William Clarke - Walt Whitman, 1892

Page 1







WALT WHITMAN


Dilettante 1.

DANTE AND HIS IDEAL. With a

M.R.A.S. 2.

By HERBERT BAYNES,

Portrait.

BROWNING S MESSAGE TO HIS Dr.

EDWARD BERDOE.

With a

TIMES.

By

Portrait and Facsimile

Letters. 3. 4.

THE DOCTOR, AND OTHER POEMS.

By

T.

BROWNE, M.A., of Clifton College, Author Fo c s le Yarns." 2 vols.

E. "

5.

GOETHE. King

6.

s

By OSCAR BROWNING, M.A., Tutor With a

College, Cambridge.

DANTE.

of

of

Portrait.

By OSCAR BROWNING, M.A.

With a Front

ispiece. iVos. 5

and

6 are enlarged ft

oi

the Articles in

t/ie

7.

Encyclopedia Britannica." BROWNING S CRITICISM OF LIFE. By W. F. Member of the London Browning Society. RKVELL, With a Portrait.

8.

HENRIK IBSEN. STEED, M.A.

9.

the Rev. PHILII-

H. WICK-

Portrait.

THE ART OF ACTING. With a

10.

By

With a

By PERCY FITZGERALD.

Portrait.

WALT WHITMAN. Cambridge.

With a

By A^ILLIAM CLARKE, M.A., Portrait.



-\


WALT WHITMAN BY

WILLIAM CLARKE,

M.A,

WITH A PORTRAIT

SWAN SONNENSCHEIN & CO. NEW YORK: MACMILLAN & CO. 1892


Ur

****

r*

*..


PREFACE. THIS

little

book

written

is

an exposition rather

as

than as a criticism of the works of Walt Whitman. Nevertheless,

some

introduced.

The

in

considerations have been

critical

section

first

must not be taken

as

any sense a biography of Whitman, but merely as

an attempt to pourtray

varied influences which

forth the

For biography, the reader Dr. Bucke, and

is

either as published in 1883

moulded

work of Collects,

M

Cormick

&

The

series.

edition

of Leaves of Grass, quoted from in the text, "Author s

poem at Whitman

Copyright

the end, to

Edition"

"Death s

of 1881.

Valley,"

The

five

"

The

little

was written by

Valley of the

Shadow

sections into which this

divided have reference respectively to sonality, his relations to art, his

the

is

The

accompany a reproduction of the painting

by Mr. George Inness. Death."

life.

Days and

by Wilson

Camelot

to set

his

referred to the

to the Specimen

of Glasgow, or in the

and

his personality,

and message

for

s

is

per

America, his

belief about the nature of democracy,

ultimate spiritual creed,

work

Whitman

of

and

his


:

I

am

The The

the poet of the body and I am the poet of the soul, pleasures of heaven are with me and the pains of lu-ll are with me, first I graft and increase upon myself, the latter I translate into a new tongue." "

"

Song

of

Myself,"

;? Well, he looks like a MAX ment on seeing Whitman. !

from Leaves of Grass.

President Lincoln

s

com


CONTENTS Chap. I.

II.

I

.....

HIS MESSAGE TO

III.

HIS

ART

IV.

HIS

DEMOCRACY

V.

.....21

Page

HIS PERSONALITY

HIS SPIRITUAL

AMERICA

.

CREED

.

.

50

79 IOI



WALT WHITMAN. I.-HIS PERSONALITY. THOSE who

regard

Whitman

as being the

most repre

Bard of Democracy, of its innermost ideas, of its moving forces, of its hopes and destiny, must find an interest in tracing the early influences which sentative

s body and character. The modern scientific doctrine of the effect of environ ment is enforced and enlarged by Whitman himself;

helped to mould the poet

for

he sees not only in social circumstances, in political and in daily human contact, but in the

constitutions,

earth and sky, the rivers and trees, silent influences pass into man s being and affect his whole

which

future.

As Wordsworth found

muring

sound"

Whitman

mur

"

the rocks

contributing their elements to

of man.

beauty born of

passing Lucy s face, so does discover persons, substances, beasts, the

trees, the running rivers,

to

"

into

How

Whitman

s

form the

natural, therefore, that

early

life

and sands

to discover

"

all

spiritual life

we should turn

what were those

agencies which stamped his nature with their seal.

A


\VALT WHITMAN.

On

Whitman was

his father s side

stock, possessed of

what he terms

"

of good English the surly English

and there is no tougher or truer, and never 1 Dr. Bucke tells us that the was, and never will of Whitman ancestor he is able to trace earliest lineal pluck,

be."

2 This person s son in England about i56o. in and lived at Milford, from sailed 1635, England

was born

some time before 1660, At West Hills, in Long Long s the Island, poet great-grandfather, grandfather, and and he himself was born there on the father lived Dr. Bucke describes the Whitmans 3ist May, 1819.

Connecticut, whence his son, Island.

passed over to

;

a solid, tall, strong-framed, long-lived race of men, moderate of speech, friendly, fond of their land and of horses and cattle, sluggish in their passions, but 3 Several of them were fearful when once started." as

"

soldiers

The

under Washington

poet

trade,

s

father

was a

animals, a

had

quiet, serious

good

in the Revolutionary

War.

learnt, as a youth, the carpenter s

man, fond of children and and neighbour. He

citizen, parent,

did his work so well that some of his frames are said

The large, quiet to be still standing as good as ever. personality of his father is traceable throughout Whit man s work ; and the hereditary interest in the car Song of the Broad Axe." mother was Louisa Van Velsor, of Dutch descent, a woman healthy in body and mind, of cheer-

pentry

is

found

Whitman

1 2

in the

"

s

u

Song of Myself." Walt Whitman, by R. M.

Philadelphia), p. 13. 3 Ibid.

Bucke, M.D.

(M Kay,


HIS PERSONALITY. temper, marked spiritual nature, and generous heart. She had been a handsome girl, fond of life in the open

ful

a daring and spirited rider boast of himself that he was

air,

"

so

;

Whitman could

Well-begotten, and raised by a perfect

mother."

His great-grandmother, on the paternal side, lived to a and when left a widow, managed her own

great age,

farm lands, and herself directed the labour of her Of were slaves in the colony then.

slaves, for there

his

two grandmothers, one was a Quakeress of beautiful

character,

who probably

furnished the poet with that aged woman in Leaves of

fine picture of a beautiful,

Grass

:

Behold a woman She looks out from her Quaker cap her face is Clearer and more beautiful than the sky. She sits in an arm-chair under the shaded porch of the "

!

;

farmhouse

;

The sun just shines on her old white head. Her ample gown is of cream-hued linen Her grandsons raised the flax, and her grand-daughters ;

spun

it

with the distaff and the wheel.

The melodious character of the earth, The finish beyond which philosophy cannot

go,

and does

not wish to go,

The

justified

The 1

"

mother of men."

1

old homestead in which

From Noon

P- 355-

to Starry

Whitman was born

Night."

Leaves

is

of Grass,


WALT WHITMAN. thus described by Mr. John Burroughs The Whit the of the at mans, present century, lived beginning in a long storey-and-a-half farmhouse, hugely timbered, "

:

which

is

still

standing.

kitchen, with vast hearth

A

great

smoke-canopied

and chimney, formed one

end of the house. The existence of slavery in New York at that time, and the possession by the family of some twelve or fifteen slaves, house and field servants,

The very young gave things quite a patriarchal look. darkies could be seen, a swarm of them, toward sun down,

in this kitchen, squatted in a circle

on the

floor,

and milk. In the house, and in food and furniture, all was rude but No carpets or stoves were known, and substantial. no coffee and tea, and sugar only for the women. Rousing wood fires gave both warmth and light on winter nights. Pork, poultry,, beef, and all the ordin Cider was ary vegetables and grains were plentiful. the men s common drink, and used at meals. The eating their supper of Indian pudding

homespun. Journeys were made by both men and women on horseback. Both sexes laboured with their own hands the men on the farm, clothes were mainly

the

women

in the

house and around

it.

Books were

The annual copy

of the almanac was a treat, scarce. and was pored over through the long winter evenings. I must not forget to mention that both these families

were near enough to the sea to behold it from the high places, and to hear in still hours the roar of the surf; the latter, after a storm, giving a peculiar at

night.

down

Then

all

sound

hands, male and female, went

frequently on beach

and bathing

parties,

and


HIS PERSONALITY. the

men on

and

for

5

practical expeditions for cutting salt hay,

clamming and

1 fishing."

along the island and

Whitman

tells

us

he spent intervals, many years, all seasons, sometimes riding, sometimes boating, but generally afoot (I was always

that

"

all

its

shores

"

"

then a good walker), absorbing fields, shores, marine incidents, characters, the bay-men, farmers, pilots, always had a plentiful acquaintance with the and with fishermen went every summer on

latter,

sailing

always liked the bare sea-beach, south side, my happiest hours on it to this day."

trips,

and have some of

(Written in 1882.)

1836

to 1850,

he

While

tells us,

living in Brooklyn from he loved to go to a bare, un

frequented shore, bathe and race up and down the hard sand, declaiming Shakspere and Homer to the 2 surf and sea-gulls by the hour.

The elements which entered into Whitman s and built up his manhood are now revealed to and we see why he exclaims, Muscle and pluck "

ever!"

Country

life,

life

us, for

honest labour, simple tastes and

out-of-door living, the sea with its infinite suggestiveness and perpetual grandeur, the tramp by

rural joys,

the shore or through the woods, life in the saddle and on the water, perfect health, the steeping of every sense in the voluptuous beauty of earth all these things

enabled Whitman to be the poet of the body. the strong ties of

1

Quoted

in

Whitman s Specimen Days and

p. ii (Glasgoiv, 1883). 2

Jbid, p. 14.

And

home, the deep human sympathies,

Collects,


WALT WHITMAN. the manly

republican

character

of his

father,

the

mother, the spirit of peace which brooded like a dove over the simple Quaker spiritual intuition of his

homestead these made him also the friend of man and the poet of the soul. But Whitman was to go through wider and more complicated experiences than these, or he could not have become Democracy s chosen bard. He was to become printer and journalist, to go freely, as he expresses it, with powerful, uneducated persons," to sound all the depths of life, good and bad, in a great in vast city, to live day by day with dead and dying an official, army hospitals, to serve the Government as to wander over vast regions of his own vast continent, (l He made him to discover what the great world is. "

with all kinds of writes Dr. Bucke, trade not reports and statistics, employments, by reading with the work hours but by watching and stopping self

men

"

familiar,"

(often his intimate friends) at their work.

He

visited the foundries,

shops, rolling mills, slaughter cotton factories, shipyards, the big carriage and cabinet shops

and

woollen

houses,

wharves, and

went to clam-bakes, races, auctions, weddings, sail ing and bathing parties, christenings, and all kinds of 1

-

merry-makings."

He knew

every

New York omni

bus-driver, and found them both good comrades and capital materials for study.

the

influence

(like the 1

Indeed, he

of these rough,

Broadway

tells

us that

good-hearted fellows

stage-driver in

To Think of Time)

Walt Whitman, by R. M. Bucke, M.D.


HIS PERSONALITY. "

undoubtedly entered into the gestation of Leaves of * No scene of natural beauty, no "apple-

Grass."

tree blows

ous,

and pink with every leaf a

of white "

lilac-bush

indolent, sinking sun,

no

air,"

uplands

in

the

orchard,"

no

miracle,"

burning,

no

"

gorge

expanding the no healthy "

"

hurry ing-tumbling waves," with herby-perfumed breezes

him

"

give

greater inspiration than the thronged streets of New interminable eyes," with the life of York, with the "

the theatre, bar-room, huge hotel, the saloon of the Manhattan crowds, steamer, the crowded excursion, "

with

their

turbulent musical chorus/

torrent, the never-ceasing roar of

the

rushing

modern human

life.

He

absorbs the influences coming from a gang of stevedores or a crowd of young men from a printingoffice as

he does these of

"

the splendid silent

sun,"

so that he can say with truth "

I

have loved the earth, sun, animals,

I

have despis d

riches; I

have given alms to every one that ask d, stood up for the stupid and crazy, devoted my income and labour to others,

Hated tyrants, argued not concerning God, had patience and indulgence toward the people, taken off my hat to nothing known or unknown, Gone freely with powerful uneducated persons and with the young, and with the mothers of families, Read these leaves to myself in the open air, tried them by 1

-

trees, stars,

rivers,"

etc.

2

Specimen Days and Collects, p. 19. By Blue Ontario s Shore." Leaves of Grass, "

p. 273.


WALT WHITMAN.

8

A hopeless men,

"

"

subject this for

city

British matrons, organisers of

men, most clergy and all charity,"

"

who live by routine, and convention, and who survey life from the inside of a counting-house or a A great contrast, too, to our literary stuccoed villa.

persons

men, or ture, in

at least to the majority of

Whitman

ated with

life,

as

s it

eyes,

was

is

them.

once more

For

litera

vitally associ

in the days of the Elizabethan

dramatists, of the buoyant Cervantes, of the majestic Dante. It is not a profession, a separate calling, an affair

of libraries and literary coteries, but a transcript life. It has been supposed

from actual contemporary that

Whitman

coarseness, and

carried this to the

extreme limit of

he has been purposely, and (as it almost artificially rude in his contempt of con were) This is not, however, the case. ventions. His that

manners and breeding have been admitted by all who were privileged to know him, to be simple, unaffected, His bearing as man and as natural, and gentle. author

is

frankly democratic.

He

any hatred or contempt of those

does not breathe

who live in greater own simple way.

luxury ; he simply prefers his Scarce a single English contemporary

man

of letters

have thoroughly assimilated this demo cratic spirit, unless we except our noble artist-poet, William Morris, printing, designing, testing colours appears to

and patterns with masses

at

his

own hands, and speaking

out-of-door gatherings

;

in a

Robert Louis Stevenson, in his sylvan Samoa. In other countries Tolstoi s life is

lesser degree,

retreat in

to the

and perhaps

most closely analogous

to that of

Whitman.


HIS PERSONALITY.

The

result of this isolation of

our chief writers from

unquestionably loss of influence. be may reasonably suspected whether the popularity of Tennyson s exquisite poetry is much more than actual popular

life is

It

The average trade unionist probably would somewhat resent Tennyson s attitude to his class were he acquainted with the Laureate s middle-class popularity.

Browning has vigorous popular sympathies, poems, his subtle thought

verse.

but, with a few exceptional

beyond the slow mind of the British attracts only the s pensive muse s cultured few. Swinburne democratic instincts are indeed his is the not much more than skin-deep

carries

him

far

Arnold

artisan.

;

republicanism of his powerful master and inspirer, Landor. Spite of the super

aristocratic

ficially

worth

s

Pagan

reactionary character of a portion of Words poetry, his human instincts are so true, so

deep, that we may accept, as Mr. Arnold does, s o\vn verdict concerning his poems:

worth

will co-operate

nature and

with the benign tendencies in

society,

efficacious in

and

making men

And Wordsworth had

their

wiser, better,

not only

spirit of Nature, but had

poor men

will,

in

known

"

"They

human

degree,

be

and happier.

communed love

Words

with the

in huts

where

But on the whole the peasant-poet, Burns, born of the people and living among them all

his

lie."

life, is still

"

the British democratic bard.

Deep

in the general heart of

His power

And

men

survives."

that mighty influence of the

Ayrshire

plough-


WALT WHITMAN. man

is

surely

Whitman,

due

to the fact that with him, as with

literature

not a thing apart, but a tran like the Bible, the Pilgrim s ;

is

script of actual daily

life

Homer, Don Quixote, and those verses of Tasso which the Venetian gondoliers used to sing.

Progress,

"Out

from the heart of Nature rolled

The burdens

of the Bible

old."

Whitman s personal appearance is thus described by Thomas A. Gere, an employe of an East River steam boat, who was one of the poet s friends, and who, writing in 1882, paints his hero as he appeared in the

years from

185410 1860:

"Walt s

appearance used when he

to attract great attention from the passengers

He was quite six feet in boat. with a the frame of height, gladiator, a flowing gray beard mingled with the hairs on his broad, slightly came on board the

In his well-laundried checked

bared chest.

legs, his fine

shirt

into his boot

sleeves, with trousers frequently

pushed head covered with an immense slouched

black or light

felt

hat,

naturally majestic stride, I

he would walk about with a a massive model of ease and

hardly think his style of dress in

independence. those days was meant to be eccentric

;

he was very

show or sham, and I fancy he antagonistic in what was handy, clean, attired himself merely 1 In Mr. W. D. economical, and comfortable." O Connor s powerful, albeit too florid Vindication of The Good Gray Poet," dated Washington, 2nd to

all

"

"

"

September, 1865, when Whitman was 1

forty-six years

Walt Whitman, by R. M. Bucke, M.D.,

p. 33.


HIS PERSONALITY. old,

we have a

fine portrait of the poet as

A man

"

in his

prime

tt

:

he appeared

of striking masculine beauty

powerful and venerable in appearance large, oftenest clad in the careless, calm, superbly formed rough, and always picturesque costume of the com a poet

;

;

mon

people

resembling,

;

and

generally

taken

by

strangers for some great mechanic, or stevedore, or seaman, or grand labourer of one kind or another ;

and passing slowly

in this guise, with

nonchalant and

haughty step along the pavement, with the sunlight The dark sombrero falling around him.

and shadows

I

saw him

just

day being warm, held for the

moment

in his

he usually wears was, when rich light an

artist

would have chosen

uncovered head, majestic,

upon

now, the

hand

upon Homeric, and

large,

his strong shoulders with the

lay

;

his sat

grandeur of ancient

marked the countenance, serene, proud, cheerful, florid, grave; the brow seamed with noble wrinkles; the features massive and handsome, with firm blue eyes the eyebrows and eyelids especially I

sculpture.

;

showing

that fulness of arch

seldom seen save

in the

the flowing hair and fleecy beard, both with a look of age the youth and tempering very gray, ful aspect of one who is but forty-five (46 ?) ; the sim

antique busts

plicity

;

and purity of from snowy

spotless,

his dress,

cheap and plain, but burnished boot,

falling collar to

and exhaling faint fragrance the whole form sur rounded with manliness as with a nimbus, and breath ing, in its perfect health and vigour, the august charm ;

of the

1 strong." 1

"

The Good Gray

Poet,"

Bucke,

p. 99.


WALT WHITMAN.

12

1880 Dr. Bucke describes the poet, who paid

In

him a

visit

in

Canada during

that year,, as looking so

much

older than he was that persons took him to be seventy or even eighty. Yet, even then, the cheeks

were round and smooth, the body, a delicate but well-marked rose colour ; and it was the white hair "

"

and feebleness

He

perfectly healthy finest

due to paralysis, which alone had the keen bodily senses of a

in walking,

suggested age.

man, almost akin

barbarous races.

"

I

believe

of the

to those

all

the poet

s

senses

are exceptionally acute, his hearing especially so no sound or modulation of sound perceptible to others ;

escapes him, and he seems to hear

many

things that

I have heard him ordinary folk are inaudible. of the speak hearing grass grow and the trees coming

to

out in

1 leaf."

His favourite occupations when in his prime of health and vigour were sauntering about either in the streets or

among

the wild places where nature grew in

her strength and beauty.

"

I loaf

and

invite

my

soul/

he says, meaning that he absorbs every influence around him and passes on these experiences into his inner being and the spiritual world he has created for himself. He loved the splendid silent sun," and "

Mr. Conway relates how he found the bard in the primitive garb of Eden, before even the fig-leaf came into fashion as an article of costume, lying in the sand

by the sun.

sea-shore, revelling in the light

He

and heat of the

also loved to sing to himself in

an under

tone (an invariable sign of a happy nature), and to 1

Bucke,

p. 49.


HIS PERSONALITY.

He

recite poetry.

did not talk much.

He was

never

married, for the reason he gave to Dr. Bucke while the two were enjoying the scenery of the Thousand I suppose the chief Lawrence must married have been an over never

Islands of the

reason

why

I

"

St.

:

mastering passion for entire freedom, unconstraint

had an

instinct against forming ties that

;

I

would bind

* me."

It is generally

known

that

Whitman had

a paralytic

He

was attacked by it in had but he been February, 1873, frequently ill since was with he taken malarial when 1864, fever, induced

seizure several years ago.

by years of labour and watching amid the horrible tragedies of the military hospitals at Washington dur

He has been blamed because, ing the Civil War. with his splendid physique and professed patriotic The charge devotion, he did not serve in the army. breaks down when it is said that Whitman, brought up in

Quaker

traditions, held the creed of

Garrison, and of Tolstoi.

men s

George Fox, of not to destroy fighting was not his

He came

but to save them So far as physical courage is concerned, it probably needed less of that commodity to face the Southern bullets and cavalry charges than to serve in lives

:

metier.

a military hospital with all its terrible sights and sounds. There is here no martial music, no esprit de

no rushing headlong torrent of almost divine madness, no thought of glory to be won, no sudden heroic death nor chance of splendid victory. In place co?*ps,

of these elements of 1

the battlefield, there are

Bucke,

p. 60.

the


WALT WHITMAN.

14 stern,

round

whitewashed walls of the vast ward rising up all like the array of the sheeted dead there are ;

the mangled human forms, the broken limbs, the great red gashes, the pools of blood, the cries of agony, the grim instruments of the surgeon s art, and ever and

anon the ghastly spectre of Death victims on every side. Romance, though

it

battlefield

amid the

may ;

be, has

but

an inspiration

how many can

Argonne, sounding

humming

for

possess

down

his

and bloody men on the their

souls

stern realities of the hospital without

adventitious help or charm kind of delight in riding

whistle of

striking fierce

of tops, birds."

as

?

any Goethe found a positive amid the cannon-balls at "of

the

of water, and

the

though composed

the gurgling

But he could not look upon a

wounded

Men

object or a dead body without mortal terror. are so differently constituted that there is nothing

so difficult to affirm or deny as the presence of courage

any given person. If any censure is to be passed on Whitman for not actually taking up arms for the Republic in her hour of trial, let the blame be laid to the charge of a creed which has been held by some of in

the purest and bravest of men, and not to that of the poet s lack of courage.

Whatever the effect of these years of terrible ex perience on the poet s body, it cannot be doubted For here in these that they gave new life to his soul.

Washington hospitals he must have gazed deep into the very heart s core of supreme pity and human sym He sounded the divine depths of sorrow as pathy. earlier sounded those of joy in nature and of he had


HIS PERSONALITY. flushing virile

How

life.

15

wounded must have

the

loved the noble heroic figure who came stealing gently to the bed of pain, laying his cool palm softly as a

He lived in the utmost mother on the burning brow that in order he might have money for the simplicity !

purchase of

comfort or

articles to give

little

relief.

1

He is able in after years to recall simply but with conscious joy this time of help given to the sufferer :

u

breathe his

This arm,

this

many a dying

has

this breast

Upon

soldier lean

d

to

last,

hand, this voice, have nourish

d, raised,

restored,

To As

life

recalling

to

Whitman

many s

a -prostrate

form."

deep human love

for

2

man

as

man,

the following story told by Mr. W. D. O Connor I remember suffice to reveal this great quality here the anecdote told me by a witness, of his meet let

"

:

ing in a by-street in Boston a poor ruffian, one

he had known well as an innocent

child,

now

whom a

full-

his years,

youth, vicious far

grown flying to beyond Canada from the pursuit of the police, his sin-trampled features bearing marks of the recent bloody brawl in New York, in which, as he supposed, he had killed someone ; and having heard his hurried story, freely confided to him, Walt Whitman, separated not from the bad even by his own goodness, with well I know what tender and tranquil feeling 1 2

Bucke, pp. 36, 37. By Blue Ontario "

s

Shore."

for the ruined being,

Leaven of Grass, p. 273.


1

WALT WHITMAN.

6

and with a love which makes

God which

me

think of that love 01

deserts not any creature, quietly at part

him from his means, held him for a with his arm around his neck, and, bending moment, to the face, horrible and battered and prematurely ing, after assisting

old, kissed

him on the cheek, and

the poor hunted

for the first time in his

low life re wretch, perhaps a token of love and like a touch ceiving compassion from beyond the sun, hastened away in deep dejec tion,

A

* sobbing and in tears." finishing touch may be imparted to

pourtrayal of

Whitman s

this

attempted

account of personality by his appearance so late as the summer of 1890 by an The first thing that struck me was English visitor this

"

:

the physical immensity and magnificent proportions of the man, and, next, the picturesque majesty of his

He

presence as a whole.

sat quite erect in a great

cane-runged chair, cross-legged, and clad in rough gray clothes, with slippers on his feet, and a shirt of pure white linen with a great wide collar, edged with white lace, the shirt buttoned about midway down his breast, the big lapels of the collar

thrown open, the

and exposing the upper He his hirsute chest. wore a vest of gray of portion it was unbuttoned but almost to the homespun, points touching his shoulders,

He

bottom.

had no coat on, and

his shirt-sleeves

were turned up above the elbows, exposing most beautifully shaped arms, and flesh of the most delicate whiteness.

Although

spire visibly, while I 1

it

had

was so to

hot,

he did not per

keep mopping

The Good Gray Poet, by

W.

D.

O

my

Connor.

face.


HIS PERSONALITY.

17

hands are large and massive, but in perfect pro portion to the arms ; the fingers long, strong, white, But his majesty is and tapering to a blunt end. j.is

.

.

concentrated in his head, which

.

is

set with leonine

grace and dignity upon his broad, square shoulders ; and it is almost entirely covered with long, fine, straggling hair, silvery

and

glistening, pure

and white

on the top of his high, rounded crown, streaming over and around his large but delicately shaped ears, down the back of his as sunlit snow, rather thin

his pinky-white cheeks and top ; and, from over the lower part of his face, right down to the middle of his chest, like a cataract of materialised,

big neck

lip,

white, glistening vapour, giving

him a most venerable

and patriarchal appearance. His high, massive fore His nose is large, head is seamed with wrinkles. strong, broad, and prominent, but beautifully chiselled and proportioned, almost straight, very slightly de pressed at the tip, and with deep furrows on each

The

running down to the angles of the mouth. eyebrows are thick and shaggy with strong white side,

hair,

very highly arched, and standing a long way above the eyes, which are of a light blue with a tinge of gray, small, rather deeply set, calm; clear, penetrating,

and

revealing unfathomable depths of tenderness, kind The whole face impresses ness, and sympathy. .

.

.

one with a sense of resoluteness, strength, and lectual power,

and

yet withal, a

conquerable radiance, and hopeful 1

Notes of Visit

to

intel

winning sweetness, un x

joyousness."

Walt Whitman, by

J.

Johnston, M.D.

(Bolton, 1890).

B


WALT WHITMAN.

18

It may be asked whether we are to conceive of Whitman as a cultivated man, On the whole, prob

conventional sense

the

in

ably not,

of the

word.

early education was that of the American common school, he never went to college, he has himself told

His

as one dumb, a gawk, or and his dead," early work in the printingoffice prevented him from acquiring what is called culture." But when we recall the fact that England s

us that in libraries he

lies

"

3

unborn, or "

little Latin and less Greek/ supreme poet knew that Keats was innocent of classical learning, and that Burns derived his inspiration from beggars and "

mountain

daisies rather than "

Or

we

shall not

culture

from

Thebes or Pelop s line, Troy divine,"

the tale of

count the absence of a vast array of In stores of learning as a loss.

and immense

deed we may be reasonably sure that the presence of these would probably have fettered Whitman s peculiar genius. what to

Learning

do with

on the whole have in

lost in

is

good

for the

poet when he knows

as in the case of Browning. But the cultivated New England writers it,

power and

insight

what they ha ye gained

knowledge.

But we must not suppose that Whitman had not In Matthew Arnold s sense of the read a good deal. word culture a knowledge of the best that has been said

and thought

in the

world

1U Calamus."

we may

fairly class


HIS PERSONALITY.

Whitman among

19

We

cultured men.

hear

much

of

hundred best books/ and of speculations as to what one would like to have in the shape of literature were one cast on a desert island.

attempts to collect the

"

This talk shows a growing sense that the best the world can give us is contained in a few books, and a kind of bewilderment over the immense multitudes of

books a cultivated person

man

did

world

s

is

supposed

to read.

Whit

confining himself largely to the greatest spiritual products ; to the Bible, well

in

Shakspere,

Homer

Epictetus.

We

translation),

(in

see, too,

Don

Quixote,

from frequent references, that

he had made himself familiar with the philosophic ideas

and with the writings of Carlyle, Emerson, Tennyson, Arnold, and others of the more significant modern authors. He had read not a little of history and science, and may therefore be called a well-read of Hegel,

The

man.

with a red

fancy portrait of an ignorant barbarian and his boots on the table, must fade

shirt,

away before the

vision of the real

man, as he has been

partly depicted in these pages and in the writings of his friends. have now a very fair idea of him and

We

of the formative influences which

We

see in

moulded his life. him the genuine democrat of the very

highest type, sharing

man, and

all

the feelings of the average

yet adding something unique

something

that

we

call

and

precious,

Unconventional, powerful, with a healthy rudeness, combined with a delicate refinement, born out of deep human sym pathy,

and therefore

society.

His

genius.

mere politeness of somewhat oi the antique

outlasting the

figure has in

it


WALT WHITMAN.

2O heroic

type,

and yet withal a sweet benignity, so

blending the Pagan and the Christian elements with a thoroughly new tone the tone of the New World democrat, who is the peer of anyone, and whose vision sweeps the vast horizon of a mighty continent. We see in him one who has never sold character and in the market, and who has declined and despised the tempting bids which the men of enter In a land where prise make to the men of genius.

intellect

is a powerful factor, where friv olous Anglomaniacs outvie the elder world in pro fuse luxury and vulgar ostentation, a land much of

the

"

"

almighty dollar

whose

has

literature

Whitman has stood figure

been

mere puny

out a colossal and

original, courageous, solitary,

imitation,

commanding

and poor.

His

even greater than anything he has own manhood all that he has produced has flowed produced ; and is

forth

naturally

humanity.

from the fountain-head of

his

own


II.

-HIS MESSAGE TO AMERICA.

PROFESSOR LOMBROSO,

in his

suggestive,

recently translated

sided work,

but one

English, while bears the imprint

into

admitting that Whitman s poetry of strange and wild originality," classes the poet among And the not altogether sane egotists of genius. 1 "

when the poet frankly avows, I know perfectly well my own egotism," the superficial reader at once ac But Whitman is all the cepts Lombroso s estimate. time thinking not of his own individuality, but of modern humanity in its actual types, especially as "

found

"The America, whose representative he is. I sing," exclaims the poet, just as Dante

in

modern man sings

the mediaeval man.

But,

whereas

in

Dante

s

marked the mystic, unfathomable song culmination of a great world-era, Whitman, on the case,

the

"

"

other hand, stands

at

the birth of a vast

world, whose future growth he seeks

He

peers

down

the

"

democratic vistas

modern

to "

penetrate. of the open

new shapes loom not of his own it is of rush new virile life the tidal of personal ego, on the American continent, that he writes. The I

and discerns afar the dim distance. ing up ing age,

in the

great It

is

"

constantly sprinkling the pages of Leaves of Grass 1

The

Man

of Genius, p. 318 (London, 1891). 2J

"

is


WALT WHITMAN. not the individual but the collective American Ego, whose voice he believes himself to be. When he I salute all the inhabitants of the earth," exclaims, or I did not know I held so much goodness," he "

"

man

speaks for the modern

of his

own country

;

for

he reminds one perpetually that he claims nothing for himself which he does not concede to all. No, it is not egotism, it is the identification of a great indivi dual nature with the spirit and life of modern human

He

ity.

is

America

s

voice

not the voice of trans

;

cendental liberalism like Lowell, nor of a softened and humanised Puritanism like Whittier, nor an echo of England and Spain like Irving and Longfellow, but the voice of the average American spread over a vast

and

ragged continent, flush with life, energy, and His task is to foreshadow the future of the

still

hope. democratic "

life

there, to

announce things

to

come.

Fresh come, to a new world indeed, yet long prepared, I see the genius of the modern, child of the real and ideal,

ground for broad humanity, the America, heir of the past so grand,

Clearing the

To

build a grander

future."

true

1

Let us see what Whitman thinks of his own vast held up country with its new problems so suddenly before its people for solution by the sphinx of destiny. Whitman very clearly perceives both sides of the of the shield, and is as severe in his denunciation radical "

American

Song of the

vices,

as

he

Redwood-Tree."

is

confident in

Leaves of Grass,

the

p. 169.


HIS MESSAGE TO AMERICA. grand future of

"

these

States."

We

23

must note

alike

the warning voice of condemnation, and the resonant utterance of clear-sighted and sympathetic hope and faith in the people both of which discover themselves ;

in the essay

To

termed Democratic Vistas written

Whitman

take

first

in 1868.

in his Cassandra-like

char

powerful and searching diagnosis I of America, conceived in the vein of Carlyle say we had best look our times and lands searchingly

acter,

we have

this

"

:

in the face,

diagnosing some deep there, perhaps, more hollowness at present, and here in the United

like a physician

Never was

disease. at heart

than

Genuine

States.

belief

seems

to

have

left us.

The

underlying principles of the States are not honestly believed in (for all this hectic glow, and these melo

dramatic screamings), nor

What

in.

humanity itself believed does not everywhere see penetrating eye

through the mask

?

The

is

spectacle

is

appalling.

an atmosphere of hypocrisy throughout. believe not in the women, nor the women

live in

men men.

We The in the

A

scornful superciliousness rules in literature. The aim of all the litterateurs is to find something to make fun of. lot of churches, sects, etc., the most

A

dismal phantasms I know, usurp the name of religion. From deceit in Conversation is a mass of badinage. the spirit, the mother of all false deeds, the offspring

An acute and candid person revenue department in Washington, who is led by the course of his employment to regularly visit the cities, north, south, and west, to investigate frauds, has

is

already incalculable.

in the

talk

d much with me about

his

discoveries.

The


WALT WHITMAN.

24

depravity of the business classes of our country is not than has been supposed, but infinitely greater.

less

The

official services

of America, national,

state,

and

municipal, are saturated in corruption, bribery, false hood, mal-administration ; and the judiciary is tainted.

reek with respectable as much as In fashion non-respectable robbery and scoundrelism. able life, flippancy, tepid amours, weak infidelism, 1

The

great

cities

In small aims, or no aims at all, only to kill time. business (this all-devouring modern word, business), the one sole object

The magician s

is, by any means, pecuniary gain. serpent in the fable ate up all the

and money-making is our magician s ; remaining to-day sole master of the field. best class we show is but a mob of fashionably-

other serpents serpent,

The

dressed speculators and vulgarians. behind this fantastic farce, enacted

Sure,

indeed,

on the

visible

stage of society, solid things and stupendous labours are to be discovered, existing crudely and going on in

the background, to advance and tell themselves in Yet the truths are none the less terrible. I time. say that our New World democracy, however great a success in uplifting the masses out of their sloughs in materialistic development, products,

and

in a certain

highly-deceptive superficial popular intellectuality, is, so far, an almost complete failure in its social aspects,

and

in

really

grand religious, moral, literary, and In vain do we march with unpre

aesthetic results.

cedented strides to empire so colossal, outvying the 1

Whitman

frequently uses this

word

disbelief in the higher purposes of his

to denote a

own

life.

man s


HIS MESSAGE TO AMERICA.

25

beyond Alexander

antique, sway of

s, beyond the proudest In vain have we annex d Texas,

Rome.

California, Alaska, and reach north for Canada and south for Cuba. It is as if we were somehow being

endow d with a

and more and more thoroughlyx left with little or no soul." The prose work of Whitman s from which this vast

appointed body, and then

quotation is taken is intended to be critical ; but in Leaves of Grass the same note is struck in the lines, To the States "

"

:

"

Who

and night-dogs askant

are they as bats

What

a

in the

?

capitol

Presidentiad (O South, your torrid North, your arctic freezings !) Are those really Congressmen ? are those the great

suns

filthy

Judges

Then

I

?

is

that the President

will sleep

sleep, for

This stern those

!

O

!

awhile yet, for

reasons."

denunciation

"

2

see that these States

3

who imagine Whitman

of what he calls a

I

?

barbaric

may be commended to

to

be the mere sounder

yawp,"

the mere glorifier

of crude democracy, the loud-mouthed showman in viting the European peoples generally to step up and see the unrivalled

within

"

these

Columbian There

States."

commonplace optimism 1

p.

in the

collection is,

contained

indeed, far

American

Democratic Vistas," from Specimen Days and 210 (Glasgow, 1883).

2

3

more

versifiers so

"

The

Presidencies of Fillmore, Pierce, Leaves of Grass, p. 219.

Collects,

and Buchanan.


WALT WHITMAN.

26

widely read in England than in either the prose or poetry of Whitman. Indeed, in the older American writers, before the

simple agricultural democracy had

become a highly complex almost hear

Ha, ha

"

!

industrial republic,

we can

"

the eagles of the Great Republic laugh. Whitman, on the contrary, seems, at least

in his later writing, to perceive with great clearness the

shortcomings of the United States

the superficiality,

the ostentation, the vague moral platitudes covering ugly social facts, the imposture connected with the "

game reduced the mock piety of "

political

to

its

baldest and ugliest

the millionaire, the blarney feature, of the politician, the materialism of the business-man, the sensationalism, vulgarity, and all the other surface

manifestations of democracy which led

M. Re nan

to

declare that, from the spiritual point of view, a single Italian city, with its art, its history, its background of

stormy, intense, individual life outweighed in impor tance the whole of America.

Mr. Matthew Arnold observed of America that it had solved the political problem, it had solved the social problem, but it had not solved the human pro blem. By the human problem Mr. Arnold meant a high standard of national

life,

works of creative genius, a

superb and beautiful ideal of manners, of conduct, of faith and aspiration, an ease and grace of living these things, according to Mr. Arnold, America has For a not, and few will be found to gainsay him. brief period, the nation rose to a height of moral

grandeur, when the fabric of her political union was threatened by an immoral and audacious rebellion.


HIS MESSAGE TO AMERICA. But even during that

must record

that

27

terrible crisis, impartial history

members

of Congress did not hesitate

Union

to receive bribes for concessions granted to the

But as soon as the

Civil

War was

Pacific Railway. over came the rush of immigrants, the opening up of the West, and the submergence of the country in a

The

wave of materialism.

tidal

quarter of a

last

century may be said to have been the era of railroad kings, grain-speculators, imported cheap labour, de

bank

faulting

America has thread

officials,

and

machine

"

of organic

politicians.

but dropped the the prey of has become union,

dignity, has

lost

"

all

and "trusts," dominated by unscrupulous anti-social instincts and aims. The with persons has of course shared of the civilised world greater part "rings"

in

this

diseased condition

but America has fared

;

and it is only her any enormous resources which have prevented the strain worse

than

other

from being too acutely

much work cies, that

is

felt.

And

while, doubtless,

being done to correct these

evil

tenden

work lacks concentration, and perhaps

telligent direction.

to

nation,

The

view the political

cultured classes,

and

social

who

are

in. apt.

condition of their

country with some degree of disgust, are much farther masses than are the cultivated people apart from the in England ; and, as a rule, they have no solution to "

offer.

They

"

are too cold, critical, conventional

represent the moral

fervid religious faith all dead. larger,

the

more

English

:

they

decorum of Puritanism, with

intelligent,

The

its

great middle-class,

and with a wider sweep than

middle-class,

is

yet

sunk

in

business


WALT WHITMAN.

28 materialism.

And

the vigorous, alert, clean American the swarms of

workman has been out-numbered by poorly-paid labourers

from

These varied

Europe.

classes, with the six millions of

nominally enfranchised

negroes, without sufficient common faith, ideas, pur do not furnish the requisite conditions

pose, culture, for the

Arnold

solution of the is right.

human problem.

So

far

Mr.

But when he contends that America

has solved the political and social problems, we must for she has not done even that at present. ;

demur

Consider the

political

problem.

The United

States

are Constitution, a work of great ingenuity, constructed by one of the most remarkable group of statesmen the modern world has

bound together by a Federal

seen, but bearing all the marks of the political ideas It is beginning to be sus of the eighteenth century. is a very good vessel in that that Constitution pected fair

weather; but that in a serious storm she may The people of the water-logged.

become hopelessly

United States have had, on the whole, an easy time But it, as compared with the nations of Europe.

of

worth noting that, in the case of the one serious problem which has confronted the American people, it is

their Constitution has

broken down.

The American

Constitution could not solve the problem of American to the arbitrament slavery, which had to be submitted

of the sword.

Inter

arma

silent leges;

and

for four

years the American Constitution was practically sus pended and slavery was first done away with as an act of

Further, the Constitution provided no means for the settlement of the disputed Presidential election in war.


HIS MESSAGE TO AMERICA.

29

1876; and an extra-constitutional tribunal had to be set up, whose decision even now is challenged by half the

American people.

We

perceive too, that, under this Constitution, the Federal power is constantly encroaching on the sup posed political sphere of the various States. Ballotstations, professedly

under State regulations, have been

surrounded by Federal troops, and may be so again.

The powers and mode of

election of the President,

and functions of the Senate, the powers accorded to the Speaker of the House, are all strongly criticised, to some extent disapproved, by an earnest the position

and able minority.

Supposing the directly elected

representatives of the people came into rude collision on some vital question of labour, or of organic reform

with that

"

millionaire

s

club

"

(as

it

has been called),

the Senate, what a dislocation of the entire political

system might not ensue

!

It

must

assumed

also be

problem includes what is the most difficult question of our time, the administration of How utterly the American system has large cities. that the political

broken down in

this respect, let the constant

and

dis

graceful scandals and incompetence of the city govern ments of New York, Philadelphia, Cincinnati, Chicago,

and other places declare. Perhaps the political pro blem never will be solved; possibly the solution may be in a perpetual process of to the Hegelian conception.

have chopped another

is

ever this

off

be,

it

its

according

Perhaps as soon as we

one head of the

destined to rear

may

"becoming"

political

horrid crest.

hydra,

But how

cannot be averred that America


WALT WHITMAN.

30

has more decisively solved the political problem than most of the Western European nations have. Indeed, if there is one country above all others that would appear to have accomplished this feat it is Switzerland.

Turn from the America tained

when

structure

political to the social

How

really solved this?

is

it

is

can

understood that the American

substantially similar to

Europe. There land system of

problem. Has this be main

is

that of

social

Western

no inherent difference between the

England and that of the United States; and upon this economic basis the social edi fice is reared. The only difference lies in the extent of territory which the United States possess as com pared with the British Islands ; and that great patri

has been so rapidly absorbed or wasted that it calculated by an eminent statistician x that, within a quarter of a century there will be no more available

mony

is

Even

land for settlement.

as

lations respecting immigrants

it

of Mr. Lowell that his country "

no longer

the stringent regu

s

Free latch-string never was drawed

Against the poorest child of

is

is,

remind us that the boast

applies.

The

that of England,

Adam s

capitalist

only more

in

kin

system of America

despotic,

ambitious,

and less scrupulous. The contests between capitalist and workmen there are more severe and dangerous than those in England. rich

The

and poor are even more

social contrasts

between

startling than those in

Mr. Giffen.


HIS MESSAGE TO AMERICA. Europe

for

;

wealth there

the

more

far

is

rapidly

The average acquired and less readily assimilated. and the rate of wages is not high, average individual income

is

1 lower than in Great Britain.

Many American

millionaires,

it

is

worthy public causes with lavish hand

more money

true that

rich people than

is

is

true, ;

but

give to also

it is

extravagantly squandered by

In the Old the case in Europe. rich are probably still of

World the majority of the

families sufficiently old to be accustomed to the easy But the and natural use of immense possessions. American millionaire, who is not to the manner born, turns to some bizarre, strained, ostentatious display of

luxury in the shape of big, luxurious yachts, acres of foreign paintings, diamonds, fast horses, and other

which he

vanities,

rarely cares for,

and which he has

rarely time to enjoy, for he is not a man of leisure, but a wealthy drudge of the office, bank, or Stock It is impossible to separate social Exchange. from economic conditions, for the latter all but

life

in

variably constitute the formative mould of the former. The characteristic of social classes is inevitably de termined by the constant habit and action of the

Thus the poor are competing against one another

greater part of the -waking day.

mainly employed for a livelihood,

in

while the rich are engaged in com This fortune does not arise

peting for a fortune.

from genuine payment for social services, but from manipulation of unearned wealth. This, of course, is 1

U.

S.

Census Returns for 1880, and Mulhall

of Statistics, p. 245 (1886).

s

Dictionary


WALT WHITMAN,

32

more It

is

or less the character of our present civilisation. not claimed that America is peculiar in this

respect,

but that she shares the worm-eaten

social

order of Europe, and that she reveals it in a more naked form, unrelieved by the picturesque relics of an earlier form of civilisation. America has,, therefore, no more solved the social problem than has Europe ; and thus the whole of Mr. Arnold s criticism turns

out erroneous.

The

America are no more

and

political

really solved

social

than

is

problems of the human.

The

ease with which the American people have ad vanced is due rather to immense stores of material

wealth than to anything in the structure of Govern ment or society. The three leading democratic nations of the world, France, Great Britain, and the

United so)

States, enjoy (or suffer, if

much

the

same kind of

one

likes to

put

it

political organisation at

bottom. The popular vote is recognised as the source of political power but it is curious that in Great Britain, whose patch-work, time-honoured insti ;

tutions are the least acceptable to democratic theorists, the people have the closest, most immediate control The outward forms differ, of the domestic policy. *

the essence

is

The mass awakened

practically the same.

of the American

people have not yet is sub

to the fact that their social structure

stantially identical with that of

Western Europe.

was said of a distinguished parliamentary

It

orator, that

1 I say domestic purposely, because in foreign matters the English people are much more at the mercy of their Government than are the French or American.


HIS MESSAGE TO AMERICA.

33

him began with the repeal of the corn For the average American, history is very apt and he is apt to begin with the 4th July, 1776

history for laws.

to

;

think of his country as having started de novo an illusion sustained by the comparatively easy course of

American

history.

accident

but

;

abolished,

all

country was is not free.

"

Slavery of course was a serious

was supposed that when that was would be smooth sailing, because the it

"

in

free

some sense

The exaggerated

of such a patriot as Mr.

in

which England "

"

spread-eagleism Hannibal Chollop, or the

Hon. Elijah Pogram is, it is true, rare now for there no sane mind that is not impressed by actual, But the notion is still prevalent palpable facts. that America s troubles are superficial and passing, Europe s deep and abiding. It is this notion which ;

is

produces that easy-going superficial optimism, that resignation to public ineptitude

and

private tyranny,

which can scarcely fail to strike intelligent European visitors to the United States. The coal barons form unscrupulous combinations to advance prices and swell dividends but no one proposes to do any "

"

;

thing except a few persons who have just caught the ground-swell of European socialism, and who are

regarded as

"cranks."

Pinkerton detectives shoot

down unarmed men and women, and even

children

an incident which could not be imagined in England and it seems to cause but a ripple of mild protest even from excellent and kind-hearted people. What is the

;

immortal explanation of it all ? Probably that the principles" of 76 are as much a fetish in America as "

C


WALT WHITMAN.

34

those of 89 are in France.

The French

party.

"

The

conviction, crushes us.

It

to our

is fatal

past

Revolution, I say

with deep

it

weighs like an incubus

upon our hearts, and forbids them to beat. Dazzled by the grandeur of that Titanic struggle, we prostrate So wrote Mazzini * more than half a century ago. His words would not be so true to-day but they have not wholly lost their ourselves before

it

even

yet,"

;

And

while fourth of July orations no longer gather huge audiences as in the days of Webster and Clay, yet the underlying individualism of the American

meaning.

movement of

the last century is still deep-rooted in Individual liberty," and the "

the national character.

accompanying notion

that

every

without external social aid,

So

Europe. spirit

the United

in

stronger

far as

of self-reliance,

own

if

man

can

he wants

to,

States than in

get on are to-day

"

"

any part of

proceeds from a genuine and a determination to stand up this

and not lean on a superior power, and is quite compatible with a very much more collectivist state than any But in so far as it is a shirking of existing to-day. on one

s

this is

worthy of

feet,

social obligation,

antagonism not only an

all praise,

a denial of

human

claims,

or

to the organic conception of society, evil, it is the evil of the nineteenth

whose reAos has been

truly described as

it

an is

century, or "

being

2

ganic

justice."

The

actual condition of

America

is

thus seen to be,

from one point of view, not only imperfect, but more 1 2

Faith and the Future. Leslie Stephen in his Science of Ethics.


HIS MESSAGE TO AMERICA. an

than even

so

able

Mr. Arnold

like

critic

35 will

admit, more so than Whitman is perhaps aware of. For he, as we have seen, accepts American conditions as

"

uplifting the

masses out of their

New

in

as the social facts

sloughs,"

where

York,, Chicago, perhaps

even Boston, 1 throw some doubt upon average income is less than that of Great

this,

and the

He

Britain.

due measure of wealth as

sees the vital necessity of a

vast inter a requisite of general national virtue of wealth Whitman reticulation happily calls twining vast products with that it, thus combining the idea of "a

"

of interdependence, so that the wealth of one shall

not be an isolated phenomenon, but shall necessitate

How

America is from this She may perhaps be nearer to it than the leading European countries, but she is farther from it relatively to her greater advan

the wealth of others. ideal

is

to-day

well

Whitman

tages.

is

about the spiritual

far

known.

not deceived by the vapid talk being absolutely unaffected by

life

external physical conditions. truly heroic

English

who

visitor.

ignorantly

is

2

really

"Blessed

are ye poor/ you,"

for leaving things as

against

point

to Jesus

can become

he declared to an

passages

unintelligently

poor ye have always with

ment

No man

poor,"

There are many persons who quote

and

Gospels, such as

apology

"

proposed himself

or,

the

"The

as a kind of semi-

they are, or as an argu

social

and

from

changes. his

And

they Apostles as being

1 Cf. the recent Memorial against tenement house clothing presented to the U. S. Senate by Senator Hoar. 2

Notes of Visit to Walt Whitman, by

J.

Johnston,

M.D.


WALT WHITMAN.

36

poor in worldly possessions and yet rich in spiritual Such apologists for poverty may be unaware that

life.

Nazareth, in the days of Jesus, there were no absolutely poor people in our sense of the term ; i.e., no people so poverty-stricken as to be compelled to in

beg or there

steal.

any

rich

And

neither

people.

All

significant fact

could

manage

were

!

to

live

Jesus knew nothing of the complex problems of our modern civilisation and neither his ideas nor those of any other great religious teacher lives.

healthy

;

be appreciated by those

can

brutalised

by

daily

What is scrambling for the bare necessaries of life. The very poor, it to be spiritual but to be heroic ? years of hopeless effort, are so pinched and cramped that their spiritual growth is stunted, and the after

heroism are choked in the mephitic air Will you demand great virtues of squalid penury. from such miserable victims of distress ? As well possibilities of

What you will usually grapes from thorns. a of low order, lying, shiftless idleness, cunning get Not until the avenue of a better stolid despair.

demand is

physical life is opened will the benumbed nature glow with human warmth and the shrivelled heart

expand with human feeling. But whether Whitman perceives with equal clear For though he calls ness the way out is doubtful. for a

"

vast,

intertwining reticulation of

wealth,"

he

does not seem to anticipate any considerable organic

change

in

the economic structure of society.

the vast mass of off,

men can become

How

appreciably better

while a few are permitted to appropriate such a


HIS MESSAGE TO AMERICA.

37

large share of the total income, does not appear.

how

Nor

of things which has developed with such startling rapidity in America can be altered without considerable economic changes, to obvious

is it

this condition

be partly affected by

political

Whitman

means.

is

not a political economist, and does not profess to be one, and we have, therefore, no right to demand from him any definite suggestions as to the methods for in creasing the total production, and decreasing the

waste and effecting the better distribution of wealth.

These are questions for the statesman, the publicist, the practical reformer, not for the poet or the seer. But we do expect from the latter a kind of hint as to his social proclivities, a presentiment as to the general

And

direction of the curve of social progress.

Whitman somewhat

He

us.

disappoints

here

declares

middling pro merely for freedom of trade and for for men and women with occupa perty owners ; "

"

owners of houses and

tions, well-off,

cash in the that

"

1 bank."

America

s

And

he "

great

hope

tells

lies

acres,

his

and with

English visitor

in the fact that fully

of her territory is agricultural, and must be and while in the towns and cities there is a great

four-fifths so,

and scum, the whole that therein average," and 2 lie his hopes for the future. From which one infers that the poet looks forward to agricultural life, and in deal of pretentious show, sham,

country shows a splendid

dividual, as contrasted with corporate ownership, as the

1

2

"

Democratic

Vistas,"

Notes of Visit, by

J.

from Specimen Days,

Johnston, M.D.,

p.

12.

p. 221.


WALT WHITMAN.

38

economic

the American Republic. it is not so now, and he but foundation, would be a very bold and even rash person who would predict that this will be the material basis of

foundation

Such was

of

its

the future American nation. culture

is

The

truth

is

that agri

at all, that the

tendency even stronger than in England, and that corporate ownership has extended itself more rapidly than in any other country. According to the leading to

town

scarcely advancing

life is

English authority on the United States, the wealth of joint-stock corporations is estimated at one-fourth the

farming,

1

The growth of tenantunder absentee landlordism and of heavy

total value of all

property.

mortgage indebtedness,

in

the great

States

of the 2

Mississippi valley is assuming dangerous proportions. The actual evolution is not at all in the direction de

as indeed is sired by Whitman, but in quite another the case in Europe, and perhaps most of all in Aus tralia, where, in the colony of Victoria, nearly one :

ha]f of the entire population live in single city of Melbourne.

One Mr.

F.

and about the

has to echo in some degree the charge which W. H. Myers brings against the glowing

prophecies of Victor Hugo respecting "the Republic." \Ve instantly ask, what republic ? Is it the republic of a peasant democracy like that of Switzerland or Norway; or is it a complex republic, both agricul-

1

Bryce

:

The American Commonwealth,

note. ~

See

articles in

The Forum for 1891.

III., p.

4 2I

>


HIS MESSAGE TO AMERICA. and commercial, like that of New Venice was a republic, and the Canton of Unterwalden is one; but they are no more alike than tural, industrial,,

York?

Macedon and Monmouth.

the republic of the

Is

on agriculture and on individual of life, or on a complex of the means ownership on or and public corporate ownership, or on industry future to be based

absolute, complete

collectivism

?

This

is

no mere

of machinery ; it is a question of vital tendencies, of social feeling, a question reaching up into the domain of art, religion, and domestic life.

question

And

to this question

Whitman

gives

no

satisfactory

other than the rather vague reflection about As if it harm d me, giving others the Equality

reply,

"

:

same chances and

rights as myself

my own

indispensable to

as

if it

were not

rights that others possess the

But Equality is conceivable alike in a simple community and in a complex highly social one the question is, which is the American Republic to be ? In reply it may be at once said that

same."

individualist :

all

the actual tendencies are in the latter direction.

Whitman would of his country

That

is

his

in the

remedy.

material resources

and

direction there

for

disease

is

is spiritual,

be

spiritual also.

ful

democratic

spacious,

main minister to the disease and appropriate literature.

by a great

He

is

optimistic as to both

their just distribution

;

in that

him no serious problem. The and consequently the remedy must

That remedy

lies in

a great, power

profoundly religious, modern, no more Pagan than Christian,

literature,

healthy,

treating frankly of

man

as

body

as well as soul.

The


WALT WHITMAN.

38

germinal seed of such literature Whitman conceives himself to have given his country and the world in Leaves of Grass; but this is the mere beginning, the

rough draft of a

first

be to

literature that shall

modern democratic society at the same time its pourtrayal and natural expression and yet also its nutriment, its

He

spiritual food.

looks forward to

only possess d of the religious

fire

poets not

and abandon of

Isaiah, luxuriant in the epic talent of

proud characters as

"

Homer,

or for

in Shakspere, but consistent with

the Hegelian formulas, and consistent with

modern

now

scared away by science, must be restored, brought back by the same power that caused her departure restored with new science.

.

.

.

Faith,

very old,

1 For the sway, deeper, wider, higher than ever." present he is inclined to admit that his countrymen continue to give can do nothing better than to -

"

imitations, yet awhile, of the aesthetic models, supplies,

and of those lands we spring from. These wondrous shores, reminiscences, floods, currents Let them flow on, flow hither freely. And let the sources be enlarged, to include not only the works of British origin, as now, but stately and devout Spain, of that past

!

courteous

France,

Scandinavian lands,

profound Italy s

art

Germany, the manly race, and always the

2 But this steeping of the mind in mystic Orient." of lands and races is to form various literatures the

the mind, to expand our conceptions of the world, to

1 "Democratic 2

"

Vistas,"

Poetry to-day in

Specimen Days,

America,"

p. 253.

Ibid., p. 301.


HIS MESSAGE TO AMERICA.

41

lead to a greater tolerance, a wider outlook, a deeper conception of the almost illimitable forces enfolded in

man, and of the magnificent and varied past manifesta tion of the shall

human

be prepared

In such a spiritual state we democratic literature of

spirit.

for the great

the future.

In the preface to the rhapsody,

"

written in 1872,

Thou Mother, with Whitman expresses

thy Equal Brood," his intention in writing, seventeen years before, his Leaves of Grass. This book, he says, is, in its in "

the song of a great composite democratic And following on, and individual, male or female.

tentions,

amplifying the same purpose, I suppose I have in my to run through the chants of this volume (if ever

mind

completed), the thread-voice, more or less audible, of

an aggregated, inseparable, unprecedented, democratic

electric,

posite,

T nationality"

vast,

We

com shall

Whitman

holds up to the actual, crude, very imperfect, straggling but energetic, vigorous, highly intelligent democracy of America a kind of ideal see that

vision of the true America, in all her varied ampli

tude, her boundless wealth, her resistless power, her

grand

possibilities.

indissoluble."

He

will

"

make

the

continent

language of Words the vacant and the vain to noble rap

worth,

"win

tures"

by poems

what we

He will,

"which

in

the

speak of nothing more than

To do

are."

this

he

first

concentrates attention on the

actual land in which his people live. 1

Specimen Days,

p. 279.

His poetry

is


WALT WHITMAN.

42

Her immense

redolent of America.

outlines, her vast

prairies, her noble

rivers, the scent of her herbage, her clear sky and brilliant sun, her flowing tide of popula tion, her varied types of human character, all live in

these pages as in no other book.

If

America were

wiped out, she could be more easily recalled from Leaves of Grass than from any other collection of books.

He

paints freely on a vast canvas, as in these lines

from the great threnody on President Lincoln "

Lo, body and soul

:

this land,

My own

Manhattan with spires, and the sparkling and hurrying tides, and the ships, The varied and ample land, the South and the North in the light, Ohio s shores and flashing Missouri, And ever the far-spreading prairies cover d with grass and corn." 1 Or, as in these from "

"

There was a child went

"

forth

:

Shadows, aureola and mist, the light falling on roofs and gables of white or brown two miles off, The schooner near by sleepily dropping down the tide, the little boat slack-tow d astern,

The hurrying tumbling waves, quick-broken The

it

The

crests,

slapping, strata of coloured clouds, the long bar of maroon tint away solitary by itself, the spread of purity lies

motionless

in,

edge, the flying sea-crow, the fragrance of salt marsh and shore mud."

horizon

s

"

1

Leaves of Grass,

p. 258.

2

Ibid., p. 284.


HIS MESSAGE TO AMERICA. Or, as in the "

"

Warble

for

Lilac-Time

43

"

:

The hylas croaking in the ponds, the elastic air, Bees, butterflies, the sparrow with its simple notes, Blue-bird and darting swallow, nor forget the high-hole flashing his golden wings,

The tranquil sunny haze, the clinging smoke, the vapour, Shimmer of waters with fish in them, the cerulean above, All that

is

jocund and sparkling, the brooks running,

The maple woods,

the crisp February days and the

sugar-making, The robin where he hops, bright-eyed, brown-breasted, With musical clear call at sunrise, and again at sunset,

Or

among the trees of the apple-orchard building the nest of his mate, melted snow of March, the willow sending forth

flitting

The

its

yellow-green sprouts, is here the

For spring-time

!

summer

is

here

"

!

Or, as in the large, ample suggestiveness of the great Pacific coast of America :

"

Lands bathed in sweeter, and mountain

rarer, healthier air, valleys

cliffs."

O Pio Pioneers Or, as in that buoyant, swinging, tanneers the onward marching music of the "

!

"

"

!

faced children

and

"

pushing on through

"

mystic

nights,"

over

prairie

"

"

dazzling days

and

mountain,

taking possession of the vast continent and its bound less wealth. No less powerful and vivid are the scenes in the cities, as in the quick patriotic rising in to

us in

"

York, suggested Drum-Taps," smooth-faced, snub-nosed rogue (or his "

"

when

New the

New York


WALT WHITMAN.

44 counterpart)

business "

for the first time, a wider

felt,

which he was a

world of

part, than the narrow round of daily

:

The blood

of the

city

arm d

up

!

arm d

The

!

cry

everywhere,

The

from the steeples of churches, and the public buildings and stores, tearful parting, the mother kisses her son, the son

flags flung out

from

The

all

kisses his mother,

(Loth

is

the mother to part, yet not a word does she

speak to detain him.) The tumultuous escort, the ranks of policemen preced ing, clearing the way, The unpent enthusiasm, the wild cheers of the crowd for their favourites,

The

artillery, the silent cannons, bright as gold, * along, rumble lightly over the stones."

Or, again, as in the

"

City of

Ships,"

drawn

addressed to

New

York, under whose showy materialism Whitman appears to discern an ideal beauty and a superb force, as Victor "

Hugo

felt

in Paris

:

City of the sea city of hurried and glittering tides City whose gleeful tides continually rush or recede, whirling in and out with eddies and foam !

!

!

City of wharves and iron

and

stores

city of tall facades of marble

!

Proud and passionate "

gant city

city

mettlesome, mad, extrava

2

!

u Crossing Brooklyn Or, as in 1

Ferry,"

the sights of

"

Leaves of Grass,

p. 220.

Ibid., p. 231.


HIS MESSAGE TO AMERICA. "mast-hemmed Manhattan," of the

gorgeous clouds

"

drenching with their splendour the and women, the voices of young men," who call

of the sunset

men

Ci

45

"

the poet by his name, the flags lowered at sunset, the foundry chimneys casting red and yellow light over Or the vision of the Japanese the tops of the houses. "

swart-cheeked,

envoys,

two-sworded,"

and

"

bare

New York s

headed,

great impassive," driving through thoroughfare in a "Broadway Pageant." Spite of the crime and corruption, the empty religious forms, and the omnipresent demon of greed and of low,

sharp bargaining, the poet will celebrate the colossal force of city life, as well as the teeming prairies and

mighty to

him

All are part of a vast whole which is Whitman,, in short, while resolutely

rivers.

divine.

dealing with

the

He

America.

world what she

Whitman real poetry

real,

writes

may

at

to

really

the same time idealises show her people and the mean.

a very just conception of the the poetry which underlying America has,

too,

;

money-making and

politics

but cannot wholly destroy. is

of

"

seriously injured,

Our Old

"

Feuillage

an impressionist picture arrayed in all their ample variety, inevitably united and made One Identity."

designed "

have

to

These States

present

"

and yet There is a wonderful fascination in the varied elements, the adventures, the heroism which have gone to make "

up America s life. The story of the stout-hearted Cap tain John Smith; of the Indian maiden, Pocahontas; of the simple, stern Puritan settlements of New Eng of Peter Stuyvesant and the Dutch life of Ne\v ;

land


WALT WHITMAN.

46 Amsterdam

;

of Oglethorpe

s

Georgia colony

French explorations about the great lakes Spanish missions in

early

French Creole

California

New

in

life

Orleans

;

of

of the

;

of the

;

the

old

what rich and

ample materials are here, suggesting vast ethnic pre parations and blendings of European peoples to form

We talk

new combinations. lack

But

more

of lack of poetry, but the

not in the subject-matter. idealism in this brief past, how

in ourselves,

is

if

there

is

interest

himself in America

castles there.

But

future of the

human

Whether we and industry

like

it

much

Mr. Ruskin has declined

in the vast future.

were

castles

to

because there are no built

be

by men, and the there,

not here.

or not, the sceptre of

commerce

race will

will as surely

pass to America within a

very measurable distance of time as another day will dawn. Russia and America diverse enough in many ways, but alike in their vast territorial expansion and seem destined to be the great

assimilative capacity political

This

is

organisms, the world-powers of the future. s decree, which cannot be set aside by

Nature

any judgment from another court. A century hence most of the countries of Western Europe will be com pared, not with America as a whole, but with separate States of the Union merely. Spiritually and artistically

supreme, Europe will politically and commercially re cede before the resounding tread of the Western and Eastern giants.

But

informed with no soul

is

?

this Titanic

That

organism to be

the American pro has set himself to solve ; he is

blem, which Whitman wants to help America to find her soul.

A

future


HIS MESSAGE TO AMERICA.

47

given up to the despotism of business, to the sway of the smart, vulgar, money-making animal, to dyspeptic middle-class religionism, to the election of lying rogues to office, to the universal reign of the mediocre and

the

commonplace

the

human

race

Redemption

this is

indeed a future from which

may

well shrink.

will

come, thinks Whitman, through

the spiritual influences of the great poet, bard, seer what you will. He will speak to the people on equal terms, will be

hungry

"

and

"

He

day."

faith of the flush of

understand that

"

glad to pass anything to anyone

for equals night

with the

"the

:

be

is

;

all."

filled

he

"

the vital laws inclose

idea of political liberty

will

knowledge

indispensable;"

sees health for himself in being

will

To him

one of the

he

mass."

There must be in him no tricks, but perfect personal all that a candour, and he must understand that "

person does or thinks is of consequence." He is to lead the people, not as a master from above, but as a

and comrade in their own them the bloom and odour of the

friend

ranks, passing on to earth, of the flowers,

of the atmosphere, of the sea, radiant in strength,

with a healthy dash of barbarism, yet recognising fully the value of the long result of time." We sum Whitman s idea of the modern in brief, up may, "

redeemer, the light-bringer, the friend of man, in his The direct trial of him who would be own words "

:

the greatest poet is to-day. If he does not flood him self with the immediate age as with vast oceanic tides, if

s

he be not himself the age transngur d, and if to him not open d the eternity which gives similitude to all


WALT WHITMAN.

48

periods and locations and processes, and animate and

inanimate forms, and which is the bond of time, and rises up from its inconceivable vagueness and infiniteness in the swimming shapes of to-day, and is held by life, makes the present spot the passage from what was to what shall be, and commits itself to the representation of this wave of an hour, and this one of the sixty beautiful children of the

the ductile anchors of

wave

him merge

let

and wait

in the general run,

his

1

development."

Whitman

s

America was revived by the

in

faith

heroism displayed by the average War ; the heroism and the idealism

man

in the "

also.

We

Civil

have

seen the alacrity with which the American-born popu lace, the peaceablest and most good-natured race in

and the most personally independent and and the least fitted to submit to the irksomeness and exasperation of regimental discipline, not for sprang, at the first tap of the drum, to arms the world,

intelligent,

gain, nor

the

but for an

even glory, nor to repel invasion

emblem, a mere abstraction flag""

And

for the

life,

he exultingly exclaims

the safety of in

"Drum-

"

Taps "

I

:

have witness d the true lightning

my I

1

have lived America

3

to

behold

rise."

;

I

have witness d

;

man

burst forth and warlike

3

Preface to First Issue of Leaves of Grass.

Days and 2

cities electric

"

Specimen

Collects, p. 273.

Democratic

Vistas."

Leaves of Grass,

p, 230.

Specimen Days,

p. 216.


HIS MESSAGE TO AMERICA.

49

Spite of its materialism and hypocrisy, he has faith in the land, faith in the average man s firm resolution,

courage, audacity, friendliness, fluid power. thinks, latent in him,

deep down beneath

It is all,

and turbulence, the great, real, permanent fact. mirror that calm, healthy, broad inner life, alike in froth

essential qualities

Whitman

s

and

in

own mission

the true aim of

;

American

its

he

the outward

To its

varied manifestations, was

and

it

must

literature.

be, in his view,


III.-HIS ART.

WHEN

beginning his self-imposed task, Whitman ap

have been staggered by the vastness of his The view was so extensive, the conceptions.

pears to

own

distance was so great, the sights that could be seen, that were unseen, so overwhelm

and the tendencies ing, that the

poet was intoxicated by the vision.

lacked, too, discrimination

and

art.

He

He

had absorbed but he had no

divine influences from past thinkers, sense of the laws of style, or, indeed, the sense that

were any laws. Hence, the sometimes one might be induced to say, the frequent formless lines, and the attempts to produce effects which no great artist would have employed. The poet was unable, there

through lack of

literary culture, to clothe his

novel

and often glowing conceptions in any ideal poetic form. Rather he flings his ideas at us in a heap, leaving it to us to arrange them in order in our own His results, therefore, fail to satisfy many not minds.

And yet of these results Mr. unsympathetic readers. Havelock Ellis has truly said that they have at "

times something of the divine felicity, unforeseen and incalculable, of Nature ; yet always, according to a rough but convenient distinction, it is the poetry of When Whitman energy rather than the poetry of art.


HIS ART.

51

speaks prose, the language of science, he is frequently incoherent, emotional, unbalanced, with no very just and precise sense of the meaning or words, or the structure of reasoned

But

it

gan to this

T language."

may be fairly argued whether, when he be Whitman did not gain immensely from

write,

He

imperfect artistic form.

some sense carried

in

on the tradition of English literature in some of its most virile representatives which, as has been well said by one of our greatest critics, is a literature of power, as contrasted with the French literature of ;

intelligence.

And,

further,

Whitman the more faith own nation, the very

fully expressed the life of his character of his own continent.

America had scarcely any consciousness the land of beginnings and

arrived, has hardly arrived yet, at

of her true

life.

She

is

tendencies, her very physical aspect is shaggy and unshorn. She is like a vast edifice, only half finished,

with the scaffolding up, and the

An American

round.

lady

is

litter

said

to

of masonry

all

have asked a

gardener in one of the beautiful Oxford quadrangles, how a lawn could be brought to such a condition of perfection as the emerald

The

"

reply was,

If

you

roll

about three centuries you

turf she

saw before

and water

will get

it

her.

regularly for

such results as you

America, with her brief history, rush of and immigrants, dominating materialism, has not been able to reach the artistic repose, the placid beauty to see

here."

which we are accustomed in Western Europe. 1

The

New Spirit,

by Havelock

Ellis, p. 108.

Had


WALT WHITMAN.

52

Whitman lived in an atmosphere of such repose had he been brought up on European culture, he could only at best have added to the kind of work which ;

Longfellow and Irving did so well. could not have been the voice of virile

America, with

its "powerful

In that case he this great,

uneducated

rough

,

persons,"

of whom the cultivated Bostonian authors knew no more than they did of the working-classes of Europe. The very value of Whitman, then, is that he is a genuine American bard.J In the conditions of his life and work must be found the justification of his His writings contain the promise and method. potency of future greatness and he makes no claim for them beyond that they are the first rough draft of As the births of living a great American literature. ;

"

"

creatures,"

all

says Bacon,

at first are ill-shapen

innovations which are the births of

time."

;

so are

Demo

cracy itself has come in ugly shapes, often revolting to "The Republic has no need of the cultivated mind.

was the exclamation when Lavoisier went

chemists,"

to the guillotine.

"

The

divine

infant,"

as

Whitman

himself puts it, "woke mournfully wailing, amid the roar of cannon, curses, shouts, crash of falling build x And we may tolerate much from the un ings." cultured bard of the

"

divine

infant,"

which we could

not put up with from the poet of a rich, full-orbed We the idle singer of an empty day." era or from for lack of find to must endeavour compensation "

harmony and discernment, 1

"France."

for

much

that

is

Leaves of Grass, p. 188.

wooden,


HIS flat,

prolix, in

Whitman s

ART

S3

writings, in that great quality

which Mr. Arnold, echoing Mr. Swinburne, finds in "

Byron, Still

it

the excellence of sincerity and strength." that when we turn from

must be confessed

the solemn

organ music of Milton, the rhythmical

perfection of Coleridge, the lyric beauty of Shelley, or the sweet cadence of Tennyson, to Whitman s "bar

yawp/ we seem

baric

at

first

to

have quitted the

haunts of the muses for a modern street where we are jostled by a rough

with

mud from

and are splashed and drays. Those accustomed to the choicest

crowd of busy

who have long been peaches and hot-house grapes for

making wry

folk,

the passing waggons

may be excused

faces at the wild berry of the

at first

woods

;

although, after a time they will discover its barbaric It is, however, not merely his Titanic fascination. wildness, but his lack of

plained

of.

Whitman

s

harmony, which must be com

And

those are very doubtful guardians of reputation who do not admit his serious

mingled as these are with passages of surpris and even sublime beauty. ing We open Leaves of Grass at the Song of the Broad a most suggestive piece of work, but containing Axe," some shocking lines, such as these defects,

"

:

"

The

six framing-men, two in the middle and two at each end, carefully bearing on their shoulders a

heavy stick "

The

for a cross-beam."

constructor of wharves, bridges, piers, bulk-heads, floats, slays against the sea."


WALT WHITMAN.

54

Goods of

Take For

"

from houses and temples, screams

freely rifled

women

in the gripe of

this line

u

from

brigands."

Calamus

"

:

any roofed room of a house company, and in libraries I gawk, or unborn or dead/

in

emerge

I

lie

not,

as one

nor

in

dumb, a

5

Or

from

"

A

Song

for

"

Occupations

:

Were

all educations practical and ornamental, well dis played out of one, what would it amount to?"

"

Or "

this line

this line in the

What was

"

Song of

Myself"

:

strewn in the amplest strewing the square rod filling the square rod then."

about me, and not

Enough

Every rational person who knows and who is willing to concede the

of these.

what poetry

is,

widest limits to poetic form, will rightly declare that not poetry. Nor can those long categories of objects and places which Dr. Peter Bayne made so this is

merry over rightly

to

tell

1

be defended, except

charged with us that the

the general idea. But the in

at the risk of

"Whitmania."

being

Whitman wants

modern man, as a democrat, shares a true and fruitful of mankind

life

way

;

in

which

this

idea

is

set

it

imitation of a cheap shopkeeper

advertisement

s

forth,

amuses us by

shocks our sense of form, while

I am of Adelaide, Sydney, Melbourne, I am of don, Manchester, Bristol, Edinburgh, Limerick. "

Contemporary Review, Dec. 1875,

its

:

Lon I

be-.


HIS ART. long in Moscow,

Warsaw,

Cracow,

55 or northward in

Chrisuania, or Stockholm, or in Siberian Irkutsk, or in

some

street in

Iceland." *

What

a curious medley, what a tedious catalogue these And Why particular places and not others ? note, too, the American vulgarism, "belong !

in."

Whitman

by no means destitute of a sense of humour; but he must surely have jotted down these and many other lines in a museum, whose catalogue this categorical form would fit were it complete. But, however suggestive the long roll of far-off cities and is

may have been to the poet s own mind, they have no place in anything that can lay claim to an

lands

ideal treatment of

man and

his world.

They

give the

and they furnish the young gentlemen of the Oxford Magazine with good The writer in subject-matter for amusing parody. tends to be impressive, but he is actually tiresome.

enemy occasion

Whitman

to blaspheme,

also guilty of that strained affectation

is

coining new and ugly words, and of that conceit which reveals itself in unusual and

which shows

itself in

grandiose phraseology while he sometimes spoils the effect of a line or passage by verbal redundancy. :

These are perhaps peculiarly American

vices, or at

spread eagle period of any rate were so in the Dickens when American history, produced Martin "

"

"

Chuzzlewit."

Whitman "

philosophers, "

Libertad"

1

"

writes

Americanos

"

"philosophs"

instead

instead of

of Americans,

in place of Liberty, while the Presidency

Salut au

Monde."

Leaves of Grass, p. 117.


WALT WHITMAN.

56

converted into the

"

Presidential" as though Spanish was the language of the American people. Avatar is turned into delicaavataras," delicacy becomes is

"

"

esse/ reminding you of a "

waaren."

Ye

German

untold latencies

ferring to the forces

still

"

store for "

!

colonial-

he exclaims,

folded in

in

re

mankind

germ America he expresses thus Still the future of the States I harUnge glad and sublime." We are reconciled to Manhattan as another name for His confidence

"

in

:

New York;

but who can put up with Mannahatta"? The use of French words here and there, such as allons, mafemme, seems a kind of stage trick, as does "

When he speaks of an affetuoso. inhabitant of Japan as a Japanee, we think at once But the latter of Bret Harte s "Heathen Chinee."

such a word as

is

admittedly Californian slang, while the former

is

used in a serious poem, the Broadway Pageant." In u Democratic referred to some Vistas," Shakspere is "

in the language of an advertising mustard or In the soap maker, as "astral genius, first-class."

what

same work a

liberal thinker

is

called a

"

Liberalist."

Every one of these instances (and many more might be adduced) is inflated, clumsy, in the worst taste. Why, too, in the mystic and deeply suggestive Chant "

ing the Square

nine?

The

Deific,"

is

the

Holy

Spirit

made

English might have been used, or

femi if

not

The repetition that, then the Latin Spiritus Sanctus. of the word "arriving" in the second line of the wondrously beautiful death-chant from last in It is

"

When

lilacs

the door-yard bloomed is a case of redundancy. not easy either to perceive any meaning at all in "


HIS ART.

57

some of Whitman s passages; as, e.g., and death lead the rest

distrust birth

"Let "

them "

;

or,

that

Let the

old propositions be postponed." He reminds one of the old-fashioned unintelligent study of the Bible, when every part was thought by the devout to be

So Whitman cannot perceive when equally inspired. is writing a mass of verbiage or a patch-work of

he

and phrases and when he is moved by All is for him equally good. spirit. This is partly due to the fact that he never met with intelligent and sympathetic criticism in his own coun uncouth

lines

the breath of the

try for

many

years.

The dapper

gentleman of

little

Boston, and even so:ne of the greater

writers of that

Modern Athens," were only scandalised by this un wonted product of a democracy in which so many of them only thought that they believed, and in which "

some among them

frankly believed not at

all.

Em

erson and Thoreau alone greeted with a hearty wel come this new bard who had conferred on the world

what the former declared ordinary piece of wit and yet

contributed."

to

be

wisdom

"

the most extra

that

America has

x

But having noted some of the faults and deficiencies we must, on the other hand, say, as Mr.

of Whitman,

Lowell says of Wordsworth, that "he prising in passages and ejaculations."

is

great and sur After plodding

wearily through broken ground, strewn with rough boul ders and sharp flints, we emerge on Elysian meadows of

peace, or stand

Emerson

amazed

to

at a majestic torrent, or

Whitman, quoted

in

Bucke,

p. 83.

view


WALT WHITMAN.

58

with awe the terrible beauty of a great white peak How thrusting its stern purity far into the blue.

steeped in the spirit of loveliness are these lines from the "Song of Myself": "

Smile, O voluptuous cool-breath d earth Earth of the slumbering and liquid trees Earth of departed sunset earth of the mountains !

!

misty-topt

!

Earth of the vitreous pour of the with blue

moon

full

just tinged

!

Earth of shine and dark mottling the tide of the river Earth of the limpid gray of clouds brighter and clearer for my sake Far-swooping elbow d earth rich apple-blossom d !

!

earth

!

Smile, for your lover

No

reader

who has broken

rugged passage, clumsy

Yon

lofty

his

teeth

fail

some crowded

over

in construction, or

with uninteresting detail, will to such lines as the following "

1

comes."

to render his tribute

:

and dazzling towers, pinnacled, red as

burnish d with

From "

Practical, peaceful

roses,

gold."

life,

the

"

Passage to

the people

s

life,

India."

the

People

themselves Lifted, illumin

From

the

crescendo

"

d,bathedin peace

Song of the

movement

yields

elate,

Exposition,"

to

a

sweet

gradually dying away in perfect calm. 1

secure in

Leaves of Grass,

p. 46.

peace."

where

the

cadence,

Above

all,

in


HIS ART. numberless passages from that Hymn of President Lincoln

59 magnificent

Burial

:

"

When And I

lilacs last in

the door-yard

bloom d,

the great star early droop d in the western sky in the night,

mourn

d,

and

yet shall

mourn with ever-returning

spring. "

With

floods of the yellow gold of the gorgeous, indolent,

sinking sun, burning, expanding the "

Dances for thee, and feastings

And

I

air,

propose saluting thee, adornments

for thee,

the sights of the open landscape and the high-

spread sky are

And

life

and the

fitting,

fields,

and the huge and thoughtful

night. "

Lilac

and

star

and bird twined with the chant of

my

soul,

There

in the fragrant

and

pines and the cedars dusk

dim."

In each of these instances one finds, with Mr.

W. M.

deep and majestical rhythmical sense." Whitman has caught too, and expressed, in a most

Rossetti,

striking

"a

poem, the power and majesty, the wonderful common an object as a locomotive

mystery of so "

:

Fierce-throated beauty Roll through my chant with !

all thy lawless Music, thy swinging lamps at night,

"

Thy

trills

of shrieks

Launch d o

To

by rocks and

hills

return d,

er the prairies wide, across the lakes, the free skies unpent and glad and strong."


WALT WHITMAN.

60

He has expressed here just the feeling which the engineman has for the wonderful object whose move ments he directs he idealises it as a splendid, strong:

limbed, passionate, almost voluptuous beauty, with coarse black hair, and eyes that shoot flames his Noted also is that noble fierce, devoted mistress.

poem addressed hast slept

look

all

"

To

night

on Senegal,

st

amid the

upon

Man-of-War Bird who at dusk that "

the

the storm/

morn America,

at

that sport

and thunder-cloud

lightning-flash

"

"

"

a

st

little

Of very sweeping movement. and infinite suggestiveness too, is that On the Beach at Night," 1 clothed with the poem, silent majesty of the sea and of the night

poem

of vast

full

striking beauty "

:

"

On the beach at night Stands a child with her Watching the

"

Up

east, the

father,

autumn

sky.

through the darkness,

While ravening clouds, the burial clouds, in black masses spreading, Lower sullen and fast athwart and down the sky,

Amid a

transparent clear belt of ether yet

Ascends large and calm the

And nigh Swim the "

From

at

the east,

hand, only a very

little

above,

delicate sisters, the Pleiades.

the beach the child holding the

These burial clouds vour

left in

lord-star Jupiter,

hand

all,

Watching,

silently weeps. 1

of her father,

that lower victorious soon to de

Leaves of Grass,

p. 205.


61

HIS ART. "

Weep Weep

not, child, not,

my

darling,

With these kisses let me remove your tears The ravening clouds shall not long be victorious, ;

shall not long possess the sky, they

They

stars only in apparition

devour the

;

Jupiter shall emerge, be patient, watch again another night, the Pleiades shall emerge, "

are immortal, all those stars both silvery and golden shall shine out again, The great stars and the little ones shall shine out again,

They

they endure,

The

vast immortal suns

moons "

"

and the long-enduring pensive

shall again shine.

Then

dearest child, mournest thou only for Jupiter Considerest thou alone the burial of the stars ?

?

Something there is, (With my lips soothing thee, adding I

give thee the

first

I whisper, suggestion, the problem

and

in

direction).

Something there

(Many

is

the burials,

more immortal even than the stars, the days and nights, passing

many

away),

Something that

shall

endure longer even than lustrous

Jupiter,

Longer than sun or any revolving

Or the radiant

sisters, the

satellite,

Pleiades."

is always a dominant note in Whitman s and leads him ever to recur to the great themes which most completely illustrate it, as the great and deep sea stretching into infinitude with its

Vastness

writings,


WALT WHITMAN.

62

never-ceasing murmur and infinite suggestions, type of the sea of life on which sails the immortal ship of the body, ship of the soul, voyaging, voyag "ship ing, voyaging," "

"

huge and thoughtful night/

the night in silence under

globe which "

or the

Over the

floats us

many

a

or this great

star,"

through the celestial spaces

:

and sinking- waves, over the myriad and the prairies wide, Over the dense-packed cities all, and the teeming wharves and ways." rising

fields

But most of all does Whitman peer with longing and audacity into the superb vistas of death." Of "

the dirges in the English language, remembering even Lycidas and Adonais, none leaves so profound an

all

impression of beauty and majesty as the great Burial Hymn of President Lincoln, beginning, When lilacs "

last in

the door-yard bloom

be said of Whitman

s

poetry

Whatever

else

may

must be conceded

that

d."

it

theme of death with a new power and significance. The awful dreams that may come in that sleep of death have no terror for the he has treated

this eternal

democratic poet, nor does he trouble himself much "fond breast" on which "the parting soul

with the

"

relies."

To one

shortly to

him out from

all

die,"

the

he brings rest.

He

his

mes

does not

sage, singling argue, but sits quietly by, assuring the dying man with the peaceful force of a deep faith that he himself will

surely escape, leaving behind nothing that

keeping.

is

worth


HIS ART. The sun

"

bursts through in unlook d-for directions,

Strong thoughts "

63

fill

you and confidence, you smile,

exclude others from you, there

I

I

miserated, do not commiserate,

I

is

nothing to be

com

congratulate you.

Every wonder is possible in those superb vistas, All waits undream d of in that region, that inaccessible

"

land."

He come

to his ear whispers of heavenly death sounds of footsteps gently ascending, mystical

hears

"

"

;

"

breezes wafted soft and soothing," it

with soft

death

we

"

the

is

"

"dark

In the

feet."

Death is lovely and mother always gliding near

low."

ocean of

"

loving,

floating

are laved in a flood of

The

bliss.

soul

T{

turns with joy to vast and well-veiled death," and the body, weary with its pilgrimage, turns, like a tired "

child,

gratefully nestling close

"

in the

bosom

of this

The

death-song, low and wailing in its first bars, grows louder and clearer until it floods the night and pours its serene melody over the world. divine motherhood.

The dead are made the soul "They fit

"

made one

of Keats

with

Nature,"

as Shelley

:

very well in the landscape under the trees and grass, of the sky in the horizon s far margin/

And along the edge

..The ghastly river of Styx has lost itself in

God/ whom each

"

the seas of

soul will front at the goal-of

its

long

voyage, tf

As

filled

with

friendship,

Brother found, The Younger melts

the

love complete,

Elder

.

.,.

in

fondness

in his

arms.

;;


WALT WHITMAN.

64 His

"

Last Invocation

"

"

is

that his real self should

from the fleshy portals of glide noiselessly forth the house of life into the measureless oceans of "

"

space,"

where he believes that

vides for

In

"

Heavenly Death pro

all."

death-poetry of Whitman the "last presented as no enemy at all, but a friend, an object of wonder, beauty, and desire, an essential this

all "

enemy

is

part of

an

infinite world-order, which is viewed, as the philosophers say, sub specie eternitatis, and which is, Shaktherefore, found to be all good and perfect.

spere,

still

leads

us

under the dominion of mediaeval thought, Measure for Measure to the grinning

in

death s-head of the charnel-house, and in Hamlet to the brink of a possible penal abyss. Milton sees in vision his beloved Lycidas joining in the "inexpressive nuptial song in the

love

"

;

but he

is

meek kingdoms

blessed of joy and

alternately filled with Puritan

and

with an unreal classical sense of death.

Shelley in

Adonais comes nearer to a natural view,

for in

mind

the soul of Keats

"

his

has outsoared the shadow of

But Whitman is beyond them all. dim Beyond shadowy forms ferried over the dark river and flitting by in the joyless meadows of asphodel; beyond the chrism and priestly absolution, the hell, be purgatory, and paradise of mediaeval thought Puritan the the and judgment-day triumphant yond Death with him is a perfectly reign of the saints. our night.

:

the

;

natural liberating force, releasing the permanent self into the possibilities of a higher plane of being.

It

puts an end to nothing but a certain physical organ-


HIS ART. ism, which

is

so constructed that

and which

it

cannot

live

except

in the very nature of things

by dying daily, must ultimately decay as a separate thing, and mingle gradually, atom by atom, with the world of material forms out of which it grew. The very wonder of the process fills him with a sense of its strange beauty, and therefore provides us with a new artistic treat ment of death at his hands, a treatment diffused with a beautiful solemnity that partly affects us like some impressive scene in Nature, and partly like the magni ficent

music which

religious

thrills

soul s most

the

secret fibres at the celebration of the mass.

In considering the leading themes poetry and

his

method of

to overlook the series of

Adam/ which

treating them,

poems

Whitman

of

s

it is

called

"

impossible Children of

chiefly led to the

author in the professed

outcry against their of supposed outraged occupy but fifteen pages of

name

These poems decency. Leaves of Grass out of nearly four hundred but the of was censure at directed them. finger instantly ;

These poems celebrate

in very plain language the joy a subject as old as literature itself, and yet ever new and necessarily forming a dominant theme for art in all its varied manifestations. What

of sexual love

are

we

;

to say of this series of

poems ?

impossible to echo the opinion of a friendly American critic, Mr. E. C. Stedman, who, finding It

is

great

power and beauty

ings,

deprecates

"

in

most of Whitman

Children of

Adam."

It

s

writ

appears

that Emerson argued on this point with Whitman when the latter visited Boston in 1860. We are not

E


WALT WHITMAN.

66

Emerson disapproved the sub Whitman s particular way of treating

precisely told whether ject altogether, or it

We

merely.

can scarcely suppose the former, since

Emerson had too much discernment not

to see that

the question of sexual love is an integral part of Whit man s song of the Modern Man." We must assume, "

therefore, that

was Whitman

it

s

literary

method

to

which the Concord sage objected. And here, Emerson, though himself no master of poetic form, was right.

The

true

of the poet s treatment but delicate theme is that it

criticism

passionate, vital,

categorical, physiological.

It is

of

little

tabulated detail, too

flat,

The

suggestion. "

to

make

is

as he says,

if I

a

bare,

method

of fine and beautiful when he determines

poet right a part of the natural order, even, stand sole among men." But he has

illustrious "

much

too

of this is

"

introduced an element of rankness and an elaboration of detail that might have been left out without any This criticism, interference with the essential design.

however, applies to all of Whitman s work ; it reveals the reproach from the artistic point of view, which is not confined to

"

Children of

Adam."

This

is

a legi

timate ground of objection to Whitman as an artist, as But no specific objection has already been indicated.

can rightly be urged against

"

Children of

Adam

"

on

that ground.

We

all

know

literature has "

person

that

most American and much English

been written with the fear of the

before the author

s

eyes.

"young

This interesting

It is of course by no means to be ignored. be should art there of mansions in the that many right

figure

is


HIS ART. innocent with

little

the

67

boudoirs in which she can converse

spirit

of Mrs.

Hemans,

as

her

in

still

younger years she wondered with Dr. Watts at the twinkling star or the busy little bee. Many charming

American books for the young person have been written which even those who are not young persons can read with delight. But two things are certain "

"

:

that the

first,

does not remain such

"

"

young person

for a very great length of time

and second,

;

that litera

ture written from, that point of view can never be

charged with the energy, passion, and grandeur which are born out of the great experiences of life. The

power always has been, always will be, men and women, for those who have tasted of the fruit of the tree of knowledge, and

literature of

written for full-grown

who

are yet athirst for the fountain of the water of

If this has

be

in

been true

in the past,

life.

even more true must

it

For the world can no

the era of democracy.

longer be regarded as under a curse, nor can man, or any part of him, be considered as inherently vile.

The modern man must

stand up in his native dignity, and to partake of the

asserting his claim to be here,

great feast of Nature.

The written

particular for

lover,

poems

under consideration were

mistress,

husband,

wife,

for

the

average sane adult, as a statement of the modern view of the sex-relation. A thinking and healthy mind will read them with a full assurance of the high motives by

which their author was animated. true

woman may be

from the tribute of the late

How

a pure and

by them may be seen Ann Gilchrist. Whitman^

affected


WALT WHITMAN.

68 be

it

always understood, covers the whole

field of life,

and he could not therefore have ignored in his scheme one of the most vital and universal of relations a re lation, too, upon which, as he saw it, the ordering of ;

modem

society so largely depends.

rears this great social frame.

love in the heart of a part, as With the

the

dim

Whitman first

man

It is

held, of a wider,

is

science,

and our

heavenly

harmony," this

develop

itself;

religion.

and

And

until flesh

s

in

art,

our law, our

From harmony, from human order does really

great

that

harmony is perpetually ex These offices reach

of love.

from the outer garment of the

man

back

"

pressed in the offices of

far

born the soul that has

raised our eternal institutions, our

shrine

universal love.

rude embrace in some cave

twilight of history

love which

All proceeds from the for a woman, itself but a

spirit.

and blood

inmost

flesh to the

Such

is

Whitman s

reality

is,

to use Coleridge

view. s

defecated to a pure transparency," our poet, phrase, who is at the same time realist and idealist, will be "

justified in treating of the

whole of

man

as

we know

him.

The

fact

Whitman cannot do

that

this

without

rousing against him the abuse of those who often hide pruriency under the cloak of prudery is one of the severest satires

which allows

a morality of our current morality manner of nauseating divorce-

freely all

court details devoid of a single redeeming feature to be read by everyone who can afford a halfpenny, while it confiscates the translations of the novels of Zola.

Whitman

s

treatment,

be

it

remembered,

is


HIS ART. out-spoken,

frank,

and sincere

69 there

;

no veiled

is

doublt-entendre, no parade of innuendoes, no sly giggle over an amorous passage. It is an open, exuberant

man as body as well as spirit would have been out of place in an age either of sincere Monasticism or of sincere Puri of delight over

hymn

and although

tanism, life

essentially in

is

it

of the

;

it

proper treatment of the tions

in

harmony with the

modern world.

its

driven

objection

easily

develop into an

Titian.

And

those

who

find

themselves logically

of the

Boston prude, who

may

to the position

covered up the legs of her dining-table should be seen of men.

The

and

in its ideal rela

treatment in the marble of Phidias or

on the glowing canvas of this

free large

objection to a full

human body

modern poetry can

objection to

adopt

An

lest

they

great fact of sexual love on the physical side is Whitman as subordinated to uni

always regarded by versal ends.

claims "

I

Thus,

in

"Songs

of

Parting,"

he ex

:

announce the great individual,

fluid as

Nature,

Chaste, affectionate, compassionate, fully

armed."

1

The madness

of passion does not overcome ; it is a central purpose, ensphered in a nature dedicated to what the Greeks called "temperance." related

We

to

have had

propagated by monks and hermits and Western religionists, Calvinists, by Syrian as to the virtues of abstinence. This ascetic dogma false notions

Leaves of Grass, p. 381.


WALT WHITMAN.

70

was an obvious reaction against extreme licence ; but is as false as the other. There is no virtue in

the one

abstinence whatever. sand, void of

reasonable

life

dead moon.

that

self-control

virtue

positive, healthy direction of all

good

will

happens Nature."

and a

clear intellect.

Whitman

in

He

is

his actions are

s

"great

thoroughly

at

resides

;

in

s

in

the

actions by a

This

exactly what

is

fluid

individual,

home

full

It is

human

in the world,

beautiful, his relations with

and with women sweet and is

barren as Sahara

It is in itself

as the cold,

as

and

comrades

of charm, because his

the never-erring balance, the perfect poise.

There

no such man absolutely, nor may there ever actually makes for such be such ; but the world-movement is

"

"

a

wholesome embodiment of righteousness.

It may be asked whether Whitman is a poet at all. One need not be specially anxious to show that he is,

but some protest

is needed against any judgment that Addison and Johnson, in the list of poets (not to mention Blackmore and Gibber) and What is a poet ? Is he the left out Whitman.

included,

say,

manufacturer of rhyming stanzas ? If so, we should have to include under the head of poetry that in teresting verse, so full of incident

"

I

put

my

hat upon

my

:

head

And walked into the Strand And there I met another man Whose hat was in his hand."

;

This stanza contains rhyme, grammar, incident, and


HIS ART. suggestion, but

But when we read

not poetry.

is

it

71

such great words as "

Men must

endure

Their going hence, even as their coming hither; Ripeness

we

feel at

Let us

"

is all

once that

this is poetry, this is creative art.

noble language of Shelley Poetry defeats the curse which binds us to be sub jected to the accident of surrounding impressions. the

to

listen

:

"

And

whether

withdraws things,

being.

it

It

it

life s

veil

figured curtain, or

from before the scene of

equally creates for us a being within our makes us the inhabitants of a world to

which the familiar world the

own

its

spreads

dark

common

percipients,

is

a chaos.

universe of which

and

it

film of familiarity

we

It

reproduces

are portions

and

purges from our inward sight the which obscures from us the wonder

It compels us to feel that which we and to It perceive, imagine that which we know. creates anew the universe, after it has been annihilated in our minds by the recurrence of impressions blunted It justifies the bold and true words of by reiteration. Tasso Non merita nome di creatore, se non Iddio ed 1 il Poeta." In the same essay Shelley claims for

of our being.

the authors of language poets that they are not only and of music, of the dance, and architecture, and they are the institutors of statuary, and painting "

;

laws and the founders of 1

A

civil

society,

Defence of Poetry.

and the inven-


WALT WHITMAN.

72

tors of the arts of

and the

life,

teachers,

who draw

into a certain propinquity with the beautiful

and the

apprehension of the agencies of the invisible world which is called religion." In accord true, that partial

ance with

this

judgment, Shelley claims

sopher, Plato, a place poets,

Shakspere

among

and

for the philo the poets, and for the

Milton,

among

places

the

philosophers.

Now, accepting the

poet

classify

than we

nature

s

Whitman

and far-reaching view of and function, we may certainly

this large

as a poet with greater confidence

and graceful but super ficial moralists like Addison, or makers of ponderous Mr. Arnold s rhyming platitudes like Johnson. criticism of famous phrase, is, perhaps, in adequate as giving no suggestion of glow and rapture,

may

so treat pleasing

"

life,"

which we creation.

rightly

But

it

regard

comes

as

essential

elements

in

as near to a true definition as

if we add to it the idea of a In this sense we and expansive power. heightened see more clearly who and what the true poets of the

any mere phrase can

world have been.

The

early rhapsodists, the Celtic

bards, the makers of sagas

and of the songs charged

human

experiences chanted in rude primal chorus by boatmen rocking on the tide or by peasants

with

joyously treading the vintage these would hardly have satisfied Boileau and the French Academy.

would have pronounced them "intoxicated as he pronounced Shakspere. They knew nothing of formal rules, but they had the power Voltaire

barbarians

"

of divination.

They

treated in an

ideal

spirit

the


HIS ART. of their land and time

civilisation

with holy care

and

faith

ings for

;

;

they preserved they uttered its

aspirations, they expressed the deepest feel social sanctities, for the ideal side of

its

traditions

mystic traditions

its

and

They loved and

laws.

its

interpreted

Nature, they felt in their souls the beauty of her life, they delighted in heroism and comradeship. Surely it is these elements that constitute the very soul of poetry. The creative spirit seizes on the facts of Nature and of

life,

shows them

transforms and glorifies them never was on sea or land."

fluid

with

He who

with this spirit has a far loftier

title

and

"the

related,

light

is

to the

that

possessed

name

of

poet than has the manufacturer of flawless, brilliant, mechanical versicles. To these bardic ranks Whit

man

He

belongs.

is

too primitive and elemental to

be classed even among such

and Shelley, while

literary rebels as

Byron

too vast, his thoughts too deep, to admit of rank with such a poet as Burns.

Whitman in

feels

is,

his

sweep

in truth, of the order sacer vates, for

our modern

life

he

the

moving breath of the applied the words which

To him may be Emerson used of Goethe spirit.

detail

is

"

:

Amid

littleness

and

he detected the genius of

life, the old cunning Proteus, nestling close beside us, and showed that the dulness and prose we ascribe to the age was only

another of his that

masks."

T

It

Whitman has Goethe

culture,

sense of form.

1

not of course implied

is

s

He

vast is

Representative

knowledge,

deep

rather like a strong

Men.


WALT WHITMAN.

74

inspired toiler, possessed of a far greater proportion of genius and insight than of culture, who tells us in a certain crude and partly amorphous way, but with a

and

power

compensating

humanity, and modern in such a manner as to

and

interests,

rally

gift

of

that

this

he endows us with the

Camerado,

no book,

this is

touches

touches a

this,

man."

*

might even be contended that his formlessness new forms that the old rhymes rather be used in the future for mere vers de

holds the germs of will

nature,

does

rather than with literature.

Who It

how

He

our emotions, widen our the forces of our moral nature.

must ever remember

"

him.

stir

We

life

originality,

life affect

societe

;

We know

than for great poetry.

something of

the nineteenth century s experience in reference to music. The innovators had to fight their way against

and genuine

ridicule

dislike

;

until

many

special

movements, and, at least, one entire opera of Wagner, have become almost as hackneyed as any of the Italian

airs,

or,

Wagnerian music.

indeed, It

as

may

anything in the prebe argued that the

also

sweeping conceptions of our age, the suggestions of an infinite surging movement, of an all-pervading

vast,

rhythmic

life,

can never be confined

in the

narrower

and more precise forms of the poetic art, and that Whitman s work affords, in some degree, a hint of The spiritual enlargement and things to come. 1

"

Songs of

Parting,"

from Leaves of Grass,

p. 382.


HIS ART. exaltation brought about by Christianity led to

forms of express

The

art.

new

Christian world could no longer

ideas in

its

Pure form, nakedly displayed,

And Our own time

is

all

things absolutely

manifestly

made."

imbued with the

ideas of

The

marvellous growth of music, change. with its capacity for interpreting subtle emotions and workings of the imagination, is the dominant artistic

artistic

fact of

our

essential

own

fact,,

We

time.

to seize

seem to come nearer to the on the very spirit of life. We

can no longer tolerate the surface ideas expressed in the smooth and easy lines of an earlier age. Like Faust, to see

we yearn to reach the very fountains of being, behind the act the character, beneath the form

the substance. cal,

The

novel becomes more psychologi In such a spiritual.

music more complex and

movement, the genesis of a new epoch in history, there will inevitably be experiments doomed to failure as well as to success. The claim made for Whitman not that he

is,

is a great artist, for he is not, not even a great poet, but that he has apprehended needs of our time, has perceived that some

that he

the

is

restraining shackles must be cast off, and has led the way, as a strong, valiant pioneer, to a new literature

which

shall

chant the deeds and

faith of the

modern

man.

Our acceptance

of Whitman, therefore, mainly de on whether we pends accept the advent, welcome or


WALT WHITMAN.

76

unwelcome, of a new world lieve that the old

we can "

;

him

say with

Away Away Away

on whether we really be on whether

;

forms are exhausted

with old romance

!

with novels, plots, and plays of foreign courts with love-verses sugar d in rhyme, the intrigues, amours of idlers,"

And "

;

can also

Raise a voice for far superber themes, for poets and for art,

To To

exalt the present

and

Here

man s

and the

teach the average

is

trade.

"

man

real,

the glory of his daily walk

x

the ultimate ground of judgment on Whit here is the ultimate test which will

verse

;

decide whether he long for a larger,

is

deeper

no matter how bought

Do we

welcomed or repulsed. ?

life,

for

a richer experience,

Have we courage enough

to

Shall we be quit the shallows for the deep blue ? content to "glance, and nod, and bustle by," pleased with the gay show, cynically amused by the pickle"

herring farce-tragedy," satisfied to be polite and suave, and to skim gracefully the surface of things ? Or must we dive down to the tangled roots beneath the

ocean floor, penetrate beyond the external show, search eagerly for hidden meanings and subtle sugges tions ? Do we care supremely for the soul of man, 1 "Song

of the

Exposition,"

Leaves of Grass, p. 162,


HIS ART. do we

readily

for ourselves,

77

concede to others that which we claim have we

faith in

our fellowmen, and in a part ? Or if not, at

the order of which humanity is least do we desire it, do we reach out with longing for it,

do we

may well be given for this Whitman s writings are, it may

feel that all else

pearl of great price

be said, like

?

an acquired

olives,

taste.

But there are

And the people. will never Philistia well-fed hosts of sleek, respectable,

some

tastes never acquired

by some

"

good, gray poet probably acquire a taste for the not because of his singular versification, nor his alleged "

;

indecencies, nor his absence of the cultivated aca

No ; they will dislike him because he spirit. unconventional, uncomfortable, because he makes

demic is

ill at ease, because, like Madame Pistol (cino need to devant Quickly), they hope there is trouble themselves with any great thoughts while on

them

"

"

an easy path to

Podsnap

is

"

Arthur

as fearful of

The household

s bosom."

Whitman

s

of

glorious audacities

would be of taking a morning on a thoroughbred. And the Podsnap house hold is not a small one it may die out, but it will not be yet. But those whose hearts are stout and daring, whose as a nervous invalid

gallop

;

imagination dilates with wonderment at this great and awful, but splendid mystery in which we are enfolded, whose affections go forth to all the sons and daughters of

men, who with

all

the strength

their nature desire fraternity sire

to

personal good

bow

to

no

and

for themselves,

idols

and

sincerity of

justice, as they

who

de

are determined

however venerable, but to stand


WALT WHITMAN.

78 up on

may

their

bring

own

feet,

and confront whatever destiny Whitman. For they will

these will love

nestle gratefully in these

Leaves of Grass, while the viewless air passes over them, and the golden sun shine bathes them in its life-giving waves. For these elect

"In

certainties

And

now crown themselves

assur d,

peace proclaims olives of endless

age."

But even they are but the forerunners. Whitman has no hortus inclusus, no aristocratic paradise. In the endless cycles all will arrive ; and upon the first-comers merely lies the duty of helping on the rest.


HIS DEMOCRACY.

IV.

WHITMAN bard

:

the voice of

is

Virgil uttered his

Whitman "

more than America s As modern democracy.

aspires to be even

he

tell

Arma

"

us his

virumque

theme

cano"

so

does

:

Of Life immense in passion, pulse and power, Cheerful, for freest action form d under the laws divine,

The Modern Man

When

3

I

x

sing.

phantom of past poetry suggested to him theme of the old poets was war, he replies that he sings also of war, but a larger and greater than any the field the world, for life and death, for the Body and for the Eternal Soul." To foreign lands who ask him athletic her to define America, the

that the

"

;

"

he sends

his poems that they may dis want. This is how the Leaves they Grass to the the purport and beholder of ; open intention of the poet s task is avowed. It is not Democracy,"

cover what

it

is

America only of whom he writes, but of Modern Man, as he is being moulded everywhere by the spirit that fir^t arose and hud the fullest, freest scope on the American continent. Whitman therefore sings of the

Modern Man 1

as

workman,

<l

Inscriptions."

friend, citizen, as

Leaves of Grass, p.

79

husband, 9.


WALT WHITMAN.

So

brother, comrade, as pioneer of a new social order, as both material and spiritual, final and most subtle

compound

of spirit and nature, firmly planted on this and yet moving about in worlds not "

rolling earth, realised."

The message

America.

As

man

is

as truly for

Europe

as for

Whit freedom from conventionality,

representative democratic bard,

exhibits complete

a very deep human love, hope for all, faith in the rationality of the world, courage, energy, and the instinct of solidarity. He may be said to begin with the epic of the

modern world,

in

its

shirt-sleeves,

ploughing and mining, building and weaving, pro pelling its engines over prairies and mountains, across great

and through

rivers

steering

its

vast,

stormy

gigantic steamers over waters

cities,

and

of which

It is the world of "Titanic Ulysses never dreamed. of strenuous, healthy, defiant, birth, democratic masses ; the modern world, in short, as it

forces taking

really

is,

or

is

becoming.

And

from

this great plain

of physical action the poet ascends to mystic, dimlyguessed spiritual spheres, whence he seems to discern

unending progress,

till

the universe itself appears one

vast conscious whole, informed with the spirit of love,

and

its ever-ripening issues all the long man s of past painful path from the lower forms of nature to an expanding being utterly beyond our

justifying in

present imagination to conceive. The general course of things is now tending towards a new type of life and to a new attitude of the indi vidual towards the world.

All lines

seem

to be

con

verging towards a new point in the distant horizon.


HIS DEMOCRACY.

8

1

Old limitations disappear not only in the physical globe through the inventions of science, but in our own thought, through the growth of the general mind. Expansion

is,

dominant idea of our time.

in short, the

Petty states give way to great aggregations tional co-operation

world beyond world reveals

man

of

gaze

;

the

local

conception, Augustinian theology, with ideas derived so largely from yields

itself to

deity

the

to

;

interna

becomes more and more general

its

his

in

"God

is

local

heaven

spirit."

The

and bounded

formal

Roman

;

the wondering

jurisprudence,

is

more fluid Greek idea, unhampered Greek forms. We are probably on the

to the

giving way by the early

eve of scientific conceptions which will render the of the nineteenth century comparatively And in the same way the great industrial jejune. science

forces

which are partly dominated by man and which will, it may be believed, evolve

partly dominate him,

new

sociological ideas that will cast society in another

Of

mould.

good and is

tion

he

is

with

In

the seer.

new

this

evil,

its

world, with

all its

light

revolutionary

he

When

inspired.

all

its

powers

stir,

for

Whitman

writes, by its contempla he began to write he felt

that the literature of his country was, in the main,

devoid of vision and presentiment. tion of the writings of either

With the excep

Emerson, America had produced

mere elegant versifiers, far-off echoes of Eng and Spain, or conventional authors who

land, France,

accepted

without

questioning

in morals, religion,

dogmas Now, how

is it

and

all

the

respectable

society.

possible that any literature can hold F


WALT WHITMAN.

82 the soul of

man by

its

when

divine spell

elements

its

harmony altogether with the spirit of the time and unrelated to its knowledge? Literature must be fast wedded to the real world of thought and life which environs it. And that by no means because we are out of

desire to forget or despise the past

very past

become

will

reflect fully the life of

but because that

;

clearer to us

own

our

if

our natures

The man who

day.

good from the past is the imitating senti mentalist who bows before an outward form from

derives least

We

life has departed. do not to-day believe in any local hell, purgatory, or paradise. Yet our enlarged spiritual powers enable us to appreciate

which the inner

the spiritual genius of Dante more deeply than those Florentines who drove him out of their city. We see the permanent fact detached from its temporary scenic know that the inevitable state of the properties.

We

soul

is

the real substance of Dante

the rest

all

diaeval

is

mere shadow

s

vision

Whitman, who perceives

thought.

;

and

cast by the forms of this,

that

me thus

an even course between stupid bigotry on the one hand and flippant negation on the other, as e.g. in steers

t

the "

"

"

Song

We I

for

Occupations

:

consider bibles and religions divine they are not divine,

I

say they have all grown out of you, and out of you still.

do not say

may grow

It is not they who give the life, it is you who give the life. Leaves are not more shed from the trees, or trees from the earth, than they are shed out of you." 1 1

Leaves of Grass,

p.

172.


HIS DEMOCRACY.

83

This anthropocentric position in literature as in philo sophy will produce as vast results as were brought about by the adoption of the heliocentric theory in our of

conceptions religion,

The State, physical universe. be directed solely towards the

the

industry will

In times past, humanity has been sacri assumed rights of a caste,

good of man.

ficed to regal power, to the

the supposed claims of an external deity on the To-day man is implicit obedience of his creatures.

to

enslaved to money-making, in thrall to machinery, a weary drudge attendant on the incessant demands of the iron monster which he serves.

All these forms of

variance with [democracy, j _e very ^one must be abolished root and branch. The State exists slavery are

for

of

at

no other purpose than its

self

subjects.

and

world at

his fellows, all.

men; man This

If a

is

man he

to realise the collective will

sees nothing divine in

shall find

no

him

divinity in the

Industry shall clothe, feed, and comfort not be the slave of the machine.

shall

the meaning of democracy.

It is

no crude

It does not deny the theory of negation. validity of the great institutions and ideas which have for untold

ages expressed in form or language, in sacrificial rite life of man. But it

and sacred hymn, the spiritual transforms and develops these, terms of thought,

it expresses them in seeks to raise humanity to loftier

it

heights through their agency it strives to make more real and true the inspiring word of the Elohim in the an ;

cient

Hebrew tradition,

after

our likeness

"

:

"Let

us

make man in our image, modern thinker,

a word to the

not descriptive of the past, but prophetic of the future.


WALT WHITMAN.

84

Almost the entire volume of Leaves of Grass is per meated with this idea ; it is, indeed, the central in

Whitman

spiring thought of

s writings. But if any can be it is the specially apt quotation made, following passage addressed "To You," in which the poet speaks from his heart to the average man :

"

I will leave all and come and make the hymns of you. None has understood you, but I understand you None has done justice to you you have not done ;

justice to yourself.

None

but has found you imperfect

;

I

only find no im

perfection in you.

None

but would subordinate you I only never consent to subordinate you. ;

am

he who

will I

only

am

better,

he who places over you no master, owner, God, beyond what waits intrinsically in

yourself.

Painters have painted their swarming groups, and the centre figure of all ;

From

the head of the centre-figure, spreading a nimbus of gold-coloured light.

But

I paint myriads of heads, but paint no head with out its nimbus of gold-coloured light; From my hand, from the brain of every man and woman

streams, effulgently flowing for ever. could sing such grandeurs and glories about you! have not known what you are you have slumber d

it

O

!

You

I

;

upon yourself all your time There is no endowment in man or woman

that

is

not

tallied in you.

There

is

no

good

virtue,

is in

you

no beauty ;

in

man

or

woman, but

as


HIS DEMOCRACY.

No

pluck, no endurance in others, but as

you As for me,

I

give nothing to anyone except

like carefully to I

85

you

I

in

is

good

give the

;

sing the songs of the glory]of none, not God, sooner than I sing the songs of the glory of you." x

Now,

to state

Whitman s fundamental democratic

in as concise a

way

as

is

He

possible.

is,

ideas

at the outset,

The neither absolutely collectivist nor individualist. care and culture of the individual, his spiritual growth, is,

The whole

indeed, the final end.

and

vast array

pomp of nature exists to form spiritual individuals. The individual is no mere function of a social whole, no mere cog or pin in the machinery. This develop ment of the individual is so dominant in Whitman s mind, that, though he writes of the "Modern Man," he is always actually thinking of particular types, dis tinct people. Yet. on the other hand, he sees that the spiritua individual is made a reality by the social whole of which he is a part. Man is not man except 1

as

son,

life

lover,

into a

forms the "

friend,

man, and he gifts

citizen.

The world

in turn renders

pours

back

in

its

new

so bestowed.

One s-self I sing, a simple separate person Yet utter the word Democratic, the word En-Masse."

In the next place,

Whitman

s

thoroughly sane genius

perceives the difference between the State and society.

In the

last

rescrt the State

1

must

Leaves of Grass,

p.

rest

186.

on force and


WALT WHITMAN.

86 coercion.

We may

State control, as the

eliminate

But so long as the State force be coterminous with

solute collectivist

many

subjects

from

modern world has exists, its

actually done. so long will coercive

jurisdiction.

would extend that

The ab

jurisdiction

to

every sphere of life, so that no room shall be left for the individual to turn himself about in and do just as he pleases. The absolute anarchist, on the other

hand, would leave people to do what they thought Neither the collective proper in every relation of life. despotism nor the anarchic individualism could, as a matter of fact, last anywhere twenty-four hours; and

Modern Man

the

The

will certainly

not tolerate either.

now is to find out great problem action is where the collective necessary and just is and and where it desirable, impossible dangerous.

On

for reformers

the whole,

modern

society

is

in the sphere of opinion, there

coming to see that, must be no coercion

;

while in that of practical material affairs increasing, collective regulation is essential. People are free now in nearly every civilised

opinions, and form

land to publish

societies

for

their

all

manner

of

propagation,

provided these societies do not use force against the State itself; in which case the State is bound, in order to

On

preserve its existence, to thwart any such aims. the other hand, men cannot be allowed to injure

work them subject them

their neighbours health, to for their

You can

own

profit, to

as they please, to

starvation.

preach a new religion to your fellows, but maintain an open cesspool in your street. cannot you There is really but little of the danger of interference


HIS DEMOCRACY.

87

with genuine liberty that people, calling themselves Individualists (with a very large I), would have us

The modern

believe.

and its

We

powers.

into society, nor

is

beginning, in

be

will

its

national

and extent of

cannot permit the State to be merged

mere society

to take the place of the

needed, and in many ways extended rather than contracted in the

Coercion

State. it

State

local capacity, to realise the nature

is

still

1

future.

Indeed,

it is

through

this very

modern democratic

State, with its fairly just balance, that

shape of society

is

Were

possible.

anything in the

the State abolished,

anarchy would ensue, to be followed inevitably by And such despotism would, for the very despotism. sake of maintaining its existence, curtail the free ac tion of society. The democratic State can allow full

swing to social

activities, to voluntary reforming, reor aesthetic ligious, agencies, working freely among the but the people despotic State cannot, as has been -j

shown ism.

a thousand times over in the history of despot The problem for the modern State is how to

gather in

all

the disinherited,

how

to secure for all

means of life, undue interference

opportunity for work, control over the leisure,

culture,

health,

without

with the freedom of anyone.

This problem suggests that the old notions of free be revised. It is not in the absence of

dom must restriction,

freedom 1

"

but in the presence of opportunity, that

consists.

Force

till

Right

Where is

there

ready,"

as

is

the possibility of

Matthew Arnold

said.


WALT WHITMAN.

88 expansion for

there

all,

that this exists in

freedom.

is

It

cannot be said

Whether the form of

any country.

government be empire, monarchy, or republic, poverty exists everywhere ; and with poverty, as Whitman At this very time we sees, expansion is impossible. read of

bread

and Vienna, caused by lack of

riots in Berlin

of starving millions in Russia ; of public pro vision of food and shelter for unemployed men in the

new

;

cities

of Australia

;

and of deaths from

huge, wealthy London. things are possible, freedom in

starvation

Just in so far as these is

impossible.

Whitman

sees this very clearly.

What perhaps he does not

see quite so clearly

is

organised action can do more for the physical betterment of men than used to be imagined. Certain forms of industry have been so completely that public

developed,

and

necessary for

all,

their

that

products is

it

now

are so absolutely easy and rational to

substitute collective for private ownership in certain It is equally important means of producing wealth. certain that the true freedom of the individual is

actually

increased

rather

collective pressure exerted

provided the pressure

through

the

is

initiative

Whitman does not

than

on

diminished

by the

recalcitrant individuals,

exerted by the authority and of the people themselves.

see this

quite clearly because, while perceiving the distinction between State and society, he, nevertheless, leans on the whole to what

may be

called the anarchist side, as indeed

the

is

He hears a voice general bent of the American mind. of the Civil War rising prophetic over the carnage :


HIS DEMOCRACY. "

The dependence The continuance These

shall tie

89

of Liberty shall be lovers. of Equality shall be comrades.

you and band you stronger than loops

of iron.

O

ecstatic,

I,

partners

!

O

lands

!

with the love of

lovers tie you.

(Were you looking to be held together by lawyers Or by an agreement on a paper ? or by arms ? nor the world, nor any living thing,

Nay,

?

will

so

x cohere.")

On

the whole,

Whitman seems

to look forward to

the continuance of the State as chiefly needful for providing free opportunity for the expansion of society.

The

great State officers are merely seivants of the people, working for the good of individuals, from

whose ranks they are taken, not to be swathed in an majesty like the monarchs of the out-worn

artificial

world, but to reflect the native dignity of the people to return to the ranks when their special task is

and

over.

The

State

itself,

however, by no means sinks its value as the great

into insignificance, but retains

organic bond. "

All thine,

O

sacred Union

!

Ships, farms, shops, barns, factories, mines,

City

We

and State, North, South, item and aggregate, dedicate, dread Mother, all to thee !

Protectress absolute, thou bulwark of all For well we know that while thou givest each !

(generous as God), 1

"

Drum-Taps.

Leaves of Grass, p. 247.

and

al


WALT WHITMAN. Without thee neither

Nor Nor

all

nor each, nor land, home,

nor mine, nor any here this day secure, 1 aught, nor any day secure."

ship,

But while the State forms the organic bond, the great object of desire absence of which

spiritual relationship, in the

is

free

all

chatter about

democracy is empty.

The spirit of the new era is that of comradeship, human affection, association, without which democracy is like Dead Sea apples, gay and lustrous to the sight, but leaving nothing to the taste but rottenness and ashes. The State will provide us with the needful

means

for forming this free spiritual union, but it can never be a substitute for the union itself. The ideal

of

Whitman

is

expressed in those very fine

in their simplicity "

I

I

dreanVd

in

lines,

noble

:

a dream

I

saw a

city invincible

to the

attacks of the whole of the rest of the earth, dream d that was the new city of Friends.

Nothing was greater there than the quality of robust love,

it

led the rest.

was seen every hour

It

that city, And in all their looks

in the actions of the

and words.

3

men

of

2

This great ideal of a true home of the soul far trans cends all the mechanical reforms for which so many earnest people are working, and which are in the main For consider needful, but only as means to an end. 1 "Song

2

of the

Exposition."

"

Calamus."

Ibid., p.

109.

Leaves of Grass,

p. 164.


HIS DEMOCRACY.

how few

of the strenuous agitators

and known

How

is it

are fitted to dwell in the

that so

many

sonally so unattractive?

we have "

city of

all

heard

Friends."

people are per cannot accept these thin

"advanced"

We

dogmatists, these quarrelsome disputants, these angry One egotists, as our leaders into the promised land.

long as they remain essentially what they will be little more than surface

feels that so are,

social

changes

changes, with the leaven of the old corruption working underneath.

How

still

many, who presumably have no dying forms, refuse to dance to Because it is urged, of ignor the reformers piping ? ance, of prejudice, of apathy, of fear; no doubt, but is

it

that so

interest in clinging to

partly because of the reformers themselves.

It is

the

work of the reformer to chase away ignorance, preju dice, apathy, and fear; these are the very elements that give him the conditions of his task. Men will not follow him, and they are right in refusing him

he is an egotist, a mere schemer, a a selfish cynic, or a person with low, mean, narrow aims. Such an one cannot long hide from the

their allegiance, if critical prig,

people the narrow brain, the hide-bound

intellect, the

The people s flippant mind, the unlovely disposition. into is Miserable character marvellous. penetration though they may be, they will hug their rags about them and remain inert. The most ignorant superstitious revivalist, if his heart is alive

effect

with the flame of

human

produce more vital and permanent on the poor than will the "emancipated" but

sympathy,

will

cold and calculating egotist.


WALT WHITMAN.

92

And to

not only will the type of reformer here referred to touch the masses

fail

best

men

;

he

will also fail to get the

to co-operate with him.

They

will

not

move

except for wider aims and at a higher bidding. They are of the mind of Fichte The idea alone moves "

:

and where

him,

it

does not move him, there he has

but remains quiescent and inactive. He will never rouse himself to energy and labour, merely that

no

life,

something may come to pass, but that the will of the may be accomplished. Until it speaks, he too is

idea

silent

;

he has no voice but for

it.

respect old things because they are old, does he desire novelty for its own sake.

He

does not

but as

He

little

looks for

and more perfect than the present so before him clearly and distinctly, as not to to would lead difference, long change only improvement, he remains inactive, and concedes to what

better

is

;

until this rises

the old the privilege it derives from ancient posses 1 sion." To the reformer therefore comes Whitman s

solemn message "

Is

reform needed

The greater ality "

:

?

is it

through you

?

the reform needed, the greater the Person

you need

Go, dear friend,

if

mence to-day

to

accomplish

it.

need be give up

all else,

and com

to inure yourself to pluck, reality,

self-esteem, definiteness, elevatedness,

Rest not

till

you

rivet

and publish yourself of your own

3 Personality."

1

-

The Nature of "To

a

Pupil."

the Scholar.

Leaves of Grass,

p. 302.


HIS DEMOCRACY. But shall

what ideal of

to

reform

this

among modern

life,

tend?

to

93

what type of character,

Whitman

conspicuously

writers, anticipates that clean-handed,

open-hearted, free

men and women,

honest workers,

together in friendship, living without conceal ment, living much in the air and sunshine and own ing allegiance to no lord or master, caring but little living

for

many

of the social distinctions that are highly

esteemed now, are the democratic citizens of the future. Like Tolstoi, Whitman has entered into the of the working-people, and has found among them the healthiest elements of our human nature. By the

life

working-classes he does not mean the dirty, sodden, foul-mouthed vagabond who loafs for hours at a pjst on the lookout for drink, nor the riotous street-

whom would be dealt with pretty a sternly by genuine democratic community. Nor of course is he thinking of the servile dependant of the larrikin,

both of

country squire, destitute of some of the essential ele ments of manliness a type practically unknown in America. He has no reference to the unhappy human

wreckage which the sea of poverty and social misery washes on the shores of our great centres of popula tion

though even about these he by no means de

spairs.

healthy,

He

has mainly in

skilled,

well-paid

mind the self-respecting^ and sometimes well-read

mechanic or

artisan ; alert, eager, open-eyed, frank, manly, somewhat too material perhaps, yet with un-

plumbed depths of idealism in him strong alike in body and mind. And he is thinking too of the bright, supple, affectionate, healthy, good-looking woman,


WALT WHITMAN.

94

whether as mother, wife, sister, lover, or friend, too independent to be the slave or toy of man, equal with

him

in every respect, and yet possessing nothing of the sour, atrabiliar anti-masculine sentiment supposed to

be a somewhat characteristic note of the

"advanced"

woman.

Now these desirable, healthy, breezy elements are to-day but imperfectly developed because of the con But they are there in ditions of modern labour. germ, awaiting the sun of a renewed human summer to

ripen into fruition.

society

is

And, unless the growth of by a cataclysm as in

to be again deflected

the case of the irruption of the barbarous hordes into the decaying Roman Empire, we may look for a better

human

type

than that of the modern fine

gentleman who yawns away his time

in a Piccadilly

than that of the

up

to tea-gowns

"

"

society

and

"

"

club, or fritters his energies in so-called

sport

bric-a-brac,

the fashionable slang and scandal of the green-room, and the divorce court. all

In Whitman

democracy work

s

barbaric element.

He

is

or

which

is

turf,

the

mingled with a

rightly distrusts the

lating effect of over-culture

;

mind is given and who is versed in

lady whose

emascu

weakening

men

for

action, loosening moral

fibre, sicklying o er the native hue of resolution with the pale cast of thought. He

would

insist

on a healthy dash of barbarism

weary, anxious, introspective civilisation

;

in our

a matter of

even greater importance in the American than in the He loves the barbarian as Burns did, English cities. as

Wordsworth

in less

measure

did.

He

celebrates


HIS DEMOCRACY.

Q5

the friendly and flowing savage, the Indian trapper he, lounging on a bank, dressed girl

"

and the red mostly

and

He

limbs."

men

that live

woods." "

she, with long eyelashes, bare head,

;

descending on her volup

coarse, straight locks

tuous of

:

in skins

He

"

is

enamour d of growing

among to

calls

out-doors,

cattle or taste of the

mind

matchless with horse,

ocean or

the young Texas rangers,

rifle,

song, supper, courtship,

handsome, proud, and yearns to "race naked along the where shore," and salutes as the ideal city the place fierce men and women pour forth, as the sea to the

large,

turbulent,

generous,

He

affectionate."

"

whistle of death pours its sweeping and unript waves." The modern man is to be no puny, chicken-breasted,

anaemic person, but strong, a audacious, self-poised, vigorous being at home with the winds and waves. Throughout nearly the whole near-sighted

stooping,

Whitman

s writings penetrates the element of odour of the fresh-turned earth, the salt the rankness,

of

sea

an element of

rich, rude, unpruned growth the globe. How this element can be realised in mankind, if the universal tendency to air,

alike in

city

life

man and is

permanent,

easy of solution.

Even

a problem not altogether the keen athletic sports of

is

young men do not, in a crowded country, lead to any deep relations with Nature while many of us are in danger of forgetting that anything more natural exists ;

than the trim parterres of a suburban garden. This love for the elemental forces, perhaps, leads

Whitman ness

of

to dwell with exaggeration

rough,

uncultivated

on the

natures

;

attractive

but

it

also


WALT WHITMAN.

96

enables him to perceive and welcome the new types and to discern their superiority over the

of heroism, military

and

virtues

which arose

aristocratic

in ancient

codes

and mediaeval

of

times.

honour Whit

man

loves the average man as a man, and will not have him lopped and hardened into a machine. The Broadway stage-driver, whom he notes, is not merely a

human piece of mechanism to pilot a vehicle along a good fellow, free-mouth d, quickthe street, but temper d, not bad-looking, ready with life or death for "

and so forth. The engineer not a part of the machinery, but a human being having the same desires as the President or the Secretary of State. How sharply Whitman a friend, fond of

on the

train

women,"

is

comes here into collision with a very respectable body of economic and political doctrine which is now breathing stertorously and will soon be, not a body, For the possessors of but a consuming corpse engines and omnibuses do regard those who labour for them as being primarily embodiments of labour!

force

;

it

relations

expressed in the terms of the economic between them. And these are

is

existing

For there is probably no usually the only relations. railway director in the world who would invite a guard or ticket-collector to his drawing-room and ask

him

to take his decolletee wife or daughter into dinner,

although the

man

in

question

may be

in every

way

superior to the noodle charged with that honour. The cash-nexus is still mainly the bond, the one

bond, which unites the severed

Whitman

sees, too, that

classes.

democracy must have done


HIS DEMOCRACY.

97

once and forever with, not only the forms, but the Great numbers of English people spirit of feudalism. grades have not yet emerged from the feudal feeling. They accept the fact of stratified classes dis of

all

tinct

from each other.

Others take the mechanical,

individualist view of society as

being composed of unrelated units, though this sentiment is declining fast ; faster, perhaps, as a feeling than as a formulated

To Whitman,

creed.

feudalism and mechanism are

both hopeless, false, and dead. must stand clear of the wreck of

alike impossible,

modern man from the

past,

which but impedes

his

The litter

march and

fetters his energies. "

Pass d

!

pass d

!

once so

for us, for ever pass d, that

now void,

inanimate, phantom world, Embroidered, dazzling, foreign world, with all its gorge ous legends, myths,

mighty world,

its priests and warlike lords, and courtly dames, Pass d to its charnel vault, coffin d with crown and armour on, Blazon d with Shakspere s purple page,

Its

kings and castles proud,

And

dirged by Tennyson

But because

s

sweet, sad

that feudal world

is

*

rhyme."

gone

forever,

it

does not follow that society is permanently dissolved into unrelated individuals. Or, if, as Carlyle has it, the Church has fallen speechless from apoplexy and the State shrunken into a police-office, straitened to its pay, we must build up anew and in nobler

get

1

"

Song of the

Exposition."

Leaves of Grass, p. 159.

G


WALT WHITMAN.

98 form

this shattered world.

Not out of the

breast, as the chorus of spirits

but from the collective

life.

individual

proclaimed to Faust,

And

this brings us to

Whitman s

very real and deep historical sense. For, while at times he appears to look with a sort of scorn

on

the fading kingdoms and kings over there," and the fading religions and priests," he sees very clearly that this new collective life, while ridding itself "

on

"

of mere rubbish, must absorb into that has really aided in building

its

own being

up man

s life

on

all

this

Unlike the mere revolutionist, dashing him on the rocks of human institutions, Whitman

planet

self blindly

declares that the

modern man must take up and

corporate into himself

all

of this past

life

that

in

was

good, that he cannot deliberately reject great past periods dedicated to ideas that have sustained and

developed the soul of man. Let the shell of dogma go, but throw not away the Let marriage be as free precious kernel it inclosed. as

you

will,

abolition.

bourgeois

not

but do not imagine that freedom means Indeed, Whitman is at times just a trifle

in

depicting

woman be

living out her

the well-ordered home.

Let

arbitrary restraint

from

prevented by life in her

own

own way

give in to the silly cant that she should

man

does.

but do not do exactly what ;

Let us change our conceptions of what

properly constitutes healthy public order ; but let us understand that there is a public order. Let us not

be deluded into supposing that the great intellects of human race were all in error, that the State is

the

nothing but tyranny, religion but a fraudulent supersti-


HIS DEMOCRACY. tion,

and

that

it

99

has been given to some young, un

kempt, inflated revolutionist to discover that which has been hidden from the wisdom of ages.

There are people with a violent prejudice against who think we must go back to Paganism There are others for our examples and inspiration. Christianity,

prejudiced against Paganism, who insist that we must a matter on which rely solely on the Christian idea the great fathers of the Church were much liberal than many of their spiritual descendants.

there in

is

more

And

a small school which finds the whole secret

Buddhism.

esoteric

Once more be

it

All

All these notions are we cannot u

futile.

go back

said that

"

to

and others

our early anything. the prolonged struggle with the Aryan communism, terrible powers of Nature, the rude vigour of the these

Northern barbarous

forces

tribes

elements of

these are in our

life

of

We

cannot deny any ; to-day, we must incorporate the residual essence of each into the new human synthesis, a process which is vital

it.

aided for us by the wonderful discoveries of science

and the great blending of peoples. This is Whitman s final and ultimate view of the real nature of modern democracy. **

thy best, ship of Democracy, thy freight; tis not the Present only, Past is also stored in thee.

Sail, sail

Of value

The Thou

is

boldest not the venture of thyself alone, not of

the Western Continent alone,

Earth

s

resume entire floats on thy keel,

steadied by thy spars.

O

ship,

is


WALT WHITMAN.

TOO

the antecedent With thee Time voyages in trust nations sink or swim with thee. With all their ancient struggles, martyrs, heroes, epics, ;

wars, thou bear st the other continents. Theirs, theirs as much as thine, the destination

port

triumphant; Steer then with good strong hand and wary eye, helmsman, thou earnest great companions; Venerable, priestly Asia

And 1

"

royal, feudal

Thou Mother with

Grass, p. 348.

sails this

Europe

sails

day with

with

thy Equal

thee."

O

thee,

1

Brood."

Leaves of


V.-HIS SPIRITUAL CREED. THERE

a certain very valid objection to any attempt It metaphysic out of a poet s song.

is

to construct a

moral ; and there looks like reading a story for its more few have been agencies subtly demoralising than "

the moral

tale.

We

"

should read both stories and

beauty and vitality rather than for cheap platitudes as to the virtues of temper ance or the wickedness of seduction. Yet it is for the sake of their

poems

impossible to take leave of

Whitman without con

fundamental philosophy. For what is sidering after all but a love of wisdom, and where philosophy his

we

man

if not in the poet? Apollo s lute," consists in an insight into the essential substance of things, and almost every line of Whitman is informed with this.

shall

the

find

Philosophy,

wise

"musical

as

is

Whitman does not argue. In the debate on God and the soul, he tells us, he is silent. Logic and sermons never convince," the grass, the stars, the mother with her babe at her breast strike their roots "

down deeper

into the

heart of the infinite mystery

than the demonstrations of the schools. "

And For

I

say to mankind, Be not curious about God, curious about each am not curious about

who am God;

I


WAtT V/HITMAN.

>

J

how much I am at peace God and about death). I heai and behold God in every object^ yet understand not God in the least, Nor do I understand who there can be more wonderful

(No

array of terms can say

about

than myself.

We

are not

3

1

therefore

to

look

elaboration

for

of

argument, which can be left to the theologians, nor even for that subtle reasoning which pervades so of Browning s poetry. We find calm affirma All the great an attitude of powerful faith. words and ideas of the religious consciousness God,

much tion,

the soul,

the immortal

are here

life

divested of

;

and related to the rushing and myriad forms of the world of Nature. The poet, it is true, never had the introspective sense, nor the kind of religious experiences which we associate with St. Paul, St. Augustine, and the author of the De Imitations. He never felt the need of spiritual Bucke, And he regeneration," he told his friend, Dr. in animals the because they do not make rejoices

their ecclesiastical import,

forces

"

"

me

sick

discussing their duty to

went through any

spiritual crisis

;

God."

He

never

he knows neither

the anguish nor the ecstasy of the apostle or the saint. Are we therefore to say with some critics that he lacks soul? It is rather true that he possessed spiritual

health in as

full

It

is

measure as

his nature

the diseased

who

holding. health as an object of desire and Leaves of Grass,

was capable of

are conscious

who

p. 76.

of

supplicate for


HIS SPIRITUAL CREED.

103

Whitman deliverance from the body of this death. no in the of had, Wordsworth, compunction language him. The tearful page of Augustine s was Confessions just as meaningless to him as a treatise on morbid anatomy would be to a healthy child. Such a condition of the soul unquestionably involves in

wrought

away of

the fading life,

but

life itself

"

certain old types of the religious

does not necessarily mean that the religious Wordsworth saw that. has departed.

it

Dear Child

!

dear Girl

!

that walkest with

me

here,

thou appear st untouched by solemn thought, Thy nature is not therefore less divine If

:

Thou

And God

liest in

Abraham s bosom st at

the

the year s inner shrine, all

;

Temple being with thee when we know worshipp

may be admitted, however, plexity of human nature and of It

it

not."

view of the

in

com

the almost impossible

equal growth of every faculty, that, among Whitman s "splendid and savage old men," athletic women

walking in procession through the breed of orators and bards," and beauty,"

some of the more

"

streets, "

brawniest

august masters of

delicate spiritual growths

of the past can scarcely be looked

for.

Those of us

regard as inexpressibly precious these more ethereal manifestations of the religious genius must console ourselves with the thought that they were

who

purchased

at

a great price

a price which average

humanity under modern conditions cannot afford to But there is certainly a danger that in this pay. glorification of the

body we

shall

tend to produce


WALT WHITMAN. merely a race of splendid animals, well-fed, supple, athletic, powerful, but void of reverence and of the spiritual element.

Whitman s writings by and sensuous beauty may be inclined to regard the poet as Pagan. In truth he is no more Pagan than Christian he is modern and inclusive. Were he Pagan he would be reactionary, and therefore impossible as the democratic poet, for the world will never go back to Paganism as, indeed, Those who

are impressed in

this passion for athleticism

;

;

it

never

will

been

"

go

outlived.

back"

to

any

The same

faith or

form that has

classification

has

been

Such seems, Pagan. ; an impression could only be conveyed to those who look upon one side of Goethe, and upon his earlier applied to

Goethe

he

is

also,

The concluding

career.

it

chapter of Eckermann

s

Conversations, giving us Goethe s final opinions, could The sage him not have been written about a Pagan. self said to Lavater,

"

I

am by no means ^?ti -Christian, I am indeed nickt-Chris-

not even wi-Christian, but x

perhaps, on the whole, Whitman s looks outward, not inward, as But he has the the Christian thinkers and saints do.

And

tian."

this

general attitude.

is,

He

reverence for that which thinkers never had.

is

And,

beneath him, which Pagan as Goethe went through

many phases from his crude Wertherism to his final transcendental optimism, so has Whitman very ob viously modified his early conceptions ; discovering a new meaning 1

in pain

and sorrow, and therefore em-

Henry Crabb Robertson

s

Diary, Vol.

I.


HIS SPIRITUAL CREED.

tO$

bracing in his symphonic scale deeper chords than those he had at first struck with such exuberant

This enlargement (as it may be called, was not change) of his nature probably dates from the tragedies he witnessed in the hospitals, and resonance. for

it

from the personal suffering which paralysed his splendid vitality.

and

in

The

note struck in the

"Whispers

of

variance with that of

"

Passage to

India,"

is

not at

Heavenly Starting from

Death,"

"

Paumanok,"

or

Calamus/ but it is another and deeper. There is no greater delusion, by the way, no more fruitful source of error, than the failure to acknowledge that a powerful mind is always growing, and must not be held closely to its first utterance. When we see what of

"

absurd mischief has arisen from the attempt to com press the Pauline writings, aglow with the fire and energy of a strenuous soul, into

a hard system of

we all do now, went through, in a few brief years, a wonderful development of soul which can be traced logical

when we

dogma

perceive, as

that Shakspere

Love s Labour Lost and Romeo and Juliet" to the The Tempest and the Winter s

from the early conceits of the romantic passion of

calm wisdom of

we may

"

"

"

"

"

wisely conclude that a

"

man

of genius has his phases of inner growth, like the rest of us, and that to look for a narrow, definite, consistent body of Tale,"

doctrine in his writings is to look for something that is not there, that was never intended to be there, and that could not, in the very nature of things,

been

there.

ideas running

But Whitman has all

his abiding,

through his writings,

have

permanent and which may


WALT WHITMAN.

IO6 f

be summed up

we note

as his philosophy.

In the

first

place

his perfect, serene optimism, uttered in the

original Leaves of Grass five years before the philo sopher of modern pessimism was laid in his grave at !

The

Frankfort.

intention of

Whitman

to lead to

is

of will-power and fulness of life ; that of Schopenhauer to extinction of will, to quietism and individualism of the most extreme type and ulti

energy

;

mately to extinction of non-conscious being.

will

and

final

absorption into

No judgment will be pro nounced here between these two antagonistic views, though it is to one or the other that modern society will come. But certain reflections suggest themselves grounds for Whitman s ideas. Rousseau, it has well been said, made the poor very proud, because in the average man he saw the as to the

ideal

tion

man.

Out of the

he saw, as "

rights

emergence of the

glorified

He

therefore spoke to man of his a term false if applied to a past historical

resurrection body. "

charnel-vault of social corrup

in vision, the

if used of man as he might and should In our eagerness to repudiate the crude and unhistorical doctrine of natural rights," we have gone

fact,

but true

be.

"

to another

extreme which has led to a feeling of hope

despair as to society, fortified largely by the In doctrines, or supposed doctrines, of Darwinism. less

other words,

ward

we have gone backward

instead of for

Instead our application of evolution to man. of interpreting man in the terms of that which he is in

becoming, we have tried to interpret him in the terms The natural of that from which he has emerged.


HIS SPIRITUAL CREED. result has

1

been a wide-spread pessimism, as must

07 al

ways be the case when we worship the established fact, forgetting that

a fact

novation

is

pause on the

the

salient

is

fluid, that

it is

As Emerson has

petual state of dissolution.

energy

;

in a per "

it,

In

conservatism the

1

But if it is necessary and economic history of man in understand him, still more necessary is it to last movement."

to trace the natural

order to

envisage his spiritual aspirations, to supplement the historic by the prophetic and reforming element. Now,

whatever else reason

may

or

may

in the world, that

is

not be, it is certain that has a reAos which must

it

partake of its own nature ; else why concern ourselves with rational action at all ? Whitman and the opti mists believe, though they cannot scientifically de monstrate, that this reAos is good, that these issues

towards which democratic society is working are not merely momentous but beneficent. Such an attitude of

mind is not one of blind credulity, but of rational Those who have not this faith are deprived, as

faith.

Dante

says, of "

They but

"intellectual good."

Ch hanno perduto

"

il

ben dello

intdletto."

are excellent, unselfish, learned,

are

like

a watch without

it

may be

;

its

mainspring. Their social effort can only be in the nature of a pisaller. They are labouring on an edifice without a they

foundation, which

the whirlwind

1

u

-

Dell Inferno, Canto III.

The

Conservative,"

Vol.

I.,

p.

will

destroy in

a

281 (Eiverside Edition).


WALT WHITMAN.

IO8

moment

s

Of

furious onset.

if

course,

they have a

good and honest

will, they are really impelled by motives than deeper they are aware of ; but if they

on grounds of mere logic, they would not trouble themselves about bettering the lot of men. They would agree with Schopenhauer that social re acted

form was a

mad

delusion,

quietism as every true

and would

logically take to

pessimist does.

such a

In

case, indeed, "

Were it not better done as others use, To sport with Amaryllis in the shade, Or with

the tangles of Neasra

Or one might respond favourably

s

hair

?"

to the invitation

Will one of the Elizabethan dramas, conveyed ? and let the slide world drink, Certainly he you go "

in

"

who

is

not afflicted with the Welt-schmerz can scarcely

occupy himself more agreeably although one would be inclined to take the flagon of sack and Amaryllis ;

too.

If,

that has

he

however, the subject be of a vehement nature in solitude over the miseries of man,

brooded

become aflame with madness and

will

will

be

likely

red ruin and the breaking the world, instead of being the

to plunge into anarchism,

"

up of laws." For if outcome of reason, is a mere handful

fluke,

of crazy revolutionists which the world has evolved ?

why should not a

destroy

Ex

have nothing against them but mere

man

is

bound

Or

society

force,

they

and no

if

the world be the

evil design,

why should not

to respect that.

product of a positively

the

hypothesi,

the purif)ing vengeance of earnest souls devour

it

in


HIS SPIRITUAL CREED. flames

The

?

cally justified

they can only be historically justified

;

in a process, the results of

which

must be inferred from the

hidden, but which nature of man.

are

full

09

actual facts around us cannot be ethi

as necessary stages

The

1

sense of these world-forces working up to

a mighty denouement is as present to the mind of Whit man as was the sense of the contrast between the

woman crowned with the sun and her divine child, and the beast with seven heads to the author of the Apocalypse one of the earliest attempts, by the way, ;

a philosophy of history. The rushing tide will carry the bark of man to the shore of truth, it will at

the journey is not bring him where he desires to be The storms a mere aimless wandering, it has a goal. by the way will fit man to know the real nature of his ;

world. "

Years prophetical

!

the space ahead as I walk, as it, is full of phantoms,

I

vainly try to pierce

Unborn

deeds, things soon to be, project their shapes

around me, This incredible rush and heat,

Your dreams, (I

know

this strange ecstatic fever

O years O years, how they penetrate

of dreams,

!

not whether

I

sleep or

wake

through

The perform d America and Europe grow dim, shadow behind me, The unperform d, more gigantic than

me

!

;)

retiring

in

advance upon

me."

Faith in a rational reAos 1

"

Songs of

ever, advance,

1

Parting."

is

usually

weakened by a

Leaves of G-rass, p. 371.


HO

WALT WHITMAN.

perpetual suggestion of the problem of evil ; not only moral evil, but physical disease and disaster. How

can a world

filled

with crime

and misery be

related to

The question is as old as man, any good purpose ever new. Whitman has no doubt whatsoever on yet ?

this head, no serious qualms of For a misgiving. moment, now and then, he seems to hesitate, but his

scepticism

is

word, we

say that, for

may mode and condition moral

life.

existence

;

summer

evanescent as a

him, disease

cloud.

In a

a necessary sin is of the

is

of the physical, as the price that must be paid for in which case the only question is whether

Either

is

the existence

is worth the price. That, of course, can We put the question only be answered in two ways. by, it is true, trifle with it, ignore it, take to our cakes

and

ale

;

but sooner or

with a force

we cannot

later,

it

resist.

presses

down on

We may

us

either say

boldly that the privilege of viewing the fleeting shows of time is purchased at far too dear a price our

by

ever-recurring bath in the muddy waters of guilt and misery or we may declare that the rational end is so ;

vast

and magnificent

as to completely dwarf the evils to undergo. Many of us are

and hardships we have

so constituted that we can adopt neither of these answers with unhesitating boldness. The personal equation deflects the balance of rational judgment,

and we spend our

man s

reply

is

clear.

lives in

He

paralysing doubt.

feels neither

Whit

remorseful nor

The end in view justifies the self-contemptuous. means. Does a vessel strike on a rock ? All on board are provided

for

by the boundless resources of


HIS SPIRITUAL CREED. the universe, which are directed, in the eternal pro cess and final drift of things, to the preservation of the

Does a man seem

spiritual individual.

to fail

"

under

probably the day true success, or as Browning says, "but a triumph s evidence for the fulness of the days." The discords the heat of this

rush

be

in,

as

"

life s

Failure

?

that

"

Browning continues,

is

harmony should

prized."

This

long

speculates Mr.

drawn-out complex civilisation itself, Edward Carpenter, may be a sort of

prolonged necessary disease, which shall ultimately The lead us to a larger, and fuller, and healthy life. 1 soul

from

plunges

comes conscious

of

mere

and

innocence

purity into the vortex of the world

s strife,

negative

where

nature and personality

its

it :

be

and

then emerges into a positive and rational order, bringing with it the spoils it has won in its combat of life

and death.

Whitman

treats the fact of evil as

and important as any other

being as natural

in the full spirit of

op

timism. "

Roaming that

in is

Thought over the Universe, I saw the little good steadily hastening towards Immorta

lity,

And

the vast All that

merge

There 1

is

itself

is

lost

nothing to be said on

Civilisation

:

Its

Leaves of Grass, p. 216.

I

and

this

Cause and Cure.

schein, 1890.) 3

called Evil

and become

saw hastening dead."

to

2

world-old problem

(London

:

Sonnen-


-

WALT WHITMAN.

12

evil but what has been said many times before. But Whitman s view seems to be identical with that

of

and may thus be

of ethical idealism,

stated

:

Con

ceiving the universe not as a fixed thing but as a fluid

movement, and as affording subject-matter for man work on, we may think of it as being (so to speak) the outset entirely

and

positively good, or entirely

to at

and

positively evil, as a dual realm after the Persian and Manichsean conceptions, or as actually indifferent with

we are to view the world as we must conclude that work absolutely, actually nor shall we easily dis for its redemption is idle folly cover how it is that any one of us ever dreamed at all If

infinite potentialities.

evil,

;

The gradual cessation of willof a good world. can alone release a suffering race who, never

activity

theless, as

part of an

evil

order, have

no ground of

There is, therefore, complaint against that order. Neither is here no sphere for positive moral action. there

on the second hypothesis, when the world

is

conceived as positively and entirely good at the start. That necessarily means absence of action and re

How

action, for effort implies resistance.

perfection at the outset ? fection, to

make

real

Our

action

and manifest

that

This view, therefore, gives us no merely a

"

is

act

if

all is

to create per

which

human

is latent.

world, but

celestial lubber-land."

John Stuart Mill expressed

his

surprise that

the

Manichsean theory had not been revived in our time. But dualism satisfies no mind. It neither gives a clue to any intellectual problem, nor does it afford moral inspiration.

For, on this theory,

who can

tell

that


HIS SPIRITUAL CREED. our moral action

will

113

be other than the merest forlorn

For the forces of the universe cannot be

relied hope on to support the effort of man, nor can man himself be relied on as a moral power. We are discovering too that what we call evil is a perverted good, that the ?

underlying substance is one, and that the supposed Lust is antagonism of a positive force is illusory. destroyed, not by atrophy of a vital power, but by the force of love. And an entire new penology is arising

on the basis of the healing and restorative theory of punishment.

We is

turn, therefore, to the fourth hypothesis,

that of

Whitman

himself.

We

which

see here the function

served by evil, as that which affords the necessary condition of man s spiritual energy. Until reason

passed into manifested action the nature of the world was indifferent, but capable of good potentially. The manifestation of reason in

man

the gulf between our natural between what we are and what

is

thus the opening of

and our spiritual self, we know we ought to

That gulf must be closed by

be.

above

all

by

neither in a that kind of

human

spiritual action,

Our poet therefore believes pessimism which damps all effort, nor in love.

optimism which renders

effort superfluous. not for him a great prison-house for the captives of the devil, nor will it ever be converted into a glorified Fourieresque millennium. It is and must

The world

is

be, so far as

we

human

are concerned, a sphere for

action, the condition of evil being essential to effort, but the eternal sacred influence ultimately all.

The

enfolding notion of the perpetual pull-devil pu l-baker ]

H


WALT WHITMAN.

114

Whitman could never understand.

theory of dualism "

and

Silent

he

amazed,"

tells

us,

he heard even as a

boy the preacher depicting God as contending The divine soul against some being or influence." "

little

includes

all

there

;

no

is

in

evil

the

the old

city, as

This concep Bible says, but the Lord hath done it. a man Faust," where tion, identical with that of "

cannot

strive without erring, is set forth in the mystic

Chanting the Square

"

Deific,"

in

which the

"

spirit

a plotter and wily drudge, to gether with the Father, Son, and Holy Spirit, are taken as representing the full and completed being of the

that

defiant,

denies,"

world

the divine square. is thus as firm a believer in religion as he a rejector of asceticism, and advocate of the body s

Whitman is

claims.

He

finds

no

conflict

between these hitherto

conflicting ideas, for the world

is

one,

all

forms of

The old energy are combined in one vast synthesis. dualism, which doubtless had its historical justification, sundered the natural world from thought and con ceived of a distinct entity called God waking up (as in the Greek mythology) from a past eternity of idleness,

another entity called matter, and fashioning But for the modern man the con things out of it. Both are flict between spirit and matter has ceased.

facing

of one stupendous whole;" and only through matter can we rise to the consciousness of The divine power ever manifests itself spiritual life.

indeed

"parts

in Nature, finds

its

own being

reflected back in the

world, and mounting through the spires of form in the developed reason of man. emerges "

"

it


HIS SPIRITUAL CREED. "

Was somebody

asking to see the soul

115

?

See your own shape and countenance, persons, sub stances, beasts, the trees, the running rivers, the

rocks and sands. All hold spiritual joys

and afterwards loosen

them."

1

As indicating that Whitman is fully in the current modern thought it is interesting to note Browning s Rabbi Ben Ezra." agreement, as, e.g., in of

"

Creation therefore ever renews

is

perpetual, the world-process

the very earth-stuff itself is informed with universal, i.e., divine energy. There are not itself,

two worlds, one of which we can know, while the other is unknowable; "the whole fact," as Emerson "

is

said,

here."

Heaven and

hell are

not arbitrary

externally reared by despotic power they in here in the mind, are essential, eternal facts of con

states,

:

scious being

suoprofondo vidi die s interna, Legato con amove in un volume,

"Nel

Cio che per Vuniverso

si

squaderna.

2

A striking epigram of Goethe s is quoted in Henry Crabb Robinson s Diary there is not a God now, In the light of modern philo there will be one day." :

"If

sophic ideas the old notion of a great artificer," painfully elaborated in the dreary mechanical school "

of Paley (whose platitudes are 1 -

Starting from Panmanok." Paradiso. Canto XXXIII. "

still

thought by the

Leaves of Grass,

p. 25.


WALT WHITMAN.

Il6

University of Cambridge to be an essential part of the education of a young gentleman), who makes things ns

a

workman makes them,

And any

such notion

equally so

is

is

is no longer tenable. But death to poetry and art.

the old superficial atheism, a mere empty

negation, scorned of the head and heart

alike.

A

greater idea pervades the poetry of both Shelley and Wordsworth, of Tennyson and Browning ; an idea vital,

dynamic,

in the world,

The

infinite.

divine realises

and when the human race

aims

its

collectively

perceive this, a universal human religion will arise, and the prediction of Goethe will be fulfilled. But and this can only come about through human action ;

here

is

where Whitman

religion

gold between view is not merely

rivets a link of

and democracy.

The

Evolution is speculative ; it has its practical side. which works not an external entity independent of our volition.

We are

not only factors in the world-process,

For God recog but the supremely necessary factors. sees a re as the mother in even himself nises man, flection of her being in the child she has just

brought

Thus we cannot look on with pain into the world. in selfish isolation, the penalty attached to which is

Man

the death of intellect and virtue.

works

for the

conversion of the world into a Kosmos, an ordered This is the rationale of progress. This pro whole. as the identification of the gress may be considered individual with the larger self, so that no man shall

desire either to have or to

may

not have or become.

be anything that his fellows This is the principle on

which Whitman bases democracy

:


HIS SPIRITUAL CREED. "

117

speak the pass-word primeval, I give the sign of democracy, By God I will accept nothing which all cannot have their counterpart of on the same terms.

I

!

5

When

permeates the nature it generates a brotherhood very different from that con

this idea

feeling of

descending pity which a benevolent peer might enter for a starving needle-woman. It is democratic

tain

sympathy, born of the conviction of spiritual solidarity, of the belief that no one can develop his spiritual life apart, but

we

that

are

all

necessary to one another.

may be doubted whether a single human being on this planet at this moment feels this truth through and But to Whitman it is fundamental. He through. It

always comes at that individual

by himself

;

the individual, no doubt.

last to

But

a mere undifferentiated potentiality

is

his spiritual life

is

only possible through

his interaction with the social whole.

What power this conviction gives to a man We need not wonder at the stories of Whitman s love for !

even the most degraded, life

for the

wounded

at his

pouring out his very War. I will

walk with delinquents with passionate "

clares.

I feel

not deny them

I

am

for

*

soldiers in the

of them,

how can

he de

love,"

and henceforth

I will

"

I

deny myself? And, Not addressing an outcast woman, he exclaims till the sun excludes you do I exclude you not till "

:

;

the waters refuse to glisten for you rustle

for

rustle for

you, you,"

do

my

and the leaves

to

words refuse to glisten and


WALT WHITMAN.

Il8

In some lines entitled

x

when brooding Whitman hints the

"Thought,"

over the fate of a foundered vessel, sceptical question "

Are Is

souls drown d and destroy d so only matter triumphant ?

?

"

But it is a passing hint merely ; the whole drift of his ideas tending towards the immortal life of every in dividual. This is a necessary part of the rational TeAo5

;

more

and there

clearly

The

thought.

opponent of the idea of arguments break down before For there is in Whitman s mind no

his

s faith.

"

faintest trace of

there

is

a

is

ordinary

immortality finds

Whitman

no point on which Whitman

is

sundered from certain modern schools of

"

belief

other-worldliness

the

in

vulgar,

any more than

theological

com

The im of rewards and punishments. mortality of the individual is to him a part of the and he believes it great order demanded by reason

mercialism

;

because he trusts

in

reason.

gestions of Nature as

truly

It is

as

born of the sug He mind.

of the

this globe enough till at night on the prairies there sprang cut so noiseless around me myriads of labial gossip other globes ; and in like manner the

thought "

"

"

of night, sibilant

chorals,"

whisper delicately of the

individual emerging from the wreck of his fleshly dwelling, eluding the grasp of the destroyer and proceeding through the (C superb vistas of death spiritual

"

to

"

an ampler ether, a diviner i

Leaves of Grass,

air."

p. 345.


HIS SPIRITUAL CREED.

You not

convince,"

for

"

but you shall find suggestions of the

man s

vast scale on which

being

is

laid out, dwarfing

your old conceptions.

all

"

arguments addressed to the logic and sermons do

shall not look for

analytic understanding,

119

And

have dream d that the purpose and essence of

I

the

known

the transient,

life,

form and decide identity for the unknown permanent. If all came but to ashes of dung, If maggots and rats ended us, then Alarum

Is to

life,

the

for

we

!

are betray d,

Then indeed

Do

suspicion of death.

you suspect death? should die

Do *

now

if I

were to suspect death

I

;

you think I could walk pleasantly and well-suited toward annihilation ?

Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.

"

I

swear

I

think there

is

nothing but immortality

!

That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it And all preparation is for it and identity is for it and L life and materials are altogether for it !

"

!

Several schools of

modern

thinkers, or, at least, of

who

think they are thinkers, have decided to put immortality on one side, either as a matter of no

those

1

"

To Think

of

Time."

Leaves of Grass, p. 337.


WALT WHITMAN.

120

dogma which they deny. To pretend a matter of no interest to us whether death

interest or as a

that

it is

ends everything for us is a piece of utter cant, the make-believe and sham. It is a matter of

veriest

infinite moment to every human being whether he himself shall escape death or whether it shall destroy him with his present body ; momentous to him now

and

Society has for ages been affected by a true life is not summed up in the

here.

belief that the

material

of the body

forces

;

and

that belief

if

is

finally abandoned, incalculable will be the effect on

men.

For

at present, so

complex and

transitional

is

civilisation, we cannot be said to have either definitely abandoned or definitely adopted one or the other view. That the belief has been held in a solution of miracle and unverifiable legend is not to

our

the point

Some after-life

:

the faith itself remains intact.

writers appear to think that a faith

connotes a lack of interest

Whitman would

in

in

the

this world.

it might as well be con to-morrow will produce lack

reply that

tended that a belief

in

lustre slackness to-day.

Is

it

not rather, on the other

we feel the keenest interest in the life of when we look forward with buoyant confidence to-day, to another morn of radiant sunshine, another day crowded with happy activities? A dull, benumbing hand, that

despair of to-morrow kills our joy in to-day. One world at a time," said Thoreau on his death "

bed.

Certainly

;

in another world, real to those

but the very words involved belief

which would be most

who had

lived

fully alive

most deeply

in this.

and It


HIS SPIRITUAL CREED. is

121

and miserable creed utilitarian in and narrowest sense of saving one s in

the unfortunate

the worst

dividual soul from a hell prepared by an angry judge which has so discredited any faith in a beyond as to

make really

impossible for some persons to disconnect

it

other-worldliness." But there is no connection whatever between the two. In

such a

faith with

"

thought of Whitman the future life grows as And naturally from this as the flower from the seed.

the

must be well-conditioned if the flower is beauty to the air and sun, so must this life be well-ordered if it is to branch out beyond in the wonder and majesty of immortal strength. as the seed

to unfold

Then

its

there are those who, because of the mercantile

theology of a system of rewards for being good and

punishments

for

being bad,

reject

selfish.

Let

immortality as

being a great truth

the it

desire

for

be said that

underlying the doctrine of rewards and punishments. Nobility is made more noble by its own efforts, while the selfish nature there

is

and

loses its perfume. That is a be tested by anyone. And if the law holds good here, it holds good hereafter, for

inevitably contracts

fact of observation, to

Now is it selfish the real spiritual being is identical. to desire expansion of character, to seek for ever wider spheres of spiritual influence ? On the contrary is the reverse of selfishness, it is the sure test of a

this

And if it great nature. it become the reverse

is ?

so now, at what point does At the point of a mere

physical fact such as death ? Why not then at the a of fact like There is no more point physical sleep ?


WALT WHITMAN.

122

selfishness involved in life

more

useful

Give

us, as

s

desire for a fuller, nobler

to-morrow

life

after the sleep of to-night.

Tennyson exclaims,

on and not

We

one

death than in the desire for a better and

after

to

(k

the reward of going

die."

have seen

that,

in

Whitman

s

thought,

the

world must have a rational reAos, in the absence of which he thinks spiritual effort to be futile. This reAos, says a certain school of thought,

with a large

H

;

Humanity

is

not individual spiritual beings, but an

mankind, past, present, and to For that we are to work. Well, to begin we cannot work for past mankind, for it has no

abstract conception

come. with,

We

are to work, objective existence on this theory. for the present and the future of mankind.

then,

Very good

;

everyone agrees

to this,

from the devoted

who

has well-nigh forgotten his very enthusiasm for the cause to the

fanatical Nihilist

personality in

"

"

equally fanatical revivalist who yearns to save his fellow-men from some awful impending doom. But Is it a passing the question arises, what is mankind ? phenomenon destined to perish like the world itself?

On the plane of mere physical science there can be but one reply to this question. "The great globe itself,

yea, all

certain.

which

it

inherit, shall dissolve

The latest scientific The doctrine of "

pressed

:

conclusion the

"

:

is

that

is

thus ex

Dissipation

of

upon us the conclusion that within a finite period of time past the earth must have been, and within a finite period of time to come must again Energy

forces

be, unfit for the habitation of

man

as at present con-


HIS SPIRITUAL CREED.

have been, and are to be, under the laws

stituted, unless operations

which are

performed

known

governing the

the material

in

123

impossible

operations going on at present

world."

We may

1

in

imagination

stretch the future of the planet as far as

but

it

The

planet at

time,

and

we

please,

must come to an end. the utmost exhibits mere duration of

makes no

difference

;

all

that duration will not endure forever.

If,

therefore, the destruction of the planet as a place of

human abode carries with it the destruction of the human race, then all our effort, our tears, our love, our aspiration, our thoughts that wander through our "agony and bloody sweat," our neve:eternity," "

ceasing fight for truth and justice, all go for nothing. The stream of human progress ever widening and

deepening

up

in the procession of the ages, finally dries

in the arid wastes of time,

and

is

as

though

it

had

To work

then for a limited humanity bounded by space and time is to work for a perishing That is the fact which we must face. world.

never been.

Against this the mere sentimentalism which entwines with our past recollections, our hopes and fears, The question our personal affections, is of no avail. itself

for us

is

demands

whether such a decaying world of reason.

approached,

much

The matter less

merely personal ground. enough of the load of 1

Lord Kelvin

(Sir

Review, March, 1892.

seriously

is

argued, on

Many among life

satisfies

the

not to be even

any

us are weary

and would gladly

lay

it

William Thomson) in Fortnightly


WALT WHITMAN.

124

down without delay. We sympathise with the feeling when he saw those epitaphs at Ferrara

of Byron

:

"Martini

Lucrezia Picini

Luiyi implora pace. implora eterna quieta." We may be the victims of some remote melancholy mysteriously entailed on us, or we may have been foiled in the attainment of our desires or

.

wounded

in the

may be the subjects blighted

love or

desire nothing

a

more

of

.

.

house of our friends; we disease

or

shattered mind.

misfortune or

And we may

for ourselves than to creep into

some dark corner out of the sight of the pitiless sun, and there sink into oblivion. But the problem is not to be solved on the lines of personal desire, but of a and can we say that such an end is rational end consistent with the effacement of mankind from the ;

vast field of being is

?

Whitman

at least thinks that

it

not.

Humanity may survive, think some, but individuals must perish. Humanity is an abstraction there is no humanity apart from individuals. People are ;

perpetually thinking of some ultimate residual essence into which all the forces that have streamed from the countless myriads of the world s individuals shall be But there never will be any such gathered up. essence.

Science shows us that mankind cannot

live

permanently on this planet. Not only so, but the dreams of pretty Utopias of perfect individuals will never be realised here, for the simple reason (if there were no other) that, after the culmination of the s physical conditions as a place of human abode has been reached, decline must set in, owing to the

earth


HIS SPIRITUAL CREED.

125

gradual diminution in the stores of solar light and heat, rendering our planet less and less inhabitable, until it is finally encircled by the icy coldness of death. What, too, is reason to say as to the sacrifice of millions of generations to produce this residual

bound to disappear as soon as reached? Reason demands that every conscious being, while

essence, itself

subserving universal ends, shall also be an end in himself, and thus condemns in toto the undiluted altruism of the positivist school. But what if the residual essence

summum

be

the ground of positivism

pantheism.

Are our

God, the

Here we leave

bonum, the perfect being?

and reach

efforts,

that of impersonal our failures, and sorrows,

and

hopes, all our spiritual animation, ultimately destined to build up, not ourselves, but the being of

an impersonal Deity?

We cannot

say,

be

it

observed,

we are part, and ex hypothesi we are excluded. Thus once more we if we reject the doctrine are brought back apparently that we are ends as well as means to ihe old dual of a world-order

;

for of that order

We

ism, to a Deity separated from the world order. have in the last analysis no place in the latter ; we exist merely to subserve the ends of the former, to

enable the Divine Being to realise his own life more From our anguish he (or it?) derives the palpi fully. tating luxury of a fresh experience ; our joys, all unreal to us, the merest gossamer film, work selves as

substantial realities into his nature.

singular indeed to note

how

close

is

this

them It is

impersonal pantheism to the most inhuman Calvinistic specula-


WALT WHITMAN.

126

men to God one to a jealous, who foreordains according to his

Both

tion.

sacrifice

;

revengeful tyrant, own caprice ; the other to a vast, formless being. In either case unhappy man remains the helpless victim of an external power.

Whitman "

s

question

Sharp as a

shot

rifle

we hear

:

What do you suppose Creation is ? What do you suppose will satisfy

the soul, except to

walk free and own no superior ? What do you suppose I would intimate to you in a hundred ways, but that man or woman is as good as

And

God

?

that there self?"

is

no God any more divine than your

1

Some who would assertion that

God

to help

own

we

all

perhaps, from the bare endure, and suffer, in order

shrink, live,

develop his own being or to

to

satisfy his

pleasure, talk vaguely about our living for

"

the

the good triumph we need not trouble about our own individual spirits.

and contend

good,"

Thus

that

if

in a recent very fervid

noble purpose

we read

"

"

and eloquent work of this on

that our efforts here

bank and shoal of time

"

are

"

directed towards the

building up of a world-city in which a world-purpose is to be consummated. And then the writer continues :

Do we

we know in some other state of existence the good we have done in this shall we meet those for whom we have done, and recognise those whom we love ? I know not "

survive with this

good

;

shall

;

;

1

"

Laws

for

Creations."

Leaves of Grass^

p. 299.


HIS SPIRITUAL CREED. and

1

27

hold it to be at the best a curious question, one deeply touching these clinging affections

I

albeit

make up so much of the sweetness of human The ends of moral perfection are not for our life. * personal satisfaction, but we for them." that

Now, what is this whether we do or not

which

"good"

Who

?

is

can, after

survive

to

due

reflec

tion, even remotely apprehend the meaning of such an idea ? It might be supposed from this that the "

"

was a

kind of huge mountain, good which we were all piling up, stone by stone, an arti ficial lake, which we were making with ceaseless sort of entity, a

But there

contributions from individual buckets.

no such about

It is

thing.

"

deeds"

whereas the

as

is

the agnostic delusion of talking

something of a deed

final issue

final is

its

in

themselves,

reaction on the

It is not the deed that is and the individual fixed, transitory; it is the individual who is rooted in the scheme of things, and the deed which is evanescent. There is no pile, or entity, or

character of the individual.

particular substance

the

which

is

"the

good,"

What we know

or

of good and evil If the will does not survive, then

"

evil

either. will.

"the

is "

in

the

"

good does not survive, or it survives as inherent in God, whose nature on that hypothesis we have helped to

form

at the

which aims

expense of our own

selves.

at the extinction of will, is

But

an

Pessimism, intelligible

"

theory of a good surviving, while the will in which alone the good can be realised is creed.

"

this

"

Ethical Religion,

by

W. M.

"

Salter.

(Boston, 1889.)


WALT WHITMAN.

128

destroyed, is absolutely unintelligible, unless it applies to a God who lives through our death in which case it

becomes

grossly immoral.

How

is

it

possible to

base a theory of progress on an illusion or an injustice ? Whitman rejects both for the doctrine of the eternity of the individual soul :

"

You

are not thrown to the winds; you gather certainly

and

There

around yourself; yourself! yourself for ever

safely

Yourself

!

is

no

possibility of coping with

most perhaps do,

the scale on either side. for a time, or

we may

to

"

*

!

Whitman on

We may of course

other than a ground of pessimism. refuse, as

and ever

throw our weight into ignore the matter

We may

to the last maintain

an attitude

of doubt, honestly unable to come to any conclusion on this, the most momentous of issues. But no ag meliorism," no positivist phrase about "subjective immortality," will deceive mongering and determined soul. Some persons angrily any eager

nostic doctrine of

"

exclaim against Dante for consigning Epicurus to hell because he taught that the soul dies with the body.

Such persons do not understand

that

arbitrarily consign anyone to either

Dante does not

hell,

purgatory, or

He

Each is in simply finds them there. one or the other state because he is such or such a paradise.

person.

The man who

denies his

own spiritual

nature,

Dante would say, is in hell, and could not be any where else. The whole question resolves itself into 1

Leaves of Grans, p. 335*


HIS SPIRITUAL CREED.

On

I2Q

our being constructed ? The growing, expanding religious consciousness of the world has found in man an incarnation of the divine, this

:

what scale

and the object of

is

his

partaker of the divine that, if

we

positively

being

it,

"

might be a

we do not believe then we are at issue with

nature."

deny

that he

is

If

the religious consciousness, and must accept the pes

We

simist position. fall

shall not, in that event,

into a vulgar materialism, for

tion to-day

is

tenable for one instant.

means assume "

something

no

We

that death ends all with us

after

death

pessimistic hypothesis,

"

it

is

true,

materialist posi

may become

;

shall

by no

indeed, the

for

us,

on a

a very terrible apprehension.

We can only escape from an inherently evil world by cessation of activity, by all suppression of desire, and it

may

shall

take

many

But we

aeons to reach that goal.

have certainly abandoned the belief in a rational

We shall end, in which, as rational beings, we share. not as pessimists sacrifice ourselves on the altar of a jealous God, or contribute of our substance to build up the nature of a being whose delight involves our We shall pain, whose life necessitates our death.

simply consume to nothingness temple of the Universal Silence.

in

the vast echoless

strife, and phantoms of unknown forms looming up before us and filling our minds with appre hension, while we perceive the outlines of the past being more and more obliterated every day, there will

For many of

with

the

dim,

us.

children of this age of

veiled

be nothing but perpetual scepticism, leading to paraly sis of the will, and to the frittering of our energies on i


WALT WHITMAN.

I3O

the tasks which do not involve for their accomplish

supremely great and undying purpose. The to be feared, lead lives of mechanical

ment

a

many

will, it is

drudgery, toiling hard for the bread that perisheth, for a long while yet to come. But every change for the better

in

the condition of labour, affording greater

and enjoyment, will have an effect the reverse of that which materialistic atheism vainly imagines. As the world becomes more enjoyable, men will be more loath leave the warm precincts of the cheer ful day;" as life becomes sweeter it will be more leisure

"to

And then it will be for the masses a highly valued. For if they question of pessimism or a new religion. are convinced that there

is

no ultimate good

in

which

they share, no rational end in which they are partakers, but that the Kingdom of Heaven is, after all, really

nothing but

"meat

and

drink,

we may be

sure that

not be of the dilettante kind toyed with by some literary persons, but a most serious, practical matter, with tragic consequences more mo

their

pessimism

will

What this world than any yet recorded. be said to these swarming millions of earnest toilers about the themes they will discuss in a new

mentous to is

to

more vital fashion than conventional The question cannot be argued knows? religionism Whitman s final answer, however, can be given; here. it is the swan-song of the good gray poet," and may and

infinitely

"

serve as the requiem music for his departed soul. is

entitled

:

It


HIS SPIRITUAL CREED.

DEATH S VALLEY.

131

1

Nay, do not dream, designer dark, hast pourtrayed or hit thy theme entire I, hoverer of late by this dark valley, by its confines, having glimpses of it,

Thou

:

Here enter

lists

with thee, claiming

my

make

right to

a symbol too.

For

have seen many wounded soldiers die have seen their lives pass

I

After dread suffering with smiles

off

;

And

I

have watched the death-hours of the old

seen the infant die

:

and

;

The

rich, with all his

And And

then the poor, in meagreness and poverty I myself for long, O Death, have breathed

nurses and his doctors

;

;

my

every breath Amid the nearness and the silent thought of thee.

And out of these and thee I make a scene, a song, brief (not Nor gloom Xor

s

fear of thee,

ravines, nor bleak, nor dark

for

I

do not

fear thee, celebrate the struggle, or contortion, or hard-tied

knot),

Of the broad blessed light and perfect air, with meadows, rippling tides, and trees and flowers and grass,

And

hum of living breeze and in the midst beautiful eternal right hand,

the low

God

s

Harper* Monthly Magazine,

April, 1892.


WALT WHITMAN.

132

Thee, holiest minister of Heaven guide at

thee, envoy, usherer,

last of all,

Rich, florid, loosener of the stricture-knot call d

Sweet, peaceful, welcome

Death."

THE END.

Printed by Cowan

<&

Co.,

Limited, Perth.

life,








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