Tracks

“CALLING” B/W “313”

TRILOGY INC. NU GROOVE Tech-house DJs, take note – this is one outstanding two-tracker. On this EP, the U.K. duo delivers a pair of amazing, underground cuts that offer hypnotic, acidic synths, supple beats and very dark rhythms. These cuts will take you back to the warehouse era in no time. Top marks.

– Tommy D Funk

Gordo

“TARAKA (VISUALIZER)”

GORDO ULTRA MUSIC This track will hypnotize you with its tribal flair, entrancing vocal, and relentless groove. Just when you get used to the unique soulful harmonies that reach high peaks and deep valleys, Gordo (aka Carnage) surprises us with a dramatic silence. This unexpected break builds tension and Gordo eventually brings us back up with a simple high hat and a snare. Fresh, exotic, impressive. – Emily Makarewicz

“INTO U”

MAGNUS ASBERG VIVA RECORDINGS This brilliant jazzy house track delivers the goods. With rhythmic chords and funky piano sparkles sprinkled on top, the bottom kicks in and it becomes a proper deephouse track. And check the outstanding “Tech-House Dub Mix” from Jay Tripwire – sublime stuff.

Alesso

Magnus Asberg “CHASING STARS”

ALESSO & MARSHMELLO FEAT. JAMES BAY ASTRALWERKS This catchy tune combines each artist’s sound in a unique, uplifting, but yet somewhat melancholy approach. The track has soul with an underbelly of pop, and a futuristic spark, all delivered in a threeminute, easily digestible, musical gulp. The “VIP Remix” speeds things up with a percolating rhythm and a festival-friendly breakdown.

– Emily Makarewicz

Miguel Migs

“SENSATIONS” (REMIXES, PT. 2)

MIGUEL MIGS FEAT. ANDY ALLO SOULFURIC DEEP On this second incarnation of mixes for wonderful cut that anchors Migs’ solid Shaping Visions full-length, we get plenty of deep-house, dancefloor grooves. Migs’ “Deep Feels Extended Vocal Mix” primes the pump, but Sandy Rivera’s “Re-Vamped Deluxe Mix” carries you directly into some irresistible late-night action. Bumpin’ and grindin’, this one is splendid.

“HIDE AWAY”

VINAI & LA VISION SPINNIN’ RECORDS A pulsating bassline leads us into a catchy vocal, and we’re off to a great start. The melody has a singalong quality reminiscent of an old-world nursery rhyme, but with a splash of musical-theater harmonies! “Hide Away” is gentle and passionate, while also feeling like a dance anthem perfect for any festival.

– Emily Makarewicz

MJ Kouk

“INFINITY”

MJ KUOK SELF-RELEASE This beautiful mover takes you right to deserted, tropical environs. Tribal and earthy sounds are conjured from rainsticks and euphoric melodies abound. A resonant bass and driving kick highlight the track throughout and, ultimately, a meditative quality breaks through. Gorgeous.

– Emily Makarewicz

“MUSIC SAVED MY LIFE” (MARSHALL JEFFERSON REMIX)

DIMITRI FROM PARIS X FIORIOUS GLITTERBOX RECORDINGS Get your platforms or roller skates ready for this incredible throwback disco treat. House legend Jefferson delivers a sweet mix that will get you in the mood for sequins and glitter. Sleek and properly Chic-influenced, this track will make you get your groove on properly. – Emily Makarewicz

SLANDER

“LOVE IS GONE” (KASKADE REMIX)

SLANDER FEAT. DYLAN MATTHEW GUD VIBRATIONS Kaskade proves his studio mastery on his delicately crafted remix. With trance elements sprinkled throughout, he gives us a taste of his familiar style, all the while allowing the beauty of the vocal to consistently shine through over the drums, synths, and effects. Shakers add a lot of movement to the overall groove, and Kaskade’s driving kick builds the energy perfectly into the chorus. His drop includes luscious melodic lines, which descend on us with purpose, creating dramatic effect. Spectacular remix.

– Emily Makarewicz

Dimitri From Paris Monolink

“UNDER DARK” (INNELLEA REMIX)

MONOLINK EMBASSY ONE On Innellea’s remix, the German talent pushes Monolink’s swirling, melodic original into tougher, darker techno territory, while maintaining its effortless musicality. Ominous and atmospheric, but still plenty driving, the remix offers a manic synth lead that carries the latter part of the track. Quite a mix. – Jim Tremayne