ARCHITECTURE PORTFOLIO SELECTED WORKS I 2017-2022
DIYA SHARMA Date of Birth: Address :
03.04.1999
Competitions & Awards
31H, Aan’t Verlaat, 2612XW Delft, South Holland
2022 : Top Scorer in Design Thesis (CMRUSOA) Thesis top scorer with Grade Point 9
2022 : The Great Portfolio (Portfolio of year Contest) Submitted Entry (Portfolio)
Phone :
+31 644650785
Email:
sharmadiya555@gmail.com
Semester 9, Highest scorer in university exams
Nationality:
Indian
2020 : London Call (Archicontest)
Language:
English, Hindi, Kannada
2018 : Modular House - Future House
Education
2023-Present Delft University of Technology Faculty of Architecture Urbanism and Building Sciences, Netherlands
2021 : Highest marks in Design Studio (CMRUSOA)
Wokshops and Additional Work
2017-2022 CMR School of Architecture Faculty of Architecture, Bangalore, Karnataka, India Bachelors of Architecture (First Class with Distinction)
Professional Works
2019 : GRIHA Green Buildings and Services Workshop 2018 : Mural Art and Interior Design of StartUp
Assistant Architect Projects : Tapestry - Housing Development, Frisco ,Texas, USA Windmills - Restaurant, Banagalore Airport, India HRBR Residence, Banagalore, India
Architectural Intern Projects : Sattva Global City Tech Park, Bangalore, Karnataka, India Kaprigudda House, Mangalore, Karntaka, India Godrej Housing, Whitefield, Bangalore, Karntaka, India Axis Inspiron, Bangalore, Karntaka, India
2021: Individual Project Interior Design Project, SNN Raj GreenBay, Bangalore Karnatka
2020 : Pandemic Personal Pod Design 2019 : WoodCut and Block Printing Workshop
2022: Total Environment Building Systems, Bangalore, Karnataka, India
2021: The PupleInk Studio, Bangalore, Karnataka, India
2021 : Forms in Cement Workshop
2018 : Bamboo Pavillion Workshop 2017 : Tensile Structure Installation
Documentations
2022 : Yelahanka Village, Karnataka, India Thesis site study (Sem 10)
2021 : Shivajinagar, Karnataka, India Urban semester study (Sem 7)
2020 : Temples of Bali, Bali, Indonesia Semester study (Sem 6)
2019 : Crafts Village, Kutch Bhuj, Gujrat, India Semester Study Tour (Sem 4)
Skills
Software
2019 : Hunarshala, Kutch, Gujrat, India
Revit, Autodesk AutoCad, Sketchup, Lumion, Adobe Photoshop, Rhinoceros, Grasshopper, Adobe Ilustartor
Semester Study Tour (Sem 4)
Model Making
Housing Semster Study Tour (Sem 2)
2018 : Dakshinchitra,Chennai, India
SELECTED PROJECTS 2017-2022 Architecture Portfolio
01
05
INTEGRATED HANDLOOM CENTRE Sem 10 - Thesis
02
14
FURNITURE STOP Sem 9 - Urban Insert
03
19
ANIMAL CARE AND PRACTICE Sem 6- Institution Design
04
24
SHAPING URBAN LIFE Sem 7 - Urban Design
05 TAPESTRY
Assistant Architect Total Environment Building Systems
28
HANDLOOM 01 INTEGRATED CENTRE Case of indigeneous craftsman communities of Karnataka LOCATION : BANGALORE I INDIA INDIVIDUAL PROJECT I 10th SEMESTER(thesis) I JAN 2022 - MAY 2022 ACADEMIC PROJECT
I ADVISED BY AR. AKSHARA VERMA (akshara.v@cmr.edu.in)
The tradition of weaving in the state of Karnataka dates back in the 8th century. The traditional handloom sarees such as Ilkal, Gaddi Dadhi and Hubli, blouse material known as Khana and other handloom products like dhotra (dhoti) and durries are known to be woven in the state. At present Karnataka has over 40000 handloom weavers spread across different regions. But the state of its primary stakeholders - the weavers is at risk. The handloom industry is heavily suffering from globalization and lack of upgradation. All the present weaving facilities are cramped, disorganized and spread in fragments throughout the state. The craft centre revolves around the idea of regenerating and reviving the practices, the way of life of weavers and keeping the age old tradition thriving. The intention is to create an experiential architecture promoting a community as representation of fashion that will establish a dynamic environment staying within the spirit of the community while uplifting the face of the industry. The proposal aims at providing a platform for collaboration of weavers and designers to form a worldclass textile destination. It also aims at providing weavers from various regions an opportunity, to work, learn , teach and form a new form of suppy chain where fast fashion has failed. It gives the weavers and designers opportuniy to form a network to market and sell their produce to reach the global need for sustainable clothing today.
SITE ANALYSIS
Way to Airport
CLIMATIC CONSIDERATIONS
Industrial/Institutional Yelahanka Lake
WIND
SITE
The wind in Bangalore changes throughout the year. Mostly it flows from North East direction.
Residential
1.
Industrial
W ay
to
NOISE
Yashwanthpur Railway Station
CR
PF
Ca
Residential
m
Kempegowda International Airport 20 kms
p
Yelahanka Railway Station1.5 kms
Way to Bangalore City
Ve n k a t a l a Bus stop 200m
Handloom Retailers
The site is mostly effected by the noise from vehicular traffic and some amount from trains.
Handloom Co-operative societies
2.
VIEWS The site has view points towards the lake and vegetation around.
3.
SUN PATH
Built Open Site
FIGURE GROUND
LAND USE
The residential zones are more dense compared to commercial and industrial.
Area is largely concentrated Residential with residentialy zones, with Commercial Public/Semi Public industrial zones at preiphery.
While the northern side of the site has residential buildings , the south side is completely exposed to the sun , thereby requiring shading devices.
4.
WATER BODY The site slopes down towards the lake, providing possibility of creating catchment area.
VEGETATION ROAD NETWORK Primary Secondary Tertiary
NH 44 connects the site directly with multiple teritiary roads running into the town.
CONTOUR MAP 922 m 914 m 910 m
904 m The Site is sloping towards the 898 m lake, with 14m level difference 890 m along the length of the site.
The site has coconut tree plantation with shrubs and bushes aligned along the edge of the lake.
5.
1. East West Elongated to minimise low angled sunlight. 2. Breaking of mass for better ventilation 3. Raising blocks to minimise heat gain from ground. 4.Internal and external courtyards to maximise cross ventilation 5.Roofs Closing towards South and opening towards North to prevent harsh sunlight.
CONCEPTUAL EVOLUTION
CONCEPT DERIVATION
HOW TO MAKE IT SPECIFIC TO WEAVERS OF KARNATAKA?
WARP AND WEFT SYSTEM
Active Edge Connect between neighbourhood and site
AXIS PLAIN WEAVE
WEFT RIB
TWILL WEAVE
BORDER
Embellishment/Craft
The axis is in response to the urban context of the buildings around the site, along with the alignment of the contours towards the lake.
Multiple Possible Spatial Arrangements
Retail/ Public
ZONING
PR
IVA TE
PALLU Changing Grid to respond to Function and Structure Sense of Connect Interactive Participatory Spaces
Centre more Cohesive Production and Institution
The public edge is closer to the main road, keeping in mind the ease of access following the semi-public spaces that connectwith public edge. The private spaces are closer to the lake edge.
SE
MI
PU
BL
IC PU
BL
IC
TYPICAL ILKAL SAREE
Movement in Section MAIN BODY
Movement IN-UP-OUT-DOWN
Explore Weaving in Volume
FLUIDITY OF THREAD
BORDER AND ACTIVE EDGE
Direct Rainwater into the Lake, following topography
Border Drapes along the Pallu
Ecological Connect with topography
Water Edge acts as a Border
INTER RELATION SKILL DEVELOPMENT
The commercial and retail spaces are directly connected with the production spaceswith connecting event zone. The production spaces are also linked with skill development workshops. The institution has an closer connect with the skill development and production spaces.
Chanel Part of Embellishment all the way Power of Fluidity, Soft / Sensual / Interactive Bring in View of Lake Inner Connect Water Chanel
VIEWS
Flow of thread
Wraps the structure
Fluidity in Landscape
ACTIVE BORDER
The site has the definite view to te lake but the introduction of a water canal provides for internal views towards the landscape, with an intent to make every space look into it.
EVENT SPACE
INSTITUTION PRODUCTION RETAIL
13 12 11
10
05
14
04
07
09
03 08
06 02 02
MASTER PLAN 1.VISTORS PARKING 2. STAFF PARKING 3.ENTRANCE PLAZA 4.BIOPOND 5.AMPHITHEATRE/EVENT SPACE 6.COMMERCIAL SPACE 7.CENTRAL PLAZA 8.PRODUCTION AREA ADMIN 9.PRODUCTION WORKSPACE 10.SKILL DEVELOPMENT 11.INSTITUTION ENTRANCE 12.INSTITUTION 13.HOSTEL 14.FUTURE EXANSION
01
01
WORKING UNITS INSTITUTION
DYEING AREA
The design is aligned based on the contour levels along the site, with regular level drops to incorporate site tectonics into the design making it sustainable.
PRODUCTION ADMIN
COMMERCIAL SPACE
EXHIBITION SPACE
ENTRANCE PLAZA
SECTION TROUGH SITE SCALE 1:75
PVC Membrane
Double revetment zinc OSB 30mm Galvanised steel members Wood batten PVC membrane Wood framework
Movement top floor Movement to ground floor Section Line
COMMERCIAL SPACE ROOF DETAIL
COMMERCIAL AND EXHIBITION SPACE FIRST FLOOR PLAN
STREET
STREET AND PLAZA
STREET ,PLAZA AND VIEW
The commercial zone has two floors that look into each other and the water body, providing physical and physcological connect, with the roofs opening out to the northern side to let in maximum light. The spaces connect with event and exhibition spaces , forming all round interaction to showcase the work of weavers.
The commercial zone planning follows the WARP and WEFT system with alternate grid pattern in floor plan, roof plan, and section that creates a pattern of spaces looking into landscapes on top floor and ground floor with play of levels and views.
SECTION THROUGH RETAIL AREA
1 2 3
3
RCC Lintel +3650 mm
3 4
3 5 6 Plinth LVL +500mm
7 View of Production Unit
Ground LVL 0.00mm
8 9 10
Foundation -700mm
11 Winding Dyeing
2
Warping
4
3
5
Looming
Dyeing Winding
Warping Looming
1
FLOW OF SPACES
TYPOLOGY
CONNECT TO CENTRAL AXIS
WALL SECTION 1.Mangalore Tiles Placed on a wooden framework 2. Mud rolls 100mm dia 3. Reused Teak Wood Rafter 75X120 mm thk @1100mm c/c 4. RCC Lintel 50mm thk 5. Stone wall 300mm thk 6. Mud Plaster 12mm thk
7.Rammed Earth layer 50mm thk 8. RCC Plinth Band 150 mm thk 9.Uncoarsed Random Masonry with 1:6 Mortar 500mm thk 10. PCC 1:3:6 11.Uncoarsed Random Masonry Foundation
All the materials used are locally sourced like reused teak wood, mud rolls made on site, mangalore tiles and Sadarhalli Bangalore stone, to provide the weavers a sense of their traditional living. The units are incremental that can be constructed in multiple modules.
View of Production Unit Central Axis
LANDSCAPE DESIGN
ENTRANCE PLAZA
RESTING CORNER
Entrance Plaza functions as a diverse gathering space for locals and landscape entrance for pedestrians , lined with seating with trellis and floral walkways looking into water body.
The resting area for the weavers in production area looks into the water body with tree seating, cultivating sophisticated traditional village setting to encourage interaction.
CENTRAL PLAZA
INSTITUTION ENTRY PLAZA
Central Plaza marks as multiple entry point with landscape nodes differentiating hierarchy of spaces with different circulation routes lined with seating along water edge
Entrance plaza has a large afforested area looking into water body connecting to stepped pathway leading to breakponts, seatings and bridges with diverse activities.
View of Commercial Plaza Entrance
Landscape and Dykes helps in water retension thereby increasing water supply and keeping canal green all year. DRY SEASON Landsape and dykes helps in preventing water runoff and improves water quality, thereby preventing flood.
View ofEntrance Plaza RAINY SEASON
GREEN WATER CANAL
02 FURNITURE STOP
MIXED USE COMPLEX ( FURNITURE RETAIL + THEATRE + HOTEL ) LOCATION : SHIVAJINAGAR I BANGALORE I KARNATAKA I INDIA INDIVIDUAL PROJECT I 9th SEMESTER I AUG 2021 - DEC 2021 ACADEMIC PROJECT
I ADVISED BY PROF. CHANDRABHANU DVNL (chandrabhanu.d@cmr.edu.in) AR. PRASAD ROTTI
(prasad.r@cmr.edu.in)
Shivajinagar has for its furniture market for decades, within the the Central Business distict of Bangalore. The local vendors of the market lack infrastructure and right resources to sell to a larger audience.The proposal of the Furniture Stop aims at providing a one stop furniture experience for the users, with furniture retail carried out by local vendors and high end brands and redevelope the marketting experience of shivajiagar. The context has a highly dense and nonporouss fabric with next to zero green pockets and public areas. The need for urabn greenery has becomemore apparent than ever. The proposal acts as an oasis in the in the hardscaped city fabric. The complex aims at opening at the edges to continue the street market startegy to benefit the local vendors leading to public gardens. The concept came from a simple ‘Shop and Stop’ idea of combining nature with culture and enterntainment. The Site has an existing Sangeeta theatre and multiple furnture stores. The complex houses about 30 local vendor stores and few high end brands combined with restaurants and redevloping the theatre. The building is porous providing connect to the urabn context from every edge, with allowing people to walk through it, emedding itself into the surrounding becoming a social catalyser for the area.
UTILIZATION OF CONCEPT
12M
10M The site in CBD and has major landmarks around it.
The site has porous and non porous areas but with no green spaces.
The site has two major junctions on the edges with one connecting to a bus terminal.
10M
10M
1. LEGAL BOUNDARIES
2. VEHICULAR ACCESS
CONCEPTUAL EVOLUTION
The site is intended to give the green back to the city and creating space for recreation.
The urban edges facing the junction are left open with movement along the periphery for accessibility.
The local vendors that rae replaced are given priority by creating a market edge along the periphery to attract users.
Segregating the mass according to the functions, with response to urban context, with open spaces facing main roads.
3. SERVICE CORES
4. PEDESTRIAN ACCESS
5. VISITORS ROUTE TO RETAIL STORES
6. VISITORS ROUTE TO HOTEL
Mall Visitors Basement Parking
Hotel Guests Services Only
Creating internal courtyards and making the building porous for cross movement and urban walkthrough the green spaces.
Elevating spaces like hotel and restaurants to invite people and get a better view of hustling city along with each space looking into courtyards at all times.
Parking
7. INTERNAL COURTYARDS
8. ACCESS FROM BASEMENT
MASTER PLAN A 1.ETRANCE PLAZA 2. LOCAL FURNITURE STORES 3.EXHIBITION / COURTYARD SPACE 4.ENTRANCE COURTYARD/ EVENT SPACE 5.WORKSHOPS 6. WORKSHOP INTERNAL COURTYARD 7.ANCHOR STORE 8.RESTAURANT 9.OUTDOOR SEATING 10.PEDESTRIAN WALKWAY 11.ENTRANCE 12. ENTRANCE TO FIRST FLOOR 13.CENTRAL COURTYARD/ EXHIBITION 14. SERVICE CORE 15. ANCHOR STORE 16.DROP OFF 17. BACK ENTRANCE 18.HOTEL DROP OFF 19.HOTEL RECEPTION 20. HOTEL STAFF AREA 21. SERVICE CORE 22. HOTEL INTERNAL COURTYARD 23. HOTEL RESTAURANT 24.SERVICE ROAD 25. WAY TO BASEMENT
25
18 02
19 21 20
02 22
24
02 03
23
02
06
04
02
05
B
01
02 02
02 02
07
14
25
09
13
15 14
08
11
12
B
10
17
16
A
THEATRE
FOOD COURT
CENTRAL COURYARD
ANCHOR STORE
WORKSHOPS
HOTEL ROOMS ENTRANCE COURTYARD
LOCAL RETAIL STORE
SECTION AA SCALE 1:75
PROGRAM DISTRIBUTION
CINEMA THEATRE FOOD COURT
SECOND FLOOR
HOTEL RETAIL STORES CINEMA THEATRE WORKSHOPS RESTAURANT FOOD COURT
FIRST FLOOR
View of Local Furniture Retail Street HOTEL LOCAL RETAIL STORES ANCHOR STORES WORKSHOPS RESTAURANT
GROUND FLOOR
PARKING
BASEMENT View of Entrance Courtyard / Exhibition Space
WALL SECTION
TERRACE +8.600 FFL
Aluminum Sealing Mullion DETAIL B
225x112.5mm Brick Wall in Elevation Double Glazing Glass Aluminum Sealing Mullion
FIRST FLOOR +4.600 FFL
RCC Slab 200x400mm RCC Beam
View of Central Courtyard with steps leading to Cinema complex
DETAIL A
GROUND FLOOR +0.400FFL
FACADE
225x112.5mm Brick Wall in Elevation
RCC Slab Anchor Screw
Double Glazing Glass
Rubber Shock Abosorbent Aluminum Sealing Mullion
Rubber Shock Abosorbent Aluminum Sealing Mullion Anchor Screw
Vertical Mullion
Anchor
200X400mm RCC Beam 225x112.5mm Brick Wall in Elevation Double Glazing Glass
RCC Slab Vertical Mullion 200X400mm RCC Beam Angle 30X30mm Gypsum Board 20mm
SECTION
DETAIL A
DETAIL B
View of Entrance to Central Courtyard and steps to theatre
SECTION BB
03
ANIMAL CARE AND PRACTICE VETERINARY INSTITUTE AND HOSPITAL LOCATION : BANNERGHATTA I BANGALORE I KARNATAKA I INDIA INDIVIDUAL PROJECT I 6th SEMESTER I FEB 2020 - JUNE 2020 ACADEMIC PROJECT
I ADVISED BY PROF. ANTRA BOSU CHAKI (antra.b@cmr.edu.in)
The site is in a rural setting in Bangalore, close to the oldest Bannerghatta National Park, that houses wide variety of birds and animals. The proposal aims at setting an architectural language that responds to the history and present day context. The context has lush green surroundings with hills and Eucalyptus forest, with irregular settlements on outskirts of city of Bangalore. The proposal of a Veterinary Hospital and Institute aims at providing aid to the animals of the National Park along with establishing a medium for students and researchers from all over the world to learn within the surroundings of animal habitat. The program also aims at encouraging animal adoption and animal shelter services to cultivate safer environment for animals. The Institute houses approximately 300 students and Hospital with about 75 attendents at a time. The design aims at prioritsing the animals by providing easy transitional and landscape spaces by connecting to the context and considering climate.
ATTA B A NNE R GH R OA D
SITE ANALYSIS
1.
Residential
SITE
WIND Eucalyptus Forest
2. Bannerghatta National Park
SUNPATH
Built Open
Sunpath diagram indicates sunlight comes from southern direction, therefore aligning building to restrict harsh sunlight
The roof direction is aligned facing E-W direction with roof preventing harsh overhead sunlight.
The Windrose diagram indiactes winds blowing largely from east and West directions throught the year in Bangalore.
The direction of the butterfly roof helps aloow the passage of both the winds.
3.
FIGURE GROUND
The site is located on the outskirts of the city, therfore having large difference between between the open and buiilt spaces, providing multiple viewpoints and explorations in design.
922 m 914 m 910 m
904 m 898 m 890 m
WATER BODY 4.
VIEWS
5.
CLIMATIC CONSIDERATIONS
CONTOUR MAP
The Site has multiple variations around, with hill on the northern end to sloping land on southern following the lake.
NOISE
1.Larger Mass oriented towrads North-East to avoid Harsh sunlight from south 2.Breaking of Mass for better ventilation and circulation 3.Large courtyard and trees on South to direct wind & filter harsh sunlight 4.Maximum courtyards provided in the interiors for cross ventilation 5.Amphithetare placed in East-West direction to collect lateral sunlight
CONCEPTUAL EVOLUTION
UTILIZATION OF CONCEPT
1. VEHICULAR ACCESS
AXIS
ZONING
The three main axis are in correspondence to the shape of the site, aiming to correspond to all features of contect from the hill, vegetation to the residences.
The Public space are arranged closer to the edge responding to the residences and private spaces arranged responding to the hill and away from redidences, with semipublic spaces connecting in centre.
2. PARKING SPACES
Patients Entry Emergency Entry
3. PEDESTRIAN ACCESS
ACTIV
4. VISITORS ROUTE TO HOSPITAL
ITIY
INSTIT
UTE
RESEA
RCH
HOSP
ITAL PUBLIC
INTER RELATION
INTERNAL-EXTERNAL CONNECT
The Public edge connects with the semipublic spaces, the hospital and central plaza, which connect with public edge of institution leading to private areas like research and hostels.
The open and void spaces link with each other forming an indoor and outdoor connect of courtyards throughout that provide cross ventilation and view towards every feature of the site context.
Institution entry Research Entry Library Entry
Plaza
Hostel Access
Internal Court
5. VISITORS ROUTE TO INSTITUTION
6. PLAZA AND INTERNAL COURTYARDS
MASTER PLAN 1.ETRANCE COURTYARD 2. HOSPITAL PARKING 3. PUBLIC AUDITORIUMPARKING 4.PUBLIC AUDITORIUM / SEMINAR HALL 5.OPEN AIR THEATRE 6. CAFFTERIA 7.INSTITUTION PARKING 8.CENTRAL PLAZA
16
9.VETERINARY HOSPITAL 10.ANIMAL COURTYARD 11.RESEARCH CENTRE 12. RESEARCH ACCOMODATION 13.LIBRARY 14. SPORTS COMPLEX 15. CENTRAL GROUND 16.HOSTEL
15 07
14
13 08 06
11
12
05
09
VETERINARY HOSPITAL PLAN
10
TREATMENT ROOMS WAITING ROOMS EMERGENCY ROOM PET FOOD STORE PHARMACY CANTEEN XRAY AND SAMPLE COLLECTION OPERATION THEATRE INCUBATION LAB ANIMAL SHED SEMINAR HALL AND AUDIENCE HALL ANCILLARY FUNCTIONS
04 03 02
01
INSTITUTE RESEARCH ACCOMODATION
LIBRARY
ANIMAL SHED
HOSPITAL
CANTEEN PERGOLA
OPEN AIR THEATRE
SECTION AA
WAL SECTION
Aluminum Sliding Window with 4mm thk clear glass Louver Support StructueGalvanised steel top holder
DETAIL B DETAIL A
750x50 mm Composite Wooden Louver Installed in Vertical Array Aluminum Sliding Window with 4mm thk clear glass 200 mm Reinforced Concrete Structure FFL
View of Wooden Louvered Windows
FACADE
SECTION
20 mm Plaster
Aluminum Frame in Elevation 18 mm Marble Sill
100mm RCC Structure
Bottom Rail
Wooden Louver Stainless Steel Control Rod
20 mm Ganite Sill Galvanised Steel L profile
Galvanised Steel L profile
20mm thk Plaster Lever for Manual Control of Louver Reinforced Concrete Structure
45x45mm Wooden Batten
DETAIL A
DETAIL B
View of Terracota louvers
04
SHAPING URBAN LIFE Approach towards redefining Market Space LOCATION : SHIVAJINAGAR I BANGALORE I KARNATAKA I INDIA TEAM PROJECT I 7th SEMESTER I AUG 2020 - DEC 2020 ACADEMIC PROJECT
I ADVISED BY PROF. AKSHAYA NARSIMHAN (akshaya.n@cmr.edu.in) AR.AKSHARA VERMA (akshara.v@cmr.edu.in)
The market spaces form an integral part of Indian urban fabric, with vendors stalls lined along streets and people marketting their products along the street edges. While these markets are still present today, they have lost their fundamental character in the urban landscape that has changed uickly to accomodate needs of the growing population. The study focuses on one of the bussiest and crowded Junction of Bangalore City along the Russell Market Street and has 7 roads meeting at one point that connects to the Shivajinagar Bus Station , with multiple automobile vendors and vegetable market along its length. The aim is to take into account the everyday and periodic activities of the vendors due to their ever changing nature . The project revolves around fixing the existing issues in the urban planning with a proposal of planning that is dynamic in nature taking into consideration the economic practices situated along the streets and recogonise the shifting nature of these econmic practices.
TRAFFIC The roads connect forming multiple junctions with taffic along main streets.
1.
2.Vendors along the road create pedestrican traffic
Old light Post 2.
owk
ni Ch
NALA
d Chan
Low Medium High
6.
KET
PSYCLOGICAL OWNERSHIP The waste spreads to other spaces due asense of psycological ownership of surroundings.
5.
4.Taxi Stand used for repair produces mechanical waste MF N o Stree rrona t
RUSSELLMARKET JUNCTION ANALYSIS
PHYSICAL OWNERSHIP Most dumps are produced from spaces with very low ownership, like public spaces.
4.
3.
MAR
TYPES OF WASTE The site area- 620 sqmt volume of garbage generated 110m tonnes.
Low Medium High
d
TAXI S
TAXI STAND
TAND
3.Cart Vendors park along road cause vehicular traffic
RUSSELL Wet Waste Solid Waste Tempoary waste Metal waste
ay Roa
Public Toilet
7.
Dhar mara ja Koil St.
GUJRI
Broadw
ELL
WASTE DEPENDENCIES
ALC O DEPA RTM STO ENT RE
FIGURE GROUND The figure ground is dense with few open green spaces.
ad
RUS S
LANDUSE The site has multiple commercial spaces along the edges with resdinces inside.
Ro
Ne w Roa Mar ket d
P
junction
Luna Sweets Rahm ania Tea Corner
HK
Madera tea house Newspaper stall Tea Shop
1.Autos crowding the
Iqbal Dressed Chicken
PROBLEMS ON SITE
DETAILS
5.Unclean Public toilet
1.15 Auto Ricksahws waaiting near tea stalls at the square 2.Fruit and vegetable vendors occupying edge of taxi stand 3.Pushcart selling snacks 4.Private Car 5.SUV Being repaired by local mechanics 6.Pushcart selling Bananas
JUNCTION EDGE The junction is a directionless junction with edges occupied with vendors.
PEDESTRIAN AND VEHICULAR TRAFFIC 7 raods meet at the centre with no pedestrian walkways or roundabouts.
PARKING The taxi stand in the centre is used for parking, along with the edges of market. @Team
6.Irregular Parking at edge of market causes chaos
7.Bicycle Coconut vendor at 1:00 pm
@Author
DESIGN STRATEGY
7m
CONCEPTUAL EVOLUTION
12m
7m
12m
A central roundabout is provided with defined street edges for better vehicular movement.
The edge of the market is used for parking and is not defined, causing choas in pedestrian nad traffic movement.
2. PEDESTRIAN ACCESS
The parking space is converted into a pedestrian walkway, with a green or landscaping buffer. The edges of the Taxi Stand and the market edge are defined to accomodate better flow of traffic.
6m
The junction is chaotic and directionles with vehicles moving in every direction.
1. UNDEFINED ACCESS
5m
11.5m
Green tracks along junction with curb stone are provided to prevent vehicluar parking along edges.
11.5m
The street edges are extended to accomodate foot path with appropriate zebra crossing.
3. DROP OFF
The pathway is defined to accomodate drop off points for easy vehicular movemet. The possible edge of vendor parking is extended to prevent vehicles from parking on the road.
5. VENDORS MARKET
The empty land used to dump waste is converted to greenlandscape buffer space.
The landscaped corner has access from both the streets and accomodates a seating space. @Author
Vendors are provided with a specific area that is yet dynamic and gives space to explore, while being connected with the suroundings and have easy pedestrian access.
4. VEHICULAR ACCESS
The taxi stand is defined to accomodate defined number of vehicles and provied with specific pedestrian and vehicular access to prevent irreregular movement.
6. ARCHITECTURAL CHARACTER
The character of the vendor space is made to match with that of the Historic Russell market , to blend with the surroundings and compliment the architecture. @Author
PROBLEMS ON SITE Landscaped Plaza with seating
dni
Chan
k Chow
Broadw
Cental post with roundabout
Russell Market
Public Seating
Pedestrian Walkway
Vehicles Drop Off
Dharmaraj Koli Street
Two Wheeler Paking Taxi Stand
Existing Trees
Vehicles Parking Taxi Stand
MF Norona Street
Old light Post
ALC O DEPA RTM STO ENT RE
Zebra Crossings for pedestrains
Pedestrian Walkway
FoothPath with Green Buffer and Curb Stone to prevent Parking
Provisional Store
ad
Ne w Roa Mar ket d
Ro
Luna Sweets Rahm ania Tea Corner
P
Madera tea house Newspaper stall Tea Shop
HK
Iqbal Dressed Chicken
Defined turning edges
SECTION @Author
ay Roa
d
TAXI S
TAND
Taxi Stand with Definite Car and two wheeler Parking
Defined drop off point
RUS
SELL
MAR K
ET
Landscaped Seating
Pedestrian Walkway instead of Parking space
Defined Pedestrian Walkway to vendor and Parkng
Dhar mara ja Koil St.
MF N Stre orrona et
Specific space for vendors View of Landscaped Corner Plaza
@Author
View of Venodors Market
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TAPESTRY MERGING COMMERCIAL WITH LANDSCAPE FIRM :TOTAL ENVIRONMENT BUILDING SYSTEMS (total-environment.com) LOCATION : FRISCO I TEXAS I USA PROFESSIONAL PROJECT I JUN 2022 - PRESENT TEAM PROJECT I PRINCIPAL ARCHITECTS KAMAL AND SHIBANEE TEAM LEAD AR.MANIK GUPTA
Located in one of the fastest growing cities in United States, Frisco, TX, Tapestry celebrates the idea of connection with nature. The site is set against a stunning landscape with Rowlett Creek flowing through the community, the area is landscaped with native trees and sidewalks to enjoy walks arounds ponds and green. The homes feature roof tops with native Texas grasses and large glass panel doors allowing the outside to always feel close at hand. Natural materials like bricks and marbles blen with the landscpae providing the users a sense of harmony while creating a balance between sustainability and livability. Each house is customised to meet the needs of the users with central courtyards and green terraces. ROLE : Design development of Multiple homes based on client customisation with Construction drawings, Structural drawings, Interior drawings, 3D modelling , Detail drawings.
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Vehicular Access Pedestrian Access
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1. DIAGRAM SHOWING VEHICULAR AND PEDESTRIAN ACCESS
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SITE LANDSCAPE ZONES
TAPESTRY - SI SHIBANEE
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03` LEGEND CREEKS
HOA Lots HOA LOTS
Creeks
ROWLETT CREEK Rowlett Creek Copyright in all the drawings and in the work executed from them, shall remain the property of the architect. Drawings and specifications as instruments of service are the property of the architect whether the work for which they are made be executed or not and are not to be used on any other work except by agreement
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2. DIAGRAM SHOWING LANDSCAPE ZONES
INDEPENDENCE PARKWAY
MAIN ENTRY - INDEPENDENCE PARKWAY
OPEN SPACE AREA #1
OPEN SPACE AREA #3
OPEN SPACE AMENITY CENTER AREA #2
TAPESTRY MASTER PLAN A. 60’ X 137.5’ Lot - 49 B. 60’ X 121.5’ Lot - 55 C. 60’ X 137.5’ Lot - 17
1. MAIN ENTRY 2. EXPERIENCE HOME 3. COMMUNITY CLUBHOUSE 4. CHILDRENS PLAY AREA 5. PERFORMANCE DECK
6. OUTDOOR FIREPLACE 7. BASKETBALL COURT AND BARN 8. FISHIND DECK AND POND GAZEBO
Open Spce
OPEN SPACE PLAN
SECONDARY ENTRANCE - INDEPENDENCE PARKWAY
Green Roofs PLAN
@TE
3. DIAGRAM SHOWING OPEN SPACES
Z17-0018 2356747
@TE + @Author Page 15 of 22
Skylight
Solar Panels Green Roof with Native Frisco Plantation Curved Wooden Truss Terrace Garden 02
PSL (Parallel Standard Lumber)
Curved Roof for all season vegetation
Glulam Wooden Beam Metal Deck with foam for insulation
V40 ROOF LEVEL
Wooden Framing
Bedroom Terrace Garden 03
Open Web Truss
Bedroom and Walk-in Closet Terrace Garden 02
Concrete Beams
Family Living and Library Green Roof
STRUCTRUL MODEL (in progress) @Author
V40 LEVEL 2
Backyard and Patio
Garage and HVAC Rooms Kitchen , Dinnin and Casual Living Central Garden Entrance and Formal Living Space
GREEN ROOF DETAIL @Author + @ TE
V40 LEVEL 1
V40 VILLA 36 @ TE + @Author
DIYA SHARMA Delft, Netherlands sharmadiya555@gmail.com +31 644650785