ARCHITECTURE PORTFOLIO GUILLAUME DOPCHIE
CONTENT
NEW YORK CHAPTER p.8: Collective fields Williamsburg, Brooklyn, New York Graduation project Sint-Lucas University
BARCELONA CHAPTER p.24: Guardia Urbana
p.38: Sant-Pau Hospital
Nou Barris, Barcelona
Horta-Guinardo, Barcelona
Technical Drawer
Technical Drawer
dataAE arquitectura i enginyeria
dataAE arquitectura i enginyeria
BASEL CHAPTER p.50: Sécheron
p.60: Expo 2027
p.66: Sports complex Blotzheim
Sécheron, Geneva
Lake of Constance, St. Gallen
Blotzheim, Haut-Rhin
Coordinator & Technical Drawer
Project leader
Technical Drawer
HHF Architekten, LRS architectes
HHF Architekten, AWP
HHF Architekten, TOPOTEK1
THEORY CHAPTER p.78: Manifest & Phd
FOREWORD
Since my first steps into architecture at the Sint-Lucas school of science and arts in Ghent, I continuously tried to question and recalibrate my perception of architecture and reflecting on the possibilities of new spatial and social typologies. I became therefore very critical about the way the role of architects is perceived to be in service of the matter rather than the social dynamics it generates. Architects of the new generation are often compared with artists and designers rather following the intrinsic definition of their profession. Architecture of objects and imagery has reached a significant role within the global understanding of how we perceive space. A certain freedom of expression became correlated to the barren plot rather than the freedom to explore the diversity of human behavior through existing conditions a context has to offer. The public realm and communal spaces seen as hubs for activity and social mix is in my opinion the true embodiment of the greatness of human desires on every possible level. Consequently, my goal as an architect is to disentangle and observe distinctions between private, collective and public spaces related to each culture, topography and scale as a base for the design-process towards a better integration of functions, social interaction and physical relation with a particular environment.
4
NEW YORK CHAPTER
6
New York abstraction: Guillaume Dopchie
COLLECTIVE FIELDS Willamsburg, Brooklyn, New York Final Thesis - Sint-Lucas Ghent
New York’s street life is conducted by the
The site of Williamsburg has a rich diversity
stratification of its physical environment
of public-private layering through the use
through the grid, and community based
of stairs and permeability of the blocks,
neighborhoods.
and
generating an effective soft border between
Its
underground
systems
two areas and/or programs. Introducing this
differentiate themselves from it and act
new vertical planning in a current changing
as disconnected parts of the city. Both
urban setting, reinforces this richness and
entities
different
enables the identity of the area to be more
perceptions of space, social interaction,
impervious to alternations towards spatial
movement principles and more. This project
introvercy by the occuring gentrification
disentangles these differences in an attempt
process. The result is a diversification of
to elevate the richness of the transition
public-private relations as they are mostly
spaces and its peculiar social relevance to
integrated in urban projects as horizontal
the level of the dynamic street. As the subway
interactions or as distinct entities.
elevated
public
are
transportation
distinguished
by
and elevated train system reflect a certain public identity as collective enhancers, they withhold a great potential to invite a certain dialogue between the street and the indoor private and public environment it relates to. This verticality as a specific programmatic strategy in New York is yet to be assimilated to the public space to associate itself in a more organized way with the space inside the private domain. Staircases act as an important layer in the collective strategy by inducing movement aswell as creating the possibility to appropriate space towards a more static activity, providing therefore an urban stage with its own specific use and significance for the multy-culturality of the neighborhood.
8
COLLECTIVE FIELDS
Diagram of the gentrification process from Manhattan to Williamsburg guided by the public transportation system. The project proposes the use of this process to calibrate the investment on the level of urban planning throughout the area most subjected to be gentrified.
10
Gentrification diagram: Guillaume Dopchie
11
COLLECTIVE FIELDS
The potential of the fire-escape stairs, renound informal platform for social activities in New York, is maximised and linked to an added layer of the existing structure of the public transportation system. Consequently, the collective gradient between private and public domain is enriched on a 3 dimentional level.
12
Bow-wow vertical connectivity: Guillaume Dopchie
13
COLLECTIVE FIELDS
The mirror line in the middle of the plan distinguish the base typology of the collective gradient on the left and the possible use of space according to the desires of the inhabitants of the neighbourhood on the right.
14
1st Floor, Housing typology: Guillaume Dopchie
scale 1/500
15
COLLECTIVE FIELDS
Example of a reinforcement of low-rise buildings connected to the urban fabric through program, permeability, materiality and multy-functionality with the existing conditions of the site.
16
Axonometry Bus stop typology: Guillaume Dopchie
17
COLLECTIVE FIELDS
18
scale 1/500
Ground level and 1st Floor, Bus stop typology: Guillaume Dopchie
19
20
GE
OR
M
IRR
PA
BARCELONA CHAPTER
22
Barcelona abstraction: Guillaume Dopchie
GUARDIA URBANA Nou Barris, Barcelona Reconstruction & New project - Collaboration with dataAE
During the six months internship at dataAE arquitectura i enginyeria, I spent most of my time working on a project for the police department near the center of Barcelona, Spain. Through this project, I learned a great amount about construction details and the importance of the latter to raise the concept to its full potential. Throughout the several visits to the construction site, I witnessed the relevance of care and research for every decision to be made and the problematics of dealing with changing desires of the client. As rather often occuring in the center of Barcelona, the project elevated itself from a very defined spatial typology as of this existing historical building. Through this, I could observe a distinct vision in today’s catalan architecture and often admired their spatial comprehension, the great simplicity in their design language and the refined elegance in the meeting between the existing and the new.
24
25
GUARDIA URBANA
The floor to ceiling windows of the office space open up the view towards the green patios along the underground volume. The patios not only generate a direct relation to the outside from each office but enable more indirect sunlight to penetrate the volume aswell. The latter forms here a dialogue, acting as an antagonist to the formal and material expression of the preexisting surrounding building as to reveal the functional distiction between them.
26
Pictures: Adria Goula
27
GUARDIA URBANA
To balance the desire for additional space and a preservation of the existing building, a new floor is introduced below the former green patio. Following a logical programmatic sequencing of the space, the first floor contains the reception desk, the interrogation rooms and prison cells. The offices, changing rooms, conference rooms and storage areas requiring a more resticted access, is situated on the lower level.
28
Underground level and Ground level: Guillaume Dopchie
scale 1/500
29
GUARDIA URBANA
To preserve the identity of the existing building, the former pavilion in the courtyard was renovated and acts as a light shaft for the underground floor.
30
Picture: Adria Goula
31
GUARDIA URBANA
32
scale 1/75
Section Lanterna and window details: Guillaume Dopchie
scale 1/5
33
GUARDIA URBANA
The view from the entrence of the building is rather minimalist. A new volume is introduced containing the interrogation rooms, the bathrooms and the reception desk. Inspired by the façade of the “Yellow house” project by Olgiati, the texture of the walls is put to use, to contrast the new elements introduced to the environment through the renovation.
34
Pictures: Adria Goula
35
GUARDIA URBANA
36
Section and plan of the an interrogation room on the ground level.
Section and plan: Guillaume Dopchie
scale 1/50
37
SANTA CREU AND SANT-PAU HOSPITAL Horta Guinardo, Barcelona Urbanisation project - Collaboration with dataAE
The innovative modernist project was directed
In 2011, a competition was launched for a
by Lluís Domènech i Montaner in 1930. The
new urbanistic concept for the whole complex
Hospital de la Santa Creu i Sant Pau was
and was won by dataAE in collaboration with
a modern, spacious facility, consisting of
GRND82. The historic element of the area, as
separate pavilions surrounded by gardens
it has been proclaimed an unesco heritage,
and streets. The complex of buildings formed
together with the urbanistic aspect of the
a small town which took into account the
project made it very interesting to work on. As
patients’ quality of life.
the project of Guardia Urbana, the meeting between two century designs revealed each
The pavilions were surrounded by streets and
other perfectly and intensified the experience
green areas to walk in. An underground tunnel
of the architecture to the wanderer. As often
connected the wards and other facilities,
noticable in urban projects in Barcelona,
making it easier to move casualty patients
the focus of the design was the gradation of
around the complex. The brick building at
the green areas surrounding the pavilions
the main entrance with its clock tower, is the
together with the paved walkable areas and
hospital reception. It is here, and in the ten
the main boulevard leading towards them.
pavilions surrounding it, where Domènech i Montaner and his associates, who included the modernist sculptors Pau Gargallo and Eusebi Arnau, proved their talents in the execution of sculptures and mosaics.
As I was assigned to this project at a late stage, I mostly worked on finetuning the execution plans and drawing up details for windows, stairs and their railings. Though my implication in this project was rather brief, I particularly enjoyed studying the design of the soft borders in this project and their potential for multy-level interactions for my own future urban designs.
38
39
SANT-PAU HOSPITAL
View towards the central plaza of the historical complex. The competition image reveals the chosen approach to generate a gradient combining nature and stone paths from the central collective spaces towards the pavilions surrounding them.
40
Competition image: dataAE-GRND82
41
SANT-PAU HOSPITAL
As often used in recent urbanisation projects throughout Barcelona, the formalisation of the gradiant relates to the keys of a piano. The elements of both parties seem to introduce themselves to one another in an orthogonal way. The stone tiles produce a similar effect according to privatisation of the collective space.
42
Plan: Guillaume Dopchie
scale 1/250
43
SANT-PAU HOSPITAL
View from the entrence of a pavilion. The light color of the sandstone tiles accentuate the pavilion ornaments and reflect the cleansy attributes of a hospital environment to the outside space of the complex.
44
Picture: Guillaume Dopchie
45
SANT-PAU HOSPITAL
46
Section and plan of a stairwell typology deserving the entrences of the pavilions.
Section and plan: Guillaume Dopchie
scale 1/50
scale 1/100
47
BASEL CHAPTER
48
Basel abstraction: Guillaume Dopchie
SECHERON SĂŠcheron, Geneva Renovation, Reconstruction & New project - Collaboration with HHF
The client being mostly concerned with
On the inside, sequencing a variety of
retreiving as much as possible from his
appartment typologies containing displays of
investment in this real estate project, the
high density repartitions of spaces became a
main concerns during the design process
very interesting exercice throughout the SIA
were dealing with a low budget and needing
phases 2 and 3.
to maximize the number of rooms according to the Geneva housing legislation. As a result, it is not purposed to be that glittering thing on that corner with its seal of architectural renoun, but is considered carefully and this, without forgetting to open a window for the participation of the dweller. The practicality of assessing the qualities, the lacunae and the potential for change, provided a certain clarity to the methodology for recalibrating the existing architectural language. The project itself was a three part project, containing
a
minor
renovation
and
transformation of an existing building and a new construction next to it. As the project takes place at the corner of the dialogue occuring between buildings of an urban block, the approach towards its environment and the potential conflict between architectural generations became one of continuousy and enlighthened reinterpretation of its base. The pronounced elements of the 70’s grid of the façade were reassimilated in the new building and elements as the balconies, the parapets, the windows and the railings were revived and transformed for a lightened experience of the added floors.
50
51
SECHERON
Faรงade studies acccording to the maximum volume capacities of the reconstruction part of the project. These initial studies demonstrate the desire to incorporate privatised terraces with bowwindows directed towards the lake of Geneva.
52
Images: Guillaume Dopchie
53
SECHERON
The images on the left show the existing building and the project image at the end of phase SIA 33. The concept for the faรงade at this stage, consisted of a formal reinterpretation of the parapets into set-backs in the slabs of the two added levels.As to obtain an uniform building, the language of the existing southern faรงade was assimilated to the new building project next to it.
54
Image: Igor Brozyna
55
SECHERON
58
56
scale 1/500
Plans: Guillaume Dopchie
57
59
SECHERON
The approach towards a soft transition of space between inside and outside on the levels of the surelevation is translated by the use of floor to ceiling windows. Through the reproduction of the setbacks in the faรงade as existing on the lower levels and the curtain walls at the edges of the balconies, the distiction between both spaces becomes blurred.
58
Image: Igor Brozyna
59
EXPO 2027 Lake of Constance, St. Gallen Competition - Collaboration with HHF
A national exhibition in Switzerland has been
The physical projection of the exhibition
long overdue since the last one dates from
can be assimilated with a great cultural and
2002. This idea-competition for the Swiss
narrative migration from the peaks to the
exhibition of 2027 at the lake of Constance
lake. This process of refection and inventions
and its surrounding territory reveals a great
initiated prior to the event would take attractive
challenge as it will reflect not only domestic
and welcoming shapes at temporary adresses
identities with the participation of each Canton
in the form of pavilions, gardens, transport
but also its position towards foreign countries
systems and more.
on a socio-political level.
the expo wouldn’t be solely confined to the
for these issues as the nationality of the lake
duration of it, but would transform the region
is shared with Germany and Austria. The
indefinitely. This entry aims to constitute a
entry for this competition tries to take profit
remarkable and sustainable cultural heritage.
of this location by promoting and engaging a
The notion of heritage would generate a
dialogue with the visitors around themes of
reinvented “genius loci�, or a rebirth of the
territorial borders, geographical and political
territorial story for the East of Switzerland
limits, felt or symbolic. These themes would
beyond the pictural and romantic postcards.
be those of a country like any other (that distinguishes itself) within Europe. The global issues represented during this exhibition at the scale of the Cantons as of Europe, will enable a new take on the position of Switzerland and its interactions, as the nature of which might alter the very idea of territorial identity of which the Swiss are so found of.
60
The extent of the experience retrieved from
The lake of Constance offers a prime location
61
EXPO 2027
From their manufacture to the final stage of the procession, the pavilions interact with their environment and themselves in various ways to generate a dynamic exhibition. This evolution of the exhibition will create a wide range of approaches towards the different locations as the implementation of the hybrid structures will vary from the single unit on the land, to floating elements circulating on the lake or even merging with each other to generate bridges and islands. As the heritage of previous exhibitions has thought us to have left a minor physical and spiritual imprint on their surroundings, the aim of the expo 2027 is to expand the life cycle of it’s physical elements by a process of scattering and repurposing them throughout the country and further.
62
Diagrams: Guillaume Dopchie & Bérénice Gentil
63
EXPO 2027
The boards of the competition identify the relevance of this proposal in relation to the national dimention of the exhibition. Whereas a national exhibition is demonstrating the know-how of one’s land, the location of the lake of Constance bordering no less than 3 countries creates a ideal setting for debating the reigning international concerns of the diplomatic relations of Switzerland. To strategize both physical and logistical issues of the exhibition, several guidebooks and terms of references are implemented to direct and recalibrate each subject to be dealt with.
64
Illustrations of the competition boards: Guillaume Dopchie & Bérénice Gentil
SWITZERLAND
KANTON APPENZELL INNERRHODEN KANTON ST. GALLEN
St Gallen
Lustenau
KANTON THURGAU
Dornbirn
AUSTRIA Amriswil
Rorschach
Hard
Arbon
Bregenz
Romanshom Konstanz Reichenau
Bodensee
Lindau
Radolfzeller
Langenargen
Friedrichshafen
Meersburg
Überlingen
GERMANY
CULTUR E CH
CULTUR E CH MOBILI TY LOGISTI CS
EVENT
@
CULTUR E CH
EVENT
MOBILI TY LOGISTI CS
@
MOBILI TY LOGISTI CS
EVENT
hof
Bahn
LOCAL VS. GLOBAL
tran 2027human z
EVENT EVENT
RE-USE
MAKE IT
MAKE IT
RE-USE
RE-USE
RE-USE
65
SPORTS COMPLEX BLOTZHEIM Blotzheim, Haut-Rhin Competition - Collaboration with HHF
The competition for a new sports complex
The building itself has a central position in the
in Blotzheim was designed in collaboration
masterplan of the complex and is placed in a
with landscape office TOPOTEK1 with whom
perpendicular position to the respective fields.
HHF has often worked in the past. The
This typology allows a certain constriction
territorial planning of the area rest on a simple
of the supporters to the main tribunes at
functionnal approach favouring density and
the edge of the building and thus creating
proximity of the multiple elements.
closer proximity and enhancing the collective
As a first leading concept, a H-shaped canopy was elected to connect the spaces, sheltering
The overall architectural language of the
the building and the tribunes along the fields.
complex is kept very simple, allowing a great
As a result, the required parking spaces, the
clarity for the user. The materials used for the
land reserves and running track were able to
building reflect the respective needs of the
be kept as seperate entities in the surrouding
program it enfolds as the more robust ground
area of the site. Moreover, the structure of
floor for changing rooms and storage spaces
the canopy disguises the use of fences by
at close proximity of the fields.
elevating them from a functional purpose to a visual part of the whole. In this way, other than representing a shelter, the canopy embodies the functionality of conducting and regulating the circulation of the user and delimits the different layers of privacy throughout the complex.
66
experience during the sports events.
67
BLOTZHEIM
The division of space between the respective fields, training field and multysport area is defined by the H-saped canopy. By aplying this concept to the sports complex, the privatisation of the different areas can be regulated in a more specific way as each field is seperated by the canopy and it’s underlying fences.
68
Axonometry: Guillaume Dopchie
69
BLOTZHEIM
The canopy represented in the images create a certain continuity throughout the whole complex and offers a shelter to the tribunes and the clubhouse terrace aswell. As the budget was one of the main concerns for this project, the choice of materials and structural complexity of both building and canopy were reduced, therefore generating a visual simplicity providing a certain elegance to the built elements.
70
Images: Mariana Santana
Vue Intérieure
Bâtiment Le bâtiment du club bénéficie d’une position centrale au sein du forum des sports, placé de façon perpendiculaire aux terrains de jeux. Cette typologie permet de regrouper les spectateurs sur les tribunes principales, rectangulaires et compactes, et de maximiser la proximité avec les évènements sportifs. Le premier étage du club et sa terrasse offrent une vue panoramique sur les terrains de jeu et la place des sports. L’auvent en forme de H génère des zones de passage et de détente, protégeant les utilisateurs des conditions atmosphériques. Il unifie l’espace en évitant que les clôtures deviennent le motif central du projet. Le langage architectural choisi est celui d’une grande simplicité et clarté: les matériaux utilisés reflètent un aspect robuste au rez-de-chaussée en rapport avec le contenu du programme.
Equipe B
BLOTZHEIM - Plaine Sportive - „FORUM DES SPORTS“ Clôture 2m hauteur
12
Clôture 6m hauteur
Clôtures
Toit
Espace communautaire d‘activités
Club House 1:200
Zone de sèche
Rangement Matériel Comunal 2
Zone de sèche Douches
Sanitaires Public Hommes Buanderie Sanitaires Joueurs
Zone de sèche
Vestiaires Joueurs 3
Vestiaires Joueurs 2
Local Technique
Chaufferie
Vestiaires Joueurs 4
Douches
Douches
Rangement Matériel CLUB 1
Rangement Matériel CLUB 2
Douches
Réserve du Bar
Douches
Sanitaires Arbitres Vestiaires Joueurs 6
Vestiaires Joueurs 5
Vestiaires Joueurs 3
Sanitaires Public Femmes
Medical room
Circulation Extérieure
Local Ménage Vestiaires Vestiaires Arbitres-Assistants Arbitres
Douches Zone de sèche
RDC
Rangement Extérieur Terrasse
Local Déchets Sanitaires Public Hommes
Tisanerie
Salle de Convivialité
Bureau Administratif Club
Sanitaires Public Femmes
Vue sur les tribunes
Bar Extérieur
R +1
Tribunes 1:200
Vue Extérieure Vue (terrain entraînement)
Vue (terrain d‘honneur)
„FORUM DES SPORTS“ L’aménagement de la plaine sportive de Blotzheim s’appuie sur une organisation fonctionnelle simple, privilégiant la densité. Le forum des sports regroupe les terrains de jeu, et les activités de loisir dans un cadre privilégiant la densité. L’auvent en H connecte les espaces, abrite le bâtiment, et les tribunes couvertes. Les places de stationnement, et les réserves foncières, sont disposées en périphérie et traitées de manière extensive.
tennis de table. L’organisation dense des programmes permet d’obtenir un niveau d’activité élevé, qui amène á la convivialité et la rencontre.
diqués le nom du club sportif, des joueurs, et des sponsors éventuels. Les clôtures sont de 6 m de hauteur sur les faces nord – sud, et de 2m de hauteur sur les faces est – ouest. Ce dispositif permet de gérer les limites et de contrôler les accès du forum des sports.
BLOTZHEIM - Plaine Sportive - „FORUM DES SPORTS“ Facades Place des sports La place des sports marque l’entrée du forum. Elle est aménagée en asphalte peint de lignes graphiques blanches, agrémentée de revêtements de stabilisé et de sol souple, et plantée d’essences ornementales de type ginkgo biloba et zelkova. Des bancs circulaires complètent l’aménagement. L’ensemble des activités de loisirs, dédiées aux jeunes et aux habitants du quartier sont implantées sur la place : agrès, terrains de pétanque, skate parc, piste d’athlétisme, basketball, handball, volleyball, et
Terrains de football Le terrain en herbe est situé à l’est du forum. Il dispose à l’ouest de tribunes couvertes par l’auvent le long de la place des sports, et de tribunes paysagées sur sa partie est. Le terrain d’entraînement dispose de tribunes couvertes sous auvent le long de la place des sports. Le demi terrain d’entraînement est situé entre les terrains principaux. Les trois terrains disposent d’un accès direct au club house direct, ses vestiaires, et sa salle de convivialité. Les terrains sont délimités par des clôtures métalliques de couleur argentée, en harmonie avec la matérialité du bâtiment. Le clos à vue du terrain d’honneur est assuré par l’ajustement de bâches textiles sur lest clôtures, sur lesquelles sont in-
Equipe B
Espaces foncionnels
12
Place des sports
Espaces fonctionnels
Coupe AA Le parking est accessible depuis la rue de l’industrie, qui pourrait être rebaptisée rue des sports. Il est planté d’essences indigènes et champêtres, de type aulne, saule, orme, et peuplier, qui assurent couvert et continuité paysagère avec les alentours. Un accès de desserte permet de longer la plaine sportive sur l’ensemble de sa longueur. La desserte permet l’accès aux véhicules d’entretien et sert également de piste de course secondaire de distance. Les réserves foncières se trouvent de part et d’autre du forum des sports. Elles sont traitées de manière extensive, aménagées de gravillons récupérés sur site.
Coupe BB Terrains de jeux
Coupe CC 1:200
Réserve foncière
Réserve foncière
<
Entrée piéton
<
Accès véhicule
Piste d‘athlétisme
Parking bus
<
Billeterie
<
C
<
Parking
Terrain d‘honneur
Vélos Place des sports
Club house
Vue Intérieure
C
1/2 terrain entraînement
Bâtiment Le bâtiment du club bénéficie d’une position centrale au sein du forum des sports, placé de façon perpendiculaire aux terrains de jeux. Cette typologie permet de regrouper les spectateurs sur les tribunes principales, rectangulaires et compactes, et de maximiser la proximité avec les évènements sportifs. Le premier étage du club et sa terrasse offrent une vue panoramique sur les terrains de jeu et la place des sports. L’auvent en forme de H génère des zones de passage et de détente, protégeant les utilisateurs des conditions atmosphériques. Il unifie l’espace en évitant que les clôtures deviennent le motif central du projet. Le langage architectural choisi est celui d’une grande simplicité et clarté: les matériaux utilisés reflètent un aspect robuste au rez-de-chaussée en rapport avec le contenu du programme.
Terrain entraînement
Equipe B
BLOTZHEIM - Plaine Sportive - „FORUM DES SPORTS“ Clôture 2m hauteur
Clôture 6m hauteur
<
Accès secondaire
Clôtures Club House 1:200
Toit
Espace communautaire d‘activités
12
BLOTZHEIM
Whereas most designs for buildings of sports complexes are oriented in parallel way to the fields, this concept shows a different approach as to divide the area according to each specific use. The result is translated into a â&#x20AC;&#x153;Casa Malaparteâ&#x20AC;? typology of the building through the tribunes at both ends and generates a new open landscape for the players and supporters.
72
Plans and sections: Guillaume Dopchie
scale 1/500
73
BLOTZHEIM
The perspective section illustrates the view from the edge of the main field towards the tribunes and the buvette.
74
Perspective: Guillaume Dopchie
75
THEORY CHAPTER
76
77
MANIFEST & PHD
As an architect of my generation, I try to consider the theorethical approach of my predecessors as a tool to form my own vision of an architectural truth. Knowledge does not only comes with a dispute on existing essays, but also trough the consideration of new possibilities whether time-related or just overlooked oneâ&#x20AC;&#x2122;s. This physical manifesto relates to Vitruviusâ&#x20AC;&#x2122; statement that the form should ever follow the function. As often rephrased by theoreticians and implemented by architects in numerous projects throughout the world, this statement has been known to be the subject of dispute in the field. Reflecting of its very principle, I became critical of the rather restricted view on how both coexist. I believed that through the retraction of all identity of physical elements and leaving only the form to be interpreted, a wide variety of functionalities can be discovered according to the perception of each viewer and thuss be the base for new interpretations. Following the desire to question existing apprehensions within the realm of architecture I often felt the urge to research new ways of relating to space rather than embracing it as a social paradigma of our time. For exactly this reason I am currently researching the relevancy of specific urban conditions to achieve a new perception of the city in the framework of a doctorate degree. Following my graduation project in Williamsburg based on the phd of Kris Scheerlinck regarding streetscape territories, I grew a fascination for the informal vertical features the city of New York has to offer. Through studies of the vernacular from worldwide domestic typologies to new codifications of public-private layering, this phd tries to highlight the potential of implementing vertical platforms for diversifying the collective behaviour.
78
79
Thank you for reviewing my portfolio.
This portfolio is an excerpt of the work of Guillaume Dopchie from his graduation project at the Sint-Lucas university, his internship at dataAE arquitectura in Barcelona and his last year as an architect at HHF architekten in Basel.