DISHANT .P. VYAS ARCHITECTURE PORTFOLIO
RHINO 6
AB OU T ME
SK IL L S
HI, My name is Dishant vyas the journey of architecture begins from my school time with observatation .From non architectural background i self channelised my knolowdge towards art and architecture. Architecture is more than a design profession,where it deales with 120 billion (india)real estate sector architects create future ,In the business of real estate architecture work as a catalayst . Architecture is a profession where it has a responsibility to shape the future with innovating the history
LAZER CUTTING PHYSICAL MODEL MAKING
AC ADEMIC EXPERIENC ES 2015-UDAAN FEST VOLUNTERING POL DOCUMENTATION
C ON TACT
DISHANT .P. VYAS +91-9769011557, 022-26238521 vyasdishant007@gmail.com 54/A-3 bhawanji mauji bldg, J.P. road Andheri west, Mumbai -400058
ENGLISH
MARWARI
GUJARATI
2015-UPGRAD GOVERMENT STARTUP POGRAM CERTIFICATES 2016-AICA AWARDS VASHI
VOLUNTERING,PANNELING
Dishant v yas
PRESENTATION
PART OF CORE INSTALLATION AND MANAGING TEAM
2018- WORKING ON AR TECHONOLOGY FUTURE ARCHI2016-ARGHYA BORIVALI DESIGN TECTURE INDUSTRY TEAM MEMBER FAIR VOLUNTERING FAIR ORCHHA DOCUMENTATION MITAWALI MODEL MAKING TEAM HEAD
2017- ADITYA MOCK STOCK TOP 10 IN ADITYA COLLEGE MOCK STOCK EXCHANGE COMPETETION
VRAY 2.3
PHOTOSHOP
HAND-RENDERING
2018- SUTHAR HOUSE RAJ.
LEADERSHIP/BUSINESS
DESIGN
-LANDSCAPE DESIGN DESIGN , RENDER
Q UA L IF IC ATION
AUTOCAD 2016 REVIT 2017 SKETCHUP 2016 RHINO 6.0
LUMION 8.0
PROBLEM SOLVING
IDEA DEVELOPMENT IDEA EXECUTOR
D ishant v yas c l i c k t h e l i n k b el ow
MICROSOFT OS
SCHOOL WITHOUT CLASSROOM
S O CIAL YOUTUBE CHANNEL
ANALYTICAL THINKING
2017- ARCHASM COMPETETION
SOFT WARE SKILL dishantv97 3dverbs
3D PRINTING
2016-VOLUNTERING IDC(INTERNATIONAL DESIGN COMPETITION
INDESIGN
2018
-THIRD YEAR ARCHITECTURE
2018
-HIGHER SECONDARY CERTIFICATE
2018
-SECONDARY SCHOOL CERTIFICATE
ADITYA COLLEGE OF ARCHITECTURE BHAVANS COLLEGE SCIENCE M.V.M HIGH SCHOOL
HOBBIE S/ IN TE RE ST
https://www.instagram.com/3dverbs/ https://www.youtube.com/channel/UChrzQLAJHJZORD_2BtQRJ-A
FLOW DESIGN
ECOTECT
SKETCHING READING
Chess
MUSICS
MOVIES START-UP POLITICS
M SE
6
R TE S E
TARA’S HOUSE
5
M SE
M SE
4
ER T ES
D
N O I AT T EN M U OC
2
RK O LW
NA O S
R PE SC I M
CONTENT
M SE
R
TE S E
RHINO
7
R
TE S E
s
1
MASS HOUSING PROJECT INCREMENTAL HOUSING
HIERARCHY
GRID
CONNECTIVITY
LOCATION:- NASHIK MAHARASHTRA AREA:BRIEF:-
20 ACER NASHIK IS THIRD LARGEST CITY IN MAHARASHTRA AFTER MUMBAI AND PUNE SITE CONNECTS WITH THE CITY HIGH WAY GROWTH IN INDUSTRIES BOUGHT MAJOR GROWTH IN POPULATION WHICH RESULT IN EXPANSION OF CITY CITY HAS VARRING LAYER SUCH AS HERITAGE , INDUSTRIES ETC. THE DESIGN INTEND FOR TH STUDIO IS TO CAPTURE SUCH LAYERWITH RESPECT TO SET MAPING PARAMETERS . STUDIO WILL INCLUDE STUDY OF TH COMMUNITY ,SOCIAL ANDECONOMICAL SETTINGOF THE CITY WHILE LOOKING AT SITE
REVIT + LUMION + INDESIGN
VISSION STATMENT
•
-CREATING HABITAL SPACE ,FORMATION IN SUCHA A WAY -WHICH BELONGS TO THEM,THE ARCHITECTURE DEPICT THEIR CULTURE -IREGULLAR FORMATION ON GRID BASED -THE APPROCH TO TH HOUSING TYPOLOGY IN TERMS OF INCREMENTALITY FOLLOWING IT PURALISM IN NATURE OF FORMATION AND CASTE OR LOCATION
•
CONTEXT
SITE INFERENCE
GOATHANS:-1.OLD HOUSE PITCHED ROOF 2.NEW HOUSE FLAT ROOF NARROW LANES RENT ROOMS FOR EARNING TEMPLE JUNCTION(FESTIVAL WITHIN COMPLEX)RANDOM ARRANGEMENT
TYPOLOGY
PROBLEMS
•
•
GROUND FLOOR PLAN
MARKET BEING THE MOST CULTURAL SPOT IN GAOTHAN WHICH IS REPLICATED IN NEW SITE. TWO MARKET SPOT WHICH CONNECTS WITH 15M WIDE CULTURAL STREET WHICH CONNECTS EWS ,LIG ,MIG,HIG CULTURE ,FESTIVAL BREAK THE BARRIER OF ECONOMIC IMBALANCE
HOUSE HOUSE + SHOP HOUSE + RENT FLAT SHOP STAIRCASE OUTSIDE HOUSE
1.PARKING OF RANDOM BIKE ON NARROW LANE 2.LESS STORAGE SPACE 3.MIGRATE IF BUSINESS SCOPE IS THERE 4.MIGRATION HAPPEN IF SAME CULTURE ABOPE BY NEW HOUSING PATTERN
TO UNDERSTAND THE CURRENT GAOTHANS NEARBY AREAS LINK SOCIOLOGICAL CONCEPT INTO TOWN PLANNING(MASS HOUSING) 3 FACTOR MAKE SUCESSFUL MIGRATION WITHIN EWS AND LIG WHICH ARE SOCIAL ,PHYSICAL,ECONOMICAL USING NEIGHBORHOOD PLANNING PRINCIPLESTHE WHOLE SITE IS DIVIDED INTO GRID AND EACH BLOCK IS USED AS SMALL UNIT
CLIMATEOLOGY
•
ZOONING+ MASSING
PLACE
(GEOGRAPHY)
A:- COMMERCIAL WORK PLACE a1 :-SHOPS a2:- SHOPS a3:-R.G. BLOCK A FOLK PLACE B:-INCREMENTAL HOUSE b2,b3,b4:- HOUSE b1:- R.G. BLOCK B HIERARCHY C:- INCREMENTAL HOUSING c3,c4,c1:- HOUSE c2:- R.G. BLOCK C D:-d1,d2 - COMMERCIAL d3:- MIG APPARTMENT +R.G E :-CENTER PART e3-school +market e2-MIG APPARTMENT e1,e4- MIG INCREMENTAL HOUSE F EWS & LIG CLUSTER SETTELMENT H,G,1:- HIG VILLA,APPARTMENT + LANDSCAPE
PLACE WORK
PLACE FOLK
WORK
WORK FOLK
(ECONOMIC)
WORK FOLK
FOLK
(ANTHROPOLOGY)
OF OPEN SPACE
KEYWORDS
PURALISM GRID BASE ECONOMY BASED PLANING CULTURAL INTEGRATION (PRACTICAL APPROCH)
SKETCHUP +PHOTOSHOP +FLOWDESIGN +INDESIGN
REVIT +LUMIN8.0 + PHOTOSHOP + INDESIGN + PHOTOSHOP
REVIT + PHOTOSHOP + AUTOCAD + INDESIGN
2
COMMUNIT Y CENTER
Enriching and Empowering
GATHERING SPACE
ORGANIC PLANNING THERMAL INSULATION
LOCATION:- MANDVI GUJARAT (KUTCH) AREA:BRIEF:-
22000 SQM The climate responsive approach as necessity in the limited resources in the region. The appropriate approach to enable artisan to be significantly involved in both design and craft. Aim:To give an appropriate built platform to explore the ex-
isting art form and Boat building ofMandvi for the socio-economic upliftment of the community.
To preserve, promote and disseminate arts of Mandvi and the region. To create awareness about handicrafts and boat building of Mandvi. To enable the local community to explore and innovate to connect and reach out to
VISSION STATMENT -TO PROVIDING A PLATFORM FOR TH ARTISANS TO COMMUNICATE AND GROW TO GETHER -DESIGNE ACT AS AA CATALYST IN THE PROCESS OF EVOLUTION TO THE WAY OF DESIGN OR INNOVATION -DESIGNE IN SUCH A WAY THAT IT EMPOWER THE WHOLE CITY TO CREATE A COMPLEX WHICH JUSTIFY TO ALL THE ART AND ARTISANS -ART AND ARTISANS BECOME THE STRONG ROOT OF THE CULTURE OF BHUJ ,TO CREATE A CENTER HICH MOTIVTES THE ARTISANS -CREATE A PLATFORM WHICH HELP IN ECONOMY OF THE CITY
CONTEXT
ARCHITECTURE AS SYSTEM TO INNOVATE • • 1. 2. 3. 4. 5.
THE DESIGNE INTENT TO CREATE SYSTEM CYCLE WHICH WORK FOR ITSELF SYSTEM OF WATER CYCLE WHICH KEEP STRUCTUR COOL FROM THREE FACES TOP,SOUTH ACING FACADE ,BOTTOM WHERE ROOF IS GREEN ROOF RAIN WATER COLLECTS FROM THERE TAKEN DOWN FROM SOUTH FACING FACADE WHICHING IS SCREEN WITH WATTEL AND DAUB PANNEL TO PREVENT EVAPARATION WHICH FUTHER FLOWS DOWN TO CHANNEL THROUGH OUT THE STRUCTURE WHICH IS UNDER BERM CONSSTRUCTION TO UGT COLLECTING WATER THEN IT IS PUMP OUT AGAIN TO ROOF OF STRUCTURE SO THE CYCLE CONTUNITUITY SOLAR PANNEL GENERATES SUFFICIES ENERGY TO PUMP WATER
THE CONCEPT REVOLVES AROUND THE CIRCULATION THE MASSING IS POSITION AS PER ORGANIC SPREAD AS PER THE SITE 1. PUBLIC 2. SEMIPUBLIC 3. PRIVATE
SITE INFERENCE
BOAT BUILDING (TRADE OF BOAT) RICH & GLOURIOUS HISTORY COASTAL REGION MOSTLY RESIDENTAL HOUSE TYPOLOGY TOURIST SPOT DUE TO RANN OF KUTCH EASYILY PUBLIC TRANSPORT AVALIABLE
TYPOLOGY
PROBLEMS • • • • • •
HOUSE HOUSE + SHOP GARRAGE BOAT BUILDING GANTRY OFFICE + WORKSHOP
LESS MOTTIVATION TO ATISANS NO PLATFORM FOR ARTISANS NO BUSINESS SCOPE FOR PEOPLE TO STAY NO STAYING FACILITY FOR TOURIST NO CONCENTRATED MARKET NO CONCENTRATED WORKPLACE
KEYWORDS
HERITAGE COMMUNICATE ATTRACT SUSTAINABILITY ORGANIC
•
•
PLAN
PLAN
THE USE OF BERM CONSTRUCTION ABOVE THE AUDITORIUM.WHICH ACTS AS THERMAL INSULATION BERM CONSTRUCTION HELP TO MAINTAIN THE TEMPERATURE AND ACT AS AN INSULATION
WALL DETAIL BERM CONSTRUCTION SKETCH
Scanned by CamScanner
WATER CTCLE
SOLAR PANNEL CALCULATION ELEVATION
ELEVATION
ROOF PLAN BIRDS EYE VIEW
SECTION
SECTION
SKETCHUP+ LUMION + INDESIGN +PHOTOSHOP
3
M A N D WA J E T T Y P R O J E C T IDENTITY
FLOOR DEFINE SPACE
BUILT MOVEMENT TO GUID
CENTRALITY
LOCATION:- MANDAWA ALIBAUG AREA:BRIEF:-
The studio focusses on the idea of Identity and the Institution. The principles of identity are quite straightforward and move from identification in general to personal identity OBJECTIVES To understand the value of institutional or organisational set up
Envisaging a built environment where the basic needs of a tourist are well taken care of – such as information, shelter, food and service area. Designing an efficient circulation for the smooth movement of tourists
VISSION STATMENT • • • •
CREATE A BUSINESS POINT FOR PEOPLE WHO STAYS THERE EVEN ATTRACT NEW PEOPLE TO BUSINESS TRADE THERE AS ITS NEAR TO FINANCE CAPITAL MUMBAI IT CAN SHARE LOAD IF IT TO CREATE BUSINESS OPPURTUNITY TO GIVE REASON FOR PEOPLE TO STAY UNDERSTAN PEOPLE MOVEMNT AT TERMINAL POINT MAJOR CHALLANGE IS TO CLEAR THE CIRCULATION WHERE PEOPLE DOSENT CONFUSED
SITE INFERENCE
CONTEXT
• • • • •
MANDWA JETTY RECIVING POINT FOR PEOPLE CONNECTS ALIBAUG TO MUMBAI FAMOUS FOR SECOND HOME MOSTLY GREEN COVERED COVERED FROM BEACHES FROM ALL SIDE
TYPOLOGY
PROBLEMS
• • • • •
CENTRALITY CIRCULATION MASSING VOLUME COMFORT
• • • • • • • • • • •
FLOORS DEFINING MOVEMENT GUID LVL BECOME ATTRIBUTE OF DEMARKATION FLOOR DEFINE SPACE LINEAR MVEMENT ACHIVE WITH MASS R.G. INTEGRAL PART OF DESIGN FOR PEOPLE TO MEET AND RELAX AND SPEND TIME SEGREGATING THE VEHICULAR AND PEDESTRAIN MOVEMENT FOR THE COMFORT OF THE PEOPLE PARKING BUILDING NEAR TO RORO ENTRY TO MINIMISE VEHICULAR ENTRY FROM ALL FOUR SIDE 10 M RG PATCH] BUILD UP SECTION CIRCULATES OR INTAVT PEOPLE WITHIN
SECONDS HOME BUNGLOW HOUSE APPARTMENT RESORTS FARM HOUSE
NO SERVICE OR FACILITY NEAR BY ALIBAUG 45 MINS AWAY FROM SITE LESS PUBLIC TRANSPORT NO PROPPER HUB OR STATION CAN’T SUFFIES NEED OF RORO JETTY LAND & SOIL NATURE H U M I D I T Y KEYWORDS
CREATING GATHERING SPACE WITH THE HELP OF MASS CREATING LOOP FOR PEOPLE CREATING TWO LANES 1.ARRIVAL 2.DEPARTURE ARRIVAL LANE MASS HIEARARCHY:-1. ARRIVAL LOUNGE 2.SHOPS 3.CANTEEN 4.EXIBITION ENTRY 5.PUBLIC TRANSPORT DEPARTURE LANE MASS HIERARCHY:-1.PUBLIC TRANSPORT 2.EXIBITION ENTRY 3.LODGE STAYING 4.R.G. 5.SOVINER SHOP 6.DEPARTURE LOUNGE
LINEARITY CENTRALITY FLOW MOVEMENT EASE OF CIRCULATION • THE DESIGNE INTENDS TO CREATE PEOPLE SPACE WHERE IT BINDS PEOPLE WITHI IT SAME TIME IT ALSO OPEN • MAIN PERPOSE IN ZONNING WAT TO GIVE USER A CLEAR AND EASE VISSION OF AMINITIE AND FACILITY • WHERE USERE CAN FREELY USE AS PER MOMENT • LESS OF OUTER MOVEMENT REDUCE HUMIDITY AND COMFORTABLE TO PEOPLE
ROAD SECTION DETAIL ROAD SECTION DETAIL
ROAD SECTION DETAIL
ELEVATION
ELEVATION
VIEW
VIEW
VIEW
PLAN SECTION
SECTION
SKETCHUP+ LUMION + INDESIGN +PHOTOSHOP
4 CIRCULATION
TOURIST CENTER
HERITAGE PRESERVATION
LINEAR TO SLOPE
VISTA
LOCATION:- ORRCHA MADHYA PRADESH AREA:-
2000 SQM + CIRCULATION
BRIEF:-
TOURISM& HERITAGE PRESERVATION: Tourism Facilities/Information, Market, Skill/Crafts Development Centre STUDIO INTENT: A design solution essentially with a deeper understanding of the vernacular architecture of the place set within the glorious and magnanimous heritageOrchha town with its fort, palaces, temples and derelict houses OBJECTIVES OF THE DESIGN PROGRAMME – VISITOR CENTER: value of institutional SET UP preserving a heritage town Outdoor Spaces of congregation
VISSION STATMENT
OFFSET FROM ALL SIDE
-CREATING SPACES THROUGH INDIVIDUAL CAN GET VIEW TO FORT AND RIVER -CREATING A TOURIST CENTER WITH EASE OF CIRCULATION -USING COUNTOUR FOR DIFFERENT PERESPECTIVE FOR SPACES -ARCHITECTURE WORK AS A CATALYST BETWEEN TOURIST AND CULTURE OF ORRCHA
MASS EXTRUCTION AS PER CIRCULATION
GOOD USE OF COUNTOUR HIERARCHY OF THE SPACES
CONTEXT
SITE INFERENCE
GOOD MARKET HANDICRAFT SHOPS G+2 STRUCTURE MAX ROW HOUSE (NO OFFSET BESIDE HOUSE) BUSINESS OPPURTUNITY NEAR RIVER
TYPOLOGY
PROBLEMS
HOUSE HOUSE + SHOP HOUSE + HOTEL SHOP STAIRCASE OUTSIDE HOUSE
1. NO PROPER SPACE FOR INFORMATION 2.NO EXPOSURE 3. NOT EDUCATED 4.NO BUSINESS SCOPE KEYWORDS
TOURISM LEVELS CIRCULATION MASS VOID INSTUTIONAL SPACE
CREATING VOID AND FLOOR PLATE
CONTEXT PLAN
ACE K PL
OR AN W
ARTIS
EX
IB
SECTION @ EXIBITION SPACE
R ATE
E HITH
AMP
KET
MAR
P
SHO
SECTION @ TOURIST CENTER
IO
N
RT
OP
H TS
RKE
MASSING MODEL
SITE SECTION
W
BB
U D CO
FOO
MA
LO
IT
Y
R.G
AT
TI
NG
OF
FI
CE
DESCRIPTION THE WINDOW OF RECPTION FACING TO EAST SUN ENTER FROM 3M WIDE WINDOW SITTING UNDER THe DOME ON THE RECEPTION ON THE FOUR CORNER WITHIN RECPTION THER IS sOVENIER SHOP TO ATTRACT THE CUSTOMER BEHIND IT THERE IS SMALL DOOR WHICH LEADS TOWARDS WAITING AREA WAITING AREA MAKES PEOPLE GLIMPSE OF WHOLE SITE WITH FORT BACKDROP AND MAKING PEOPLE TO TRAVEL TO LAWN AND EXIBITION SPACE AdMIN AREA WINDOW FACING TOWARDS RIVER AND FORT CREATING BOX WINDOW FOR SITTING . BALCONY GIVES SPACE FOR LOCAL PEOPLE
BIRDS EYE VIEW • • •
LAWN HAVING TENSILE FOR SHADE CREATING FREE SPACE GIVING CLEAR VIEW OF SURROUNDING LAWN LEADIN TO EXIBITION SPACE AFTER EXIBITION FOR TOURIST THERE IS DIRECT ENTRY TO FOOD COURT AND FOR THE LOCAL PEOPLE THERE IS ENTRY FROM WORKSHOP TO CREATE CONNECTIVE SPACE MANY OPENING IN EXIBITION COLUMNS WITH DARK COLOUR CERTICALITY SHOW DIRECTION DIFFERENCE IN HORIZONTAL PLANE FLOOR SHOW DIRECTION PLAY WITH OPENING VIEWS LEADIND TO RIVER VIEW
SOUTH FACING ELEVATION
EAST FACING ELEVATION
SITE PLAN
POL DOCUMENTATION
UNDERSTANDING
PLAN
,CIRCULATION
,ZOONING,
ACTIVITIES,
ELEMENTS
ELEVATION AND FACADE FEATURE
POL
ACTIVITIES
SITE
WITH
INTERECTIVE
SECTION
OF
WALL
POL
PHYSICAL
MODEL
UNDERSTANDING
OPENSPACES
POL HOUSE
5
R E G E N E R A T I O N
1 PLAN SLOPE
VENTELATION OPEN SW DIRECT
2
PROVIDING TRADITIONAL COURTYARD
INTERIOR VIEW ( SHOWING STAIRCASE & LIVING ROOM WHERE IT CREATE PRIVICY FROM PG
P.G. ROOM
LOCATION:-Ahmedabad GUJARAT TOILET DUCT
AREA:BRIEF:-
STAIRCASE BLOCK P.G. ROOM
•
• •
• • •
The Design – You are required to 3 STEP FORMATION TO CREATE OPENESS design this House, which functions as a paying guest facility for visitors once the Scholars leave. This house shall include – Spaces of Living, Dining, Kitchen, TOILET DUCT Storeroom and Bedrooms for the CHILDREN BEDROOM Family and the 3 Scholars. Parking facility for 4 two wheelers. Spaces for solitude, gathering and interaction and other spaces you deem necessary. The built form shall not extend 4 CHAMPHERING STEP FORM INTO TO 10 DEG GARAGE more than (G+2). 7 BLOCK MODEL ENTRY The family of 3 comprises of a PROCESS MODEL Husband who is a textile businessman, a Wife who operates a Pickle making business from home while taking care of the Child who is currently in the 9th Std.
5 STAIRSCASE BLOCK SEMI OUTSIDE
MASTER BEDROOM STAIRCASE BLOCK
KITCHEN COURTYARD STAIRCASE BLOCK
6
ZOONING FLOOR PLATE
VISSION STATMENT • • •
• •
DESIGN IN WESTERNISED FORM AS PEOPLE WHO LIVE IN POL ARE MIGRATING TO NEW GUJARAT FOR LUXURY AS THE PLOT SIZE IS CONGUSTED CHALLENGE IS THAT TO CREATE OPENESS TO CLIENT WITHIN HOUSE UNDERSTANDING THE TIME TABLE OF PEOPLE AND PROVIDING THEM BEST FROM INNOVATING OLD AND BLENDING INTO NEW LOOK UNIQUE ,EYES CATCHING,INTERESTING GIVE CLIENT A DIFFERENT USER EXPERIENCE
CONTEXT
• • • • • •
• • • • • • •
STAIRSCASE:-STAIRCASE BECOME MAIN PART OD DESIGN STAIRCASE BECOME AN VIEW DECK SO HALF INSIDE AND HALF OUTSIDE SO I GIVE AN INTERESTING PERESPECTIVE SOCIAL CONNECT WITH PEOPLE ALSO FIVE ASTHETIC LOOK TO FACADE FIRST FLOOR:-CHILDEN ROOM & PARENTS ROOM ON SAME FLOOR PLATE WITH FAMILY SPACE BETWEEN THEM CHILDREN ROOM WINDOW FACING TO KITCHEN WHERE HE ACN HAVE VISIBLE CONTACT OUTER FACADE WINDOW FACE MAIN STREET WHERE HE HAVE CONTACT WITH NEIGHBOUR •
• • • •
SITE INFERENCE
SKINNY ROW HOUSE TRADITIONAL ELEMENT IN HOUSE NARROW LLANES HERITAGE HOUSE HOUSE FACING EACH OTHER MORE OF SOCIOLOGY AMONG PEOPLE
TYPOLOGY
PROBLEMS
INCREASE IN SURFACE AREA OF INCOMING
VIEW
LIGHT LESS HEAT MORE LIGHT MORE VENTILATION WODDEN PANNEL FOR VENT & LIGHT
HOUSE HOUSE + SHOP HOUSE + RENTAL SHOP MANDIR,CHABUTRA
1. 2. 3. 4. 5.
CONGESTED SPACE IRREGULAR SETTEMENT TRANSPORTATION LESS OF OPEN SPACE LIGHT AND VENTILATION
1. 2. 3. 4.
MORE SOCIAL CONNECT POSSITIVE ENVIROMENT RICH HISTORY UNIQUE ARCHITECTURE
VIEW
SECTION
POSITIVE
ELEVATION
GROUNDFLOOR
FIRSTFLOOR
SECONDFLOOR
TERRACE
FLOOR
• A SCHOOL WITHOUT CLASSROOM School! A Temple we say, Bonding the child As social influence looms, We find a school with no classrooms! -PARTH MAKWANA •
Four walls do not define an education system. Education is something which goes on throughout one’s life, but the seed of education is sowed in the tender age of childhood. • It is the age when a life or a being or a mortal is ripe and receptive to learning and being influenced by things around. At that age it is a free flowing life until the rigidity of society breaks in. • The surrounding ambience of the place where they receive the formal education must also have a free flowing form. Knowledge can grow only when questions arise and there is a thirst to finding answers. • Rigidness restricts questioning whereas free flowing advocates questioning. This is achieved by creating a balance between emotion and intellect. • By creating a feeling of safety in school rather than the usual fear. The three tier educational system of Germany seems to be a complex system and has constraints and rigidity to it. Thus to break this rigidity a proposal of a uniform educational system where the student can chose what to study along with an integration of Arts, Music and physical training is done. A special class for special students. Depicting the history of Berlin being divided into 4 parts the students get distributed accordingly but as opposed to what history has it this distribution of students is a positive division.
SKETCHUP+ LUMION + INDESIGN +PHOTOSHOP
CLIENT BRIEF• • • • • •
• • •
•
PURPOSED SITE
3310
8
BEDROOM 1
5900
6
TOILET
1044
STORAGE
TOILET
6 5
DINING
2950
8
9
KITCHEN UP
LIVING ROOM
TOILET
5 LIVING ROOM
UP
4
4
DINING
3
2
TOILET
POOJA ROOM
1
2
LOBBY
F'
POOJA ROOM
TOILET
GUEST ROOM
E'
1385
9
10
3
3683
7
7
BEDROOM 1
TOILET
KITCHEN
7230
•
5280
20119
•
D
C
3880
8717
• • • • • • • •
•
B
5
VASTU FOLLOWED•
•
19690
A
1179
CLIENT :- SHAYAMSUNDER SUTHAR(2018) LOCATION:- NOKHA CITY RAJASTHAN • AS CLIENT FROM RAJASTHAN AND HAS 25 YEARS OF EXPERIENCE IN INTERIOR CONTACTOR HE WAS VERY CLEAR ABOUT VASTU AND ITS PRICIPLES,HE GUIDEDES US THROUGHT THE PROJECT CONCEPTULIZATION,EXECUTION • DESIGN SHOULD FOLLOW THE VASTU PRINCIPLE • FOR TWO BROTHER • CONTEMPTERY LOOK • INTERIOR SHOULD FOLLOW MODERN LOOK ,DESIGN AS PER THEIR COMING GENERATION • TWO BUNGLOW SHOULD BE PURPOSED • ONE SHOULD FUTHER BREAK INTO TWO VERTICALY FOR THEIR TWO SONS • ANOTHER SHOULD REMAIN SAME • ONE BUNGLOW
34447
CLIENT BRIEF
•
AS PER CLIENT VASTU WAS PRIORITY TO BE FOLLOWED IN DESIGN VASTU WAS BLEND WITH MODERN DESIGNE CONCEPT OF SEVRED AND SERVANT SPACES AS PER CLIENT TWO HOUSE TO BE BUILD ONE WHO HAS TWO CLIDREN WHO E CAN VERTICALY DEVIDE HOUSE ANOTHER WHO HAS ONLY ONE CHILD CAN USE AS ONE BUNGLOW CURRENTLY THERE IS ONLY ONE F GROUND STORY STRUCTURE TWO BUNGLOW CAN FUTHER DEVIDE INTO TWO PLOT BY BUILDING WALL WITH TWO DIFFERENT ENTRY FRONT ELEVATION INTENTS TO LOOKS SAME WHICH SHOWS THAT ITS TWO BUNGLOW OF ONE FAMILY HAD GREAT LEARNING ABOUT OLD VAST PRINCIPLE AND BLENDING AND SHAPING IT WITH CONTEMPETRY DESIGNE WAS A GREAT EXPERIENCE LEARNED ABOUT DESIGN WITH ALL FACTORS LIKE CLIENT,SITE CONSTRAIN,VASTU RULES,LESS SITE SPACE ,REQUIREMENT OF CLIENT AND NATURE
3650
SUTAR MANSION
•
14610
CURRENT SITE
21341
PERSONAL WORK
OTLA 4866 LOBBY
1
GUEST ROOM
3460
4002
A'
B'
D'
C' 8
19
23
LEGEND 1.GUEST ROOM 2.PUJA ROOM 3.TOILET 4.STAIRSCASE 5,6.TOILET 7.BEDROOM 8.KITCHEN 9.DINNING ROOM 10.LIVING ROOM
6000
TOILET :- SOUTH GUEST ROOM:-SOUTHEAST ENTRANCE :-NORTH,EAST PUJA ROOM:-NORTH EAST LIVING ROOM:-NORTH STAIRCASR:-SOUTH KITCHEN:-NORTH WEST BEDROOM:-SOUTH WEST DINNING :-NORTH
CLIENT:-VINAYAK NURSERY 2018 SITE :- SITE OFFICE HUBTOWN CHEMBUR ,MUM OUR ROLE:- DESIGN ,LANDSCAPE MATERIAL VINAYAK NURSERY OWNER JITENDRA SAWANT HELP US IN MATERIAL SELECTION AND WORK AS MEDITOR BETWEEN US AND CLIENT
• • • • • • • • • • •
MARERIALS CYRUS REVULTA TOPARI (MALPEGIA BALLS) STONE PEBBLES SHRUBS FLOWER BED CREEPERS DINA LADY PINK MINIATURE EXORA DRYTR (MONESTRA PLANT) WHITE CHAMPA
RHINO MODEL MAKING
HAND MODEL/SKETCHING
SEMESTER 1
ALLIDE DESIGN
RHINO
MITAWALI EXI 2
SEMESTER 1
ELECTIVES
POL DOCUMENTATION
RHINO
SEMESTER 2
SEMESTER 2
SEMESTER 5
MITAWALI EXI 2
SKETCHING
ALLIDE DESIGN
DESIGN IS NOT WHAT ITS LOOK LIKE OR FEEL LIKE DESIGN IS HOW IT WORKS -STEVE JOBS
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