Christie's Bulletin for Professional Advisers Spring 2020

Page 12

Christie’s Bulletin for Professional Advisers

Thomas Chippendale Senior: ‘The Shakespeare of English furniture makers’

Robert Copley Christie’s International Head of Furniture

Ann Sumner Former Historic Collections Adviser to Harewood House Trust, Yorkshire

An excerpt taken from an interview

When did he move to London, and what was

conducted between Christie’s

his work life like there?

International Head of Furniture,

AS: ‘We don’t know exactly when and

Robert Copley and Ann Sumner, the

why he left Yorkshire, but we do know

former Historic Collections Adviser

that by the time he married Catherine

to Harewood House Trust, discussing

Redshaw, in 1748, he seems to have been

the life and legacy of the legendary

settled in London. In 1754, Chippendale

cabinet-maker and furniture designer.

moved to St Martin’s Lane, where he oversaw a large workshop called The

Who was Thomas Chippendale?

Cabinet and Upholstery Warehouse.

Robert Copley: ‘Thomas Chippendale (1718–

There, he and his financing partner James

1779) is without question Britain’s greatest

Rannie employed probably as many as

cabinet-maker. He excelled in every style

50 craftsmen. A fire in 1755 destroyed

he worked in, from the whimsical Rococo

22 craftsmen’s tool chests, suggesting

and the fashion for all things Chinese

that a larger number of journeymen were

in his early career, to the Neoclassical

employed in other parts of the building –

with its straight lines derived from the

probably at least double that number.’

ancient world. His reputation spread far beyond the shores of his homeland, and

What was The Gentleman and Cabinet-

his genius is reflected in the number of

Maker’s Director, and how significant was

beautifully designed and executed pieces

it for Chippendale’s career?

of furniture that survive in excellent

RC: ‘The Gentleman and Cabinet-Maker’s

condition nearly 250 years after his death.’

Director catalogued 160 Chippendale designs that could be built for clients, or that

What do we know of his early life?

other cabinet-makers could copy. Published

Ann Sumner: ‘Frustratingly little.

in 1754, it undoubtedly launched his career.

Chippendale was born in the town of Otley, in Yorkshire, in 1718, the only son of John

AS: ‘While a handful of furniture designs had

Chippendale (1690–1758) and Mary Drake.

been printed before, Chippendale’s Director

His father’s family was involved in the

was the first publication on such a large

timber trade and carpentry, and his mother

scale. It included designs for ‘Household

was the daughter of a local stonemason.

Furniture’ – chairs, sofas, beds, commodes, clothes presses, clocks, writing tables,

‘Chippendale’s father, John, moved to

bookcases, pier glasses, picture frames – in

Otley, where he worked as a ‘Joyner’. The

the ‘Gothic’, ‘Chinese’ and ‘Modern Taste’,

activities of his relatives give an indication

the latter referring to what would today

of the atmosphere of craftsmanship in

be termed the French Rococo style.’

which Thomas Chippendale grew up in Yorkshire. Chippendale may have trained

RC: ‘Chippendale was an astute

with his father before possibly working

businessman, and the Director was aimed

as an apprentice for the furniture-

at promoting his trade. His intention was to

maker Richard Wood in York. There is

sign up 400 subscribers who would receive

scant information about Chippendale’s

the 160 plates either bound at £1.14 shillings

personal life, but we know he was

or loose at £1.10 shillings. A subscriber would

married twice and had 12 children.’

have to make a 50% down payment, but would receive a discount on the eventual

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