Architec
ture
Domin
ic Jann azo
Portfolio
Contents
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Section: Inwardly Focused Scale: 1/8”= 1’-0”
High St. Elevation Scale: 1/8”- 1’-0”
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Bob Evans - Fast Casual Breakfast Redesigning a Brand South Elevation Scale: 1/8”- 1’-0”
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The New Wexner Galleries
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Anthropocene Ecumenopolis
Rehousing Art
Reimagining the World
Section: Inwardly Focused Scale: 1/8”= 1’-0”
Redesigning Bob Evans Down on the Fast Casual Farm
High St. Elevation Scale: 1/8”- 1’-0”
South Elevation Scale: 1/8”- 1’-0”
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The new fast casual Bob Evans was a prototype developed in partnership with Bob Evans. After learning about the successes and failures of the various ventures the Bob Evans company has explored, the project proposes a new style of restaurant for the brand to reach a different audience. Bob Evans has a problem with presentation that does not attract new younger customers. This fast casual prototype is designed to appeal to the young college crowd. Bob Evans has several key branding images, including their façade “keyhole” and a rustic mailbox in front of every store. The branding elements have been reimagined to be incorporated into the new design, along with a new expressive color pallet. The mailbox, instead of being a symbol adding nothing to the experience is instead used for its purpose of delivery. Grab and go food is received from mailboxes in a clever reinterpretation of country home cooking.
Bob Evans Food Dominic Jannazo Lewis Studio
The Table
The faux-wood, rounded corner table give more of an impression of an elementary-school breakfast than a farm breakfast. Being the first part of the dining experience, it is the first strike against the freshness and authenticity of Bob Evans.
Table Settings
Blue-rim Dishes
Table Ad Displays
Drinks
Metal utensils wrapped in paper napkins.
Advertise how you can have Bob Evans in many other ways besides just in-house. Does not mention Bob Evans Farms grocery products.
A long-time signature of Bob Evans.
Glasses with plastic straws. Free refils and lots of ice.
Fried Cheese Curds
Served on a typical blue-rim dish, but covered with paper with words like “Fresh” and “Wholesome”. The leaf of lettuce they were served with doesn’t do much for the appearence however.
Gravy
Pancakes
Biscuits
Bob Evans’ signature hexagonal bread.
Unlike other condiments, syrup is served in a small glass cup.
Smuckers Brand Jam
Rise and Shine Breakfast Platter
No one needs and entire tureen of gravy for two biscuits.
Bob Evans sells their own brand of jam, but they won’t serve it to you in-resturant.
The regular pancakes are a standard serving, but the chocolate pancakes are a massive stack.
You’d think a named item would be presented in an exciting way, but it’s just 3 items on a plate.
An analysis of the current offerings at Bob Evans, which do not have wide appeal to new customer groups.
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Weigel Hall
Wexner Center for the Arts
Sullivant Hall
Page Hall
The proposed location for the New Bob Evans fast-casual prototype - directly on the Ohio State university’s land, turning a gateway to knowledge into a gateway to breakfast.
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E. 15th Ave
l St. N Pear
St. N High
e Rd
Colleg
N
Mershon Auditorium
Gray Painted Wood Siding
Aluminum Mosiac PanelingDark Steel Frame
Grab and Go
Dark Steel Frame
Concrete WallGray Mosiac Tiling
Gray Mosiac Tiling
Drinks
Green Wall
Entry with Fast Casual
Light Aluminum Paneling
WoodConcrete Flooring Flooring
Concrete Flooring
Exploded Axonometric Scale: 1/16”-1’-0”
Big Stairs
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Floor Plan
Scale: 1/8”= 1’-0”
Floor Plan
Scale: 1/8”= 1’-0”
ardly Focused
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Section: Outwardly Focused Scale: 1/8”= 1’-0”
Section: Inwardly Focused Scale: 1/8”= 1’-0”
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Wexner Permanent Galleries
The New
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In the fall of 2014, the Wexner family loaned some of their private art collection to the Wexner Center of the Arts for a display exhibition. This project proposed a new permanent gallery for the works and a community arts center in Columbus. The two most notable art galleries currently in Columbus are the Wexner Center of the Arts on the Ohio State campus, and the Columbus Museum of Art. This project took on elements of both locations. The core of the CMA is a traditional floor plan for a building, a rectangular collection of rooms around a central count. The Wexner galleries are anything but traditional, with angled galleries coming off a long ramp.
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This project became an amalgam of the two galleries. While the overall form contains a central courtyard that the design radiates around, the gallery and public areas are organized by a processional series of slopes and the gallery bends around as it ascends the building. This project was developed primarily in Revit as an exercise in more fully understanding the program and trying to get the most out of its options.
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The two halves of the museum have different circulation systems. The arts center has direct access with an elevator core and stairs up to the second floor. The end destination is what is important for this program, art lessons in classrooms are contained to the room, not spread across the building. On the third floor above the classrooms are the artist’s residences, removed from the hubbub of public spaces and more private. The gallery is a processional ramp with no direct access from one end to the other. You must follow a longer path through the gallery exhibit. The end destination of a balcony on the second floor is not the main attraction of this half.
Section A Scale: 1� = 8’
Cleveland Avenue
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First Congregational Presbyterian Church
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B
irst Floor Plan
cale: 1” = 16’
Outdoor Patio
Cafe and Gift Shop
Elevator and Service Core M
F
Gallery Entrance
A
A Lower Level Entrance
Main Reception
Broad Street Entrance
Sculpture Garden
16 B
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Anthropocene Ecumenopolis -anthro (human) -cene (new, recent) The Human Era
-ecumen (world) -polis(city) World-city
From the 1909 theorem to the future of life on Earth
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Looking Up
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Roams Farm Forest Plains Desert Gulley
Northeast Octree Southwest Octree
Northwest Octree
Southeast Octree
ms
arm
orest
Plains
Desert
Gulley
Northwest Octree Southwest Octree
Northwest Octree Southeast Octree
Southeast OctreeNortheast Octree
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The world is changing. Humanity has irreparably changed the earth through pollution and use of natural resources. What will the future have in store? This project imagined a future where the entire Earth has been terraformed into habitable superstructures. But Humanity can’t live alone, these structures are also made to contain many natural environments that would not otherwise exist in the constructed environment of the future. My hypothetical section of the new world examined in this exercise was in North America. I brought into one stacked structure multiple conditions and environments of North America; Great Plains, farmland, forests, desert, and rough mountainous terrain.
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