PORTFOLIO DOROTTYA KÓBORI 2016 1
1 // TÁJRENDEZÉS CV // DOROTTYA KÓBORI
KÖRNYEZETVÉDELEM 2 3 FŐS MUNKA 2016 TAVASZI FÉLÉV 2
CONTENT
1
// NAGYKOVÁCSI CEMETERY // OPEN SPACE DESIGN
2 // SZÉKESFEHÉRVÁR - ZICHY GROVE // WORKSHOP 3 // THEATRE OF FLORA - REDESIGNING JÓKAI SQUARE // OPEN SPACE DESIGN 4 // NÉPSZIGET // LANDSCAPE PROTECTION AND PLANNING 5
// REDESIGNING OOSTPLEIN, ROTTERDAM // MASTER STUDIO PARK DESIGN, WAGENINGEN
6 // COMPOSITION SKETCHES AT A PHOTO EXHIBITION // DRAWING AND VISUAL COMMUNICATION 7 // SKETCHES IN 1 AND 5 MINUTES // DRAWING AND VISUAL COMMUNICATION 8 // MEDIEVAL GARDEN PLANS // PERIOD STYLES IN GARDEN ARTS 9 // RENAISSANCE, BAROQUE AND LANDSCAPE STYLE GARDEN PLANS // PERIOD STYLES IN GARDEN ARTS 10 // VÁROSLIGET PROJECT // WORK WITH LÉPTÉK-TERV LANDSCAPE ARCHITECTS 11 // HUNGARIAN NATIONAL MUSEIM’S GARDEN // DESIGN FOR A COMPETITION 12 // MODELS // PRELIMINARY FOR THE MASTERS 3
OPEN SPACE DESIGN
1 // NAGYKOVÁCSI CEMETERY
The cemetery of Nagykovácsi is located next to the place of the new city centre of the settlement. Therefore, in the design process we he had to keep in mind that the changes of its surrounding might affect the usage of the cemetery. In our concept we created a new entrance with bigger emphasis on the West side of the cemetery. We connected the other entrance with an alley to the funeral parlour. Next to the Western entrance we placed a scattering garden which has a connection to the water wall in the representative entrance zone, as the names from the scattering garden could be in this wall. There are kraut tombs in the cemetery which will be demolished so we designed a memorial for them in the North-West side of the cemetery. We kept the walkway on the East side and we placed the existing cross in its focal point. From the South to the North end of it, the cemetery slowly becomes more natural and calmer. As a consequence in the Northern end we placed areas mainly covered with lawn, plant walls and relaxing places.
GREEN WALKWAY WITH THE CROSS IN ITS FOCUS POINT
OPEN SPACE DESIGN GROUP OF 2 // VIKTOR SZABÓ
2016 SPRING SEMESTER 6
WATER WALL WITH NAMES FROM THE SCATTER GARDEN
legend decidous tree
funeral parlour
water wall
evergreen tree gravel lawn bush hedge running plant perennial
solid pavement scattering garden
The main essence of our concept is that the cemetery becomes calmer and relaxing to its Northern end. In addition, there is a wandering path which can help the people to think and be on their own while walking there. The following quote can help to express the main goal of our plan: “When there is really nothing left to do or believe, except to remember, walking helps retrieve the absolute simplicity of presence, beyond all hope, before any expectation.” - Frédéric Gros, A Philosophy of Walking. To help the thinking and the remembering we also designed an light-shadow urn corridor on the West-North part of the cemetery. With its cut-outs, it let less and less light in as we go inside, giving a unique atmosphere.
benches, information system, fountains
existing and possible tombs
LIGHT-SHADOW URN CORRIDOR
2 // SZÉKESFEHÉRVÁR - ZICHY GROVE When creating our concept we payed attention to the historical background of Zichy Groove. We kept the main axes on the Western part, the big park feeling on the Eastern side and the vertical element at the entrance. Before the planning we made some interviews among the park users and we figured out that they like that the place has a real park feeling. They also mentioned the playground and the skating rink at wintertime. They missed the water from the park and the young people did not like the lack of functions. With these information in mind, we created a big green area with hammocks, an alternative playground, a wide walkway with randomly planted trees, intimate zones divided by hedges, and a transition zone in the direction of the historical downtown of Székesfehérvár. MORE DETAILED MAP OF THE TRANSITION ZONE
legend
WORKSHOP // ESZTER BAKAY, MARIA AUBÖCK, JANOS KARASZ GROUP OF 3 // IZABELLA CZÉL, ORKHAN AFANDIYEV
2016 SPRING SEMESTER 8
EXISTING PAVILION WITH A NEW WATER STRUCTURE
WIDE WALKWAY WITH TREES AND BENCHES
BIG GREEN AREA WITH HAMMOCKS
WANDERING PATHWAY WITH THE STATUES NEXT TO 9 IT
3 // THEATRE OF FLORA - REDESIGNING JÓKAI SQUARE When creating our concept we payed attention to the historical background of Zichy Groove. We kept the main axes on the Western part, the big park feeling on the Eastern side and the vertical element at the entrance. Before the planning we made some interviews among the park users and we figured out that they like that the place has a real park feeling. They also mentioned the playground and the skating rink at wintertime. They missed the water from the park and the young people did not like the lack of functions. With these information in mind, we created a big green area with hammocks, an alternative playground, a wide walkway with randomly planted trees, intimate zones divided by hedges, and a transition zone in the direction of the historical downtown of Székesfehérvár.
plants as actors
landscape descriptions
education
cave - Castle of Bálványos Szent Anna lake „island of no one”
stages of Flora’s theathre
OPEN SPACE DESIGN GROUP OF 2 // ÁGNES SEPRENYI
2016 SPRING SEMESTER 10
legend bush Lusso Tivoli pavement deciduous tree
andezite pavement
statue of Jรณkai Mรณr
bench
litter bin lighting
perennial bed
street furnitures
drinking-fountain
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LANDSCAPE PROTECTION AND PLANNING
4 // NÉPSZIGET
In this work we worked on one of the Danube islands, on Népsziget. We analysed its history, its place in the city structure and its connections. We also looked up the regulations and the proposals which have been created for the island before. In our design first we focused on the whole Népsziget. We created a new pedestrian bridge to make its connection stronger with the city. We also created places for the kayak-canoe sections which have history in the site. Creating a connection with the Danube is also an important goal in our project as it has a great potential. The neglected industrial zones, or rust belt zones became our main focus area as the islands beautiful factory buildings can have plenty of functions in the future.
LAND. PROTECTION AND PLANNING GROUP OF 3 // VIKTOR SZABÓ, XIAO WANG
2016 SPRING SEMESTER 14
FACTORY AREA WITH NEW FUNCTIONS 15
MASTER STUDIO PARK DESIGN, WAGENINGEN
5 // CONCEPT PLAN FOR OOSTPLEIN, ROTTERDAM
The Oostplein used to be the eastern welcome of the Rotterdam city centre. It was the remnant of the Renaissance fortification with its city gate. In the 19th century it became the busy urban square, where everyone entered Rotterdam passing its monumental 35 m. tall windmill and the ever smoking chimney of the pump house wich brought the water from the deep polders into the river Maas right there. Due to the bombardment of the city at the Second World War, the loss of the windmill, the dominant traffic engineering and the realisation of the subway station, this place totally lost its spender. Now the Mayor of Rotterdam wants the Oostplein to be the welcome of the city centre again, being a green urban meeting point, a park. Therefor Oostplein, Burgemeester van Walsumweg en de west queue of Het Balkengat need to be brought together into a coherent green space that can be park, space and esplanade in one.
STUDIO PARK DESIGN, WAGENINGEN INDIVIDUAL WORKS 2016 AUTUMN SEMESTER 18
MASTER PLAN
MASTER PLAN
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5 // CONCEPT PLAN FOR OOSTPLEIN, ROTTERDAM
URBAN FOREST Goals, aims: - Creating an urban forest in order to bring nature closer to people of Rotterdam - Adding playfulness in the forest for informal activity, free opportunity for spending leasure time keep the urban context also in mind: lead the people into the forest and navigate them also when they are inside, do not let the wildness to be in the way of the urban flow
A-A CROSS SECTION
STUDIO PARK DESIGN, WAGENINGEN INDIVIDUAL WORKS 2016 AUTUMN SEMESTER 20
PLANTING PLAN
As a special attraction in the urban forest, I introduced a windmill made of a light wire structure which has the same scale and form as the one that has been there before. The wire structure lets the light go through so it is possible to create a memorial garden for the world war in the basement of the structure. The metro entrances also serve the concept of the urban forest. They has a mirror material from the outside and glass from the inside, which let the nature flow into the welcoming zone of the metro entrance. 21
5 // CONCEPT PLAN FOR OOSTPLEIN, ROTTERDAM
In the may days of 1940 the Marine barrack was bombed by the Germans. During that time and still, the Marines are one of the most respected and skilled soldiers in the Netherlands. In 1963 a monument for the Marine was donated from the people of Rotterdam.The monument is located on the opposite of the former Marrine barrack. When redesigning the square I did not change the position of the monument, it still faces the former barrack. Although I have higlighted it by placing it on a slope that elevates towards the harbour. The water is still visible in its background this way. Some elements of the pavement has a darker shade, and these thicken when coming closer to the monument. The lookout point has 5% slope in the direction of the harbour. The round shape of the remembrance square is highlighted with a round shape pedestrian road which has a 5% slope to each direction.
STUDIO PARK DESIGN, WAGENINGEN INDIVIDUAL WORKS 2016 AUTUMN SEMESTER 22
C-C CROSS SECTION
MARINIERS PLAZA
B-B CROSS SECTION
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DRAWING AND VISUAL COMMUNICATION
6 // COMPOSITION SKETCHES AT A PHOTO EXHIBITION
DRAWING AND VISUAL COMM. INDIVIDUAL WORKS 2016 SPRING SEMESTER 26
䠀愀樀愀猀 吀椀戀漀爀㨀 䠀切猀昀攀猀琀洀渀礀 䤀䤀Ⰰ 吀樀欀瀀Ⰰ ㈀瀀
䄀 欀椀猀 甀渀漀欀愀 瘀稀爀琀 洀攀最礀Ⰰ 䐀稀猀搀栀瀀甀爀Ⰰ 刀愀搀稀猀愀猀稀琀渀Ⰰ 䤀渀搀椀愀Ⰰ 瀀
䄀洀搀椀 稀愀爀渀搀漀欀 攀最礀 昀渀礀欀瀀猀稀 洀焁琀攀爀洀戀攀渀Ⰰ 䰀甀猀稀愀Ⰰ 吀椀戀攀琀Ⰰ ㈀瀀
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7 // SKETCHES IN 1 AND 5 MINUTES
DRAWING AND VISUAL COMM. INDIVIDUAL WORKS 2016 SPRING SEMESTER 28
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PERIOD STYLES IN GARDEN ARTS
8 // MEDIEVAL GARDEN PLANS
PERIOD STYLES IN GARDEN ARTS INDIVIDUAL WORKS 2016 SPRING SEMESTER 32
MEDIEVAL PLAN
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9 // RENAISSANCE, BAROQUE AND LANDSCAPE STYLE GARDEN PLANS
PERIOD STYLES IN GARDEN ARTS INDIVIDUAL WORKS 2016 SPRING SEMESTER 34
RENAISSANCE PLAN
LANDSCAPE STYLE GARDEN PLAN
BAROQUE PLAN
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DESIGNS FOR COMPETITIONS
10 // VÁROSLIGET PROJECT - 2ND PLACE PROMENÁD CROSS SECTION
LÉPTÉK-TERV LANDSCAPE ARCH. INDIVIDUAL WORKS 2016 SPRING SEMESTER 38
Városliget is the second biggest park in Budapest and it is a recreational and cultural centre of the city. In 2016 they announced a design competition for the renewal of the green areas. I participated in the project with the Lépték-Terv Landscape Architects. I mainly worked on the details of the plan and the plan’s graphics. I designed an organic-shaped water structure and the parts in the park where the roads become wider and can provide relaxing places. In addition, I worked on cross sections of the promenade and the “water-energy house”. In the competition we won the second price with the office. PROMENADE PLAN
WATER-ENERGY HOUSE
PARK DETAIL 39
11 // HUNGARIAN NATIONAL MUSEUM’S GARDEN - PURCHASED PLAN
Our conception has been born among the historical style pillars of the garden - „quasi” symmetry - continuous green and its secondary subvision - characteristic promenade around the museum - characteristic roads specified by the statues of Kazinczy and Berzsenyi - symmetrical front and the secondary spaces in the back - treating the entrances based on historical principles - functional layout - the physical display of the original road network in the new green spaces
COMPETITION PLAN GROUP OF 3 // DR. BALÁZS ALMÁSI, EDMOND KELEMEN, XIAO WANG
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2016 SPRING SEMESTER
MASTERPLAN
MODELS
12 // MODELS
PRELIMINARY FOR THE MASTERS INDIVIDUAL WORKS 2016 SPRING SEMESTER 44
PLAN OF AN EXHIBITION HALL’S GARDEN
GATE MOTIF IN THE LANDSCAPE
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Szent Istvรกn University The Faculty of Landscape Architecture Master of Arts in Landscape Architecture (MLA) koboridori@gmail.com +36/ 30-4186116