Gray and Dim.
[11., p. 71.]
(1865) 1867. Line 14, 1867: read "this face of yours."
As Toilsome
I
Wander'd
Virginia's
(1865) 1867. [199]
Woods.
[II., p. 72.]
Xeavee of (Braae Not the
Pilot.
[II., p. 72].
i860: one of Debris, page 42^; 1867: with present
title,
page
290.
Line
5,
i860: read '*To be exhilarating music to them, years,
centuries hence";
1871: "
To be
a battle-call, rousing to arms,
if
them
exhilarating music to
need be
—
—years, centuries hence."
Present reading in 1881.
Year that Trembled and ReePd Beneath Me.
[II., p. 73.]
(1865) 1867.
The Wound-Dresser. (1865) 1867:
§1.
[II., p. 73.]
The Dresser; 1881: with present
title.
[p. 73.]
Lines
§2.
4, 5,
and 6 added
in 1881.
[p. 74.]
Line
11,
knees,"
etc.
1867:
read "In nature's reverie sad, with hinged
Present reading in 1881.
Long, Too Long America. 1867:
(1865)
Long,
[II., p.
77.]
Too Long,
O
Land.
Present
title
in
1881.
Line
Give
Me
1867: read '*0 land" for "America."
i,
the Splendid Silent Sun.
[II., p. 77.]
(1865) 1867.
§2.
[p. 77.]
Line 20,
and
1867: read after
"chorus"
— "with
varied chorus
light of the sparkling eyes."
Dirge for First
Two
Veterans.
[II., p. 79.]
published in Sequel to
Drum- Taps
Drum-Taps
(1865-6);
187 1: in
group.
Over the Carnage Rose Prophetic a Voice.
[II., p.
81.]
(1865) 1867.
Most of this poem appeared in i860. No. 5 of the Calamus group (page 349). Come, I will Make the Continent Indissoluble was also a part of this poem. (See rejected poems.) [200]
IDariorum IReaMnae I
Saw Old General
at Bay.
82.]
[II., p.
(1865) 1867.
The Artilleryman's Line
2,
Line
5,
[II., p.
1867: read
"mystic"
1867: read "in
82.]
1871: with present "vacant."
s Vision;
for
my busy brain
title.
unreal" for *Mn fantasy
Present reading in 1881.
unreal."
Line
Vision.
The Veteran
(1865) 1867:
9,
"quick" before "tumuhuous."
Dropped
read " themselves " after " batteries."
Dropped
1867: read
in 1881.
Line
10,
1867
:
in 1881.
Line
17,
1867:
"comes"
read
after
"lull."
Dropped
in
1881.
Ethiopia Saluting the Colors.
in
[II., p.
84.]
with this title and the note {A Reminiscence of 1864), the group called Bathed in War's Perfume, page 357. 1871
:
Not Youth Pertains to Me.
[II., p.
85.]
(1865) 1867.
Line
5,
1867: read "Beauty, knowledge, fortune," etc.
Lines 7 and
8,
1867: read
" And
at intervals
Fit for
war, and the
I
have strung together a few songs, life of the camp."
Present reading in 187 1.
Race
of Veterans.
[11., p.
1
85.]
First published in Sequel to
Drum-Taps
(1865-6), 1867.
"race of victors!" added in 1871. Line 3: "henceforth" added in 1871. Line
i:
World Take Good
Notice.
[II., p.
86.]
(1865) 1867.
Line
3,
1867: read "thirty-six" for "thirty-eight."
O Tan-Faced
Prairie-Boy.
[II., p. 86.]
(1865) 1867.
Look Down Fair Moon.
[II., p. 86.]
(1865) 1867. Line 3, 1867: read "their" before "arms." [201]
Xeavee of Šraea Reconciliation.
[II., p.
Transferred to
1867.
Line
How
87.]
to Drum-Taps (1865-6). Drum-Taps" in 1871.
published in Sequel
First
6,
1867: read "I bend," etc.
Solemn as One by One.
[II., p. 87.]
Drum-Taps
First published in Sequel to
The note {Washington
1867.
Line
As
I
2,
In annex,
City, 186^)
(1865-6); in annex
added
in 1871.
1867: read **allworn."
Lay with
My Head
in
Your Lap Camerado.
First published in Sequel to
Drum-Taps
[II., p. 88.]
(1865-6).
annex
In
1867.
After line 4, 1867: read **
Indeed
It is
I
am
myself the
real soldier;
not he, there, with his bayonet, and not the red-striped artilleryman."
Dropped
in 1881.
Delicate Cluster. 1871
:
in
[II., p.
88.]
the group of Bathed in War's Perfume, page 349.
To a Certain
Civilian.
(1865) 1867:
[II., p.
89.]
Did You Ask Dulcet Rhymes from Me?
with present title, in group of Ashes of Soldiers, page annex. Line 2 added in 187 1. Line 3: after "follow" read "to understand."
1871
29, the
Dropped
in
1871.
Lines
5,
Line 9:
6,
and 7 added
Lo, Victress on the Peaks. First
in 1871.
"and with piano-tunes [II., p.
published in Sequel to
"
added
in 1871.
89.]
Drum-Taps
(1865-6);
1867:
second annex. Line
2,
1867: read
" Where thou standest,"
etc.
Present
thou, dominant," etc.
Present
reading in 1871. Line
5,
1867: read
"Where
reading in 1871. [202]
IDarlorum TReaMnsa Line
''towerest" for "flauntest."
read
1867:
6,
reading in 1871.
"in
1867:
hour"
this
Present
for **in these hours."
Present reading in 1871.
Line 1871
8,
1867: read " But a
read " But a book."
:
Whose Work
Spirit
[II., p.
But a cluster ";
**
90.]
Drum- Taps
published in Sequel to
First
" for
Present reading in 1881.
Done.
is
book
little
(1865-6); 1871: the
note added {Washington City, 186^). in
1
Line
5,
1867: read
"years"
87 1. Lines
9,
10,
and
1867: read
11,
Present reading
**war."
for
"While"
for **As."
Present
reading in 1881.
Adieu to a Soldier. 1871
Turn
:
[11., p. 91.]
Now
Marches
in
Libertad.
the
War
is
Over,
[11., p. 92.]
(1865) 1867.
Line
i,
1867:
read
"Turn,
O
no more doubting."
Libertad,
Present reading in 1871.
Line 2 added in 187 1.
To the LeavenM First
Soil
They Trod.
published in Sequel to
After line
i,
nor the dead." After line
5,
1867: read "
Dropped
92.]
Not
(1865-6).
nor
cities,
man
alone, nor war,
in 1881.
1867: read
earth, witness of
[II., p.
Drum-Taps
"To
the average earth, the wordless
war and peace."
Dropped
in 1881.
Line 14: "fully" added in 1881.
Memories of President Lincoln.
A
group
title
for
4 poems
[11., p.
called President Lincoln's Burial
When
Lilacs Last in the
The ยง I.
first
94.]
in 188 1.
In 187 1 the
group was
Hymn.
Door-Yard Bloom'd.
of the pieces in Sequel to
[II., p.
Drum-Taps
94-]
(1865-6).
[p. 94.]
Line
4,
1867: read
"O
ever-returning," etc.
in 1881. [203]
Present reading
Xeavee of (5ra60 §4.
[p. 95.]
Line
1867: read "gifted" for "granted."
8,
Present reading
in 1881. [p. 95.]
§ 5.
Line
1867: read "uprising" for "uprisen."
4,
Present read-
ing in 1881.
§8.
[p. 97.]
Lines 2 and 3, 1867: Present reading in 1881. After line
2,
read
1867:
"we
read
"As we
Dropped
dark blue so mystic." Line 7, 1867: after
"west"
walk'd"
for
walk'd up and
"I walk'd."
down
in the
in 1881.
read "ere
Dropped
you went."
in 1881. [p. 97.]
§ 9.
Line
5,
§ 12.
comrade, departing" for
"my
de-.
Present reading in 1871.
[p. 99.]
Line
2,
"My own
Man-
1867: read " the farmer preparing his crops" for
"the
"Mighty Manhattan"
1867: read
Present reading in
hattan." § 14.
"my
1867: read
parting comrade."
1
for
88 1.
[p. 100.]
Line
2,
farmers preparing their crops."
Line 21, 1867: read death."
"And
Present reading in 1881.
he sang what seem'd the song of
Present reading in 1881.
Line 24, 1867: read "singing" for "carol."
Present reading
in 1871.
Line 25, 1867: read "singing" for "carol." in 187
Present reading
1.
The song
in 1871
was entitled Death Carol. "But praise! O praise and
Line 34, 1867: read ent reading in 1871.
praise."
Line 40, 1867: read " Approach, encompassing Death Present reading in 1871.
Deliveress." § 15.
[p. 102.]
Line 9: "askant" added in 187 1. [204]
Pres-
—strong
IParlorum IRea&lnae Line
1867: read "shreds of the flags
13,
reading in 1871. Line 17: " of the ยง 16.
war" added
left,"
Present
etc.
in 1871.
[p. 103.]
Line thee."
Line
1867: read
8,
"Must
leave thee" for "Passing,
I
I
leave
Present reading in 1871.
"Must
1867: read
9,
leave thee" for "I leave thee."
I
Present reading in 1871.
Line
1867: read
11,
"Must
pass from
I
my
song
for thee."
Present reading in 1871.
Line
1867: read
14,
"Yet each
keep, and
I
all."
Present
reading in 1871. Lines 15 and 16, 1867: ended with
Dropped
"I keep."
in
1871.
Line
1867,
17,
was next
to the last line.
After line 17, 1867: read
"With
Dropped in read "I keep" 1867:
of mastering odor."
Line
19,
the
and
lilac tall,
its
blossoms
1881. for
"to keep."
Present read-
ing in 1881.
My
Captain I
Captain.
[II., p.
105.]
(1865-6) 1867.
Stanza
i,
line 6, 1867:
"Leave you not
read
the
spot."
little
Present reading in 1871.
Stanza
2, line 5,
"O
1867: read
captain " for " Here captain."
Present reading in 1871.
Line
6,
1867: read "This
reading in 1871. Stanza 3, line chor'd safe."
3,
arm
1867: read
I
push beneath you."
"But the
Present
ship, the ship
is
an-
Present reading in 1871.
Line 6, 1867: read "silent "for "mournful." Present reading in 187 1. Line 7, 1867: read "spot "for "deck." Present reading in 1871.
Hush*d Be the Camps To-Day. First published in
Buried April
19,
Drum- Taps
1865."
[II, p.
(1865)
106.] ;
1867
:
1871 had this note: " [205]
with note " A.
{May
L.
4, 186^)."
Xeavee of (Braas Stanza
4,
1867: read
**Sing, to the lower'd coffin there;
Sing, with the shovel'd clods that
fill
the grave
— a verse.
For the heavy hearts of soldiers." Present reading in 1871.
This Dust was Once the Man.
[II., p.
106.]
1871.
By Blue
Ontario's Shore.
[II., p.
107.]
1856: Poem of Many in One, pages 180-201, formed partly from the prose preface of 1855; i860: Chants Democratic, No. /, pages 108-125; 1867: As I Sat Alone by Blue Ontario's Shore, in the last annex called Songs Before Parting; 1871 with the title of 1867, but in the group called Marches Now the War is The present title in 1881. Over, pages 309-327. §1. [p. 107.]
was added
This section
in 1867.
The
first
stanza read
*' As I sat alone, by blue Ontario's shore, As mused of these mighty days, and of peace return'd, and the dead that return no more, A Phantom, gigantic, superb, with stern visage, accosf d me Chant me a poem, it said, of the range of the high Soul of Poets, I
—
And chant of the And
welcome bards that breathe but my native air invoke those bards ; chant me, before you go, the Song of the throes of Democracy.
*
Present reading in 1871
§ 2.
— except
line
i,
revised in 1881.
[p. 107.]
Line 4, 1856: read ''A breed Present reading in 1867.
Lines 10 and
11
added
whose testimony
in 1867.
Line 13: ''only" added in i860. Lines 14-16 added in 1867. [206]
is
behaviour."
Darlorum IReablnge [p. io8.]
ยง3.
After
line
After line
''How Which
7,
lines
book
dropped
isolated
say that works
much
I
in 1867
are inevitably
is
not diseased
poems
?
" ?
and others added:
here in the spirit of other lands, are so
poison in These States.
armies,
poems
for
and the offspring following the
America? armies?"
in 1881.
[p. 109.]
Line
"to
1856: read
4,
leap from their seats" for "Crying,
Leap from your seats." "their" for "your." Line
1856: read
5,
Present reading in
read "questioning you up there
now."
Lines 8 and 9 added in 1867. Line 10, 1856: read "Are you, or
would you be
lands,
Line
1
1,
freer."
1856: read "
ever been before,
come
If
1856:
1867.
read also
1867;
"goes through the streets"
Present reading in
States."
"O
you
sing;
made
These were dropped
the
that
dare these insects assume to write
For our
ยง 4.
lost,
1856: read
the theory or
"America
(How
is
in 1867.
dare a sick man, or an obedient man, write is
These
I
1856: read "If one
5,
Dropped
lost."
Dropped
would you
for
after
"walks
"meet"
in 1867.
be, better" for
Present reading in 1867.
you would be me and
listen to
better than 1
will
tell
all
that has
you"; i860:
"If you would be better than all that has ever been before, come me and not otherwise." Present reading in 1867. Line 12: "elegance, civilization" added in 1871.
listen to
ยง5.
[p. 109.]
Line i, 1856: read "poems" "chants." Dropped in 187 1. Line etc.
3,
1856: read
after
"precedents"; 1867: read
"Mighty bards have done
Present reading in 1867. [207]
their
work,"
Xeat^ea of 6vaee
Line
1856: read
4,
"One work
forever remains," etc.
Pres-
ent reading in 1867.
Line
1856: after "characters" read
5,
hazards" added Line
1856: after
6,
"sternly."
"At
all
in i860.
"sound"
read "sees itself promulger of
men and women."
Dropped in 1867. Line 7, 1856: after "forms" read "or amid other politics, or amid the idea of castes, or the old religions." Dropped in 1867.
Line 8, 1856: after "from" read "the eating and sleeping rooms of the house." Present reading in 1867. Compare the last stanza of this section with the second para-
graph of the prose preface 1855. faithful" for "careless."
ยง6.
[p.
Line
4,
1856: read "carelessly
Present reading in 1867.
no.]
This section
is
taken largely from the preface of 1855. "Race of races" for "Land of lands."
Line
i,
1856: read
Line
8,
1856: read "Semitic" for
"seminaL"
Present read-
ing in 187 1.
Line
9,
1856: read
"Making
its
geography,
cities,
beginnings,
events, glories, defections, diversities, vocal in him."
Present
reading in 1867. Line
11,
Lawrence"
1856: read " Missouri " after "chutes"; "Ohio, for
"Niagara."
St.
Present reading in 1867.
After line 11, 1856: read "The blue breadth over the sea off Massachusetts and Maine, or over the Virginia and Maryland sea,
or over
inland
Champlain, Ontario,
Erie,
Huron,
Michigan,
Superior, or over the Texan, Mexican, Cuban, Floridian seas, or
over the seas of California and Oregon, not tallying the breadth of the waters below, more than the breadth of above and below is tallied
Line
in 14,
him." 1856: read in addition "cypress,
tamarind, persimmon."
lime-tree,
tulip-
These dropped in 1867. Line 16, 1856: after "ice" read "and icicles hanging from the boughs." Dropped in 1867. "Northern " added in 1867. Line 18, 1856: read "Through him flights, songs, screams, answering those of the wild pigeon, high-hold, orchard-oriole, coot, surf-duck, red-shouldered hawk, fish-hawk, white-ibis, tree, cactus,
[208]
IDarlorum IReaMnae indian-hen, cat-owl, water-pheasant, qua-bird, pied-sheldrake,
buzzard, condor, night-heron, eagle."
mocking-bird,
Present
reading in 1867. 1856: read "rapid" for
Line 22,
*'
embryo."
ing in 1867. Line 25, 1856: read *'calm" for "sure."
Present read-
Present reading in
1867.
Line 28,
1856:
read
"December"
"Twelfth-month."
for
Present reading in i860.
Line }2, 1856: after "carriage" read "their deathless attachDropped in 1867. to freedom."
ment
Line }}: "the whole composite make" added in i860. 4oand4i, 1856: read " Slavery, the tremulous spreading
Lines
of hands to shelter
only
when
it
it
— the
ceases."
stern opposition to
it,
which ceases
Present reading in 1867.
[p. 113.]
§ 7.
This section
§8.
was added
in 1867.
[p. 114.]
A few lines in this section were Before line
i,
1856: read
"For
taken from the preface of 1855. these and the like, their own
For these, space ahead!" Dropped in 1867. Line 3: " I isolate myself for your sake " added in 1867. Line 6, 1856: read " I lead " for "Lead." Line 7, 1836: read " Bravas to states whose Semitic impulses
voices!
send wholesome children to the next age " Bravas 867 read to all Semitic impulses sending strong children to the next age." !
1
' *
:
Present reading in 1871. Line 8, 1856: after "itself" read
Dropped §9.
"on
flaunters
and dallyers."
in 1871.
[p. 114.]
Lines in this section taken from the 1853 preface. Line i added in 1871.
Line 2 added in 1867. States
1856: "
By great bards only can series of peoples and be fused into the compact organism of one nation,''
Line
3,
Present reading in 1867. VOL. III.— 14.
[209]
Xeaves of (Sraea Line
1856: read ''which
5,
aggregates
is
living principles" for
in a living principle."
all
"which
Present reading in 1867.
Lines 8-9 added in 1867. § 10.
[p. IIS.]
Nearly the whole of
made up from
this section is
the 1855
preface.
Line
1856: read
i,
"mankind "for "these
Present
States."
reading in 1871. Line 11: " Nature accepts him absolutely " added in 1867. After line 17, 1856: read
"An He
American
literat fills his
justifies science
than the mythical
He
own
place,
— did you think the demonstrable
stands by liberty according to the compact of the the
first
less divine
? first
day of
year of These States,
He
concentrates in the real body and soul, and in the pleasure of
He
possesses the superiority of genuineness over fiction and
things.
romance,
As he emits himself, facts are showered over with light. The day-light is lit with more volatile light the deep between
—
the setting and rising sun goes deeper
many
fold.
Each precise object, condition, combination, process, exhibits a beauty the multiplication table its, old age its, the car-
—
penter's trade
its,
the grand-opera
its,
The huge-hulled clean-shaped Manhattan steam or
The
national circles
with
clipper at sea, under gleams with unmatched beauty. and large harmonies of government gleam
full sail,
theirs,
The commonest definite This was dropped in
intentions
1856: for lines 18 and 19 read viduals, the idea of
and actions with
theirs."
i860.
These
States,
"Of
leaders of leaders."
After line 2^, 1856: read
" Language-using controls the
rest;
[210]
the idea of perfect indi-
their bards
walk
in
advance,
Darlorum IReabinQe Wonderful
is
Wondrous
the English language, language of live men,
language!
Language of ensemble, powerful language of resistance, Language of a proud and melancholy stock, and of
all
who
aspire,
Language of growth, Language Language
self-esteem, rudeness, justice, friend-
to well-nigh express the unexpressible.
modern, language
for the
Dropped §11.
faith,
amplitude, prudence, decision, exactitude, courage,
liness,
for
America."
in i860.
[p. 116.]
This section
§12.
was added
in 1867.
[p. 117.]
Lines
and 2 added
i
in i860,
with this reading:
** Are You indeed for Liberty ? Are you a man who would assume a place to teach here, or be a
poet here
The
place
is
?
august
— the terms obdurate."
Present reading in 1871. Line
may,"
3,
etc.
Line ica ? "
6,
1856: read
**Who would
use language to America
Present reading in i860. 1856: read "
Who are you that
would
talk to
Amer-
Present reading in i860.
Line 9: the clause after
**
Independence
After line 10, 1856: read **Do
"
added
in i860.
you acknowledge
liberty
with
audible and absolute acknowledgment, and set slavery at naught for
life
and death
Line
"new
? "
Dropped
in 1867.
"described" for **all feudal"; read "the poems and processes of Democracy."
11,
1856:
ones"
for
read
Present reading in 1867. Line
12,
1856:
read after
cesses, crimes, teach."
Line
13,
1856: read
"amativeness"
— "angers,
ex-
Present reading in 1867.
"through customs, laws,
Present reading in 1867. [21X]
popularities,"
Xeavee of Sraes "Are you very strong
Line 14:
People" added Line
are
you
whole
really of the
you possessed yourself with the
1856: ''Have
17,
?
in i860. spirit
Present reading in i860. of the maternity of These States ?" After line 17, 1856: read " Have you sucked the nipples of the breasts of the
mother of many children
Line 24: 'Ms the
good
?
Dropped in i860. added in 1871.
— "nobility,
"air"
meanness."
in 1867.
"Does
After line 32, 1856: read
soul
"
old cause in it"
Line 28 added in 1871. Line 30, 1856: read after
Dropped
?
to-day
? "
Dropped
it
respect
me? America?
the
in 1867.
Line 33, 1856: read "What does it mean to me? to American persons, progresses, cities ? Chicago, Canada, Arkansas ? the planter, Yankee, Georgian, native, immigrant, sailors, squatters, old States, new States ?" Present reading in 1881. § 13.
[p. 119.]
is made up from the 1855 preface. read 1871 "foreign " for " other." Line i, 1856: read "from other poems." Present reading in
This section
:
1881.
" but " added in 1867. Line 3 Line 8: " in the long run " added in i860. :
Line
phy"
1856: read
10,
"poems"
for
"songs";
read "politics, manners, engineering."
after "philoso-
Present reading in
1881.
Line
1856:
12,
read
"fills
" emerging, appears on the Line 14: " I say " added Line
17,
houses
and
streets"
for
in i860.
1856: read "Friendship, self-esteem, justice, health,"
Present reading in
etc.
the
streets."
1
867.
Line 18 added in i860. § 14.
[p. 120.]
This section Lines
Line all
i
4,
is
made up from
and 2 added 1856:
the rest."
1855 preface.
in i860.
read " Give
me
to speak beautiful
Present reading in 1867. [212]
words! take
IDarlorum IReaMnga Lines 7-1
1856: preceded by "\ have."
1,
After line 11, 1856: read "I have studied
Dropped
my
land,
in 1881. its
idioms
and men." Line 12 added in 1867; lines 13-15 added in 1871. Line 17, 1856; read "I reject none, I permit all."
Present
reading in 1881. After last line, 1856: read "Whom I have staid with once I Dropped in 1867. have found longing for me ever afterwards." Lines 18 and 19 added in 1867; but read "that alone" for "you and yours."
ยง 15.
[p. 121.]
Line 3: "
Line
up there
"
1856: read
5,
added in 1867. "to individuals"; 1871: "to form great
Present reading in 1881. 1856: read " Underneath all are individuals."
individuals."
Line
6,
Line 7: "to me now" added in i860. Line 8: "altogether" added in i860.
Line 10 added in i860. Lines
ยง 16.
11
and 12 added
in 1867.
[p. 122.]
Line
i,
1856: read "Underneath
Line
5,
1856: read
"need of
all is
nativity."
the expression," etc.
Present
reading in 1881. Line
6,
1856: read
"had "for "seen."
Present reading in
1867.
Line 11: " the same monotonous old song" added in i860. After line
1
me, what were ยง 17.
1856: read "
1, it
to
If all
you and me
?
had not kernels
Dropped
for
you and
in 1867.
[p. 123.]
Line 1: for "flashing" read
"now."
Present reading in
i860.
After line
"
Its
2,
1856: read
roughs, beards, haughtiness, ruggedness, are you and me, [2x3]
%cavcB of (5ra00 Its
ample geography, the
Huron, Toronto, Raleigh, Nashville, Havana,
sierras, the prairies, Mississippi,
Colorado, Boston,
you and me,
are Its
settlements, wars, the organic compact, peace, Washington,
Its
young men's manners, speech,
the Federal Constitution, are you and me, dress, friendships, are
you and
me."
Dropped Line
in 1867.
1856: read ''slavery" after "defections."
3,
After line
5,
1856: read
"Its inventions, science, schools, are you and me. Its deserts,
clearings, log-houses, hunters, are
forests,
you and
me,
The
perpetual arrivals of immigrants are
Dropped
you and me."
in 1867.
Line 6 added in 1867. After line are
8,
1856: read "Failures, successes, births, deaths,
you and me."
Compare an
Dropped
in 1867.
early manuscript reading of these lines:
"Its settlements, wars, the organic compact, peace, Washington, the Federal constitution, are Its
young men's manners, speech,
you and me.
dress, friendships, are
you and
me.
you and me,
Its
crimes,
Its
congress
Its
inventions, science, schools, are
Its
deserts, forests, clearings, log houses,
are
lies,
defections, slavery, are
you and me you and me, is
â&#x20AC;&#x201D; the
officers, capitols, armies, ships,
you and me, hunters, are
you and
me.
you and me. paved cities, wharves, wealth, avenues, dwellings, are you and me. The perpetual arrival of immigrants, are you and me. The north, south, east, west, are you and me, Natural and artificial, are you and me, Its
ships, fisheries, whaling, gold-digging, are
Its
[214]
IParlorum IReabinge poems, employments, are you and me, you and me, present, future, are only you and me.
Liberty, language,
Failures, successes, births, deaths, are
Past,
cannot evade any part of myself. I swear Not America, nor any attribute of America, not friendship, hospitality, procreation, Not my body Not my soul, not the last explanation of prudence, Not faith, sin, defiance, nor any of the dispositions or duties of I
—
myself,
Not
liberty
— not to cheer up slaves and horrify despots."
Lines lo,
i6,
19,
and 21: began with
'*
I
swear."
Dropped
in 1881.
Line
11
and following, 1856: read
*' Not America, nor any part of America. Not my body, not friendship, hospitality, procreation. Not my soul, not the last explanation of prudence. Not the similitude that interlocks me with all identities that
exist,
or ever have existed,
Not faith, sin, defiance, nor any disposition or duty of myself. Not the promulgation of liberty, not to cheer up slaves and horrify despots."
Dropped
in 1867.
Line
1856:
19,
read
*'with America and with the earth."
Present reading in i860.
Line 24 added in i860. Lines 25-27 added in 1867. § 18.
[p. 124.]
Line 9 added in i860.
The Many
**
These States
In
One
After this line in i860: read
— what
is it finally
except myself?
— what are they except myself?"
Revised in 1867. Lines 12 and 13, 1856: read
*M will learn 1
why
the earth
is
gross, tantalizing, wicked,
take you to be mine, you beautiful, terrible, rude forms." [215]
!lLeape0 of (Braee
This ends the
poem
in that edition.
i860: read **
I
have learned
why
my
sake,
for
is I
take
you
the earth
be mine, you
to
gross, tantalizing,
is
beautiful, terrible,
wicked
—
it
rude forms."
This ends the poem in that edition. Lines 14-16 added in 1867. § 19.
[p. 125.]
This section was added in 1867. Line 3, 1867: read *'sang" for '^thriU'd."
Present reading
in 1881.
§ 20.
[p. 125.]
This section was added in 1867. Line
i,
my charm"
1867: read '*song,
for
*'
verse,
my
calL"
Present reading in 1871. After line 4, 1867: read **
But,
O
strong soul of Poets,
Bards for
my own
Dropped
land, ere
I
go,
I
invoke. -^
in 1871.
Lines 5-8 added in 187 1. Lines 9-13, 1867: read
You Bards grand as these days so grand! Bards of the great Idea! Bards of the wondrous inventions! Bards of the marching armies a million soldiers waiting ever'*
—
ready.
Bards towering like these
little
hills
— (no
more these
dots, these pigmies,
piping straws, these gnats, that
fill
the hour, to
pass for poets;)
Bards with songs as from burning coals, or the lightning's fork'd stripes!
Ample
—
Ohio's bards bards for California! inland bards; Bards of pride! Bards tallying the ocean's roar, and the swooping
scream charm, I invoke!
eagle's
You, by
my
[216]
IDariorum IReaMnge This was the reading of 187 1, except certain statements were added. After line 2 (above)
:
read
(*'
for the war, the
war
is
over")
"bards of the war," and then the following important line: '* As a wheel turns on its axle, so I find my chants turning finally on the war." The present reading in 1881. after line 6: read
Autumn
A
Rivulets.
group
As Consequent,
127.]
[II., p.
employed
title first
etc.
in 188 1.
127.]
[11., p.
1881.
The Return
—
1871
:
A
of the Heroes.
revisions
all
by
faced
[II., p.
128.]
Carol of Harvest, for i86y, in
note:
this
edition.
this
**In
all
grandest achievement yet for
In
1881 with present
poem was
1876 the
title
pre-
or modern, the
History, antique
— —
Humanity
grander even than the triumph of This Union over Secession was the return, disbanding, and peaceful disintegration from compact military political
organization, back into agricultural and civil employments, of
the vast Armies, the
—a
two
problem reserved promptly solve."
The
first
millions of embattled
for
men
of America
Democracy, our day and
section in 1871
was
land,
to
the following (discarded in
1881):
"
A
A A
SONG of the good green grass! song no more of the city streets song of farms ^a song of the soil of fields.
A
song with the smell of sun-dried hay, where the nimble pitch-
—
ers handle the pitch-fork
A song §1.
new
wheat, and of fresh-husk'd maize."
[p. 128.]
Line § 2.
tasting of
9,
1871
:
read
"A
verse to seek, to see, to narrate thee."
[p. 129.]
Line
7,
1871:
read **The flowers, the grass, the
Line 10, 1871: read "the
lilliput," etc.
bulging, silvery fringes." [217]
Xeaves of (Braes [p. 129.]
ยง 3.
Line
1871
12,
read ''that giv'st a million farms."
:
[p. 130.]
ยง 4.
Line
2,
1871
:
Line
3,
1871
:
After line
Line
11,
7,
read ''conflict" for
"war."
read "armies" for "conflict."
1871
:
"no more
read
wounded." "so handsome, dress'd
the dead and
1871: after "brigades" read
in blue."
After line
1871:
11,
read
river,
out of whistles loud and
ยง 7.
[p. 133.]
"Scream, you steamers on the your salutes."
shrill,
Line 9, 1871: read "America" after "where." Line 10, 1871: began with "Well-pleased."
There
Was
a Child
Went
Forth.
[II., p.
135.]
1855 without title, pages 90-91; 1856: Poem of the Child That Went Forth, and Always Goes Forth, Forever and Forever, pages 2S2-2S'y; i860: Leaves of Grass, No. g, pages 22\-22')\ iSS^: Leaves of Grass, No. i, pages 59-1 61; 1871 with pres1
ent
title.
Line 2, 1855: read after "upon" "and received with der or pity or love or dread." Dropped in 1867. Line
7,
1855:
read
"March-born"
won-
"Third-month."
for
Present reading in i860.
Line
11,
1855:
and Fifth-month." Line night,
19,
read "April and
May"
for
"Fourth-month
Present reading in i860.
1855: read
"he
and fathered him."
that
had propelled the
fatherstuflf at
Present reading in i860.
Line 21, 1855: read "they and of them became part of him." Present reading in 1867.
Line 32, 1855: read "tiered" for "heavy-plank'd." reading in 1867. Line 34, 1855: read "three" for
"two."
Present
Present reading in
1881.
Line 36, slapping."
The
1855: read "waves and quickbroken crests and Present reading in 1856.
last line,
that peruses
1835: read
them now."
"And
Dropped [218]
these
become of him
in 1867.
or her
IParlorum IReaMnge There were several
poem
trial lines for this
in the
manuscript:
''The horizon's edge, the flying seacrow,
The unearthly laugh of the
mud
shore
The song of the
.
Old Ireland. First
laughing-gull, the salt-marsh and
odor.
the phoebebird, the blossom of apple-trees and ."
.
[II., p.
published in
138.]
Drum-Taps
The City Dead-House.
[II., p.
(1865)
;
1867 in annex, page 66.
139.]
1867.
This Compost.
[II., p.
140.]
1856: Poem of Wonder at the Resurrection of the Wheat, pages 202-205 860 Leaves of Grass, No. 4, pages 208-2 1 1 1867 with present title, pages 306-308. ;
ยง
I.
1
:
[p. 140.]
Line
6,
men?" ? "
sicken
Line
9,
"in you." Line
11,
ards," etc. ยง 2.
1856: read
i860:
"O
"How can O how
Earth!
the ground
not sicken of
can the ground of you not
Present reading in 1871, but
*'
itself"
added
in 1881.
1856: read *Mn the earth" for ''within you"; i860:
Present reading in 1871. 1856: read "disposed ofthose carcasses of the drunk-
Present reading in 1867.
[p. 140.]
Line
i,
1856: read
"Behold! This
is
the compost of billions of premature corpses."
Present reading in 1867.
Line 3: "of spring" added in 1871. Line 13: "the lilacs bloom in the dooryards " added in 1871.
To a
Foil'd
European Revolutionaire.
Poem for Asia, Africa, Europe, America, AusCuba, and the Archipelagoes of the Sea, pages 268-270;
1856: Liberty tralia,
[H., p. 142.]
[219]
Xeavee of (Svaee i860: To a Foiled Revolter or Revoltress,
among
Leaves, pages 394-396; 1871 with present Line i: " yet " added in 1871.
title.
the Messenger
Line 4: ** or by any unfaithfulness " added in i860. Line 6, 1856: read ''Asia, Africa, Europe, America, Australia,
Cuba, and all the islands and archipelagoes of the sea" for "all the continents " 1867 "all the continents, and all the islands and :
;
archipelagoes of the sea."
Line 7: "
What we
Present reading in 188 1.
believe in invites " etc.
Present reading
in 1881.
Line
1856: read
8,
"Waits
century — a hundred centuries."
patiently
its
time
—a
year
—a
Present reading in 1867.
Lines 9-13 added in 1871.
Line
16,
The
last
"When
1856: read "necklace and anklet."
stanza of 1856:
read as follows
more memories of the
there are no
lovers of the
whole of
the nations of the world,
The
lovers'
names scouted
in the public gatherings
by the
lips
of
the orators,
Boys not christened
after
them, but christened
murderers instead.
Laws
after traitors
and
—
sweet to the taste of people the slave-hunt acknowledged, You or walking abroad upon the earth, elated at the sight of slaves, no matter who they are, And when all life and all the souls of men and women are discharged from any part of the earth, Then shall the instinct of liberty be discharged from that part of for slaves
1
the earth,
Then
shall the infidel
and the tyrant come into possession."
i860 contained the above passage and added the
last
three
poem in its present form (except " European revolter, revoltress!" was added in 1867 and 1871; "misconception" was added in 1871). The present reading of stanza 6 was given in 1867.
stanzas of the
Unnamed
Lands.
[II., p.
144.]
i860: pages 412-414. [220]
IDariorum IReaWnga Line
ii,
belong to
i860: after "it" read
Dropped
it."
*'
Line 22, i860: read
"and
as
all
will henceforth
in 1881.
believe of
1
all
those billions of men,"
Present reading in 1881.
etc.
Line 25,
i860: read "languages,
medals,
coins,
marriage,
literature,
phrenology, government, products, games, jurispru-
dence, wars, manners, amativeness, crimes," etc.
Present read-
ing in 1867.
Song
of Prudence.
Made
[II., p.
146.]
from the 1855 prose preface; 1856: Poem of the Last Explanation of Prudence, pages 257-261; i860: Leaves of Grass, No. 5, pages 211-214; 1867: Manhattan's Streets I Saunter' d.
partly
Present title in 1881. Pondering, pages 309-312. i, 1836: read " All day I have walked the city and talked
Line
with
my
friends,
The
and thought of prudence."
present line
substituted for this in 1867.
Line
1856: read "After
3,
the last,"
all,
etc.
Present reading
in 1881.
Line
"The
1856:
10,
indirect
is
more than the
direct."
Pres-
ent reading in 1867.
Line
"judge" read "prostitute."
1856: after
19,
Dropped
"literat" added in 1867.
in i860;
After line 2^, 1856: read "All furtherance of fugitives,
Dropped in 1881. 1836: read "hundreds" for "dozens."
and of
the escape of slaves." Line 30,
Present
reading in 1871. Line 41 " entirely" added in i860. :
Line 42:
"only" added
Before line 44,
Dropped
ยง
I.
:
"Now
I
give you an inkling."
in 1881.
The Singer 1871
in 1867.
1856: read
in the Prison.
in the
The
Passage
first
line
to
[II., p.
150.]
India annex, pages 94-96.
of the refrain,
1871:
read
'
shame, and pain, and dole! ยง 2. This section opened with the refrain
"O
sight of pity, gloom,
O pardon
and dole!
me, a hapless Soul ! [221]
'
"O
sight of
!ILeave6 of (Brass
After line
1871
5,
read "All that dark, cankerous blotch, a
:
Dropped
nation's criminal mass."
1871
in 1881.
hymn
the refrain repeated after each stanza of the
:
in
varying form
O sight of shame, and pain, O fearful thought — a convict
"'
and
dole !
Soul
/
"
O sight of pity, gloom, and dole! O pardon me, a hapless Soul !"
""
"O
O
Life ! no
life,
hut hitter dole I
burning, heaten, haffled Soul!
" Convict no more
"
—
nor shame, nor dole! " Depart! a God-enfranchis' d Soul!
Warble 1871
Line
Line
for Lilac-Time. in
:
i
:
2,
1871: read after **sake"
After line 7, 1871
1871
18,
:
first
life's
—
Dropped
in 1881.
sweet
in 1881.
berries."
read "Spiritual, airy insects,
:
Dropped
gossamer wings."
— ''and
Dropped
life's."
read "bird's eggs, and the
Line
152.]
Passage to India annex, pages 96-98. "returning in reminiscence" added in 1881.
and death's the same as
mer"
[II., p.
read
sake After ''sum-
humming on
in 188 1.
"O for another world! O
if," etc.
Pres-
ent reading in 1881. After line 21, 1871: read
"(With
additional songs
— every
spring will
I
now
strike
up
additional songs,
Nor ever again
forget, these tender days, the chants of
Death as
well as Life;)
Dropped
in 1881.
After line 24, 1871
" To
tally,
Cities,
and
:
read
drench'd with them, tested by them. artificial life,
and
all
their sights
and scenes,
My mind henceforth, and all its meditations — my recitatives, My land, my age, my race, for once to serve in songs, (Sprouts, tokens ever of death indeed the [222]
same
as
life.)
IParlorum IReaMnga Dropped
in 1881.
Outlines for a
Tomb.
[II., p.
154.]
Brother of All, with Generous Hand, in Passage to Present title in 1881. India sinnex, pages 108-1 11. the poem opened with the following stanza (disIn 1 87 1
871:
1
carded
in
1
881):
Brother of all, with generous hand, Of thee, pondering on thee, as o'er thy tomb, **
A thought to launch in memory A burial verse for thee." After the
section of the present
first
I
and
my
Soul,
of thee,
poem,
following stanzas and section (discarded in 1881)
1871, read the :
'*Yet lingering, yearning, joining soul with thine. If
not thy past
we
chant,
we
chant the future,
adorn the future.
Select,
Lo, Soul, the graves of heroes!
â&#x20AC;&#x201D; the gratitudes of men,
The The The
statues of the manifold
The
excellent rulers of the races, great discoverers, sailors.
pride of lands
famous dead, Old World and New, wide thy vision,
kings, inventors, generals, poets, (stretch Soul,)
Marble and brass select from them, with pictures, scenes, (The histories of the lands, the races, bodied there, In what they *ve built for, graced and graved,
Monuments In
1
to their heroes.)
87 1 the
poem
"
closed with the section following (discarded
in 1881):
" Lo, Soul, by this tomb's lambency. The darkness of the arrogant standards of the world. With all its flaunting aims, ambitions, pleasures. (Old,
The
commonplace, and rusty saws.
rich, the
Now,
gay, the supercilious, smiled at long,
piercing to the
marrow
in
my
bones.
Fused with each drop my heart's blood Swim in ineffable meaning.) [223]
jets,
â&#x20AC;˘
Xeavea of (Braea Lo, Soul, the sphere requireth, portioneth,
To
each his share, his measure,
The moderate
to the moderate, the
ample to the ample.
Lo, Soul, see'st thou not, plain as the sun.
The only The only
wealth of wealth in generosity. " life in goodness ?
real life
of
Out from Behind This Mask.
Two
1876: in the
This note the
was
prefixed:
Wound-Dresser
'
§1.
[II., p.
156.]
Rivulets volume, the '
in
"To
confront
My
Leaves of Grass.
first part,
page
24.
Portrait, illustrating
'
[p. 156.]
Line
1876:
2,
§ 2.
Masks
read ''All straighter, liker
The
this preferr'd."
rejected
—
present line substituted in 1881.
[p. 157.]
Line
8,
1876: read "clench" for "clinch."
Vocalism.
[11., p. 157.]
i860: Chants Democratic, No. 12, pages 183-185; Section To Oratists, 867 Leaves of Grass, No. 2, pages 3 1 5-3 17; 1 87 1 pages 347-348. Present title given to the two sections in 1881. Section 2, i860: Leaves of Grass, No. 21, page 240; 1867: Leaves of Grass, No. 3, in Songs Before Parting annex, pages i,
1
:
:
23-24; 1 871: f^oiceSj page 308. localism in 188 1. §
I.
Joined with To OraZ/s/s to form
[p. 157.]
Before line
Dropped Line
i,
i860: read
"To
oratists
— to male or female."
in 1881. i,
i860: read "Vocalism, breath, measure
use words."
Present reading in 1881
— but
...
to
"breath" dropped
in 1871.
After line
i,
i860:
read
"Are you
eligible?"
Dropped
in
1867.
After line ' *
3,
Remembering long
i860: read inland America, the high plateaus, stretching
?
[224]
IDariorum IReaMnge
—
remembering what edges the vast round " edge of the Mexican Sea ?
Remembering Kanada Dropped Line in 188
in 1867.
i860: read '*the
11,
dead"
In i860, this section closed
carded
in
"O now And And Of a
I
I
see arise orators
I
see
I
see that
with the following stanzas
it is
as
(dis-
for inland
fit
America,
slow to become an orator as to become a man,
power
is
folded in a great vocalism.
when you hear it, the merciless and the storm rage around.
great vocalism,
Every
Dropped
881):
shall pour,
The
after ''antiquities."
1.
flash shall
be a revelation, an
light
insult,
glaring flame turned on depths, on heights, on suns, on stars.
On the interior and exterior of man or woman. On the laws of Nature — on passive materials. On what you called death and what to you
—
therefore
was
death.
As
far as there
§2.
can be death."
[p. 158.]
This section, in i860, began with the following stanza (discarded in I 881): **
Now make a leaf of Voices—for I
I
have found nothing mightier
than they are.
And
I
have found that no word spoken, but
is
beautiful, in its
place."
Line
To Him
4,
i860: read
that
Was
Crucified.
i860: with present
Line
3,
i860: after
You Felons on
"Now
I
believe that
[II., p.
all
waits," etc.
159.]
page 397. ''you" read ("there are others also"). title,
Trial in Courts.
[II., p.
i860:
160.]
Leaves of Grass, No. ij, pages 2^1-2^2; 1867 with present title, pages }^6, 337. VOL. III.— 15.
[225]
leavea of (Bra^a In i860, the following stanzas
began the poem (discarded
in
1867):
*'0
Confession sprig!
bitter sprig!
—
I bind you bouquet I give you place also Proceeding no further till, humbled publicly, I give fair warning, once for all.
In the
I
own that
have been
I
sly, thievish,
in.
mean, a prevaricator, greedy,
derelict,
And
I
What
own
that
I
remain so yet.
—
thought but I think it or have in me the stuff out of it is thought ? " darkness in bed at night, alone or with a companion ?
foul
which
What
in
Line
7,
i860: read **0 culpable!
O
traitor! "
Present read-
ing in 1867.
Laws
for Creations.
[11., p.
160.]
Chants Democratic, No. i^, pages 185-186; 1867: Leaves of Grass, No. ^, page 317; 1871 with present title, page i860:
96.
Lines 4 and
There
i860 read thus:
5 in
be no subject but it shall be treated with reference ensemble of the world, and the compact truth of the world And no coward or copyist shall be allowed; There shall be no subject too pronounced All works shall illustrate the divine law of indirections; There they stand I see them already, each poised and in its *'
shall
to the
—
—
—
place.
Statements, models, censuses, poems, dictionaries, biographies, essays, theories
— How
complete!
How
relative
No one supersedes another; They do not seem to me like the old specimens, They seem to me like Nature at last, (America has
and
in-
terfused!
them, and
They seem
to
me
and weeds
I
given birth to
have also;)
at last as perfect as the animals,
—
them. with floating clouds
fitted to
Fitted to the sky, to float
the trees with rustling leaves, [226]
and
— to
as the rocks
rustle
among
IParlorum IReaMnga To
stretch with stretched sail in
and
level waters,
where ships
silently
the distance."
Present reading in 1867. Line
8,
i860:
read *M have intimated" for
"\ would
inti-
Present reading in 1871.
mate."
Compare
the manuscript notes for this
poem:
(a)
"Of Biography, and That written
it
of
literature
has been
and
art.
has not been with reference because everything, every subject
has not been well written because
by authors who considered
to the ensemble of the
—
world
made too prononce.
— and
with the rest dividual and complete
thing
all
is
is
it
their subjects
The charm of nature
is
that every-
not prononce, but yet distinct, in-
in itself.
(*)
To
a Literat.
Your subject
is
You have not
always too pronounced.
considered your subject with reference to
its
place
and with reference to the ensemble of the world. The great statements, censuses, poems, essays, dictionaries, biographies, etc., are those that stand in their places with the things of the world.
Behold nature!
how
Each toward
and nothing supersedes the
all
distinct, individual,
complete. rest.
—
Walt Whitman's law For the new and strong
artists of America For the fresh brood of perfect teachers, literats, the diverse savans
and the coming musicians, be no subject but it shall be treated with reference to the ensemble of the world and no coward or copyist shall be any more allowed. There shall be no subject too pronounced all works shall acknowledge the divine law of indirections,
There
shall
—
—
[227]
leavee of (Smee There they stand,
them
see
I
already, each easy in
its
place,
Statements, music, poems, dictionaries, biographies, essays
How
how
complete,
interfused
— No one supersedes the
—
rest.
They do not seem to me like what saw in arriere, in the old volumes and specimens. They seem to me like nature at last (America has given rise to I
them, and
They seem
to
I
me
have
also).
—
sky with clouds like trees with rustwith ships sailing on in
like the
ling leaves, like stretching waters
the distance.
They seem
to
me
at last as
good
as animals
and as the rocks,
earth and weeds."
To a Common
Prostitute.
i860: with present
[II., p.
title,
i6i.]
among
the Messenger Leaves, page
399I
Was Looking
a Long While.
[II., p. 162.]
Chants Democratic, No. ig, page 192; 1867 with page 312. Line i, i860: read "I was looking a long while for the history and now I have of the past for myself, and for these Chants found it"; "a clue to" was added in 1871; **for Intentions" was added in 1881. Line 6, i860: read '* It is in Democracy in this America the old world also." Present reading in 1871. Lines 8 and 9: ** in" added in 187 1. Line 10: '' All for the modern " added in 1881. i860:
present
title,
—
—
—
Thought. i860:
Miracles.
[II., p.
[II., p.
Poem of
1856:
162.]
Thoughts, No.
^,
page 409; 1871: Thought.
163.]
Perfect Miracles, pages 2']()-2Si
;
i860: Leaves
of Grass, No. 8, pages 219-220; 1867: Miracles. In 1856 the poem began: *'
Realism
Take
all
is
mine,
of the rest
my
miracles.
— take
freely
—
only of them, [228]
I
keep but
my own —
I
give
IDarlorum IReaMnge
I
offer
—
them without end
I
them
offer
to
you wherever your
feet can carry you, or your eyes reach."
i860, '67: read '*
What
shall
give? and which are
I
Dropped Line
8,
my
— my miracles — Take
Realism is mine Take without end,
I
offer
them,"
miracles? freely.
etc., as in 1855.
in 1871.
1856: read
"my
mother
" for ''the rest."
Present
reading in 1881. Line
10,
1856: read " August " for "
summer. "
Present read-
ing in i860.
Line
14,
1856: read "
May "
for
" spring. "
Present reading
in i860.
After line 14, 1856: read
"Or whether go among I
those
I
like best,
and that
like
me
— mechanics, boatmen, farmers. Or among the savans — or to the soiree — or to the opera.
best
Or stand a long while looking at the movements of machinery. Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman. Or the sick in hospitals, or the dead carried to burial. Or my own eyes and figure in the glass." Dropped
in 1881.
Line 18: " cubic " added in 1871. Line 20: "cubic" added in 187 1. After line 20, 1856: read
—
"Every spear of grass the frames, limbs, women, and all that concerns them. All these to
Dropped
me
1871
men and
are unspeakably perfect miracles."
in 188 1.
Sparkles from the :
organs, of
WheeL
with this
title,
[II., p.
164.]
in Passage to India annex, [229]
page
103.
Xeapea of (Braaa To a
Pupil.
[II., p.
i860: with this
165.]
page 400, one of the Messenger Leaves,
title,
Unfolded Out of the Folds.
[II., p.
166.]
1856: Poem of JVomen, pages 100-102; i860: Leaves of Grass. No. 14, p. 2}}\ 1867: Leaves of Grass, No. 2, page 286; 1871 with present title.
Line
i,
1856: read *'only" before "out."
Line
5,
1856: read
"poem
woman."
of the
Present reading
in 1881.
Am I After All.
What
[H., p. 166.]
i860: Leaves of Grass, No. 22, p. 241
1867: Leaves of Grass, Songs Before Parting annex, page 24. After line i, i860: read "I cannot tell why it affects me so much, when I hear it from women's voices, and from men's
No.
;
4, in
my own
voices, or
from
Kosmos.
[II., p.
Dropped
voice."
in 1867.
167.]
title, page 414. " all other theories " added
i860: with this
Line 7:
Others
May
Praise
what They Like.
First
published in
Line
3,
Drum-Taps
in 1867.
[II., p.
168.]
(1863); 1871: in annex, page
68.
1867:
read "breathed well"
for
"well inhaled."
Present reading in 1871.
Line
4,
1867: read
"And
exudes
fully
it
again."
Present
reading in 1881.
Who
Learns
My
Lesson Complete.
[II., p.
168.]
1855: without title, pages 92-93; 1856: Lesson Poem, pages 313-315; i860: Leaves of Grass, No. 11, pages 22(>-22^\ 1867: Leaves of Grass, No. ^, pages 163-165; 1871 with present title. Line 13, 1855: read "little" for "small." Present reading in 1867.
Line 14, 1855: read "decillions" reading in 1867. Line 21, 1855: read
am now â&#x20AC;&#x201D; and was
"And how
born on the
last
[230]
for
"billions."
Present
was not palpable once but day of May 1819 and passed
I
IDariorum IRcaMnae from a babe
in the creeping trance of three
**
and was born on the
last
day of the
"And
After line 21, 1855: read that
that
I
1
am
man
have become a here
anyhow
— are
i860, '67: read as
in 1867.
Fifth
Month,
that
I
grew
43
— — and
six feet high
thirty-six years old in 1835 all
three
in the year
Present reading in 1867.
of America."
and
summers and
read as above with change
winters to articulate," etc.; i860:
Dropped
equally wonderful."
above with change "thirty-six years
old in the year 79 of America." After last line, 1855: read
" Come
I
should like to hear you tell me what there wonderful.
is in
your-
self that is not just as
And
I
should
hear the
like to
name
of anything between Sunday
morning and Saturday night that
not just as
is
won-
derful."
i860: read as above with change "First Day morning and Seventh Day night." Dropped in 1867. Tests.
[11., p.
170.]
i860: with this
The Torch.
[II., p.
170.]
First published in
O
Star of France.
Drum- Taps
1870-71.
Two
The Ox-Tamer.
(i
865)
[II., p.
;
1867
:
in
annex, page 52.
170.]
As
a Strong Bird on Pinions Free (1872); Rivulets volume.
First published in
1876: in the
page 416.
title,
[II., p.
172.]
1876: in i\\eTwo Rivulets volume.
Line
14,
1876: read "See,
how
straight," etc.;
"see what
fine," etc.
Line
15,
1876:
read
"See how they watch,"
etc.;
"see
how
they turn, "etc.
An
Old Man's Thought of School. Public School, Camden,
1876: in
Two
For the Inauguration of a
New Jersey,
1874.
[11., p.
173.]
Rivulets (the date given October 31, 1874). [231]
%cnvce of (Braes Wandering
at
Mom.
Two
1876: in
[II,, p.
174.]
Rivulets,
Line
4,
1876: read " seated " before ''coil'd."
Line
5,
1876: read
**
Wandering
Music in Dakota.
Italian
tal
Band
The
[
I ever heard.
—
^this
common,"
etc.
Seventeenth —the finest regimen-
[II., p. 175.]
1881.
With
All
Thy
1876: in
My
Gifts.
Two
[II., p.
176.]
Rivulets.
Picture Gallery.
[II., p.
176.]
1881.
The
Prairie States.
[II., p.
177.]
1881.
Proud Music of the Storm. 1871
§2.
:
in
[II., p.
178.]
Passage to India annex, pages 17-24.
[p. 178.]
Line
19,
1871
read ^'feudal" for
:
Passage to India. 1871
§1.
:
in
[II., p.
**
middle."
186,]
annex.
[p. 186.]
Line
8,
1871: read "1 sound, to
thee,
O
§ 2.
[p. 186.]
commence, the
cry,
with
soul"
After line
17:
read '*The people to
become brothers and
sisters."
§4.
[p. 189.]
Line
§9.
11,
1871
:
"America
read
(a
hemisphere unborn)."
[p. 196.]
Lines 3 and
4,
1871
Prayer of Columbus. 1876: in
Two
:
read
"These"
for
"Those."
[II., p. 198.]
Rivulets.
The poem was preceded
the following preface [232]
in
1876
by
IParlorum IReaMnge was near
—
the close of his indomitable and pious life on voyage when nearly 70 years of age that Columbus, to save his two remaining ships from foundering in the Caribbean Sea in a terrible storm, had to run them ashore on the Island of Jamaica where, laid up for a long and miserable year 1503 he was taken very sick, had several relapses, his men revolted, and death seem'd daily imminent; though he was eventually rescued, and sent home to Spain to die, unrecognized, neglected and in want. It is only ask'd, as preparation and atmosphere for the following lines, that the bare authentic facts be See, recall'd and realized, and nothing contributed by the fancy. the Antillean Island, with its florid skies and rich foliage and scenery, the waves beating the solitary sands, and the hulls of **It
—
his last
—
.
.
—
.
See, the figure of the great Admiral,
the ships in the distance.
—
walking the beach, as a stage, in this sublimest tragedy for what tragedy, what poem, so piteous and majestic as the real scene ? as his mystical and religious soul and hear him uttering
—
—
—perhaps,
surely utter'd, the ideas following
in their equivalents,
the very words."
Line 31, 1876: read after ''accomplished" been, has been."
— "for what
has
After line 50, 1876: read **
Steersman unseen! henceforth the helms are Thine; (what to my petty skill Thy navigation
Take Thou command
The
Sleepers.
[11., p.
1855: without
i860:
286-301;
—
?)"
201.]
title,
pages 70-77; 1856: Night Poem, pages pages 426-439; 1871: The
Sleep-Chasings,
Sleepers,
§ I.
[p. 201.]
Line
5,
stopping."
1855:
read "Pausing and gazing and bending and
Present reading in 1856.
Line 22, 1855: "all, all " added in i860. Line 2^, 1855: read "I stand with drooping eyes by the
worst suffering and restless." Line 26 added in i860. After section
i,
Present reading in i860.
1855: read [233]
Xeavee of (Braea '*0 hotcheek'd and blushing! O foolish hectic! for pity's sake, no one must see me now! my clothes were stolen while I was abed, Now I am thrust forth, where shall I run ? Pier that
saw dimly
I
night
last
when
looked from the win-
I
dows! let me catch myself with you and stay you; ashamed to go naked about the world.
Pier out
—
1
feel
And am
from the main,
1
will not chafe
curious to
know where my
flooding me,
— —and
feet stand
manhood
childhood or
^and
what the
is
this
hunger
that crosses the bridge between.
The
cloth laps a first sweet eating and drinking. Laps life-swelling yolks laps ear of rose-corn, milky and
—
just
ripened
The white
And
teeth stay,
liquor
is
spilled
and the boss-tooth advances in darkness, on lips and bosoms by touching glasses,
and the best liquor afterward."
Dropped §3.
[p.
in 1881.
205.]
Line
8,
1855: read ''baffled and banged and bruised."
Line
9,
1835
§6.
[p.
:
read
**
roll
him and swing him and turn him."
207.]
8, 1855: read "beauty "for ''freshness." After section 6, 1855; read
Line
"Now
Lucifer
was not dead
—or
if
he was,
am
his sorrowful
him
that oppresses
I
terrible heir; I
I
have been wronged me,
—
I
am
will either destroy him, or
Damn
How
him! how he does he informs against
oppressed
he
defile
my
—
1
hate
shall release
me.
me,
brother and
for their blood,
[234]
sister,
and takes pay
IDarlorum IReaMnge
How
he laughs when that carries
Now
is
the bend after the steamboat
!
though
the whale's bulk,
is
it
seems mine,
so sleepy and sluggish,
my
tap
1
lie
**
And have an unseen something
death."
Dropped
in 1881.
[p. 208.]
After line
be
down
look
the vast dusk bulk that
Warily, sportsman
§7.
I
away my woman.
in contact
3,
1855: read
with them also."
Dropped
Line 14, 1855: read "the Pole goes his way." Line 40, 1855: read **what waits is in its place." reading in 1881. Line 43, 1855: read
"go on"
for
to
in 1881.
"come
on."
Present
Present read-
ing in 1867.
§8.
[p. 210.]
At the end of this
"Not you
section, 1855: read
will yield forth the
will yield forth
me
dawn
again
more surely than you
again,
womb yields the babe in its time more surely than be yielded from you in my time."
Not the
Dropped
[11., p.
212.]
taken from a the Propositions of Nakedness, lines are
poem was ,
To Think
shall
in 1856.
Transpositions.
These
I
left
poem
in 1856, entitled
— afterwards
Poem of
Responde^.
out of the 1881 edition, except for these few
of Time.
[II., p.
This lines.
213.]
pages 65-70; 1856: Burial Poem, pages ^}2-^^2\ i860: Burial, pages 440-448; 1871 with present title. 1855: without
§
I.
In
title,
[p. 213.]
i860 the
poem began "To
think of it!"
Dropped
in
1871.
Line
i,
1855: read "to think through the" for
"of
all
that."
Present reading in i860.
Line
8,
every thing
1855: read "flexible and real and alive" and "that was real and alive." Present reading in 1856. [235]
Xeavee of (Braee \ § 2.
[p. 213.]
Stanza 2: the the ninth with
eight lines,
first
began with "When,"
1855,
"Then," the tenth with "They
Present
are."
reading in 1856.
Line
3,
1855: read "are" for "go."
Line
4,
1855: read "is" for "goes."
Line
6,
1855: read
Line
"have been"
1855: read
11,
"Then
bed, and the living look upon them." § 3.
"are."
for
the corpse-limbs stretch on the
Present reading in 1856.
214.]
[p.
Line
added
i
in 1871.
In 1855 the first line read:
"To
think that the rivers will
come
and the snow upon us now yet
to flow,
and fruits ripen, and act upon others not act upon us " Dropped in 1881.
fall,
as
—
!
Line
1855: read "small" for "no."
2,
Present reading in
1856.
§4.
215.]
[p.
Stanza Line
i
6,
added 1855:
Dropped
place."
Line
7,
in 1871.
read after "stages" in
1
88 1.
— "other
"Broadway
"
added
1855: read "rapid" for "steady."
vehicles give in 1856.
Present reading
in i860.
Line 8:
"new-dug" added
in i860.
Line 9: "pass'd out" added in i860. Line 10 added in i860. Line
13,
1855: read after "looking"
— "able to take
his
own
Dropped Before "Ready," line 14, 1855: read "witty, sensitive to a slight." Dropped in 1881. For "gambled" read "played part."
in 1881.
some." Line
§5.
Present reading in i860. 19,
[p.
1855: clauses connected
Dropped
in 1856.
216.] 3, 1855: read "Have you pleasure from looking at Have you pleasure from poems?" Dropped in 1881.
After line
the sky?
by "or."
[236]
IDarlorum TRea&inga §6.
[p. 217.]
Before line pleasure of
1855: read ''The sky continues beautiful, the
women
pleasure of
Dropped
3,
men with women
shall never be sated, nor the with men, nor the pleasure from poems."
in 1881.
1855: read "they also are not phantasms" none of them phantasms." Present reading in 1856.
Line
4,
Line 5, 1855: reading in 1856.
§7.
for *'are
read "apparition" for "delusion."
Present
[p. 217.]
Line
8,
1855: read "for reasons" after "long."
Dropped
in
1881.
Line 15, 1855: read "cannot be eluded" for "not one iota thereof can be eluded." Present reading in i860.
§8.
[p. 218.]
Stanza
"The
3,
1855: read
interminable hordes of the ignorant and wicked are not nothing,
The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing
— the American
aborigines are not nothing,
A Zambo
Crowfoot or a Comanche
or a foreheadless
nothing,
is
not
— the
The
infected in the
The
perpetual successions of shallow people are not nothing as
The
prostitute
immigrant hospital are not nothing
murderer or mean person they go. is not nothing nothing as he goes."
is
not nothing,
— the
mocker of
religion is not
Present reading in 1881.
Line 10 added in 1871 in place of the following: "I with the rest we have satisfaction."
—
shall
go
After line 14, 1855: read
"And
I
have dreamed that the satisfaction is not so much is no life without satisfaction the earth ? what are body and soul without satisfaction ?
changed, and that there
What is
[237]
;
Xeavee of (Sraes I
go with the rest, cannot be stopped
shall
We
To show
— that
given point
at a
no
is
satisfaction;
us a good thing or a few good things for a space of
time
— that
is
no
satisfaction
We must have the indestructible breed
of the best, regardless of
time."
These
were dropped
lines
being added in 1881. Line 17, 1855: read
1871, the present fifth stanza
in
"If otherwise,
all
these things came,"
etc.
Lines 18 and 19, 1855: read "If maggots and rats ended us, then suspicion and treachery and death. " Present reading in 860. Line 26, 1855: read after "animals"
Dropped
soul!"
— "How perfect
1
is
my
in 1871.
Line 28, 1853: read "sin" for "bad."
Present reading in
1856.
§ 9.
[p 220.]
In 1855 this section
opened with the following verses:
"O my soul! if I realize you I have satisfaction, Animals and vegetables if realize you have satisfaction. Laws of the earth and air! if I realize you have satisfaction. !
I
1
1
I
I
cannot define cannot define
Dropped Stanza
my my
life
— yet
— yet
it is
it is
so.
so."
in 1871.
i :
in
"O I
satisfaction
it comes to swear I think
i860 this stanza began thus:
me now! now that
everything without exception has an
eternal soul."
The
first line
was dropped
in
1871.
In line 2
"without ex-
ception" was added in i860. Line 5, 1855: read "and
"and
life
i860: life and death are for it" and death are altogether for it." Present reading in ;
1871.
Whispers of Heavenly Death.
A group
title first
used
[II., p.
in 187
1,
[238]
221.]
in the
Passage
to
India annex.
IParlorum IReablnge Barest Thou 1871
Now
Passage
in the
:
Stanza
Soul.
4, line 3,
[II., p.
India annex, page 64.
to
1871
:
read ''bound" for
Whispers of Heavenly Death. 1871
Passage
in
:
Chanting the Square
to
221.]
[II., p.
**
bounding."
221.]
India annex, page 6^,
Deific.
[II., p.
First published in Sequel to
222.]
Drum-Taps
(1865-6); 1867: in
annex.
§2.
[p. 223.]
After line 9, 1867: read
'*
—
(Conqueror yet
weapons of war become impotent)."
the
Of
Him 1871
I
Love Day and Night.
:
in
i860:
page 270; Stanza
"The As
if
to
[II., p.
5,
1
87 1 with present
added
i
225.]
226.]
1867: Despairing Cries,
title.
"day and night"
after
"me";
next line:
etc.
a Phantom CaressM Me.
among
in 188 1.
in 1871.
i860: read
sad voice of Death,"
i860:
Dropped
all
all
India annex.
Ye Downcast Hours. [H., p. among the Debris, page 422;
Yet, Yet,
Line
Passage
me bow — and
for before
the armies and soldiers of the earth shall yet
[H., p. 227.]
the Debris^ page 425; 1867 with present
title,
page 290. Line
i
added
in 1867.
Line 3: "The one Line 5, i860: read
and mock me." Assurances.
I
loved that caress'd
"perplex
me"
for
me"
added in 1867. "are hateful to me
Present reading in 1867.
[II., p.
227.]
Faith Poem, pages 26^-26^] i860: Leaves of Grass, pages 217-218; 1867 with present title.
1856:
No.
y,
After line at a
i,
given time,
" do not doubt that whatever I know there waits for me more which do not know."
1856: read
I
1
[239]
leavea of Craaa
I
After line 3, 1856: read " I have no idea of, waiting for
universes
—also upon
After line **
this earth."
1856: read
5,
do not doubt there
I
do not doubt there are realizations through time and through the
me
is far
more
in trivialities, insects, vulgar
persons, slaves, dwarfs, weeds, rejected refuse, than
I
supposed; do not doubt there
— and
more
poems than
more
is
in all
myself than
in
men and women
I
I
have
have supposed
— and
more
in
my
have supposed."
I
Line 9 added in 1871. After line 10, 1856: read
do not doubt that shallowness, meanness, malignance, are
**I
provided for; I
do not doubt that earth,
politics,
cities,
you, America, the remainder of the
freedom, degradations, are carefully pro-
vided for." Line 12 added in 1871.
Quicksand Years.
title,
[II., p.
published in
First
228.]
Drum-Taps
Quicksand Years that Whirl
That Music Always Round Me.
annex under Whither.
(1865); 1867: in
Me
Know Not
I
[II., p.
228.]
i860: Calamus, No. 21, page 363; 1867 with present
and
Calamus. Line i: ''That" added
What
Ship Puzzled at Sea.
in 1867.
title in
A Noiseless 1871
Line
:
7,
229.]
[II., p.
i860: C^/^w^^5^ A^o. 3/, part
ent
title,
in
first;
1867: Here Sailor.
Pres-
1881.
Patient Spider.
with
this
title,
[II., p.
in Passage
229.] to
1871: read "surrounded"
Living Always, Always Dying.
India annex. for
[II., p.
"detached." 230.]
i860: Calamus, No. 2y, page 369; 1867: in Calamus, with present title. [240]
IDarlorum IRcaMnge
i860: the
poem began
"O Love! O dying — always dying.'* To One Shortly
to Die.
i860: with this
230.]
[II., p.
title,
page 398.
Line 8: **you yourself will surely escape" added in 1871.
Compare the manuscript reading:
—
1
you must not deceive you am melancholy and stern, but
I
do not
**I
are to die, I
love
you
— there
no escape
is
for you.
know your destination,
Night on the Prairies.
but
I
know
it
is real
and perfect."
231.]
[II., p.
i860: Leaves of Grass, No. 1^, page 234; 1867: Leaves of Grass, No. j, page 287; 1871 with present title.
Lines 2 and 3 added in 1867. Line 10, i860: read "there tumbled upon
me"
for
sprang out so noiselessly around me." Present reading Line 16, i860: read **0 how plainly I see," etc. Line 17, i860: read **0 I see," etc. Present reading
Thought.
[II., p.
'*
there
in 1867.
in 1867.
232.]
Thoughts, No. 5, page 410; 1871 Thought. Lines 3 and 4 added in 1871. Line 7, i860: read the huge sob," etc. i860:
:
"O
The Last Invocation. 187 1
As
I
:
with this
[II., p.
title,
in
233.]
Passage
to
India annex.
Watched the Ploughman Ploughing.
1871
:
with
this title, in
Pensive and Faltering. 1871
:
with
Passage
[11., p.
this title, in
to
to
India annex.
1872, under the
Pinions Free; 1876: in
ment Poem
at
Two
234.]
234.]
Passage
Thou Mother with Thy Equal Brood. First published in
[II., p.
India annex.
[II., p. title
Rivulets.
Dartmouth College, June
of the United Literary Societies. VOL. III.— 16.
[241]
It
235.]
As was
26,
a Strong Bird on the
1872,
Commenceby
invitation
Xeavea of (Braaa §1.
[p. 235.]
Stanza
i
was
the
stanza of a separate
first
poem
in
1872,
beginning thus
"One I
song, America, before
'd sing, o'er
For thee
all
the
rest,
— the Future."
go,
I
with trumpet sound,
Present reading in 1881.
Stanzas
§2.
2, 3,
and 4 were the
rest of the
above poem.
[p. 235.]
As a
This was the beginning of
Strong Bird on Pinions Free
in 1872, '76.
"to-day" "to-day"
"think." "bring."
Line
2,
1876: read
Line
3,
1876: read
Line
8,
1876: read " pine in the north, in Maine."
after after
Line 10 added in 1881.
Line
§3.
1876: read
14,
"O
Union!"
for
"dread Mother."
[p. 236.]
Line 12 added in 1881.
§4.
237.]
[p.
Line
§5.
1876: read "Steer, steer," etc.
9,
[p. 238.]
Line 23, 1876: read " America " after "sun." Line 24, 1876: read "thy endless great hilarity."
Line 30, 1876: read " material wealth and civilization." Lines § 6.
^"^
and 34 added
in 1881.
[p. 240.]
Line 3}:
"such brood
A Paumanok Picture.
as thine "
[II., p.
added
in 1881.
242.]
1881.
From Noon
A
group
Thou Orb
to Starry Night. title in
[II., p.
243.]
1881.
Aloft Full-Dazzling.
[II., p.
1881. [242]
243.]
IDarlorum IReaMngs Faces.
[II., p.
244.]
without title, pages 82-85 1856 Poem of Faces, pages 302-308; i860: I^^/o/Fj^^5^ pages 278-282; 1 87 1 with present 1855
;
:
:
title.
§ I.
[p. 244.]
Line
1833: read "here then
i,
are
faces" for
'Mo,
such
faces."
Line
ugly face";
"welcome"
read "here then are faces" for "faces and
1835:
14,
and
§2.
"The welcome
in 1836.
Line faces
1853: read
7,
dropped
Present reading in 1867.
faces."
[p. 245.]
Line
1833: read " advertising and doing business" after
11,
Dropped in 1836. At the end of this section, 1833: read "Those the bosses and tufts of the great round globe! "epilepsy."
men! Dropped in
are really "
1881.
§
[p. 246.]
3.
Line
2,
1833: read
"Well
then," etc.
Compare manuscript reading
"The
teeth grit
of this passage:
— the palms of the hands are cut by the turned
in
nails,
The man
falls struggling and foaming to the ground, though he buys and barters so coolly.
I
remember when
I
visited the
smeared and slobbering
asylum they showed
me
the most
idiot.
for my consolation of the great laws that emptied and broke my brother The same waited their due time to clear the rubbish from the fallen tenement,
Yet
And And
know
I
I
I
am
to look again in a score or
two
of ages
meet the real landlord stepping as good as myself." shall
[243]
forth every inch
Xeave0 of (Braee §4.
[p. 247.]
Line
§5.
"man"
1855: after
19,
and thumb."
Dropped
read
"and
give
me
your finger
in 1867.
[p. 248.]
Line
1855
3,
read " Sabbath " for " First-day."
:
Present read-
ing in i860. 1855 read " I heard what the run of poets were saying so long." Present reading in 1856.
Line
7,
:
The Mystic Trumpeter.
Two
1876: in
§6.
[II., p.
published in 1872 in
First
249.]
As
a Strong Bird on Pinions Free;
Rivulets.
[p. 251.]
Line
i,
1876: read
"war's wild alarums."
To a Locomotive in Winter. 1876: in Two Rivulets.
O Magnet-South.
[II., p.
[II., p.
253.]
254.]
Longings for Home, pages 389-390.
i860:
Present
title in
1881.
Line 19^ i860: read "Tennessee" for "Kentucky."
reading in 1881. After line 19, i860: read lake, or
still
bayou."
Mannahatta.
[II., p.
"An
Dropped
Arkansas
prairie
— or
Present sleeping
in 1881.
256.]
title, pages 404-405. i860: read " and behold here
i860: with this
Line
2,
!
is
the aboriginal name."
Present reading in 1867.
Line
4,
i860: read
"up
there" for "from of old."
Present
reading in 1881. Line spires."
5,
i860: after
Dropped
"superb" read "with
After line 17, the i860
"The
tall
and wonderful
in 188 1.
poem
read as follows:
parades, processions, bugles playing, flags flying,
beating; [244]
drums
IDarlorum TReaMnge
A
— manners — the most hospitality
million people
—
—
and superb open voices courageous and friendly young
free
men;
The The
no owners of slaves! and sparkling waters! the masts and of spires
free city!
city
The The
no slaves
I
beautiful city! the city of hurried
my
city nested in bays!
such
city of
women,
city!
am mad
I
The
city of
out
I
to be with
them
I
!
will re-
them
turn after death to be with
such young men, I swear 1 cannot live happy, with" often go talk, walk, eat, drink, sleep, with them !
Present reading in 1881. ^
All Is Truth.
[H., p. 257.]
i860: Leaves of Grass, No. 18, pages 237-238; 1867: Leaves Grass, No. i, annex, page 22\ 1871 with present title. of After line 2, i860: read "Me with mole's eyes, unrisen to
buoyancy and vision
A Riddle
Song.
— unfree."
[II., p.
Dropped
in 1867.
258.]
1881.
Excelsior.
[II., p.
260.]
1856: Poem of the Heart of the Son of Manhattan Island, pages 255-256; i860: Chants Democratic, No. 1^, pages 188189; 1867 with present title, page 118.
Line 1871
:
i,
1856: read "I swear
"have not
After line
would be
5,
8,
gone."
"And who
Dropped
1856: read
In
words, they
1871 this ifne read:
"1 would go";
has been firmest?
For
I
in 1881.
"And who
words through the longest time will say such
for
Present reading in 1881.
1856: read
firmer."
After line
I
go"
will
I
?
has projected beautiful
By God
shall stretch
!
I
will outvie
him
through longer time!
"And who
has
!
I
"
projected beautiful
words through the longest time } Have not outvied him ? have not said the words that shall stretch through longer time?" I The whole line was dropped in 1881. 1
[245]
Xeavee of (5vnBB "And
After line 9, 1856: read
sweetest from
women, and
paid
to
whom
them
in
the like sweets, and pay
them
Ah
and Sulky Retreats.
Poverties, Wincings,
Dropped
in kind."
First published in Sequel to
has been given the ? For I will take
kind
Drum-Taps
in 1871.
[II., p.
261.]
(1863-6); 1867: in
annex. Line
1867: read ''unquestioned" for "ultimate."
11,
Thoughts.
[II., p.
262.]
i860: Thotight, page 2S6;
Line
8,
i860: read
Line
9,
i860: read
Mediums.
[II., p.
871:
Thoughts,
262.]
Chants Democratic,
i860:
present
1
"Of the New World," etc. "and to me" after "them." No.
16,
page 189;
1867,
with
title.
Line
i860: read
i,
"mediums shall"
after "States."
Dropped
in 1867.
Line
i860: read " oratists " after "become."
7,
Dropped
in
1871.
Weave
In,
My Hardy
Life.
[II., p.
263.]
Drum-Taps (1865); 1867 title Weave In, Weave In, My Hardy Life. Line 2, 1867: read "Weave, weave," etc. First published in
Spain, 1873-74.
1876:
in
Two
annex, with
Rivulets. [II., p.
After line 11, 1876: read
me
in
[n., p. 264.]
By Broad Potomac's Shore. 1876: in Two Rivulets. give
:
"O
264.]
smiling earth
â&#x20AC;&#x201D;O summer sun,
of you!"
From Far Dakota's Canons. June
2^, 1876.
[II., p.
265.]
1881.
Old War-Dreams. First
annex, with 1871
:
[11., p.
266.]
to Drum-Taps (1865-6); 1867: in In Clouds Descending, In Midnight Sleep,
published in Sequel title,
In Midnight Sleep.
Present [246]
title in
1881.
Darlorum IRea&lnge Stanza
line
i,
night sleep,"
Stanza
2, line
Stanza
3, line
Dropped
i,
1867: read "In clouds descending, in mid-
Present reading in 1871.
etc.
1867: read **the fields and the mountains."
i,
i,
"long lapsed"
1867: read
after
"pass'd."
in 1871.
Thick-Sprinkled Bunting. First published in
[II., p.
Drum-Taps
267.]
(1865); 1867: Flag of Stars, 1871 with present title.
Thick- Sprinkled Bunting, in annex; Line
What
1867: read
i,
"Flag of
Best I See in Thee.
stars! thick-sprinkled
[II., p.
bunting!"
267.]
1881.
Fonn'd This Scene.
Spirit that
268.]
[11., p.
1881.
As
I
Walk These Broad
Majestic Days.
[11., p.
269.]
Chants Democratic, No. 21 pages 193-194 1867: As I Walk Solitary, Unattended, in Songs Before Parting annex, page 28; 87 with present title. i860:
,
1
Line
1
Lines
Line
read
i860:
i,
Dropped
;
"As
walk, solitary,
I
unattended."
in 1881. i
to 6 added in 1871.
13,
i860: read
14,
i860: after
"But we
too," etc.
Present reading in
1871.
Line
"I watch them." Line 15 added
"nothing" read '*they serve"; 1871: Dropped in 1881.
in 1871.
After last stanza, i860: read **
we
For
support
all,
done and gone, we remain, There is no final reliance but upon us. Democracy rests finally upon us (1, my brethren, begin After the rest
is
And our
visions
Dropped
in 1881.
A Clear
Midnight.
sweep through
[II., p.
270.]
1881. [247]
eternity."
it,)
Xeavee of (5ra60 Songs of Parting.
A
group
annex.
see last
Grass
title,
[II., p.
271.]
Songs Before Parting, first employed in 1867: The poems were incorporated in Leaves of
with present
in 1871
As the Time Draws Nigh.
My
Departure
271.]
[II., p.
pages 449-450; 1867: As Nearing Songs Before Parting annex; 1871 with present
To
i860:
title.
in
Soul,
reading.
Stanza
i860: read
i,
'
As nearing departure, As the time draws nigh, glooming from you ''
A
cloud
—a dread beyond,
of
I
know
not what, darkens me."
Present reading in
Stanza
3,
1 87 1. read
i860:
^'OSoul!
Then all may arrive to but this The glances of my eyes, that swept the daylight, The unspeakable love interchanged with women, 1
My joys
open The continual good in the
young men
My
air
to
reflections alone
—my walks through the Mannahatta, have met—the curious attachment of
will
I
me.
—the absorption into me from the landscape,
stars, animals,
thunder, rain, and snow, in
my wanderings
alone,
The words
of
faults
The
my
and
mouth, rude, ignorant, arrogant
—my
many
derelictions,
light touches,
on
my
lips,
of the lips of
my
comrades, at
parting.
The
which I leave, upon the side-walks and fields. but arrive at this beginning of me, This beginning of me and yet it is enough, O Soul, tracks
May
—
O
Soul,
we
have positively appeared
—that
is
enough."
Present reading in 1867.
Years of the Modern. First published in
[II., p.
271.]
Drum-Taps
(1865); 1867: with
of the Unperform'd ; 1871 with present [248]
title.
title
Years
Darlorum IReablnge Line Line
i
Years of the modern " added in 1871. 1867: read *M see" before "new" and before ''the *'
:
4,
Dropped
solidarity."
in 188
1.
Line 6: "the old wars" added in 187 1. Line 7, 1867: read "I see Freedom, completely arm'd, and
and very haughty, with
victorious,
forth against the idea of caste."
Ashes of First
Soldiers.
[II.,
published in
Law by
her side, both issuing
Present reading in 1871.
p. 273.]
Drum-Taps
1867:
(1865);
Hymn
of Dead
Soldiers, annex, pages 39-60. In 87 Ashes of Soldiers was a group title for a number war poems, the group being prefaced by the following stanza: 1
of
1
"Again a verse for sake of you, You soldiers in the ranks you Volunteers,
â&#x20AC;&#x201D;
Who To
bravely fighting, silent
fill
and 2 and line 1867 the poem began thus: Stanzas
i
" One breath, O my perfum'd thought
A
fell,
unmention'd graves." i
of stanza 3 were added in 187 1.
In
silent soul,
â&#x20AC;&#x201D; no
more
I
ask, for the sake of
all
dead
soldiers.
Buglers off in
my
armies!
At present ask not you to sound Not at the head of my cavalry, all on their spirited horses With their sabres drawn and glist'ning, and carbines clanking by their thighs," etc. 1
Present reading in 1871. Line hurrahs,
1867: read "But aside from these, and the crowd's and the land's congratulations." Present reading in
19,
1871.
Line 21 added in 1871.
Line
25,
1867:
read
"Phantoms,
welcome,
tender!" Present reading in 1871. Line 30, 1867: read "Dearest comrades! Present reading in 1871.
Line 35 added in 1871. [249]
all
divine
now
is
and
over."
leavee of (Braaa Line 37 added in 187 1. Linens, 1867: read "Olove!
O chant! solve all with the last Present reading in 1871, but **0 chant" dropped
chemistry." in 1881.
Line 40: " like a moist perennial
dew
"
added
in 1871.
Line 41, 1867: read "For the sake of all dead soldiers." Present reading in 1871, but " South or North " added in 1881.
Thoughts.
[II., p.
275.]
i, i860: Chants Democratic No, 9, pages 179-180; Thoughts, No. I, in annex. Section 2, i860: Chants Democratic, No. 11, pages 182-183; 1867: Thoughts, No. 2, in annex.
Section
^
1867:
§
I.
[p.
275.]
i860: the
poem began with
here for."
Dropped in 1867. and have pass'd " added
am
''
Line 2: Line
read
i860:
3,
*'
the line
gigantic"
*'
A
thought of what
I
in 1867.
''muscular."
for
Present
reading in 1867; "the absolute success" added in 1871. Line 4 added in 188 1. Line
i860: read
5,
"Of how many,"
etc.
"Western" added in 1871. " of the war" added in 187 1.
Line 6:
Line 7: Line 10: "for a while " added in 1867.
"and war
Line 14:
itself,
with
all
its
horrors" added in
1871.
§2.
[p. 276.]
i860: the
poem began with
" The thought of
Of Death, (the Dropped in Line
fruitage,
life
greater)
— of seeds,"
etc.
1867.
i860: read
3,
these lines
"Ohio "for "Arkansas."
Present reading
in 1881.
Line
4,
Minnesota." Line
5
i860:
read
"Missouri, Kansas,
Present reading in 1871.
added
in 1871.
Line 7 added in 1871. [250]
Iowa,
Wisconsin,
Darlorum IReabinge Line 9
:
read "
than any yet."
Of departing
— of the growth of a mightier race
Present reading in 1867.
After line 9, i860: read
soon,
'*0f myself,
perhaps,
closing
my
up
songs by these
shores,
—of Oregon — and of me journeying to Of the Western Sea — of the spread inland between Of
California
live
and sing
it
and the
there
spinal river,
Of the
great pastoral area, athletic and feminine."
Dropped
in 1881.
Line
i860:
Dropped
10,
After line
of
10,
happiness
miles,
"flows"
i860: read
in
warm and
Line
after
read **and
Westward
still."
in 1867.
cold."
i860: read
11,
pected, (as
those
I
am
also,
"Of future men and women
high
plateaus,
Dropped
"Of
it
—
in 1881.
cities
and as
there
ranging three thousand
yet unsurveyed and unsus-
must be)."
Present reading in
1881.
Line
i860: read "strong" for
12,
"modern."
Present read-
ing in 1871. Line
i860: read "inland, spread there" for "far West."
15,
Present reading in 1867.
Line
i860: read "Leaves "for "songs."
16,
Present reading
in 1881.
Song
at Sunset.
[11.,
p. 278.]
i860: Chants Democratic, No. 8, pages 176-179; 1867: Song at Sunset, in annex.
Line
i,
i860: read "falling "for "ended."
Present reading
in 1867.
Line 28, i860: read
"happy."
"amorous"
for "satisfied"; 1867: read
Present reading in 1871.
Line 45, i860: read "sailed "for "steam'd."
Present read-
ing in 1881.
Line 51 added in 187 1. Line 33, i860: read "I sing the Equalities";
old" added
in 1871;
"to the last" added [251]
in 1881.
"modern
or
leavee of (5ra60 Line
As
at
"O
read
i860:
59,
comes."
setting
O when
sun!
the time
Present reading in 1867.
Thy
Portals also Death.
[II., p.
280.]
1881.
My
Legacy.
[II., p.
281.]
published in 1872; 1876.
First
Pensive on Her Dead Gazing.
Dead Gating,
I
[II., p.
Drum-Taps
published in
First
Heard
282.]
(1865); 1867: Pensive on
Mother of All,
the
Present
Line 3 added in 1871. Line 7: ''impalpable " added in 1881. Line
1867: read
11,
beautiful bodies absorb
Present reading in
blood."
Camps
"My
of Green.
[II., p.
First published in
Line
i,
dead absorb
— and 1
Her
1881.
young men's
their precious, precious, precious
88 1.
283.]
Drum-Taps
1867: read
— my
title in
1867 with this title. (1865) soldiers" for "old comrades of the
"O
;
Present reading in 1881.
wars." Line
18,
1867: read
"us and
ours and all" for "all."
Pres-
ent reading in 1871.
Line 20, 1867: read "fight" for "fought." in
1
87 1. Line 21,
meet."
1867:
read
"we
shall all
meet"
Present reading
for
"we
all,
all
Present reading in 188 1.
The Sobbing
of the Bells.
p. 284.]
[II.,
1881.
As They Draw First
to
a Close.
[II., p.
284.]
published in Passage to India (iS^i); 1871
with present title. Lines 7-10 added in 1881 read " Of you, 1871 " great! to place on record faith in you, O death 1
88
:
Thought;
1
;
—
Line
!
14,
187 1: read
Joy, Shipmate Joy. 1
:
871: with
"O
[II.,
soul of
p 285.]
this title. [252]
man."
O
mystery
IDarlorum IReaWnge The Untold Want.
[II., p.
285.]
1871.
Portals.
p. 286.]
[II.,
1871.
These Carols.
[II., p.
286.]
1871.
Now
Finals to the Shore.
286.]
[11., p.
1871.
So Long.
[II., p.
286.]
i860: with this After line
"The
i,
title.
i860: read
thought must be promulged, that all I know at any time time only not subsequent time
—
suffices for that I
announce greater offspring,
Dropped Line close,
2,
in 1867
and
i860: read
before
my
**
I
orators, days,
and then depart."
1881.
remember
said to myself at the winter-
I
leaves sprang at
all,
candid and unloosed summer-poet."
that
I
would become
a
Present reading in 1867.
After line 4, i860:
When each part is peopled with free people, When there is no city on earth to lead my city, '*
men, the Mannahatta leads
When
all
— But
when
the city of the
young
Mannahatta
the cities of the earth.
there are plentiful athletic bards, inland and seaboard."
Dropped Line
eyed
city
7,
in 1867.
i860: read
— when breeds,"
Line
8,
**
When fathers,
etc.
firm, unconstrained,
open-
This clause dropped in 1867.
i860: read ''Then to
me
ripeness and conclusion."
Present reading in 1867. After line 8, i860: read
—
" Yet not me, after all let none be content with me, I myself seek a man better than I am, or a woman better than I am, I invite defiance, and to make myself superseded, [253]
Xeat^ee of (Braee
All
I
have done, I would cheerfully give to be trod under it might only be the soil of superior poems.
foot, if
have established nothing for good, have but established these things, till things farther onward shall be prepared to be established. And 1 am myself the preparer of things farther onward." I
I
Dropped
in 1867.
Lines 10 and
11
added
in 1871.
After line 14, i860: read
â&#x20AC;&#x201D;
and not enforce you to give play to yourself depend on me, or on any one but yourself, Once more 1 proclaim the whole of America for each individual, **Once more
1
without exception.
As
I
As
I
have announced the true theory of the youth, manhood, womanhood, of The States, I adhere to it; have announced myself on immortality, the body, procreation, hauteur,
As As
I
I
prudence,
crowd menacing weapons
joined the stern
that
â&#x20AC;&#x201D;
I
still
confronts the President with
adhere to
have announced each age for example.
all.
itself,
this
moment
demand the choicest edifices to destroy them Room! room! for new far-planning draughtsmen and
I
set the
I
engineers!
Clear that rubbish from the building-spots and the paths!
Dropped
in 1867.
Before line
15,
i860: read ''So long I
"
Dropped
Line 20: "indissoluble" added in 1871. Line 24, i860: '' So long! " at beginning of
in 1867.
line.
Line 26, i860: ''So long"' began this stanza. Line 27, i860: read **old age" for ''end." Lines 28 and 29 added in 1871. Line 30: " (So long!) " added in 1867. Line 34, i860: read "Now throat, sound your last!" ent reading in 1867.
Line 35, i860: read "future" for "days." [2543
Pres-
IDarlorum IReaMnga
Line 43,
i860:
read
"out of me"
"out of the war."
for
Present reading in 1871.
Line 47: " really" added in 1867. Line 52: "solely to you" added in 1867. Line 53: "Camerado" added in 1867. Line 55: "together" added in 1881.
—
Line 66, i860: read " progress on."
I
I
one
feel like
who
has done his
Line 67 added in 187 1. Line 68, i860: read "The" for
"An."
Line 69: "I may again return " added in 1871. In i860 Leaves of Grass, No, 24, page 242
poem
work
Present reading in 1867.
— read as follows
" Lift me close to your face till whisper, What you are holding is in reality no book,
—a
separate
I
It is
a man, flushed and full-blooded
—
We
—
it is
I
nor part of a book, So long!
—
must separate Here! take from my lips Whoever you are, I give it especially to you; and I hope we shall meet again." So long
this kiss,
—
In
Passage to India appeared To the Reader at Parting:
"Now,
dearest comrade,
We
lift
—
me
to your face.
must separate awhile Here take from Whoever you are, I give it especially to you; So long! And I hope we shall meet again." I
my
lips this kiss.
—
These poems were omitted from the Sands at Seventy.
Good-Bye
[11., p.
My Fancy.
Old Age Echoes.
The poems
final edition.
291.]
[III., p. 7.]
[HI., p. 31.]
of the annexes
were reprinted
forms, without revision.
[255]
in their original
part IRejecteb These are
lines
irir
%incQ anb passaaes
taken from the early manuscripts, most of them
Some of the sections are merely antedating the 1855 edition. suggestions for poems or a few trial lines.
Osirus
I
am
â&#x20AC;&#x201D; to give forms.
he
who
finds nothing
more divine than simple and
natural
things are divine. 5
Remembrances
American ground with, Lessons to think I scatter as they come. 1 perceive that myriads of men and women never think, I perceive that e'er visible effects can come, thought must come, I
I
plant
perceive that sages, poets, inventors, benefactors, lawgivers, are
only those who have thought, That maugre all differences of ages and lands they differ not. That what they leave is the common stock of the race.
4
And And
the tough Scotch sailor crosses the minch to the Hebrides, the
Orkney boy and the Shetland boy wonder
tant
world they hear
of,
at that dis-
yet love their rude cold island for-
ever. [256]
1Re|ecte^
And
the canny Caledonian thrives and thinks
Solway
And
Firth
all
ranees, the Styrian
stayer
I
near and love are to me, so are
live
the seas of the earth to those
and love them. And as the mountains of tains, to the
anywhere between
and Noss Head.
as the shores of the sea
the shores of
You
Xinca anb ipaeeagea
my
who
live
near
land are to me, so are the Alps, Py-
Carnacks, Balks, Sedletz
hills,
moun-
people of those lands.
by the Shannon, the Dee, the Trent, the Severn, or
goer from thence.
You tough sailor crossing the minch to your You Orkney boy and Shetland boy. You Spaniard of Spain, you Portuguese, you Note:
4,
5,
6,
and 7 are
first
Hebrides,
Swiss.
drafts of lines for Salut
Monde,
au .^f.^,
8
As we
are content and is
dumb the amount of us in men and women
content and dumb.
As we cannot be mistaken
I
they cannot be mistaken.
at last,
have advanced from.
We
—
—
we are the solid and liquid we are we have advanced to. have advanced from what was our own cohesion and for-
All that
mation.
We advance to just as Time
suffices, VOL. HI.— XT.
much more, and just
and the laws
suffice. _
_
[357]
as
much more.
Xeave6 of (Sxaee lO
Send any and
all,
no matter what,
We have places for any and all — good places We receive them, we have made preparation, We have not only made preparation for a few developed persons. We have made preparation for undeveloped persons also. II
We effuse spirituality and immortality. We put a second brain to the brain. We put second eyes to the eyes and second Then the drudge clothes
are
The
in the kitchen
— then
ears to the ears,
— then the laborer
in his stained
the black person, criminals, barbarians
no more inferior to the rest. and the blunderer are not to be laughed
frivolous
at
— as
before,
The
cheat, the crazy enthusiast, the unsuccessful
man, come un-
der the same laws as any.
As the turbulence of the expressions of the heat and the great cold
earth, as the great
— as the soiledness of animals and
the bareness of vegetables and minerals.
No more to
than these were the roughs
among men shocking
me. 13
Remember
if
you
are dying, that
you
are dying,
.
.
.
is it
so
then? If it I
tell
be so
I
bring no shuffling consolation of doctors and priests,
the truth
...
I
tell
with unvarying voice. 14
White, shaved, foreign, soft-fleshed, shrinking, Scant of muscle, scant of love-power. Scant of gnarl and knot, modest, sleek in costumes, [258]
linee anb ipaaaagee
1?eiecte^
Averse from the wet of rain, from the fall of snow, from the of the stones and soil, A pretty race, each one just like hundreds of the rest, A race of scantlings from the stony growth of America.
American
air
I
grit
have breathed^ breathe henceforth also of me,
American ground that supports me,
I
will support
you
also.
16
A
procession without halt,
Apparent
and hid
at times,
.
.
.
at times.
Rising the rising ground, in
relief
against the clear sky, lost in the
hollows, stretched interminably over the plains.
No
eye that ever saw the starting, no eye that ever need wait for the ending. Where any one goes, however ahead, the rest duly coming, however far behind,
.
.
.
Marches a marching procession.
17
A A
remembrance
.
.
breath to American
Remembrance
for a
.
air,
breed of ftiU-sized young
men and women.
18
O
I
see
And
now
that
I
that intellect
have the make of materialism and things, is to me but as hands or eyesight, or as a
vessel.
19
Give Give
me something savage, and me large, full-voiced .
.
luxuriant. .
[259]
men.
Xeave0 of ©raee 20
Advance shapes Shapes that
like his
— the king of Egypt's shape, wholesome, clean—gigantic
shape
tally Sesostris
in stature,
eyed,
— every limb, every part and organ pro— strong, bearded, supple, nine years, Conqueror of two continents Lover most of those that repelled him sternest — builder to them memorials. of sixty-two years — accepter of Ruler wisely and religions — preferer of none. Freer of slaves — divider among them of homesteads — maker of Six feet ten inches
in
tall
portion
in
phallic
friendlily for
all
farmers. 21
Sanity and ensemble characterize the great masters,
Innocence and nakedness are resumed. Theories of the special depart as dreams.
Nothing happens, or ever has happened, or ever can happen, but the vital laws are enough.
None were
A
or will be hurried, none
vast, clear
were or
scheme, each learner learning
Taking men, women, laws, the
earth,
will be retarded,
it
for himself,
and the things of the earth
as they are.
and coming back to one's-self. Looking always toward the poet. Seeing all tend eternally toward happiness. What is narrower than gravitation, light, life, of no account. Starting from one's-self
What
is
than the sure formation of density, or the patient strata, of no account. less than that which follows the thief, the liar, the glutless
upheaving of
What
is
ton, the drunkard, through this experience,
and doubtless
afterwards, that too of no account.
What
does not
satisfy
each one and convince each one
of no account.
22
Hear my fife I am a recruiter, Come, who will join my troop } I
[260]
— that too
IRelectet)
Xinea
anÂŁ) ipaeeage^
23
The I
sores on
my
shoulders are from his iron necklace,
look off on the river with
He
stops the steamboat
with
Under
this
till
my
bloodshot eyes,
she take
my woman
and paddle away
her.
rank coverlid stretch the corpses of young men.
Light and air! Nothing ugly can be disgorged, Nothing corrupt or dead set before them. But it surely becomes translated or enclothed Into supple youth or a dress of living richness, spring gushing out from under the roots of an old tree, barnyard^ pond, yellow jagged bank with white pebble stones, timothy, '
sassafras, grasshopper,
pismire, rail-fence, rye, oats, cu-
cumbers, musk-melons, pumpkin-vine, long string of running blackberry regular sound of the cow crunching, crunching the grass.
â&#x20AC;&#x201D;
The path worn
in the
grassâ&#x20AC;&#x201D; katy-did,
locust, tree-toad, robin,
wren. 25
know many beautiful things about men and women, But do not know anything more beautiful than to be freehanded and always go on the square.
I
I
see an aristocrat
1
see a
smoucher grabbing the good dishes exclusively to himand grinning at the starvation of others as if it were
self
funny, I
gaze on the greedy hog; he snorts as he roots in the delicate greenhouse.
How
those niggers smell!
Must that hod-boy occupy the same stage with Doth the dirt doze and forget itself ? [261]
me ?
%envcB of (5ra60 And let tomatoes And do no better
Who am
ripen for busters and night walkers, for
me
gentleman or lady, With a stoop and a silver door-plate and a a regular
And is the day here when One with the immigrant gutter
One with
I
pew
in
church
?
vote at the polls.
that last
August strewed lime
in
my
?
the thick-lipped black
?
And can dew wet the air after such may be And make laws over me ? Have you heard the gurgle of gluttons
elected to Congress,
perfectly willing to stuff
themselves
While they laugh at the good fun of the starvation of others, But when the gaunt and the starved awkwardly come for their slices
The
quiet changes to angry hysterics.
It is
for babies to
lift
themselves out of the
I
go not with the babies
1
am none
who
.
.
I
I
am
1
.
of the large baby sort
have no wish to lift myself above breathing eminent or attractive; am not quite such a fool as that, remain with people on average terms
1
.
.
.
air,
and be
specially
too great to be a mere leader.
26 I entertain all the aches of the human heart Outside the asteroids I reconnoitre at my ease.
27 All
have come out of
us,
and
all
may
[262]
return to
usâ&#x20AC;&#x201D;they are ours.
1?eiecteb Xinee
anb ipaeaaaee
28
These are the sights that I have absorbed in Manhattan island, and in all These States, These are the thoughts that have come to me some have come by night, and some by day, as I walked.
—
I
know that Personality is divine, and gives life and identity to a man or woman. And know that egotism is divine, know that the woman is to be equal to the man. — And know
—
I
1
I
that there
is
to be nothing excepted.
29 I
am
a curse: a negro thinks
You cannot speak
my own
I
lend him
1
dart like a snake
me;
for yourself, negro;
tongue;
from your mouth.
My eyes are bloodshot, they look down the river, A steamboat paddles away my woman and children. His iron necklace and red sores of the shoulders
The hopples
at the ankles
and
I
do not mind. must not
tight cuffs at the wrists
detain me. I I
go down the river with the sight of go to the steamboat that paddles off
my woman
my bloodshot eyes, my woman and children.
and children,
I
do not stop with
I
burst the saloon doors and crash on a party of passengers.
But for them I too should have been on the steamer I should soon
...
His very aches are ecstacy.
Poem
of existence. [263]
%cwoee of (5ra00
We
call
we
one the past and
call
another the future,
But both are alike the present. not the past, though
is
It
we All the
The
we
call it
so
—nor
the future though
call it so,
while
ciirious
it is
the present only.
realities
now everywhere — on
the surface of the
earth in the interior of the earth
What
is it ?
Is it
liquid fire ?
Are there
living creatures in that ?
Solid ?
Is it fire ?
some vast, strange, vacuum ? Any kind
vacuum
Is
there not toward the core
stiffling
Is
there anything in that
of curious flying
or floating
life
The existences on
with
its
nature fitted
?
?
the innumerable stars, with their varied de-
grees of perfection, climate, swiftness
Some
probably are but forming, not so advanced as the earth
(Some There
no doubt more advanced).
are
is
intercommunion.
One sphere cannot know another sphere. Communion of life is with life only, and of what Each sphere knows
itself only,
is after life.
and cannot commune beyond
itself.
Life
communes
Whatever
it is
only with
life.
that follows death
.
.
,
cannot guess what the entertainment will be, But I am sure it will be generous enough, I have never yet seen the sign of a niggard in anything but man.
I
The
do not treasure chips, or stick for the odd same fashion for I am their friend.
great laws
I
am
I
rate
I
must have
of the
—
myself high
my
—
full
I
receive no small
price
sums;
—whoever enjoys me. [264]
cent;
1Re|ecte&
I
my
feel satisfied
Xlnee anb paa^agce
visit will
be worthy of
me
and of
my
Hosts
and Favorites; I
leave
The
it
to
them how
to receive me.
retrospective ecstacy
upon me, now
is
my
spirit
burns
volcanic;
The
ashamed before
earth recedes
my
prophetical
crisis.
34 In
American schools sit men and women men and women are more necessary than
Schools for
Enough
O
for children.
fastened and loosened contact.
36
Nor
humility's
book nor the book of despair nor of
old restric-
tions;
Book of a new soldier, bound for new campaigns; Book of the sailor that sails the sea stormier, vaster than any. 37 Great are the Myths
Adam
Great are
.
.
I
.
too delight in them.
...
and Eve
I
too look back and accept
them, Great between them and their poets,
And And
that I
's
rest
and
priests.
easy enough shallow pate to go about singing them above the
and deferring to them become great by singing and
did not
Great are you and great
We
the risen and fallen nations, and
sages, rulers, warriors
so,
am no
And they
me
women,
are just \s
am
deferring.
I,
good and bad
as the eldest or [265]
youngest or any,
!ILeavc0 of (5ra60
What What What
the best and the worst did
we
can do,
do we not feel it in ourselves ? they thought do we not think the same ? they
felt
—
3»
Of your
soul
I
say truths to harmonize
if
anything can harmonize
you,
Your body
to
how Your eyes
it
are
me is sweet, clean, loving, strong, appears to others or to yourself, more
me
to
than poems, your
lips
I
am
indifferent
do better than
play music,
The
your cheeks, the lashes of your eyes, are eloquent me, The grip of your hand is richer than riches. lines of
to
39
As
of Forms.
Their genesis,
They
genesis.
all
lost, all lost
—
for
they include
all.
The earth and everything in it, The wave, the snake, the babe, the
landscape, the human head, Things, faces, reminiscences, presences, conditions, thoughts tally
and make
definite a divine indistinct spiritual delight
in the soul.
Of the
arts,
as music, poems, architecture, outlines,
they are in their
way
and the
rest,
to provoke this delight out of the
soul.
They
are
to seek
it
where
it
waits
—
for
I
see that
it
always
patiently waits.
Have you sought the inkling ? Have you wandered after the meanings of the earth? not wander; Behold those forms. [266]
You need
Xlnea anb Ipa60afle0
IReiecteJ)
40
To an
Exclusive.
Your tongue here But
?
Your
feet
haunting the States
also haunt the States, their born defender
I
brother of low persons and rejected and
?
I,
determined
wronged persons
â&#x20AC;&#x201D;espouser of unhelped women,
hour sleeping and eating mainly that I wake and be muscular for their sakes. Training myself in the gymnasium for their sakes, and acquiring
From
this
a terrible voice for their sakes.
Rapacious! 1
fight,
I
take up your challenge!
win or lose, and hereby pass the feud to them me; charge the young men that succeed me to train themselves whether
I
that succeed
And
For
I
1
and acquire terrible voices for disputes of life and death and be ready to respond to whatever needs response. prophecy that there will never come a time, North or South, when the rapacious tongue will not be heard, each age in its own dialect. 41
As As
procreation, so the Soul
childhood, maturity, craft, greed, hatred, denial
lies,
thefts,
adulteries,
sarcasm,
â&#x20AC;&#x201D;so the Soul. 42
The
circus
boy
is
riding in the circus,
on a
fleet horse.
43
Dimly
I
man
with a young
looking together
saw those we
watched on the shore disappear. 44
O
Walt Whitman, show us some pictures; America always Pictorial And you Walt Whitman to name them. !
[267]
leaver of 6ra60 Yes, in a
little
house
I
keep suspended many pictures
â&#x20AC;&#x201D;
it
is
not
a fixed house. It is
round
â&#x20AC;&#x201D;Behold!
it
has
room
for
seaboard and inland, persons
America, north and south, .
.
.
45 Lo, space, eternal, spiritual, hilarious,
Lo, the future free
demense of what
is at
present called death.
46
The woman that sells candies and The boy crying his newspapers in
apples, at the street-stand.
the morning.
47
The
malaria from
low wet grounds. 48
The
red liquid heart of the earth.
How curious is the brown, How curious the .
.
divine, coarse, substantial earth,
.
49
The
Alleghanies climbed and descended
by me, the mighty
Anahuacs climbed. 50 National hymns, real American music.
The
master's words, arrogant, fluent,
final,
severe.
51
Tar, turpentine, shingles, from North Carolina.
The
slaves drive mules
and oxen drawing the rude [268]
carts.
l?c|ecte&
Xine0 anb ipaeeagea
The lumber schooner.
The pack of negro-dogs chained
Who wills with
his
own
in couples for the slave-hunt.
brain, the
sweet of the
float of the earth
descends and surrounds him,
you be a laborer or apprentice or
If
solitary farmer,
it
is
the
same.
Have you known Have you known
You
that your limbs
must not dangle
?
that your hands are to grasp vigorously ?
are also to grasp with your
Remember how many
mind
vigorously.
pass their whole lives and hardly once
think and never learned themselves to think.
Remember As
before
to you,
if
all realities
must
exist their thoughts.
you have not yet learned
to think, enter
upon
it
now, Think
You
once with directness, breadth, aim, conscientiousness, from the start and grow rapidly each successive week.
at
will find a strange pleasure
53 I set up for myself I set up profit and He is greatest who has the most caution, He only wins who goes far enough.
After aU
A A
A
loss,
sum laid aside for burial money, few clapboards around, and shingles overhead, on a American soil owned, few dollars to supply the year's plain clothing and food,
little
And
then
away
I
I
issue myself in triumphant issues,
I
live as
I
go and
1
wait long besides, [269]
lot of
Xeavea of (Braes
I
never abandon myself nor the sweet of myself, nor the eternity
I
will not lose the
of myself,
Nor the I
bloom and odor of the earth, flowers, atmosphere, women and men that like me and that
true taste of the like.
54
A
little
sum
aside
laid
for burial
money
—a
few clapboards
around and shingles overhead on a lot of American soil owned a few dollars to supply the year's plain clothing and then away. and food
— —
Prudence has interminable eyes, rejects money, modern prudence, money-making.
Abandonment
of such a being as
you
are to the toss
and
pallor
of years.
To be
a doer of deceits,
...
parlors
underhand dodgings,
infinitesimals of
a shameless stuffer while others starve.
the bloom and odor of the earth, flowers, atmosphere, and of the true taste of the women and men you pass or have to do with in youth or middle age. Receiver of the issuing sickness and revolt at the close of a life without elevation or naivete. Chatterer of the ghastly chatter of a death without serenity or
Loser of
all
sea,
majesty. 55
Will you have the walls of the world with the clouds
air
and the fringed
?
The Poet says God and me. What do you want from us and maybe we will give it you.
?
— as one who knows
The Soul addresses God as his equal greatness as a younger brother.
—
Ask
his
56
—
Ships sail upon the waters some arriving, others depart. Ten thousand rich, learned, populous cities they have grown or certainly to
—
grow. [270]
IRelecteb
The
States spread
the
two
— old States and new States — they front — they are edged or by the Mississippi,
amply
seas
cleft
Congress is in session appointed time.
The President
See!
Xines an& paaeage^
is
in the Capitol, or will
menaced
face to face
be
in session the
by the common
people for his derelictions. 57
Have I refreshed and elevated you ? Though have uttered no word about your particular employment, have you received from me new and valuable hints about your employment? Have you gone aside after listening to me and created for yourI
self?
Have
proved myself strong by provoking strength out of you
I
?
58 I
subject
all
the teachings of the schools and
ity to the tests
And
I
all
dicta
and author-
of myself
encourage you to subject the same to the tests of yourself
— and to subject me and my words to the strongest
tests
of any.
59
Of recognition.
Come I
will
will no more trouble myself about recognition, no longer look what things are rated to be but what they really are to me.
I
60
To
pass existence
is
so good, there
is
not chance for death.
.
.
.
61
What would
it
bring you to be elected and take your place in
the Capitol I
elect
you
?
to understand; that
is
public could not do. [271]
what
all
the offices in the Re-
Xcavee of ©raes 62
The power by which the carpenter plumbs his house is the same power that dashes his brains out if he fall from the roof. 63
Now On
for a legend not old,
the spreading land.
but as
.
.
new
as the
newest
.
64
You You
You
lusty and graceful youth!
are great;
youth be great with amplitude and steadiness
are not exclusively great in
Your middle age
shall
and fullblooded strength Your old age shall be equally great with majesty and bloom and fascination and love. 65
Are the prostitutes nothing
Does the
nothing?
light or heat pick out ?
pick out
Are the mockers of
religion
?
Does the
attraction of gravity
}
66 I
have
all lives, all effects, all
in myself.
This 1
is
the earth's
word
and the truth are one,
causes,
all
gerunds, invisibly hidden
— the round and compact we
earth's,
are curiously welded.
67 After Death.
Now when am looked back upon hold levee, lean on my left elbow — take ten thousand lovers, another, by my right hand. I
1
I
I
one
after
68
There are the caravan of the desert encampment and the camels. [272]
— the close of the day — the
1Rciccte& Xincs
an& ipaseaees
69 I
do not expect to see myself in present magazines, reviews, but presently expect schools, pulpits and legislatures and legislatures in magazines, schools or to see myself
—
that
my
friends after
me
will see
me
1
—
there.
70
To
the
new
continent comes the offspring of the rest of the con-
tinents to bear offspring,
And
these
poems
are both offspring
and parents of superior
offspring.
To this continent comes the offspring of the And these poems are both offspring and
other continents, fathers of superior
offspring,
And from
the same spirit that launched Congress and the menaces that confront
poems launches
these
those ships,
cities.
the President,
And
these are for the lands.
Points in Proem.
That only when sex
is
properly treated, talked, avowed, ac-
woman
be equal with the man, and pass where the man passes, and meet his words with her words, and his rights with her rights, and cepted, will the
.
.
.
73
Poem
Collect
all
Pitcher —
woman
under the ''new dispensation." from history Molly the best mothers the healthiest women the
illustrative of the
illustrative
characters
—
—
—
—
most loving women.
A woman
is
to be able to ride,
shoot, defend herself, as a
swim,
sail
man.
VOL. III.—z8.
_
run, resist, advance, refuse,
a boat, hunt, rebel, just as _
[273]
much
Xeavee of (Bra^a woman
have not the grand attributes in herself, the cannot have them afterwards, The woman is to be athletic also. the
If
man
74 1
heat the hot cores within and fix the central point of the cores
And
carry straight threads thence to the sun
I
and
to distant un-
seen suns. 75
As
inexorable, onward, resistless, impassive, amid the screams and din of disputants, so America.
nature,
76
Yet I
I
If it
I
am
I
am
am
me
out of
lost to
.
.
and whatever
my
myself
my
in
I
.
could dash the girder of the earth
between
lay
Surely I
and dart through
strike
think
I
away
wanted.
head!
— and nature
in
another form has
laid
down
place.
a creased and cut sea
;
the furious
wind
77 I
am become
I
descend
I
the poet of babes and
— retrace steps oceanic — but
many
steps
the objects
all
little
things,
go backward primeval
1
I
I
pass around not merely
my own
kind,
see.
78
Pure water Sunshine,
I
will henceforth drink
space unclosed,
...
I
stifle
in the
confinement of
rooms,
The Give
wheat, rye, corn, rice. have a clean, sweet, resistless body to myself,
flesh of animals,
me
that
1
[274]
1?ejecteb
me
Give
Xlnce an& ipaeaagee
.
I
must have
I
last
79 winter observed the
snow on
the spree with the north-
west wind
And
it
put
me
out of conceit of fences and imaginary
lines.
80
The dry
leaf whirling its spiral whirl
and
falling
content to the
ground. 81 I
hours and days and think them immeasurable
shall venerate
hereafter I
am
I
was
But
how much
finding a
good
friend to
1
all
can pass through in a few minutes. things before,
now what was seems I
to
me
limpsey and
little.
82
Why
should
I
subscribe
money
to build
some
hero's statue ?
That butcher boy is just as great a hero He does not know what fear is. 83 I
am
a student free of a library, to
it
is
limitless
and eternally open
me;
The books and
are written in numberless tongues,
always perfect
alive.
They do not own
who buy
the library
the books and
sell
them
again, I
am
owner of the library meaning of the same.
the
for
I
read every page and enjoy the
84
Thought never
to
be forgotten
in lectures.
[275]
!lLcapC0 of (5ra00
through (now) the
this age, pass
That we, the
new age
We are now going America
is
an
terrible transitions to
—ages. through the parturition.
illustration of
it.
—
Few see the result few have any faith Many desperately cling to the old age, Yet continues the divine whirl, the
in
it,
conflict.
No? Have you supplied the door of the house where need was, the old one decayed away, And do you not see that you also want your foundation and the roof?
Have you put only doors and windows to the house where they were crumbled ? Do you not see that the old foundation beams of the floor have rotted under your feet and who knows when they may break
Do you
?
not see that the roof
night,
may
fall
in ruin
is also crumbled and about your heads ?
this day, this
86 Aspirations.
**Keep the secret
A
—keep
cluster of poemetta.
To
it
close."
To my
Soul.
friends.
Did you think then you
knew me
?
Did you think that talking and the laughter of me, represented
me? 87
Can
?
make me
so exuberant yet so faintish ? [276]
lRejecte&
Xinee anb pae^agee
The rage of an unconquerable
fierceness
is
conquered by the
touch [of the] tenderest hand. I
cannot be awake for nothing looks to me as it did before, else I am awake for the first time and all before has been a
Or
mean
sleep.
88
The Body.
Why
what do you suppose
Do you suppose
fruit that is eaten, is
No, those are
Body ?
the
always existed
the
body
visible parts of the
some way
in
is
this that has
—
this meat, bread,
?
body, materials that have existed form
for billions of years not entering into the
of the body,
But there
(Make
is
this
the real
body
too, not visible.
more rhythmic.) 89
Divine
How How How
is
the
body
—
it is all
—
it is
the soul also.
can there be immortality except through mortality ? can the ultimate reality of visible things be visible ? can the
real
body ever
die ?
90
Downward, buoyant,
O
I
must not
To you I
do not
I
forget!
reach friendlily
must not
To you 1
I
swift on turbid waters a coffin floating.
forget,
adhere. flatter,
I
am
not polite, but
Baffled, exiled, ragged, gaunt. [277]
I
adhere to you
Xeapea of (Braee 92
You are English, Irish, Scotch, Welsh, To-morrow the most powerful Queen
that ever reigned over
earth sends her eldest son to you,
—
Germany contributes to you Italy to you. You are Spanish also, and French also adopter
—
for good, or as
noble guests.
O
You,
You
Libertad,
do not refuse them, you welcome each and and African.
all.
are of eld Asiatic also,
93
—
I— of many a smutch'd deed reminiscent of worse deeds capable. Yet I look composedly upon nature, drink day and night the joys of life, and await death with perfect equanimity. Because of my tender and boundless love for him I love, and because of his boundless love for me. Full of wickedness,
94 Spirituality, the
unknown, the
great aspirations of the soul, the
idea of justice, divinity, immortality.
95 Merely what I tell is not to justify me. I provoke from you and from ensuing times, me.
What
is
to justify
96 Loving every one I meet and drawing their love in return, Never losing old friends and finding new ones every day of life.
97
Where
the boys dive and splash in the bath.
98
You woman, mother
of children, [278]
my
%incB anb ipaeeagea
1Rejecte&
You young woman,
thinking of man, bashful, longing, loving,
thinking alone at night.
You wife of your husband, You husband of your wife
—you
old husband, and
you middle-
aged or old husband. 99 I
know
that amativeness
which
know
I
is
just as divine as spirituality
put freely in
I
my
—and this
poems.
lOO
Poem.
Shadows.
Reflections.
windows of the shops as I turn from the crowded and peer through the plate glass at the pictures or rich goods Broadway, the reflections, moving, glistening, silent.
As seen
in the
street
In
The heavy
base, the great
hum and
harshness, composite and
musical.
The
and
faces
figures, old
and young,
all
so various,
all
so phan-
tasmic,
The omnibus passing and then another and sky up of .
.
another, the clear
.
lOI
To be I
at all
think
if
—what
callous
I
I
am am
better than that ? in its
not in any callous shell cased with supple conductors
They take every They They
is
were nothing more developed, the clam shell in the sand were august enough.
there
object
all
over;
by the hand and lead
it
within me.
are thousands, each one with his entry to himself; are to
always watching with
my
their
feet.
[279]
little
eyes,
from
my
head
Xeavea of (Braee One no more than
a point lets in
me
and out of
such
bliss
and
magnitude, I
think
I
could
me
lift
the girder of the house
then and whatever
I
away
if
it
lay
between
wanted. I02
I
am
a look
—mystic—
in a trance
Something wild and untamed
Common
things
—
exaltation.
—half savage.
—the trickling sap that flows from the end of the
manly maple. 103
Living bulbs, melons with polished rinds smooth to the reached
hand Bulbs of
lilies,
life,
polished melons, flavored for the mildest hand
that shall reach.
104 I
am
The
that half-grown angry boy, fallen asleep. tears of foolish passion yet undried
upon
my
cheeks.
Years with all their events pass for me, Some are spent in travel some in the usual hunt
—
I
after fortune.
pass through the travels and fortunes of thirty years, and
become
old.
Each
in its
And then The
.
due order comes and goes, me comes.
a message for
.
.
105 Religion.
?
Outset.
That these are a few casual observations
— thoughts
into the future.
There can be henceforth no system of religion. [280]
projected
anb paaeagee
1Rejecte& Xinee
— nay already
assumes grander propormounts flying infuses, every one touches, skies to the is the only democracy, Democracy and greater than Democracy Religion soon assuming tions freed from
—
fables, spangles, trickeries,
—
—
true, divine, the revealer, the
.
.
.
io6
See
— there
Epicurus
is
teaching His physique
ogy
He
calls
is full
—
— see
the old
his voice clear
philosoph in
and sonorous
perfect,
around him
— his phrenol-
—
river, arguing.
107
down
the Mississippi of a clouded midnight.
How
solemn! sweeping this dense black tidel friendly lights i' the heaven o'er us; A murky darkness on either side. And kindred darkness all before us!
No
Now, drawn
near the shelving rim.
Weird-like shadows suddenly
rise;
Shapes of mist and phantoms dim Baffle the gazer's straining eyes.
River fiends, with malignant faces
Wild and wide
As
if
their
arms are thrown,
to clutch in fatal embraces
Him who
sails their
realm upon.
Then, by the trick of our own swift motion, Straight, tall giants, an army vast,
Rank by
On
How
rank, like the
the shore march
solemn
Which
!
porch
young men he gathers them with them along the banks of the
his school of
in the street, or saunters
Sailing
a
waves of ocean, stilly past.
the river a trailing
pall.
takes, but never again gives back; [28X]
%caveB of (5ra60 And moonless and
starless the heavens' arch'd wall,
Responding an equal black! O,
tireless
waters! like Life's quick dream, ever hurrying
—
Onward and onward
Like death in this midnight hour you seem, Life in your chill drops greedily burying!
Like earth
O
you
river
Existence like
is
offer us burial,
your hurrying on.
Like time with a clutch remorseless, continual.
That which you take
forever gone.
is
Unlike time you begin and end, Unlike
you
life
've a
pathway
steady.
Unlike earth's are your numberless graves
Ever undug, yet ever ready.* io8 In
Song
The hot
of Kisses. kiss of the
new husband
to the bride
— and the kiss of
the bride to the husband.
i09t
Take O boatman thrice thy Take I give it willingly,
—
fee.
For unwittingly to thee, twain have crossed with me.
Spirits
* Belongs to 848 1
— Cf. Complete Prose fVorks, where other verses of the poem
are given.
f
runs
A poem by
Uhland, translated by S. N. N., containing
six verses
;
the last
:
Take now boatman, take thy Thrice thy due
For with
me two
Spirits of the
Underneath
it
W. W.
1
writes his
spirits crossed,
loved and
own
fee;
offer thee:
lost.
version, as above.
[282]
V,
IReJecteb
Xinea anb paeeage^
no* I
see the burial-cairns of Scandinavian warriors. Ill
Poem
of Triumph.
Poem
of Defiance.
Poem .
.
of
.
.
.
Make
?
.
a
poem
including a
list
of
what poems are yet wanted. Something to bring in a dirge, slow, murky, half-suffocated, long, drawn out,— of not being able to extricate one's self from the most agonizing sorrow, and despair •
•
•
The Triumphant Poem. young man.
Poem Poem
of approaching death for a
of approaching death.
O for joy! O come at last O strength! O perfect content! O now my most triumphant poem. O the sunset off in the heavens, westward, with fringed clouds, I
with long
flakes,
calm with pure
light,
with rich wonder-
ful colors
the grand march, stately, maestoso wild-pealing, high-trilling, distant, the great
drum
beating,
and the
.
.
.
112 1
can
I
was
No
tell
of the long besieged city;
in its last
need of a
bombardment.
reveille
from the drummers that morning.
* Above passage (see Leaves of Grass, ^60 edition, p. 250, and current edition, was taken almost verbatim from a newspaper cutting found in one of Whitman's scrap-books. The words on it are as follows ** The old Scandinavian heroes, when they died, desired to have their funeral mounds raised high above them their corpses close to the margin of the restless ocean, so that the spirit, when it grew weary of the narrow, quiet grave, might rise up through the mound and gaze forth over the vast expanse of tossing billows, and then become refreshed by a sense of immensity, liberty, action." I.
p. 169)
:
;
[283]
Xeavee of (Braaa 113
And
the farther south,
The
early negro at daylight calling his brethren together
sound of the Carolina
by the
yell.
114
Shadows of men and houses
A
glistening.
scene phantasmic spread off before me,
I
see through the plate
glass glistening,
Through the
men and the landscapes
pictures of
of the river-side
over the pictures
and the ocean-side gliding over the
tableaux and groups.
Or as sit at dusk and look out through the house-room window Of the room, through the glass, a curious dim red with the glow I
— the
in the
fire
stove
— the
walls and furniture
— the
singing purr of the kettle. Gliding through there the three
workmen
returning
home from
—
work, each carrying his dinner kettle their steps sounding on the walk; The gray stones of the pavements the lamp opposite just lit, and in the wintry air their day's
—
Or
in glass
windows
as
my own
pass by,
I
figure,
walking.
Or
the portrait
...
Poem.
As
of walking along a street
House lives wonder who lives
In this I
.
.
.
.
.
.
in these
Houses
.
.
.
116 ( ?
Thought. [284]
Superfluous
?)
reflected,
paeB^Qce
TRejecteb %lnce ani>
— of experiences — of vast unknown matter and — much doubtless more than known matter and — of the long paOf many a covered embryo, owner and tience through millions of years — of the slow formation, Of that
to
come
qualities lying inert
qualities,
foetus
Of
germs waiting the due conjunction, the arousing
countless touch.
Of
these tending fluidly and duly to myself, and duly and
all
fluidly to
reappear again out of myself. 117
I
If
...
now with a mere majority have the love of all men and all women, there be one left in any country who has no faith
am
not content
him
.
must
in me, I will and go to that one and stand up-
travel to that country,
right before
I
.
.
118
O
joy of
my
spirit
mounds
A
worn
path
Pasture
uncaged
hops
it
like a bird
on the grass
of earth.
in the grass
where the
field,
— .
.
.
and horses
cattle
feed.
119
Yet
sweeps your road, O martial constellation group stretches far your journey
far
I
ever adding
!
For the prize All its ships
I
see at issue
and shores
is I
the world;
see interwoven with your threads,
spotted cloth.
Dreamed, again, the
flags of
kings,
highest borne, to flaunt
unrivall'd ?
O
hasten blue and silver!
O
with sure and steady step, passing
highest flags of kings.
Walk supreme them Dense
to the heavens,
mighty symbol
all
starr'd bunting.
[285]
— run up
above
ILeavee of (5ra00
O your path stretches far, O to find your lazy seams O long long your road.
martial [constellation].
they can turn and flap for carnage.
120 Children
and
maidens
— strong
men
from
fighters
battle,
wearied, wearied,
Rocked
To
in the twilight ripples, calmly they sleep lapped in the ebbing tide, the ocean borne out, the hidden and measureless ocean with room for all.
—
121
The Elder Brother
of the soul
— my
soul.
122
Poem L'Envoy:
—
From one State to another from the From Massachusetts to Texas .
.
east to the west,
.
123
What, think you, does our Continent mean in reference to our race ? I say it means with radical and resistless power to sissert
the Individual
—
raise a refuge strong
practical average use, for
That
will
man and woman
and
free for
:
America build and curiously looking around writes
thereof a
poem
thereof.
124
womb to birth, from birth to and transmission, quickly transpiring Conveying the sentiment of the mad, whirling, fullout speed of Undulating, swiftly merging from
—
fullness
the stars, in their circular orbits.
125 If
you
are black,
ashamed of your woolly head [286]
.
.
•
Xinee anb paeeagee
IReiectet)
126
Do you remember your mother ?
Is
she living
?
127
—
Hours discouraged, distracted myself without, soon out
me
Hours when
I
ing, but
am I
forgotten
believe
I
I
saw
Sullen and suffering hours!
I
cannot content
him content himself with-
— (O weeks
am
one
for he, the
and months are pass-
never to forget!) I
am
.
.
.
128
How can How can How can
there be immortality except through mortality ?
the ultimate reality of visible things be visible ? the real
body ever
die ?
129
Why, what do you suppose is the body ? Do you suppose this that has always existed fruit,
that
is
eaten,
is
the
body
—
this meat, bread,
?
No, those are visible parts of the body, materials that have existed in
some way
for billions of
years
now
entered
into the form of the body.
But there
is
the real
body
too, not visible.
130* I
cannot be awake, for nothing looks to
Or
else
I
am awake
mean
for the first time,
me
and
as all
it
did before,
before has been a
sleep.
Have you supplied the door of the house where the old one decayed away
?
* Referring to his recent illumination, probably written 1853 (Bucke).
[287]
Xeaves of (5raee not see that you also want your foundation and the
And do you roof?
Have you put only doors and windows to the house where they were crumbled ? Do you not see that the roof is also crumbled and this day, this
may
night,
Do you not see
fall
in ruins
rotted under your feet
break
about your heads
that the old foundation
and
?
beams of
the floor have
who knows when
they
may
?
132
commonest
â&#x20AC;&#x201D; bestowed
The
divinest blessings are the
And
where, the most superb beauties are the cheapest the world over.
every-
n3 Pure water, sunshine, space unclosed stifle in the confinement of rooms, The flesh of animals, wheat, rye, corn,
.
.
.
1
Give
me
that
self
I .
.
have a clean, sweet,
rice,
resistless
body
to
my-
.
134
The dry
leaf whirls its spiral whirl
and
falls still
and content to
the ground.
I
know
that procreation
which
I
know
I
is
just as divine as spirituality,
put freely in
my
and
this
poems.
136
Did you think then you knew me ? Did you think that talking and the laughter of
me
?
137 Reflections
â&#x20AC;&#x201D;Shadows. [288]
me
represented
IReiecteb
Xlnea anb paeeagee
windows of the shops as I turn from the crowded and peer through the plate glass at the pictures or rich goods In Broadway, the reflections, moving, glistening, silent, Turn from the heavy base, the great hum and harshness, The faces and figures, old and young all so various, all so phanAs seen
in the
street
tasmic
The omnibus passing and then another and another sky up .
.
— the clear
.
138* Incident for: Soldier in the ranks.
Describe a group of
men coming ofl* the
heavy battle, and dusty mothers would not recognize them.
the grime, the sweat, clothes, their
The moon
own
some
field after a
half naked, the torn
over the battlefield but red as blood comsmoke you look over the field, you see little lights moving around, stopping and moving around again, they are searching for the wounded, they are rises silently
—
ing above the
bringing off the dead.
At Gettysburg, the second day of the battle, our troops drove the secession army from a position they had occupied and where the preceding night they had gathered their dead the dead lay in certain spots piled three or four deep where they had placed them to be ready for burial the next morning. 139
The Time and Lands are devoted Make a demand for the Ideal (or
to the Real.
rather idea of the Ideal of the
Real).
In the piece, t
* Written f
A
X
That
as basis for a
rough jotting is
— the
VOL. III.-I9.
poem.
— a suggestion
for a
lines that follow are for
poem the poem
[289]
that
is
to be written.
%cwocQ Of (5ra00 Thy
true development, in thy unloosen'd soaring spirit!
Thee
in
thy
In that thy joy
Or
a song in
and
fuller
within thee
—a
—
—
loftier religions
in
the saviors latent
— the bibles equal with any—divine as any.
in
coping with Nature's ceaseless force.
chant
— which
— celebrate — America, her best exultant — the States south — Brotherhood — an
shall sing
her best, her greatest
— her
young men
men), with joyful bursts, lyric, east and west, north and
—
(?
all
equal union.
140
Have you found the scope of the great materialistic laws ? The use of finding the scope of the great materialistic laws is to make politics, lives, manners and all plans of the soul no less
than they
?
141
He
tastes sweetest
who
results the sweetest.
Nations, poets, inventors, knowers,
must themselves make the become appre-
only growth through which they shall ciated.
142 I
admire a beautiful
woman
...
I
am
easy about
who
her portrait.
Poet go I
am
ready to swear never to write another
word
143* See'st
thou
?
Know'st thou ? The Three of the Three There is on the one part
—
* Compare
this early draft
with IVhen the Full-grown Poet Came.
[290]
paints
anb paeeagea
IRejccteb Xinee
Between
this beautiful
but
dumb
earth,
with
all
its
manifold
eloquent but inarticulate shows and objects,
And on
the other part the being Man, curious, questioning and
at fault.
Now
between the two comes the
poet, the
Answerer.
144
The same
old mystery and problem.
Ever the puzzles of birth and death. Ever the same old mystery and problem. I
bring,
my
â&#x20AC;&#x201D;
a passing thought, no news and flutters by,
friends,^
Arrested as
it flits
Detained a
moment
as o: late
fluttered like a bird or insect
it
round me. 145
The
true
New World,
the
World
of Science,
Mind and
Literature.
146
The mystic
roll
from
all
From wooded Maine,
America.*
New
England farms, from
fertile
vania,
The boundless West, the South, the * The
roll
Carolinas, Texas.
of the dead soldiers of the war.
[291]
Pennsyl-
part
iFirir
IRejecteb
poems
Hpostropb. First
published in
Dropped
1
860 as a prefatory poem
in 1867.
The
text given
in is
Chants Democratic. that of i860.
O MATER O flls! O brood continental! O flowers of the prairies! O space boundless! O hum of mighty products! O you teeming cities! O so invincible, turbulent, proud! O race of the future! O women! O fathers O you men of passion and the storm O native power only O beauty O yourself O God! O divine average! O you bearded roughs! O bards! O all those slumberers! O arouse! the dawn-bird's throat sounds shrill! Do you not !
I
!
!
!
hear
the cock crowing?
O, as
walk'd the beach, I heard the mournful notes foreboding the low, oft-repeated shriek of the diver, the
I
a tempest
â&#x20AC;&#x201D;
long-lived loon
O
I
heard, and yet hear, angry thunder;
make quick
O
from
O O O
sailors!
O ships!
sweep, the warning cry of the eagle! It is useless! Give up your spoils;) sarcasms! Propositions! ( O if the whole world should prove indeed a sham, a sell!) I believe there is nothing real but America and freedom
(Give
O
â&#x20AC;&#x201D;O you
preparation!
his masterful
way
there, all!
to sternly reject all except
imperator!
O who
Democracy
dare confront you and [292]
me?
1?eiecteb
O
to promulgate our
own O
mankind! feuillage! O North
!
pocme
to build for that
which builds
for
O the slope drained by the Mexican sea! O O all, all inseparable â&#x20AC;&#x201D; ages, ages, ages O a curse on him that would dissever this Union for any reason !
whatever!
O climates, labors O good and evil O death O you strong with iron and wood! O Personality! O the village or place which has the greatest man !
!
even
O
if it
or
woman!
be only a few ragged huts
where women walk in public processions same as the men; wan and terrible emblem, by me adopted!
the city
in the
streets, the
Oa O shapes arising! shapes of the future centuries! O muscle and pluck forever for me! O workmen and workwomen forever for me! O farmers and sailors! O drivers of horses forever for me! O will make the new bardic list of trades and tools! O you coarse and wilful! love you! O South! O longings for my dear home! O soft and sunny airs! O pensive! O must return where the palm grows and the 1
I
I
O O
O O O O
mocking-bird sings, or else I die! equality! O organic compacts! I am come to be your born poet! whirl, contest, sounding and resounding! I am your poet, because I am part of you days by-gone! Enthusiasts! Antecedents! vast preparations for These States
!
O
years
what is now being sent forward thousands of years to come! mediums! O to teach! to convey the invisible faith! To promulge real things! to journey through all The States!
O creation! O to-day! O laws! O unmitigated adoration! O for mightier broods of orators, artists, and singers! O for native songs! carpenter's, boatman's, ploughman's songs! shoemaker's songs!
O haughtiest growth of time! O free and extatic! O what here, preparing, warble for! O you hastening light! O the sun of the world will I,
zling,
and take
his height
ascend, daz-
â&#x20AC;&#x201D; and you too will ascend;
[293]
Xeavea of ©raea
O
so amazing and so broad! up there resplendent, darting and
O
prophetic!
burning;
O
with weight of
vision staggered
light!
with
pouring glories!
O copious! O hitherto unequalled! O Libertad! O compact! O union impossible to dissever! O my Soul! O lips becoming tremulous, powerless! O centuries, centuries yet ahead! pause — listen for you O voices of greater orators O you States! Cities! defiant of all outside authority! I
!
I
I
spring
once into your arms! you I most love! O you grand Presidentiads I wait for you! New history! New heroes! I project you! at
!
Visions of poets! only you really last!
O O O
O O
Death
O O
you
!
heights!
striding there
infinitely too swift
purged lumine! you threaten present!
1
return while yet
poets to come,
I
I
I
O
sweep on! sweep on!
cannot yet
and dizzy yet!
me more may
than
I
can stand!
to you!
depend upon you!
© Sun First
O
!
ot IReal ipeace^
published in i860 as part of Apostroph.
Dropped
in 1881.
The
Published separately in 1867.
text of 1871.
O SUN of real peace!* O hastening light! O free and extatic! O what here, preparing, warble for! O the sun of the world will ascend, dazzling, and take his height — and you too, O my Ideal, f will surely ascend! O so amazing and broad — up there resplendent, darting and I
burning!
O
vision prophetic, stagger'd with
weight of
light!
glories
O
lips
* " " t
of
my
soul, already
becoroing powerless!
O sun
of real peace " added in 1871.
O my
Ideal" added in 1871.
[294]
with pouring
IReiecteb ipoems
O
ample and grand Presidentiads
Now
!
the war, the
war
is
over!
New
history
new
!
heroes
!
I
project
Visions of poets! only you really
O O
you
last!
sweep on! sweep on!
heights too swift and dizzy yet!
purged and luminous! you threaten
me more
than
I
can
stand
— the ground under my menaces me — not support me: O future too immense,) — O present, return, while yet may, must not venture
(I
feet
will
it
I
f
1
to you.
So Jar anb so
on Uowar& tbc iBnb.
ifar, arib
Dropped
Published in edition of i860, Leaves 0/ Crass, No. 20.
So
far,
and so
Singing what
and on toward the end, sung in this book, from the
in 1867.
far, is
irresistible
impulses
me; But whether continue beyond this book, to maturity. Whether I shall dart forth the true rays, the ones that wait unof
1
fired,
(Did you think the sun
No
—
it
was shining
has not yet fully risen
Whether Whether
I
I
shall
brightest
?
;)
complete what
shall attain
its
is
my own
here started.
height, to justify these, yet un-
finished.
Whether
I
ing
shall all
make the Poem of the New World,
others
— depends,
Depends, whoever you are
now
rich persons, filling
the current Presidentiad,
upon you,
Upon you, Governor, Mayor, Congressman, And you, contemporary America. * " " f
Now
O
war is over! " added immense " added in 1871
the war, the
future too
[295]
transcend-
upon you,
in 1871.
%cnvcB Of (5raa0 fn tbe IRew Garden,
In Hll tbe parts* Dropped
Published in edition of i860.
In the
new
In cities
garden, in
now, modern,
all I
in 1867.
the parts,
wander.
Though the second or third result, or still further, primitive yet, though various, the same, Days, places, indifferent Time, Paradise, the Mannahatta, the prairies, finding me un-
—
changed. Was I buried Is it that I lived long since ? Death indifferent very long ago ? For all that, I may now be watching you here, this moment; the woman of the For the future, with determined will, I seek
—
—
future,
You, born years, centuries
after
me,
I
seek.
States Calamus group, in which edition the poem concludes with Come I IVill Make the Continent Indissoluble. Portions of this poem made up Over the Carnage Rose Prophetic
Published in i860 in verses called
a Voice
in
Drum-Taps.
States!
Were you looking to be held together by the lawyers ? By an agreement on a paper ? Or by arms ?
Away! I
arrive,
These
bringing these, beyond
you together
to hold
!
all
the forces of courts and arms,
as firmly as the earth itself
together.
The
old breath of
Here!
O
I
pass
it
life,
ever new.
by contact
to you, America.
mother! have you done much for me ? me be much done
Behold, there shall from
[296]
for you.
is
held
1Rc\cctci>
There
poem0
—
from me be a new friendship It shall be called after name, circulate through The States, indifferent of place, twist and intertwist them through and around each other
shall
my It
shall
It
shall
— Compact
shall
they be, showing
new
signs,
Affection shall solve every one of the problems of freedom,
Those
who
They
shall finally
love each other shall be invincible,
make America completely
victorious, in
my
name.
One from Massachusetts shall be comrade to a Missourian, One from Maine or Vermont, and a Carolinian and an Oregonese, shall all
be friends
triune,
more precious
to each other than
the riches of the earth.
To Michigan shall be wafted perfume from To the Mannahatta from Cuba or Mexico, Not the perfume of
Florida,
flowers, but sweeter, and wafted
beyond
death.
No
danger shall balk Columbia's lovers, need be, a thousand shall sternly immolate themselves for one. The Kanuck shall be willing to lay down his life for the Kansian, and the Kansian for the Kanuck, on due need. If
It
shall
be customary
to see
manly
in all directions, in the
houses and
streets,
affection,
The departing brother
or friend shall salute the remaining brother
or friend with a kiss.
There There
be innovations. be countless linked hands namely, the Northeasterner's, and the Northwesterner's, and the Southwesterner's, and those of the interior, and all their brood, These shall be masters of the world under a new power, They shall laugh to scorn the attacks of all the remainder of the shall
—
shall
world. [297]
OLeavca of (Braea
The most dauntless and rude shall touch face to The dependence of Liberty shall be lovers, The continuance of Equality shall be comrades. These I,
shall tie
O
extatic,
face lightly,
and band stronger than hoops of partners!
O
iron,
henceforth with the love of
lands!
lovers tie you.
%om
IJ
XTbouabt tbat 1knowlc&ge.
Published in i860, in
Long
Calamus group.
Rejected in 1867.
thought that knowledge alone would
I
suffice
me
—O
if
I
could but obtain knowledge!
Then
my
me
lands engrossed
— Lands
land, the southern savannas,
—
of the prairies, Ohio's
me — For them
engrossed
would be their orator would live met the examples of old and new heroes Then I
;
I
warriors,
seemed as any
And
sailors,
to
and
me that
I
too had
it
in
me
— and would be so; came to me to New World — And then believed
then, to enclose
the
I
heard of
— And
it
to be as dauntless
strike
all, it
—
persons
dauntless
all
1
I
up the songs of life must be
my
spent in singing;
now
But
take notice, land of the prairies, land of the south
savannas, Ohio's land.
Take
notice, all
—
also.
And I
love.
With
—
—
That you each and all find be your singer of songs, One who loves can be your singer of songs no longer me is jealous of me, and withdraws me from all but
you, Californian mountains
somebody
For
—
and and you Lake Huron you Kanuck woods and you Niagara you roll toward Niagara
that with
the rest suffice
else to
—
—
I dispense 1 sever from what I thought would me, for it does not it is now empty and tasteless
—
to me, [298]
IReiectei)
poems
heed knowledge, and the grandeur of The States, and the example of heroes, no more, I will go with him I love, I am indifferent to my own songs We never sepaIt is to be enough for us that we are together I
—
—
rate again.
Ibours (Tontinuino Xona, Sore an& 1beat>p*l3eartet>* Published in i860, in
Calamus group.
Rejected
in 1867.
long, sore and heavy-hearted, withdraw to a lonesome and unfreHours of the dusk, when quented spot, seating myself, leaning my face in my
Hours continuing
I
hands;
Hours
sleepless,
deep
in the night,
when
I
go
forth,
speeding
swiftly the country roads, or through the city streets, or
pacing miles and miles, stifling plaintive cries; for the one cannot content myHours discouraged, distracted self without, soon 1 saw him content himself with-
—
I
out me;
Hours when but
I
I
am
forgotten,
believe
I
am
Sullen and suffering hours! I
I
my
like,
torment
am ashamed — but
—
I
wonder
out of the like feelings
there even one other like lover, lost to
Is
(I
it is
useless
—
am what am;)
Hours of Is
(O weeks and months are passing,
never to forget!)
he too as
him
me
men
ever have the
— distracted — his
friend,
his
?
am now ? Does he who is lost think who is lost ? I
jected, thinking ing,
other
if
?
still
to
rise in
him
?
the morning, de-
and
at night,
awak-
Does he too harbor his friendship silent and endless ? harbor his anguish and passion ? Does some stray reminder, or the casual mention of a name, bring the fit back upon him, taciturn and deprest ? Does he see himself reflected in me ? In these hours, does he see the face of his hours reflected [299]
?
Xeavee of 6ra60
Mbo Us mow IReaMng Ub\3 ? Published in i860 in
Who is now May-be one of
my
reading this is
now
past
Calamus group.
Dropped
in 1867.
?
reading this
who knows some wrong-doing
life,
Or may-be a stranger is reading this who has secretly loved me, Or may-be one who meets all my grand assumptions and egotisms with derision,
Or may-be one who
is
puzzled at me.
As if were not puzzled at myself Or as if never deride myself (O conscience-struck 1
I
!
!
O self-con-
victed!)
(O tenderly, a long time, I do not secretly love strangers and never avow it Or as if I do not see, perfectly well, interior in myself, the stuff of wrong-doing. Or as if it could cease transpiring from me until it must cease.
Or
as
if
!
;
Uo lou. Published in i860.
Dropped
in 1871.
Let us twain walk aside from the rest; are together privately, do you discard ceremony. Come! vouchsafe to me what has yet been vouchsafed to none Tell me the whole story. Tell me what you would not tell your brother, wife, husband, or
Now we
physician.
Št Ube
IDtsa^es of TLbinQS,
Published in i860 under Thoughts.
Of
the visages of things
â&#x20AC;&#x201D;And
Dropped
in 1871.
of piercing through to the ac-
cepted hells beneath [300]
IRelecteb
Of
poeme
as there —To me there just as much human beings acceptof ugliness beauty — And now the able to me; any detected persons — To me, detected persons are not, are and not persons — undetected than worse respect,
ugliness
in
is
in
is
it
is
Of
in
in
any respect worse than
Of
am
I
myself
equally crim—To me, any judge, or any —and any reputable person also—and the President juror, is
criminals inal
is
is also.
First
In 1867 sections
published in i860.
In 1871 a part
retained.
is
2,3,4,6, and 8
published under
title
are discarded,
but
title
of Suggestions.
I
SAY whatever tastes sweet to the most perfect person, that
I
is
finally right.
2 I
say nourish a great
If
I
great brain
intellect, a
have said anything to the contrary,
I
hereby retract
it.
3
man
hold property in
man
I
say
I
say the least developed person on earth
shall not
is
just as important
and
sacred to himself or herself, as the most developed person is
to himself or herself
4 I
say where liberty draws not the blood out of slavery, there
I
say the
slavery
draws the blood out of liberty, the good old cause in These
word of
sound
it
States,
and
re-
hence over the world. 5
human
shape or face
so great,
must never be made
I
say the
I
say for ornaments nothing outre can be allowed,
ridiculous
is
it
;
[301]
leaves of 6ra00 And And
that anything
most
is
beautiful without ornament,
be sternly revenged in your own physiology also physiology, and can be jetted and conceived children clean-shaped say that in public, and the huprevail forms natural only where
that exaggerations will
in other persons'
And
I
man face and form
are never caricatured
And I say that genius need never more be turned to romances, (For facts properly told, how mean appear all romances).
I
say the
word
of lands fearing nothing
land;
—
I
will
have no other
—
and expose all I am for every topic openly; I say there can be no salvation for These States without innowithout free tongues, and ears willing to hear the vators tongues And I announce as a glory of These States, that they respectfully listen to propositions, reforms, fresh views and doctrines, from successions of men and women. Each age with its own growth. I
say discuss
all
—
I
many times
that materials and the Soul are great, and depends on physique; reverse what I said, and affirm that all depends on the
have said that
all
Now
I
And
that criticism
aesthetic or intellectual. is
great
—and that
refinement
greatest of
is
all;
And
I
affirm
now
that the
mind governs
—and that
all
depends
on the mind. 8
With one man
or
woman — ( no
matter which one
—
I
even pick
out the lowest,) or her I now illustrate the whole law; say that every right, in politics or what-not, shall be eligible to
With him I
that one
man
or
woman, on [302]
the
same terms
as any.
IReiecteb
poems
Debris* The
published in i860.
First
sections not retained in the final edition are here
given.
He He
is
wisest
who has the most caution, who goes far enough.
only wins
Anything
is
as
good
as established,
that will produce
What
it
when
and continue
that
is
established
it.
General has a good army in himself, has a good army; in himself, or she happy in herself, is happy.
He happy But
you you cannot be happy by others, any more than you can beget or conceive a child by others.
tell
I
One sweeps All
by, attended
by an immense
emblematic of peace â&#x20AC;&#x201D; not
train.
a soldier or menial
among
One sweeps by, old, with black eyes, and profuse white He has the simple magnificence of health and strength, His face strikes as with flashes of lightning whoever
them.
hair,
it
turns
toward.
Three old
men
by three
slowly pass, followed by three others, and they others,
â&#x20AC;&#x201D;
the one in the middle of each group holds companions by the hand, As they walk, they give out perfume wherever they walk.
They
are beautiful his
What weeping Is it
face is that looking from the stream those sorrowful tears ? for some burial place, vast and dry ?
Is it
to
Why
does
it
wet the
soil
of graves
?
[303]
window ?
Xeavc0 of (5ra06
I
an egg out of the robin's nest in the orchard, will take a branch of gooseberries from the old bush in the garden, and go and preach to the world;
will take
I
You You You
meet a single heretic or scorner, clergymen, and confound them, stump see how I a scarlet tomato, and a white pebble me showing see
shall see shall shall
will not
I
from the beach.
—
fresh, native, copious, each one for himself or herself, Behavior America and freedom expressed Nature and the Soul expressed
— In
—
the finest
it
In
it
pride, cleanliness,
In
it
physique,
art,
sympathy, to have
intellect, faith
an army or a
city,
—
in
it
their chance.
just as
or to write a
book
much
The youth, the laboring person, the poor person, rest
The
manage
rivalling all the
rest.
no greater than its nothing in the whole universe that can be more effective than a man's or woman's daily behavior can be,
effects of the universe
For there In
— perhaps outdoing the
as to
— perhaps more.
any
is
position, in
any one of These
States.
thought I was not alone, walking here by the shore. But the one I thought was with me, as now I walk by the shore. As 1 lean and look through the glimmering light that one has I
—
utterly disappeared,
And
those appear that perplex me.
I^ot
/IDi^
Bnemtes iBvct
finvn^c />ۥ
Published in Sequel to Drum-Taps, 1865-6.
Not my enemies them
I
But the lovers
me — no harm
ever invade
fear; I
recklessly love
—
lo!
how
Lo! me, ever open and helpless, bereft of Utterly abject, grovelling
to
my
they master
my
strength!
on the ground before them. [304]
pride from
me
!
poems
1?e}eete^
Great are tbe /©i^tbs* First
1856, with
published in 1855.
Poem of a few
of
title
Greatnesses.
1867, with the above Leaves of Grass, No. 2, page 199. The reading here is that of 1871. after 1876.
1860,
Dropped
title.
I
—
myths I too delight in them Great I too look back and accept them; and Eve Adam are Great nation, and their poets, women, sages, fallen and risen the Great are the
—
inventors, rulers, warriors, and priests.
Great
Liberty! great
is
Helmsmen I
weather
Equality!
is
am
I
their follower;
where you
of nations, choose your craft!
— —
equally great is Old Age Youth and Night; great is Poverty great Great is Wealth
Great
is
I
sail,*
—
— great is
Day
are the
Expression
— great
Silence.
is
Youth,
sail,
out with you, or sink with you. f
it
large, lusty, loving
— Youth,
full
of grace, force, fascina-
tion!
Do you know
that
Old Age may come
grace, force, fascination
Day, full-blown and splendid
after
you, with equal
?
— Day of the immense sun, action,
ambition, laughter.
The Night follows
with millions of suns, and sleep, and
close,
restoring darkness. *Stanza
"Yours
is
2, after line 2,
the muscle of
1855: read
life
or death
— yours
is
the perfect science
absolute faith.
Great It is
is
To-day, and beautiful,
good
to live in this age
— there never was any
Great are the plunges throes triumphs and
falls
better.
of democracy,
Great the reformers with their lapses and screams,
Great the daring and venture of
sailors
on new
explorations.
Great are yourself and myself,
We are just What What What
as
good and bad
the best and worst did,
they
felt,
do not we
they wished, do
Dropped
in 1867.
VOL. HI.
—ao.
we
as the oldest
we
feel
it
and youngest or any,
could do, in ourselves ?
not wish the same ? "
\Ux\t 3 added in 1867.
[305]
—
in
you
I
have
Xeapee of (Sraea Wealth, with the flush hand, fine clothes, hospitality; But then the Soul's wealth, which is candor, knowledge, pride, enfolding love;
(Who
goes for wealth ?)
men and women showing
Expression of speech Silence
is
in
!
what
Poverty richer than
written or said, forget not that
is
also expressive.
That anguish as hot as the hottest, and contempt as cold as the coldest, may be without words.*
Great
is
way
the Earth, and the
Do you imagine
became what
it
has stopt at this
it
it is;
the increase abandon'd
?
?
Understand then that it goes as far onward from this, as this is from the times when it lay in covering waters and gases, before man had appear'd.f Great
is
quality of truth in
is
inevitably in the
It
man
the quality of Truth in
The
man man
supports
— he
itself
and
it
through
all
are in love,
changes,
and never
leave each other.
The If
truth in
there If
man is
truth
—
if
is
it is
truth
vital as
—
if
all
I
!
man
woman
or
there be physical or moral, there
upon the
truth of the earth
eyesight;
there be
there be equilibrium or volition, there
things at
O
no dictum,
is
there be any Soul, there
am
is
truth
—
if
is
truth
there be
earth, there is truth.
my way
determin'd to press
toward
you;t Sound your voice!
I
scale mountains, or dive in the sea after
you. * stanza
" That the Great
is
1855: read
7, after line 2,
true adoration
is
the greatest nation
likewise without
— the nation of
words and without kneeling.
clusters of equal nations."
" " f before man had appear'd added in i860. read ** truth of the earth truth of things 1 1855 :
O
!
O
my
!
I
am
whole way toward you"; 1860-7: read " O truth of the of things! am determined to press my way toward you."
press
I
[306]
determined to earth!
O truth
TReJecteb
Great It is
—
Language
is
it is
the mightiest of the sciences,
the fulness, color, form, diversity of the earth, and of
and women, and of greater than wealth
It is
poems
—
all
qualities
men
and processes
greater than buildings, ships, re-
it is
ligions, paintings, music.
Great
the English speech
is
English
Great
?
the English brood
is
— what
speech
is
so great as the
— what brood has so vast a destiny as
the English ? It is
the mother of the brood that must rule the earth with the
new
rule;
The new
rule shall rule as the Soul rules,
and as the
love, justice,
equality in the Soul rule.
Law
Great
is
They
are the
Great
is
— great are the few old * land-marks of the law, same
in all times,
and
shall
not be disturb'd.f
4 Justice It
Justice!
not settled by legislators and laws
is
—
it is
in the Soul;
cannot be varied by statutes, any more than love, pride, the attraction of gravity, can;
It is
immutable
what
—
not,
it
does not depend on majorities
come
at last before the
same
— majorities or
passionless and
exact tribunal
For justice are the grand natural lawyers, and perfect judges
—
is
itj in their Souls; It is
— they have not studied nothing — the great on the highest grounds — they oversee
well assorted
for
includes the less;
They
rule
all
eras, states*
administrations. * 1855
:
for
" old few." " Great are marriage, commerce, newspapers, books, steamers, international mails and telegraphs and exchanges " ;
" few old
" read
f After this line, 1855: read free trade, railroads,
i860: read as above, omitting "marriage." 4:1855: for
"
is it
" read
"
it
is."
[307]
Xeaioee of (Braea
The
perfect judge fears nothing
fore
God
Before the perfect judge
is Life, real
Great
is
Death
poem
stand back.*
and mystical, wherever and whoever; life holds all parts together, Death holds
— sure as
much
Life
hell shall
parts together.
all
Has
shall
life
— heaven and
stand back
Great
shall
all
— he could go front to front beand death stand back —
purport
?
— Ah,
Death has the greatest purport.
of IRcmembrances tot a (Birl or a J5o^ of XLbcec
States First
published in 1856;
The
i860: Chants DemocratiCy No. 6.
text of 1760.
You just maturing youth You male or female Remember the organic compact of These States, Remember the pledge of the Old Thirteen thenceforward !
rights, * After this
liberty, equality
life,
1855: read
line,
" Great is goodness; I do not know what
to the
of man,
it is
any more than
know what
I
health
is
— but
I
know
it is
great.
Great
is
Do you
wickedness call
—
I
find
I
that a paradox ?
often admire It
The
eternal equilibrium of things
And
there
is
Great
is life,
Great
is
certainly is
great,
it
is
just as
much
as
I
admire goodness:
a paradox.
and the
eternal
overthrow of things is great,
another paradox.
and
real
death— Sure
1855 closes the
and mystical, wherever and whoever, as
life
holds
poem with "
all
parts together, death holds
all
parts together."
Sure as the stars return again after they merge in the
death is great as life "; 1856-60 omit above line and add " Death has just as much purport as Life has. Do you enjoy what Life confers? you shall enjoy what Death confers.
light,
1 I
do not understand the realities of Death, but I know they are great; do not understand the least reality of Life how then can understand the of Death ? "
—
[308]
I
realities
ipoema
IReiecteJ)
Remember what was promulgated by The
the founders, ratified by
signed in black and white by the
States,
and read by Washington
sioners,
army,
Remember
the purposes of the founders,
Commis-
the head of the
at
— Remember Washing-
ton;
Remember
the copious humanity streaming from every direction
toward America; the hospitality that belongs to nations and
Remember
(Cursed be nation,
woman, man, without
men;
hospitality!)
Remember, government is to subserve individuals, Not any, not the President, is to have one jot more than you or me.
Not any habitan of America
is
to have one jot less than
you
or me.
Anticipate
when
the thirty or
fifty millions,
two hundred millions, freewomen, amicably joined.
hundred, or
Recall ages
— One age
is
but a part
are to
become
the
of equal freemen and
— ages are but a part
Recall the angers, bickerings, delusions, superstitions, of the idea
of caste. Recall the bloody cruelties and crimes.
Anticipate the best I
women
;
and well-defined women These States, These States must be free, capable, dauntless,
new
say an unnumbered
race of hardy
are to spread through I
say a
girl fit for
just the
same
Anticipate your
as a boy.
own
—
retract
diseases,
see
tion,
—
in
retract
with merciless power.
time lies,
errors,
thefts ?
lost
rum-drinking, dropsy, fever, mortal cancer or in-
flammation
Do you
life
— Do you see those weaknesses, that character? — Do you see decay, consump-
Shirk nothing
Do you
all
?
see death, and the approach of death [309]
?
leavea of (5ra66 Ubinli ot tbe
SouL
In that edition and in i860 it is a continuation of Poem published in 1856. The text of 1 87 1 0/Remembrances, that part being discarded in the 187 1 edition.
First
Think of the Soul; swear to you that body of yours gives proportions to your I Soul 1
somehow
to live in other spheres;
do not know how, but
1
know
it is
so.
Think of loving and being loved; 1 swear to you, whoever you are, you can interfuse yourself with such things that everybody that sees you shall look longingly upon you.
Think of the past; I warn you that in a little while others and your times.
The
race
All is
is
never separated
inextricable — things,
— nor man nor woman escapes; spirits,
you
will find their past in
Nature, nations, you too
—
from precedents you come. Recall the ever-welcome defiers, (The mothers precede them;) Recall the sages, poets,
inventors,
saviors,
earth Recall Christ, brother of rejected persons felons, idiots,
lawgivers,
— brother
of the
of slaves,
and of insane and diseas'd persons.
Think of the time when you were not yet born; Think of times you stood at the side of the dying; Think of the time when your own body will be dying. Think of spiritual Sure as the earth its
results,
swims through
the heavens, does every one of
objects pass into spiritual results.
Think of manhood, and you to be a man; Do you count manhood, and the sweet of manhood, nothing [310]
?
ipoeme
IReiecteb
Think of womanhood, and you to be a woman; The creation is womanhood Have not said that womanhood involves all ? Have not told how the universe has nothing 1
I
best
womanhood
better than the
?
1Re9pon0c3 1856 under
published in
First
title
of
the Proposition of Nakedness;
Poem of
i860: Chants Democratic, No. $; 1867: under this title;
Text of 1871.
discarded after 1876.
Respondez! Respondez! (The war is completed
— the
beyond recall;)* Let every one answer! evade!
let
price
those
paid
is
who
— the
sleep be
title is
waked!
settled
let
none
\
we still go on with our affectations and sneaking }% me bring this to a close — pronounce openly for a new
Must Let
I
distribution of roles; § Let that which stood in front
go behind! and let that which was behind advance to the front and speak; Let murderers, bigots, fools, unclean persons, offer new propositions!
Let the old propositions be postponed
Let faces and
theories be turn'd
! ||
inside out!
freely criminal, as well as results
!
let
meanings be
%
Let there be no suggestion above the suggestion of drudgery! Let none be pointed toward his destination!
know your Line
2
added
destination
(Say!
do you
?)
in 187 1.
*' not you any more than others," f 1856: after "evade," read Line which read " If it really be as is pretended added in i860, 4 X
longer must
§ Line I
we go 5
on," etc.; 1867: read "
added
Lines 6,
7, 8,
How much
longer must
how much we go on," etc,
in i860.
with
lines
65 and 66, were afterwards published under
title
of
Reversals. 1"
1856: after " results," read "(Say! can results be criminal, and meanings not
criminal
?)
[311]
Xeavc0 of Šra00 Let
men and women* be mock'd with
bodies and mock'd with
Souls
Let the love that waits in them, waitl born to other spheres! Let the
sympathy
that waits in every
let
die, or
it
man, wait! or
pass
still-
let it also
pass, a dwarf, to other spheres!
Let contradictions prevail! let
one
line of
let
one thing contradict another! and
my poems
contradict another!
Let the people sprawl with yearning, aimless hands! let their let let their eyes be discouraged tongues be broken !
!
none descend into of love (Stifled,
!
O days O lands
!
!
Smothered
with the fresh lusciousness
their hearts
in
every public and private corruption!
f
mountain-
impotence, shamelessness,
thievery,
in
high;
Brazen effrontery, scheming, rolling like ocean's waves around and upon you, O my days my lands For not even those thunderstorms, nor fiercest lightnings of the !
!
â&#x20AC;&#x201D; Let
war, have purified the atmosphere;) parison
Let
still be management, caste, comwhat other theory would you ?)
the theory of America
them
(Say
!
!
that distrust birth and death
why
shall
they not lead you
Let the crust of hell be
still
lead the rest
near'd and trod on
darker than the nights
!
than waking time brings Let the world never appear to
!
I
(Say!
?)
let
the days be
let
!
slumber bring
slumber
less
!
him or her
for
whom
it
was
all
made Let the heart of the
of the old
young man
man
!
and
let
still
exile itself
from the heart man be ex-
the heart of the old
from that of the young man moon go let scenery take the applause of the audience let there be apathy under the stars every one who Let freedom prove no man's inalienable right can tyrannize, let him tyrannize to his satisfaction iled
!
Let the sun and
!
!
I
!
I
* 1856: read
**
Let trillions of
men and women,"
f Lines 17-20 added in 1870. X Lines 22, 44 and 46 were
afterwards
sitions .
[312]
etc.
published under
title
of Transpo-
pocme
1Reiecte&
Let none but infidels be countenanced
!
Let the eminence of meanness, treachery, sarcasm, hate, greed,
be taken for granted above governments, households, religions, philosophies, take such for granted above all Let the worst men beget children out of the worst women indecency, impotence, all!
lust,
writers, judges,
let
!
Let the priest
still
play at immortality
Let death be inaugurated
!
!
Let nothing remain but the ashes of teachers,* artists, moralists,
lawyers, and learn'd and polite persons
Let him
who
!
my poems
without
be assassinated Let the cow, the horse, the camel, the garden-bee fish,
is
the lobster, the mussel,
â&#x20AC;&#x201D;
!
â&#x20AC;&#x201D;
eel,
let
mud-
the
the sting-ray, and the
let these, and the like of these, be put on a perfect equality with man and woman Let churches accommodate serpents, vermin, and the corpses of those who have died of the most filthy of diseases Let marriage slip down among fools, and be for none but fools Let men among themselves talk and think forever obscenely of women and let women among themselves talk and
grunting pig-fish
!
!
!
!
think obscenely of
men
!
f
without missing one, be exposed in public, naked, monthly, at the peril of our lives let our bodies be freely handled and examined by whoever chooses Let nothing but copies at second hand be permitted to exist upon
Let us
all,
!
!
the earth
!
J
Let the earth desert God, nor tion'd the
Let there be no
name
God
of
let
God
there ever henceforth be
men-
!
!
Let there be money, business, imports, exports, custom, authority,
precedents, pallor, dyspepsia, smut, ignorance, un-
belief!
*
1856: read " Let nothing remain upon the earth except teachers," etc.
t After line 38, 1856:
every
woman
trick every
X 1856: read
**
man doubt
every
woman!
And
let
!
Let nothing but love-songs, pictures, statues, elegant works be
permitted," etc.; i860: niscences, elegant
read " Let every "
man
read
"Let nothing but
works be permitted,"
etc.
[313]
copies, pictures,
statues,
remi-
leavea of 6ra90 Let judges and criminals be transposed! let the prison-keepers be put in prison let those that were prisoners take the !
Say!
keys!
posed
why
might they not
just as
the masters
become
well be trans-
?
Let the slaves be masters!
let
slaves!
Let the reformers descend from the stands where they are forever bawling! let an idiot or insane person appear on
each of the stands Let the Asiatic, the African, the European, the American, and the Australian,
go armed against the murderous stealthilet them sleep armed! let none be-
ness of each other! lieve in
good
will!
Let there be no unfashionable * wisdom derided off from the earth Let a floating cloud in the sky
—
let
wave
a
such be scorn'd and
let
!
of the seaf
ing mint, spinach, onions, tomatoes
—
—
let
grow-
these be
exadmission Let all the men of These States stand aside for a few smouchers! let the rest gawk, let the few seize on what they choose giggle, starve, obey! Let shadows be furnish'd with genitals let substances be dehibited as
shows
—
let
at a great price for
!
!
prived of their genitals! Let there be wealthy and
immense
cities
—
^but still
through any
of them, not a single poet, savior, knower, lover!
Let the infidels of These States laugh If
one
man be found who
Let
them
Let
the
affright faith
!
let
all
faith
away
upon him! them destroy the power of breeding
has
faith, let
the rest set
faith!
she-harlots and the he-harlots be prudent!
dance on, while seeming seeming!) Let the preachers recite creeds!
they have been taught * 1856: f 1856: X
for
"
" unfashionable
" read
!
lasts!
let
let them (O seeming! seeming!
them
teach only
what
"
living."
— Let one glimpse of your eye-sight upon the landscape or grass—
"Let them teach only what they have been taught
57. '856, read
alone,
still
J
by day
''
or
!
"
added
in
1
860.
Let the preacher of creeds never dare to go meditate
by
night! (If one ever once dare, he
[314]
is
lost!)"
After line
upon the
hills,
1Reiecte&
Let insanity
still
poeme
have charge of sanity!
Let books take the place of trees, animals, rivers, clouds! Let the daub'd portraits of heroes supersede heroes!
manhood
Let the
Let
it
of
man
never take steps
after itself!
take steps after eunuchs, and after consumptive and genteel
persons!
Let the white person again tread the black person under his (Say!
heel!
which
is
trodden under
heel, after all ?)
Let the reflections of the things of the world be studied in mirrors! let
the things themselves
Let a
man
Let a
woman
still
continue unstudied!
seek pleasure everywhere except
in
himself
seek happiness everywhere except in herself
(What *
real happiness have you had one single hour through your whole life? Let the limited years of life do nothing for the limitless years of death! (Whatf do you suppose death will do, then ?)
SoU^, Ironical, IRoUina Otb. First
published in
Drum-Taps,
1865.
Dropped
in
1881.
Solid, ironical, rolling orb!
Master of
and matter of
all,
fact!
Bringing to practical, vulgar
And
â&#x20AC;&#x201D;
tests,
at last
of
all
I
ideal
dreams,
of me, as lover and hero.
J5atbe^ in First
Bathed
in
published in
Mar*s perfume*
Drum-Taps,
war's perfume
â&#x20AC;&#x201D;
1865.
Dropped
to hear ful
you
woman!
* 1856: read "(Say! What") t 1856: read
"(Say
fleets,
the sailors and the soldiers
call
!
What")
in 1881.
delicate flag!
(Should the days needing armies, needing
O
accept your terms;
my
etc. etc.
C315]
!
come
again,)
flag like a beauti-
Xeave0 of (Braes
O
to hear the tramp, tramp, of a million
answering men!
O
the
ships they arm with joy!
O to see you leap and beckon from the tall masts of ships! O to see you peering down on the sailors on the decks! Flag like the eyes of
women.
XTbougbt First
published in i860 under Thoughts.
Dropped
in 1881.
—
Of what write from myself As if that were not the resume; As if such, however complete, were not less comOf Histories I
As
if
As
if
—
plete than the preceding poems those shreds, the records of nations, could possibly be as
poems; amount of all nations, and of all
lasting as the preceding
here were not the
the lives
of heroes.
Published in Passage to India.
are who teach only the sweet lessons of peace and safety; But I teach lessons of war and death to those I love, That they readily meet invasions, when they come.
There
XTbts H)ai?, First
This day,
Long
published in Sequel to
O
Soul,
.
.
Drum-Taps, 1865-6.
give you a
Behold,
Faithfully
O
Soul!
it is
showing you
all
Dropped
in 1881.
wondrous mirror;
and cloud and the tarnish gone;
in the dark, in tarnish
pass'd, .
I
© SouU
now
it
lay
— But the cloud has
a clean and bright mirror.
the things of the world. [316]
1Reiecte5
poema
Qnc Song, Hmettca, Before I Go. First
One I
published in /is a Strong Bird on Pinions Free, 1873.
song, America, before
'd sing, o'er all
For thee
sow
the
rest,
— the Future.
I
go,
with trumpet sound,
a seed for thee of endless Nationality;
I
'd
1
'd fashion
I
'd
thy Ensemble, including
show, away ahead, thy
real
Body and
Union, and
Soul;
how
it
may be
accomplish'd.
(The paths to the House I seek to make. But leave to those to come, the House itself.)
—
sing and Preparation; and Nature are not great with reference to the Present only, But greater still from what is yet to come,
Belief
As
I
Life
Out of
that formula for
Thee
Uwo First
Two Two
Rivulets side
by
I
sing.
1Rivulet0»
published in 1876.
side.
blended, parallel, strolling tides.
Companions,
travelers,
gossiping as they journey.
For the Eternal Ocean bound, ripples, passing surges, streams of Death and Object and Subject hurrying, whirling by.
These
The Real and
Ideal,
Alternate ebb and flow the
Days and Nights,
(Strands of a Trio twining. Present, Future, Past).
You, whoe'er you are, my book perusing, I myself in all the World these ripples flow, All, all, toward the mystic Ocean tending. In
In
—
—
[3x7]
Life,
%CBVCB Of (5ras0 (O yearnful waves! the kisses of your lips! breast so broad, with open arms, O firm, expanded shore !)
Your
OVf
tbat
jf torn
First
published in
Sea ot
Two
XTtme*
Rivulets,
1
876.
I
Or, from that Sea of Time,
blown by the wind
Spray,
and (O
little
—a
double winrow-drift of weeds
shells;
shells,
so curious-convolute! so limpid-cold and voice-
less!
Yet will you not, to the tympans of temples held. Murmurs and echoes still bring up Eternity's music,
—
far.
Wafted
inland, sent
from Atlantica's rim
the Prairies,
— chords
Whisper'd reverberations ously sounding
Your
tidings old, yet ever
Infinitessimals out of
my
—
faint
and
strains for the Soul of
for the ear of the
West, joy-
new and untranslatable ;) and many a life,
life,
—
(For not my life and years alone 1 give all, all I give ;) These thoughts and Songs waifs from the deep here, cast high and dry, Wash'd on America's shores.
—
—
Currents of starting a Continent new. Overtures sent to the solid out of the liquid, Fusion of ocean and land tender and pensive waves, (Not safe and peaceful only waves rous'd and ominous too, Out of the depths, the storm's abysms who knows whence?
—
—
—
Death's waves.
Raging over the
vast,
with
many
sail).
[318]
a broken spar and tatter'd
:
it t
l&f j-^:f:?;tir?4;!i5Hii*i.'
iiiSM
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