UWE Bristol, Fashion Textiles yearbook. 2019 by dksoutherland

ress and adornment are a universal feature of human behaviour, and as such offer infinite scope for exploration, interpretation and understanding. Fashion Textiles at UWE celebrates this breadth and gives students the opportunity to explore all areas of the Fashion Textile Industries, from the design and production of Textiles – through to the design and manufacture of garments and other fashion related product Students on the programme develop work for 3 creative platforms – Fashion Design, Textile Design and Fashion Textile Futures. Outcomes for the Futures platform can be more speculative in their nature and are often less conventional in their form. What you see on a catwalk is essentially only the Spectacle, the Show piece, the Grand Finale as it were, what lies behind the student’s final collections is even more exciting. This book contains examples of all our 2019 Graduates work. It evidences the depth and breadth of their thinking and starts to articulate the creative and technical narratives behind each collection. Students develop their Design work through extensive processes of critical research, analysis, draughtsmanship, the application of CAD skills and a translation of ideas from 2D – 3D - which is an engineering of sorts. They have developed critical and creative narratives and used silhouette, proportion and detailing to explore them. In addition, the work here evidences each Graduates ability to have ideas, to be creative, to take risks, solve problems, source material, to manage a project, be resourceful, to be inventive and above all to be part of a creative team. Fashion is far more than just clothes. UWE Fashion Textiles is a member of the British Fashion Council Colleges Council, and is 1 of only 11 UK Fashion courses to be professionally accredited by Screenskills, formerly Creative Skillset.

Deb Southerland Programme leader fashion textiles uwe

III

Graduating Designers

Ashley Olive

14 HAyley Lunt

Bea Stoneham

15 Izzy Egan

Ben Lord

16 Lily Brabham

Chinh Tran

17 Rachel Bullock

100

Ella Llewellyn-Firth

18 Sephora Ronan

108

Emily Hamill

19 Sophie Hodges

112

Esra Katiksiz

20 Yasmin Rose

124

Fiona Baker

10 11 12 13

Sh o wca se | 2 019

Ashley Olive ashley-olive@hotmail.co.uk

Faye Holland-hanbury Ashley Olive imogen.mansfield ashley-olive @hotmail.co.uk @btinternet.com

Bea Stoneham beaemilycharlotte@hotmail.co.uk

Shaped

Jeffrey T. Larson, Hanging Laundry 2009

Loie Fuller

100% Silk yarn Stoll Dubied 10 Gauge d ribs with lycra

Bea Stoneham beaemilycharlotte@hotmail.co.uk

ZERO ZERO WASTE DESIGN WASTE DESIGN

Zero-waste Trench Coat with adjustable arm straps, thick â&#x20AC;&#x2DC;obiâ&#x20AC;&#x2122; belt, pointed mandarin collar and welt pockets in black brushed cotton.

Ben Lord benjameslord1997@gmail.com

EsraLord Ben Katiksiz benjameslord1997 no email @gmail.com

Ben Lord benjameslord1997@gmail.com

Chinh Tran kieuchinh166@gmail.com

Ella Llewellyn-Firth ella_llewellynfirth@ymail.com

Emily Hamill emilyhamill@hotmail.co.uk

Esra Katiksiz ktszesra@gmail.com

Fiona Baker fiona_baker@live.co.uk

Hayley Lunt haylee.lunt@yahoo.co.uk

pure form

We find purity, and relief in the forms found in nature. Nature feels like salvation, we can shut off from the eternal chatter of the world around us. Disconnect feels modern, as inspiration from nature shirks its eco hippy feel, and transcends into the scifi of the possibilities and potentialities of plants. We are beginning to recognise that our human inventions are unparalleled by similar natural formations, the sky scraper immeasurably smaller than the Earths greatest mountains. We no longer feel overwhelmingly insignificant, but instead stand humbled by the majesty that we happened to be here now. We are fascinated with, and in awe of where we call home and are inspired to have a positive impact upon the blink of an eye that we are here for.

Imperfection, unpredictability, and well worn qualities become

intrinsic to the value of things. Age becomes an indicator of everlastingness, of repair, of possibility. A hand me down jumper from a grandmother is a treasure.

Inconsistency

and signs of the hand made, or earth direven are inspirational, as low impactful, thoughtful design is our priority. This affects weaves and knits, slubby yarns offer a non homogenous, hand made

feel.

Hayley Lunt haylee.lunt@yahoo.co.uk

As the industry seeks greater transparancy in respect to its supply chains, it calls into question what we define as transparant. Radical honesty, with oursleves and with others, the baring of our imperfections. Where does the light get in? We reflect upon ideas of transparancy, and value in materiality that reflects this is found.

Transparacny Natural Realism Painterly strokes Floral prints become suggestive of nature

Hayley Lunt haylee.lunt@yahoo.co.uk

Isabella Egan iszegan@gmail.com

sample development

Isabella Egan iszegan@gmail.com

ISABELLA EGAN

MOVING RIB OVERSIZED JUMPER WITH PARTIAL FELTING

STITCH :

MAIN BODY AND SLEEVES : ALL NEEDLE W/ RIB/BED TRANSFER DETAILS TRIMS : 2 x 1 RIB GAUGE : 3gg YARN : RAW BRITISH WOOL ARTWORK : BIG “THRILLED” SMILEY BACK NECK WIDTH CROSS CHEST 15cm DOWN FROM SNP

SNP TO SADDLE SHOULDER SEAM

27cm

24cm

6cm

INTEGRAL 2 x 1 RIB FOR CUFFS AND BOTTOM RIB COLLAR KNITTED SEPERATELY AND LINKED WITH STANDARD SEAM **PLEASE DO *NOT* FOLLOW SANDWICH SEAM AS SEEN ON TOILE** SADDLE SHOULDER SEAM SHOULD CONTINUE INTO COLLAR SEAM

FND

SNP

NOTES :

9cm

PLEASE REFRAIN FROM STEAMING, YARN FELTS ONCE STEAMED AND WE WISH TO CONTROL THIS

41cm

8cm

50cm

58cm

113cm

10cm

BOTH MEASURED 2.5cm FROM ARMHOLE

54cm 12cm SIDE SEAM TO EDGE OF SMILEY

REPRESENTING ALL NEEDLE STITCH

20cm

55cm

40cm

52cm

47cm ISABELLA EGAN

MOVING RIB OVERSIZED JUMPER WITH PARTIAL FELTING BED TRANSFER “THRILLED” SMILEY 3gg RAW BRITISH WOOL

40cm

STITCH : GAUGE : YARN :

BACK VIEW

Isabella Egan iszegan@gmail.com

Lily Brabham brabhamlily@gmail.com

T He Brist oL Sound

Rachel Bullock

rachelbullock6@gmail.com

Oversized Silhouet tes & Cocoon shapes

subtle shaping on the trouser

101

Rachel Bullock rachelbullock6@gmail.com

Woven Concepts

City-Lines

103

Rachel Bullock rachelbullock6@gmail.com

105

Rachel Bullock

14.5cm

rachelbullock6@gmail.com

5cm

13.

14cm

66cm

123.5cm

2.5cm

7cm

20cm

Sleeve hem circumference 41.5cm

2.5c

8cm

105cm

5cm

Belt loops at different sizes, for the crossover of belts

12cm

6cm

4.5cm

Vent at CB, from Hem to Knee 39cm

107

Sephora Ronan sephora.ronan03@outlook.com

109

Sephora Ronan sephora.ronan03@outlook.com

111