Letter From the Editor: Hello DF Friends! I am thrilled that you have decided to join us again in a celebration of art! For those of you who do not know DF, we are a platform that serves as a place for artists to showcase different works you otherwise might not have an opportunity to see. We want to bring our artists out of obscurity and into the light, and with that, we will galvanize your minds! I would like to thank everyone who contributed to this issue of DF. I would also like to apologize in advance because some of the stories you will read are almost a year old. It’s been that long since I began my battle with breast cancer, but I have decided that I’m not going to let that stop me anymore! I am still going through treatments, but the DF staff rocks and I know I have their support. Thanks guys! Since I began with DF, people are constantly surprising and delighting me. It is my duty to do the same for you. But hey, guess what?! Among all this chaos, it turns out that we have just about enough stuff for 2 issues, so I am ecstatic to report that the fall issue will be right on schedule. We will be attempting to be a quarterly released magazine. :) Before I bid you adieu, so that you can ride away into the sunset with DF, I would like to leave you with one of my favorite quotes from Wiliam Faulkner, “Always dream and shoot higher than you know you can do. Don’t bother just to be better than your contemporaries or predecessors. Try to be better than yourself.” Sometimes, all it takes is a little inspiration, so let’s get inspired people! Enjoy! Nancy Janette Santos Editor in Chief
Contents Table of Contents EDITORS********************************************************** Editor in Chief: Nancy Janette Santos Managing Editor: Ernesto Rodriguez Jr
CREATIVES************************************************************************* On the Cover: Art by Sara Wissink,
Model Veronoca Gaskey, Model Dominique Babineaux, Model
Nelly Alexandra, Model Haille
Art by Anna, Art by Zachary Mojica Photography Manuel Leal Jr, Hector Espinoza
FEATURED STORIES************************************************* Myriam Phrio,
Rey Roldan, Mandi Gallegos, Summer Nights, Alpha
Corner Alfred Perez, Veronica Orosco,
Poetry from Claudia Scott and Kai Joi,
True South Productions, Tittle Fight,
Ecaterina Pharrez
STAFF WRITERS**************************************************** Ernesto Rodriguez Jr
Ashley Mitchell Julie Bera Martin Guzman ******************************************************************
Fashion: Mikailee Alton Model: Veronica Gaskey Photo: Jennifer Crowder
“Art is what we call...the thing an artist does. It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human. Art is not in the ...eye of the beholder. It's in the soul of the artist.� -Seth Godin
Myriam Phiro NEW YORK. The land of promise, endless opportunities, bright lights, flocks of
fascinating people, and countless coffee shops. This idolized place is every serious stage actor’s childhood fantasy, and its reputation lives up to its hype. However, we can all agree that this city requires unmatchable perseverance and positivity for any individual driven to a life in the arts. So, what does it really take to survive in this city where rent and expenses make one consider illegal activities to pay the bills or where living in a hospice suddenly seems like a brilliant way to save money? Bottom line: Wherever you are, from the East Coast to the West Coast from the Northeast to the South, pursuing a life in the arts requires strong character and courage. Following your heart where there is zero stability is no easy feat and certainly not for the weak. In the words of one particular diligent and determined 26-year-old actor/model/dancer, this profession requires “Dedication and passion.” True and true. But wait folks, this woman isn’t just a triple-threat, she’s also balancing multiple jobs, on top of juggling a social and romantic life. So, how does she do it? Let’s examine the journey of one woman who refuses to let any obstacle hinder her calling: Myriam Phiro. DF: Why don’t you tell me a little bit about yourself, like where you’re from and what brought you to the States? "I’m from Quebec, in Canada, but I traveled all over Europe for three years, [which] solidified that this is what I wanted to do for a living. I have done theater all my life, and I was always involved. But in Europe, I was on my own, and it was easier for me to think without influence. So, I came back with the idea of getting training, and I thought New York would have the best facilities for that." DF: How long have you been in New York? "Wow, I’m completing my third year. I can’t believe it... it’s crazy." DF: You’re also a model and singer, correct? Which skill are you most passionate about? "I’ve always considered myself being an actress first because [acting] is what started it all. But I think a singer should be an actress too, and a dancer should be an actress. I think [acting] is the core point. Everything should start from thoughts, feelings, and objectives." DF: Did you get those other skills to make yourself more competitive or did it naturally evolve? "I think a little bit of both. The thing about me is that I was really timid as a child. And it actually was a teacher who guided me towards theater to open me up. And I decided to start taking dance to improve my spatial awareness onstage because I was a really awkward child." DF: I can’t even imagine that. "It’s hard to believe. It’s a big revolution, thank God. So, I started dancing that way, and I just loved it. It became an even passion and since dancing takes a lot more time, you have to do it every day to become competitive." DF: What type of dancing? "I studied modern jazz. It involved contemporary, jazz, tap, improv, and all that jazz (Laughs). But I specialized in swing, belly dancing, and tango." DF: Going back to modeling, are we talking nude modeling? "We’re talking about three types of modeling. There is figure modeling, which you just mentioned, portrait modeling and fashion photography. [As a child], I was really shy and awkward, and I had trouble accepting my body. And I always told myself that one day if I’m capable of doing that, it would mean a lot. It would mean that I have evolved."
DF: How did you first get involved? "While I was in Europe, some of my friends we needed one more [person], and they just aske that issue of mine, but it was so natural. And a and I thought that it was a good time…It’s alm because you have to hold still for a long time. positions because it always challenges my da way to get in touch with my inner self. Everybo Nobody is looking at you like you’re a naked b all the brushes; I like it." DF: Along with figure modeling, you’re hea the moment, you’re in four shows, which I fi you ever recite dialogue in your sleep or mi rehearsal? "(Laughs). No, no, that doesn’t happen much, scheduling and learning my lines, and practici learn lines while I’m doing something else bec like to learn lines while I’m on the subway. The where I am not doing two things at the same t active, to always do something." DF: What is your standard method for prep "The Stanislavsky method. I do a lot of charac character’s background story, fears, secrets, a and different she is from me. That’s always sc similarities than you would expect (Laughs)." DF: It can be scary, yes. Do you feel like yo you? "It’s both. For instance, I get a lot of gigs [to s and restaurants, so it’s an asset in that way. B American production that wants an All-Americ obstacle. Obviously, I’m working on it…I do th but if I’m talking to you, I’m thinking about wh it depends, because everything is relative. Som sometimes it’s not. But I’m fortunate to look th DF: What sort of advice would you give an "There would be many. The first one would be big issue of mine, that I’m eager. I always wan Being an actor, being an artist in New York, is working on your craft, taking a class, having a etc. But you don’t get to be in a lot of shows, I remember, at the beginning, I was thought, it But it will, it will. You just have to be patient an it. And be passionate. That is the key. If you d else, then you’re in the wrong profession. Bec it all the time without any necessary monetary sometimes it can feel very heavy, if you’re not time." DF: That’s very true and great advice. You unfortunate reality of the profession, which financially compensated for your work. How balance both, not to mention part-time man
ere doing it. At one point they ed me. They didn’t even know at this point, I was just stronger, most a meditation process And I like to take challenging ancing. I just think it’s a great ody is in there for the art. body. The shape, the sound of
avily involved in theater. At find beyond remarkable. Do ix-up your lines at the wrong
, but it’s all very crazy, ing. Most of the time I try to cause it’s time consuming, like I ere is never a moment in my life time…I just try to always stay
paring a role? cter research, like the and passions. Also, how similar cary because you find more
our accent has helped or hurt
sing in French at] French bars But if I’m auditioning for an can type of person, it’s a big he phonetics and substitutions, hat I say versus how I say it. But metimes it’s an obstacle and he way I speak." n aspiring artist? e to be patient. That is one nt the finished product now. so much of going to auditions, a singing lesson, doing scales, and it can last for a long time. t was never going to happen. nd remember why you’re doing don’t like it more than anything cause you’re gonna have to do y reward at the end of it. And t passionate about it all the
brought up the amazing yet h is that you’re not always w have you been able to naging a restaurant?
"I’m always upfront about it whenever I start a job. I say “This is part-time and my heart is somewhere else. And if you don’t understand [that], then it’s not the best job for me. I won’t waste your time, and you won’t waste mine.” DF: Can you talk more about the moment that you knew you were destined for a life in the arts? "I really knew when I was in Ireland on tour for Macbeth. I was on my own, so I didn’t have any outside influences. Being on my own, I realized that this was what I really wanted to do with my life. I had moments [of realization] before Ireland, like when I pursued Science in college. Little did I know, it was not where I belonged. So much so that one of my Physics teachers took me aside and told me that he thought it would be best for me to change programs. I was stunned because I wasn’t a bad student. And to have a teacher come up to me and lay it out bluntly, was quite a revelation and very scary! However, I’m really happy that he did because it gave me strength to believe in my choices and to go for it!" DF: How did your parents feel about your decision to pursue a career in the arts? "My mother always called me her artist, since I was 4 years old. She’s really happy and supportive, and she’s always been tapping my back. It was a big issue between my father and I. Because being a kid, I was really smart, and he hoped that I would’ve become a doctor or I don’t know, a physician, or whatever. And he didn’t know me as much. I know that’s crazy to say because I’m his kid, but we didn’t live together, so he didn’t see all the artistic projects that I was involved in and how I was reacting. He didn’t see it as much, so he held onto his hope. When I came back from Europe, we had a big argument. I got accepted at the American Musical and Dramatic Academy (AMDA) and decided to go. That was really huge. We had a big argument then, and it was really hard. But now he understands that it’s something that was beyond me. It was really tough, but now I think he just wanted what’s best for me. [Now], he sees that it’s working and he’s really happy. I think he was just scared. It’s scary for a parent."
DF: I can only imagine…Is it difficult being away from your family and home? "Since I was away for three years, I haven’t been home sick. I’m here to do what I really want to do, and I’m a really focused person. When I think of going back home, it’s like I’m gonna be away from auditions and losing gigs. I am really happy to go see my family and friends and to have a bit of a reload your battery experience. But I’m not going to lie, I’m almost married to my career and whenever I leave it for too long, I miss it. " DF: With all that you do, do you have time to date? "Uhhh, I’m starting to see someone." DF: How is that going? "Oh man, crazy. I don’t have time for this." DF: How did you meet him? "He’s in a band that my friend is the singer [for], [and I had] seen him in pictures. For the longest time, I had a picture crush on him, but I had never actually met him. And one day, I was passing by a neighborhood [they were] playing [at, and] he was there. We just started talking, and I couldn’t leave." DF: Do you find it’s hard to date a fellow artist?
"I have mixed feelings about that, but he is such an incredible person. It makes it even harder [though] because he’s as busy. But at least I don’t feel like I’m the one who is always busy, so it’s okay." DF: Any last thoughts or words that you want to share?
"Don’t let anything stop you.” Well said, Myriam Phiro. Bottom Line: Never give up. Success is relative. With that in mind, whatever fate has in store for your future, one thing is certain: It takes an individual of character, substance, and courage to pursue a life in the arts. And for that, every artist deserves a standing ovation and a pat on the back. Do not let anyone tell you otherwise or anything stop you. In the words of Thoreau “If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours.” So, go on out there and “Don’t let anything stop you.” By: Ashley Mitchell In Photos: Myriam Phiro
Art: Zachary Mojica
Art by Anna
“Music is a higher revelation than all wisdom and philosophy� -Ludwig Van Beethoven
Rey Roldan: The Epitome of Passion and Perfection
Reybee Artists: Yellowcard Photo: Magan Thompson
“Yes, two medium iced coffees” I mumbled as I’m scouting for an open table at Juan Valadez’s Cafe. Suddenly, I felt a pair of eyes on me, so I whisked around to see a familiar looking face staring back at me. I had no clue why or how I knew this person, but then it hit me. Those eyes were Rey Roldan’s, the subject of my article. It was then that I realized that I shouldn’t feel guilty about having a momentarily lapse of politeness or about making the person behind us late. Rather, I should open my mouth and forget that every googled image and article I had found about him, did not do him justice. In my mind, Rey was supposed to look like the 40 year-old something man he was, the overworked founder and President of “Another Reybee Production,” an extremely successful Public Relations firm, who would quickly leave my interview to meet with Britney Spears, Duran Duran, Sting, English Beat, Backstreet Boys, or one of his other well-known former or current clients. Wrong. This 25 year-old looking, energized, generous man gave me over an hour of his time, along with meeting me at the location of my choice on one of his “off days.” However, I would soon learn that Rey doesn’t really take any “off days” because he’s completely passionate about his work and committed to his clients. His mission in life is to share brilliant music and innovative art with the world.
If this man didn’t seem perfect enough, I later found out that he loves eating Cajun food, watching “Dead Files,” traveling as often as possible to London, and reminiscing about his favorite childhood spot. Was it a coincidence that my favorite getaway/designated homework spot was also in my backyard but on a concrete wall instead of a boulder, or that it was in Texas instead of New Jersey? Perhaps. But perhaps it isn’t such a coincidence that he is a successful, driven, genuine, and passionate individual, which is a rarity in this line of work. I would soon realize that despite being a son of two doctors, he has worked for every ounce of success that he’s garnered. As I’m staring into his eyes trying not to look completely awe-struck, I take a deep breath and attempted to assume a professional demeanor by saying “Hi, Rey?!?!?!” Since 2004, you’ve run your own company. Do you get a lot of submissions? A lot. I actually read every single submission that I get. I listen to every single link that I get. One of the things that I do is that if I can’t take on an artist that I really like, I’ll pass them onto a Publicist friend of mine. There are some artists that I discover, and I’ll work with them, basically for free, to help them as much as I can, to get their foot in the door. Even if I can’t take them on, I’ll give them suggestions. It’s the least I can do. It takes a lot of effort for a band to reach out to a publicist. As far as submissions, how much is too much? Too much is when somebody emails, facebooks, tweets, and im’s me. It does pay off to be persistent, but don’t be overwhelming. There is this one guy from Alaska who I told at the very beginning how to work on it. And just because I opened that door, every other day, he would send me a new song [and ask] “How does this sound? How does this sound? Does this sound more to your liking?” I had to tell him “It’s not about me, it’s about you. Is this alright for you?” If it’s alright for you, it’s all that matters.” He just didn’t understand that everything was too much… I finally had to say to him “Come back to me in a year, then we’ll talk”. It’s been now roughly about 9 months, and I’m waiting for him to call me again. I’m afraid with this article that he’ll start all over again, so I’m sorry in advance. But I agree that so many artists are thinking less about their craft and more about what others are looking for. With that in mind, what other advice would you give to an emerging artist?
Know who you’re writing to. There are so many times that I get emails from artists who don’t know what I do and don’t know what kind of music I work with. Tailor you’re focus and know the person you’re pitching. Always do your research.
“Just because one person says it’s not their thing, don’t get discouraged. There is always another record label out there, another publicist.” Don’t get discouraged, and don’t be scared to ask why. A lot of the times when they get turned down, the artist will just walk away. When someone says no, ask why. It might help you out. What would you advise someone who wants to become a publicist? Definitely, definitely, definitely writing. Write as much as possible. I have been in publicity, for like maybe 18 years now, and I still gotta keep up the chops. The worst thing that a journalist can ever get, is a poorly written press release, one with grammatical mistakes, misspellings, stuff like that, awful. If you think about it, as a publicist, we’re writers. If a writer is going to read your press release and see gross mistakes on it, they are not going to trust you. Some people think that this is one of the easiest jobs in the world. A lot of people have turned into great publicists after being great journalists, but anyone wanting to become a publicist should spend time with another publicist. Intern. I interned for awhile. Learning the craft is incredibly important. Just because you can talk on the phone, doesn’t make you a publicist. Strategy is involved. There is a lot of campaign building. It’s something that you have to understand and understand how to build, and want to be built. That process is so important to become a publicist…[And] if you really know what you’re doing, you’ve had experience on the other side. For example, the best publicist knows what the journalists are looking for. When you’re talking to a journalist, you understand their side of things. You’re not pitching them. It’s more of a conversation, there is an affinity there, knowing what you’re both looking for. When you’re a journalist, you know how to empathize with a band. A lot of journalists who have never been
in bands before can sometimes be really cruel for the wrong reasons, without being constructive. When you’re on the other side of it, you know how to talk to other bands, you know how to critique them, without being excessively cruel and know what you’re talking about. So, it is always good to know the people that you’re dealing with. I used to be in bands, and I used to be a journalist too. So now I can empathize with the bands, and empathize with the journalists. That is one of the reasons I’ve been able to stay in this business so long because I’ve been able to understand both sides of the equation. Do you sleep at all? [Laughs] Yes, around 4 hours. When I was in college, my best friend and I tried to cut down our sleep patterns as much as possible. Most people sleep 8 hours a day and that’s one third of your life. So, if you live to be a hundred years old, you slept 33 years of your life away. So, if you cut your [sleep] time, you get to live longer. College was like decades ago, but I still have that same mentality. What gives you strength and courage to do what you do and deal with your long days? It’s funny, somebody asked me that question years ago, back when I was much younger publicist, but it hasn’t changed: Years ago, I thought it was just the love of music that kept me going. And that is a major part of it, being able to sit there and work with the bands you love. Every band that’s on my roster, I absolutely love. The other important part though is knowing that I have most people’s careers and their lives in my hand, and if I can’t give them the right amount of attention that they deserve as artists, I can’t sleep at night. It kills me thinking that there are publicists out there that as soon as their days are over, they close up shop and go home. I’m available to my artists 24 hours a day. Their livelihood depends on me doing my job. Just knowing that I have that responsibility to help and make people support and know about them, is mainly the biggest impetus that keeps me going. What got you into music? I was probably like 8 or 9 years old. I went to Disney World, and I was running around with my sister. We saw this one R&B pop band, The S.O.S. Band, [and they had] this one song that I would always hear on the radio “Take Your
Time (Do It Right).” And I remember seeing the concert and running to the front of the stage. I remember at that moment I became a huge fan of music… I used to ride my bike to a record store and spend hours [there], when I was maybe 12 years old. I talked to the people that worked there and they would turn me onto new music. I would buy records, just because I liked the cover. I discovered [music] that way. Who or what is the most intriguing person you’ve met? One of my favorite musicians/producers of all time, John Prior. His manager sought me out because [John] wanted me to work with them. Knowing that one of my personal heroes wanted to work with me was one of the craziest things I’ve heard in the world. Then, I started talking to him, and John was just completely fascinating from the stories that he told me, to the fact that because I’m working with him he wrote a song that the original name was “Apple Rays” but since I started working with him, he changed the name. Whenever I get an email or a phone call from him, I realize “Wow, I’m talking to one of my childhood idols. “ Speaking of which, I read about your interview with The Housemartins. If you could’ve spoken that day, what would you have asked? (Blushes and laughs). He [Paul Heaton] is a brilliant song writer. His lyrics are so incredibly witty, so incredibly pointed. I became a Socialist or at least I adopted Socialist mindset when I was a kid because they were a Socialist band. A kid living in Jersey, you don’t know any of that stuff….. “Burn the Banks Down” was always one of their big mantras. I would have loved to talk to him about that, like how he took typical propaganda and turned it into something so innocuous. He came up with some ideas that were very wide-spread but when I was a kid I never really got it. Like the whole idea of sheep, how people are like sheep, calling them “Sheeple,” or like capitalism, “Follow the masses,” and that whole entire idea of art as important as making money. They were a band that was all about art. I was intrigued by that [and I remember] listening to The Housemartins and thinking “Wow, capitalism is bad.” It was such a mind blowing thing, and I would love to talk to him about all that kind of stuff. ..But they have the worst videos though. I would love to talk to him and ask “What were they thinking?” [We’ve talked a lot about bands or music that you do like]. What are some genres of music that you’re not fond of?
[Every successful person has someone in their life that helped them become who they are today]. Who has helped you become the person that you are today? Frank Landy, [who was] the father of my good friend, Betsy. He was an entrepreneur and incredibly intelligent…I always idolized him because he was a world-traveler and a self-made guy. He gave me the strength and the courage to start my own company. He saw that I was kind of stuck in a rut, and he said to me “Why don’t you start your own thing?” I told him, “I don’t know how to.” And he’s like “Yes, you do. Just go ahead and do it. You can do it.” And I did it. He would advise me on what I needed to do better and pushed me to chase after that dream… He was such a positive reinforcement who passed away two years ago. He was one of those people that I may not have talked about too much, but I modeled my life after his.
I have to ask, do you work out? I used to work out all the time. But this past November, my asthma kicked in and stopped me from going to the gym. But I’m getting back into shape now. And that he most definitely is….If you haven’t googled Rey Roldan already, do yourself a favor and open up that dusty laptop! This man is the epitome of passion and perfection and someone you most definitely want to browse. Story by: Ashley Mitchell
Do you have any final thoughts about the business that you want to share? One of the biggest problems in terms of publicists or the music industry as a whole is that a lot of people in music have lost that passion for music. The most recent place I worked at, you would walk out of the hallways, and it would be quiet. There would be no music coming out of offices, and that was really kind of a sad thing. I would have blasting music from my office, and people would come ask me to turn it down. People have become much more desperate about keeping their jobs, forgetting that art is involved, and it’s become much more about commerce, products…I would never call a cd, a product. I always thought it was art, a novel, it’s not a product. It’s not about pushing units or selling records; it’s much more about getting people to listen, to hear what I hear in this stuff. I think that passion in music has been lost in a lot of people. People always ask me what keeps me from getting jaded. I teach….Once a month, I’ll spin…and that’s what keeps me on my toes. It’s so much more about turning people into music. We need to get back to that…And keep yourself interesting.
Photohraphy: Manuel Leal
Country. I never quite understood the really hard-core music. I’m do
Reybee Artists 1) Alison Moyet Photo: Tom Martin 2) The Front Bottoms Photo: Mark Joworski 3) 8MM Photo: Andrew Furnevel
Mandi Gallegos Modern Fashion Royalty. That’s how we at
DF define Mandi Gallegos, of Mikailee Alton. The fashion of today is not that of yesterday and if you want to know who’s taking it by storm, then look no further than this mecca of inspiration we call San Antonio. If we haven’t been on the fashion map yet, Mandi will certainly take us there. With her inspired designs of alluring shapes and elegant lines, she is certainly no nonsense. We caught up with Mandi for an interview, and this is what she had to say.
Hi Mandi, thank you for taking the time to do this interview with us. Tell us a little bit about yourself and your work. Well I am a single mother, I’m 36 years old (going on 37 in March) and I am chasing my dream to be a fashion designer. The way I view my work is like any other artists’ outlook on their portfolio… it can always get better! My goal this year for my career in fashion is to design better than I know I can, create more than I already do, and aim higher than I have been. I love fashion and adore designing it, but it’s funny that I don’t normally dress like I design. I am super simple when it comes to my own attire, because I work so hard. I feel that if I am walking around in my expensive designs, I will look funny when I am rolling all over the floor, leaning over table tops to cut material and hunched over a sewing machine... wearing a gown and stiletto heels would be absurd. I tell people often, my job is to help you look and feel good. If I over obsess over my fashion attire
and fail at my mission, then I shouldn’t be designing at all, but creating clothes just for me. How useful has your education been in your career? Schooling is very important to me. I believe that even if you’re good at something, perfecting your craft can only make you better. I knew how to sew before enrolling in design school. It was a wonderful skill my mother taught me, though at the time it felt like a chore. I more or less knew what I was getting into the moment I signed up for classes. Here I was, this 31 year old single mother amongst twenty something year olds, it was intimidating. I swallowed my pride and believed in my talent as an artist and with the help at IADT, I met all different walks of life and grew as a person. The teachers were amazing at helping me see design in a whole new way. I don't think everyone says that they "LOVE" school, but I did. I loved being in a creative environment with others who were just as passionate as I was. What do you think you would be doing if you were not a designer now? I have my “Clark Kent” job from 8-5 as a purchasing
agent, so I am sure I would still be a purchasing agent. In fact, I am still a purchasing agent since 2003. It’s what I do from 5pm-8am that I love the most, that’s when I take out my fashionable “Superman” cape made from silk red jersey (I really don’t have one, though I should). Tell us about how you ended up at NY Fashion week and what that experience was like. Also, I believe I heard that you’ll be back in NY soon, tell us about that and what you expect from your new adventure in the city that never sleeps. The first time was in February 2012, I was invited along with 36 emerging designers around the world to showcase in NYC. The show was nice, but I think San Antonio producers could have given them a run for their money. I’ve been in numerous shows, all chaotic in their own way and there were some hiccups, but all in all, it was a great experience. This time around, I sent in an application and was approved. They only take a few designers and concentrate on those applicants. There was an enormous fee I had to pay, but I believe you have to spend money to make money. All artists, if you love something enough to make a career out of it, it’s going cost you.
Jacket and Dress: Mikailee Alton by Mandi Gallegos Model: Dominique Babineux Photography: Jennifer Crowder
I love my experience with the current company thus far. They are organized, straight forward and professional. I am very excited about this show. My new collection, this time around, is bolder than I have been used to making. I normally can crank out garments like crazy, but this collection is different. I found myself picking at everything, wanting it perfect. I feel this collection is how I need people to see my capabilities as a designer, as an artist. I just means more. What’s the craziest thing to ever happen behind the scenes at a show or a shoot? I would have to say in NYFW 2012, I had 2 models no show. I literally pulled models from another show right after they had walked in the previous show before mine. I asked what size of shoe they wore and had them run to my station to get ready. All of a sudden, 8 models came back from the hair team looking nothing like the inspiration I had given them. I absolutely freaked out! Thankfully, one of the models was a hair stylist and 10 minutes before we all went on, she not only did her own hair, but also the other 9 models. That was insane! Have you ever had any issues with any of the models you’ve hired? I would have to say NO! I am very particular whom I work with. I try and meet every model before hand and get a sense of who they are. I love hard working models that are humble and take what they do seriously. Models need to understand that when they really want to pursue a modeling career, they are no longer “themselves” but a product. So, I really try to work with models that practice that philosophy, like their posing, their walk and their facial expressions. Models definitely hard work, it’s not all glamorous, so I cater to them a lot. Some freak out when I put their shoes on for them, hold them steady or ask them to balance by putting their hand on my head LOL. They are the ones who are meant to sell my designs. So of course, I treat them with the upmost respect. What’s in the plan for the future, do you think you will stay in San Antonio and just travel back and fourth to NY, Milan, or anywhere you need to be? Or, do you see yourself moving to another location and where?
My plan is to establish myself as a working designer, PERIOD. But, this is a great question that I wish I could give you a definitive answer to. I grew up here in Texas and I love this state. When I hear people say that there is no place like New York, it’s true, but I would have to say Texas is right up there with it. We are so diverse in every way. I will travel where I am needed of course, my heart will always be Texas! How has this city supported you so far in your career? My career started here, so I would have to say it’s been good to me. All of the publications, the shows and the art I’ve made are because of local artists like me coming together to do what we love to do. We are trying to bring this city to the fore front of fashion, to compete with Dallas, Houston, LA and NY. I wish San Antonio could take the fashion industry a bit more seriously. It’s still young here, we can do whatever we want with it, but we have a long way to go. I believe we can do it though. What are some other talents you have that people don’t already know? I can make a mean boneless hot wing from scratch! HA! I really can’t answer that, I’m an artist... I love creating something out nothing. I can make a gown out of paper, duct tape and 100 hot glue stick. I am MacGyver reincarnated. If you could host a fashion show anywhere in SA, where would it be? I would love to build up enough money to find an area in San Antonio that has a group of old abandon buildings, turn them all into our own "FASHION" OR "FABRIC" DISTRICTS with specified areas to host shows in February and September, just like all the others. That's where I'd like to have my show. Anything else you’d like us to know? Ask me and I’ll tell you. Other than starting from “well, when I was born…” that’s about it.HA! HA! HA! This
was a fun interview! Thanks for everything. Story by: Nancy Janette Santos
Mikailee Alton by Mandi Gallegos Model: Dominique Babineux Photography: Jennifer Crowder
Left and Right: Mikailee Alton by: Mandi Gallegos Model: Dominique Babineux Photography: Jennifer Crowder
If you’re like me, sweating it up inside a stuffy club this summer isn’t an option. My summer nights have been spent at outdoor concerts and events. This has given me a chance to see what nightwear looks like this year. As outdoor events seem to draw a unique and mixed crowd, pinpointing a progression isn’t easy. However, among the typical hipster and hillbillies, a few trends have stood out. This year, the term ‘Golden Girl’ is less about four old women eating cheesecake in their pajamas and is more about wearing golds and peaches in your wardrobe. I’ve also noticed the prints staying tiny so don’t over do it this year. Try a flowing circle skirt and leather sandals or jeans and shear peach top with a small print. It seams that your “hard earned” tan is the main attraction this summer; don’t be shy, show it off! By: Julie Bera
Photo 1 Courtesy of Hector J Espinoza Model: Hailee Photos 2, 3, 4, 5 Courtesy of Chictopia
Wet: Whether it be swimming in the cool waters of Canyon Lake or playing volleyball on the sandy beaches of South Padre Island, looking your best will always impress. Around the world guys are shedding their workday-dulls and rocking fun suits at the beach. Primarily, we see the Nautical look sailing back in this season. All areas of Men’s fashion are being covered by its wake and swimwear is no exception. Dry: Summer time can be bummer time if all you do is sit in a poorly lit cubical and never get a kiss from the sun’s fiery rays. Make sure to mix it up this summer! Take some of the fashions for outside, inside. Who says you can’t be professional and fashionable? For the office look, we are seeing a positive trend towards white Dockers for men and tan sports coats on top. Add a navy blue crew neck knit top with a thin white stripe and you will get to partake of the vibe going on outside. Weekend getaway: If you’re like me, I’m sure you have your weekend planned before the end of business on Monday. But don’t just throw some jeans and a tee shirt on again! While, I will say, the fashion meccas of the world want you laying up this season, being in Texas makes that a less than possible demand. So I have spent a little time thinking, and researching what you could do to bring in the layer look to stay cutting edge while not dying of heatstroke doing it. Pick two one top and one layer over. For instance, do a short sleeve button up and a jean jacket (if you dare). You could also rock that same beach tank under a long sleeve button up with rolled sleeves. Be creative. Don’t forget about those shorts! Now you have a place to hold your ladies lip gloss and mascara. Happy travels! By: Julie Bera
Photo 1: krystanlynn.com Photo 2: Guess.com Photo 3: Nordstrom (3 guys) Photo 4: Nautica Photo 5: Tommy Hilfiger
Musician: Christopher Anthem Photography: Nancy Janette Santos
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Comics By: Alfred Perez
Veronica Orosco Portrait of An Actress
What makes a strong woman? Is it a strong work ethic? Does an overwhelming sense of compassion define character? When I think of strong female role models in the San Antonio film industry one of the first names that comes to mind is Veronica Orosco.
There is a very unique quality that she exudes. She is the queen of versatile strength. So when it came to look for an actress for this issue, we knew she would be perfect. Veronica agreed to interview with DF and share her experiences and the wisdom she has gained as an actress.
Has your perspective changed as you have seen more success in the movie industry? “It has changed. Before, it was all glamorous and easy. After actually doing it, even if it’s just doing a couple of scenes with 5 minutes of video, I have a lot more respect for the actors, for the industry, for the crew, for the directors, the editors, and so on. My perspective on film itself has changed dramatically, yes.” How would you describe your journey from when your had your first acting or modeling role until now? “I would say in the beginning, when I started, I really started by chance. I had aspirations as a child, but due to financial constraints my parents couldn’t afford to put me in acting classes. So I basically thought, ok I am going to finish school and get my degree and after that if I have time, I’ll start to dive into it. So then, I did. I was 31 when I started and in the beginning it was nerve racking. When I went to the audition, the first one, I actually landed it. I really didn’t know what to expect; I really didn’t know what to do. Obviously the director saw something in me. He liked me, so he ended up casting me. So from that point up until now, my experiences have all been good. Not every single one, but the ones I really wanted have been. So I went from going in not knowing what to expect and now I go in with a lot more confidence. I go in knowing how to read for a character, how to act it out, and how to do some research on the character before I show up.” What do you do for fun? “For fun, since I am a mother of two, I am usually spending time with my family and kiddos. We go to waterparks a lot, to barbeques, and we do things out doors. Whether it hiking, biking, or going to the beach, I mostly spend my free time with my kiddos.” What is the most entertaining or interesting experience you have had so far? “So far the most interesting project I have had is the one I am working on right now filming De Los Muertos, playing La Llorona. She is a fictional
character that my grandmother used to scare us with when we were little. It has been interesting to bring fictional characters to life and do the filming itself. It was very invasive; it called for pretending to be drowning in some scenes and fighting in other scenes. This by far has been the most fun, most rewarding, and probably the hardest role I have done yet.” It’s refreshing to see a strong female manage not only family life, but also a budding career. How do you manage to keep everything running smoothly? “I would have to say, I give a lot of credit to both my husband and my mother. They are both very supportive in this career that I started a lot later than most. They help keep me keep everything balanced. For example, if I have an audition to get to, I either have my husband of my mother watch the children while I am gone. For those roles that I can actually take my family with me, if the directors are open to that, then I am are more than happy to take them with me. At the same time it gives them an eye into the whole industry. It’s not all glamorous. It’s not all fun. A lot of it is hard work. It takes determination. It’s great knowing that I have their backing when I need them to help the kids or when I have to come home late. There is someone to help make dinner or some one to help on the weekends when I just want to relax. So I give a lot of credit to both of them. They help me keep my sanity. They help me keep my feet on the ground. I am hoping to continue this because it’s something that I really want to do.” Do you have any projects in the works that you can tell DF about? “I do. I have Tales, De Los Muertos, that’s by Isaac Rodriguez and Manuel Navarro. It’s going to be a feature film about three different stories that most of us grew up with here in San Antonio. La Llarona is one of them, Chupacabra, and Welcome to the Midget Mansion. That one is set for Halloween so we are hoping for October 2012. The only other project I have going on is a TV pilot. It’s called Old Folks Home by Greg Marler. That one is about to film here in September (2012). That one is up for distribution
for a local network so if we get the go ahead and the network picks it up it will turn into a full-blown series. So, that one is a pretty big deal and it should be coming up soon.” What are you future goals in regard to your career as a model and an actress? “My future goal as far as the modeling side, I would like to do more print commercial so whether it’s ads for Wal-Mart or Target or some type of advertisements for magazines. For the acting, my ultimate goal is to be in a blockbuster, big budget movie. The thing I really wanted to do is be a regular in a TV series on ABC or NBC, either one of those channels. I don’t care what kind it is but that is my ultimate goal to be in a series that runs for years and gets picked up by another network.” Where can we find more information about yourself and any upcoming projects? “Right now I have a blog going at veronicaorosco.com with information about upcoming projects and pictures from my latest film projects. That’s the best place to find me. I also have a Facebook. I have a fan page there. It’s under Veronica Orosco, Actress Model. If you go to my blog it actually has links on there to trailers of all the work I have ever done, it has a link to my fan page and Facebook and it has a place where you can email me if you are interested in booking me for modeling, print, commercial or film. So the blog is the best way to get ahold of me and access all of the other links.” Do you have any advice for any models and actors starting out? “I do. My biggest advice would be, don’t get into this industry whether it’s modeling or acting, if you are looking for fame or money. It really should be about the passion of the art. You should have a passion for modeling, film, or acting on stage. You really should be doing it for the right reasons, meaning you have a love for it. Just like someone has a hobby collecting coins or riding a bicycle, it should be something you have passion for because if you are looking for fame and fortune it may happen, but it’s not going to happen overnight. It’s something you have to work for. If you have a passion for it, everything (you skills and your talent) will shine through. If you are in it for the money, it’s probably not the avenue you want to take at this time.” Story By: Ernesto Rodriguez Jr
Without wonder and insight, acting is just a business. With it, it becomes creation. ~ Bette Davis
Left Page: Veronica Orosco Red Raven Photography
True Music is made with
Complete/Completa For a long time now Por mucho tiempo ahora I felt there was something missing Yo siento que algo me falta I finally figured it out Por fin yo entiendo It’s time to be complete Es tiempo para ser complete Love is the solution Amor as la solution With love all is complete En amor todo es complete Put your hand in mine Pone sum mano en mi mano And we will find paradise Y vamos a encontrar paraiso We finish each other’s sentences Completamos los phases de el otro We bring each other peace Triaermos paz a nosotros Through a love with now end Con un amor sin limites Poem by: Kai Jou Poema de Kai Jou
“Oh wise Trumpet, how do you always sing? Through good and bad, how do you manage to pull through?” “Singing is my escape route,” replied the Trumpet. I gazed at the artwork before in awe. Not only does the Trumpet make music, but the Trumpet is a friend. A reliable, trustworthy friend. This beautiful masterpiece will live on, and venture with me, as I go on my journey. My journey through m
Claudia Scott, 13, San Antoni
Love
me
music.
io
Art by: Minitokyo.net
Photography: Manuel Leal Jr.
Model: Nelly Alexandra Photography: Nancy Santos
Texas is a wide and diverse state with something for everyone. If you are in south Texas there is something special... the true South. It’s the lowest point between the U.S. and Mexico. It is also where the journey of Tony Santa Anna, founder of Tru-South, began. The desire to bring music to the world was felt by Tony from an early age. It helped that he was born with a natural talent for singing. As his talent matured, he sought out ways to express himself musically. It wasn’t until high school, however, that his calling became clear. Tony was a DJ at his school and loved to experiment with beats. The beats were like colors that he turned into works of audio art.
As luck would have it, a friend of his approached him and asked him about starting a record label. Tony loved the idea, but he felt was more of a technical guy. In June of 2004, Muerto Negro Discos was brought to life. The experience that he earned from working with MND would play a major role in his future. He was designing and doing live sound engineering and making cd’s. MND was geared toward the punk scene in Brownsville, TX and business was good. Tony and his friend were also heavy into the promoter angle of the business. They had some of the biggest Punk shows in the area. The whole experience was hands on. As a
member in MD bands make p duplicate CD’s The Punk wav Tony moved o thing. Now Ton studio here in looking to brin music scene. and is a fully c engineer. Any ready to get th should look up the owner of T 210-771-8757. By: Ernesto Ro
DN, Tony would book promotion materials, s and sign bands. ve slowed down ad on to do his own
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odriguez
TRUE SOUTH
The preliminary bouts are over and now it is time for the main event of the evening. You should expect a fast paced, energetic, aggressive and smash mouth event. Yes my friends, Title Fight is a real knock down, drag out battle band for something more then just the modern pop punk rock fan. They are post teenage angst personified. They pledge a truly rebellious anthem for those of us who choose to exist in the ether realm. Their tracks are for those of us who are not satisfied with the status qou of what the main stream tells us pop punk is suppose to sound like. They would have you believe Blink 182 is the know-all and be-all of pop punk, but that’s just not true, and we all know that. It’s more like wink-182 for them these days. Some how they act too cute for their own good, and dammit, there is supposed to be nothing cute about punk rock! The safe and non-threatening wink-182 is for the little sibling in grade school, whose mom it tying to shield from the rebellious brother or sister who is blasting Title Fight themes from their head phones. F!@# that, I say! With many up beat songs like, Loud and Clear and Memorial Field, off of the album “The Last Thing You Forget,” or tracks like Coxton Yard and Where Am I, from the album “Shed,” Title Fight is a violent threat for the safe and silly main stream pop punk. Title Fight uses duelling melodic leads and rhythmic guitar sounds, along with some pretty wicked drums! They are fast and powerful. Their vocals shout emotions with lyrics that are relatable. All of the musicians are a perfect compliment to each others’ talents. Title Fight’s newest album is called “Floral Green,” and will do well with their fans. The new song, Sympathy, is up beat. The other new song, Head in the Ceiling Fan, is proof of their progressive abilities that make you feel like you’re a on cloud nine and then, suddenly, you fall right back to earth. There will definitely be a lush location in the punk poppy fields for Title Fights “Floral Green” to flourish! Review by: Martin Guzman Photos: Manny Mares
ECATERINA PHARREZ Lights! Camera! Action!
DF: You seem to be passionate about steam punk, what sparked your interest in the art form? I have always been into the Victorian Era. First, it’s the costumes and how elaborate they are. They have like five layers underneath. I like what the women wear and how the men are just so elegant, how they had the top hats. That in general is what I liked before, but because I studied fashion, I had some background in the history of fashion. So when I started doing that I learned about that era. Then came along steam punk, when you add the sci-fi along with it and it just makes it a whole lot cooler with your arm gear, the guns, the tesla, and just all of the elements incorporated into one. Then you’ve got this really badass sweet little genre of steam punk. It’s a really fun thing to do. The steam punk community in San Antonio is really great. It’s so much fun and we do so many events, from get togethers to gatherings like Eatherfest, which is held in May. Everyone seems to be really into what they do. It’s not just steam punk for a day. A lot of people have a steam punk computer, a steam punk USB port, a steampunk Bluetooth, or their cellphones are steampunked out. The men sometimes where their three piece suits when they go out. So I think it’s a really neat genre and I absolutely love it. DF: How old were you when you made your first short film? Acting wise I was 15. It was really rinky-dink. It was mainly because my brother does graphic design. So when he went to IADT they had to shoot a film, a short film, and the one actress they had was really horrible so my brother suggested me. He told them my sister knows how to act. I have always loved acting but never knew how to get into it. So I did the short film. It was about a vampire hillbilly. From then on I started thinking… people do these kinds of things and I don’t have to go to Hollywood for this, I just have to look around. I mean there is a lot of fun to be had. I had two things I loved acting as: vampires is one, everyone knows I love vampires. It’s just a lot of fun, you know? And if it was a comedy type thing, but the whole experience is good, even though it isn’t Hollywood. From then on I looked more into the acting side by doing independent films here and there. Once I got into acting, I started to explore the film making aspect. I started to learn about cameras producing and all that. I thought it was a lot harder than what I saw and it really isn’t as hard as it seems. Some people can pick it up, some people can’t. Here in San Antonio, they are nice enough to let you just kind of watch and learn. So that’s how I got into acting. DF: I understand you just started a fashion design company, OM Designs. Can you tell us a little bit about the vision you have for your business? When I first started it I just wanted to do a little here and there. I didn’t want to do a big clothing line just yet. I was still trying to figure out what I was trying to do. Of
course going back the beginning, I love the Victorian Era so I wanted to try and incorporate the whole vintage type thing but add a more modern twist to it. So you can say I got this blouse, but you can say it has the1900’s style feel to it, but I modernized it. So I wanted to try and bring a small little line and then try to go a little bit further with it. DF: When it comes to designing clothes, what is your approach? I don’t know, per say, if I really have an approach. I just kind of, dive into it. I can’t really tell you that I plan it out. As long as I can sketch and it’s just for me I can plan it out. DF: In the future do you plan to feature your brand of clothing in your films? I do. I am starting to do some steampunk films. You know when I do films and I am acting in them, if they give me a chance and they say they want this particular look and I have it, then yes. It helps a lot when the actors ask, “Hey where did you get that?” I can say, “Hey, I made it.” It’s so rewarding to say what I am wearing is what I made. If I could put more of my clothes into film that would be great. DF: As you expand your horizons and try new things, what would you say has been your favorite adventure? As far as adventures are concerned I would have to say the cosplay. The filming, of course, is a lot of fun. If I could spend a whole week on film and sleep on set I would, but I would have to say doing the cosplay and the steampunk conventions are my favorite adventure. We’ve been to Austin and to Houston for the renaissance festival. It’s a lot of fun, mainly because you are riding around cars with friends and people who would become your friends while learning the whole aspect of doing conventions. Learning what it’s like behind the table. DF: Could you name some of the movies and projects that you have worked on so far? I started out with a zombie movie I did back in2009 which I did with Sergio “From the Darkness,” that was a lot of fun. I had a small role, but I wasn’t killed off. Then I did a small role in “Amounting to Nothing” with Johnny Luna. There is the steampunk production that I am working on. I got to go on the set with Cedric on the film “Symphony of Silence.” That one was fun. Of course Cedric is a fun guy to be around. Then there was Nana’s brunch, which was fun. There was an interesting combination of people there. Of course, I am doing a web series, “Just Call Me Roomie.” That one I am excited about. I am not a comedic person, but sometimes I say something stupid that people find funny.
Next month, I am doing three films. Funny though, I would say that two out of three of them, are comedy. I am intrigued by these projects. My niche is drama and horror acting. Horror is fun, but doing comedy is going to be intriguing. It should be fun. I am doing Johnny’s next comedy, “Nuclear Killer Squirrels.” When I got the script I was just cracking up. And of course, I am doing John Lambert’s “Evil, Evil, Evil.” DF: If you could imagine yourself as a comic book character, what would you look like? A comic book character…I never actually thought about that but I would say mainly because I have big eyes already, my eyes would be bigger. I would be a fantasy character. I don’t know I see myself with like pointy ears or something… like an elf. Df: What would you say is your greatest success to date? Is there anything do over with the experience you have now? Success… I would say getting myself to go to the tejano music awards and doing that. That was truly a new experience getting to be behind the camera on the red carpet. I was the paparazzi. I couldn’t be more excited than I was that day. The host was interviewing them and I got to film them. We met the artist backstage and went to the after party. That is by far my greatest success. I still have my badge. Most of the media got to film but ours was all access. I would probably say that I would have started earlier in film. When I started out I was a dancer. I would do different types of performances and talent shows. I could have been farther than I am now. Not to say that I am not super privileged to be doing what I am doing now. I could have gotten a little bit further or just had a little bit more experience. I am pretty content with where I am at now. DF: Aside from acting, modeling, and filmmaking, do you have any other side interest? Well of course there is the dancing, singing (I was in choir), and I write. So when I have time aside from the sewing and the filming, I write. I have been working on a novel for a while. I have always loved the idea of creating characters and whole worlds. DF: Where can someone find out more about you? Well, I am on Facebook. It’s facebook.com/OMdesigns Story by Ernesto Rodriguez Jr.
Thanks for joining us! See you soon!