editor’s note
Editorial EDITOR
RAJ MALHI
rajmalhi@djmagasean.com DEPUTY EDITOR
AUDREY RAJ
audrey@djmagasean.com MUSIC WRITER
LYDIA LOHSHINI
Lydia@djmagasean.com DIGITAL DESIGNER
PLENTIFUL LEE
plentiful@djmagasean.com CHIEF DESIGNER
CHRISS LIEW
chriss@djmagasean.com GRAPHIC DESIGNERR
IZUAN SOBRI
izuan@djmagasean.com
ADVERTISING SALES & MARKETING MANAGER
EDWARD
edward@djmagasean.com HEAD OF DIGITAL MEDIA
It’s great to be finally writing this; the editor’s note of our debut issue. One that is a result of days, weeks and months of effort from a dedicated, enthusiastic and music-loving bunch of people. Between travelling the region to catch up with the best and upcoming names in EDM, hosting a bunch of parties with the likes of Andrew Rayel and Daniel Wanrooy, to attending some of the craziest gigs around town - it is awesome to finally say that DJ MAG is finally here in ASEAN. Through a diverse team in 7 countries around South-East Asia, we strive to bring you everything you need to know about the world’s electronic dance movement, with exclusive interviews and behind the scene reports, exclusive DJ studio sets and compliations, as well as signature DJ MAG pool, club and beach parties; we think it’s going to be an amazing journey ahead. And it’s a journey that we would very much like to partake with you. Before I forget, meet the latest member of our family; the DJ MAG Asean membership card. Similar to that “cool person” (everyone wishes they had) who enjoys complimentary access into clubs, discounts on drinks, exclusive invites to the craziest dos around town and discounts on event tickets – this card is trusty party companion to have close by at all times. We are also very excited to announce that we will be introducing, for the first time in DJ MAG history (drum roll), the DJ MAG ASEAN Top 50 DJs and Top 30 Clubs! To all DJs (including you aspiring ones), it’s time to get your A-game on because we’re serious about making the world your next stage. Tune in to the next issue for more details on this! And last but not least, we have a brand new app launching in the coming weeks. Tune into www.djmagasean.com for more info on its launch date and how to get your hands on it. Trust us, its an app-solute must-have! Fingers crossed, here we go!
Raj Malhi
JOSHUA DESMOND josh@djmagasean.com SALES EXECUTIVE
ISAAC
Isaac@djmagasean.com
INTERNATIONAL CORRESPONDENTS PAT SANTOS (PHILIPPINES) pat@djmagasean.com
PONTAKORN (THAILAND) ponrakorn@djmagasean.com
MANAGERIAL CHAIRMAN
ISKANDAR OTHMAN CHIED EXECUTIVE OFFICER
NICHOLAS DANIEL RAJ CHIEF OPERATING OFFICER
KUMARAN GUNASAGARAN published by REGAL GATES SDN BHD (1134948-D) A-22-13, MENARA UOA BANGSAR, NO.5 JALA N BANGSAR UTAMA 1, BANGSAR 59000, KL, MALA YSIA. Printed by UNITED MISSION PRESS SDN BHD No. 25 & 27, Jalan PBS 14/14, Taman Perindustrian Bukit Serdang, 43300, Seri Kembangan, Selangor. distributed by MPH DISTRIBUTOR SDN BHD THE VIEWS EXPRESSED HEREIN ARE THOSE OF INDIVIDUALS AND NOT NECESSARILY SHARED BY DJ MAGAZINE
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JUNE 2015 / dj mag asean
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[ june 2015 ]
contents
“Asia is crazy with energy and we love it here. Playing to more than 300,00 people in Vietnam was definitely one of our favourite moments in Asia and
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highlights as performers�
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56 DJ MAG ASEAN RED Regulars 09 (Right) Kandy 10 Cash Cash x Tritonal Awakening Festival (International News) Traktor D2 Strikes Back (Tech)
Features 14 Tenacious Tenishia Takes Over Asia 50 Martin Garrix Ups The Ante 52 The Flying Fong 54 Yes To Yasmin 55 JONNIE B Or Not To B
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41 Tods Giomino 42 56 Degrees Of Adventure 44 TESLA’s Next Level Hybrid 46 Phillips Fidelio For The Win
REGULARS 02 Editors Note 06 Fresh From The Decks 08 Quicktakes 24 Fashion 27 Synced 132 International News 137 Tech
Country Feature 57 Best of Cambodia 67 BEST OF INDONESIA 77 Best of Malaysia 87 Best of Philippines 99 Best of Singapore 109 Best of Thailand 121 Best of Vietnam
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quotes
Fresh from the
DECK
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[ Martin Garrix ]
I’ve been in the studio David Guetta, Avicii, did a track with Tiesto, with John Martin. I’m also working on an album too, and it’s my first so it’s taking sometime but it’ll be sick! See page 50
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[ Tenishia ]
I spend the first 6 years of my DJ career playing there, not missing one weekend. I played Friday, Saturday and Sunday and back then we didn’t just play one or two hours sets – I played from doors open to doors closed. See page 14
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[ Henry Fong ]
[ Jonnie B ]
Trance is more than just music. It’s actually a lifestyle, a way of life, for me at least. See page 55
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I mean, underground and techno is always going to be there. That’s the root of dance music, you always respect that. Without that we wouldn’t have the EDM scene we have now. See page 52
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“ “
[ Pharreal ]
My uncle brought home a Tiesto Concert DVD, and we watched it together. I was like ‘I wanna be this guy! See page 128
[ Ramsey Westwood ]
”“
My favorite would be the Uncle whom wears ski goggles whilst frying Char Koay Teow See page 82
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[ Jenil ]
Experience is the best teacher.
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See page 92
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[ MACHINA ]
I always tell myself that a great Electronic Dance Music has to be “Edutainmant” because it would be able to entertain and educate people at the same time. See page 116
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QUICKTAKE
T h i s m o nt h o n
DJ MAG ASEAN [event]
BCA’S ELECTRIFYING RUN Get yourself ready for an electrifying night of fun and fitness as BCA Electro Run in back for another year! This 6th of June, the BCA Electro Run 2015 will be bringing you brand new running zones and an incredible music lineup you would not want to miss. The zones featured would be the Techno Road, Umbrella Road and the Lazer Road. All of which would be complimented by the fact that runners will be making their way along Dunia Fantasi theme park amongst all the brightly lit rides. Past the finish line, awaiting the glowing runners would be a colorful party featuring EDM duo The Chainsmokers alongside Astronaughty, Bionixx, MC Cherryl, The Dandees & Ran. You don’t want to miss the vibrant night that is Electro Run as they bring you together for a 5K run of electrifying fun! Head on over to www.electro-run.com for more info. www.electro-run.com [tech]
HUAWEI’S TERRIFIC TALKBAND The Huawei Talkband N1 is a one of a kind pair of headphones that not only store and stream your music but also tracks your daily activity. This headphones allow its user to play music without using a phone (thanks to its Bluetooth capabilities and a built in microphone) and keeps track of your movements and sleeping patterns. What’s more is that the headphones come in a sleek shape that isn’t too gaudy to be worn and is also waterproof! The headphones by Huawei are said to go on sale in September with a price tag of $100 (RM355). www.huawei.com
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[interview]
DJ Da Candy It is no surprise this gorgeous and lanky lady is dubbed “The Hottest Female DJ” because that is a statement we can’t quite deny. After seducing crowds the world over with her hot beats and bod, DJ Da Candy recently made a pit stop in Malaysia, and told us just how much she loves being back here. Welcome back to Malaysia, how does it feel like being back? It’s very cool, I love it! It’s one of my favorite Asian countries. Every time it’s good food, good people and I like the parties over here. ESPECIALLY IN KL!
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I would agree with you, we have good food. What have you tried so far? We tried a lot of food in Johor, and it was lots of rice and I’m not sure about the names but food was really good. I read in an interview recently that you love partying with Malaysians, why so? What sets us apart from other fans? Yes, I love partying with Malaysian. I’ve played in KL many times, and each time it was MADNESS! I’m really looking forward to the party later. What sets you guys apart is the madness, the ability to go crazy more than most. But every country is different, they have different characters.
Tell us about your journey towards becoming a DJ. I had a band, we did rap and RnB, 7-8 years ago in Ukraine. We were touting as a band, and I started to work in the club every day and then I got turntables from my friends and I just started teaching myself. I had no teacher. It’s because it had some experience of club life for many years. I made music before and I wanted to present to the world my own music. I love music and people dancing so I became a DJ. How would you describe the DJ Da Candy experience? It’s a crazy party with lots of entertainment, connection with the crowd and just making people happy and go mad. Like it’s the party of the year! What brought about the name Da Candy? When I was dancing in a troupe when I was 10 years old, there were two Katrina’s in a dance group, and they called me Candy. Everyone started know-
ing me as Candy every time I was Candy, so I just used it. Da Candy so I can be the only Candy. You’re a model, producer, singer, MC and dance. How do you juggle all those roles? What are your secrets? You must have the spark to discover new things. You need to have a lot of energy and curiousness and you have to be on top of everything. I try to focus all my energy on what I love. Bigger things seem to be in store for you, what do you have planned for 2015? I’m planning on releasing an EP and an album with two video clips. We’re hoping to finish them this year! If aliens were to invade the earth, what track would you play to welcome them? I will play Earthquake *hums the tracks* for the aliens. Or maybe even something from Diplo or Skrillex, coz they have THAT sound.
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QUICKTAKE
[music]
Cashing In On An Explosive Mixture
Cash Cash and Tritonal (Tritonal is a mixture of 80% TNT and 20% aluminium powder for explosive purposes) have joined forces to bring us “Untouchable”, and they’re proving to be a force to be reckoned with. The melodic big room track is an easy single along summer hit that is bound to makes it rounds through the airwaves of many dance clubs around the globe. “Untouchable” finds itself being both a sing-along tune and a club hit, making it seem like the partnership has hit the home run with this one. The combination of Cash Cash and Tritonal’s style is something quite special as you find yourself putting this track on repeat. Go give “Untouchable” a listen, and be sure to get them dance shoes ready and waiting. www.soundcloud.com/cashcash
[music]
Hitting A Global Chen(nel) Nicole Chen, one of Asia’s most prominent female DJ’s has just added one more achievement to her slew of others - she recently announced that her radio show, Electric Freedom will be aired on the JR. FM Radio Network. JR. FM Network is an internet radio broadcasting site that plays trance and progressive music shows from DJ’s and labels all around the world. Nicole Chen will be joining Nari and Miani, Daddy’s Groove, and many other DJ’s on her Monday slot. www.jrfmnetwork.com
[music]
Beats Worth Converse-ing About
Converse and Indaba bring you a music library that answers the prayers of all musicians and DJ’s out there. The Rubber Tracks Sample Library is an ever growing free collection of high quality audio samples that have been recorded at the Rubber Tracks studio. The Converse Rubber Tracks Sample Library helps ease the process of making records and tracks as it provides royalty free samples of one shots, loops and stems that have all been recorded with quality equipment thus guaranteeing high quality samples. www.conversesamplelibrary.com
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[Fashion]
NO ROOM FOR ROOKIES The Swagger Salon has released their second collection this year dubbed “No Room For Rookies” which is the brands biggest collection to date. With t-shirts donning the collection name in bold and metallic colors, it’s no surprise that orders have been pouring in. The brand describes this collection as the “desire to push one’s self further ahead of the game, and to essentially kick the ass of the person you were yesterday. Staying true to the brands true forte, the LANSI cap, The Swagger Salon also unveiled The #LANSI “Midnight 5-panel camp cap” that features all wool body and a curved brim. shop.theswaggersalon.com
[fashion]
Sassy Nicky Dutch “Warrior”, Nicky Romero, has made his debut in the fashion industry, proving that he’s got quite the eye for fashion. The DJ just announced the release of his very own collection, in collaboration with the distinguished label, Vive L’Homme. Nicky Romero said that the Dutch brand is one that he constantly turns to for all occasions, including gigs and every day wear. The high fashion collection is the first apparel based partnership that Nicky has done, and it debuted at the Miami Music Week this year. The collection features sleeveless fleece, sweatpants, hoodies, and other unisex apparel, all designed and created in Italy using the finest materials. shop.nickyromero.com
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QUICKTAKE
[Fashion]
H&M Loves Coachella H&M Loves Coachella collection marks the first time the Swedish based retailer and a music festival have collaborated - and trust us when we say this is one collection you’d want to have a piece of. Axwell λ Ingrosso have spearheaded the collection by releasing their hit “Sun Is Shining” together with the release of the clothing brands new collection. When you hear Coachella, you think flower crowns, fringes and hippie-ish apparel. That’s just what H&M has in store for you. You best believe the collection is almost destined for our Asian party and festival scene. www.hm.com
[tech]
NATIVE INTRODUCE STEMS Native are rolling out the latest development which was unveiled at the WMC panel, called Stems. It is a brand new file format for DJ’s that allow them to manipulate stem layers without having to use a DAW like Ableton. We know this news may be pretty insignificant to the average person but this is some groundbreaking stuff for DJ’s. The new file format will work both as a normal stereo track and as a Stem track. In order to fully utilize the file format, you will need Stem supported software and hardware. Set to release this month, it will pop up in your system as “.stem.mp4”, and will be supported by labels like Toolroom Records, Get Physical, Noir Music and retailers like Beatport, Juno and Traxsource.
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Asian Persuasion
Staying true to our Asian heritage and our passion for liquid artistry, DJ MAG ASEAN went on the lookout for some of the best alcohol concoctions that represent the many flavors our region has to offer. Sweet, sour, spicy, salty, with a hint of exotic inspired cocktails that are definitely must try’s when you get the chance. Curry Cocktail | The Living Room, Park Hyatt Siem Reap, Cambodia This beverage incorporates Cambodia’s bold flavors into a soul-warming drink that is so far off the spicy and curryheavy images that come with the cocktail’s name. The Curry Cocktail is a mix of gin, pineapple juice, lime juice, coconut milk, star anise, cinnamon and syrup. This well balanced and exceptionally smooth drink is a Cambodian dream and serves as the perfect match for those breezy rainy days. Java Tai | The Luxury Collection Hotels & Resorts, Indonesia This drink was imagined being sipped on the seashores with the gentle rhythms of the Gamelan Orchestra billowing in the wind. This twist on the classic Mai Tai is made up of pineapple juice, lime juice, lychee puree and black pepper syrup. This effortless blend, offers just the right amount of spice to twang up your everyday Mai Tai experience. Fall | Frangipani Restaurant & Bar, Kuala Lumpur Malaysia This spicy smooth cocktail is the epitome of Malaysian flavors (it might just be the chilli padi). A delicate mix of Frangelico Hazelnut Liquer and Crème de Cacao is added to the bold notes of their inhouse chili-padi-infused-vodka. This cocktail packs quite the punch at first, but the added Valrhona chocolate on the rim of the glass quickly sets in to diffuse the riot on your palate.
Spiked Sago’T Gulaman | Solaire Resort & Casino, Philippines This Pearl-of-the-Orient inspired cocktail is one for those with a sweet tooth as well as an appreciation for boozy potions. The traditional dessert of Sago Gulaman (which is made of sago and gelatin) gets an exciting twist with the addition of rum amaretto and citrus. The Spiked Sago’T Gulaman is delicate, delicious and leaves you wanting for more. Chili Crab Cocktail | Louis Tan at Mars Bar, Singapore This very Singaporean cocktail is inspired by the country’s famous dish, that’s added with a dash of liquor in the form of Tanqueray dry gin and Malibu Rum. What makes this cocktail is the addition of chili crab paste to a lemongrass reduction with kaffir lime leaves, which is then shaken in with egg white (to lessen the strong notes of the crab paste). Coconit and orgeat is then added into this concoction and it results with a burst of Asian flavors and greatness.
[Beverage]
MINI Revs Up Your Coffee Experience The Nescafe Dolce Gusto MINI is the perfect addition to your social space – delivering awesome tasting coffee (and tea) – it also looks ridiculously sharp when it’s not put to work too. This MINI brewer features the two iconic black stripes and the unmistakable MINI logo, taking coffee-makers to another level of modernity. This machine whips up quality beverages which one would expect from a premium café establishment, and combines smart features with a strikingly fashionable design in line with the lifestyle of the new generation. nescafedolcegusto.popsho.ps/
Tom Yum Siam | Four Seasons Bangkok, Thailand This exotic cocktail takes from its namesake Thai delicacy, with a dial down on its potency. With lemongrass, lychee and chili infused vodka, Tom Yum Siam is guaranteed to go down real smooth and give you just the right amount of spice - to make you order it twice
The Mekong | via foodwoolf.com, Vietnam The Mekong is made from gin, Nuoc Mau, rice wine vinegar, tangerine juice, Peychaud bitters, lime juice and just a dash of mint leaves. Exotic, refreshing and packed with flavors, every sip from the Mekong almost offers you a peek into Vietnam and its colourful flavors.
JUNE 2015 / dj mag asean
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Cover story
Tenishia
Takes On Asia 14
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words By Raj Malhi
Slightly more than a decade from a chance meeting take happened back in 2004, Joven Grech and Cyprian Cassar, collectively known as Tenishia, have come a long way from the mystical, historic, and sunshine-filled islands of Malta to become one of the world’s leading progressive trance names. Frequently taking over the decks at some of the biggest dance festivals around the globe such as Tomorrowland, Godskitchen, Privilege, and Ultra Music Festival, this dynamic duo brings about musical synergy that immediately awakens and uplifts the dance spirit in you – one that (we learned) will be rather active for the rest of their diversely fusion(ed) set!
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mix of natural beauty, intricate architecture and retro charm, the Maltese archipelago nests virtually at the centre of the Mediterranean and is home to some of the best beaches and dive spots around Europe. A stroll around Malta offers breathtaking views of Greek Byzantine structures and Baroque cathedrals, beautiful alleyways and renaissance balconies, and in the off late, the face of Tenishia on billboards, print advertisements and phone packs. Tenishia, celebrates their fourth year of keeping their rank within the top 100 DJs in the world, coming in at #73 in the recent DJ Mag Top 100 poll – a feat that was once considered impossible to two young aspiring music heads from the Mediterranean.
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Cover story
“I was already hosting radio sets at the age of 15 while Cyprian had already mastered a few music instruments by then�
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S t a r t ing Em ’ Y o ung Before banding together as brothers to form Tenishia, Joven and Cyprian had embarked on separate music journeys that would eventually bring them together through a chance meeting in Marsascala, close to 11 years back. Exposed to music at a very young age, the both of them were quick to hone their talent and master their respective fields of music. Coming from a family with strong music background, Joven’s journey into music wouldn’t come off as a surprise. Introduced to the music scene by his uncle Ivan Grech (Winter Moods), Joven was soon a regular at their gigs and quickly started exploring and tinkering with his uncle’s music collection. At the age of 15, Joven experienced his first DJ stint on a community radio called Kottoner 98 FM (where he hosted three weekly shows), and a year later of tinkering with old LP turntables, he begin his first residency at a local teen club. Joven was quick to prove his skills behind the deck, playing shows to jam packed nights that brought a lot of attention his way. It wasn’t long before he landed the chance to spin at Reeds, which at the time, was one of Malta’s most popular clubs (at the age of 17). Packing up dancefloors and hitting it up at the club before it was legal to even have a beer? Well played Joven. From here on, it was only a matter of time before the thought of music production would pop up, and with no other base or platform to experiment with, Joven turned to his trusty Playstation to build his basics on a game called Music in 2000. Cyprian’s music initiation came rather unannounced at the age of 10. He had just passed his exams, and his father had promised to buy him a remote-controlled boat as a reward. At the trade fair, his dad convinced (we think it was planned all along) him to get an electric piano instead, and from then on, the rest is history. Cyprian went on to professionally complete his piano lessons and also picked up the Spanish guitar, bass drums, later joining a rock band - writing music, playing synths and guitars. Although being exposed to the world of music at such a young age, he found true love for it after attending his first dance event in Malta – a love inspired by the golden years of trance. Admiring the connection that the DJ shared with the crowd during the show, Cyprian decided to leave his musical instruments behind and ventured towards creating his own studio and more importantly, creating his own sound.
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Cover story
M ad e I n M al t a Tenishia entered the Maltese club scene on 12 March 2005 to a huge and warm welcome from fellow local and neighboring electronic dance music fans. The duo enjoyed great reception from the island’s party enthusiasts, and quickly rised throughout the ranks – clinching the ‘2005 Best Newcomer Award’ eight months in from their debut, followed by the award for ‘Malta’s Best Live Performance 2005’. Their efforts and rise to international stardom took off when the duo handed a CD to Markus Schulz during his performance in Malta, which led to a signing of their single “Five” onto his label, Coldharbour Recordings. From then on, the duo reached doors and horizons that once seemed distant - garnering attention and admiration from a host of artist, labels and producers – with Kirsty Hawkshaw being one of them. Working hand in hand with Kirsty, Tenishia went on to produce some of their biggest hits such as “Outsiders”, as well as “Reasons to Forgive” and “Invisible”, both which secured a spot for Tenishia on five time number one DJ, Armin Van Buren’s label: Armind. Tenishia received great support from Armin - from special features on his famous A State Of Trance radio show, including several of their tracks on his best selling CD compilations, to dropping Tenishia tunes during his international gigs. Hit after hit, Tenishia’s tunes and beats received more and more support from industry heavyweights such as Paul Van Dyk, Tiesto, Pete Tong, and Ferry Corsten and it wasn’t long until Tenishia grew from a local Maltese house-hold name, to an international festival deck-rocker. The duo quickly became local heroes, winning several awards (Best Dance Tune 2008 @ Malta Music Awards) and the hearts of thousands of fans worldwide through gigs in Australia, New Zealand, Hungary, and The Netherlands. In 2011, Tenishia become the very first and still remains the only Maltese DJ/Producer to be ranked in our DJ Mag Top 100 DJs poll, breaking in at #91 that year. This recognition came with a surge of excitement, drive and enthusiasm for the duo, keeping them at top gear for the year to come, launching their first ‘Tenishia Live’ event at Tattingers Club to close to 2,000 people. In March of 2012, Tenishia took over Malta’s largest indoor venue, MFCC, to present their Maltese fans with (a sold-out) Tenishia In Concert, their first production show ever. Capping off the year on a high note, Tenishia climbed 41 ranks and hit it big by earning a spot in our 2012 Top 50 DJ list! Today, Tenishia has released 2 albums (Frozen Roads & Frozen Roads 2), boasts close to 200,000 fans on their official Facebook fan page, teaches aspiring DJs through Tenishia Studios, and even owns a ‘handprint tile spot’ at Malta’s Walk of Fame (Baystreet in St. Julians).
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Cover story
‘We are working on our second album, which will serve as follow up to “Memory Of A Dream” and it will feature a combination of new and recently released tracks” DJ MAG ASEAN catches up with Tenishia at the sunny, tropical and scenic shores of Santubong, Sarawak just before their set starts at the Mysterious World Pre-Party 2015. The both of you come from very different music backgrounds. Joven, you started DJing for a radio station at age 15, and Cyprian, you were very much on the classical music route. How has each other’s skill set improved the music that you make together? Well, it help us both you know. I had experience in one sector, and Cyprian had knowledge of another sector in the industry, and we brought it all up together. We are both self-taught, we never had classes or anything here back then – we were actually teaching each other what we knew. I mean, I had experience in radio and in the club scene, whereas Cyprian had very good experience on the piano and other music instruments and bringing it up all together was pure chemistry man. Joven, you started spinning at Reeds at 16. How was that experience and how has it grown you as a DJ? (chuckles) Even saying the word Reeds is nostalgic for me. I spend the first 6 years of my DJ career playing there, not missing one weekend. I played Friday, Saturday and Sunday and back then we didn’t just play one or two hours sets – I played from doors open to doors closed. Back then I used to play happy house, commercial Italo dance (which was big in Europe back then, talking late 90’s, circa 1997/98), and then I went into trance and techno. Starting out young, I’ve been exposed to many music genres and it’s proving to be very useful today. Lets talk about Kirsty Hawkshaw. (chuckles yet again) Yes, she actually helped us a lot. I mean she was one of the firsts to notice our efforts and talents. She happened to be in Malta and doing a gig and somehow we managed to get her to our studio to check out what we were doing. She is like our big sister (she likes when we say that) and she helped us a lot. I mean. Putting Kirsty’s name next to ours was something very very useful for us – which actually got the attention of Armin among others.
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Tenishia has been in the club scene for more than a decade. How has the scene and your music evolved? Yes, and the scene has definitely changed a lot. Back then, I think record labels meant much more than they do mean today. I think the scene wasn’t that much saturated as compared to today. I mean, music videos meant something big back then. Nowadays, music videos are being released almost every hour. You guys are self-taught. Tell us more about the situation back home when you were starting out. Well, talking about 10-15 years ago when we started tying to produce – it was harder than today. It was the time where music production started shifting from hardware to software. In fact, we started out using old gadgets like the Roland MC 505/515, which is much older than us. I think today it’s easier. Everything is more accessible. Its changing in Malta too, we never had anyone to teach us because we were the first in Malta to do these, and now we even have our own school in Malta. Tenishia has been touring a lot around Asia. In your opinion, how the Asian scene grown? Yes, we have played a lot of gigs and we are planned to play a lot more around Asia. It’s a market that has grown and is still growing. I think from our point of view, we have a lot of fans in Asia and we just got a spot on MTV Asia with DJ Jammaster A. We will be guest hosting the “DJ Master Picks” show on MTV Asia with him once a month, which will feature an hour of our hand-picked videos starting this June. ‘DJ Master Picks’ will be broadcasted every Friday on MTV Asia in eight different countries including China. For us it’s a really great to be able to interact and connect more with our fan base in Asia. Tenishia In Concert is the biggest production show by Tenishia. What was that experience like? Well. We’ve done Tenishia In Concert twice in Malta – and we did it twice only because it is a lot of work! You know, when you got touring and production, something like this makes you stop everything you’re doing. It was a good experience, we invited all the same guys we’ve worked with. It was very very special. I mean
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we had over 5,000 people turn up, which is 1% of the total population of my country. If we do it again, we have to see. It depends on work and touring but its a lot of hard work for sure. You need a great team behind you, which is what we had and we will just have to see what pans out. Tell us what Tenishia has in store for the remaining of the year? Definitely a lot of shows. This year has been crazy man. Touring has been crazy. And obviously we are going to be doing more singles, we actually have one that just came out last April 20th. It’s a single that we did with
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a male vocal. The guy is called Bart Vonken and is from the Netherlands. He won Dutch Idol a few years back and its definitely something that everyone should check out! At the moment we are planning another album, which will be the follow up on ‘Memory of A Dream’ which we released in 2012. The album will include a combination of new tracks and recently released ones. Do follow us on our social media channels, www.facebook.com/tenishia, www.twitter.com/ tenishiamusic, www.soundcloud.com/tenishia, www. youtube.com.tenishaimusic, www.instagram.com/ tenishiamusic for more info on our release.
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Cover story
W h e r e d o w e B e gin Taken from the ‘Memory of a Dream’ Album this track was officially released in 2012. However the lyrics, the piano and the singing were done way before that. It sat in the computer hard disk until we started working on it. Jaren wrote the lyrics but the vocals are actually performed by a vocalist called Kainos. The piano part was the first to be created and the vocals and lyrics were actually written and produced over that. The work on it resumed when we started to create the album and first there was the album version of coarse, which was followed by the Andrew Rayel Remix. We were meant to produce a club version of it but Rayel’s remix was so good that we didn’t want to create another option Armin van Buuren premiered the track on his ‘A State of Trance’ radio show as the tune of the week, and was voted also as ‘Future favourite’ by the public. In 2012 the track ranked in the top 20 of ASOT at number 17. We call it as ‘the track that never seem to die’ as three years on this piece of music is still as strong on the dancefloor as when it was released. B u r ning f r o m t h e I n s id e Released in 2008, this track was produced in Australia and Malta. As Joven moved to Australia for a whole year in 2007, Tenishia continued their music production by sending files to each other over the internet. Again premiered by Armin van Buuren on ASOT the track also made it to the ASOT compilation and was crucial for Tenishia to breakthrough in their own country of Malta. Back then before Tenishia inspired a whole new generation of DJs and producers on the Island of Malta, local dance tracks on the island of Malta were almost unheard of.
Tenishia had already started touring internationally in 2007 but they were having quite a hard time to breakthrough in their home country, as other DJs completely blocked their way to success in a small country were opportunities were quite limited. But when Armin van Buuren was playing at an event in Malta, he introduced the duo himself by dropping ‘Burning from the Inside’ and called Joven and Cyprian on stage… That was enough for Tenishia to take over the scene in Malta in a big way an attract a big following. Ou t s id e r s This track came about when Tenishia met trance vocal legend Kirsty Hawkshaw in Malta after she was performing some gigs there. The vocalist had an incredible record of hits, including some of Tiesto’s biggest hits like “Just Be’ , “Suburban Train’ and ‘Walking on Clouds’ and was incredibly popular in the Dance/ trance scene in the nineties and early 2000’s. Her interest of working with the duo had put a great introductory limelight on Tenishia in 2007 as the track ‘Outsiders’ made it to all big compilations such as Ministry of Sound, Cream Ibiza, Gatecrasher, ASOT and others. Pete Tong also chose the track as ‘One for the Weekend’ on BBC Radio 1. The track Armin van Buuren hammered the track big time Outside electronic music, what are your two favourite tunes to listen to? (2 tracks from each) Joven: 1. Anything from the Pink Floyd ‘Division Bell’ Album. 2. Lamb – Gorecki Cyprian: 1. Hans Zimmer – Way of Life 2. Lifehouse – Wish You were Here Kindly list Tenishia’s top 3 Asia festival moments (which festival, what year, and why it’s on their top 3 list) 31st December 2013 – Hanoi, Vietnam – The Heineken Countdown Festival The attendance for this event takes this to another level as over 300 000 people made it to the Tenishia performance on New Year’s Eve packing the main square and the 6 roads that lead to it in Hanoi. 29th August 2014 – Seoul, Korea – World DJ Festival Perfect location, organization, fantastic stage and a beautiful crowd take this event with the top events Tenishia played in Asia 26th April 2014 – Kuala Lumpur, Malaysia – Pyrobeats Festival Although there was an unexpected venue change due to the usual problems with events in Malaysia, the crowd was something special. Eagerly rocking it for the ‘Where do we Begin’ combination of Tenishia and Andrew Rayel
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FASHION
Pharrell Goes Parisian The Pharrell Williams x adidas Originals “Jacquard” Pack is definitely a collection to look out for. The pack features two unisex versions of the Superstar LIL’ Jacket and different interpretations of the Stan Smith – made from fabric patterns that were chosen by Pharrell himself during his trip to Paris’ historical fabric district, Marche Saint Pierre. The classic Stan Smith shoes have always stayed simple and timeless, but have now been given a floral jacquard twist that screams elegance and style. Although the collection features botanical embroidery on European textiles, the pack most definitely exudes oriental stylizing and a very Asian feel. Available in either a turquoise, gold and pink combo or a cream, red, gold and green combo, we don’t expect this limited edition collaboration pack to last long on shelves. adidas.com.uk/pharrell
Nike Raises The Snakes! Snakeskin patterns on sneakers? Nothing new. Reflective materials on sneakers? Done before. Reflective Snakeskin patterns on a sneaker? Now that’s something new. Introducing the light responsive technology by adidas called the XENO. The technology was inspired by the famous Southeast Asian Xenopeltis snake which is well known for its highly iridescent scales. Not only does the XENO tech reflects light, it has a colour-shifting attribute too. Under natural lighting, the material appears a little faint with some shimmer of colours. But, putting it under a spotlight or using a flash from a camera, the shoe explodes with bright colours from the entire rainbow spectrum. Cool right? Now imagine them in the clubs. I would safely say that I’ve found the most appropriate shoe to hit the clubs in. The shoe is already available at selected adidas retailers such as Crossover Concept Store and will be retailing at RM599 per pop.
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FASHION
PENSHOPPE’S DENIMLAB TAKES ON KENDALL JENNER Philippines based Penshoppe seems to be pulling out the big guns this year by introducing their latest ambassador, Kendall Jenner. Kendal joins Cara Delevingne and Sean O’Pry as the ambassadors of Penshoppe’s upcoming DenimLab 2015 collection. The brands DenimLab 2015 collection sports denim based apparel for both men and women. Although the collection is yet to be released, images of the campaign featuring their eye candy ambassadors will give fashion followers a sneak peek into what’s to come. We spy distressed denims, sleek skinnys and some dapper caps in their upcoming campaign, and it’s looking like they’ve got something for every fashion forward out there. The award winning flagship brand offers a wide range of in-trend apparel and accessories and iis definitely on the tongues of many, recognized for its endorsements with the likes of One Direction, Ian Somerhalder and even Zac Efron.
Dress Your Feet The folks at Sock Drawer are out to turn your feet into works of art. Literally. They recently released a collection of ‘Art’ socks that will turn your feet into moving masterpieces. Made to appeal to all kinds of art enthusiasts (and connoisseurs), this collection features gallery favorites such as the Mona Lisa, Starry Night, Great Wave, Frida Kahlo and so many more. Although the brand isn’t stocked in Malaysia, they offer a flat rate of shipping for $12.95 USD for as many pairs as you can dream of, and each pair sells for RM30. The next time you’re at a party, let your feet do the talking! sockdrawer.com
JUNE 2015 / dj mag asean
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FASHION
TRAVISLEON: A Heirloom For Keep Redefining smart luxury for the young, modern watch wearer, TRAVISLEON introduces their Heirloom collection – a modern reinvention of the classic automatic wristwatch - one that was inspired by the classic Patek Calatrava designs from the 30’s and the Bauhaus principle of ‘less is more’. Their first entry into the fine art of horology, the Heirloom collection exudes a world-class luxury timepiece feel, minus the blinding price tag. A unique offering that combines the best of Swiss design and Japanese functions – the Heirloom dial is encased in sapphire crystal and features index sticks instead of numbers for a cleaner look, raised minute indices and dauphine-styled hands for a touch of elegance and distinction – and a premium slim workhorse in the form of a Miyota 9015. A curved dome, polished edges and fine radial satin finishing on the lugs come together and bestow the timepiece with additional depth and personality. Available in classy silver or stand-out rose gold PVD (with a variety of dials), TRAVISLEON will certainly increase your game without decreasing your bank statement.
WHATASITE MASH-UP is an independent Singaporean street wear label that takes from a wide range of influences, ranging from ethnic heritage to pop culture and even cinematography. Their LES FEMMES D’ALGER S/S 15 collection sees the trio behind the brand taking a tougher route with their fashion, heading down a path of deconstruction and fraying paired with a fresh take of colors and silhouettes. Their unique take on street wear has garnered them a legion of fans, check them out we’re sure you’d love them too. himandher is an eclectic Thai brand that introduces a young and restless dynamic-chic theme to the fashion forward people of Bangkok. Their ready to wear pieces are often inspiring works of art that take from everyday inspirations. Their Resort 2015 collection is heavily influenced by the playful youthfulness and cherry blossoms. Head over to their site to check out their chic-Coachella vibes. Sagara is an Indonesian footwear brand that thrives on classy styles and swears on using traditional techniques from stitchdown, veldtschoen to goodyear welted methods. The brand recently released their newest addition, Liberty Boots that quite frankly every man needs in his collection. Set your sights on the classy and virile boots and we’re sure you’d be sold too.
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b y
DJ
MAG
ASEAN
[Disco REVIEWS]
p. 28 p. 30 [ E L E C T R O / p r o g re s s i ve R E V I E W S ] p. 31 [TECHNO REVIEWS] p. 32 [TRANCE REVIEWS] p. 33 [DUBSTEP REVIEWS] p. 34 [ B a s s R E V I E W S ] p.35 [ albu m ] p. 36 [HOUSE REVIEWS]
JUNE 2015 / dj mag asean
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D isco R E V I E W S jonathan buRnip jonathanburnip@gmail.com
QUICKIES Holly Johnson
Dancing With No Fear (Remixes)
Pleasuredome 7.5 Dimitri from Paris steps up with an early ‘80s house homage, while Seamus Haji gives this latest from Holly Johnson the big room treatment.
Le Noiz
Severed Heads
Trax 10 House-not-house experiments from the mid-’80s. Jesse Saunders making a glorious racket with his sampler and Linn Drum.
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From the late '80s, Balearic period of Severed Heads’ incredible catalogue, the Optimo boys focus on a couple of key moments that, on certain dancefloors, rivalled some of the nascent, US house tracks of the time. Tom Ellard’s Severed Heads group pioneered synth pop/ industrial music from a studio in Australia from the late '70s onwards, inspiring many and dumbfounding most with their futuristic music technology. Throughout the '80s, Severed Heads dominated the underground and peaked with their house music anthem, ‘Greater Reward’ — its memorable, cascading piano features on this release with a new edit from JD Twitch, plus the original dub version. Complete with chugging EBM cut ‘Big Car’ and ‘All Saints Day’, Optimo cluster an indelible selection that will be a joy for some to revisit and for those yet to hear. Essential.
Leftfield
Universal Everything (Legowelt Remix) Infectious 8.0 Now without the production assistance of Paul Daley, Leftfield (as Neil Barnes) heralds a return with a third LP, ‘Alternative Light Source’
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and the first single offering, ‘Universal Everything’. Barnes’ robust electro rhythms get a brisk, minimal synth shakedown from the mighty Legowelt; transforming the thorough detailing of the original into something more raw, colourful and, ultimately, far more charming.
Maxime & Remain Lost It EP
Meant Records 7.5 Tasty-sounding New Beat homage from label boss Remain, teaming up with Brooklynbased Maxime — the last time we heard them both together was for their excellent Throne of Blood release. Amidst this EP, there are some top remixes, namely a spiky post-punk version from Jackethat & Lipless; a mid-tempo, disco-noir fix from Belgian producer Johnson; a lively electro number from the excellent Kasper Bjorke and a couple of extra, original additions.
I-Robots
Dirty Talk feat Donna McGhee & Virgo Four
Opilec Music 8.5 Klein & MBO’s perennial Italodisco spin, ‘Dirty Talk’, gets another makeover, this time from Gianluca Pandullo’s I-Robots project on his own Opilec Music label. Here's the hook — Pandullo drafts in some high profile production and vocal credits from house music pioneers, Virgo Four and legendary disco
Power of the Funk
PG Tune 9.5 Cómeme’s Philipp Gorbachev takes a moment to mint his PG Tune label. Doublejointed, new wave rhythms that I can’t get enough of — PG tip!
Esa
Wanna Dance
Big Saints Reward Optimo Trax
Philipp Gorbachev
Highlife World Series (Kenya)
Highlife 9.0 Auntie Flo collaborator, Esa, takes a trip to Kenya and adopts a producer role for some local talent. Killer Afrofunk and disco cuts.
chanteuse Donna McGhee to assist a totally new take. I-Robots’ version with McGhee tracks closely to the original with that sinuous melody, whilst Virgo Four offer a tougher, club-ready alternative.
Claudio Coccoluto TheDub101
THEDUB 8.0 Italian DJ legend, Claudio Coccoluto, reanimates his THEDUB label (after a decade of inactivity) for a dynamic return PBR Streetgang Futureboogie that leans on the heavy disco tip. Two tracks, ‘Everybody Boogie’ 01. PBR STREETGANG ‘Move On, Don’t Want Me (Kian T and ‘Burn Free’ employ some Remix)’ Toy Tonics “Amazing remix by this new Italian producer, sounds like MCDE and Floating classy, brassy disco maneouvres Points locked in a cupboard with a bottle of rum...” for that authentic, party-ready, Salsoul-style touch. A timely 02. L UKE SOLOMON FEAT SAM LYNHAM ‘Stop the Riot (PBR comeback, setting things up Streetgang Oil Me It’s Time To Slide Mix)’ Classic “Great vocal, was so much fun to do this remix. Love playing it.” perfectly for the season ahead.
The Haunted Doorbell Unconnected Thoughts On Jacking
Crimes of the Future 10 Stunning new variants on a minimal wave theme from Timothy J. Fairplay (here alongside occasional studio partner, Matilda Tristram) operating as The Haunted Doorbell. Fairplay and Scott Fraser's Crimes of the Future label has provided some of the more interesting and original, left-of-centre highlights over the past couple of years; and this is, without a doubt, one of my favourites. Four tracks of disconoir par excellence that are nothing short of essential. Plug yourselves in.
03. AWANTO 3 ‘The Girl Is Hot’ Voyage Direct
“Funk-fuelled house roller that’s got legs for days!”
04. SHENODA ‘Mancs’ Electric Minds
“Piano banger, famous sample — what’s not to like?”
05. AL GOBI ‘Cold Springs’ Futureboogie Recordings “Epic, dreamy, beautiful and very playable.”
06. RON BASEJAM ‘Tales From the Night EP’ House of Disco “This has ‘good time in the waters of the Adriatic’ written all over it.”
07. LAURENT GARNIER ‘The Party Goes On’ F Communication “Slow-burning, low-slung chugger with lots of soul.”
08. SASSE & MAURICE AYMARD ‘Backwards (Massimiliano Pagliara Remix)’ Apersonal
“Drifting, loose, hypnotic and driving in equal measure.”
09. CHARLOTTE OC ‘Color My Heart (Paul Woolford ReVersion)’ FT001
“Sounds like some long-lost Red Zone mix, so glad we got Wooly involved in this.”
10. KHLHI ‘Percussions’ Text
“Been in our box since last May and it still hasn’t left!”
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house R E V I E W S Ben ARNOLD ben.a.arnold@gmail.com block party jam ‘For the Same Man’ weaving in and out. ‘Nonamenoname’ is a spacious, cosmic groove, all atmosphere and drama. ‘Dave’s Myth’, meanwhile, delves wondrously deep. Which Dave it refers to remains unclear.
Fono
Real Joy
Tim Toh
Endorphinmachine EP City Fly 9.0
German producer Tim Toh joins the City Fly crew — the Leicester imprint previously home to the likes of Fred P, Andres, Basic Soul Unit and DJ Nature — and 'Endorphinmachine' is a stunner. A blinder. A bona fide disco damager. Endlessly mashes its off-kilter chord changes with soul-soothing Rhodes keys. 'Everything', with ethereal vocals from Ranavalona, blazes, like DJ Koze meeting Matthew Herbert in his pomp. 'Expectations' sounds like a futuristic block party jam fed through a mangle. You need to be on this. Seriously.
Aphrohead Let’s Prance
Crosstown Rebels 8.5 The man, the myth, the legend that is Felix Da Housecat has brought his Aphrohead guise out of the attic for Crosstown Rebels, his first material under the alias that brought us classics like ‘Thee Light’ and ‘In the Dark We Live’ for 15 years. It was worth the wait. ‘Let’s Prance’ — the first track to drop from a new Aphrohead long-
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player — is a thick, pulsating groove, wonky vocals adding to its sublime weirdness. There are mixes from Radio Slave & Thomas Gandey, and Christopher Trücher, who has co-produced the album, but Art Department and BLUD’s rejig smashes it.
Dany F Wouhau
Cómeme 8.0 Colombian 21-year-old Dany F shows dancefloor wisdom well beyond his years on this incendiary four-tracker for Matias Aguayo’s Cómeme. ‘Monitos de la Selva’ seems fiendishly simple, but strip back the layers and there’s a sophisticated acid workout that drills in and won’t quit. Title track ‘Wouhau’ is understated machine music, featuring hypnotic arpeggios. Closer ‘Quiero Love’, however, is a total masterpiece. Heavily syncopated tribal percussion gives way to rave synths, mirrored by a dark and unctuous bassline. Sterling work, young man. Sterling work.
Shenoda Mancs EP
Electric Minds 8.5 Hypercolour’s Shenoda moonlights for London label Electric Minds — occasional home to the likes of Move D, Radio Slave and Mark E — with ‘Mancs’, presumably an ode to the finest city in the land. ‘Mancs’ itself pulses and filters its old school pianos, vocals from B Beat Girls’ classic
Relentless 8.0 For a track so undeniably, unashamedly large, ‘Real Joy’, the breakthrough from Brighton producer Fono, is startlingly original too. Synths bent out of all shape, hard, bordering techno percussion, and vocals that almost shouldn’t fit into the picture but end up binding the noise together, it’s a slab of immaculate crossover perfection. On the remix tip, moulding for the slightly deeper dancefloors is Duke Dumont, no stranger to a bit of crossing over either. This’ll be on all summer, so dive in.
QUICKIES System2
YokoO
VIVa Music 7.5 System2 are a 'wellknown duo' going incognito for Steve Lawler's VIVa imprint. Who cares who they are, though, because this is six tracks of irresistible dancefloor business.
22 Digit 7.5 Julien Beltzung turns out for Manchester imprint 22 Digit. It's a girthsome groove, with mixes from Trus'Me (Afro madness), Clio (New Jersey vibes) and William Welt and Peter Bartram (heavyweight dub).
Everybody's Freakin EP
Reach For Me
Laurent Garnier Honey I’m Home
F Communications 8.0 There’s only one man the first material on the legendary F Communications in five years should come from, and it’s Laurent Garnier, who founded the label with Eric Morand back in 1994. Three tracks here show that Garnier remains the master. ‘I’m Going Home’ is a brooding, off-kilter workout, while ‘The Party Goes On’ rumbles its way through nine minutes of dark, moody disco. But it’s the devastating ‘Drifting In Midwaters’ which edges it, a shape-shifting, euphoric anthem of the first water. Bravo.
Sasha Ether
Last Night On Earth 8.0 The man like Sasha follows his excellent ‘Vapourspace’ release from earlier this year with ‘Ether’, courtesy of his own Last Night On Earth imprint. It is, as one might expect, immaculately presented. Starting out sparse, layers on layers are added, a click here, a burst of white noise there. Then hats, then ride cymbals, then a rolling bass, before pulsing, subtly euphoric synths. It’s something of a masterclass, but then, what did you expect? Chopped liver?
Moodymanc Well Cut Records 01. DUBBLE D PRES MOODYMANC ‘War and Peace (Luke Solomon’s Love and Death Remake)’ Well Cut Records
“I just got the test pressing back so it’s been getting a hammering. Luke adds his trademark edge of twisted funk to the original. Wonderful stuff!”
02. BLACK LOOPS FEAT MAMA ‘E’Z’ Exposure Music
“With the vocal hook of ‘drop your Es, drop your Es, drop your ego’, this sublime, pad-drenched, bass-driven groove is right up my street.”
03. POSTHUMAN ‘We are the City’ I Love Acid Records
“The B-side of an all-round great EP, a building acid thing with an awesome groove. Highly recommended!”
04. MIRKO LOCO ‘U Special feat Jaw’ Cadenza
“I love Mirko’s productions, as I do JAW’s voice and delivery. This is a housier cut from Mirko’s forthcoming album. Perfect for setting the tone.”
05. FERRY ULTRA FEAT GWEN MCCRAE ‘Let Me Do My Thang (Opolopo Dub Mix)’ Peppermint Jam
“The funk. Full stop. I defy anybody not to feel good after putting on this record.”
06. LTDJAMZ ‘Cut4’ Iced
“Another choice groove from a great EP of filtered, soul-tinged productions, all of which betray LTDjamz’s hip-hop roots as much as their dancefloor sensibilities.”
07. PETE DAFEET ‘Wife’ Lost My Dog
“This stood out to me amongst loads of great tracks Pete sent over when demoing his album a little while back. Simply perfect uplifting piano-driven house music.”
08. KEITO SANO ‘Night Walking’ Holic Trax
“Dark jazzy chords over deep, dirty, brooding techno beats. The tension builds and builds.”
09. SVIDA ‘Peter’s Story’ Kretsen
“From the forthcoming ‘Freerider’ EP, brilliantly-produced deep beats with a jazzy chord sequence that references Oliver Nelson’s ‘Stolen Moments’. Deep house heaven.”
10. O.O.R.S. ‘Principles’ Scandalo
“Always love Matthew Evans’s productions. He has just the right balance of rawness and depth. This is a great groove with a conscious spoken word. Another great tone setter.”
d j m a g a s e a n / J U NE 2 0 1 5
E L E C T R O / progressive R E V I E W S
Synced
Angus Thomas Paterson angusthomaspaterson@gmail.com
Ilan Bluestone
QUICKIES Workerz feat Jaw Erase
Back Office 8.0 A rollicking throwback to the electro house that was rocking the clubs back when the Swedes first started making themselves known, ‘Erase’ sports a buzzsaw bassline, plus a dash of sex appeal courtesy of some excellent vocals from Jaw.
Donatello & Arnas D Strangers
Click 8.5 A chunky progressive tune that delivers
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Anjunabeats 8.0 Ilan Bluestone shows again how effective a provider of ‘nu-trance’ he really is, with ‘43’ ticking all the right boxes. There’s melody and emotion for the purists, a titanium-strength groove that can work those main stages, a heroic hook for a chorus plus a really BIG sound. While there aren’t too many surprises, it’s engineered to deliver plenty of ‘oomph’, featuring a little more soul than some of the more functional Anjuna material we’ve heard of late.
wholeheartedly in terms of bigroom drive, there’s also a bristling, moody energy captured that works in tandem perfectly with its hypnotic pulse.
Icarus Cassia
FFRR 9.0 There’s a few classic Bristol vibes to be found in ‘Cassia’, a dash of Way Out Weststyle enigma, which sees Icarus combining clever instrumentation and cheery harmonies with a few deft leftfield turns into darker territory.
Ten Walls Sparta Boso 9.5
The leviathan Lithuanian producer makes his next move with the proper follow-up to his 2013 summer smash ‘Gotham’ (if you accept ‘Walking With Elephants’ as a very effective retread). While ‘Sparta’ still finds Ten Walls in familiar territory, drawing on that same symphonic grandness and those sophisticated arrangements, there’s a lighter touch to the melodrama this time, with a horn section delivering poignant vibes before it slams into its main hook. Evocative club music with genuine resonance, he’s nailed a sound that’s earthy and organic as much as it’s chillingly synthetic.
Axis vs Alae Khaldi Fehrplay Zerothree/Pryda Friends 01. SASHA ‘Vapourspace’ Last Night On Earth
“Love this record. It’s dark, it’s bass-heavy and it has the brilliant progressions of Sasha.”
02. JEREMY OLANDER ‘Goliath (Marc Marzenit Remix)’ Microcastle
“Jeremy’s original is fire, but I absolutely love this proper techno groover from Marc. It has all the right techy elements that I love. And the kick, and the bass sounds immense in the club.”
03. JONAS RATHSMAN ‘Wolfsbane’ Method White
“Such a beautiful, deep, progressive track. I love the smooth bassline, built up with the chord melodies as the track progresses, and the drop comes out of nowhere. Rathsman is on his way to making his own unique sound.”
04. KASSEY VOORN ‘Search & Destroy (SQL Remix)’ Gem
“SQL is on fire lately and this remix is an absolute bomb, with its super-catchy bassline and beautiful breakdown.”
05. MIND AGAINST & LOCKED GROOVE ‘Pulsar’ Hotflush
“My favourite track at the moment. I’m a huge fan of Hotflush and this is a killer signing. It’s hard to explain but it gives me that spine-tingling feeling that I don’t get from most tracks.”
06. CHYMERA ‘Tidal’ Ovum
“Ahhh, I love this weird-ass beat. It’s a slow builder but when it drops, it goes off!”
07. CID INC. ‘Fragile Circle’ Sudbeat
“Cid Inc. is boss, and this track is top. I love the Reese bass flowing through the track and the beautiful melodies building over it.”
08. MACEO PLEX ‘Conjure Dreams’ Drumcode
“Still playing this bad boy a lot. It’s one of Maceo’s darker tracks, resembling his alter ego Maetrik more. It’s evil and perfect for Drumcode.”
09. ARNO COST & ARIAS ‘Magneta’ Vendetta
“An oldie but amazing, proper prog house at its best.”
10. FEHRPLAY & DISFUNKTION ‘Nova’ N/A
“A track I did with the Dutch duo Disfunktion. I’ve been playing this out a lot lately and it works great when you need an uplifting piano moment. It should be coming out pretty soon too!”
JUNE 2015 / dj mag asean
Libra
Enhanced Progressive 9.0 The formula that’s been staked out for groove-driven, electroheavy ‘Trance 2.0’ is polished to perfection here with a record that delivers on every level. The main force comes from the power of its electro bassline that’s heavy enough to swing like a lead pipe, and it’s allowed to take the spotlight earlier on, before its tougher start gives way to trancier elements and it settles into a softer groove. Captures the appeal of trance and packages it up for a different setting.
synths, it shows progressive isn’t afraid to go for the jugular at the moment.
Coyu feat Daniel Wilde Desire (Olivier Giacomotto Remix)
Suara 8.0 Olivier Giacomotto once again nails a club thumper as he reworks Coyu’s grandiose techno tune, stripping out those Berghain vibes and replacing it with a big, heavy tech house stomp that’s weaved with one of his trademark wild arrays of electro noise. Using the vocals in restrained grabs, he unleashes a few particularly grand electro synth flourishes a few minutes in.
GMJ
Nero
Particles 9.5 Not since Sasha reigned as a progressive god at the turn of the century have we heard the kind of epic records that have been dropping in the past year, and old-timers will be wondering where this wellspring of trancey house has been coming from. Rich Curtis delivers a weapon with all the trimmings here. All dreamy melodies, deliciously deep basslines and ghostly, ethereal
MTA 9.0 American DJ/producer Porter Robinson goes in search of new directions for his edgy brand of main stage EDM, and finds exhilarating results as he takes the breathy vocals of Nero’s original, playing up the sugarcoated ‘80s synths, before he blindsides with an unexpected explosion of electro noise. Nailing the dizzying vibes he’s going for, this is set to be a huge one for the incoming summer festivals. Bring on the summer!
Forgotten Wisdom (Rich Curtis Remix)
The Thrill (Porter Robinson Remix)
Butch feat Hohberg
The Spirit (Adriatique Remix)
Watergate 8.5 A mellow techno record that’s loaded to overflowing with evocative melodies, remixers Adriatique work in a few of the grandiose flourishes from Butch’s original, which are used to beautiful effect. However, it’s the powerful melodic hook that does the damage, held down by an equally powerful percussive groove that keeps things nice and functional for the dancefloor.
Stoneface & Terminal Infection
Euphonic 8.0 Even if the trance scene at large seems to have given up on its adventurous side, Stoneface & Terminal are committed to keeping things interesting and ‘Infection’ features the kind of pioneering spirit we heard in the genre a decade ago. Primarily a slab of bassline-driven techno, it’s also home to a perfectly executed euphoric breakdown. Not soon after they’re slamming back into the bassline grind, the different elements weaved together in an effortless fashion.
Stephan Bodzin
Singularity (Monoloc Edit 01)
Life & Death 9.0 Bodzin’s original is a cannilyexecuted slice of synthy drama, the kind of which we’ve come to expect from the likes of Life & Death at the moment, though it’s Monoloc’s edit that gives it a real stratospheric boost. While he keeps the original’s brooding melodies, the rocky bed industrial techno he lays underneath transforms ‘Singularity’ into something quite special.
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techno R E V I E W S RICHARD BROPHY, richardbrophy@gmail.com
Robert Hood/Floorplan Shaker/The Ritual
Kamikaze Space Programme Stokes Croft Trust 9.0
Trust has been around for 15 years, but this release could prove to be a game-changer both for the Viennese label and underground electro generally. The work of Chris Jarman, ‘Croft’ contains some prime underground tracks, including the pummelling subs and ominous chords of ‘Cel’, the searing acid of ‘Clapper’ and the noisy, crunchy ‘HSBC’. The release also boasts ‘Choke’; featuring Emika on vocals, the combination of Jarman’s cyberpunk rhythm, eerie melodies and the Berlin-based artist’s nasal tones could see Trust and the mainstream charts on a collision course. Stranger things have happened.
Drvg Cvltvre Grauwvuur EP
Pinkman 8.0 Vincent Koreman aka Drvg Cvltvre’s productions are highly distinctive and this EP on Pinkman is no exception. Apart from the uncharacteristically introverted ‘Sleepdealer’, this release has the raw, grungy sound that is the Dutch producer’s signature. The grandly titled ‘Tyranny Of The Gods’ invokes the dark side of rave over a throbbing midtempo groove, while ‘My Houz’ explores a grungy, murky take
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on Chicago jack. The stand-out track, however, is ‘Crack Spirit Guide’, which sees Koreman underscore squelching acid with a relentless EBM bass and sabre-sharp drum rolls.
DMX Krew
5 Ways 2 Jack
Super Rhythm Trax 8.0 If anyone can breathe new life into well-worn house and techno sounds, it’s Ed DMX. The UK producer drops a cheeky ragga-fied version of the Lil Louis standard ‘Video Clash’ here, along with a number of interpretations of acid. ‘TXing Control’ and ‘Vicious Bleebz’ offer up tweaky, stripped-back versions, while ‘Up N Down’ is a tougher, slamming track in the DJ Skull mode. Ed also offers a version of that distinctly UK sound, bleep techno, and the breakbeat-heavy ‘BleepO-Logy’ sounds like a close relative of Luca Lozano & Fett Burger’s recent ‘Hands Of Doom’.
Albert Van Abbe Vanabbe 02
Vanabbe 8.0 On previous releases, Dutch producer Van Abbe has favoured an esoteric approach. That sound is audible only once on ‘Vanabbe 02’, on the eerie ambience of the closing track, ‘Official 3’. Elsewhere, he follows a more functional, linear approach. ‘Official 2’ is a stripped-back minimal groove, but it pales in comparison to ‘Official 01’. A hard-funking analogue workout, it’s reminiscent of Hawtin’s Circuit Breaker project.
EPM 8.0 Robert Hood splits his musical personality in two on this release. Under his own name, he offers up ‘Shaker’, which is typical of his current approach to techno; a stomping, linear rhythm caked in just the right level of distortion underpins a vocal loop. It’s relentless, but there isn’t a huge distance between ‘Shaker’ and ‘Ritual’, the Floorplan track. Again, Hood’s approach is streamlined and functional, but instead of the grimy approach, he fuses an ominous organ riff with shaking percussion. There’s not much between them, but the Floorplan track just about shades it.
QUICKIES Gohan
A Sagittariun
Peur Bleue 8.0 ‘Konya’ is an impressive journey into electronic music’s esoteric side. Removed from the dancefloor, Konya has created a paranoid, eerie world that ranges from the dark ambience of 'Lost In Baka Forest' to the brittle, chilling electro of 'Criminal Amnesia' and 'Onlookers Murmur'.
Elastic Dreams 7.0 The mysterious artist drops more old school-referencing tracks. 'Empathogen' is all rolling drums, acid builds and detuned riffs, while 'Some Scrambled Message' goes darker, with insistent bleeps unfolding over rolling breakbeats. The title track’s blissed-out chords complete the release.
Stabbed In Konya EP
Shadow Play
Discrete Circuit Machine Code EP
Inertia 8.0 Discrete Circuit are a duo that favours a raw approach. ‘Compiler’ is a useful metallic percussive workout, while ‘Recursive Descent’ is the most effective track, with the pair laying down a high-paced, sleek rhythm that plunges into a tunnelling acid breakdown, but it’s not the most impressive. That honour goes to the title track, where swathes of percussion and insistent claps underscore a synth riff so rusty you almost need a tetanus shot after hearing it.
Simic
Ogden Place
Major Problems 8.0 Simic sounds like he could be a Croatian footballer, but in reality he’s a Seattle-based producer and ‘Ogden Place’ is his debut record. Given the diversity and quality of the music on offer, it’s obvious that he has favoured gaining experience and expertise before committing to vinyl. The title track is an understated synth workout, while ‘Dust’ sees him deliver a dubby, disco-tinged house groove. Elsewhere, he delivers the insistent deep house/techno of ‘Untitled 1’, which is powered by insistent hooks and filters. ‘Untitled 4’ is the pick of the bunch though, an atmospheric breakbeat techno jam that sounds like a laid-back Shakir.
DJ Glow Trust 01. ITINERANT DUBS ‘Weaving Dub (DJ Stingray Remix)’ Itinerant Dubs
“DJ Stingray is perhaps my favourite producer and DJ out there at the moment, and it’s an honour to have him on my label. This one’s brilliant — fast and deep, Stingray-style.”
02. DJ FETT BURGER ‘Kaosfield’ Mongo Fett
“Unbelievable track, sounds like three unsynced drum machines playing at the same time, and miraculously everything falls into place once the pads come in.”
03. LEGOWELT ‘Satierian Moon Breeze’ Crème Organization
“I hope Danny Wolfers gets a bit of fresh air between releasing a record each month. But as long as his tracks are as good as this one, I’m happy he’s sacrificing his tan for us.”
04. NISENNENMONDAI/SHACKLETON ‘A (Remix)’ Woe to the Septic Heart
“I admire artists like Stingray, Actress and Shackleton, who have created a style that’s very much their own. I buy almost every Shackleton release, and this one is again incredibly good.”
05. CONCUBINE ‘Drone Bloc’ Concubine
“Current fave from a surprising source — love the freestyle new-wave lead synth, reminding me of Tuxedo Moon.”
06. GARY GRITNESS ‘Shit Back Poppin’’ Clone Crown Ltd
“Love Gary Gritness and his lo-fi take on electro funk. Check his YouTube channel as well for his prolific live jamming.”
07. THE ISOLATOR ‘The Healing Spot’ Lockertmatik
“Perfect robotic electro from another dimension. Channeling the Wavejumper, in spirit not style.”
08. PEARSON SOUND ‘Rubber Tree (12” Mix)’ Hessle Audio
“A truly punishing beat workout from Pearson Sound. If you have the urge to play this one, the night is going well.”
09. THE EXALTICS ‘Flexible Horizon’ Trust
“The Exaltics is one of the most dedicated electro producers out there, and this, the opener of the upcoming ‘TRUST XV-III’, is a wonderfully subdued bass workout.”
10. EMIKA ‘Take Me For A Ride’ Emika Records
“I love Emika and I’m really grateful for her contribution to Kamikaze Space Programme’s new TRUST EP. Looking forward to her album, and going by this it’s gonna be big.”
d j m a g a s e a n / J U NE 2 0 1 5
trance R E V I E W S
Synced
Tim Stark PO Box 272, Oxford, OX3 8FJ
QUICKIES
Lange
Formula None
Lange Recordings 7.5 Down in the punchy, pumping, exactingly sequenced and arranged engine of Lange’s latest, there’s definitely imagination and creativity at play. Enough anyway to prevent ‘Formula None’’s title being a total hostage to fortune! Up top, there’s more of his classic sound, especially in the midsection’s strings and synths…
Above & Beyond Ariel & Danilo vs feat Zoe Johnston BigTopo Peace Of Mind
Anjunabeats 8.0 With its more electro-ish production set-up and initially heavily effected vocal treatment, you could be forgiven for wondering where the heart has gone. Come the break, though, ‘Peace Of Mind’ delivers exactly that, as Zoe warms its tone.
Clubbing
Lange Recordings 8.0 ‘Clubbing’ wants nothing more than to push a 4am crowd one step closer to the edge. It succeeds in that with a blistering assembly of stabby, hard-contact riffs and sonic dynamics that should be measured by the megaton.
Matt Holliday
Y
NE New Leaf (Solarstone Remix) MO OT! H S GO On Recordings 10.0
Paul van Dyk VANDIT Records 01. PAUL VAN DYK FEAT SUE MCLAREN ‘Lights’ NewState
“Some singers wash over you a bit, but Sue’s voice I find completely unforgettable. She has a lyrical and vocal penetration that skewers me!”
02. MINO SAFY ‘Around The Garden (Paul van Dyk Remix)’ Euphonic “‘Around The Garden’ was around last summer. I loved what he had going on in the track, but I couldn’t make it work in my sets. So I took the only course of action left open!”
03. PAUL VAN DYK & GENIX ‘For You’ NewState
“Genix has a different approach to the trance sound, one that’s unique. That is actually a great production characteristic — it leaves things so open.”
04. PAUL VAN DYK WITH FKN & MOHAMED RAGAB FEAT JAHALA ‘My World’ NewState
“Norway’s FKN and Jahala do not record and sing very often. When they do though, special things happen. Mohamed and I put some fire in its belly!”
Last month we were bemoaning the lack of temperately appropriate trance in circulation. This month we have Solarstone’s outstanding rework of ‘New Leaf’, and that could be all we need. Key to that is its big chunky drums, thermal strings and more clave, scraper and wood-based percs than you could click a castanet at. It’s actually the latter element (and it’s the first time we’ve ever said that about percussion!) that turns this into the best trance track of the year so far.
05. PAUL VAN DYK WITH GIUSEPPE OTTAVIANI & FISHER ‘In Your Arms’ NewState
“’Politics of Dancing 3’ is my third album in a row that Giuseppe has delivered some Italian force on. Fisher always brings ‘a hopeful sadness’ to her vocals. Mixed in with that melancholy, there’s always a contrasting note of optimism.”
06. PAUL VAN DYK WITH STONEFACE & TERMINAL ‘Follow Me’ NewState
“This is a real get-in-the-studio/let’s-have-fun/thrash-it-all-out type of track. Matthias, Henry and I had lots of fun making it.”
07. NEPTUNE PROJECT VS THE NOBLE SIX ‘Time’ VANDIT Records “At VANDIT, we had our eye on both Neptune Project and The Noble Six for quite a while. So when ‘Time’ landed, we’d basically hit a double win!”
08. PAUL VAN DYK WITH LAS SALINAS FEAT BETSIE LARKIN ‘Love Is’ NewState
“Betsie has a laidback, almost smoky delivery, but you can still hear that there’s some edge buried away in there. That’s always been the big appeal to me about what she does.”
09. PAUL VAN DYK WITH MICHAEL TSUKERMAN FEAT PATRICK DRONEY ‘What We’re Livin For’ NewState
“I think Patrick, who’s this singer from the west coast of America, has a bit of revolution in his voice. His ‘If we only look back then we’ll never know’ line struck an instant chord with me, and worked brilliantly here.”
10. PAUL VAN DYK WITH MARK ETESON FEAT TRICIA MCTEAGUE ‘Heart Like An Ocean’ NewState
“As most of her work has been done in the mainstream, people may not have known Tricia’s name before ‘Only In A Dream’. I met her in Liverpool, listened through her demos and I knew right away how well her voice would work on a club track.”
JUNE 2015 / dj mag asean
Gaia
In Principio
Armind 9.5 With hardly a week to squeeze between them, ‘In Principio’’s gnawing at the heels of ‘Carnation’. This, though, is by leagues the pick of the pair. Initially characterized by mid-range, heads-down punch, there‘s a surfeit of fantastic sub-melodies to marvel at. It’s as Armin-of-old as you can get (and, better yet, desire) and when the track’s leadline finally rises from the drop, this burns very brightly indeed.
John O’Callaghan with Deirdre McLaughlin Stay With Me
Subculture 8.0 There are few safer (and more righteous) pairs of hands
to work Gaelic-style vocals into a production with than O’Callaghan’s. Here, Deirdre McLaughlin is the beneficiary of that know-how, and John initially teases her refrains into ‘Stay With Me’. In the break they adopt centre stage, and backed by a robust, typically JOC-ish production, it traverses safely into peak-time.
Kheiro & Medi feat Danny Claire Let Go
Titan Audio 7.0 A Titan Audio release which features a vocal… so there’s a first. ‘Let Go’ also strays farther north of their regular stomping melodic ground, gear-shifting into the acidizing, uplifting arena. With a bit of a smoldering Betsie Larkin feel to it, Danny Claire’s vocal isn’t bad at all. In the drop, Kheiro & Medi’s riff is arrestingly original too, but it’s a shame it’s not followed through post-break.
Mike Koglin
John 00 Fleming and Rick Pier O’Neil
Perfecto Black 8.0 “Always leave ‘em hungry” as the saying goes, and Koglin does just that. With no more than a smattering of productions over the last three years, when his name crops up, it does so with the cache of rarity. This track for Perfecto Black sports a relatively lean production, with popping FX, subby LFO resonance and of course — for a track entitled ‘Kosmonaut’ — bursts of spacebased radio traffic.
J00F 8.0 John 00 Fleming and recent J00F aegis Rick Pier O’Neil mix an intoxicating brew for ‘The Devil’s Punch Bowl’. The tone is, unsurprisingly, a long, dark and echoic one. Devoid of one dominant melody, it instead shuttles multiple capable sub-riffs. Hence the attention is constantly twisted from one to another, with the tribal reverberation of the drums, buzzing distortion and tubular sonics sucking you deeper still.
Kosmonaut
The Devil’s Punch Bowl
Hard Fi
Will Atkinson
Warners 8.5 Apparently done on the QT last summer; as these major label deals go though, this is only seeing the light of day now. On ‘Fire In The House’, Hard Fi’s Richard Archer hangs off the microphone with more Bernard Sumner-like vocal rakishness than ever before. Simon’s production stylishly picks out every single rock-ishly attitudinal intonation, but it’s the contrastingly quieter moments that provide the greatest impact.
Subculture 9.0 Operatic elements in trance brilliantly lived and all-but died with Tastexperience’s ‘Summersault’ and The Space Brothers mix of Jorio’s ‘Remember Me’. Opera, in an electronic music context, is of course textbook Marmite, with selection, balance and handling absolutely key. ‘Numb The Pain’s soprano accomplishes that with aplomb, fashioning an ether that’s imaginative, well-produced and frankly beautiful enough to bring a lump to the throat.
Fire In The House (Simon Patterson Remix)
Numb The Pain
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Synced
DUbSTEP REVIEWS MARKLE markgurney@gmail.com
Kaiju
QUICKIES
Justice
Deep Medi 7.0 After the detail and complexity of Gantz’s single last month, Kaiju drop their offering with a markedly different and paredback style. It’s all low-end throb, flute flourishes and melodica stabs on ‘Justice’, laid over a spoken word sample from a rastaman and boom, dubstep riddim 101. ‘Creeper’ on the flip heads into the dark recesses of the sound, as brooding and sinister as they come.
Reggae Roast
Soundsystem feat Brother Culture
Reggae Roast 7.5 The Reggae Roast production team collaborate with Brixton’s Brother Culture on a killer diginumber with a stupendous rolling bassline. Mr Culture, extensively featured on Mungo Hi Fi and Manasseh tracks over the years, drops a clarion call vocal, celebrating soundsystem culture and name-checking the legendary sounds in the UK – Shaka, Iration, Aba Shanti-I etc. Benny Page drops a fidgety d&b remix on the flip.
Nu-Agenda
Excursions EP
Groove Chronicles 7.0 A three-track EP from the garage don, Noodles, whose legendary Groove Chronicles productions were the foundations of dubstep as we know it. Nu-Agenda sees him share production duties with Dubchild, but don’t expect any halfstep, moody bass weight here, it’s all slinky house beats, soulful vocals and summertinged grooves. Check ‘Yeah’ for the bounce n roll standout.
Logos
sick ragga-style vocals and super strippedback d&b. Check Sam Black Acre Binga’s remix, taking 7.5 it further into the bass More proto-dancehall machinations from Lurka, bins. but this release is on an experimental tip, explor- Brood Ma Populous ing weird and wonky Hemlock melody manipulation.
9.0
Die & Break vs Mad Hed City
Lurka
Partials
8.0
Glass EP Different Circles
Pinch + Mumdance
Big Slug feat Riko
Tectonic 9.0 After tearing 2014 a new arsehole, Mr Mumdance is back with more speakerworrying madness, thankfully with Tectonic chief Mr Pinch to temper his more abstract tendencies, pulling the riddim nice and tight for Riko Dan to spray lyrical bullets all over like an itinerant sprinkler system. Gun fingers deployed. 'Lucid Dreaming' on the flip is almost a pointless inclusion (but still superbly solid, molten manoeuvres) in comparison.
Candyland Murda
Smog Records 6.0 12th Planet’s Smog Records, once a dubstep stalwart, has, like many of its contemporary labels, diversified, and is now providing a platform to the wider sounds of that loose label, "bass music". Santa Barbara’s Candyland drops the single ‘Murda’, a trap-cum-dubstep number blending classic ragga vocals with hyperkinetic drops.
Variations Big Belly EP
Dub Police 7.5 The third EP on Caspa’s Dub
A continuously mixed eight-track release which delves between 40 Hurts the cracks of techno, Gutterfunk industrial noise and the 8.5 inner reaches of ambiA big collaboration here, producing a quint- ent, typical of Hemlock’s forward vision. Sick. essential UK sound —
The second release on Mumdance and Logos's own imprint sees Logos in typical skeletal mode – drums and melody stripped back to bare bones, focusing on energy and rhythm, powering ‘Glass’ forward into a mechanised hypnosis. The Shapednoise remix is sublime, deconstructed and decaying: it’s a Stott/ Demdike world of noise and abstraction. Seeing out the EP is ‘No Skyline’ and ‘Savanna Overlord’, both eschewing industrial brutality for melodic, cinematic sumptuousness.
Dubchild DPR 01. J:KENZO FEAT JUICEMAN ‘Urban Goriila’ Tempa “A banger, one of my favourites right now.”
02. CASPA FEAT SPYDA ‘War Drum’ DubPolice “A solid dancefloor ripper!”
03. CESSMAN ‘Under Pressure’ Surface Records “Killer tune from Cessman here. Heavy.”
04. DUBCHILD ‘Move Yall’ Speaker Smashers “Big rumbling bassline pressure.”
Police label from the Variation duo continues to deliver on their name, with a diverse four-tracker. The lead track features the vocal prowess of Travis Kaye over a slow-mo grotter. ‘Have Some Death’ is the highlight, a wavey beast that just builds and drops repeatedly. ‘Leaving the Lights’ is a straight little four-to-thefloor number, ‘Diesel Boi’ rounding things off with more halfstepping Wurlitzer business.
05. DUBCHILD ‘Budda Finger’ Speaker Smashers “This is a next dimensional beat.”
06. SKRILLEX ‘Badman feat Ragga Twins’ OWSLA “This is one serious tune!”
07. RDG ‘The Commander’ New World Audio “You’ll hear plenty of sirens for this one!”
08. WHO DEM SOUND ‘Lazy’ Dub “A sick crowd rocking beat.”
09. COKI ‘Red Eye’ Big Apple Records “A classic, heavyweight tune from Coki.”
10. DUBCHILD ‘Sub Soldier’ Speaker Smashers “A mind-shaking track, roll on the subs.”
Yousef - In The Process Of Eight 3rd ar tist album out now. Featuring 12 tracks and collaborations with Reboot, Bontan, Blakkat, Uner, with vocals from The Angel, Kieran Fowkes, and introducing Erica Thompson and Jordan Lesser. Available on iTunes. Beatpor t. Traxsource. yousef.co.uk / circusrecordings.com / itsallcircus.com / circusclub.co.uk / safehousemanagement.com
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d j m a g a s e a n / J U NE 2 0 1 5
BASS REVIEWS
Synced
Oli Marlow, info@sonicrouter.com
FilosofischeStilte
QUICKIES Bambooman
Rusted feat Jehst/ Thickets
Sonic Router 9.0 It’s a lovely feeling, to be able to say that you’ve released a project with one of your all-time favourite emcees; especially when it’s a collaboration that draws the best out of both parties. Jehst rides Bambooman’s brittle percussion perfectly.
Computer Graphics CCCP
Diskotopia 6.0 The Russian producer Pixelord pops out under another computerthemed moniker for a
Munch Palace Vol. 2
five-track exploration of house music on the Diskotopia label. Exploring repetition and broadcast static it’s certainly a palatable and polished offering, it’s just not that exciting.
J. Tijn
Pick Your Battles
Naked Naked 8.0 Delivering two tautly functional dancefloor tools for Naked Naked, J.Tijn’s productions sound positively lithe here. All rumbling low-end and ripples of choked percussion, one side is relentless whilst the other is more fractured, breaky and reliant on blown-out sonics.
Slackk
Backwards Light EP R&S
MONETY!
SHO
Pinch & Mumdance feat Riko Dan Big Slug
Sharp Veins Glacial Sound 01. ISLAND ‘Too Much 3’ Unreleased
“Detuned vapour blasts to the solar plexus. I love these guys.”
02. M.E.S.H. ‘Scythians (DJ J Heat Remix)’ PAN
“To my ears this sounds like a marriage of glossy dub techno and Jersey club, so it’s a dream come true.”
03. TARQUIN ‘Foxtown’ Unreleased
“Mischievous and startling, there’s some crazy synthetic textures in this tune.”
04. MISS MODULAR ‘RIRI BBHMM MM RMX’ Unreleased
“A chopped up, pressurised version of ‘Bitch Better Have My Money’. It bangs.”
05. KELELA ‘Keep It Cool (Rizzla Remix)’ Fade To Mind
“This one’s been stuck in my head since I heard it at this NYC night called Rinsed back in February.”
06. COLLEEN ‘Captain Of None’ Thrill Jockey
“Really calming and hypnotic but also with some sort of tense edge to it (I think).”
07. TERESA WINTER ‘You Made Me Give You All My Love’ Reckno
“I wish there was an extended mix of this song that was about 600% longer.”
08. DEADBOY ‘Inner Palace’ Local Action
“New age flirtations in a bright, dripping forest.”
09. YAMANEKO ‘Timotei On Deck’ Unreleased “Ascendant happy-fight music.”
10. GAS ‘Pop 4’ Mille Plateaux “A perfect song.”
JUNE 2015 / dj mag asean
Pangaea
9.0
I really do hope the world saw even a little bit of what I found in Slackk’s 'Palm Tree Fire' album. The Scouse producer’s debut LP drew deep from his utter immersion in grime music and presented a fantastically unique, slanted distillation of that production style. His first six-track outing on R&S builds on all of that: a bizarre and rich amalgamation of ruggedly primitive drum work and wondrously interweaving discordant synth lines.
Tectonic 7.0 Pinch & Mumdance’s ongoing collaborations have been some of the most noteworthy things to emerge over the past 12 months or so — even if certain writers are noting them for pretty shortsighted reasons. Me? I love the way that you can hear each producer’s style rubbing off on the other, and ‘Big Slug’ feels like Pinch went ham on a set of Mumdance’s delayed ambient crunches before they gave it to Riko to lyrically slew.
Logos
Glass EP
Different Circles 8.0 When Logos set out to explore and deconstruct the classic grime tropes on his debut album, I’m not so sure he’d have predicted that isolated parts of his own experiments would themselves become tropes for a whole new age of
Lowriders 7.5 The first part of the young Dutch producer’s EP for Lowriders caught me off-guard with how rounded it sounded, so it’s hard to ignore the fact that the second instalment of 'Munch Palace' already has a mental benchmark to breach. Sadly part of me still feels like 'Pt.2’ has failed to top it, but when ‘People Are Acting Like...’ drops and dude turns the weird crunchy open hi-hats and reverse stabs up, I forget all that shit.
New Shapes in the Air
grime-influenced music. No one does brooding ambient sheet work like Logos does on ‘No Skyline’ though, and try as the world might, you can’t arrange samples of shattering glass over jungle shuffles like he can.
Cate
Heavy Breathing
Doge 7.0 There’s a lot to loathe in internet meme-themed ‘anti’-marketing strategies — are you poking fun at a generation of purposefully illiterate people or are you being a wistfully sarcastic clever Susan by pressing tracks onto vinyl and presenting them with internet phrases like ‘Wow! Such follow up’? Like, bro, I get the paradox and I’m fully into your subversion of it, but I’m gonna write about nothing but your perplexing promotional campaign as a direct result.
Lurka
Partials/Mach
Black Acre 8.0 Returning on the Bristol-based Black Acre label, Lurka’s set to unleash two rather exceptional slices of astoundingly discordant slow-motion house. ‘Partials’ touts a winning combination of pitch-drunk synth lines that sound profoundly Radiophonic, swirling around themselves in amongst an unpredictable torrent of effects, whilst ‘Mach’ is a little bit more driving and linear. Built from the same set of purposefully detuned top lines and hollowed architecture, they feel like a welcome jump into hyperspace.
Hadal 9.0 Tell you what, I’m more than a little bit chuffed that Party Pange is sitting down at his workstation and opening up the infamous ‘wobbly rudeboy hoover bass ©’ VST again. The shyly masterful Hessle associate returns for the third outing on his own Hadal label, with four more technoleaning cuts that each seem to display a different side of him, pushing out two leant back rollers, one intense bleeper and that peachy, bolshy title track.
JME
Man Don’t Care feat Giggs
Boy Better Know 8.0 You’ll no doubt be thankful that, for once, I resisted the temptation to forgo a proper review and just copy JME’s opening bars word for word in here, but the fact is, the message behind his latest drop, ‘Man Don’t Care’ is very, very straightforward. As soon as you hear that opening riff from Swifta, and JME starts talking about suffocating boaster emcees with wads of his hardearned cash, he makes his point sterling.
Robert Logan Extasis EP
Slowfoot 7.5 There was definitely a time when I don’t think there was anyone in the world who needed a followup from Robert Logan as much as I did. His early production work changed the way I accepted a lot of things and the fact it was released on an experimental jazz label opened me up to a hundred looped tuba phrases. Logan’s finally back and he’s certainly just as striking, though it does feel a bit like it’s production > everything.
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Synced
ALBUM REVIEWS
9.0 Crazy P
Catz N’ Dogz
!K7 Records Lucky 7
Pets Recordings We are feline it!
Nestled snugly somewhere between disco, pop and house, Crazy P have built their own runway on which to walk. Or rather strut. With this in mind, their seventh studio LP gives a firm high five to disco — ‘Cruel Mistress’ and ‘The Come On’ boast guitar riffs Nile Rodgers will wish he wrote — whilst wiggly, emotive numbers ‘The Way’ and ‘WTDS’ tug on heartstrings; something disco doesn’t do too often. ‘Echo’ bridges on glitter-coated electro, whilst ‘Hear My Song’ kicks its heels up like a genuine slice of boogie, but it’s opening cut ‘Like A Fool’ that’s most primed for overground success. Singer Danielle Moore’s cigarette-soaked vocals slide alongside the quality musicality of a bygone era on ‘Walk Dance Talk Sing’, merged with all the modern slickness of 21st century studio production. An undisputed triumph. Charlotte Lucy Cijffers
Grzegorz Demiañczuk and Wojciech Tarañczuk’s third album is a homecoming of sorts — their first long-player to be unleashed through their own Pets Recordings imprint (their first and second both came out on Claude VonStroke’s Mothership). It’s for the best, because this deserves to be all theirs. Well, theirs and their various collaborators’, of which there are many here. ‘From Your Heart’ features Swedish trio Peter, Bjorn & John, for example. It shimmers with Balearic bliss and deserves to be lodged in your brain for the entire summer. ‘Killing With Kindness’ is a subtle rave anthem, with bursts of attitude from Detroit wordsmith Phat Kat, cohort of the late J Dilla. ‘Coming Back’, with Javeon, is a spine-tingling marvel, and ‘Keep On’, with the legendary Green Velvet, is your new jam. Overriding is the feeling that this was made with thought, care, passion and, most of all, joy. It’s a joyful thing, indeed. Ben Arnold
Walk Dance Talk Sing
Nocturnal Sunshine
9.0 Basic Colour Theory
Nocturnal Sunshine I/AM/ME
9.0
Maya’s bright and brilliant Producer, DJ, singer, label owner, illustrator, designer; you could argue that Maya Jane Coles is annoyingly talented. Yet rather than blabbing about her greatness, this JapaneseEnglish musician would rather let the music do the talking. Nocturnal Sunshine is a side project from Coles that reflects her love of the bassier side of dance: the pirate radio flavours of dubstep, two-step garage, and their myriad mutations. Full credit to Maya for sticking to her guns on ‘Nocturnal Sunshine’, when she could easily have reverted to the more famous — and accessible — sounds of her DJ sets. And “bass music” suits MJC down to the ground, a sound which powered some of her earliest releases before she diverted into a more linear tech house direction. Take the wicked ‘It’s Alright’. A true dubstep cut, with a pummelling acid sub Spiral Tribe could have conjured, her cool voice and gift for melody combine with the murky
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electronics in perfect harmony. ‘Take Me There’ is even better: another dubstep track with a sick bass warp and plenty of detail between the grooves, it’s adorned with cool vocal snips that elevate the track to the anthemic. ‘Footsteps’ is fleet of foot indeed, its filtered synths redolent of leaping from cloud to cloud, lighter than air, while ‘Bass Bin’ is a rude, techno garage caper built to decapitate speaker stacks, with bass weight for days and a trippy delayed key riff. ‘Skipper’ is just that, a bumpy two-stepper that’s dosed up on Basic Channel dub techno vibes. ‘Hotel’ might just be the killer to end ‘em all though. Its menacing Drexciyan electro riffs and bump ‘n’ shuffle work well together in a way we haven’t quite heard before. In fact, ‘Nocturnal Sunshine’ is so good, it eclipses Maya’s previous solo record. Incredible production, plenty of ideas and tracks that move feet and heads. Dope to the bone! Ben Murphy
7.0
8.5 Maribou State
Herbert
Counter Records Large wading bird
Accidental Herbert – The Musical
Portraits
Apart from a back-catalogue collection called ‘Beginnings’, ‘Portraits’ is Maribou State’s first proper album and — in terms of professionalism — it’s a masterpiece. Now in league with Ninja Tune’s Counter spin-off, the UK duo have stumbled upon a house/pop formula that feels natural and works. Where other club producers have bent over backwards in recent months to contrive this level of accessibility on an album without completely selling their soul (George FitzGerald’s recent LP is a case in question), it comes with ease for these two on ‘Portraits’. Rather than doing a “Gorgon City” by roping in vocalists and bunging together a selection of disparate chart-friendly tunes, Maribou State stick true to their grainy, sepia-tinged sunset aesthetic throughout, with each track incorporating the heavy minor chords, wiry synths and low-slung vibes now known as their signature.These ‘Portraits’ are to be admired. Adam Saville
The Shakes
When not charting the musical life of a pig or sampling the chaos of a club, Matthew Herbert spends his time recording more dulcet dance sounds as Herbert. Following 2006’s ‘Scale’, this is his first LP under the guise for nine years, pursuing more experimental endeavours under his full name. Rather than obscurity, here we’re given full-blown musicality. Considered a sequel to 2001’s wildly received ‘Bodily Functions’, ‘The Shakes’ feels more like a theatrical score than an electronic jazz album. Opener ‘Battle’ already feels cinematic, Ade Omotayo’s earnest tones (‘Part 8’ EP) return, lamenting as if part of a Les Miserables overture. ‘Middle’ is a taut and harmonic gem, while ‘Smart’ is a show tune fit for a Little Havana cabaret bar. The chorus of ‘Stop’ is just as emotive and ‘Strong’ is a high octane electronic tribute to Stomp. If ‘The Shakes’ is to be Matthew Herbert’s masterpiece, it belongs on a stage. Adam Saville
d j m a g a s e a n / J U NE 2 0 1 5
8.0 Man Power
Damian Lazarus & The Ancient Moons
Man Power
A Message from the Other Side
Correspondant Man of the moment Where once anonymity was a lack of image, typical in techno, now it’s become a mask of its own, a way that artists can conjure an enigma and generate interest in their work. It did the trick for Ten Walls, and is already doing the same for Man Power, whose identity we reveal elsewhere this issue. That shroud of mystery wouldn’t matter if the music didn’t match up, but it really does in Man Power’s case. Delivering his first LP for Jennifer Cardini’s label, he’s tapped into a variety of sonic forms, but melted them together in a cosmic, synth-heavy haze. Tracks like the brilliant ‘Forgot to Remember’ burrow their way into the consciousness, combining trippy FX, cascading arpeggios and a slow house thump, melodic and equal parts dark and light, while ‘French Basic’ is a cold wave electro-pop thing toughened up for dancefloors. It’s original, arresting stuff from a clearly prodigious producer. Ben Murphy
!K7/Crosstown Rebels Moonwalker
This far-out collaborative collection from Crosstown Rebels luminary Damian Lazarus is “music for deserts, jungles and sunrises”, recorded in globe-trotting style, first in his adopted hometown of Los Angeles, then in London with Simian Mobile Disco’s James Ford, then in Mexico, where he throws his epic Day Zero festival. It’s ambitious. But it’s what one might expect from Lazarus who scarcely does things by halves. That said, an album which features Qawwali singing from Pakistan, sitars, Mozambican guitar prodigies and vocals from a Guinean princess has the potential to disappear up its own yin-yang. Luckily, Lazarus will always have his eye on what matters. ‘Vermillion’, with LA singer Moses Sumney, is slinky and gorgeous, and ‘Lovers Eyes’’ eastern vibes work in the same way that Leftfield’s ‘Afro-Left’ did, back in 1995. Ben Arnold
7.0 Tiefschwarz Left
Watergate Records Playing it right with ‘Left’ Berlin-based brothers Tiefschwarz have always excelled at making refined, melodic tech house, but fourth album ‘Left’ finds the duo widening their musical reach and having a fair bit of fun in the process. Collaboration is king here, mostly with experimental producer Khan, resulting in a record that shows Tiefschwarz at their most playful, often swapping tech house sensibilities for colourful voyages — ‘Dark Light’ is almost summery in its gleaming approach and ‘110’ toys with cosmic disco. Sassy single ‘Do Me’ bounces along with a mischievous, more-ish melody, featuring Khan’s whispery, sexy-robot vocals. However, there are deeper, darker tracks, such as ‘Any Moment’ flirting with a minimal Berlin groove, and ‘Dings’ — one of the few instrumentals — pulsing along as a subtle tech house stomper. ‘Left’ is Tiefschwarz not exactly breaking out of the club music bubble, but certainly bouncing around it with smiles on their faces. Tristan Parker
JUNE 2015 / dj mag asean
8.5
7.0
7.5 KÖLSCH
Hunee
Kompakt Gooey grandeur
Rush Hour Sweet and satisfying
1983
Hunch Music
Best known for emotive club smash ‘Der Alte’, Kompakt fave KÖLSCH takes on the long play format for the second time with his nostalgically titled ‘1983’. The LP has long been a makeor-break medium for dance producers, with even the best of them failing to capture the atmospherics of club music on a shiny, flat-packed disc. A club set from KÖLSCH ‘1983’ certainly is not, with the producer’s beatless opener a clue to the LP’s overall direction. Sticking to the tech-house-with-feelings timbre he’s been touting, ‘1983’ is stacked with spacious swelling synths and gooey, orchestral overlays, as the tracks steadily expand and contract with a sense of grandeur. Stand-outs ‘Pacer’, ‘Underwegs’ and past hit ‘Cassiopeia’ will impress — despite the latter sounding undeniably similar to the aforementioned ‘Der Alte’ — adding up to a consistent (if slightly less dynamic) second LP from the Dane. Kristan J Caryl
9.0
Amsterdam-based, Korean-German producer Hunee is the kind of house head that the most discerning DJs dig. It’s no surprise that peeps like Prosumer play his records, as there’s a playful, musical experimentalism present in his tracks, plus a feeling for the funk. His beats never neglect the floor, but is that the case on his debut album for fellow Amsterdam crew Rush Hour? Well, it’s still Hunee all over. Those colourful synths still leap from the speaker in a riot of synaesthetic splendour, and ‘Cross Road’ is house loaded with ambiguous emotion, pregnant with tension and pendulous bass, while the acidic ‘Silent Sensations’ laces our brainpans with Detroitian pads, and ‘Desire’ is all warm swells of bass and percussive wiggle. The vibe is as if a Chicago veteran producer got dipped in vivid tones of Dulux. It’s where he eases off the pedal that things aren’t quite so convincing, but when he’s in the house, Hunee’s sweet. Ben Murphy
8.5
5.0
Ptaki
FP-Oner
Steve Aoki
Transatlantyk Bird is the word
Mule Musiq Drop dead Fred
Dim Mak/Ultra Music A cake made of Marmite
Przelot
“Ptaki” means “birds” in Polish, and this collaboration with Jaromir Kaminski sees Polish producer The Phantom really take flight. Both obsessive record diggers, they’ve fashioned ‘Przelot’ exclusively from samples, and from an intriguing source. All the parts used are from East European records (what they call “Baltic Beat”), and the breadth of sounds on show is astonishing. From gorgeous, dusky Balearic ambience to slow-mo chuggers, it’s a lush listen for fans of labels Rong Music, Emotional Response and Golf Channel. ‘Warsaw’ taps into the same languid disco The Phantom’s perfected under his own name, ‘Juz Tyle’ is the kind of trip-hop you’d happily be set adrift in a rowboat to for eternity, and if you don’t flip your wig over the yearning vocal and N.O.Wesque bass of ‘Sloneczny Pyl’ then there’s no hope for you. Incredible record. Ben Murphy
5
Brooklyn’s Fred Peterkin pulls out his FP-Oner alias — as opposed to the more standard Fred P — for this set on Toshiya Kawasaki’s Tokyo label Mule Musiq. It truly spans the girth-some width of his skills too — encompassing atmospheric techno, unctuous house music, tribal jams and soulful, interstellar dubs. From the moment ‘In the Mist of the Sunrise’ introduces its deep, deep, molar-rattling sub, with reverb-sodden organ stabs providing texture, resistance is futile. ‘Infinite Love’ is indebted to Model 500 or Kenny Larkin’s vibe heavy tech house, but all Peterkin’s own. ‘Platinum Soul’ and ‘The Realm of Possibility’ hang on their percussion, both in startling different ways. ‘The Law of Correspondence’ is a near 11-minute epic, flooded with pads, and then somewhere around the halfway mark, deep space jazz chords. This is an album made to ease your aching soul. Ben Arnold
Neon Future II
Snoop Lion, emo-metallers Linkin Park, Weezer’s geek-rock champ Rivers Cuomo and sci-fi director royalty J. J. Abrams collaborate on an EDM album. No, it’s not the start of a joke or the weirdest cheese dream ever. This lot all feature on the second part of EDM majority shareholder Steve Aoki’s ‘Neon Future’ project. There are bass-face EDC-style bangers (‘Time Capsule’), euphoric vocal-led tracks with cringey titles — ‘Home We’ll Go (Take My Hand)’ — and seriously sugary electro house (‘I Love it When You Cry’), but let’s look at the basics here: if you like your dance music with a colossal helping of glittery electro and big, brash — some folk might even say dumb — drops and choruses, well, you’re probably a fan of Steve Aoki already and will no doubt lap up ‘Neon Future II’. If that all sounds like a recipe for musical disaster to you, this album isn’t going to change your mind. Tristan Parker
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RED b y
D J
M AG
A S E A N
Rolling out the carpet for the modern, stylish and discerning music lover, RED brings you the latest handpicked premium luxury lifestyle must haves from around the globe. Indulge in the finest that fashion can get you in TailoRED, fix your spirits with PouRED, check out the best rides (on and off the road) in ChauffeuRED, and get jacked to the top-class tech and gadgets around town in WiRED.
[ ta i lo r e d] [Pourred] [ C H AU F F EURED ] [Wired] [ p r e ff e RED ]
JUNE 2015 / dj mag asean
p. 40 p. 42 p. 44 p. 46 p. 48
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#HMBalmaination
H&M and Balmain made quite the announcement at the recent Billboard Music Awards, with Olivier Rousteing, Kendall Jenner and Jourdan Dunn arriving in the first pieces of the confirmed H&M and Balmain collaboration – a collection that’s got many in the fashion forward scene nodding in approval. A veritable bastion of French luxury, Balmain – under the creative directorship of young Olivier Rousteing – has grown into a global pop-culture phenomenon. Still, Olivier has always remained true to the brand’s DNA and its couture legacy. With his unique and modern take on the Parisian brand heritage, coupled with the high-quality fashion style of H&M, this collaboration came as a natural decision. “I want to talk to my generation: this is my main aim as a designer. H&M allows me the unique possibility of bringing everyone into the world of Balmain, getting a piece of the dream. The collaboration felt extremely natural to me: H&M is a brand that everybody connects to. It calls for unity, and I am all for it,” says Olivier. The collection – which includes menswear as well as womenswear and accessories – will land in stores this November. Order that additional closet now.
CHURCH’S NEW TESTAMENT TO SNEAKERS
More famously known for their premium leather brogues, boots, and loafers, historic British high-end cobbler Church’s, plans to add a spring to your step this summer as they introduce their first ever sneaker collection; the Church’s Mirfield. After 300+ years, this first-of-its-kind Church collection will make even the most conservative of gentleman give in to the sneaker craze that’s still dominating menswear right now. Dubbed the Mirfield, the shoe’s design draws from the brand’s history, quality and craftsmanship cues - and is made in their factories in Italy from calfskin leather, luxurious suede or elegant gabardine. Founded in 1873 by Thomas Church, with a family heritage shoemaking that traces back to 1675, Church’s stands as one of the most prominent shoemakers in the world - and were the ones to first introduce right and left shaped shoes. Mirfield’s casually elegant open lacing style evokes the Derby aesthetic of their iconic Shannon lace-up. The upper’s subtle hand stitching and an embossed Church’s logo on the tongue helps add a layer of refinement to your kicks, while the white rubber sole’s circular indents, inspired by the brand’s Dainite version, provides a polished and clean finishing touch. Definitely the kind of kicks we would put our money on.
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[ ta i lo
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Pharrell x adidas Superstar Supercolor
Whilst everyone else is buzzing about the 50 Shades Of Grey movie and books, Pharrell and adidas have come up with a much better version of 50 shades and it’s in the hue of shoes! A recent collaboration between Pharrell and the famous three stripes have sneaker-heads all of over town excited. Launched last April, the Pharrell x adidas Superstar Supercolor collection comprises of 50 different pair of various Crayola hues. The theme of Supercolor was intended to celebrate equality through diversity which is prevalent as the side stripes portion of the sneaker reads “Equality.”
Tod’s Gommino: Let Your Kicks Do The Talking
Mocassins, the well trusted solution for summer suits, after office get-togethers, beach weddings and parties, comes done like never before. Renowned for their mastery and workmanship in the moccasin craft, Tod’s recently announced the Gommino Club Project (GCP ) – a customizeable, made to suit offering that lets your kicks speak volumes on your individual fashion sense and nuances. Available in select Tod’s boutiques around the world, the GCP allows you to create designs from a selection of 100,000 different combinations. Marrying velvet soft leather, years of master-craftsmanship and inspired by driving shoes from the fabulous 50’s, Tod’s Gommino was created to combine classic Italian style with the comfort for a modern shoe. With personalized top leather braids in various designs and colours, a monogram imprint of your initials and an exclusive membership card that features your personal order number, this is one experience that you shouldn’t miss out on.
J U N E 2 0 1 5 / dj d j mag m a g asean asean
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[Pour
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FiftySix Degrees :
Drawing inspiration from the sense of adventure, and borne out of fire, malt, and water and the indomitable spirit of the Scottish Highlands, FiftySix Degrees is by any measure a Scotch whisky at heart, created with the Asian palate in mind. Named after the latitude of the Scottish highlands – known for its rugged beauty, rich clan history and exceptionally crafted whiskies – FiftySix
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Degrees is a collaboration between Malaysia’s first female whisky blend creator and entrepreneur, Kristine Goh, and international renowned independent Scotch Whisky company, Ian McLeod Distillers Ltd. Distilled and bottled by Ian McLeod Distillers and then shipped to Malaysia for bottling, the rich new-age blend of FiftySix Degrees comprises of specially selected single malts and a single grain whisky, which is then aged in oak barrels that formerly contained
bourbon and then finished in sherry casks. As you raise a glass towards you, FiftySix Degrees reveals an aroma of soft slightly citrus notes, and a rich malty heart with tinges of fudge. On the palate, it is vibrant, fresh and creamy, and goes down very smoothly – with a balanced, soft and mature finish. Truly a great tasting, easyto-drink and well-crafted whisky, FiftySix Degrees in itself is an adventure that is sure to get both whisky aficionados and novices excited.
d j m a g a s e a n / J U NE 2 0 1 5
[Pour
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TANG-TANG-TANG!
Bacardi Ltd. is looking to break into the liquor market in Asia by introducing a uniquely infused spirit. The company known for its namesake rum has introduced Tang, a distilled green tea alcohol that is developed through a complex process. Harnessing the magical properties of the quintessentially Chinese ingredient and blending it with finest spring water from France, TANG is a contemporary spirit with a truly unique and robust taste profile that delivers a brand new drinking experience. Currently on 2000 thousand bottles have been produced and are being sold in high-end restaurants in China. If you’re heading in that direction sometime soon, be sure to get yourself a glass of Tang and let us know what you think. The light green colored alcohol is currently only sold in China but will be distributed globally once the appreciation of tea infused rum catches on.
Ice, Ice Baby: Moet & Chandon Nectar Imperial
Moet & Chandon have proudly introduced the new Moet Nectar Imperial, adding a new adventurous statement to the House’s style to Champagne enthusiast in Asia. The new exotic and rich champagne has a distinguished style that is brought about by its bright fruitiness, seductive palate and its elegant maturity. In a bold move, Moet & Chandon are giving bubbly lovers a taste experience like no other, with Moet Nectar Imperial as the first offering from the house to be served with ice cubes. Moet Nectar Imperial’s is bold yellow with golden highlights and is embellished with generous and rich aromas from tropical fruits and sweet spices. The champagne pairs well with rich and spicy flavors, and is suggested to be paired with Spicy Indian and Chinese dishes with nuts such as cashews and macadamia nuts or Yellowfleshed exotic fruits and blue-veined cheeses.
J U N E 2 0 1 5 / dj d j mag m a g asean asean
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[CHAUFFEU
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Truly Electrifying: TESLA S P85D
The TESLA S P85D is fast. How fast you say? Try Ferrari and McLaren Fast. Churning out 691 HP, this electric car goes from 0-100 km/h in 3.1 secs and has enough room for five, with trunk space for all the road trips ahead of you. Dubbed the Tesla S P 85D – the D stands for dual. That’s right, dual engines takes this unassuming sedan from mild to wild in mere seconds. Made to match the McLaren F1, a 221 HP motor in the front adds a punch to the rear 470 HP motor – generating 1G of blinding acceleration force – and corners like its own rails thanks to its all wheel drive and low centre of gravity. There is no doubt that it’s a beauty (and a beast) of its own class; featuring recessing door-handles, 21-inch custom sport rims, three drive settings – Normal, Sport and Insane (hitting this button gets 50 per cent more power than Sport mode), a 17-inch multitouch screen (with 3G, dual screen functionality) multiple smart features such as auto-pilot mode. Unlike most cars, the Model S gets faster, smarter, and better as time passes. With Tesla’s regular over-the-air software updates, Model S actually improves while you sleep. When you wake up, added functionality, enhanced performance, and improved user experience make you feel like you are driving a new car. The 3G-enabled system also learns your calendar so it is charged and warmed up ready to go before you step out the door. Oh and if there’s traffic, it will even let you know you need to set off early! The quickest-accelerating sedan in the world is now electric - with supercar performance and next level smart features and innovations - the Tesla S P85D definitely zaps its mark into the books of automotive history.
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J U N E 2 0 1 5 / dj d j mag m a g asean asean
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[wi
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Philips Fidelio Soundbar B5
Gibson Innovations recently announced the availability of the Philips Fidelio audio collection – one that features some truly unique and distinctive offerings for audiophiles and music enthusiasts around the region. The premium Philips Fidelio B5 Soundbar is what got us a little excited. The B5 Soundbar marries brains and beauty that ultimately results in a minimalist and premium aluminum-finished soundbar that delivers crystal sound performance – thanks to its audiophile-grade 3-inch full range drivers, premium soft tweet domes and immersive surround technology by Dolby Digital and Dolby Pro Logic 3. Here comes the kicker. When it comes to fully immersing yourself into the action, simply place the wireless detachable speakers behind you for a real surround sound experience. Thanks to its advanced calibration algorithm, you can be assured of a perfectly balanced surround sound, regardless of where the speakers are placed in the room. That’s not all. Every part of the soundbar, including the main bar and speakers, can be used as independent Bluetooth speakers! Versatile, powerful and long-lasting (up to 5 hours of music/10 hours of movies) on a single charge, the B5 soundbar allows you to sit back, relax and enjoy your favourite tunes and movies on the go!
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[wi
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INTEL’s Snakeskin Smart Bracelet
Intel’s MICA, which stands for “My Intelligent Communication Accessory”, is a smart bracelet disguised in high fashion. Designed using semi-precious gems and watersnake skin, MICA will launch in two designs – with the first design featuring black watersnake skin, pearls from China, and lapis stones from Madagascar, while the second incorporates white watersnake skin, a tiger’s eye gemstone from South Africa, and obsidian from Russia. This eye-catching bracelets feature a 1.6inch, 256 × 160 OLED curved sapphire glass touchscreen, and will provide wearers with information such as messages, reminders and alerts. It supports almost all forms of notifications and is pre-configured to work with your Facebook, Gmail, and calendars. MICA can also be setup with VIP lists, prioritizing certain people or particular messages, and will also be able to tell you how to get to your next meeting with its built-in GPS function.
Lamborghini Goes Mobile
Love living in the fast lane? Well, Lamborghini just unveiled another creation that has got us a little stoked. Tonino Lamborghini, the furniture and tech sub-brand of Lamborghini introduced the 88 Tauri Android Smartphone, a stylish and sleek phone with handcrafted stainless steel. This luxurious device comes in 5 colours of Calfskin leather, 3 metal finishing and even Gold as well. And if you feel like taking a lavish selfie then you can do so with their 20 MP camera that sports dual LED flash. The 88 Tauri flaunts the iconic raging bull logo on both sides, reflecting the brands rich Italian background. The smartphone features a five inch HD display made out of Gorilla glass, there’s even more of an exclusivity factor, there are only 1947 of each metal/leather combination, and this is in honour of Antonio “Tonino” Lamborghini who was born in 1947. If all that doesn’t give you enough reason to want to throw your money at Lamborghini then check this, the phone comes with the brands signature earphones and is placed in a supercar like box!
J U N E 2 0 1 5 / dj d j mag m a g asean asean
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[Preffe
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Tiffany & Co. Lets You Own Your New York Minute
With a heritage of watchmaking that goes back more than a decade and a half, Tiffany & Co. introduces a new watch for this moment in time: The Tiffany CT60, inspired by founder Charles Lewis Tiffany—inventor of the New York Minute—and the city where he first opened his doors to a new world of style. This dynamic collection reflects the cadence of modern life from the streets of New York to every pulsating point on the globe. The timepieces are infused with the energy and ambition summed up in the famous phrase — New York Minute — 60 seconds of pure possibility. Inspired by a Tiffany & Co. gold watch given to U.S. President Franklin D. Roosevelt in 1945 (to commemorate the end of World War 2), the collection represents a seamless transition from historic to modern Tiffany design. These masterworks are powered by movements of the finest Swiss pedigree. Time-honored techniques such as Côtes de Genève, Colimaçon and Perlage finishing result in extraordinary timepieces. The watches for men and women include a chronograph in stainless steel with self-winding mechanical movement, blue soleil finishing and silver poudré numerals. An 18 karat rose gold calendar watch with a 42-hour power reserve, shock-absorption system and sapphire crystal display back is created in a limited edition of 60, each numbered on the case back. Other timepieces in the collection include a 3-hand timepiece in 18 karat rose gold with gold poudré numerals and diamond bezel.
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BEST of the Region
[ DJ i n t e r n at i o n a l f e at u r e ] [ DJ R eg i o n a l f e at u r e ]
JUNE 2015 / dj mag asean
p. 50 p. 54
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international DJ feature
[Netherlands]
Martin Garrix 50
d j m ad gj ams a eg a na s / eJaUnNE/ 2 0 1 5
Merely 19, Martin Garrix has been shaking things up in the industry and set to be one of the biggest dance music names of the 20th century. With chart topping singles under his belt and an impressive climb to #4 from #40 on DJ Mag Top 100 poll, this young producer is accomplishing more than you and I can imagine. Amidst concurring club circuits around the world, Martin sat down to have a chat with DJ MAG ASEAN before he raised the roof at KL Live for his sold out Zouk Presents Martin Garrix show. First off I’ve got to wish you happy belated birthday. All your fans wanted me to wish you on behalf of them as well. So tell us what did you do for your big day? It’s your last year as a teen. I had a really nice one, I didn’t really party. I was just with my friends, having a few drinks and then at 12 o’clock it was my birthday and they had a cake. It was a lot of fun. When I’m back in Amsterdam, I’ve got studio time planed and chilling with friends and family. First thing I’m going to do when I’m at home on Tuesday is grab dinner at my parents place. You were in Bangkok, Manila and now you’re here then you’ll be heading over to Vegas for Memorial Day. When do you rest? Is there no down time if you’re Martin Garrix? I work a lot but we still manage to schedule studio days, it’s a balance between studio time and free time which I can spend with family and friends and touring. It’s a hectic schedule but we still manage to make it happen. I still manage to make it fun. It’s not that I’m over working or stressing out. You’ve had quite the inspiring tale, you’ve accomplished so much more than any 19 year old and did most of it whilst studying. I honestly have no clue. For me it’s all been super crazy. I got signed to spinning records that was already for me like THE
J U NE NE 2015 / dj mag asean
dream and like Whoa! I’m part of this label now with artists like Afrojack, Tiesto and … And I just started pitching my stuff there and started creating a fan base I came up with the name Martin Garrix and then I had “Animals” of course which was super important to me. From that point it was like crazy, it was lot of tracks, I got to work so many guys I look up to, and now Usher. It’s like one crazy world; I’ve just really realize what’s happening. It’s a lot of fun! We’re looking forward to getting our hands on Rewind, Repeat It. What more do you have planned for this year, any more secret collabs? I got so much stuff coming up, I’ve made that track with Ed Sheeran but I don’t know when it’s getting released because the label, Ugghh. I’m the guy who makes the music but then there’s the label like going through the process. Besides that I’ve been in the studio almost all the time, working on new stuff. I’ve been in the studio David Guetta, Avicii, did a track with Tiesto, with John Martin. I’ve been working on a track and have some really cool things coming up. The problem is that I make too much music right now, so it’s filtering which one we can release, which ones will fit in the release schedule. I’m
working on an album too, and it’s my first so it’s taking sometime but it’ll be sick! If you could form a boyband with four other DJ’s who would they be and why? Dillon Francis, because he’s fucking funny, Tiesto, Alesso, and Julian Jordan. We’d be five direction*laughs*I don’t know, I have to think of a better name! You’ve played in so many venues all around the world, but if you could stage a rave anywhere you want, where would it be? In the Grand Canyon, like it’s crazy. It’s like a hole in the ground, so deep, so pretty, so beautiful. But it’s the State’s property so you know. I love like a beautiful place, maybe in the jungle. They’re enough beautiful places in the world for me to throw this party! What would you like to say to your fans? I fucking love you guys! I’m super happy to finally be back here. The last time I was here, the show got canceled, it was FMFA and I was so unbelievably sad because the first show I did here was with Avicii and that was so much fun. It was so crazy so much energy. And I’m super happy to finally be back here and to be able to play a set for my Malaysian fans.
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international DJ feature
[ A M ER I C A ]
Henry Fong From humble beginnings to a string of successful hits like, “Hot Steppa”, “Revival”, “Jump”, and the massive “Encore” with MAKJ, LA- based dreadlocked DJ/Producer, Henry Fong is fast on the rise and from the looks of it isn’t stopping anytime soon. Henry was in Kuala Lumpur, Malaysia recently for a set at Zouk, KL and we had the opportunity to chat with him a little on his dreads, music, sushi and his thoughts on EDM in South East Asia. So Henry, let’s start with an easy one. What’s a day like in the life of Henry Fong? Oh and we hear you can make sushi. Tell us about that. Well, I wake up, check emails (especially on Mondays ) and see if there’s any important promos or emails. If not, I just drive a couple minutes down to the beach and go surfing. It’s like my exercise. Do that, come home, make coffee, eat some food and start working on music. This happens from Monday to Thursday and from Friday to Sunday it’s just shows. Yea I can make sushi. I used to work on a fishing boat in highschool and I had a real passion for the ocean with fishing and surfing. Been around fish my whole life. So there’s this other guy named Henry Fong from Hong Kong with a billionaire dad. It seems many often mistake you for him. You got a secret identity or something? ahaha…yea. No we’re not the same guy. He isn’t a producer and his dad is like this 90-year old billionaire real estate mogul. There are people tweeting me saying I’m only in this cause my dad’s a billionaire and I bought my way into DJing. I’m like dude, I worked my ass off to get to this point and you get kinda defensive. Let’s touch on EDM for a bit. You had a Facebook status addressing the issue of underground techno guys dissing EDM. Can you elaborate on that? It’s just different music man. I mean, underground and techno is always going
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to be there. That’s the root of dance music, you always respect that. Without that we wouldn’t have the EDM scene we have now. At the same time, the music’s branched off into so many different genres, and the mainstream EDM is feeding more music, so people listen to EDM awhile and then they start listening to other music and then they start listening to deeper stuff, more underground stuff eventually, and that’s the way it works. Whereas before, you start with underground stuff and then you get more mainstream. Now it’s the opposite. That’s kind of what I was trying to say. There’s two different types of music, two different kinds of vibes. If you’re a kid in college and you wanna party, you go listen to the more mainstream EDM, which is totally cool, coz that’s the vibe it has. It’s high energy, it’s fun, it’s party music and that’s ok. Everybody goes through a phase in their lives where they wanna party and just have fun. You only get to do that once in your life you know? Some of those guys just don’t get that concept. Music has evolved so much since then. There needs to be mutual respect from both sides. So what’s your response to those who say you’re a sellout if you go EDM mainstream? You see these kids that are listening to the mainstage music, they like it for a reason, they don’t like it coz it sounds stupid. I have friends who are doctors and lawyers, very intelligent people, that love to go party and listen to mainstage music. And they’re not listening to it coz they’re stupid, like how some of these guys call it brainless, stupid big room EDM or whatever. It’s fun music and it sounds really good on a festival system. The producers now, they have the music dialled in so much that they know the right way to make the kick drums and the synths sound huge and everything and it’s the perfect combination for music that sounds really good on a festival system. And that’s another reason it’s so popular too.
We’re pretty sure a lot of people immediately stereotype and say “Oh, you’ve got dreads so your music must have a lot of reggae influence.” Aside from “Hot Steppa”, do you see yourself adding reggae elements again in upcoming tracks? Hahaha…You’re on it dude. Cause my next one is kind of like a follow up to Hot Steppa. Hot Steppa had a little more of an electro sound on the drums, so it’s like Hot Steppa with a clubby urban vibe to it as oppose to being so electro. It’s got like a bit more kick pattern and the lead on the drop is like vocals.I had like this crazy reggae guy and in the first drop he’s just singing. The drop is just a kick drum and a reggae guy singing. So I’m really excited about this one. It’ll be out before the end of summer. Ok let’s take a trip back down memory lane. When you started, you organized electro nights called ‘Riot’. Are you still doing that? Ahh..You do your research. Haha…No it was really hard to keep a weekly thing going. It’s a lot of work for little pay out but it was fun. I wouldn’t take it back for the world. That’s how I started DJing. I wouldn’t be doing what I’m doing if not for this night. We’re just like fuck it. We wanna play dance music. I’ve got fired from many nights coz they’re like you play too much dance music and we want Top 40 hip hop to keep people in the room…blah blah blah. So we started our own night to play whatever the hell we wanted. Took us a couple months to build and after that, the line was wrapped around the building capacity for two years straight. Every single week, every Wednesday night was just packed. Let’s move on to South East Asia now. Any favourite DJs from the region or someone you look up to? Yea! Angger Dimas is one of them. Definitely been an influence on some of the music I’ve made. He was making more of the big room Dutch kinda bangers before anyone was doing it and he was making the distorted kick drums before anybody was doing it.
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Do you think DJs from this region have what it takes to be forerunners in the industry? Absolutely! I mean like Asia in general has so much technology and the tech is readily available for everybody. The scene is growing so fast over here so I think in the next couple years you’ll see a couple of really big Asian acts. I wouldn’t be surprised. Last question! If you had the opportunity to collaborate with a DJ you’ve never collaborated with, who would you do pick? There are so many good producers right now, but it’ll be awesome to collaborate with some new, up and coming guys. But if it was a big name, someone’s music I’ve always loved which I think is awesome would be Dyro. I really respect Dyro as a producer cause he really puts so much time into the sounds he makes. He seems to me like a real big studio nerd. That’s the kind of person that you would work with and really learn something from. That’s the kind of people I like to work with, you know? Those that really take producing seriously and pay attention to the little things.
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Regional DJ feature
How would you describe your music? For now the music that I produce is more towards big room house tracks with influences from many wonderful artists that I listen to at that time. But for my sets, well I love to play around a lot, to keep me and my crowd away from boredom, sometimes I put elements of RnB, hip hop, house, deep house, techno, trance in my sets, I like to keep my crowd guessing for my next track. Tell us more about your recently released track “Volcano”. It all began from the backstage of Dreamfields festival in Bali, I met Indyana there who was the resident DJ of Dreamfields, from that moment on we produce a track together, send each other ideas and stuff over the internet for the track, and then Volcano was released, thank God for Internet. From your newly released track, to being featured in a movie, what more do you have planned for this year? This Year I’m honoured to be given an opportunity to play at Dreamfields festival Netherland, and also will be playing in some of the clubs in Amsterdam, promoting my single with Indyana “Volcano”, my Asian tour, hopefully I will be playing in your home town soon!
[ in d o n e s i a ]
Yasmin Hi there DJ Yasmin! Tell us more about yourself and your journey towards becoming a DJ. Who were your influences and what have been your achievements so far? Hello DJ Mag thank you for this opportunity, actually I come from a family that loves music, my grandfather was an artist he plays many musical instruments. I think my passion for music came from that, I’ve been DJing since 2008 when I went to University at my home town Bandung, Indonesia, at first my best friend taught me how to DJ and then I’ve been DJing ever since. In my early days my influences came from Armin
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van Burren and Tiesto, because my best friend was a trance DJ back then, so we listened to Armin and Tiesto a lot, later on I started listening to many different genres, house, techno, etc but i think for now my style is mainly House, big room house, with a bit influences from others genres also. I want to keep my set fresh and entertaining for myself and as many people as possible .My achievements so far, the best DJ of the year in 2013 Paranoia Award, Best DJ Colloseum award in 2014, Hai magazine readers pol 2014, Rolling Stone Indonesia editor’s choice awards 2015, AMI awards dance music nomination, etc.
What do you think of the electronic music scene in Indonesia? I think the electronic music scene in Indonesia has achieved new heights, compared to the previous years. There are new festivals every year with big names in the industry start to recognise Indonesia as one of the destination for dance music enthusiast from all over the world. EDM songs in the radio began to get a lot of air time, and even running events and a lot of other events require a DJ as a talent for the events, I’m very happy with this. If you could stage a rave anywhere in the world, where would it be and why? Tomorrowland, and Ibiza, it would be a dream come true! Do you have anything to say to your fans? Thank you for the love and support for all these years, please keep supporting me and praying for me, without you guys I wouldn’t even be here right now, be save from all the negativity surrounding dance music, be responsible and I love you guys.
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[thailand]
JONNIE B Jonnie To B, Or Not To B? Tell us more about how you got into the scene Jonnie. I’ve always been a big fan of music and I would listen to all kinds of genres from Metallica, to 50 cent and Above and Beyond as well. My love for anything with a beat id honestly what got me here. It started with me playing around house parties at first, which then grew to college parties and even weddings – and it wasn’t long before I realized that people were actually having fun and really enjoying themselves during my sets. From then on, I’ve just really been working on myself and on growing the local trance scene in Thailand.
as a way to grow the love and appreciation for trance among our local music fans. For a long time, the favourite EDM genre here has always been electro, house, or tech house. This is not to say that Thai people do not enjoy trance music, it is just that their choices are heavily influenced by what is trending/cool at the moment in the West (such as big room/mainstream beats). With a great team, relentless activations and event nights, TMLT is now the largest trance community in Thailand – and we hope to grow it to higher lengths this here.
What’s the trance scene in Thailand like? The trance scene here is definitely picking up. Back when I started, it was tough to even get a gig as a trance DJ – I remember riding on my bike to 40 different clubs around town to pass them my demo. And even then it would be tough to convince them to let me play. It’s definitely improved since then, the trance scene here is getting a lot more attention thanks to maturing music tastes, clubs that are more willing to explore new nights, and unique trance parties and events.
How would you describe your style of music? My favourite trance styles are progressive, tech and also psy - and in all my sets you are sure to feel uplifting beats and notes – the reason behind my love for trance music. I think this music truly can trigger powerful positive reactions and it just works for me. The music and sets I play very much depend on the party or event I am playing for. I play for the party and if the party requires me to play a supporting role, then I build it up slowly for the headliner, but if it needs me to take over the club, then I will bring on a more energetic sound.
Tell us more about Trance Music Lovers Thailand. We started Trance Music Lovers Thailand
What is your take on the EDM scene here in Thailand? The majority of EDM fans here are currently
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only exposed to the more mainstreams sounds, artist and labels. They do like the sounds and beats that EDM brings about but they are still very young in their appreciation and preference for the music. However, more and more clubs are starting to appreciate the trance sound and our nights here are definitely growing. You recently released your label, Pure Decible. Tell us a little more about that. Pure Decible came around as an idea to support local DJs and producers in growing their music and talent. There are amazing talent here that deserve a chance on the global stage and hopefully this label will help them get there. We have some amazing stuff coming out soon so do check us out at If you could perform with one artist, who would it be and where? It would definitely be Above & Beyond in a live set in Bangkok! What would you like to say to your fans? Can you change it from fans to family? Thank you so much to all of you who have kept me going and the music growing. I hope to spread more good music and do keep tuned to Trance Music Lovers.
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Ca m b o d i a
DAILY DOSE OF MAILY
[ E AT S L E E P R AV E R E P E AT ] [ L o c al A rt i str y i n terv i e w ] [ reve lr y ]
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p. 58 p. 62 p. 66
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Eat Sleep Rave REPEAT Cambodia is country fueled by history and culture but once the sun sets Cambodia becomes a playground for all your partygoers out there. The beautiful and blissful country promises you would be a wide eyed traveller by day and a fist thumping reveler by night. With busy bustling streets and ever so friendly locals, you will find yourself partying the night away and indulging in local delicacies as you go along. In this edition, we suggest that you head on over to Phnom Penh to experience what Cambodia has to offer. If someone says Cambodian food, you are sure to think creepy crawlies as grub, well we can tell you that is it that and more. Our pick for your place to eat in this edition is Romdeng. Before we get into the all things food, let us tell you what Romdeng actually is. The restaurant is actually a training ground as part of Friends International, an organization that provides a helping hand to marginalized children and their families
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all over Asia. The majority of the staff at this establishment are former street kids that intend on turning their lives around. R omde ng Romdeng Serves us Cambodian food that ranges from old traditional recipes to more modern and creative Cambodian cuisines. The restaurant is set in a rustic colonial building, furnished with handmade Cambodian woodwork. The cushions, silk and paintings that is quite apparent in the establishment were made by students who are in sewing training in one of the other programs the organization carries out. Romdeng Restaurant’s menu is very enticing as they offer local delicacies such as Khmer beef and peanut curry and young lotus root and chicken salad with galangal dressing to the more exotic options of stir fried red tree ants and crispy tarantulas. If you were to ever make your way to Romdeng, you should not leave without trying the tarantulas that are deep fried and
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served with black pepper and lime sauce. This is quite the delicacy, and maybe could even help get rid of your fear of spiders. The menu also features a dessert section and if it were possible, we’d suggest you try out one of each because the flavors are quite out of this world. But if we had to pick one it would be the Turmeric Crepes filled with Caramalized Banana and topped with Coconut Ice Cream because why not. The prices for food here is certainly more than what you would pay to eat at stalls and street vendors but with an average of $7 per dish and helping out these former street kids, the feeling has got to be priceless. Romdeng | Oknha Ket Rd, Phnom Penh
STAY
NagaWorld Hotel The NagaWorld Hotel is one of Cambodia’s most well-known hotels and has been nominated for World Luxury Hotel Awards. The stylish and comfortable designs and rooms are furnished in modern Khmer style
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party boasting a relaxing ambience. Each hotel room comes fully equipped with wifi, TV and closets to accommodate all your party ware. The hotel offers eight different types of rooms, ranging from the basic Superior Room to the opulent and ever so luxurious Vimean Penthouse Suite that features 3 bedrooms, a saunas even a karaoke system! If you’ve got the big bucks, we suggest you live it up in their penthouse but if you’re planning on spending you dollars on the sights and sounds of Cambodia then the other comfortable and spacious rooms are the options for you. This hotel is of the most highly recommended one because certain rooms boast the ever so breathtaking views of the mystical Tonle Mekong River. The rates for the rooms range from $75 to onwards of $350 per night. What’s more is that the hotel has its own entertainment hub with complete with four nightlife spots for you to sip on those pre-drinks or have a mini karaoke sesh before you party the night away. The dance music scene in Cambodia may only just be taking off but we can assure you they’ve got quite the selection of clubs. This month’s pick is one of Cambodia’s well known clubs, EPIC, and we assure you it lives up to its namesake. NagaWorld | NagaWorld Hotel & Entertaiment Complex, Phnom Penh E P IC EPIC has set sights unto taking over the Phnom Penh nightlife scene and are aiming to take partying to the next level. This establishment is located merely 10
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Food
minutes away from NagaWorld Hotel and is the latest luxury nightspot in town, and has since been catering to partygoers the world over. If you know of local Cambodian celebrities then don’t be surprised that you catch a glimpse of them at EPIC as it has been the hub for local celebs and the elite. The club serves up some top shelf liquors including Belvedere, Cognac Tesseron and Hennessy who recently threw a party like no other at EPIC. The club also offers innovative cocktails and we suggest you check them out because some of them
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pack quite the punch. EPIC also claims several private rooms that can host up to 40 of your friends for your special events. With a slew of both resident and internationally-acclaimed DJ’s helming their decks, EPIC always offers you an EPIC night about town with thumping beats and restless rhythms. With unrivaled décor featuring a top tier sound system and 3D mapping system, music will be cradling your ears the whole night through. EPIC opens its doors from Mondays to Sundays at 9:00pm to the wee hours of the morning!
You may want to set foot in Cambodia to see its historic landscapes and vibrant cultures but it is their food and nightlife that will make you want to stay. Check out our picks for this edition and you will surely have a trip you would not want to forget! EPIC | 122 B (Near Russian Embassy), Sangkat Tonle Bassac, Chamkamon Phnom Penh
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[ i n terv i e w ]
ILLEST [ C A MBODI A ]
DJ Illest had the burning passion for music at a young age, and has since been making a name for himself in the industry. DJ MAG ASEAN decided to take a peek into the life of one of Cambodia’s forerunners in the nightlife scene to see how his ever growing career came to be.
words By Lydia Lohshini
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Tell us about your journey towards becoming a DJ and how CP5 Crew came to be. I was very much into hip-hop by the time I was 11, which brought along the graffiti and b-boy influences as a teen. Growing up in Montreal and Paris, I became a member of the CP5 crew - a graffiti crew established in 1988 - which saw our expressions on alot of walls, subways, and even trains. Later on I went through a “clubbing period”, and used to go out clubbing 6 days a week! When family circumstances brought me to Cambodia, I started deejaying in my bedroom just for me and my friends, it was mostly scratching and beat-juggling that I would hear or watch on VHS video tapes at that time. I would try to replicate that. I had a day job with the family business, I was actually groomed to become a businessman but every day after work i would just wait to go back to my room and scratch. What I wanted to do was to be a DJ in a club and use the hip hop DJ tricks and rock the crowd. I wanted to become a party Rocker style type of DJ (quick mixingscratching - play of words). About 9 nine years ago, About nine years ago, DJing took over my day job as I started getting a lot of gigs in Phnom Penh’s most famous clubs at the time, Riverhouse and Pontoon Club. I met the right people and DJ Ofay in Bangkok hooked me up at Qbar which was the a big club in Bangkok, from there I travelled around Southeast Asia and did numerous gigs in Thailand, Vietnam, Myanmar, China, Japan and even Europe: France, Belgium. Who would you say are you inspirations and influences? I grew up listening to everything. I love soul, classic funks like James Brown and Marvin Gaye, reggae, disco, and even rock and punk music. I am also into the 90’s style of R&B. What made you want to return to Asia? Part of my family moved back here so being young at that time and not really knowing what I wanted to do, I thought it would just be a 6 month experience but ended up staying on! It was in the end a way for me to know my own country and culture since I was not very much in touch with my background when I was living overseas. Tell us the story behind Pontoon Club. What made you want to own a club and where did the name come from?
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My main business partner, Howric bought it back from 2 Aussie guys who at that time only played house music. It was probably too early for Cambodia. We had a real pontoon floating on the Tonle Sap River and once we dad too many people on it and it actually sank. People would dance till 5.30/6.00 am just to catch the sunrise here. I became a DJ there twice a week and started to be involved with my friend Eddie, the Manager of Pontoon at that time, we organized parties/events and we brought many good international DJs/acts including JURASSIC 5 member Akill the MC. Everything seemed right so I invested some of my savings and became a business partner about 4 years ago, when we built Pontoon on land with my other business partner Faz. Since then Pontoon has become a clubbing/nightlife institution in Phnom Penh, hosting big names such as GRANDMASTER FLASH, DIPLO, MJ Cole, DNB Godfather Goldie. What do you think the electronic music scene is like in Cambodia? I guess this depends on your definition of electronic music, in Cambodia, we are very influenced by what we see on TV, (Channel V, MTV), and we have our own “Asian” music trends and club nights. With Pontoon being the biggest international venue, we offer the best of everything, since we have 3 rooms Pulse, the Electronic house Music Room (we had house legends such as DANNY RAMPLING), Pontoon club, clubbing Mash ups ( Hip Hop, RNB, Trap, Moombahton, EDM, Reggae dancehall) and Pontoon VIBE, which plays commercial HIP HOP TOP 40. We have international guest DJs on a regular basis as well. Do you think Southeast Asia is the next big thing for dance music? Electronic music has already become a predominant genre and kids are influenced by what they see on TV. Internet also helps with the underground stuff. I have a feeling that neighbouring countries have already embraced “dance music “and it’s only a matter of time before Cambodia embraces it too. There is a new venue called EPIC Club which features more “local” acts where the gilded youth of Phnom Penh hang out. EDM works well here, but the local DJs have been trained to also play Asian hits and mainstream music in their set. Its our way of
introducing electronic music to the clubbing/ nightlife enthusiasts here. You’ve amassed quite the credentials over the years, what are your secrets to success? I was lucky to be there at the right time and had the right people around me. I guess dedication and self-belief played a role obviously. I did what was required of me, radio shows, mixed CDs, TV show appearances and social networking. Of course I also worked on my DJ skills as well, I am still learning every day and each time I watch a DJ. I like DJ’s with skills, whether it’s by mixing/ scratching/juggling but I learnt to appreciate DJ’s from a non-hip hop background, it opened my eyes as a DJ. I appreciate the hard work that DJ’s put in building their set, whatever genre. I am always eager to learn something new. But before anything I am passionate about the art of DJing. How would you describe your style? As for my style, I am an open format DJ Party Rocker whatever you call that, I like to play everything in my set, for me it’s still hip hop, it’s not what you play but “how you play it” so I can drop a classic rock and still keep it hip hop. I don’t mind laying the popular stuff but I will do it my way, in a fun way so I can have some crowd participation. But I will slide in some real hip hop classics or more underground stuff and people will just carry on to my tunes. This is the magic of deejaying. I believe deejaying is about taking people on a musical journey. What advice would you give to up and coming DJ’s? Live your passion, stick to your guns, your belief. Learn DJing the right way by getting the fundamentals. I am not against controllers, Tracktor, SERATO or other software’s but I feel you kind of need to “ earn” them before you can use them. Some new DJ’s don’t mix by ear anymore they just match visual forms. You need to feel the music; the rest should come more easily. If you could stage a rave anywhere in the world, where would it be and what track would you start it out with? KRS 1 with Sound of da police Do you have any shout outs to your fans? Thanks for supporting and keep watching, I got more some mixtapes coming out! www.djillest.com
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[ C A MBODI A ]
Maily
DJ Maily is making waves in Cambodia as she hit big after being named the winner of the first Pioneer Digital Battle in 2014. DJ Mag ASEAN caught up with this petite actress/director and recently turned DJ as she filled us in on the Cambodian dance music scene and what she has planned for the future. words By Lydia Lohshini
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What do you think of the EDM scene in Cambodia? The EDM Scene in Cambodia is honestly a really a new genre for Cambodian people. I was one of the first DJ’s who brought in this genre into the scene in early 2014. I started DJing in 2013, I played EDM tracks and all the people were uncomfortable about the beat and I found out that it is too new for them. The Cambodian dance music scene is moving slower that other Asian countries. Then I start spinning EDM and slowly introduced it to the crowd, step by step and it started to pick up in 2014. But it still isn’t at 100%, only around 30% of people know what EDM is as few DJ’s play the genre here. I’ve found success with this genre because I have my own fans who love EDM and international music. But Cambodia still needs time to be educated on the genre and I need more local DJ’s to share these genres and bring this up. You are Cambodia’s first female DJ. What does this mean to you? Being the first of many Cambodian female DJs absolutely makes me proud of what I’ve achieved. Sometimes it makes me a little bit of a star around the locals, but I have a lot more to do for the next generation of female DJ talent. As Cambodia never had a female DJ before, I started on a solo adventure with many obstacles. There were it shares of ups and downs but I made it through thanks to the support from my fans and family. I was self taught too, as there were no DJ academies in Cambodia until off late. I learnt it all by myself on YouTube, and some practice with my small DJ controller. How is it like being a female DJ (DJane) in a local male talent dominated scene? Being a female DJ in a male populated industry is fantastic at times but sometimes can be uncomfortable too. Locally, there are many male DJ’s, and they are not supportive of me. I’ve had to struggle and learn my way into the industry. I’m looking for something new, because unlike them this isn’t just to make money, it is my passion. My dream is for the world to know about the Cambodian DJ scene, and show them what we’ve got. The scene here is slowly picking up, that’s why I joined the
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industry to make a name for Cambodia, especially when I took the Cambodian flag with me on the international stage for the Pioneer DJ Battle. Some local DJ’s have said that Cambodia does not have what it takes to be internationally recognized, which has disheartened me. But I’m still sticking to it and I will follow my dreams and hopefully will be able to help them with theirs in the future. You were once working in the film industry, what pushed you towards pursuing a career in the music industry? I was an actress, a director and worked behind the scene in the film industry but that was all my mum’s dreams. She loves film and acting, I joined the industry to make her happy, and so I fulfilled her dreams. It was interesting at first but I knew it wasn’t my dream; music is part of my life. I love to dance, listen to music and party at clubs. I started to love music because when I was a little girl I did not have many friends, so music became very interesting to me and since I was 8 I’ve known that I want to make my own music. So when I started pursuing music, I realized becoming a DJ allowed me to spin music, make people dance and produce music, also the equipment used seems very interesting to me, thus I pursued the dream. How would you describe your music? I feel the beat and combine with my mixing skills and entertain the audience by making the crowd go crazy with music every time I’m on the decks. I love almost every kind of genre of music, I respect all music. Every time I start to spin the music first thing I do I play what the audiences love or the new genres or new remix that I’d like to introduce to them. I follow the vibe of the crowd and see what kind of genres that’s popular and I bring out the energy with the passion I have for music. Do you have anything to say to your Asean fans? To all my Asean Fans, I really appreciate you guys for always supporting, cheering me and being with me with every performance. You guys know who I am, what I have and express it. Many thanks, you guys are my
motivation, always giving good advice, keep presenting me to more audiences and some of the production that you guys know. And for giving me more chances to show my talent. Being the first Cambodian female DJ and halfway through my road to success. Everything that you guys did for me is special and is a part of my life. You guys are my energy and are like best friends. Even if I’m just starting to bring up the DJing industry in Cambodia, it’s really hard being a newbie in the industry but some of my Asean Fans give me the energy, hope, chance and keep me fighting more to reach my dream to represent Cambodia in the industry. What do you have in store for us this year? This year I don’t have a big plan or anything big in the works, I’m currently busy with my new project with Fashion TV Club Branch in Naga World Casio in Phnom Penh Cambodia. I’m working as a Management DJ and Brand Ambassador F-Club Naga World, alongside being the Head of Residency DJ and now they’re trying to give me a chance to play some gigs in Ibiza to represent their brand name. I’m also sharpening my turntable skills to the RedBull three style competition as I really love old school hiphop and am trying to reach my biggest dream to become a producer. Do you think that Southeast Asia would go on to be the hub of EDM music? If so why? Yes I do think so. You know in Asia now like Malaysia, Thailand, Beijing, Vietnam, Laos and Indonesia are having more and more EDM Festivals. I see there are many fans out there loving the scene. It’s really popular now, there are huge audiences who go crazy with this genres. It’s a really big market. Even in Cambodia, we are seeing more and more fans turning up for our EDM nights. What EDM track would best be described as the soundtrack of your life The EDM track that would best describe my life would be “Call Me A Space Man” by Hardwell featuring Mitch Crown. For more of DJ Maily, check out here Facebook page at https://www.facebook. com/DjHomeMaily.
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revelry
[CAMBODIA]
MAKING IT A PARTY
After the successful premier of Make Party in April, the organizers have put together the second edition together with D-club and Duplex Cambodia. The party will feature musical accompaniment from Passion Fingers and Blayche who both bring their unique blend of music to whip your booty back into shape. For round two, the boys behind Make Party have decided on a bigger venue, bigger sound system, and most definitely a bigger party. At the looks of things, they seem to be going with the motto of “Go Big or Go Home”. Make Party was founded on a mutual love for eclectic, original, brilliant, innovative, fun and danceable dance music by three friends who intend on sharing their loves with you. So mark your calendars for the 29th of May and head on over to Duplex Cambodia where the party begins. If you aren’t hooked yet, these guys serve up a free jello shot upon your arrival.
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[CAMBODIA]
METFONE COLOR RUN
On the 30th of May, Metfone will be taking their subscribers on a journey for the first time in Cambodia. Color Race, is a unique blend of a running event and music festival and is the first of its kind and will be held at Koh Pich (Diamond Beach) Phnom Penh. At the finish line runners will be treated to an impressive musical event headlined by DJ HUYDX, DJ Maily and many other local artists. According to the CEO of Metfone, Mr Hoang Trung Thanh “Color Race is not about the speed that you run but about having fun, and sharing happy moments with your friends and family.” So we suggest you get yourself some running shoes and a running kit because you would not want to miss a Technicolor run and concert held for the very first time in Cambodian shores!
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I n d o n es i a
LIONS SET TO ROAR
[ E AT S L E E P R AV E R E P E AT ] [ L o c al A rt i str y i n terv i e w ] [ revelr y ]
JUNE 2015 / dj mag asean
p. 68 p. 72 p. 76
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Eat Sleep
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Rave REPEAT STAY Rasun a Mansion Rasuna Mansion is an alternative solution for modern residence, which located right in the center of Jakarta economic district. Uniquely designed with generous use of wood and modern cuts – this 3-star hotel looks and feels like the real deal. With luxurious hotel facilities such as a fitness centre and a rooftop restaurant, Rasuna impresses at almost every angle for its price point. Designed with a modern-dynamic concept and wrapped up with a touch of natural atmosphere, Rasuna Mansion will grand you comfort and warmth the minute you walk in. The rooms are spacious with a sofa in each room, equipped with modern amenities such as HDTV with 90+ premium channels as well as high speed WiFi connection. Rooms on the third and fourth floor also come with a balcony and is the
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perfect spot to have your morning coffee. The bonus comes with the amazing Nasi Goreng Kambing Babeh that is located outside the hotel (order the sate too). Oh and did we mention that they only use King Koil mattresses at this hotel? Lazy mornings here we come! Rasuna Mansion |Jl. Pedurenan Mesjid Raya No.9, Kec. Setiabudi, Kota Jkt Sel. The H ermi tag e The Hermitage hotel rises above treelined streets and lush parks in the heart of Jakarta’s most prestigious district, Menteng, as a true haven from the bustling city. a stunning Art Deco building from 1923 which was once a Dutch Telecommunications office, the “Telefoongebouw”. Fully restored, it now stands tall as Jakarta’s first Heritage hotel.
Standing tall with white opulent walls, a massive pitched roof, multiple imposed columns and a paneled main entrance; the symmetrical design of The Hermitage is subtly loud and very pleasing to the eye. The lobby greets you with original artifacts from the 1920’s, tall ceilings accompanied with grand chandeliers, and grand art expressions across each nook and corner. The rooms exude an air of style and luxury that is hard to beat; with plush carpets adorning the floors, a raised extra premium bed, as well as your personal Illy espresso maker – right by your bedside. If that’s not enough, they also went all out with a stunning rooftop infinity pool which also houses La Vue, a truly panaromic rooftop bar with unparalleled views of the city. The Hermitage | The Hermitage Hotel, Menteng, Jakarta Pusat 10310
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A lt i t u de Located in The Plaza Building on Jalan Thamrin, Altitude is a unique hybrid of three nightlife concepts merged into one. This lounge is a combination of three high-end restaurants/bars, with function rooms and a high-end club. One of these three bars is known as Cloud Lounge. Sitting high on the 49th floor of the building, Cloud Lounge describes itself as a “sophisticated roof-top lounge” in the heart of central Jakarta. It is the only lounge in Jakarta with an almost 360 degree view of the city and has the only “zero degree temperature Vodka room” in all of Indonesia, so you can take part in a thrilling Vodka drinking experience. Much like Skye, the prices are high, but it is definitely worth it for a special night. At Cloud Lounge, enjoy a drink in the clouds with a 360 degree view from 49 floors above ground. Altitude | The Plaza, 46thFloor, Jl. M.H Thamrin, Kav 28-30, Menteng
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Colosseum As its name suggests, this club delivers some mega sized nights, thanks to its colossal built-up size, equally fitted with a colossal-sized stage, lighting, and sound system! Located in Kota Tua, this was previously known as K-7, and has since been redesigned, revamped and redone. With 1,000 square meters of space for you to dance and revel in, and a 16 meter high ceiling with indoor facing balconies, Colosseum is armed with a massive Funktion-One sound system - simply the best sound system in the world. It’s state-of-theart visual installation, in the form of a kinetic 3D chandelier supported by a multitude of laser’s and LEDs, takes your music experience to a whole new level. The fun doesn’t stop there, Colosseum hits it big with Jakarta’s discerning clubbers as they truly now how to throw a party; adding in trapeze acts, pyro and CO2 bursts, pole-dancers and tons of on-stage dance routines and performances into the mix. Paired with the never-ending list of international DJ’s, Colosseum is definitely a winner in our books! Colosseum | Jn. Kunir No. 7 West Jakarta, Indonesia 11110
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Now, bear in mind that the dishes are laden with spice and may not be girlfriendfriendly. Keeping that in mind, do order their ayam pop, rendang minang, ikan teri goreng, perkedel, and dendeng. The staff there are pleasantly dressed in traditional Minangkabau attire and are always on the bell with service. We love it here! Natrabu | 29A Jalan KH Agus Salim, Jakarta Pusat
Food
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Natrabu Natrabu, arguably one of the oldest and most talked about Nasi Padang around town, is where you will be headed this time around. Literally popping the cherry in 1967 – Jakarta was introduced to what would be their signature ayam pop. At this very humble eatery, Minangkabau cuisine from Padang is served (hence the term). What and how? Glad you asked as it can get pretty tricky for first-timers. There is no menu here. Well, not a traditional one in any sense. There are two ways to get around it; you either ask them to serve their signature dishes, or you can pick right from the counter instead.
B ebek B e ng il The original cripy duck! With a name that begs the question of what were they thinking – Dirty Duck Diner. Well, the story is, after thinking long and hard without any surefire name, the owners got the ‘inspiration’ to name it Dirty Duck when a bunch of dirty ducks from the paddy fields across the road jumped into the newly completed restaurant with their muddy webbed feet – thus becoming their first guests. The rest is history. Now back to the reason why this is worth a visit – crispy crispy crispy duck! It also helps that walking in here almost takes you out of the hustle bustle and into a Balinese haven. Located in Menteng, this restaurant is easy to spot with its distinct Balinese décor and appearance. Order the bebek bengil, bebek pelalah, nasi campur bali, balinese sate lilit and their ocean fare such as pepes ikan bumbu bali and cumi goreng. And you might want to wash it all down with a nice Bintang beer too! Bebek Bengil | The Ubud Building, Jl. H. Agus Salim, Menteng, Jakarta Pusat
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A D I E H FLOWZ [ i n d o n es i a ]
DJ Adieh Flowz is only in his twenties and is already well known in the dance music circuits in Indonesia. Aditya who now goes by Adieh Flowz, has been mastering his talent in music since he was 10, and a little over a decade later, has multiple tracks signed onto various record labels. DJ Mag ASEAN decided to catch up with this up and comer and see what this DJ/Producer has in store for us. words By Lydia Lohshini
Tell us a little about yourself. I am currently ranked on the THEDJLIST (.COM) No #2 Indonesia. And the tracks that I have released have made it to the charts on several international music charts, radio shows and Podcasts. Tell us more about your international success. What have you achieved thus far? I have already signed tracks with several label records around the world, like a TwoDirty Records - NL / Amsterdam Panache Records - London Vacation Records - L.A / Aus Karmaloft - Ibiza Addicted2Bass - U.K Acidict Records Barcelona Column Knowledge - USA, Etc. I also have gotten to support tracks played by a big producers like Laidback Luke, Diplo, Nicky Romero,Mobin Master, Mark Knight, Sidney Samson, Bass Kleph, Vato Gonzales, D.O.D, Wiwek, Afrojack and many more. What made you want to infuse traditional Indonesian instruments into your tracks? I am very proud of my country and it’s culture so I’ve decided to infuse that into my music by using the sounds of Angklung, Gendang, Gong, Suling, Gamelan and more.
How does it feel like having tracks signed to international labels? I’m very excited, no matter how many labels sign me, it will always get me excited. Bigger things seem to be in store for you, what do you have planned for this year? My goal for this year is to keep making and producing more and more music for you guys. How do you think the dance music scene in like in Indonesia? I think now, Indonesia’s dance music scene it good and definitely has better quality. There are many more dance music events, festivals and parties happening here these days Are there any ASEAN DJ’s out there that you would like to collaborate with? If so, why? I have already collaborated with many ASEAN DJ’s , you’ve got to look out for them. If you could stage a rave anywhere in the world, where would it be and why? It would definitely be either Tomorrowland or Ultra, and I think you guys know why. Do you have anything to say to your fans? Thank you guys for always supporting me. Stay tuned for all my new music! Much love!!!
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J U NE NE 2015 / dj mag asean
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TRILIONS [ i n d o n es i a ]
WORDS BY RAJ MALHI
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Yes, we heard about that! How excited are you and how are you preparing for it? We are definitely excited! Its very much like a dream come true for us, and we have been preparing ever since the deal was confirmed. At the studios, we are busy planning out our sets and track list, working on some bootlegs and mashups, as well as some merchandise for our fans.
So how did it all begin? Tell us more about the journey towards becoming Trilions? Well, we have been in the dance scene for about ten years now. We met back in 2005 and we previously shared the decks a few times before and realised that we have pretty great chemistry together. We formed as Trilions when we were approached as a trio for a residency at one of the biggest clubs in Jakarta. Who would you say has influenced your personal music style? Our influences include Kevin Saunderson, Richard Durand and Roger Shah How would you describe the sets and sounds that you play as a group? Trilions has two different music styles and character when we play. Six Pratama loves his house music, while Osvaldo loves his trance vibes. These, supported by our ever
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energetic and enthusiastic MC Rongki, come together as a full on music experience with a very strong on-stage performance. You guys most definitely have separate music styles, but do you think together as Trilion you have found your sound? Yes, I think we definitely have as we are constantly working and exploring the differences in between our styles, which most often results in us revising and ‘upgrading’ our sets and on stage presence. I think this is very important for artists, to never stop exploring and learning. What do you guys have planned for 2015? Any new tracks or mixes? The rest of the year will see us producing two more songs under Trilions, as well as touring around the globe for a few gigs and festivals. We just got a one month tour in Ibiza, so its pretty much crunch time.
So how is the electronic music scene in Indonesia in your eyes at the moment? The scene is definitely big and ever growing! The number of fans that are turning out for festivals such as Djakarta Warehouse Project, Creamfields, truly shows how many Indonesians are tuning into this music right now. In terms of the industry, there are alot more DJs and producers who are showing great potential and capability. It’s pretty exciting for EDM in Indonesia at the moment! What advice would you give to up and coming DJs? Believe in yourself and always do what you are passionate about. If you could stage a rave anywhere, where would it be and what hit would you start it out with? We are taking it to the moon! What’s your favorite Indonesian dish? What food from Indonesia reminds you of your childhood? Haha. That would be well, pempek, tino rangsak, and tahu pong! That’s what reminds us of our childhood!
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[INDONESIA]
SKY GARDEN PRESENTS LAIDBACK LUKE [INDONESIA]
DANCE MUSIC ARENA
With over 1,000 square meters of dancing ground, Colosseum promises that even the pickiest clubber will feel just at home. The club features some intensive lighting and laser work all monitored and carried out by one of the craziest lighting engineer teams out there whose work has graced the best clubs of Ibiza. With all that said, Colosseum is most definitely a pit stop you have to make when in Jakarta, and now we’re giving you a reason to make that trip. Colosseum will be holding their grand opening on the 5th of June themed “Perfection”. All bets say that the club will live up to their theme especially with the likes of Cosmic Gate helming their decks. So wait no more, for Colosseum are about to take Jakarta nightlife into a whole new arena. RSVP yourself before it’s too late and you miss an eventful night of cosmic proportions.
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With two decades of amassing a slew of credentials, this Dutch DJ/ Producer is set to rechristen dance music fans in Asia as he embarks on an eight country tour, touching down in Bali on the 10th of June. This Dutch dynamite is slaying charts and clubs the world over while pushing dance music to the absolute limit with his transcendent style and blend of sounds that have been picked up by the likes of Daft Punk, Madonna and even Mariah Carey. You can be sure that Laidback Luke will be bringing along with him his latest hits and most definitely some unheard of tracks and he helms the decks at Sky Garden, Bali as he adds another notch to the clubs that he has concurred. We can already predict that it’s going to be a wild night.
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Mala y s i a
MAKING MUSIC TO THE T
[ E AT S L E E P R AV E R E P E AT ] [ L o c al A rt i str y i n terv i e w ] [ revelr y ]
JUNE 2015 / dj mag asean
p. 78 p. 82 p. 86
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Eat Sleep
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Rave REPEAT STAY Malaysia is definitely a melting pot of various cultures, traditions, and people. Inevitably vibrant and nocturnal in nature, Malaysia will serve up some of the most unforgettable days and nights of your life. We can assure you there will no shortage of fun and excitement. Malaysia’s capital Kuala Lumpur is packed with so much diversity that it translates into the everyday life. If you’re hankering for something to eat then KL has so much to offer you. Known for the country’s multicultural influences, Malaysian food is definitely a must try! Jal an A lor Our pick in this edition would be the illustrious Jalan Alor, a street that serves up almost anything and everything Malaysian. This unique food destination is located in the heart of Kuala Lumpur and has very quickly become a foodie’s wetdream. From traditional Malay cuisine to famous Thai dishes, walking down the streets of Jalan
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Alor will make you feel like you’ve travelled all through Asia. Jalan Alor is seems mild during the day but transforms into an a lively place at night, with the streets filled with the hustle and bustle of both locals and tourists food. Jalan Alor features rows and rows of hawker stalls and sidewalk shops that sell food that represents the country’s motto of being “Malaysia, truly Asia”. We suggest you take the day to work up your appetite for you will be spoiled for choice here. And just an FYI, almost every stall in Jalan Alor serves alcohol so your pre-drinks session is pretty much sorted. We suggest while you’re walking through the busy streets, look out for Wong Ah Wah barbeque chicken, quite possible the most talked about stall in Jalan Alor. The stall that goes by the name Wong Ah Wah, sells some of the most juiciest and succulent barbequed chicken wings in Malaysia. They serve up hot, made on the spot with charcoal fire, the chicken wings that will leave you coming back for more. They’re
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also famous for their Salted Egg Crab and Roast Pork Noodles. Whilst you’re there go ahead and look out for Nasi Lemak Jalan Alor, one of the more famous Nasi Lemak joints in KL. If you’re hankering for some rice and sambal and lauk (dishes) then this is the place for you. Nasi Lemak Jalan Alor is situated at the junction of Jalan Alor and Changkat Bukit Bintang, and if you can’t seem to spot their famous blue tent then just keep an eye open for a long queue of people and you’d know you’ve found the place. You’d be amazed to see the wide array of choice you have to go with your nasi lemak, from chicken to quid to chicken lungs (yes, you rad right!). For the typical Malaysian, Nasi Lemak is definitely the to-go food no matter the time of day so be sure to check them out. Jalan Alor | Jalan Alor Bukit Bintang, 50200 Kuala Lumpur PAR K R OYAL H OTEL We understand that you need your sleep so we’ve got you covered. This editions suggested place to get some shut eye is Park Royal Hotel that is situated in the
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vibrant and lively heart of KL with the bustling city just outside your window. The Park Royal Hotel promises both comfort and luxury in their stylish suites and rooms. Park Royal Hotel offers five different rooms for our choosing, ranging from a Superior Room to Family Suite. Guests who sign up for the Orchid Club will not only have access to exclusive privileges and special benefits but will also be offered Orchid Club Rooms & Suites that are allows guest to experience greater comfort and luxury. The hotel boasts 426 rooms and suites with breathtaking panoramic views of the cityscape and if you’re lucky views of the iconic Petronas Twin Towers glimmering in the night sky. Room rates, range from RM 310 to RM 760 per night but fret not, the hotel offers various packages and discounts all year round, just for you. Apart from their stylish and cozy rooms, Park Royal Hotels offers guests the advantage of having a dip in their
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With architecture inspired by Russian Museum and Imperial palaces, Rootz is sure to set your sights on a night of unforgettable fun and opulence. Their state of the art sound system and premium bottle service adds to the allure of this rooftop club that is the pulse of the city. Rootz also showcases both local and international acts, live bands, fashion shows and so much more, giving partygoers more of a reason to celebrate. Rootz Rooftop Bar is known for their impressive champagne selection but what really take the cake are their creative cocktails. Their signature cocktail dubbed the Yoga Flame incorporates a mix of blue Curacao, Banana Cream, Framboise and Absinthe is definitely a must try but just a word of warning; this cocktail packs quite a punch. The club also boasts regular themed parties that allow you free entry if you comply with the theme. This electric and luxurious joint is open four times a week so be sure to look them up and check out the theme for the day before you head on over to the rooftop club that oozes opulence, class and pure fun!
outdoor swimming pool or enjoying a much pampering session at the luxurious and award winning St Gregory spa. And if you feel like dining in for the night, they have four options for your taste buds, being the Chatz Brasserie, the Si Chuan Dou Hua Restaurant, Benares or even Klix Lounge. Trust us when we say you’d leave Park Royal being a happy camper. Park Royal Hotel | Jalan Sultan Ismail, 50250 Kuala Lumpur, Malaysia R O OTZ After you’ve had your dose of R&R, we suggest you hit up Rootz for a night of untamed fun at the club known for its air of lavishness and suave atop Lot 10 KL. This rooftop club is sure to make you put your dancing shoes on and your inhibitions aside as this glitzy club serves up your favorite hip hop, top 40’s and dance music for you to party the night away on the spacious dancefloor. Rootz | Lot 10 Shopping Centre, 50, Jalan Sultan Ismail, 50250 Kuala Lumpur
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R a mWse set wyo o d
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words By Lydia Lohshini
Ramsey Westwood, the only Malaysian DJ to spin at Ministry of Sound, London is set to deliver his trademark and signature style of electronic grooves to parties all over Malaysia. After establishing his own DJ academy and studio, this young DJ/Producer is set to take dance music to a whole new level. DJ Mag ASEAN catches up with him before EDM Rockstar 2015 takes place at the KL Tower. What got you into spinning decks? I started listening to Dance Music at the tender age of 10 and whilst growing up, I always had a sensitive ear for all sorts of music. I could recognize songs even before the main part kicks in. So at the age of 16, I started fiddling with programs to get a better understanding of DJing and then right after high school, I started playing at local pubs, bars then onto clubs until today. Who are your muses and inspirations? My biggest inspiration is my mother. She was a DJ too back in the days, playing disco records of the 70’s & 80’s. She has and always have been my biggest inspiration until today. How would you describe yourself as a DJ in 3 words? Simple, energetic & focused whilst on the decks. Do you have any advice for the up and coming DJ’s in the Malaysian industry? Just be true to yourself. Trust your creative and innovative voice. Most of all, don’t be lazy and do not give up easily. Has there been a change in the EDM scene here in Malaysia? There has been a change for good and bad of course. The good part is that EDM has become mainstream; the bad part is that there are goers whom abuse it with drugs. You seem to be booked out on most nights in Penang. How different is the scene there compared to KL?
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Well it is more or less the same to be honest. It really depends on the right crowd being at the right scene at the right time. How has the DJ scene in Penang evolved? It has evolved to a point that some are using key mixing methods or even doing own mashups or productions, which is the actual way to be known as a DJ / Producer not just locally, but regionally or even worldwide. We heard you launched a DJ academy. How is that coming along and what are your plans for it? Yes I have launched my own DJ Academy and Digital Music Production Studio. It
has been good so far and hopefully it’ll be better in time? *chuckles* My future plans is to hopefully implement music production syllabuses to performing arts colleges or institutes as there’s not much platform for digital music to grow when there’s a lot of potential, so hopefully it’ll turn out well. Who would you like to collaborate with if given the chance? There are many artists that I would like to perform with, but the particular one would be Above & Beyond. I love digging their direction, sense of sound, style and captivating moments of what they do best.
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EVA [ m ala y s i a ]
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The boisterous beauty that is Eva T has been taking over decks and pumping up crowds all over Asia. Her undeniably energy is infectious and it won’t be long before this DJ hits it big! We talk about Eva T’s inspirations and how the industry has been treating her. words By Lydia Lohshini
Tell us about your journey towards becoming a DJ. Who or what were your inspirations? The journey of becoming a DJ was my pure love for music; I would rather listen to music than watch TV. Swedish House Mafia was a real trigger to kick off my DJ career. A friend of mine was a DJ and I was fascinated how to work a CDJ. Was there a specific track or tune that pushed you towards electronic music? I have a huge selection of music, so I can’t put my finger on a single track. What I really like about electronic music is the beat and rhythm that always gets the party started The industry is pretty male dominated, is it harder being a female DJ or a DJane? I let the music do the talking. Sometimes is tough, but I have set my goals on what I want to achieve. You seem to be traveling quite a bit these days; do you have any projects planned out for this year? Will we be seeing an Asian tour? Well, I have just come back from Yangon for the New Year Thingyan water festival, and I have received request’s to continue my Asian and international presence.
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Will this year see you coming out with new mixes and tracks? I am perfectionist and am currently working on a few track. Stay tuned! What do you think the electronic music scene is like in Malaysia? With the recent cancellations of EDM events, could Southeast Asia still be the next big thing for the electronic music industry? The electronic music scene is defiantly growing and the talent is getting better and better. Personally I am disappointed that the events have been cancelled as I know how much work and preparation has gone into the events, from the organizers to the DJ’s. Hopefully we will see a successful events land here in Malaysia soon. If you could stage a rave anywhere in the world, where would it be and why? I would choose the Netherlands! The EDM scene there is insane and the appreciation of electronic music really kick’s the party off. Do you have anything to say to your fans? My fans are awesome! Always supporting me and motivating me to create great mixes.
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[ M ALA Y SIA ]
[ M ALA Y SIA ]
LAIDBACK LUKE SHOWS US SOME LOVE
With two decades of amassing a slew of credentials, this Dutch DJ/ Producer is set to rechristen dance music fans in Asia as he embarks on an eight country tour, touching down in Malaysia on the 5th of June. This Dutch dynamite is slaying charts and clubs the world over while pushing dance music to the absolute limit with his transcendent style and blend of sounds that have been picked up by the likes of Daft Punk, Madonna and even Mariah Carey. You can be sure that Laidback Luke will be bringing along with him his latest hits and most definitely some unheard of tracks and he helms the decks at Zouk Club KL as he adds another notch to the clubs that he has concurred. We can already predict that SMASH presents Laidback Luke supported by local heroes BATE and Nick Haydez.is going to be a wild night. So, head over to Zouk KL’s Facebook page to get all the deets.
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GRAVITY KL PRESENTS MARK SIXMA
Mark Sixma will be making his way back to our shores once again. This Dutch DJ/Producer is arguably one of the must watch artists out there. Notably famous for releasing Project 6 with Five AM Records, and has since been making quite the waves in the industry. The release of his EP was followed by another released called “Destination 6” which was dubbed “tune of the Week” status on A State of Trance Radios show, Mark Sixma has got his career made out for him more so after making in into the list for the second time with his single “Fade 2 Black”.Mark Sixma has since been releasing chart topping tracks on some of the biggest electronic music labels and has been touring the world over and in the midst of all that globetrotting he has found himself helming the decks at some of the biggest dance music festivals including Ultra Music Festival, ASOT 700 and Electronic Family. Mark Sixma is definitely an act you would not want to miss so check him out as he makes his way to back to Kuala Lumpur on the 6th of June at Gravity KL!
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P h i l i pp i n es
JENIL TAKES IT UP A NOTCH
[ E AT S L E E P R AV E R E P E AT ] [ L o c al A rt i str y i n terv i e w ] [ revelr y ]
JUNE 2015 / dj mag asean
p. 88 p. 92 p. 96
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Food
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Va n G o gh is B i p ola r In homage to the Dutch painter who is said to have had bipolar, Van Gogh is Bipolar was introduced to the local Manila scene with the intention of making your day just a little bit brighter and your mood a tad better – one mouthful at a time. An avid traveler and photographer, the owner, Jetro Rafael shares similarities to Van Gogh, being clinically diagnosed with Bipolar too. Jetro believes that happy food makes happy people and sticking to this, everything served at VGIB is made using ingredients that trigger a happy and calm state among its diners. Ingredients such as turkey, honey, salmon and cabbage - all of which are thought to have mood-enhancing properties - have been worked into the dishes and makes what Jetro calls the “Cuckoo Diet”. After your meal, feel free to explore his abode-turned-restaurant, make your own tea (must try!), or get a little creative in the UV-light darkroom and graffiti wall! Van Gogh Is Bipolar | 154 Maginhawa, Diliman, Lungsod Quezon, Kalakhang Manila
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Rave REPEAT ABE Pronounced (ah-beh), a Campangan term for friend, companion and getting together, Abé is the restaurant dedicated to the memory artist-writer, gourmet and bon vivant E. Aguilar “Abe” Cruz, father of the late Larry Cruz. The restaurant serves traditional Filipino food, mostly of the Capampangan origin, as well as gourmet dishes inspired by Abe’s travels around the world. At Abe, food is prepared and served with a great deal of love while also staying true to serving authentic Kapampangan dishes - well known for its intricate, exotic and palatable delights -recognized as the origin and home of many popular pinoy dishes. Check out their pako fern salad, bamboo rice (with mushrooms and shrimp), succulent lamb adobo with popped garlic, and Abe’s Chicken Supreme. End your experience here on a sweet note with their amazing Sikreto Ni Maria – a beautiful concoction of sticky rice, mango slices and Macapuno ice cream. Ai jusco! H otel H2 0 Hotel H2O, the first aquarium-themed integrated resort hotel in the Philippines, boasts a plethora of aquarium-themed rooms and suites. The moment you walk in the lobby, it is very clear that Hotel H2O takes its inspiration from the waters of the Philippines. With its location perched atop Manila Bay; its marine-themed rooms and suites that allow you to “sleep with fishes”; and its easy
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access to Manila Ocean Park, you are in for a jolly wet time here. Hotel H2O’s suites and rooms boast floor to ceiling windows which leads to an unobstructed view of the bay. Aquarium rooms and suites are luxuriously appointed, chic and modern with a life-sized aquarium running the length and breadth of each room as the centerpiece. Soft, crisp, lush linens and pillows, and ultra-comfortable beds accompany you as you descend into the deep blue sea (of dreams). Did we also mention that their pool absolutely kicks ass? Yes, overlooking the open seas with the option to ‘encounter’ sharks and rays – the pool sessions at H20 Hotel are the wants you won’t want to miss out on! Hotel H20 | Roxas Boulevard,Behind The Quirino Grandstand,Luneta,Manila 1000,Metro Manila
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P i n k M ani la Hoste l The first thing that hits you about Pink Manila Hostel is how pink it is (not that it’s a bad thing!). Taking up the fifth through seventh floors of a former residential lot, PMH is a high-rise adventurer’s hideaway and abode in the Vito Cruz area ($5USD ride from airport). Pink isn’t just a regular hostel. It becomes clear the moment you walk into their lobby where a pool that wraps the entire floor greets you (yellow raft included!). The entire establishment is also decked out in ‘sin-teresting’ art and décor, organizes themed parties on its rooftop as well as movie nights for those rainy evenings. That’s not all. The roof doubles up as a hammock haven among the Makati skyline and once the sun gets down, blankets and pillows are thrown under a tent, ready for a shisha party to take place! Pink offers three kinds of dorm rooms, with Dorm A housing 8 guest, Dorm B
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housing 6 guests, and dorm C, which caters to larger groups of 12 guests. They are twin rooms available as well for those who prefer a little bit more privacy. Pink Manila Hospital | Bautista St, Manila, Metro Manila U RBN Bar a nd Ki tchen URBN Bar located at Bonifacio Global City in Manila Philippines is the newest spot of party people around the metro. URBN BAR offers a very spacious & industrial look interior best for hosting corporate events and making it the best party spot with friends. Restaurant Bars have existed for who knows how long but never has a restaurant bar been revolutionized and taken “nightlife” a higher notch. URBN Bar and Kitchen paved the way to a one stop dining cum clubbing experience in the heart of Metro Manila. Apart from the good food and great music, URBN Bar and Kitchen also offers party packages for those who want to celebrate
their birthdays, events or those who just want to go all out. Just be sure to book early because URBN Bar and Kitchen is always packed specially on weekends when party animals are most active. What’s great about URBN Bar And Kitchen is that they don’t just cater to a specific crowd thus, allowing them to be one of the hottest clubbing destinations in the city. DJ’s from the hippest clubs in the metro spin on different days offering a wide variety of musical genre to suite every clubbers preference. URBN Bar And Kitchen | 3rd Floor, Fort Pointe II Building, 28th St, Taguig, 1200 Metro Manila Impe r ial Ice Bar In the midst of Manila heat, Imperial Ice Bar in Fort Bonifacio, Taguig, features an experience of sub-zero celsius temperatures. The bar consists of 2 parts: A stylish bar/ lounge area, complete with DJ booth and nightclub interior, and a separate room
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party wherein there is a bar literally made of ice. Coats are lent out when you enter the ice bar, and a waiver must be signed. You may then enjoy a shot of vodka with a shot glass made of ice to help keep you warm. Imperial caters to the millenials who enjoy oldschool hiphop, RnB (Soul Kitchen Tuesdays, Relapse Thursdays, Play Ground Friday, and Faded Saturday); and some Trap, electro and EDM (Zero Mondays and I Know What You Did Last Wednesday). Notable resident DJs are Funk Avy, Kevin Ruiz, Aryan Magat, Ron Poe, Steal and Teaze. Imperial Ice Bar | Fort Bonifacio 1633, The Fort Strip, Bonifacio Global City, Taguig City Facebook: www.fb.com/ImperialIceBar Address: 7th Avenue corner 28th Street, The Fort Strip, Bonifacio Global City, Taguig, Philippines
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Jenil Aspiras DJ Jenil, who came on the scene 5 years ago is currently making waves in Phillipines. Dubbed by many as the number 1 DJ there, and with close to 85,000 fans on his Facebook page – he is only steps away from taking ASEAN by storm. words By Lydia Lohshini
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Previously a naval engineer and engine chemicals salesmen, Jenil talks to us about his decision to go a stern on his sea voyages, and command the kind of decks that line up dance clubs instead. How would you describe your tracks? My tracks are more of a combination of different styles mixed into one. They are taken from my influences of reggae, rock & hip-hop (from the 90s onwards). I love making surprise breakdowns & blends. I also love doing crazy drops with different combinations of synths & percussions. Who or what are your muses and inspirations? My mom, daughter and my fans have been my muses and inspirations. They are the reason for my music going further and becoming better. Do you think Southeast Asia is the next big thing for electronic music? Definitely yes! A lot of music festivals have been going on in the Philippines and the people here are embracing it! Almost every weekend, in different cities, we have outdoor parties or music festivals. I hope the same goes with the neighbouring countries in South East Asia. People need to enjoy and share the love for music. No room for hatred & unwanted politics. Bigger things seem to be in store for you, what can your fans expect from you this year? Yes, I’ve been releasing bootlegs every month for free download on my Soundcloud. Released a mashup pack to celebrate my 50K likes on Facebook and preparing to release another one soon for 100K. Got on-going collaborations with Melbourne bounce producers which are expected to be completed by this year. As for gigs, I’ll be playing again soon in every city in South East Asia. Doing gigs back and forth in cities of Malaysia, Cambodia, Thailand & Vietnam. Fans can also expect me this year in Singapore, Myanmar, Laos & Indonesia. So be sure to get their tickets right away when I come to your city!
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Do you have any advice for up and coming DJ/Producers? Practice, practice, practice. Experience is the best teacher. I, myself am still an amateur when it comes to producing, I have a lot to learn. Music is very flexible and that’s the best part. You always discover new things every day that you can add up to your own style.
support and expect to hear more from me in the upcoming years! More music, more gigs and more interaction with you! I love you guys so much and see you soon in your city! Don’t forget to check out my Facebook, Instagram, Youtube & Twitter!
If you could stage a rave anywhere in the world, where would it be and what track would you start it out with? In my hometown, Cebu or La Union. Preferably during Sinulog Festival or Labor Day Weekend. I’ll start out with my festival intro of its official anthem, which I also produced. I love playing with my family & friends around then an after-party for 2 days at the beach. If you could collaborate with an ASEAN DJ of your choice, who would it be and why? Angger Dimas of Indonesia and Goldfish & Blink of Malaysia. Both different in in their techniques of Djing and different style in music production. I want to learn a lot from them. We are looking forward to seeing you at more gigs, what can we expect from the DJ Jenil experience? The best of me! I will give my 101% to the people! I will play some of my unreleased tracks before it hits the download stores, also new mashups, edits & bootlegs. What would you like to say to your fans? Thank you so much for the
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John Odin Walking into a bar filled with people it is very hard to not be aware of the larger than life character that is John Odin and all you need is to have a quick chat with the DJ for you to be an instant fan. This trance-setter is pouring his passion in the industry is hoping to inspire more people to pick up the career that he finds very fulfilling. We had a quick chat with the him during his recent trip to Malaysia, and got him to fill us in on his story. words By Lydia Lohshini
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Hey John, are you excited to be here in Malaysia? Yes, I am. If I’m not mistaken it’s my third time here. I’m very happy because most of my gigs from where I’m from, it’s so hard to push trance music, coming to Malaysia they’re so responsive to trance music so every time I’m booked here it gets me so happy. In your words, how would you describe trance? In all honestly, trance is a way of life in my opinion. As a DJ and as an avid listener, I may not be playing or I may be sad or I may be angry or happy or I may be driving off to work and trance will be playing constantly. I could be at home relaxing and not doing anything, I would still be playing trance I relate to a lot of things with trance music. Its more than just music, it’s actually a lifestyle, a way of life, for me at least. Tell me about your journey towards electronic music. I’ve always wanted to be a DJ. It started when I was 13 ( im 30 btw) but it was too expensive to enroll in a DJ school where I’m from. When in was 13. I was in high school, you don’t get much allowance to pay for DJ school and then one day, I think I was 25 at that time and some people were pushing me to do it and I finally enrolled in a DJ school. And then I would still go to clubs,, it’s so hard to push trance music, before studying to be a DJ , there is this club that me and my friends would go to, it’s called Time in Manila. It’s one of the best underground clubs in the Philippines, and they play techno, deep house, minimal and John 00 Flemming was the one who opened for the club and I was telling my friends you know what, one day I’ll be there, I’ll be playing where John Double O is playing right now. True enough one year later, after studying how to DJ after getting small gigs through the help and support from my manager, Pat Santos, I finally got to the gig of my dreams. Believe it or not, from that point on I stuck to what I what my heart tells me to play; trance. Even though it was so hard to get other gigs, it got smaller, and I still stuck to trance music, I still pushed and here I am today. Who would have thought that I’d make it out of the Philippines to play trance music. I mean I’ve shared a stage with a lot of trance DJ’s who were my heros I used to listen to on my iPod years ago, I’ve played with Artic Moon, MaRlo, Jordan Suckley, HeatBeat and a bunch of other guys. Up to today, I still can’t believe I am where I am.
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You said you always knew you wanted to be a DJ, was there a certain track or album that triggered it? There is a certain track, up till today it’s my favorite, Airwave by Rank 1 and Zocalo by Armin, it’s the older, faster BPM tunes back in the day and up to today, I still play the song in my set as my last song. Just to pay homage to what I’ve always wanted to do. Who or what are your muses/inspiration? My inspiration is the people who have been clamoring for trance music back home. There hasn’t been a decent vessel for trance music in the Philippines nowadays because of the rise of EDM. Don’t get me wrong I love EDM, I play it from time to time. But there’s still some die hard trance fans back home who want to push the music and there have been times where I have been tired, and wanted to get a normal 9-5 desk job. But you see if you love the music, this music, there is an innate responsibility and obligation that a DJ has to carry on growing it, especially when everyone else believes in it. If you’re not going to do that, then who will. That’s my inspiration, them. What is the Jon Odin experience? To each his own, each DJ has their own identity, each DJ will move or dance on stage, the thing that I focus on the most when I play is, I make sure that no matter how small a gig, one person, a hundred people, a thousand people, I always have to make sure that I have to make a connection with them. I pick a group of people or I pick a person out of the crowd, I point to that person, or I ask them to come closer and after my gigs I always make sure that I go down and I ask them what they thought of it or I ask them what favorite sing they has in mind or what drove them to come here.
The end goal for me as a DJ is to inspire another person, just one person, too chase it the way I do. And if I can do that then I can quit, that’s a goal for me, because John Double O did that for me, Armin and Tiesto did that for me. I was just a kid, watching their DVDs in the room back in the day, and now I’m closer to (hopefully) being like them someday. What advice would you give this person? I always tell myself one thing, you can go on, long after you can’t. There will be nights where you will say I’m so sick and tired of this shit. I can’t do it anymore, when you wake up the next day, it’s always I can still do it. You always have to remember why you’re doing it in the first place. I’ve known some people who’ve had humble beginnings, and after being in the limelight for so long they lose it along the way, they don’t even remember the reason why they even started DJing. It affects the sound, the music and how the way they deal with people. I don’t want to lose that, I make sure of it, I have my friends and manager to keep me in check all the time. If you could stage a rave, anywhere in the world, where would it be and what would be the first track you’d start it out with? I love this question! Something humanly possible yeah? I would pick a gig in Alaska, under the northern lights and the first track that I would play would be Airport by Photographer. No need for light shows. Any shout outs to your ever supportive fans? I wouldn’t be here, honestly where I am now if it weren’t for the loyal followers, trance followers in Manila. Honestly. Like people say it’s all hard work, but I’m only as good as they people who are present. I can DJ but if it all falls in deaf years, nothing can happen. It’s all on them.
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ONEPH TAKES OVER PHILIPPINES
Boasting an impressive lineup ONEPH is aimed at uniting the people of Philippine together as one for their Independence Day. The One day festival is set to bring down some of dance music’s chart toppers. The lineup features Laidback Luke, DVBBS, Callum David, Funk Avy, Mars Miranda, Mix Damn P, Eruption and many more.Both International and local DJ’s are set to helm the decks at SM Mall of Asia. Headliner Laidback Luke is dubbed the master of evolution when it comes to dance music, and this Chocolate Puma protégé turned dance music heavyweight is keeping his music versatile and has amassed quite the credentials over the years. This DJ/Producer has a slew of collaborations, remixes and live show performances is said to be a rare breed in the industry and is definitely one to look out for.DVBBS are a Canadian duo of brothers, Chris Chronic and Alex Andre, who have been enticing crowds across the globe with their unique fusion of electronic drum beats and over the top vocals. You’ve probably dance to their hit their hit ‘Tsunami’, which have resulted in a flood of feet on dance floors, festivals, and house parties all over the world. So catch these two headliners alongside a number of other DJ’s and they bring you together as one for Independence Day!
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EMEX MAKES ITS WAY BACK TO PHILIPPINES This platform is aimed at aiding the Philippine electronic music scene, music production, DJ, EDM, recording, pro audio and nightclub industries. This year would be its fourth year running as one of the most unique and creative events, garnering a wide array of guests from all over Asia and the Philippines. This conference and expo has set its sights onto being a platform that offers business potentials the medium to network and all things focused on music, technology, sustainability, talent discovery and as well as music education. There are various conferences and talks that will be held throughout the event so be sure to go ahead and check their schedules for all the slots and timings. Pre-register yourself to get free access to the expo.
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Eat Sleep Rave REPEAT
The Lion City is set to keep you roaring all through your stay as you Eat, Sleep and Rave your way through the island of Singapore and then repeat it once more. In the words of Shakespeare, “and though she be but little, she is fierce” this small island that is Singapore will make you go hard then send you back home! Spi ze If you’re gonna rave, you’ve got to eat. So in this issue we’re suggesting you check out Spize located at River Valley Road. If you aren’t local then you’re probably not familiar with this place that is bustling with foodies. Noted to be one of Singapore’s most popular and respected restaurants, Spize takes on the colorful country that is Singapore and translated it onto their menu. With tastes from East to West, this restaurant has almost anything you need to satiate your hunger. Party animals can also note that not only is Spize located only a stone’s throw away from party central they also serve you hot
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food all through the night! Spize has a 7 page menu where you will be spoiled for choice with Asian, Mediterranean and Italian cuisines. To just give you a glimpse of what the restaurant has to offer, during out extensive research we found that they had not one, not seven, not ten but 18 different types of fried rice! How can you say that you’re not spoiled for choice? We suggest that when you head on over to Spize, you try out one of their signature Roti John that comes in six different variations. Can you imagine after a long night of partying, you bite into a warm and ozzy sandwich loaded with mutton, mushroom and cheese? Or if you’re hankering for something more filling, check out their hotplate section that serves up ribeye steaks and chicken in the style of your choice. And for all those with a sweet tooth, Spize is definitely the place you want to check out for they have some unique desserts. They serve up some pretty delicious prata desserts, with ice cream, banana, honey and even salted caramel. You can never go wrong with some hot prata and cold ice cream if you ask us.
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Once you’ve filled your tummy with all that goodness, we can be sure you’d be looking for a place to crash. Our pick for this edition is the hotel that designs big experiences, the BIG Hotel Singapore. The hotel promise big things, from trendy room designs and comfy beds to free movies on demand and nexus tablets. We definitely think they want you to go BIG before you go home. BIG Hotel The BIG Hotel Singapore offers five different rooms, ranging from Superior Rooms to the Bigshot Suites. The management believes that when you check in, they will prepare you for a night of “big business, big adventures or big pleasures between the sheets. You can expect BIG things to happen”. If that isn’t enticing enough, then get this, if you sign up to be a BIG member, you will get yourself amazing discounts and offers that cater to especially to you.
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The BIG Hotel is situated in a vibrant district near Orchard Road and Bugis and features a staggering 300 rooms so you can bring all your friends along. BIG Hotel Singapore has rates ranging from $147 for their Superior rooms to $275 for their BIGstar suite. So why not head over to BIG Hotel after a night of crazy partying and cozy on up in your comfy sheets, and arm yourself with the wifi password as you upload all those shots of the night. BIG Hotel | 200 Middle Rd, Singapore Att i ca We can’t give you a guide without telling you which spot you should hit up this month. In this month’s edition, we’ve got rave reviews for Attica Singapore. The club that has been garnering massive crowds since 2004 has been known to throw some of the best parties in Singapore. With their “360 degree clubbing experience”, Attica has four unique sections,
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making it the ultimate destination for your night out, from pre-drinks to dancing till dawn. Attica’s multi-faceted venue is definitely one you want to check out. The Courtyard is Attica’s distinctive feature where they provide guests with a casual atmosphere out under the open skies, the perfect spot for singles to mingle and for others to sip on their pre-party drinks. The Bar Rose is their chic cocktails and champagne bar by the river. This al fresco bar situated right outside Attica’s main door serves up some delicious fruit martini’s that you definitely have to check out. Inside the award winning club sits Attica Level 1, where all the partying begins. The large dance floor will submerse you with electrifying R&B beats, hip hop and party anthems. The Courtyard will lead you towards Attica Level 2, that will take you on a whole new journey. With pulse pounding sounds and enthralling beats, Level 2
Food party promises a much more luxurious experience with VIP areas that have seen the likes of Craig David and Kevin Spacey. Attica has seen some of the biggest names in the dance music scene take their decks by storm, from legendary Pete Tong, Paul Oakenfold, Dimitri, Dub Pistols and even Dirty Vegas. So you can definitely expect more major players to make their way down to Attica. If you need more convincing then check this, Attica was awarded an “Asia Top/ Outstanding Excellence” award for their contribution to Singapore’s nightlife scene. Not only that, in March of this year, they were awarded with a Shorty Award to recognize their Google+ and Paul Oakenfold event as it was dubbed “Asia’s most innovative club experience”. Attica Singapore | 3A River Valley Rd, 0103 Clarke Quay, Singapore
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Arrakeen [ s i n g ap o re ]
words By Lydia Lohshini
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an artist count of about 50 from 5 just two months ago, and many have had playings on A State of Trance, Future Sound of Egypt, Above & Beyond’s Group Theraphy, Magic Island by Roger Shah and more, and it’s an honor to have such passionate producers on my label helping the little guys. Hence I had to start the sub label to give a home to these veterans too, and a means to encourage the learning ones to up their game as even for me, it’s always a lifelong learning journey not only with music but in every aspect of life. You’re quite the forerunner in the electronic music industry here in ASEAN, what advice would you give upcoming DJ’s? Stay humble always, maintain your humility, play a clean game and respect all. Simple things that society as a whole lacks but will get you places. Not all labels make money - quite often we struggle to breakeven - but we are happy and have a clear conscience as we are helping young minds unleash their true talent. Tell us about your journey towards becoming a DJ. For me, it all began in the mid 90’s when I heard Children by Robert Miles. In this part of the World, Electronica was practically unheard of except the highly commercialized stuff, Robert Miles, DJ Quicksilver, late 90’s ATB’s 9PM, etc. but it was Children and the “X-Files” rework by DJ Dado that ironically, thanks to the mass commercial appeal, such music got to my ears and guided me towards my calling. What was the track or DJ that made you want to become a part of this industry? Wow that’s a tough one, you don’t want to become part of this industry, you just do your thing and it happens I guess. To answer your question, my biggest inspiration and hero was and still is Tiesto, a legend will never die. I stopped listening later half of 2000’s when he went over to the commercial side of things, but he revolutionized Trance music and made it what it is today, specifically with the song Suburban Train, which would be my pick as THE song that will live in my mind forever. Until today, those 9th and 11th scale ‘chords used at the turn of the century are still uplifting folks because it’s a winning
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combination of notes that is timeless and moving and emotional no matter what combination or progression one uses. You’re a DJ, Producer and a record label owner. You also manage the numerous artists under the label. How do you juggle all your roles? What are your secrets to making it work? We can achieve ANYTHING we set ourselves out to, and if you fall, get up brush yourself off and carry on. Crying over spilt milk gets you nowhere, cleaning it up gives you the path to carry on your journey. Even we don’t know the limits to our brain. Physical limits perhaps but drive and motivation, perseverance and dedication, coupled with good ethics, morals and heart is the key to achieving anything. It’s all in the mind. With everything that you have going on for you, bigger things seem to be in store. What do you have planned for 2015? I have many plans and a release schedule running till next year with great original content from some very talented folk, so keep an eye on Beyond Perception Music because we are doing things no one has ever done before and it’s no joke. I have
If you could stage a rave anywhere in the world, where would it be and what track would you start it out with? I like how you used the word ‘Rave’... Well if I could, not that I want to but for the sake of it, let’s go nuts and I’d throw it in a custom Airbus A380 as I circled the globe picking up artists, performers and fans... A huge partybus in the skies if you will! The skys the limit right? Do you have anything to say to your fans? Big things are on the way and the sound only gets better... So thanks for the support and to the artists, thanks for the trust with your music... We started BPM and now AscendanceAudio to do things right... Artist first... It was founded with an artist’s perspective and 5 months down the road and for life, this ethos has and will remain and we have accomplished much in just these few months and I believe because we keep it real... www.facebook.com/arrakeenmusic www.facebook.com/ beyondperceptionmusic www.twitter.com/arrakeenmusic www.twitter.com/bpmrec www.soundcloud.com/arrakeen
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Theo Gobensen [ s i n g ap o re ]
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With his dark and powerful tunes, this DJ is set to take over the hardstyle movement in his region. DJ/Producer Theo Gobensen will be hurling fans into a heart racing, feet thumping frenzy as he hits the decks wherever he goes. We caught up with the DJ who is making his fast paced climb to the top to talk all things hardstyle.
Tell us more about your journey into the industry and how you started? Actually I would see myself more as a producer than a DJ because I started out producing. I started producing handsup back in 2008, we released a track on Zooland Records Germany. After that I discovered hardstyle and never went back. What is it about hardstyle that made you want to stick around? I think its coz the beats are really energetic. And it just gets you dancing compared to other genre’s, that’s in my opinion. Started as a producer, and then going on to become a DJ, how has that helped your sound right now? Actually starting out as a producer gives you an advantage because hardstyle is a really technically challenging genre. You can’t just jump into hardstyle for me I had background with handsup. It was easier for me to integrate my music into the scene. I’m sure there are many hardstyle DJ’s in Asia but they don’t tend to produce because of the steep learning curve in hardstyle. How did you actually stumble upon hardstyle, was it another DJ or was there a specific song? If I do remember correctly, it was song called A Kay A by DJ Phil Ty who took the vocals from a video someone else made and turned it into a song, it was really catchy. The kick was really awesome. I think that was the first song that got me hooked on hardstyle and I started discovering other hardstyle tracks, like by Headhunterz. Who would you say is someone you look up to or who/what your influences are? For me I don’t have like a particular artist that I’m interested in. I draw my inspiration from all kinds of genres of music. But if you talk about hardstyle maybe Frontliner and Tone Shifters are great.
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How is the hardstyle scene back home in Singapore? How are people reacting to it? In Singapore coz it’s really small; the hardstyle scene is pretty small as well. But I think with Mysterious coming in, we are going to organize hardstyle parties and I think it would be good for the scene. And right now the impression that I get from people that listen to hardstyle is that they are stuck in the old school hardstyle, but for me I prefer the newer modern style like in Defqon One. What can your fans look forward to in 2015? I’ll be releasing a few more tracks, and I’m currently working on one but yet to complete it. And you can expect a free release soon, so go like my page. If you could collaborate with any DJ in the world, who would it be and where would you premier your set? I think for me production wise I’ll go with DJ Randy from Netherlands, his production skills are really cool and his sounds are really clear. Because that’s what you need in a hardstyle song. Usually on a hardstyle song the kick occupies most of the frequencies, I think that randy has perfected the skill of integrating a kick with an awesome melody and it comes through the mix cleanly. Performing wise maybe Frontliner, because I think during his sets he’s really energetic, he gets the crowd moving. What else can be done to help grow the hardstyle scene? Actually, I’ll be teaching hardstyle production sometime this year. The main purpose of this is to get more artists interested, because there are many budding artist out there and they don’t have a channel to learn music production properly. I think someone like me who has experience producing hardstyle to teach them, perhaps then we can see more hardstyle artists coming out from Asia.
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SYNDICATE SG PRESENTS LOUIS QUEK AND YLLIS
Syndicate SG is known for their “versatile stable of artists who deconstruct the mechanics of sound, splicing rhythmic beats with stunning imagery to provoke thought and debate on ideas as rich and diverse as race, politics and existentialism.”At The O.P.E.N., Syndicate SG presents DJ/Producer Louis Quek and Yllis. Louis Quek, also known as Intriguant, will present tracks from his debut release “Ellipse”. Quek take you on a unprecedented cinematic odyssey through sound and space, and find yourself transported to the literal and metaphorical places that Intriguant holds dear. Providing a dramatic contrast is Yllis, who will take audiences on an audio-visual adventure into a universe filled with fascinatingly grotesque characters, all desperately looking for meaning in their existential debauchery. Yllis’ electronic productions warp and bend hip-hop sounds and post-rock influences to create a startlingly fresh fusion of experimental and pop music. Both acts will feature live accompaniment by up-andcoming visual artist SSYSTM, who will compose on the spot a symphony of inventive, stunning imagery inspired by elements of science and design. The event will take place on the 26th of June at the Barber Shop, TIMBRE, so go ahead and snatch up some tickets and let Syndicate SG take you on an extrodinary journey.
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SET SAIL ON SHIPSOMNIA
Ahoy party people! If you fancy a five day themed music and art getaway with some of the best DJ’s and performances, then heads up - Shipsomnia, a music and art festival fused with the mystical adventures of the high seas is sailing your way! Organized by the masterminds at Mad Fresh Events, the festival vacation will take you on a trip of a life time as you set sail on the grandiose Costa Victoria. Shipsomnia features a musical adventure based on a magical aquatic theme with a steampunk twist, as you embark on the world’s first of it’s kind, festival themed vacation cruise. Shipsomnia will set sail on its debut voyage from Singapore on 2 January 2016 to Phuket, followed with Langkawi. The festival vacation cruise with take on a theme of “The Search For Lost Rhythms” for its maiden voyage, and this theme is further explained in their teaser video below. Early reservations for Shipsomnia will start from May 23 to June 14, 2015 with with pre-sale tickets priced at RM2540 on www.shipsomnia.com. We wouldn’t miss it for the (underwater) world, and you shouldn’t too!
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MACHINA MUSIC MASTERMIND
[ E AT S L E E P R AV E R E P E AT ] [ L o c al A rt i str y i n te rv i e w ] [ revelr y ]
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P ’AOR TOM-YUMMM! Our favourite of all favourites when it comes to Thai dishes, and this time around, there is only one place you need to be to savor this awesome, spicy and sometimes mind-blowing broth. Say hello to P’Aor (pronounced Pee-Or), a quaint singleunit restaurant located in Soi Petchaburi 5, where diners claim, serves the best tom yum gong noodles in the country. Lets get straight into what makes their tom yum so yummy. The secret behind it, Man Boo, lays in the head of the prawn. Literally. It’s the buttery oil and goop from the (jumbo) prawn’s head, mixed with a certain blend of secret herbs and spices that result in the creamiest and most amazing tom yum broth ever. Upon arriving, order their cha manao (lime iced tea) to cool yourself down and as a chaser for the impending tom yum experience. If you’re travelling solo, waste no time and order their Kuay Teow Tom Yum Goong Nam Khon. The first thing that hits you is the size of the prawn that’s in the bowl.
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Rave REPEAT STAY The second thing that hits you is the creamy, spiced and fragrant notes of the tom yum – one that taste’s nearly too good to be true - married in perfect harmony thanks to their ‘Man Boo’ expertise! P’Aor | 68/51 Soi Petchaburi 5, Between Soi 5 – 7, Bangkok E AT-M E Less of a suggestion and more of a promise of a gastronomic adventure, the restaurant cum gallery on Soi Convent (Silom) delivers more than just delicious and creative food expressions. They check on all boxes when it comes to having a great meal out. Set over two floors with a sleek, muted colour scheme, the restaurant houses a bar and a bamboo-shrouded veranda, which is irresistibly romantic at night when illuminated by flickering candlelight. Walk in through the bar (order the fig and ginger martini) and
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give the live-band a listen while you explore their menu. Dishes are characterised by daring flavour combinations, which showcase a kaleidoscope of international ingredients in starters such as Alaskan scallops with avocado, yuzu and pancetta, while a chicken salad is elevated to new heights by the addition of red papaya, toasted coconut and betel leaf. Our favourite plates includes the grilled tiger prawns with tom yum spiced olive oil, pan-seared Alaskan sea scallops, crispy skin duck confit, as well as their succulent and juicy pork-chop! Eat Me | 1/6 Phiphat Soi 2, Convent Rd., Bangkok Ten face If you ask us, Tenface’s website is almost all it takes to get us on board and stay at the hotel. With a tagline like “Liberate
yourself and experience a life less ordinary”, Tenface is dedicated to giving its visitors an experience like no other. The urban sanctuary that takes inspiration from Tosakan, the legendary ten faced giant from Ramakien, has its sights set on infusing passion and wit into their service and architecture. The iron cast doors that welcome you into the boutique hotel is just a sneak peek into what the hotels 79 suites and its single penthouse have to offer. It is that that upon, arrival that guests will be provided with a box containing all one requires for their stay in Bangkok. The box opens up to a set of herbal toiletries, Skytrain pass, sim card and a complimentary iPod nano that is said o be loaded with video podcasts by in-the-know locals who share their tips on the best spots to eat, drink, shop and explore. Tenface have already got us sold, so we suggest you hit the up on your next trip to Bangkok! Tenface | 81 Soi Ruamrudee 2, Wireless Road, Lumpini, Pathumwan, Bangkok
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STAY l ebua at State Towe r If you’re heading to Bangkok in hopes of staying at a fancy hotel with views to die for then we suggest you get yourself a room at the lebua at State Tower. This hotel has been bestowed with the title of #1 hotel in the Conde Nast Travellers Reader’s Choice Award and we assure you they live us to the title. With spectacular views, the lebua at State Tower is set high above the city lines and river streams overlooking the vibrant sights of the shopping and business districts situated right below. Boasting five star suites and unwavering unobtrusive service, the folks behind this highly ranked hotel seek to make your stay both a pleasurable and memorable one. On a side note, we also suggest you stay at lebua at State Tower so you can hit up their iconic sky bar at the Dome at lebua, you surely wouldn’t regret it! Lebua | 1055/111, Silom Road, Bangrak, Bangkok 10500 Leve ls Club & Lounge When in Bangkok, do as the Thai’s do and hit up Levels Club & Lounge for a night of house music surrounded by a crowd of dressed to impress party goers. The clubs boasts a rooftop lounge with two separate rooms for part goers, and flaunts their impressive sound system with a mix of house, techno and R&B music throughout the week. Levels offers three distinct party
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zones housed in one connected space, the terrace bar that you could head to for pregame drinks, the classy lounge for all those seeking an intimately laidback evening, and the club room that generously welcomes dance music enthusiasts. The neon yellow and pink glistening lights add a very playful and illuminating glow on the dancefloor, setting the scene for you to get loose. We suggest you hit up Levels for a night of intense dancing as they provide you with quality music and at times some surprise international acts and get this entry is usually free! Levels | Levels CLub 39-45, BTS Nana Station, Soi.Sukhumvit 11 ON YX C lub If you’re out and about in Thailand and are looking for a good night out, Onyx is the place you should be heading to. Being one of the newer clubs to join Bangkok’s Clubbing
Mecca, the Royal City Avenue, Onyx stands out for their policy of closing at 5am with drinks flowing all through the night and into the wee hours of the morning. And get this, you get a free drink upon entry, with a fee of merely 300 bhat of course. This club’s sound system is put on display as they blast intense house and electro music alongside some of the hottest remixes. This club is made up of a central dancefloor, elevated bar and has a second floor party/viewing deck for you to check out the intense moves on the dancefloor. Although is it located amidst an abundance of other nightlife spots, Onyx is the only place for dance and techno fans who seek to let loose without having commercial music blaring through the speakers. ONYX | Royal City Avenue, Soi Soonvijai, Rama 9 Road, Bangkapi, Huay Kwang, Bangkok 10130
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words By Lydia Lohshini
From Thailand to Ibiza, Celeste Siam is living every DJ’s dream and doesn’t seem to be slowing down for anyone After seducing the world with her rhythmic tunes and her exotic looks, she is promising nothing but a big year ahead. We talk all things Ibiza and her plans music domination. Tell us about your journey towards becoming a DJ.。 I fell in love with music and multiple forms of art when I was a little kid, growing up collecting cassettes and records as hobby. I explored music and its different genres from heavy metal went to punk, rock, pop, R&B, soul, old school hip-hop, chill out, lounge, classical, trance, hard techno and then finally stuck on to house music. I started DJing in Bangkok and in 2006 I met a promoter from Spain, Charlie Cult (nowadays my manager, partner and mentor) who was the one who pushed me to believe in myself and encouraged me to dream big and experience why Ibiza stands as the electronic music capital of the world (and it truly is paradise on earth). What was the track or DJ that made you decide to want become one? Children by Robert Miles. The first DJ that I’ve ever experienced live was FatBoy Slim. When I went to his live show in Bangkok (over 10 years ago), it was so different from normal concerts with singers or bands, a new thing I’ve never experience. A kind of revelation, my curiosity grew exponentially. I questioned how just one man could control the whole crowd and drove us crazy with simply a pair of technic turntables and records? I imagined, it would be a complex art to master, but at the same time, I had a spark that made me realize that I could do that too!! Wow! A challenge, I felt thrilled immediately to pursuit for it. How was it like playing at Ibiza for the very first time? In 2007 I graduated from broadcasting and
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TV Production in the university and Charlie (Cult) though I was ready to fly to Ibiza and spend my first summer there. I spent one year preparing the best music, collecting good records, practicing my skills and saving up for my first trip to the island. It was a feeling between nervousness, worry and excitement; I had knots in my stomach because I feared the unknown and what would happen!? At that point I played vinyl and I remember being immensely nervous, my hands shaking, sweating, it became quite difficult for me to control the records and needles. After 3 days in Ibiza, giving away my CD’s and networking around the city, and I landed my first gig at “The Club” in Ibiza town owned by DJ Sebastian Gamboa (Pacha’s resident DJ). I was surprised, news spread pretty fast, I got offered more gigs on the island for preparties like the legendary Manumission, Hed Kandi, Cream and in other corporate and club events around Spain and Europe. Once I came back to Asia, gigs started to line up, people were excited to see and experience “Ibiza’s first Asian female DJ” Bigger things seem to be in store for you, what do you have planned this year? 2015 is looking bright with the release my first EP. I’ve been working for over a year with my team at Sonic Vista Studio from Ibiza; we take you through a trip to the 90’s and incorporated powerful soul and vocals into it. Please check my website soon http:// www.celestesiam.com for complete label info and release dates and more surprises with a new tech startup venture.
I’m excited about few dates in which I will perform with the singer Nalaya (Spain #1 Dance Music vocalist), at a show blending the best of Jazz and Dance blended with House and Deep House. Apart from that, going for the first time to play at clubs and festivals in new territories like Sri Lanka, Maldives, Argentina and others in South and North America and Australia and preparing with my agency a series of events as promoter in Jakarta with one of my sponsors and around the world from 2016. If you could form a girl band with three other female DJ’s, who would they be and why? 1. Daisy Heartbreaker (resident We Love and former Space Club resident) - she is my good friend in Ibiza for many years, her music collection is so interesting, a trip to the Cosmo-punk via electro-rock and rockatronic. A well fed experience, packed arrangements, which surprises any dance music connoisseur. 2. Nicole Moudaber - I have to say that I’ve never seen any other female Artist with such passion and style behind the decks. Saw her performing at main room space with Carl Cox last year and blew my dancing shoes away! The sound of Nicole is the grooviest techno I’ve ever heard, she is super skillful as well, it would be my honor to perform a techno and funk set with her. 3. Nervo (if I could unify them on one) Every time I met Min and Liv, I can’t resist to feel energetic! They are the personification of happiness x2, causing great joy to anyone around and isn’t only on the stage, its their nature. It would be so much fun all of us on same stage; I can imagine such night right now. If you were to be stuck in solitary confinement, which track would you be willing to have on repeat? J.M. Silk - Let The Music Take Control (1987)
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MACHINA Machina is serving up some serious electronic music out of Thailand and believe it or not, this chart topper accidentally stumbled into dance music. DJ Mag ASEAN decided to find out how this up and comer delved into the dance music industry and how he felt playing in the same spider one of his favorite DJ’s spun in. words By Lydia Lohshini
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How did you come about becoming a DJ? Tell us more about that journey. I used to play synthesizer in an Electronic Post-Hardcore band. I liked listening to Rock music which is a heavy kind of music. That time, I tried to listen to something new and I always wanted to make music. At the beginning, I didn’t even know that the kind of music I produced was Electronic Dance Music, I just wanted to make music in the way that I would like to hear and feel good about it. When I discovered this kind of music, I’ve discovered more about its style and details. So my tracks started moving into the genre. Hence, I’ve been staying in my bedroom since that day, keep making music. I can’t even call myself a ‘’DJ’’ because since I first start producing music, I don’t even know that I’m going to be a DJ. How would you describe your sound? I like to mix Thai Traditional music with Electronic dance music and experiment something new with it. Who are your influences and inspirations? Metallica is the one who inspires me to listen to Heavy Music, Skrillex and his record label (OWSLA) inspires me to make music which carefully concentrate in sound designing and experiment with new ideas. About Justice, Daft Punk, Madeon and other French artists are the inspirations for me to concentrate in the part of musical styles and also the details of the concept in the songs which so many people forget about that. What is the story behind the name Machina? I’ve thought about this name for a while. I want to have a name which starts with the letter ‘M’ and I realized that some sound I use in my tracks is the sound of “Machine” so I use this word and changed the letter ‘E’ to ‘A’ for 3 syllables name which is more sweet-sounding. I came up with the idea that whatever ends with letter ‘A’ will sound pretty catchy to us like “Madonna”, “Rihanna”, “Metallica” or even “Coca Cola”. You just released the music video for your track Disclose, it seems pretty dark. Tell us more about the track. I’ve to let you know first that I make 2 kinds of music. First one is Commercial song
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which everyone can appreciate it easily. And another one is for an experimental stuff to play in the Festival. This song, “Disclose” was in the first one I mentioned. This song talks about the betrayal of our loved ones, so I choose the concept of this music video to have a story about betrayal. I use the mask to be a symbol of today’s society which is unreal and dishonest society, people always wear masks. This music video tries to show its significant meaning and want listeners to think about the message behind it. You played at Arcadia: The Bangkok Landing, tell us how that experience was like for you? It was the fantastic experience that I will never forget. I just knew that the structure of the iron spider is the same one in Glastonbury Festival which Skrillex, Chase & Status, and Fatboy Slim used to perform. I had a chance to have a conversation with Skism and Far Too Loud, both were so friendly and they taught me about production techniques too. It was one of the blissfully happiest nights for me. How do you think the dance music scene is like in Thailand? Do you think Southeast Asia has what it takes to be the next big thing for electronic music? I think the dance music scene is growing so fast nowadays. Because there have been many great middle/high school students who started writing songs, producing their own tracks, and wanting get into the concert to watch their favorite DJ and artists, but according to Thai regulations, all of them are the underage audiences. One thing I believe is that the types of music that people have chosen to become their favorite ones since there were teenagers will subsequently be developed into personality types for a long time. In this generation, Thais are getting more interested in Electronic Dance Music and I think that’s a great chance to disseminate this type of music gradually. And for the audience to attend to the festival, the majorities of them have musical knowledge and also have many popular worldwide networks. In my view, at the international level, Electronic Dance Music in Southeast Asia is growing continuously in a good way. There is the increasing of big international music
festivals in many countries. We have such an amazing artist such as Angger Dimas from Indonesia. Lastly, the most important factor of musical development for me is the supporting for artists in your own country because if we can make the music scene stronger. We’ll easily improve to the same level as Japan and Korea in real soon. You’re only in your early 20’s and have played in various festivals and events. You’re quite the up and comer, tell us what are your secrets to keep pushing through in this industry. I don’t have any achievement recipe for success. But I strongly believe that three important things that have brought me this far are responsibilities at work, self-discipline and to be focus on the success. If there’s something that I couldn’t do then just find someone else to do instead and the last two important things are having a respect and don’t insult anyone. Do you have any advice for aspiring DJ’s out there? Personally, I always tell myself that a great Electronic Dance Music has to be “Edutainmant” because it would be able to entertain and educate people at the same time. Besides, another thing that makes me trust myself more and more every day is being ambitious. I never stop producing music because it’s the thing I love. We’ll never know what would happen tomorrow so right now we have to create a chance for ourselves. I try to avoid reading controversial or negative comments on social networks that I was mentioned. Of course, everything normally and always has two sides, but for me, if some comments are too complimentary it’d make me stop to move forward, on the other hand, if it’s a negative one, I personally think it’s just a discouraging word and wasting of my precious time. I definitely won’t let these negative things stop me from doing the thing I love. No way. What would you like to say to your fans? I appreciate all of you who support my music and thanks for reading this interview to the end. Hopefully, I would have a great chance to perform live at the festival in your country and meet all of my new friends there.
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SAMSUNG STRIKES GOLD WITH ROAD TO ULTRA PRE PARTY
The event that is powered by Samsung is hooking us up with a pre-party to a pre-party because that’s just the way we do it. The Ultra Thailand in Association with Samsung Presents Road to Ultra Pre-Party with Thomas Gold is most definitely a mouth full but it is going to be one heck of a party especially if you’ve got yourself a Samsung Galaxy device because then all you have to do is flash it at the door and you’ve got yourself free entry!Samsung have hit it Gold, because they’re bringing in a show stopper that has been breaking boundaries with his unbeatable beats and terrific tracks. Thomas Gold stormed his way into the industry on 2006 and has since been sending ripples through the industry with his unconventional hits and eclectic dance music. After being dubbed having the musical Midas touch, the DJ/Producer was signed onto the acclaimed Axtone Recordings and has spared no time before topping charts once more. After concurring club circuits, Thomas Gold has gone on to concurring main stages, at Ultra, Electric Daisy, and many others. The acclaimed DJ is now making his way down to Thailand to throw us a pre-party like we’ve never seen. So make your way to ONXY on the 29th of May and be ready to dance till you’re sore and party like there’s no tomorrow!
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WARP MUSIC FESTIVAL
The WARP Music Festival is heading to the shores of Thailand in the coming months and we are pretty ecstatic about this one. Although very few details are being made available, it’s already setting itself up to be Thailand’s premier beach music festival. The official Facebook page for the event has been dropping subtle hints on the festival and what we already know is that the venue would be Pattaya Beach and is looking at emanating ZoukOut. With over 2000 likes on its Facebook page since it went live on May 20th, this upcoming music festival is sure to garner thousands more as they announce even more details in the coming weeks. And if Warp Music Festival is really taking notes from ZoukOut then we assure you there would be a slew of local and international DJ’s on the lineup bringing you an electronic beach music festival like Thailand has never seen before. So keep glued to DJ Mag ASEAN and the Warp Music Festival for all the exclusive details.
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PHARREAL ON HIS WAY UP
[ E AT S L E E P R AV E R E P E AT ] [ L o c al A rt i str y i n terv i e w ] [ revelr y ]
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Eat Sleep Rave REPEAT A lcove L ib ra ry H otel Nestled in a charming and quiet neighbourhood street, The Alcove Library Hotel is one that offers respite from the hustle and bustle of the city, and yet represents a perfect base from which to explore the excitement of Saigon. Just 5 minutes’ drive from Tan Son Nhat International Airport, this boutique hotel boasts stylish European décor – complete with a large standing walk-in library as its main centerpiece.
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The rooms here feature supremely comfortable beds and pillows, over 70 channels on flat screen TVs, and a range of amenities designed to cater to the needs of discerning and savvy travelers. Their (extensive) library offers a wide variety of fiction and non-fiction books for you to get lost in. Bookmark Saigon, their restaurant on the fifth floor offers some of the best local and contemporary fare in town in a relaxing atmosphere that comes with a great view – the perfect setting to knock back a couple of cocktails and catch up. We saved the best for last. The turndown service available at the Alcove consists of you getting a bed-time story – complete with chocolate to go with it. Ahh, the perfect way to end a day! Alcove Library Hotel | 133A Nguyên Đình Chính, 8, Phú Nhuân, Ho Chi Minh City
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STAY V i lla S o n g Sai gon For something a little bit more indulgent, we would recommend heading over to Villa Song Saigon, a beautifully renovated FrenchVietnamese colonial mansion, perched right on the banks of the Saigon River. Located in Ho Chi Min’s district 2, this boutique hotel offers breathtaking views of the Saigon river as well as large airy rooms with tall ceilings, canopied beds and vintage fashioned bathtubs. Villa Song offers four tastefully designed room for you to choose from (Sanctuary Room, Sanctuary Suite, Art Suite, and the Imperial Suite), all adorned in local inspired art and decor. Take a dip in their outdoor saltwater pool as you watch ships sail across, unwind at their luscious spa, or head on Bistro Song Vie to wet your palette with exotic gastronomic creations and masterfully created cocktails. The hotel also has a private speedboat which can whiz you to the city centre for a night out on the town, or to the various restaurants that line the river! Talk about baller service. Villa Song Saigon | 197/2 Nguyên Vãn Húòng, Thòo Điên, Quân 2, Ho Chi Minh City 70000
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LUSH For more than 10 years, Lush has been at the cutting edge of Saigon nightlife. Its modern architecture, fresh music selection and novel offerings make it one of the mustvisit clubs in Ho Chi Min City. Lush’s interior design is unlike anything else in the city, with 3 distinct areas catering to different needs. Its elegant and modern front garden is a quiet area to dine and relax with friends. The back garden hosts a bustling bar where trendy Vietnamese and foreigners mingle late into the night. Meanwhile, the main attraction is Lush’s buzzing interior, where stylish graphics, comfortable lounge seating and an exciting bar area make for a vibrant atmosphere 7 nights a week. One of the main focuses of the Lush experience is of course the music. Lush has long been a trend-setter in Saigon, bringing fantastic new tunes every day and introducing new styles to the local club scene. The music team play the very latest sounds from hip hop and house over a
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Food those from northern Vietnam are said to consume it at any time of day. Trust me, we would too. For the best Pho in Ho Chi Min, we turn to master food-adventurist and personality, Anthony Bourdain and his show, No Reservations. Anthony claims the best Pho can be found at Bac Hai (25 Ng The Minh Khai St), famous for its burst of flavors delivered through its light broth – served with more condiment choices and herbs than usual – delivering a mouthful of flavors sip after sip! fantastic sound system, ensuring that every night is a party night. Lush’s design is also ground breaking. With an exciting motif inspired by graphic novels and manga, Lush is full of jawdropping graphics that contribute to its electrifying atmosphere! Lush | Lý Tý Trúng, Bên Nghé, Hô Chí Minh C hi ll Bar Since opening its roof doors back merely four years back, Chill has raised the bar for Ho Chi Minh City’s social scene – taking your nightlife experience to the next (twentysix) levels above the city’s ground. Located in the AB tower, Chill is probably the most opulent of sky bars in the city - delivering a novel and enriched night-out for Ho Chi Min’s discerning party people – one that includes a welcoming party of hostesses, security and towel-wielding chaps. The view from up here, coupled with Chill’s décor and design result in an experience that is truly worth shouting about. With signature cocktails by mixologist Bernardo
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Bernard, and delicious gastronomic fare by top Danish Chef, Casper Gustafsen – it’s no surprise that Chill has quickly become one of Ho Chi Min’s favourite nightspot. Did we mention that we feature some pretty awesome acts as well? Yup, if you’re up for a rocking night out among the stars – do swing by Chill on the 11 June to catch FireBeatz (ranked 56 in this year’s polls) as they crank up the temperature at Chill! Chill Bar | AB Tower, 76 Lê Lai, Bên Thành, Hô Chí Minh EAT Taking a trip over to Vietnam without getting your hands on Pho – a Vietnamese noodle soup consisting of broth, linguineshaped rice noodles called bánh phở, a few herbs, and meat, primarily served with either beef or chicken – is like having iced tea without the ice. It’s a must try, pho-real! Loved by locals and tourists alike, Pho is probably one of the most consumed dish in Vietnam. The Southern Vietnamese eat it for breakfast and occasionally lunch, whereas
Next up, we’ve got the Vietnamese take on BBQ for you – marinated, made and served right on your table! Vietnamese BBQ is somewhat of a fun experience, once that includes an extensive menu to choose from (plenty choices of meat, seafood, greens, and other local offerings) and once the raw ingredients arrive – you BBQ/grill it to your liking! This time around, we head over to Quan Nong BBQ restaurant, located above the upscale fine-dine Temple Club (Jolie & Pit dined here). Once you take the stairs to top, you are greeted with an open-air rooftop BBQ journey. We call it a journey because it will take 75 minutes of your life to properly enjoy their selection of amazingly fresh seafood (we mean live prawns here), as well as signature marinated meat cuts and dips. Expect to be impressed by their amazing flavor profiles of sweet, spicy, sour, and citrusy notes. We would order the live prawns with salt and chilli, roasted beef with honey, wildboar with lemongrass and chilli, and deep fried kangkung here. As with any BBQ, beer works wonders here!
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Hoang Anh
DJ, Producer, Record Label owner and Music Academy owner, DJ Hoang Anh is most definitely paving a way for the younger generation to delve in to dance music industry. With 15 years of being in the industry under his belt, this DJ is has set his sights for a soaring career, especially since he’s working on his 4th album. DJ Mag ASEAN took the time out to get the back story form this pioneering DJ and put him on the map where he belongs. words By Lydia Lohshini
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Tell us about your journey towards becoming a DJ. I played keyboard and collected records, CDs, tapes since I was 9 or 10, music always took me places I could not yet go to. By the time I was in University for a couple years I decided to quit that to pursue my dream, music. I had to sell my keyboard to make money to pay someone to teach me DJing. This I did on my own as my family didn’t agree with my decision to be a DJ. They get it now but then being a DJ to them was just a guy who stayed in the dark and played records all night. Me, I knew better and had the desire to lead the people on the dance floor and influence the shared vibe in a positive way. Since I am a quiet guy except to those that know me very well DJing was a natural match for me and my personality. What was the track or DJ that made you want to become a DJ That easy, ATB’s “9PM” (1998) was one of those tracks that lead me to dance music and DJ culture. I was into everything from rock to RnB hip hop even b-boying back then but hardly any electronic dance music, the more I explored it the more I loved it. Especially the trance sounds of ATB and later Tiesto. Keep in mind Tiesto was the man who gave me the best moments of my career as he was the judge at DJ competition that I was awarded in. That was the best moment of my life until the birth of my daughter that obviously took first place.
You are a pioneer in the electronic music industry in Vietnam. What made you want to start the music label and academy that is 88DNA? Being a DJ/Producer since 2000 when people in Vietnam had no idea what the hell a “DJ” was, I knew how hard it would be to get noticed, not just inside Vietnam but internationally, I started 88DNA music out of the desire to help the next generation of DJ/producers in Vietnam and myself to have their music heard by the global audience and it is slowly but surely coming to be. Digital music has helped the youth culture in Vietnam gain an international identity not just in the DJ culture. 88DNA Academy came after that to teach those with passion also so I can stay closer to home with my little girl Yuna whilst unearthing new Vietnamese talent. We’ve heard you’re about to release your 4th studio album this year, tell us more about it. What else do you have in store for fans this year? This year is the 15th year that I’ve been DJ and producer, a 4th studio album will be released at the end of the year along with a tour across Vietnam and some other international cities like Sydney , Melbourne, London, Calgary, Toronto and Vancouver that will kick start on May 15th. Alongside that I would release my latest single, “Indestructible” and will also feature remixes from other producers like John C ( 88DNA
) and Mino Safy ( ASOT Tune of the week “ When the Sun Smile “ ) will be released worldwide. There are more things planned for this year but keep glued to 88DNA Facebook and Soundcloud for silent drops and heart thumping remixes and bootlegs all inks found here. https://www.facebook. com/88DNAMusic2013?fref=ts Where do you see the Vietnam electronic music industry in the next 5 years? Vietnam’s electronic music industry is still an “ underground “ thing but for the last 3 years with stadium performances by big names like DJ like Ferry Corsten , Afrojack , Hardwell , Dash Berlin and Showtek, has open a new era which I think will get huge in the next 5 years. People get to know more about DJs than other genres. We’ve never have a proper “rave “ before 2009 and I personally think Vietnam will be a new destination in Asia for electronic music artist. Which relatively new local DJ’s have you been listening to or enjoying recently? I am enjoying John C - a DJ/producer who won the 88DNA ft Zara Taylor - “Lullaby” remix contest a lot lately, we then signed him to my label. He has a very interesting sound that stays out of the mainstream EDM that all the other kids are doing, and he keeps surprising me with his deep progressive sounds that I will later release on 88DNA music. Check out his newest release “Ambiguous” on 88DNA music. If you could stage a rave anywhere in the world, where would it be and what track would you start it out with? Easy one definitely somewhere in ibiza, as always I’ll start with my own track, may will be “Indestructible”. Do you have anything to say to your fans? Yes! Thank You! I promise I will still be the same DJ Hoang Anh and 88DNA for the rest of my life as you have given me the confidence and support. You guys and my family have kept me inspired for 15 years and I’m hoping for the next 15 more. Let’s go, 2015 is not over yet and I’ve got some tracks coming your way!
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[ V i et n a m ]
Pharreal
Phuong
words By Lydia Lohshini
Vietnam-born globe trotter DJ Pharreal Phuong is climbing his way to the top and isn’t stopping for anyone. With the drive to create more new music and working on his record label, this DJ is one you should be looking out for. DJ Mag ASEAN spoke to this passionate young DJ/ Producer and got him to spill all the deets on his DJ career and his upcoming projects.
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Tell us about your journey towards becoming a DJ. Who were your influences and what drew you towards electronic music? I was born in Vietnam and my family all moved to London when i was 11. Over a year later my uncle he brought home a Tiesto Concert DVD, and we watched it together. I was like “I wanna be this guy!” so I convinced my uncle and my parents to pay for my course to study DJing at PointBlankLondon when I was 13. I was listening and downloading music, practicing all day everyday like a maniac on my 1st CDJ desk that my dad bought me, and my neighbours in London weren’t so happy with me at that point. How did the alias Pharreal come about? That was a good friend of mine he was a party promoter in London he gave me the name after my first ever gig as a DJ at one of his parties. It was Pharrel at first, then after a while when I keep hearing people saying the word “for real” or “for real bro”, “for real this for real that “ ,so I was like I’m gonna put an extra “a” in my name as Pharreal Phuong instead of Pharrel. I was thinking, in life it’s all about being real and I’m a real person, so Pharreal Phuong became the perfect name for me. It was meant to be. How would you describe your music to someone who has never heard it before? When it comes to music, I’m very optimistic but my main focus right now is electronic dance music for sure. I normally start off with a catchy melody, any always try to keep that bass pumping to just make y’all wanna dance and have a good time. But I also experiment with various other genres. How did it feel like being titled Vietnams’s Next Top DJ? I feel so blessed, it’s a surreal feeling, it’s just crazy everything just happened to me. Everything just start coming together to build what I’ve been dreaming about for a long time. I now get to play at all the big clubs, getting all the love from the fans who support what I do, there’s nothing more I could ask for. What do you think of the electronic music scene in Vietnam? The electronic music in Vietnam is start growing so fast, within a year, we have brought down so many big international DJs who play at the biggest clubs and festivals with thousands of people attending and having great time, a couple of years back it wasn’t like this at all. People in Vietnam definitely starting to know what’s up and I think they will continue keeping themselves up to date with the electronic music in the future. And I also feel so blessed as I’ve gotten the chance to meet and open for all these big DJs, so I
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think in the future electronic music will be huge in Vietnam. You’re currently working on building up your record label. Tell us more about it and what drove you towards starting the record label. It all started with a group of good friends, we are all artists, music producers, singers, rappers, guitarist, drummers, we started doing this so that we can have more control on our releases and our music. We can put out music whenever we want and promote however we want. Bigger things seem to be in store for you, what have you got planned this year? This year I have moved to Los Angeles where I plan to focus on creating more music. I also will be working on a lot of collaborations with these great artists out here that I’m friends with. Aside from making music I also plan on playing more shows worldwide and continuing to build my brand. Out of all your tracks, which one has been a “never fail track”? I recently put out a new track called “In The Red” it’s a pretty interesting house track , I had the melody recorded with live guitar layers with rock drums kit then a really up beat house drop . It’s only been out couple weeks ago and I’ve already gotten a lot positive comments from the fans. And personally, really love the track. Hopefully in the future, all the tracks I put out become never fail tracks. If you were to be stuck in solitary confinement, which electronic music track would you be willing to have on repeat? I would have “I Can’t Explain It” by J-Louis on the repeat , he’s a good friend of mine, a very talented producer, you guys should check him out . Do you have anything to say to your fans? I just want to say thank you very much to the people that have been so supportive for the past couple years, you are all well appreciated, Also stay tuned because I have a lot of new interesting things coming up for you.
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revelry [ V I E T NA M ]
ALY & FILA SET SIGHTS ON VIBRATION SUMMER PARTY Aly & Fila the trance duo best known for their “Future Sound of Egypt” radio show will be making their way to the Vibration Summer party on the 29th of May! And tickets are flying off the shelves as thousands are expected to throng to the venue to catch Trances hottest duo in the scene. The duo are garnering a legion of fans the world over and are arguably the #1 trance act for many. The uplifting trance favorites are quite the ambassadors for the trance scene and are delivering their unbeatable style of uplifting, melodic trance music one country at a time. The official schedule for Vibration presents Aly & Fila has been released and we’re seeing some pretty massive local talents taking over the decks from the time the doors open. Opening the show is Doanh Bo one of Vietnams favorite dance music DJ’s, following up is Spectrum and Duy Duy also local favorites serving up their unique styles of house and upbeat rhythms. Cybersnack is set to introduce Aly & Fila not before he woos the crowd with his tech house beats that have made him an industry heavy weight with over a decade of experience. We suggest you grab your tickets now and experience a night of trancesetting DJ take you on a journey like never before!
[ V I E T NA M ]
FRESH SUMMER VIBES
Red Ant Creations and Vietnam Trance Lovers bring you Fresh Summer Vibes featuring David Gravell and Rave Republic who will be headlining the event. A further lineup has yet to be announced but you can expect six other DJ’s from various countries to be named in the coming weeks. Armada’s rising star David Gravell will be helming the decks at Fresh Summer Vibes and giving crowds a glimpse of why he’s Armada’s biggest up and comer. This young easy-on-the-eyes DJ is garnering the support of industry hard hitters like Armin van Buuren and W&W as his tracks are creeping their way onto charts all around the world. After playing at ASOT700 in Sydnet Ultra Music Festival in Miami and ASOT 650, there is no doubt that Gravell kick things up a notch at Fresh Summer Vibes. Tag Team dynamic duo Rave Republic are becoming the most in demand DJ duos based out of Asia. The duo made up of Mathias Schell and Stas Madorski has headlined numerous festivals and has since been churning out chart topping tracks. Stas and Mathias are a ball of energy at the decks and are famous for their pros, visuals and surprised that are themed in a post apocalyptical or anarchic manner. These rising stars have played alongside Avicii, Afrojack, Jazzy Jeff and many others and have their sight set on world domination. So be sure to catch Rave Republic as they get your hearts racing to the beats and keep your energy levels soaring through the roof. So get yourself tickets before they are sold out and hit up Queen Hall on the 30th of May for a summer party that is sure to get your pretty hot and bothered.
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South West more!
The UK’s Best Festival 2014 is the undisputed king of London dance fests for obvious reasons. With 10 stages and over 100 artists, South West Four 2015 is going to be the biggest one yet! Voted Best Festival at Best of British Awards 2014, South West Four celebrated its 10th year in 2013 — but this one is gearing up to be their most monumental year yet. Every summer, SW4’s headline acts — over two days — have become probably the most hyped announcements among dance heads in the capital, if not the UK. Skrillex makes a return to Bank Holiday Sunday (30th August) after tearing Clapham Common a new one in 2013, and the internet almost broke when they announced Faithless — of ‘Insomnia’ fame — will celebrate their 20th anniversary with a debut live show at the event on Saturday (29th August). Elsewhere, there’ll be debuts from Basement Jaxx and Martin Garrix, plus a slew of b2b DJ sets from the biggest underground names in the game across 10 stages, including those from Solomun/Âme and Carl Cox/Loco Dice, who’ll team up to headline the DJ Mag tent on Saturday and Sunday respectively. Brit
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big beat hero Fatboy Slim will present a Smile High Club arena, where the likes of Gorgon City/Pete Tong and Green Velvet/Patrick Topping will join up in the booth, while Eric Prydz has also been named as part of a trio of Saturday headliners. You’ll struggle to find a more powerful UK dance line-up this summer, let alone in London — fact! Once again, we’ve got a blinder of an SW4 competition for you to enter (see bottom right) and — because this year’s event is going to be so massive — we threw a few questions to Jeff Gray of Lock N Load Events, the event organisers... What’s new for SW4 in 2015? “For the first time in our history we will be showcasing 10 stages and over 100 artists across the weekend, making this, by some distance, the most ambitious South West Four to date. The most significant addition will be the introduction of a second, indoor main
stage. This will be the biggest structure to ever be erected on Clapham Common, so we’re very excited as to what will unfold in there over the weekend.” Who have you booked? “We have a great balance this year between many artists that have been consistently brilliant for us over the years, complemented by an abundance of new faces. The most significant debutant has to be Faithless, an act we have been after for many years, and we’re delighted to bring to Clapham Common. It’s not every day that one of the world’s greatest electronic acts decides to reunite in celebration of their 20th anniversary, so for them to choose SW4 to host their exclusive homecoming performance makes this the most talked-about booking of the summer. We’re also delighted to hand SW4 debuts to local legends Basement Jaxx, the boy wonder Martin Garrix, plus Luciano, Dixon, Amine Edge
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& DANCE, Hannah Wants and Hot Since 82 amongst others. “In terms of returning names we’re just a little excited to welcome Skrillex back this summer for the first time since his powerhouse performance in 2012. We were blown away by his set then and we’re expecting even more when he closes the outdoor main stage on the Sunday. Fatboy Slim plays SW4 for the first time in five years by presenting his Smile High Club. This will be the debut of Norm’s new project so we know he’ll be pulling out all the stops. Carl Cox and Loco Dice also return to repeat their unforgettable back-to-back set from 2013. Andy C plays not one but two sets this year, whilst Eric Prydz will illustrate why he remains one of our most popular artists, with an incredible main stage appearance.” What key brands are hosting stages this year? “In addition to our huge outdoor main stage, each day will feature a further four massive arenas, hosted by dance music’s finest. “On the Saturday Fatboy Slim presents the debut of his Smile High Club with guests
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including Eats Everything, Hannah Wants and Todd Terje. Maceo Plex will again bring his ‘Dream, Don’t Sleep’ concept back to SW4, this time with special guests Sven Väth, Dubfire (live) and Carl Craig. 2015 has seen The Gallery celebrate its 20th anniversary as the UK’s leading Friday night, which will also be celebrated at SW4 with a stage including Aly & Fila, Infected Mushroom and Paul Oakenfold. “DJ Mag will feature heavily across both days by hosting a stage on the Saturday headlined by Solomun vs Âme, Bakermat and Fritz Kalkbrenner and then again on the Sunday with Marco Carola, Adam Beyer, plus the Coxy vs Dice showcase. The Sunday will also see the world’s leading drum & bass label RAM host their biggest-ever showcase in the UK, with Andy C, Sub Focus, Wilkinson (live), Roni Size Reprazent (live) plus many more. The final two stages on the Sunday will see Maya Jane Coles host a stage at a UK festival for the first time, with Dixon, Mano Le Tough and Deetron (live), whilst Ibiza comes to Clapham Common as Amnesia Ibiza’s Together party showcases Example + DJ Wire, Oliver Heldens and DJ EZ.”
What are you most looking forward to this year? “The showcasing of two main stages for the first time in SW4 history is going to give the festival a whole new look and feel this year and help elevate us to the next level. Having Skrillex back at SW4 is a major deal and we know that this set will be even greater than his last unforgettable performance at the festival. However, above all of this, seeing all our friends and family come together for two days in the summer sun is what makes it all worth the blood, sweat and tears throughout the rest of the year.” How far would you say SW4 has come over the years? “SW4 has grown beyond recognition in every department from the first instalment 12 years ago. From the line-up to the production values we’re all very proud of the team effort that goes into making SW4 happen. We have an amazing, loyal crowd who come year in, year out, rain or shine and have been with us at every step along the way. As long as we continue to receive this support the festival will continue to grow for many years to come…”
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AROUND THE WORLD
nnaaalll ati on rna tio tern Inte In ois No N isee!!!
AWAKENINGS FESTIVAL 2015 DATE: Saturday 27th & 28th June LOCATION: Spaarnwoude, Holland LINE-UP: Richie Hawtin, Loco Dice, Adam Beyer, Joseph Capriati, Sven Väth, Ricardo Villalobos, Jimmy Edgar, Jeff Mills, Dave Clarke, Nina Kraviz, Ryan Elliott, Carl Craig, Scuba, Eats Everything, Julio Bashmore, Maya Jane Coles, Ben Klock & Marcel Dettmann, Len Faki, Tale of Us, Karenn (live), Paco Osuna, Pan-Pot, Maceo Plex and much more... awakeningsfestival.nl
LOLA ED have teamed up with HALF BAKED for a party in Barcelona to coincide with SONAR on S unday 21 s t June at Parc Del Forum. Involving THE MOLE (live) and FRED P as well as an exclusive set from
APOLLONIA, there’ll be DJ sets from D’JULZ, DJEBALI, GREG BROCKMANN and much more from 1pm to
Kraftwerk midnight... Across the pond, KRAFTWERK have announced a US tour. The 3D concert will begin in Canada on 16th September and then visit Portland, Austin, Miami and Boston, to name only a few, before finishing 9th October, while Rob Da Bank’s notorious Isle of Wight festival is on its way to
C a n a d a . BESTIVAL TORONTO is planned for 12th - 13th June, with FLORENCE & Caribou THE MACHINE and NAS headlining. Dance acts include CARIBOU (& DAPHNI), JAMIE XX, CASHMERE CAT, DJ TENNIS, CASSY, DUSKY, NICOLE MOUDABER and JUSTIN MARTIN... Over in the Far East, China is soon to have its very own two cherries! PACHA MACAU will be Macau’s first ever super-club,part of a Hollywoodinspired gaming and entertainment complex. Watch this space!
1 3 4 xx Jamie
Wake up and smell the techno! Awakenings Festival returns and it’s as big, bad and banging as ever... Starting inside Amsterdam’s gasworks enormodome Gashouder in 1997, Awakenings is basically Holland’s answer to Time Warp. These days a full-on festival set in a lovely park over the space of two days, it’s come a long way since kicking off with Dimitri, Derrick May and Billy Nasty all those years ago. Awakenings’ success has increased in line with the popularity of techno, attracting 65,000 people who enjoy eight stages host to what’s basically an A-to-Z of top techno talent and its many sub-genres. The visuals are pretty trippy too.
This year, over 125 DJs/artists are on the bill, with heavyweight names such as Adam Beyer, Richie Hawtin, Loco Dice, Luciano, Sven Väth, Ricardo Villalobos, Joris Voorn and Joseph Capriati propping it up. There’ll also be a b2b appearance from Ostgut Ton titans Ben Klock and Marcel Dettmann. It doesn’t get more techno than this! Then there’s house DJs like Eats Everything, Maya Jane Coles and Julio Bashmore thrown in just for good measure. “No nonsense style,” says Awakenings’ Maarten. “Unique and visitor-oriented production in combination with [an] AAA line-up.These factors combined make Awakenings a special and unique event. When you come to an Awakenings show for the first time, you will 100% return!”
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JOCKEY JOURNAL The on-the-road diary of the world’s top DJs treading the globe
UNER & TECHNASIA
, Berlin Watergate
uaia, Ibiza Ants, Ush
a Club, Madrid Charad JUNE 2015 / dj mag asean
mi 2014 WMC, Mia
uaia, Ibiza Ants, Ush
Some of the most beautiful relationships began in the booth. We’ve all seen YouTube footage of Sven and Luciano “getting on” at the Ushuaia after-party in 2009 (if you haven’t, Google it). As well as a bit of fun — if done right — a b2b set can not only compound the pulling power of a name on a line-up, it can also pave the way for new, more interesting journeys. Once formed, a strong, harmonious DJ partnership is a difficult thing to break. One DJ that’s found his turntable soulmate is Diynamic’s Uner, who’s teamed up with Paris’s house heavyweight Technasia for sets all over. First blossoming at WMC last year, they’ve done the b2b business since, with extended sets at BMP (Mexico), Ushuaia and Vista (Privilege), to name only a few, so we asked Uner to pick his most memorable... WMC 2014, DELANEY’S, MIAMI “Of course, when I’m thinking about the best b2b sets the first one will always be the first one. The first time we played together during WMC 2014. It was a special and intimate birthday party for Charles and we started to play together. Super natural. Everything started at this moment.”
WATERGATE, BERLIN “One of my favourites was our first time in Watergate in Berlin. We were playing almost four hours also, and you know how it goes there when you can connect 100% with the clubbers. It was super intense! With the funky groove from Charles and my techno melodies, we arranged a special mind-trip playing and dancing together with the Watergate crowd.”
ANTS, USHUAIA “We also did a super special b2b in Ibiza, August 2014 with my colony, ANTS in Ushuaia, closing the main stage. It was massive! You can imagine how it was, with fireworks, lights, all the people dancing around, almost 9000 people in front of us for two hours full of energy, hierbas and the fantastic party, with all the Ushuaia stuff. Probably one to remember forever.”
DREAM BEACH FESTIVAL, SPAIN “Of course I can’t forget the Dream Beach Festival in Spain, also the last of summer 2014. We were playing after Richie Hawtin and the festival was completely packed the two days; 40,000 people each date. So when we arrived, the people were enjoying it a lot and it was our turn! Probably I could say it was the best b2b we did to date.”
CHARADA CLUB DE BAILE, MADRID “I can remember also our first time in Madrid, in a super small club just for 100 or 150 people. The DJ booth was in front of the crowd. No stage. The soundsystem sounded phat and it was super-hot, but we were playing for almost four hours with all these people completely into the journey and with a lot of friends supporting us. Another special night.”
REVERSE “But I don’t want to remember our special b2b sets without mentioning the b2bs we’ve done with our family and friends: Blue Marlin Ibiza, Reverse Ibiza, Reverse Madrid, etc... every b2b with our team is special. Why? Because we can feel the special love from all our people and they can also feel it. We are really proud to work with them and we are super grateful for all the effort. So every time we play for them is special!”
each, Spain Dream B 135
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TECH b
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[on the right track] [studio essentials] [my d i g i ta l e n e my ] [tech producer]
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tech NEWS
MAKE IT RANE!
Rane’s new rotary mixer, the MP2015 is a work of art.
ALL ABOUT THE NUMBERS
Loops With Numbers is a special gallery installation from Jackmaster’s label.
digital love
Digitally Imported’s full-blown dance music listening experience online.
ABLETON’S MAKING MUSIC BOOK
We talk to the writer of the new Ableton book full of tips for electronic music-making producers.
TECH PRODUCER
Assorted tips and tricks to help your productions on their way.
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ON THE RIGHT TRAK
Native Instruments strike back with the all-new D2 Traktor Controller...
Given Serato’s somewhat open approach to allowing third-party manufacturers to develop deeply integrated hardware controllers for Serato DJ, it is fair to say that they have stolen a lot of Native Instruments’ thwunder in recent years. However, anyone who may have written off Traktor as yesterday’s news, or thinks they may be falling behind the pace now being set by the Serato crew, would be absolutely wrong because Native Instruments have been kicking up a silent revolution of late on quite a few fronts. The main beneficiaries this time, from this rear guard pincer movement, are their loyal Traktor users. Hot off the back of the news of NI’s new multi-track file format Stems, which in itself is creating serious waves across the dance music industry, is the word of a brandnew controller that not only works seamlessly
with the Stems format, but also solves the single biggest problem with other controllers like the Traktor Kontrol S8 — portability. The Traktor Kontrol D2 is exactly what club DJs have been waiting for since the release of the Kontrol S8, a compact version which is an almost exact replica of the deck section of the S8 without the mixer section. It means that this controller can easily be transported between gigs and will fit into cramped DJ booths, making it possibly the perfect travelling companion for club DJs who use Traktor to perform their sets. While the mixer section might be missing, all of the important bits from the deck sections are present and correct, making this a seriously feature-packed controller with a very small footprint. The Traktor Kontrol D2 is the next in a rather proud succession of compact controllers from Native Instruments, such as the F1 and X1, and while there are some familiar features and controls from these controllers found on the surface of the D2, this is a quantum leap ahead from its predecessors in terms of features and workflow. The most striking feature of the Traktor Kontrol D2 is without doubt the LCD screen,
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SOUNDBYTES
Studio Essentials Electro wizard and live performer Saytek gives us his studio essentials...
price £429
CONTACT
native-instruments.com
which looks positively massive in such a small controller and has allowed Native Instruments to create an uninterrupted workflow that is very intuitive. Track browsing and loading is a snap. The touch-sensitive controls activate corresponding Traktor views and functions on the screen, making the D2 incredibly user-friendly as well as ensuring the absolute minimum amount of time and fuss when using this controller. This means the more advanced features are far more likely to be used by DJs while under the pressure that comes with sets in front of large crowds and live internet broadcasts. Tracks released using Native Instruments’ new Stems format will load with their four individual tracks displayed on the LCD display of the Traktor Kontrol D2, ready for instant remixing and tweaking. Existing Traktor features such as remix decks are also catered for by eight trigger-style pads at the bottom of the control surface, above a touch-sensitive strip controller and transport buttons. For club DJs who regard Traktor as their weapon of choice, when it comes to rocking club dancefloors the Traktor Kontrol D2 is a no-brainer purchase. It manages to strike the perfect balance between portability and features, and even has four decks. For DJs who don’t mind about size, and have the space for a complete system, pairing the Traktor Kontrol D2 with the Traktor Kontrol Z1 mixer would create the perfect ultra Traktor control system that is fully loaded with every control parameter that one would ever need. The Traktor Kontrol D2 is an awesome controller that is sure to be popping up in the biggest and coolest DJ booths around the world this summer and for many years to come.
JUNE 2015 / dj mag asean
SPLIT DECISION Reloop have just released the new RMX-22i Mixer that brings club-style mixing to the tablet community. The RMX-22i is a two-channel mixer with an iPad split input on the rear, making it possible to include an iPad, Android tablet or smartphone directly into a DJ set-up. The RMX-22i shares some of its technology with Reloop’s flagship RMX-80 mixer, making for a rather decent compact option for any DJs. £195 reloop.com
Korg Volca bass//keys
HISTORY REPEATING Allen & Heath go back to the future with their latest release. The Xone:43 mixer is a classic four-channel analogue DJ mixer with a host of enhanced features, including our favourite Xone filters, X:FX routing, three-band EQ, VCA faders and adjustable crossfader. The Xone:43 is the perfect mixer for all those DJs who want to retain the classic analogue sound and not jump into the digital domain. £659 allen-heath.com LOOKING GLORIOUS Glorious by name and glorious by nature: a new company offering top class DJ furniture. The Glorious Diamond is made of high-quality materials, incorporating a cool and minimalist design. It’s one of a range of three new products that will hold DJing gear, whether it’s decks and a mixer or a laptop and controller. glorious.de
“I LOVE the Korg Volca range, great little sequencers and wicked sounds. The bass and the keys have their own unique, gritty analogue sound. They are so much fun, tweakable with great results and really work in a live setting. Really impressive for their price.”
Ableton 9 - I use this for both the live show and tracks “I have been a Live user since it first came out, and have been in love ever since. Intuitive and fun, and just works the way it should.”
Native Instruments Maschine Mikro “I make a lot of the loops for my tracks and live sets with this. It’s a great beat-making machine, also nice for melodies and bass, and especially (and surprisingly) good for techno chords.”
Roland MC909 “The ultimate groove box. It’s massive and a bit long in the tooth, but I get great stuff out of it still. It’s a ‘90s studio in a box, but made for performing live. It’s actually really powerful, but really complex to program and tweak, it’s for real geeks only.”
Korg Monotron Delay “Tiny analogue synth great for 1950s sci-fi effects, and really crazy FX when you start tweaking LFO, delay, time and cut-off together. It’s only a recent addition to the live show, but it sends the crowd crazy, which is always a good sign!”
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tech NEWS VERDICT
App REVIEW APP: Final Touch DEVELOPER: PositiveGrid FORMAT: IOS PRICE: £13.99
My Digital Enemy can’t live without Native Instruments’ Komplete
“Our favourite piece of kit is the Native Instruments Komplete bundle. We have just updated it to version 10. We mainly use Massive and Kontakt, but there is so much more to play with on there. Massive is great for basses. Using up to three oscillators at once, you can make some seriously fat noises! It has a really great frequency range and can really hit the low sub basses. There is a lot of control and the modulation is amazing. You can link up the filters, LFOs and envelopes by a simple drag and drop method. It really has been thought out well, and it is so user-friendly. We are finding Massive more and more useful as it can create a lot of the bass sounds that are all over the house scene. “Kontakt is great to use as a sampler and also has some wicked pianos and other instrument patches, which come in handy. Our favourite sampler function allows you to automatically slice a sample at its hit-points, then auto-map each slice to a separate key on your controller keyboard. This is really great for using on vocals to make chopped-up melodic loops. It also works well on sampled leads, as you can play each individual hit to make brand new arrangements. We use pianos in a lot of our tracks and most of them are from Komplete. The New York Grand sounds immense once it has been EQ’d and processed through some other plug-ins to give it an old school lo-fi sound. Our favourites for this are Sausage Fattener, Vintage Warmer and PSP Retro-Q.”
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Final Touch is a portable mastering system that the creators Positive Grid have worked alongside engineers from Apple to create. It promises to bring studio quality results to a portable platform. This plug-in is something of a Swiss Army Knife of tools with a maximizer, pre and post equalisers, four band dynamics, stereo imaging, reverb and dithering all available in one system ready to slip into a pocket. This mobile-first mixing and production platform gives producers and musicians the tools they need to create polished professional-sounding tracks both in the studio as well as out on the road, and is just as useful on stage as an effects unit as it is in a recording environment. Any professional mastering system must have topnotch audio processing quality, which is something Final Touch has in spades thanks to Positive Grid’s Digital
INTO ORBIT
SOUNDBYTES
8/10
Signal Processing expertise, which have been put to fine use when creating the iOS Double Precisions vDSP architecture. As well as looking impressive on paper, it sounds amazing as well. Final Touch when in the hands of an experienced studio engineer can bring detail and clarity to mixes, and make them louder, fuller and more powerful. This mixing and mastering suite will suit both project studio owners and professional users, especially as it can be easily taken to every session without the nightmare of lugging a rack of outboard gear around. This handy app is bound to find favour with many musicians and producers across all levels and genres.
Universal Audio have taken their UAD-2 Satellite into another dimension with the release of a Thunderbolt version which by the way comes in two flavours, either Quad or Octo Core — four or eight core processors that deliver amazing additional plug-in power to any Mac-based set-up that features the Thunderbolt connection. The new Satellite DSP accelerator will allow producers to use more of UAD’s amazing plug-ins in a recording or production session. £799 - £4679 uaudio.com
IN THE STUDIO Pioneer DJ is shifting its focus to professional studios with their new RM Series active reference monitors. The RM-07 and RM-05 studio speakers feature a coaxial driver unit. The bass and the tweeter speaker sections are built together and not on top of each other as in conventional designs: ideal for nearfield monitoring. The monitors are encased in a rigid die-cast aluminium cabinet and whilst looking rather cool, should ensure a very good-sounding speaker. pioneerdj.eu JUST BEAT IT The BeatPad 2 is the follow-up to Reloop’s rather nifty BeatPad controller for iOS and Android devices. This new controller still partners up nicely with Algoriddim’s DJAY 2 software — however, it now features eight touchsensitive pads, colourcoded cue points, slicer function and dedicated filters on each channel to ensure that DJs have even more performance controls at their fingertips. £390 reloop.com
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tech NEWS
A MOMENT
OF YOUR TIME
A GUY CALLED GERALD A Guy Called Gerald, a self-confessed tech junkie, has been an electronic musical innovator for decades, but still managed to surprise some dance music purists in a recent short film when he talked about building his DJ sets around an iPad and Native Instruments’ Traktor DJ app. We caught up with him on production secrets, jazz and putting the techno in technology... You are a self-confessed tech junkie — tell us more about that... “I was always pulling apart old TVs and electronic stuff when I was a kid in the early ‘70s. I grew up in soundsystem culture in Moss Side in Manchester. We were building speaker boxes and experimenting with sound. I was always interested in synthesisers as soon as I realised the concept of them. In the ‘80s I got into listening to jazz and funk and started dancing and studying contemporary dance. At the same time I started to listen to more and more experimental music, and saved up to buy all the equipment as I realised I wanted a studio. And to make music myself to dance to. By 1985/’86, I had made my own bedroom studio.” Hardware has always been a staple in your music career? “I’m making music with computers and synths mainly to perform live. When I perform live it’s a freedom that I’ve been moving towards since the late ‘80s. Basically I was using an orchestra of Roland machines that I could sync together. This was ideal in some ways because I could build the tracks on-the-fly and feel the energy from the people. But in the early ‘90s a lot of club promoters were not interested in
JUNE 2015 / dj mag asean
me doing this kind of gig, as they just wanted people to play back from tape because it was simpler and faster. Also the DJ culture was building at the same time. This playback performance and the rise of the dance DJ kind of got in the way of live performance in the early to mid-’90s. Analogue wasn’t cool then either. I spent a lot of time in the studio and chasing the latest technologies in music and was very happy when the computer came about and got smaller and more powerful, and then I could go out on the road and perform my music as it was in the studio.” You mentioned that you’re looking into new ways of getting your music out to the masses... “I’m not releasing music so much these days. I’m searching for new concepts in electronic music — to work beyond the narrow idea of what an electronic musician is supposed to do, ie. release music and then promote it. For me, most electronic music has been monetized to a state of blandness and predictability. “Usually if you come to a show you will hear some new music. Your main traditional system, releasing music in a physical format, is flawed. The system that’s been built up has no respect for artistic integrity. It’s hard for me to release music through other channels, without being changed in a way that your music becomes ironed out and bland. “You can find my material on the online channels distributed through iTunes, Beatport etc, and I will continue to release music there in the future. My experiments in my music stretch as far as trying to find new ways to bring the music as raw and as unadulterated as possible — for me that is playing live.”
How do you get a good sound in your recordings? “Patience plays a really big part. As I said, I grew up in a terrestrial studio. Every sound had to be treated and cleaned before it was added to the mix, and then put within the stereo field. There are a lot of old studio techniques that don’t get used anymore that are worth a lot more than any old analogue equipment or old rare vinyl. Each individual sound has to have space in-between it, the sound has to be clean to have the kind of sound I want. This probably sounds like gobbledy gook for people who just take sounds from vinyl and put it into Ableton Live. I’m using the process of digital how we were dreaming about it in the late ‘80s. The process of cleaning was one of the downfalls of recording onto analogue tape. Tape-hiss took up a lot of time and energy for someone like me — especially with the higher frequencies.” What are your thoughts on the current dance music production culture? “Anything that’s based around Ableton and Logic seems to be totally predictable. Most producers within this culture seem to try and make a similar sound as cheaply and as fast as possible. You can hear it in the music. There’s no spacial awareness. It would be like going to a gourmet restaurant and they just shove everything into a blender and then throw it at you! Within this culture it seems to me that as long as it’s loud and at the right bpm and with the right sounds for the trend, then it ticks all their boxes. But then you can’t really blame them when you hear the state of the music at some of the clubs where it’s being played. It seems like a lot of places just play the music in mono so you don’t get much depth of field.”
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tech PRODUCER Welcome to Plug-in Corner, our monthly exposé of some of the best plug-ins around for creating electronic music
words: Mick Wilson
We reveal some handy tips and tricks to help you on the road to wicked productions...
otheufrenshdests S er ll Ki ate How to cre
r...
sounds on the dancefloo
Israeli dance music producer Chaim delivers the dark narrative behind this month’s Killer Sounds... “The original name for this track was ‘It’s Too Dark 4U Whatever’. I made this one around two years ago when I wasn’t in the most amazing moment of my life. I was living in Berlin, winter — cold as hell. I used to stay at a friend’s house that was really dark. We used to work in his basement, that was the darkest place ever. We had this one moment in time where everything we made in those days, we’d ask each other, ‘What is dark?’ and ‘What is too dark?’ It was more like a joke to annoy each other. “Anyway, right before I left Berlin I found this vox of the sweet Meital De Razon on my computer, and I started to play with it and this emotional track came out. This track really belongs to another period of my career. I think I actually sent it to Guy Gerber a long time ago and I totally forgot about it. I love this track but I feel like I haven’t touched this
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CHAIM’S DARK VIBES
sound for a while, especially if you compare it to the latest tracks I’ve released, but at the same time it gave me ideas for future projects. Since the release of ‘It’s Too Dark 4U Whatever’ I have now released more melodic and more aggressive beats for bigger clubs. It’s so the opposite of that, with the warm chords and the sweet
voice of Meital. It’s actually perfect timing for me cos since I moved to New York my music took another turn back to being more housey and warmer-sounding. “I have a great follow-up to this, with three new tracks for Rumors that you may have already heard as they were released just in time for WMC 2015.”
F9 DRUMTRAX FUTURE CLASSIC 118 - 122 BPM
James Wiltshire of Freemasons fame has launched a project that encompasses a range of sample libraries to be used in conjunction with his brand-new online tutorial site. While they can be used in conjunction with the tutorials, these new packs are fully formed and can also be used by any producers who are looking for that certain something to drop into their tracks. F9 Drumtrax Future Classic 118 - 122 BPM is the first sample pack on offer. One of the main problems a new producer faces is getting their music to sound as big and as hard-hitting as the records in the clubs. Drumtrax provides the answer by offering club-ready drum and beat sounds — 1.8GB of drum and FX stems, produced, programmed and mixed by James himself. The sounds in the pack are presented as eight DAW specific projects. Each set of stems comes as a full track arrangement — this not only helps to create instant inspiration for a new producer, but also shows the arrangement and programming tricks used by the pros. The full track arrangement also helps new producers to create club ready tracks quickly. Easily customisable and with an extensive extras section, any new producer is only a few clicks away from release-ready drum tracks.
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PRICE £tbc
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primeloops.com
VERDICT
7.0/10
plug-in: Developer: Format: Price:
Frostbite AudioThing Native Mac/Windows £21.06
Dublin-based sound design lab AudioThing recently released their new multi-effect plugin for Windows and OSX, Frostbite. Frostbite consists of a selection of modules: Ring Modulator, Freeze and Feedback, with a variety of different signal flow combinations, switchable from the A - F signal chain buttons on the bottom of the user interface. The user interface itself is sparse, methodical and attractive, and lets users easily control all parameters. Enclosed in the Ring Mod module are frequency and amount controls, plus a lowpass filter control to help shape sounds. Freeze comprises of a freeze effect that is able to hold the input up to 25 seconds. Within this module there are fade out and high pass controls to shape the ‘frozen’ input, with size and amount parameters that allow users to select the length of the sound they wish to ‘freeze’. ‘Feedback’ is essentially a delay, which can be modulated by an LFO, using the LFO rate and LFO depth within the module, along with the delay parameter that can be set up to 200 samples, and the general amount control. Each module can also be bypassed independently, and the plug-in also boasts a limiter and wet and dry controls on the mix module. A variety of presets are also included, along with a builtin randomizer. Although relatively limited, Frostbite is said to be aimed at creating ‘ambience and cinematic music’ and ‘extreme sonic experiments’. These statements ring true, especially when processing pads/keys, experimenting with the Freeze module within the plug-in to create ambient soundscapes. The Feedback module is also a great tool to create interesting, flange-type effects. All in all, Frostbite is a massively useful multi-
VERDICT
7/10
Plug-in Corner is sponsored by pluginboutique.com, your login for plug-ins!
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VERDICT BUILD QUALITY EASE OF USE FEATURES VALUE FOR MONEY sound quality
8.0 8.0 8.0 8.0 8.0
HYPE
Brand new vectorial user interface that is scalable, brand-new mixer section complete with selectable layouts, great touch-screen support.
TIME TO GET A LITTLE FRUITY!
Gripe
The top-end all plug-ins edition will hurt the bank balance. Image-Line has given FL Studio a completely redesigned vectorial user interface with a generous helping of improvements, which takes this software to the next level.
FL Studio 12 has a brand-new user interface that will leave a sweet taste for all that use it... The big news from Image-Line the makers of FL Studio (or Fruity Loops as some of the older readers still call it) is that a brand-new version is dropping — and there are more than a few upgrades in there that will be sure to excite existing users and quite possibly attract more than a few converts. New versions are perhaps more exciting for existing FL Studio users than most other DAW owners due to the free upgrades for life offered by Image-Line, meaning that a whole host of great new features are on their way to existing FL Studio owners for absolutely free. One of the most interesting new features to be introduced into FL Studio 12 is a brand-new vectorial user interface, something Imagine-Line are calling the biggest change to the software in 10 years, so they are clearly excited, as will be FL Studio users. Moving to a vectorial-style display means that all of the user interface elements are created using vector graphics. The upshot is that they will scale perfectly to provide crisp and sharp graphics for monitors up to 8K resolution. Multi-touch control has also been taken to a new level in FL Studio 12. The mixer and user interface of FL Studio 12 can be rescaled to fit human (and presumably other similar-sized mammals) fingers, perfectly removing the frustration many of us suffer fiddling with tiny controls when such rescaling is not possible. Given the amount of very good high resolution monitors available at reasonable prices these days, it means that adding a touch-capable monitor to a studio for use as a controller is a great way to get hardware controller-style performance on the cheap — which will always stay current with new versions as they are released, unlike a hardware controller. The mixer section has been completely Learn from others Seek out people who are better than you are to work with, it’s the best way to learn.
8.0/10 PRICE £tbc
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primeloops.com redesigned and the developers at Image-Line have clearly put in a lot of hard work and hours into its design; thankfully this is time and effort that has been well-spent because the result is fantastic. Taking full advantage of the new vector user interface, the mixer section is completely customisable and can be expanded to any size. There are six layout views on offer, which cater for a range of workflow situations, including touch-screen usage, plus there are three user-configurable dock panels for track management. Other areas that have seen improvements include track grouping, which is now a very slick and user-friendly affair, multi-touch support has also been added and there are 10 FX slots available per track. Multi-track routing and automation options have also been improved and expanded as well as the grouping and submix functions. Image-Line have made good use of their new scalable “vectorial” user interface, giving a large number of FL Studio’s plug-ins the upgrade treatment with 3xOSC, Edison, Formula Controller and Keyboard Controller plug-ins taking full advantage of the new user interface. The envelope controller tool now has eight parameters, mod X/Y envelopes as well as being adapted to use the new user interface. A new tube distortion effect and cabinet simulator
Finish your tracks Finishing tracks takes discipline and patience, but it is one of the most important habits to form for any producer or musician if they want to get ahead.
Try different styles Writing tracks in different genres not only keeps things interesting, but it inspires ideas and boosts creativity.
called Hardcore has been included with FL Studio 12, which is bound to please guitarists and any producers who like grungy distortion effects. Fruity Convolver has been given a brand-new impulse library from Soundiron, and ZGameEditor Visualizer will load all popular video formats rendering them in 4k quality. The wrapper, which provides VST plug-in support, has also been redesigned to improve stability and compatibility for both 32-bit and 64-bit plug-ins. Another neat upgrade which has been included in this latest version of FL Studio is the plugin scan tool which now allows unlimited VST plug-in search locations and an easy and quick way to mark plug-ins as favourites. Piano roll has had time markers added for labelling and looping purposes, auto-zoom can now be switched off and the Stamp tool replaces the Chord tool, allowing users to drop in chords from a selector. Another handy new feature to be found in FL Studio 12 is that stems and audio clips can now be dragged and dropped into the playlist from any Windows file browser. The browser has also been improved, with a better layout, complete with user configurable category tabs. This latest version of FL Studio takes it well and truly to the next level and while the new vectorial layout is very nice
Work hard Hard work is the key to success and when that success comes along it’s time to get back in the studio rather than celebrating.
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