Beauty in Error | Dominique Reiman | Research and Development |
The
beauty in the accidental in everyday. Capturing fleeting moments through photography and understand
Space is undefined, open and free for anyone to claim. |
ding the interplay between
Own photograph | ‘Cally Road’ | 2014
control and chance. |
Keith Arnatt | ‘Pictures from a rubbish tip’ | 1988
‘The oddities of photography, the caught expression, things that shouldn’t be there, not knowing what will happen, which you can’t take in when you see through a viewfinder.’ |
Own image | Acrylic paint and tracing paper | Experimenting with matter within a space
Robert Capa | Spanish Civil War, Omaha beach, Normandy | 1944
‘If your pictures aren’t good enough, you aren’t close enough.’|
Robin Rhode | ‘Hard Rain’ | 2008
‘I use the analytic position to adjust myself to a point so that when I enter a public context, I am able to allow my spirit to
release and to be absorbed by the particular space.’ |
Space is very important for me but in a more abstract way...Maybe to try to understand not just that we are living in a certain location, but to become aware that we are living on a planet that ‘
is going at enormous speed through the universe. For me it’s more a synonym. I read a picture not for what’s really going on there, I read it more for what is going on in our world generally.’ Bangkok IX | Andreas Gursky | 2011
Willy Vanderperre | Arena Homme | Spring/ Summer 2009
‘I think something without an emotion doesn’t have a meaning.’| Willy Vanderperre | Another Magazine | Spring/Summer 2014
Own photograph | ‘Wires’ | 400 film
‘Life is always more poweful than your little disire to
control it.’ |
Wolfgang Tillmans | ‘Edinburgh builders a,b,c’ | 1987
‘I never saw really the distinction so clearly between abstraction and figuration. Like a photo...even tho it is absolutly realist, it’s also totally abstract.’ |
Own photograph | ‘Burning accident’ | 2014
Jem Southam | ‘Cove Cafe’ | 1982
Wolfgang Tillmans | ‘Conquistador |, ||’ | 2000
’I am inspired by the way small moments and capturing light can express this. I want to preserve this feeling, of
everything being so meaningless yet equally important – always changing and ending, yet renewing and everlasting.| Margaret Durrow |
‘I like people, catching their emotions on film. As long as I can make people look at my pictures, feel that
they belong, that there’s beauty everywhere.’ |
‘As most of my photographs are snapshots of my ordinary life, I think I can describe my style best as documentary.’ | Lisa Smit |
Linus Lohoff | ‘Paddler’
Linus Lohoff | ‘Beach’
Linus Lohoff | ‘Meer’
Nicolee Tsin | Instagram photographs | 2014
‘Every one of us has a never-ending creativity and a Nicolee Tsin |
different perspective which we see around us.’ |
Nicolee Tsin | Instagram | 2014
‘The worth of a picture doesn’t just belong to the man who presses the button. Photography is not about credits, there’s a lot of feeling involved.’ | Silva + Cemin |
Silva + Cemin |
‘I am a day dreamer and a visual thinker, so I turn to photography to communicate my feelings, thoughts, dreams and desires. I use photography to expose and document the absurdity and oddness of everyday
life. Photography for me, is almost a way to prove my very existence.’ | Ting Cheng |
Tacita Dean | ‘ The Unvieler Series’ | 2011
‘I wanted to do something that you could see every day, but that people don’t try to wrap their heads around.’ | Ryan James Macfarland |
Ryan James Macfarland | Polaroids | 2014
Ryan James MacFarland | ‘Daymoon #7’ | 2011