Doyle+Design® - 11.21.17 by Doyle

MODERN AND CONTEMPORARY ART AND DESIGN

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Tuesday, November 21, 2017

NEW YORK

DOYLE+DESIGN

MO DE R N AND CONT EM PORARY A RT AND DESI GN

AUCTION Tuesday, November 21, 2017 at 10am

EXHIBITION Saturday, November 18, 10am – 5pm Sunday, November 19, Noon – 5pm Monday, November 20, 10am – 6pm

LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $35

INCLUDING PROPERTY FROM THE ESTATES OF Joseph Bedics, Sr. Madelyn O. Biggs Rhoda Blumberg A Connecticut Collector A Connecticut Private Estate Marian W. Freedman Shirley Hecht, Baltimore, Maryland The Eva Kane Trust Ellin Jane Krinsly Trust Dorothy Lewis 2013 Irrevocable Trust Norman Mercer Barbara Rubin Stanley Silverstein, New York Stephen Stempler Murray and Carol Tinkelman The James P. and Joan M. Warburg Collection

INCLUDING PROPERTY FROM A Private Collection A Private Collector, Long Island A New York Corporate Collection The Collection of Faith Stewart-Gordon A Santa Barbara Collector The Watermill Center, Water Mill, New York

CONTENTS Paintings 1-139 Prints 140-164 Furniture & Decorations 165-268 Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PAINTINGS, SCULPTURE, & PRINTS

Lot 84

3 1 Yaacov Agam Israeli, b. 1928 Untitled Marked Agam and numbered 6/6 (ll), manufacturer’s lable on the reverse Warp and welt, cotton, pile wool, handknotted at Maskit, Israel, from an edition of 6 85 x 67 1/2 inches Provenance: Goldman’s Art Gallery, Haifa, Israel Private collection, New York, acquired from the above April 6, 1977 C Property of a Connecticut Collector $5,000-7,000 See Illustration 6

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2 Benny Andrews American, 1930-2006 Rising Sun, 1972 Signed Benny Andrews and dated 72 (lr), signed Benny Andrews, dated 1972 and inscribed as titled on the reverse Gouache and oil with collage on paper 17 x 13 3/4 inches C $800-1,200 See Illustration

3 Will Barnet American, 1911-2012 Study I, Recumbent Figure, 1963 Signed Will Barnet (ll) Graphite and watercolor on tissue paper laid to paper Sheet size 7 3/4 x 12 inches, support size 13 3/4 x 16 1/2 inches C The Eva Kane Trust $1,000-2,000 See Illustration

4 Kevin Barrett American, b. 1962 Untitled, 1988 Signed Kevin Barrett and dated 1988 Painted aluminum Height 29 1/2 inches C $3,000-5,000 See Illustration

5 Rudolf Bauer German, 1889-1953 Untitled (Red Circle and Lines) Signed Rudolf Bauer (lr) Ink, gouache and pastel on paper 12 5/8 x 17 1/4 inches C Estate of Marian W. Freedman $2,000-3,000 See Illustration

6 Julius Bissier German, 1893-1965 Untitled, 1958 Signed Julius Bissier and dated 12-XI-58 (lr) Ink and wash on Japan paper 15 1/2 x 20 1/2 inches C $1,500-2,500 See Illustration

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7 Jorge Blanco Venezuelan/American, b. 1945 Smile (Maquette), 2000 Signed Jorge Blanco, dated 2000 and inscribed To Jill with love and admiration... Elena & Jorge April 2004 Painted acrylic and aluminum hardware, from an edition of two 15 x 10 x 8 1/2 inches We would like to thank the Studio at Jorge Blanco, Inc. for their assistance in cataloging this work C $5,000-7,000 See Illustration

8 Aldo Bonadei Brazilian, 1906-1974 Untitled, 1964 Signed Bonadei and dated 64 (lr) oil on canvas 12 x 16 inches C $6,000-8,000 See Illustration

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9 Felipe Castañeda Mexican, b. 1933 Los Amantes, 1974 Signed F. Castañeda, dated 1974 and numbered I-IV Bronze with brown/green patina Height 6 inches C $4,000-6,000 See Illustration

10 Maurizio Cattelan Italian, b. 1960 L.O.V.E. Snow Globe, 2014 Stamped with artistâ&#x20AC;&#x2122;s stamp Resin, glass and concrete, from an edition of 2000 published by Seletti 10 x 4 3/4 x 4 3/4 inches C $800-1,200 See Illustration 11 Giorgio Cavallon American, 1904-1989 Untitled, 1952 Signed Giorgio Cavallon and dated 52 (lr) Watercolor on paper Sight size 14 1/8 x 21 5/8 inches Provenance: The Estate of Lenore Seroka C $3,000-5,000 See Illustration 12 Nicole Charbonnet American, b. 1966 Persona #3 Signed Charbonnet and inscribed as titled on the reverse Acrylic, watercolor and collage on canvas 60 x 60 inches Unframed C $2,000-4,000 See Illustration 12 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9

13 Herman Cherry American, 1909-1992 Alien Light Signed Cherry and inscribed as titled on the reverse Oil on canvas 32 x 28 inches C $2,000-3,000 See Illustration 14 Tom Christopher American, b. 1952 Madison Signed T Christopher (lr) Acrylic on canvas, 24 x 36 inches Provenance: David Findlay Gallery, New York C $3,000-5,000 See Illustration

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15 John Coburn Australian, 1925-2006 Homage to Mirรณ, 1970 Signed Coburn and dated 70 (lr), inscribed as titled (ll), signed Coburn, dated Paris 28/8/70 and inscribed as titled on the reverse Gouache on paper 27 3/4 x 22 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration

16 John Coburn Australian, 1925-2006 Helmet, 1971 Signed Coburn (lr), signed John Coburn, dated Paris 1971 and inscribed as titled on the reverse Gouache and pencil on paper 22 1/2 x 30 1/4 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration

17 John Coburn Australian, 1925-2006 Spring Garden, 1976 Signed Coburn (lr) signed John Coburn, dated Sydney 1976 and inscribed as titled on the reverse Acrylic on paper 22 1/2 x 30 1/4 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration

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18 Kurt Craemer German, 1912-1961 Fish Carrier, 1947 Signed Craemer and dated 47 (ll) Oil on burlap 40 x 32 inches Provenance: [Sale] Christie’s, New York, Jan. 10-11, 2012, Interiors sale 2530, lot 173 C $2,000-4,000 See Illustration

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19 Mo Dafeng Chinese, b. 1957 Vanish Twilight in Newport Signed Mo Dafeng (lr), signed Mo Dafeng and inscribed as titled on the stretcher Oil on canvas 20 x 30 inches C $6,000-8,000 See Illustration 20 After Nassos Daphnis (i) Untitled Signed Daphnis and numbered 1/6 on label affixed to the reverse Aubusson wool tapestry by Pinton 61 3/4 x 62 1/4 inches (ii) After Notar Bartolo Totem Signed Notar Bartolo, numbered 1/6 and inscribed as titled on label affixed to the reverse Aubusson wool tapestry by Pinton 68 3/4 x 55 1/4 inches (iii) After David Porter Megacity VI Signed David Porter, numbered 1/6 and inscribed as titled on a label affixed to the reverse Aubusson wool tapestry by Pinton 81 1/2 x 65 1/4 inches C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 See Illustration

21 Georges Dayez French, 1907-1991 (i) Ship at Port Signed Dayez and inscribed Pour Dorothée et Joel (ll) Oil on canvasboard 5 1/2 x 8 5/8 inches (ii) Sailboats on the Shore Signed Dayez (ll) Pencil and gouache on paper Sight size 6 x 9 inches (iii) Sun Bathers Signed Dayez (ll) Ink and watercolor on paper Sight size 8 1/2 x 11 1/2 inches (iv) Still Life with Coffee Pot Signed Dayez (ll) Pencil, Sepia ink and gouache on paper 9 x 11 inches (v) Still Life with Lobster Signed Dayez (ll) Sepia ink and watercolor on paper Sight size 12 x 9 inches C Dorothy Lewis 2013 Irrevocable Trust $1,800-2,200 See Illustration 22 Georges Dayez French, 1907-1991 Cueilleuses de Violencia, 1963 Signed Dayez and dated 63 on the reverse Oil on canvas 28 1/2 x 36 inches C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800 See Illustration

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23 Lois Dodd American, b. 1927 Arey’s Truck, 1985 Signed Dodd, dated 1985 and inscribed as titled on the stretcher Oil on Masonite 12 x 18 inches Provenance: Fischbach Gallery, New York Julian Weissman Fine Art, New York C $3,000-5,000 See Illustration 23 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13

24 Lois Dodd American, b. 1927 Tithonia, 1990 Signed L. Dodd, dated Sept. 12, 1990 and inscribed as titled on the reverse Oil on aluminum 7 x 5 inches C $1,200-1,800 See Illustration

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25 Lois Dodd American, b. 1927 Pond with a Barn in Background, 1990 Signed L. Dodd and dated 90 on the reverse Oil on aluminum 5 x 7 inches C $1,000-1,500 See Illustration

26 Lois Dodd American, b, 1927 N. Hampshire Mountains & the Conn. River near Kendall, 1990 Signed Dodd, dated Fri. Oct 5, 1990 and inscribed as titled on the reverse Oil on aluminum 5 x 7 inches C $1,000-1,500 See Illustration

27 Enrico Donati American, 1909-2008 (i) Untitled Watercolor on paper 11 3/4 x 9 inches Provenance: Gifted to the current owner by the artist (ii) Untitled Watercolor and crayon on paper 12 x 8 5/8 inches Provenance: Gifted to the current owner by the artist C $1,200-1,800 See Illustration

29 Jimmy Ernst American, 1920-1984 Untitled, 1951 Signed Jimmy Ernst, dated 51 (lr) Oil on paper laid to panel 12 x 10 inches C $3,000-5,000 See Illustration

28 28 Stephen Edlich American, 1944-1989 Untitled, 1979 Signed Edlich and dated 1979 on the stretcher Acrylic on canvas and collaged canvas with collaged paper 54 x 36 inches C $4,000-6,000 See Illustration 29 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15

30 Suzan Frecon American, b. 1941 Untitled (Dark Red & Vermillion Shapes, Blue Stroke), 2003 Watercolor on Indian jute paper 11 x 15 1/2 inches Provenance: Lawrence Markey, Inc., New York Purchased from the above by the current owner C $2,000-4,000 See Illustration

31 Suzan Frecon American, b. 1941 Untitled (Solar Energy), 1998 Watercolor on old Nepal paper 14 x 18 inches Provenance: Galerie Franck + Schulte, Berlin Lawrence Markey, Inc., New York Purchased from the above by the current owner C $2,000-4,000 See Illustration

32 Jane Freilicher American, 1924-2014 Saint Maartin, 1983 Signed Jane Freilicher (lr) Watercolor on paper 8 7/8 x 11 1/4 inches Provenance: Fischbach Gallery, New York Private collection C $800-1,200 See Illustration

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33 After René Fumeron Cratere Signed Fumeron on label attached to the reverse Wool tapestry by Pinton Frères 82 3/4 x 58 1/4 inches C Dorothy Lewis 2013 Irrevocable Trust $700-1,000 See Illustration 34 Françoise Gilot French, b. 1921 Jardin Signed F. Gilot (lr), inscribed Jardin, Garden, and 27 on the stretcher Oil on canvas 10 5/8 x 8 5/8 inches C Estate of Shirley Hecht, Baltimore, Maryland $3,000-5,000 See Illustration 35 Leon Golub American, 1922-2004 Untitled Signed Golub (lr) Acrylic on paper 30 x 22 inches Provenance: The Estate of Lenore Seroka C $3,000-5,000 See Illustration

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37 36 Robert Goodnough American, 1917-2010 Variations on a Theme VI, Green Gray, 1969-70 Signed Goodnough, dated 69-70 and inscribed as titled on the reverse Acrylic and oil on canvas 76 x 76 inches C $6,000-8,000 See Illustration 37 Red Grooms American, b. 1937 Dave’s Corner, 1961 Signed Red Grooms and dated 61 (ul) Ink, graphite and paper collage on paper Image size 6 1/8 x 6 1/8 inches, sheet size 10 1/8 x 10 1/4 inches C $1,000-1,500 See Illustration

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38 After Chaim Gross American, 1904-1991 (i) Haffe II Signed Chaim Gross, numbered 1/6 and inscribed as titled on a label attached to the reverse Wool tapestry by Pinton 61 x 82 1/2 inches (ii) Creative Hand Signed Chaim Gross and inscribed as titled 1/6 on a label affixed to the reverse, numbered 1/6 on the reverse Aubusson wool tapestry by Pinton 54 x 69 1/2 inches (iii) Happy Children Signed Chaim Gross and inscribed as titled on a label affixed to the reverse, numbered 1/6 on the reverse Aubusson wool tapestry by Pinton 71 x 69 1/2 inches (iv) Shalom Signed Chaim Gross and inscribed as titled on a label affixed to the reverse, numbered 1/6 on the reverse Aubusson wool tapestry by Pinton 105 x 62 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,000 See Illustration of Part

39 George Grosz Zwei Frauen Mit Huten (double sided drawing), 1921-22 Signed Grosz (ll), signed Grosz, dated 1921-22 and 2-2-22, stamped George Grosz Nachlass and numbered 3/60/1 on the reverse Ink on paper 15 5/8 x 14 1/2 inches Provenance: Serge Sabarsky Gallery, New York, circa 1970 This work includes a photo certificate from Ralph Jentsch, issued Sep. 17, 2015 C $3,000-5,000 See Illustration

39 40 Otto Gutfreund Czech, 1889-1927 Still Life with Pear, 1918-19 Stamped with estate stamp and numbered 113 on the reverse Charcoal and wash on paper 11 x 9 inches Provenance: Estate of the artist [Sale] Christieâ&#x20AC;&#x2122;s, New York, Oct. 22, 1980, lot 335 Priavte collection, New York Thence by descent to the current owner C $1,500-2,500 See Illustration

41 David Hayes American, 1931-2013 Sea Creature, 2001 Signed Hayes and dated 2001 Polychromed steel Height 16 inches C $3,500-5,500 See Illustration

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42 David Hayes American, 1931-2013 Open Forms, 2004 Signed Hayes and dated 2004 Monochromed steel 18 7/8 x 25 x 9 3/8 inches C $3,000-5,000 See Illustration 43 Camille Hilaire French, 1916-2004 Beaulieu-Sur-Mer Signed Hilaire (ll), signed Hilaire and inscribed Beaulieus/mer on the reverse Oil on canvas 31 1/2 x 31 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $4,000-6,000 See Illustration

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44 Camille Hilaire French, 1916-2004 Printemps Normand Signed Hilaire (lr), signed Hilaire and inscribed as titled on the reverse Oil on canvas 23 1/2 x 28 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $2,000-3,000 See Illustration

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45 Camille Hilaire French, 1916-2004 (i) Seated Nude Signed H. Hilaire, inscribed A DorothĂŠe Lewis Amicalement (lr) Watercolor on paper 24 x 19 1/4 inches (ii) Nude Signed Hilaire (lr) Watercolor on paper 15 x 22 1/4 inches (iii) Reclining Nude Signed Hilaire (lr) Watercolor on paper 19 x 24 inches C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 See Illustration

46 Hans Hinterreiter Swiss, 1902-1989 Opus 47 Signed H.H. and inscribed Op47 (lr) Tempera on paper Image size 11 15/16 inches (diameter), sheet size 15 1/8 x 13 3/4 inches Provenance: Private Collection C $3,000-5,000 See Illustration 47 Hans Hinterreiter Swiss, 1902-1989 Opus 75 Signed H.H. and inscribed Op75 (lr) Tempera on gray paper Image size 11 3/8 x 9 1/2 inches, sheet size 15 13/16 x 12 5/8 inches Provenance: Private Collection C $2,000-3,000 See Illustration 47

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48 David Hockney British, b. 1937 Untitled, 1961 Initialed DH and dated ‘61 (lr) Ink on paper 14 x 11 inches Provenance: Gift of the artist to Gene Baro Private collection Thence by descent to the current owner C $7,000-9,000 See Illustration

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49 Hans O. Hofman American, 1893-1973 Woman at Night Signed H.O. Hofman (ll) Gouache and graphite on paper laid to card Image size 11 1/2 x 9 inches Provenance: Kennedy Galleries, Inc., New York C $1,000-1,500 See Illustration 50 Jennine Hough American, b. 1948 Tea in China, 1993 Signed Jennine Hough and dated 1993 (ur) Acrylic on linen 60 x 41 3/4 inches C $4,000-6,000 See Illustration

51 Russell Vernon Hunter American, 1900-1955 Crater #2 Signed RUSSELL VERNON HUNTER (lr); inscribed as titled with the name of the artist on a label on the reverse; a statement of authenticity by Virginia Hunter Ewing, widow of the artist, dated Nov. 23, 1969 is affixed to the reverse Oil on Masonite 15 1/2 x 36 inches Provenance: Bill and Dorothy Harmsen Collection, Denver, CO Denver Art Museum, gift of the above, 2001 Property Sold to Benefit the Acquisition Fund of the Denver Art Museum Exhibited: Bristol, VA, Virginia Intermont College, Annual Regional Exhibition, n.d. C $2,500-3,500 See Illustration

52 Ibrahim Hussein Malaysian, 1936-2009 Untitled, circa 1964 Signed Ibrahim Hussein (lr) Gouache on magazine page laid to card 9 3/8 x 11 3/8 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 See Illustration 53 Ibrahim Hussein Malaysian, 1936-2009 Little Commotion, 1964 Signed with artistâ&#x20AC;&#x2122;s device and dated â&#x20AC;&#x2DC;64 (lr), signed Ibrahim Hussein and inscribed as titled on the mount Gouache on magazine page laid to card 8 1/4 x 12 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 See Illustration

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54 Ibrahim Hussein Malaysian, 1936-2009 Untitled, 1964 Signed Ibrahim Hussein and dated 64 (lr) Gouache on magazine page laid to card 8 1/2 x 8 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000 See Illustration

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55 Yvonne Jacquette American, b. 1934 City Point, 1977-78 Signed Jacquette (ll) Pastel on paper 14 x 17 inches Provenance: Brooke Alexander Inc., New York C $1,000-1,500 See Illustration

56 Jean Jansem French, 1920-2013 Portrait of a Young Girl Signed Jansem (ur) Oil on canvas 28 5/8 x 21 1/8 inches C $6,000-9,000 See Illustration

57 Lester Johnson American, 1913-2010 Silver Beach #4, 1972 Signed Lester Johnson (lr) Oil on canvas 30 x 36 inches Bears labels: Donald Morris Gallery, Detroit Gallery Moos Ltd., Toronto Connecticut Fine Art, Westport, CT C $4,000-6,000 See Illustration 58 Lester Johnson American, 1919-2010 The Women Signed Lester Johnson (lr) Charcoal on paper 29 x 33 inches Provenance: Denise Cade Gallery, New York [Sale] Doyle, Doyle at Home, Jun. 25, 2014, lot 59 C $1,000-1,500 See Illustration

59 Ray Johnson American, 1927-1995 Blood Drawing, 1984 Blood, ink and ink stamp on paper 10 x 9 inches Provenance: The artist Carlo Pittori Marion Kahn Thence by descent to Elliott Kahn C $800-1,200 See Illustration

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60 Isaac Kahn Lithuanian, b. 1950 Lyrical Interlude Signed I. Kahn and numbered 4/4 A.P. Bronze with polished finish Height 31 inches C $1,500-2,000 See Illustration 61 Isaac Kahn Lithuanian, b. 1950 Concerto Signed L. Kahn and numbered 4/50 Bronze with polished patina, from an edition of 50 Height 27 1/2 inches C $1,500-2,000 See Illustration

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62 Wolf Kahn American, b. 1927 Untitled Landscape Signed W. Kahn (lc), inscribed KA A154 on the reverse Pastel on paper 15 x 20 inches • $2,000-4,000 See Illustration

63 Wolf Kahn German/American, b. 1927 Brattleborro Seen as a Flugstadt (European River Town), 1980 Signed W. Kahn (lr) Pastel on paper 11 x 14 inches Provenance: Grace Borgenicht Gallery, New York C $2,000-3,000 See Illustration

64 Wolf Kahn German/American, b. 1927 Pasture, 1974-75 Signed W. Kahn (lr) Pastel on paper 14 x 17 inches Provenance: Grace Borgenicht Gallery, New York C $2,000-3,000 See Illustration

65 Wolf Kahn American, b. 1927 Out of My Bathroom Window, 2004 Signed W. Kahn (lr) Pastel on paper 11 x 14 inches â&#x20AC;¢ $1,000-1,500 See Illustration

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66 Louay Kayyali Syrian, 1934-1978 Portrait of Clarisse B. Kampel, 1960 Signed Kayali (ll), signed Kayali Louay, dated 1960, numbered 33 and inscribed Rittratto di Mrs. Kampel on the reverse Oil on canvas 37 3/4 x 30 inches C $15,000-20,000 See Illustration

67 Louay Kayyali Syrian, 1934-1978 Fiori Rossi, 1960 Signed Kayali (ll), signed Kayali Louay, dated 1960, inscribed 28 and as titled on the reverse Oil on canvas 31 1/2 x 23 1/2 inches C $8,000-12,000 See Illustration

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68 68 Dong Kingman American, 1911-2000 Ponte Vecchio in Florence Signed Dong Kingman and inscribed No. 7-A (lr) Watercolor on paper 22 x 26 3/8 inches Provenance: Hammer Galleries, New York, acc. code 21562-7 C $1,500-2,500 See Illustration

69 Moïse Kisling French/Polish, 1891-1953 Le Village Cilette, circa 1918 Inscribed Cilette (ul) Pencil on paper 11 3/4 x 14 1/8 inches Provenance: [Sale] Christie’s, New York, Oct. 22, 1980, lot 327 Private collection, New York Thence by descent to the current owner C $2,000-3,000 See Illustration

70 Oskar Kokoschka Austrian, 1886-1980 Untitled Female Nude Signed OK (ll) Ink on paper 9 5/8 x 8 7/8 inches Unframed C $3,000-5,000 See Illustration

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71 Käthe Kollwitz German, 1867-1945 Die Klage, 1938-40 Signed Kollwitz Plaster with light brown patina 11 x 10 1/4 x 4 inches C $2,500-4,500 See Illustration

72 Udomsak Krisanamis Thai, b. 1966 Hole in One, 2000 Signed in Thai letters (lr) Acrylic and paper collage on cotton 24 x 12 inches Unframed C $5,000-7,000 See Illustration

73 Yayoi Kusama Japanese, b. 1929 Pumpkins (pair), 2013 Each stamped Yayoi Kusama Painted cast resin, published by Benesse Holdings, Inc., Japan Height of each 4 inches C $1,800-2,200 See Illustration

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74 John Levee American, 1924-2017 Abstraction, 1959 Signed Levee and dated 59 (ul), signed Levee and dated January III, 1959 on the reverse Oil on canvas 32 x 39 inches Provenance: Mr. & Mrs. Julius Fleischmann, Jr., Cincinnati Private collection C $4,000-6,000 See Illustration

74 75 Jacques Lipchitz French, 1891-1973 Study for The Flight, 1940 Signed Lipchitz (ur) Gouache and white chalk on brown paper 12 x 9 1/4 inches Provenance: Julius Carlebach, NY [Sale] Parke Bernet, New York, Dec. 17, 1969, sale 2962, lot 60 Private Collection, NY Thence by descent to the current owner C $2,000-3,000 See Illustration

76 Seymour Lipton American, 1903-1986 Untitled (Sim. To Cedex # 2), 1962 Signed Lipton and dated 62 (ll) Crayon on paper 11 x 8 1/2 inches Provenance: Marlborough Gallery, New York Private collection, New York Thence by descent to the current owner C $600-800 See Illustration

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78 77 Boris Lovet-Lorski American, 1894-1973 Quon Tai Lachman Signed Lovet-Lorski Height 16 1/4 inches Literature: Cf. Sculpture of Boris Lovet-Lorski, Merle Armitage, 1935, pp. 114-115, Illus. C $4,000-6,000 See Illustration

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78 Fletcher Martin American, 1904-1979 Quarry at Night Signed Fletcher Martin (lr) Oil on canvas 50 x 24 inches Provenance: Joan Heller Gallery, Inc., New York C $2,000-3,000 See Illustration

79 Clement Meadmore Australian, 1929-2005 Cross Current , 1977 Signed Meadmore, numbered 11/12 and stamped with foundry mark Bronze with black patina Height 12 7/8 inches This work is from an edition of 12 with two artist’s proofs. The large version of this form was created for the Smith Kline Corporation, Philadelphia, PA. C Estate of Barbara Rubin $4,000-6,000 See Illustration

80 Sigmund Joseph Menkes Ukranian, 1896-1986 Interior with Two Figures, 1963-64 Signed Menkes (ll) Oil on canvas 24 1/4 x 31 1/4 inches C $7,000-9,000 See Illustration 81 Jean Metzinger French, 1883-1956 Nature Morte SurrĂŠaliste, 1929 Signed Metzinger and dated 29 (lr) Graphite and watercolor on paper 10 1/2 x 7 1/2 inches Provenance: The artist Herman C. Goldsmith, New York C $5,000-7,000 See Illustration 82 Jean Metzinger French, 1883-1956 Clownesse, circa 1918 Signed Metzinger (lr) Charcoal on paper 15 1/2 x 12 1/2 inches Provenance: Herman C. Goldsmith, New York Literature: Jean Metzinger in Retrospect, Joann Mosser, University of Iowa Art Museum, Iowa City, 1985, no. 69 C $1,500-2,500 See Illustration

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83 84 Vasa Velizar Mihich Yugoslavian, b. 1933 (i) #1869, 1981 Signed Vasa, dated 81 and inscribed as titled Cast acrylic 20 1/8 x 25 x 3 inches (ii) #1983, 1982 Signed Vasa, dated 82 and inscribed as titled Cast acrylic 11 1/2 x 3 x 15 inches C Estate of Carol Mercer $2,500-3,500 See Illustration

83 Sam Middleton American, 1927-2015 The Search, 1959 Signed Middleton and dated 59 (lr) Oil and collage on Masonite 15 1/2 x 41 inches Provenance: Contemporary Arts Inc., New York C Estate of Madelyn O. Biggs $5,000-7,000 See Illustration

85 Vasa Velizar Mihich Yugoslavian, b. 1933 #2062, 1983 Signed Vasa, dated 1983 and inscribed as titled Cast acrylic 23 1/2 x 7 7/8 x 4 inches C Estate of Carol Mercer $1,500-2,500 See Illustration

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86 Marcel Mouly French, 1918-2008 Intérieur au deux Personnages, 1972 Signed M. Mouly and dated 72 (lr), signed M. Mouly, dated Paris 1972 and inscribed as titled on the reverse Oil on canvas 19 3/4 x 28 3/4 inches C Dorothy Lewis 2013 Irrevocable Trust $7,000-9,000 See Illustration and Back Cover 87 Marcel Mouly French, 1918-2008 L’Héroique, 1966 Signed M. Mouly and dated 66 (lr), signed M. Mouly, dated Paris 1966 and inscribed as titled on the reverse Oil on canvas 19 3/4 x 25 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration 88 Reuben Nakian American, 1897-1986 Europa and the Bull, 1962 Signed Nakian, numbered 4/7, dated 62 and inscribed Roman Bronze Works Bronze with brown patina, from an edition of 7 Height 11 7/8 inches C $2,000-3,000 See Illustration

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89 89 Robert Natkin American, 1930-2010 Untitled, Field Mouse Series Signed Natkin (lr) Acrylic on canvas 42 x 55 3/4 inches Provenance: The artist Joseph Heller Thence by descent to the current owner C $5,000-7,000 See Illustration 90 LeRoy Neiman American, 1921-2012 Willie Shoemaker, 1958 Signed LeRoy Neiman and dated 58 (ll) Oil on canvasboard 5 x 7 inches Provenance: The artist Private collection (circa 1958-59), New York Brian Hampton (circa 2005), OH Bushnell Estate, CA C $3,000-4,000 See Illustration

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91 Louise Nevelson American, 1899-1988 Portrait of the Artist’s Sister (Anita or Lillian) Oil on canvas 24 1/2 x 10 inches Provenance: The Artist Gifted to Leo Hoffman Grace L. Hoffman The Grace L. Hoffman Revocable Trust C $4,000-6,000 See Illustration

92 92 Leonardo Nierman Mexican, b. 1932 Untitled Signed Nierman and numbered I/VI Polished bronze on a wood base Height of bronze 29 7/8 inches C Estate of Carol Mercer $1,000-2,000 See Illustration 93 Claes Oldenburg American, b. 1929 3 Figures and 1 Bus, 1960 Signed C.O. and dated 1960 on the reverse Graphite on paper 13 7/8 x 16 5/8 inches Provenance: Dwan Gallery, Los Angeles The Green Gallery, New York Gene Baro Private collection Thence by descent to the current owner Exhibited: Los Angeles County Museum of Art, Los Angeles C $5,000-7,000 See Illustration 94 Nathan Oliveira American, 1928-2010 Man on Red, with Figures Above Oil and graphite on paperboard 23 3/4 x 21 3/8 inches C $3,000-5,000 See Illustration

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95 Nathan Oliveira American, 1928-2010 André Previn and Cellist, 1963 Signed N. Oliveira and dated Oct. 16, ‘63 (lr) Graphite on musical score sheet 12 1/2 x 19 inches C $800-1,200 See Illustration

96 part

96 Tom Otterness American, b. 1952 (i) Sitting Man II, 1978 Numbered 237/250 Cast hydrocal on a marble base, from an edition of 250 Height 3 3/4 inches (ii) Couple, 1978 Numbered 120/250 Cast hydrocal on a marble base, from an edition of 250 Height 14 1/2 inches (iii) Couple II, 1978 Cast hydrocal on a marble base, from an edition of 250 Height 3 inches These works are published by Brooke Alexander Inc. C $2,000-3,000 See Illustration 97 Spyros Papaloukas Greek, 1892-1957 Untitled Landscape Signed in Greek (lc) Oil on board 9 5/8 x 11 1/8 inches C $4,000-6,000 See Illustration

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98 Max Papart French, 1911-1994 Automne, 1973 Signed Max Papart (lr), signed Max Papart, dated VII-LXXIII and inscribed as titled on the reverse Mixed media on paper on panel 20 1/4 x 26 inches C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 See Illustration

99 Erin Parish American, b. 1966 Humming Ode to Joy, 2008 Signed Erin Parish, dated 2008 and inscribed as titled on the reverse Oil and resin on panel 18 x 32 inches C $1,000-1,500 See Illustration

100 John Piper British, 1903-1992 Near Aix-en-Provence Signed John Piper (ll) Watercolor and gouache on paper 14 x 21 inches Provenance: The Reid Gallery, London C The Collection of Faith Stewart-Gordon $4,000-6,000 See Illustration

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101 Manuel Gómez Raba Spanish, 1928-1983 Untitled (No. 1), 1965 Signed Raba and dated 65 (lr), inscribed No. 1 on the reverse Concrete, wood and burned wood on metal support 44 x 50 1/2 inches Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $1,500-2,500 See Illustration

101

102 102 REEF Iranian/American, 20th Century Primal Thought, 2017 Signed Reef and dated ‘17 on the reverse Acrylic on canvas 24 x 24 inches Unframed C $1,000-2,000 See Illustration

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103 103 Juan Romero Spanish, 1932-1996 Un Soir Chez Fidalgo, 1965 Signed Juan Romero and dated Février-65 (ul) Oil on canvas 38 1/4 x 51 1/4 inches Provenance: Purchased from Galeria Kreisler Dos, Madrid, 1978 Estate of Stanley Silverstein, New York Thence by descent to the present owner Bears label for 1965 Biennale de Paris C Estate of Stanley Silverstein, New York $2,000-3,000 See Illustration

104 Alan Saret American, b. 1944 Untitled Ink on tracing paper 29 1/2 x 24 inches Provenance: Annina Nosei Gallery, New York C $3,000-5,000 See Illustration

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105

105 Alan Saret American, b. 1944 Ensoulment of the Wind of Transformation, 1970 Signed Alan Daniel Saret, dated 1970 and inscribed as titled on the reverse Graphite and colored pencil on paper 24 x 38 inches C $4,000-6,000 See Illustration

106

106 Maurice Ă&#x2030;lie Sarthou French, 1911-1999 Soleil Couchant Signed M.E. Sarthou (lr), signed Sarthou and inscribed as titled on the stretcher Oil on canvas 19 3/4 x 19 3/4 inches C Dorothy Lewis 2013 Irrevocable Trust $2,000-3,000 See Illustration

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107

108

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107 Tadashi Sato Japanese/American, 1923-2005 Composition, 1988 Signed Tadashi Sato and dated 88 (lr) Oil on canvas 28 x 38 inches C $4,000-6,000 See Illustration

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108 Tadashi Sato Japanese/American, 1923-2005 Grenade, 1989 Signed Tadashi Sato and dated 89 (lr) Oil on canvas 26 x 34 inches C $3,000-5,000 See Illustration

109 Maria Siniakova Russian, 1898-1989 (i) Picnic on the Grass, 1922 Signed in Cyrillic and dated 1922 (ll), and again on mount Gouache on paper laid to card Sheet 9 5/8 x 8 5/8 inches, mount 15 1/4 x 12 3/4 inches (ii) Peasants Gouache on paper 13 3/4 x 8 3/4 inches C The Collection of Faith Stewart-Gordon $3,000-5,000 See Illustration

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111

112 110 Hunt Slonem American, b. 1951 Picul, 1994 Signed Hunt Slonem, dated 1994 and inscribed as titled on the reverse 30 x 25 inches C $2,000-4,000 See Illustration

113 111 Nancy Spero American, 1926-2009 Untitled, 1983 Signed Spero and dated 83 (lr) Acrylic and collage on paper 23 3/4 x 18 1/2 inches Provenance: The Estate of Lenore Seroka C $3,000-5,000 See Illustration

112 Saul Steinberg American, 1914-1999 Untitled, 1960 Signed Steinberg and dated 1960 (lr) Graphite and collage in a wood, glass and paper shadowbox 15 1/4 x 12 3/4 x 2 3/4 inches C $1,000-1,500 See Illustration

113 Michael Steiner American, b. 1945 A, 1992 Signed M. Steiner, dated 1992 and numbered 3/6 Bronze with black patina Height 24 inches C The Collection of Faith Stewart-Gordon $2,000-3,000 See Illustration

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114 Michael Steiner American, b. 1945 (i) Green and Red Circles, 1996 Signed Michael Steiner, dated 1996 and inscribed CT on the reverse Pastel and watercolor on paper 10 x 7 inches (ii) Sun and Blue Triangle, 1996 Signed Michael Steiner, dated 1996 and inscribed CT on the reverse Pastel and watercolor on paper 10 x 7 inches C The Collection of Faith Stewart-Gordon $600-800 See Illustration 115 James Suzuki American, b. 1933 Mori II, 1960 Signed Suzuki (ll), dated 1960 and inscribed as titled on the reverse Oil on paper 20 x 15 inches C $2,000-4,000 See Illustration 116 James Suzuki American, b. 1933 Untitled Signed Suzuki (ll) Oil on paper 17 1/2 x 11 1/4 inches C $1,500-2,500 See Illustration

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117 117 Pavel Tchelitchew Russian, 1898-1957 Skull in Profile, circa 1944 Inscribed Skull, numbered 794 and 44-75 on the reverse Ink and wash on paper 11 x 8 1/2 inches Provenance: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $1,000-1,500 See Illustration

118 Jack Tworkov American, 1900-1982 Knight Series A.O.P #2, 1975 Inscribed as titled (ll), initialed JT, numbered Q3-75 and dated 75 (lr) Pencil and acrylic on paper 27 x 22 inches Provenance: Nancy Hoffman Gallery C $1,500-2,500 See Illustration

119 Kees Van Dongen Dutch/French, 1877-1968 Untitled, Horse and Cart, circa 1952 Signed Van Dongen (ll) Ink and wash on paper 4 1/4 x 5 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $2,000-3,000 See Illustration

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120

122

121 120 Kees Van Dongen Dutch/French, 1877-1968 Élégante, 1925 Signed Van Dongen (lr) Graphite and red crayon on paper 8 1/4 x 4 1/2 inches Exhibited: Exposition Van Dongen, Jun. - Nov. 1963, Galerie Bellechasse, Paris, exhibited as titled and numbered 26 C $1,500-2,500 See Illustration

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121 Jack Tworkov American, 1900-1982 Untitled, 1978 Initialed J.T. and dated 8-14-78 on the mount (lr), inscribed for Gordon on the mount (ll) Grpahite on tracing paper tipped to secondary sheet 6 x 18 inches, mount size 10 x 21 inches C $800-1,200 See Illustration

122 Claude Venard French, 1913-1999 Untitled, 1956 Signed Venard and dated 56 (lc) Oil on canvas 38 1/4 x 51 1/4 inches C $6,000-9,000 See Illustration

123 Esteban Vicente Spanish/American, 1903-2001 Untitled, 1978 Signed Esteban Vicente (ll), dated 1978 (lr) Mixed media with collage on paper 8x 11 3/4 inches Provenance: The Artist Gruenbaum Gallery, NY Private Collection C $3,000-5,000 See Illustration

123

124 Vaclav Vytlacil American, 1892-1984 Untitled, 1940 Signed Vytlacil and dated 1940 (lr) Tempera on artist’s board 14 x18 inches Provenance: [Sale] Christie’s New York, sale Grete, lot 296 Sid Deutsch Gallery, acc. code A567 Private collection C $6,000-9,000 See Illustration

124

125 James Weeks American, 1922-1998 The Tussle, 1966 Initialed JW and dated 66 (ur) Charcoal and wash on paper 18 1/2 x 21 1/4 inches C $1,000-1,500 See Illustration

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126 Brett Weston American, 1911-1993 Untitled No. 4, 1936 Initialed B.W., dated 1936 and inscribed No. 4 on underside Wood and metal Height 15 1/2 inches C $15,000-20,000 See Illustration

126

127 Paul Wonner American, 1920-2008 Study of Roses and Carnations, 1987 Signed Paul Wonner, dated 1987 and inscribed as titled on the reverse Acrylic on paper 39 3/8 x 27 5/8 inches Provenance: John Berggruen Gallery, San Francisco Private collection C $4,000-6,000 See Illustration

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129

128 Noriko Yamamoto Japanese, b. 1929 Kite, circa 1960 Signed Noriko, dated 62 and inscribed Tokyo on the reverse Tempera on rice paper over bamboo stretchers 36 x 53 inches C Estate of Murray and Carol Tinkelman $1,000-1,500 See Illustration 129 Cheung Yee Chinese, b. 1936 Writing Signed Cheung Yee and dated 1983 (lr), numbered 44/50 (ll), inscribed as titled (lc) Embossed paper 32 1/2 x 23 inches C $1,000-1,500 See Illustration 130 Léon Zack Russian/French, 1892-1980 Untitled, 1974 Signed Léon Zack and dated 74 (lr) Oil on linen 25 5/8 x 21 1/4 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration

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131

132 131 Léon Zack Russian, 1892-1980 Le Vent Bleu, 1971 Signed Léon Zack and dated 1971 (ul), signed Léon Zack and inscribed as titled on the reverse Oil on linen 25 1/2 x 18 inches C Dorothy Lewis 2013 Irrevocable Trust $2,500-3,500 See Illustration 132 Léon Zack Russian/French, 1892-1980 Flowers, 1966 Signed Léon Zack and dated 1966 (lr), signed Léon Zack, dated 1966 and inscribed as titled on the reverse Oil on canvas 19 3/4 x 24 inches C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800 See Illustration

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133 Léon Zack Russian, 1892-1980 Seated Woman, 1972 Signed Léon Zack and dated 72 (ll) Oil on canvas 31 3/4 x 23 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800 See Illustration

134 134 After Ossip Zadkine French/Russian, 1890-1967 Silhouette Bleue Signed O. Zadkine, numbered 1/6 and inscribed as titled on label affixed to the reverse Wool tapestry by Raymond Picaud 57 1/2 x 42 1/2 inches C Dorothy Lewis 2013 Irrevocable Trust $4,000-6,000 See Illustration 135 Ossip Zadkine Russian/French, 1890-1967 Figures Signed Zadkine (ll) Pen and sepia wash on paper 13 1/2 x 10 1/4 inches Provenance: Private collection, New York Thence by descent to the current owner C $3,000-5,000 See Illustration

135 136 Ossip Zadkine Russian/French, 1890-1967 Nu Assis Ink on paper 13 3/8 x 8 3/8 inches Provenance: Private collection, New York Thence by descent to the current owner C $2,000-3,000 See Illustration

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137 Ossip Zadkine Russian/French, 1890-1967 Les Musiciens Ink on paper 10 3/4 x 8 1/4 inches Provenance: Private collection, New York Thence by descent to the current owner C $2,000-3,000 See Illustration

139 Francisco Zúñiga Costa Rican, 1912-1998 Yucateca Sentada, 1966 Signed Zúñiga, dated 1966 and numbered III/VI Bronze with greenish-brown patina 8 x 10 x 7 inches Literature: Ariel Zúñiga, Francisco Zúñiga, Catalogo Razonado/Catalogue Raisonné, vol. I: 1923-1993, Albedrio, in association with Fundación Zúñiga Laborde, A.C., 1999, no. 500, another example illus. b/w, p. 304 C Estate of Stephen Stempler $5,000-8,000 See Illustration

138 William Zorach American, 1887-1966 Lovers, 1958 Signed Zorach Bronze with gold/brown patina 7 1/2 x 11 x 5 inches C $3,000-5,000 See Illustration

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138

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140 part

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142

PRINTS 140 Yaacov Agam (b. 1928) COMPOSITIONS Five color screenprints, signed and numbered out of editions of 150 in pencil, with full margins, two framed. Largest 22 x 21 1/4 inches; 559 x 540 mm. C Estate of Joseph Bedics, Sr. $800-1,200 See Illustration of Part

141 Jean (Hans) Arp (1866-1966) COMPOSITION I Color lithograph, 1963, on wove paper, signed in pencil, numbered 42/50, with good margins, framed. 11 3/4 x 11 7/8 inches; 298 x 302 mm. C Property from a New York Corporate Collection $800-1,200 See Illustration

142 Alexander Calder CLAIR DE LUNE Color lithograph, on wove paper, signed and numbered 62/90 in pencil, with full margins, framed. Sheet 18 1/2 x 25 3/4 inches; 470 x 654 mm. C $1,500-2,500 See Illustration

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143 143 Alexander Calder SEA CREATURES Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, framed. Sheet 22 x 30 inches; 559 x 762 mm. C Estate of Joseph Bedics, Sr. $1,000-1,500 See Illustration

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144 Alexander Calder COMPOSITION Color lithograph, on wove paper, signed and numbered 56/115 in pencil, the full sheet, framed. Sheet 21 3/4 x 30 1/8 inches; 552 x 765 mm. C $700-1,000 See Illustration

145 Anne-Karin Furunes (b. 1961) PORTRAITS FROM ARCHIVE/PORTRAIT I Cut paper, 2011, signed and numbered 11/20 in ink on label affixed to frame on reverse, published by Pace Editions, Inc., New York, the full sheet, framed. 37 1/2 x 25 inches; 953 x 635 mm. C $600-900 146 Nancy Graves (1939-1995) NEFERCHIDEA Color aquatint, 1987, signed, dated, numbered 36/36 and dedicated in pencil, with full margins, framed. 23 1/2 x 31 1/4 inches; 597 x 794 mm. Sheet 35 3/8 x 44 inches; 899 x 1118 mm. C $600-800

147 part 147 Max Ernst (1891-1976) FORÊT SOLEIL—DER BRETTERWALD; LA FORÊT ROSE (SPIES/LEPPIEN A2; 102) Color photolithograph and a color lithograph, 1956 and 1964, the second signed and numbered 18/75 in pencil, the first from the poster edition of 1000, published by Galerie Berggruen, Paris and XXe Siècle, Paris, respectively, with good or full sheets, framed. (2) Sheet of larger 24 3/4 x 17 5/8 inches; 629 x 448 mm. C Property from a New York Corporate Collection $800-1,200 See Illustration of Part

148 148 Janet Fish (b. 1938) UNTITLED (FOUR GLASSES) Color lithograph, 1976, signed, dated and numbered 104/150 in pencil, with full margins, framed. 27 1/2 x 20 inches; 699 x 508 mm. C Property from a New York Corporate Collection $500-700 See Illustration

149 Richard Haas (b. 1936) VIEW OF CHICAGO; VIEW OF MUNICH Two color lithographs, signed, numbered 51/150 and 100/150, respectively, the first dated 78, in pencil, with full margins, framed. Larger 11 5/8 x 46 1/4 inches; 295 x 1174 mm. C Property from a New York Corporate Collection $800-1,200 See Illustration of Part

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150 Shoichi Ida (1941-2006) BETWEEN VERTICAL AND HORIZON— SAN PABLO AVENUE NO. 6 Color etching and aquatint, 1984, signed, dated, titled and numbered 17/25 in pencil, published by Crown Point Press, Oakland and with their blindstamp, with full margins, framed. 6 x 10 3/8 inches; 152 x 264 mm. C $500-700 151 After Robert Indiana (b. 1928) CLASSIC LOVE Chrome-dyed, hand-carved tufted wool on stretched canvas with natural latex backing (as issued), 2005, numbered 824/10,000, with label affixed to the reverse, published by Galerie-F, Germany, generally in good condition, framed. 30 3/4 x 30 3/4 inches; 781 x 781 mm. C $700-1,000 See Illustration

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152 part

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152 Sol LeWitt (1928-2007) LINES IN FOUR DIRECTIONS Rubber stamp print, 1976, on Arches Satine paper, numbered 21/1000 verso; Together With Nine Other Rubber Stamp Prints, from the Rubber Stamp Portfolio, eight numbered 21/1000 verso (the Buren is not numbered), published by Parasol Press Ltd., New York, with full margins, in original paper envelopes. Sheets 8 x 8 inches; 203 x 203 mm. Including prints by Carl Andre, Richard Artschwager, Daniel Buren, Robert Mangold, Sylvia Mangold, Don Nice, Myron Stout, Barry Le Va, and Joe Zucker. C $700-1,000 See Illustration

153

153 Man Ray (1890-1976) [ABSTRACT FIGURE] Color lithograph, on Arches paper, signed and inscribed E.A. in pencil, with full margins. 20 x 12 3/4 inches; 508 x 324 mm. Sheet 25 5/8 x 19 3/4 inches; 651 x 502 mm. C Dorothy Lewis 2013 Irrevocable Trust $700-900 See Illustration

154 part

154 André Masson (1896-1987) FEMME SURRÉALISTE; ROUGE LAGUÉ; [COMPOSITIONS] Four color lithographs, signed, the first inscribed Épreuve d’ exposition, the second numbered 43/200, in pencil, with full margins. Largest 24 x 18 1/4 inches; 610 x 464 mm. C Dorothy Lewis 2013 Irrevocable Trust $800-1,200 See Illustration of Part

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155

155 Ryan McGinness (b. 1972) KALEIDING PETALS (PERIPHERAL DRIFT ILLUSIONS) Color screenprint, 2007, signed, dated and numbered 20/100 in pencil, published by Pace Editions, Inc., New York, with full margins, framed. 15 1/4 x 30 1/2 inches; 387 x 775 mm. Sheet 21 x 36 inches; 533 x 914 mm. C $600-800 See Illustration 156 James Rosenquist FOR LOVE (1933-2017) (GEMINI 13) Color screenprint, 1965, signed and numbered 47/200 in pencil, from 11 Pop Artists, Volume III, published by Original Editions, New York, the full sheet. Sheet 35 1/2 x 26 7/8 inches; 902 x 683 mm. C $800-1,200 See Illustration

156

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157 Ushio Shinohara (b. 1932) DOLL FESTIVAL Color screenprint triptych, signed and inscribed E.A. in pencil, in three frames and with slipcases. Sight of each sheet 28 x 19 inches; 711 x 483 mm. C Estate of Carol Mercer $700-900 158 Pat Steir (b. 1940) SELF AFTER SELF BY REMBRANDT #2 Color monoprint, 1985, signed, dated and titled in pencil, published by Crown Point Press, Oakland and with their blindstamp, with full margins, framed. 9 x 9 inches; 229 x 229 mm. Sheet 24 1/4 x 18 1/8 inches; 616 x 460 mm. C $600-800

159 Frank Stella (b. 1936) FORTIN DE LA FLORES (AXSOM 1.B) Color screenprint with hand-penciling, 1967, on English vellum graph paper, signed with initials, dated and inscribed A.P. 205/200? in ink, from Ten from Leo Castelli, published by Tanglewood Press, New York and with their blindstamp, with full margins. 9 3/8 x 18 5/8 inches; 238 x 473 mm. Sheet 18 1/8 x 23 inches; 460 x 584 mm. C $700-1,000 See Illustration 160 Antoni Tàpies (1923-2012) COMPOSITION; UNTITLED; HANDPRINT Color lithographs, the first with embossing, the first 1960, signed, the first dated, the first and second numbered 35/50, the third inscribed p.a. in pencil, with good or full margins, framed. (3) Largest 35 3/4 x 24 1/2 inches; 908 x 622 mm. C Property from a New York Corporate Collection $1,000-1,500 See Illustration of Part

161 DeWain Valentine (b. 1936) CURVED WALL—SPECTRUM Color offset print, 1974, signed, dated, titled, annotated A/C and dedicated in pencil, with full margins, framed. Sheet 18 1/8 x 23 7/8 inches; 460 x 606 mm. C $600-800 162 Victor Vasarely (1906-1997) COMPOSTION Color screenprint, signed and numbered 74/250 in pencil, with good or full margins, framed. 26 x 26 inches; 660 x 660 mm. C Estate of Joseph Bedics, Sr. $500-700 See Illustration

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160 part

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163

163 Andy Warhol, Robert Whitman, Robert Rauschenberg, Tom Gormley, Red Grooms and Marisol (Marisol Escobar) ART CASH Color offset lithograph, aside from the stamped and signed and numbered edition of 75, framed. Sheet 30 1/4 x 22 1/8 inches; 768 x 562 mm. C $700-1,000

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164 part

164 Larry Zox (1937-2006) UNTITLED Set of 6 color screenprints, signed and numbered 29/75 in pencil, with full margins, framed. Largest image 21 x 17 inches; 533 x 432 mm. C $1,500-2,500 See Illustration of Part

FURNITURE & DECORATIONS

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Lot 227

165 Suite of White Painted Part Ebonized Salon Furniture Attributed to Koloman Moser, Vienna, circa 1910 Comprising a settee, two armchairs, and a pedestal table, each with reeded panels and ebonized detail. Height of settee 29 1/2 inches, width 42 inches, depth 19 1/2 inches; height of chairs 29 3/4 inches, width 20 1/4 inches, depth 19 inches; height of table 30 inches, width 29 1/2 inches, depth 19 3/4 inches. C $1,000-2,000 See Illustration

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166 Josef Hoffmann Mahogany Stained and Hammered Brass Fledermaus Pedestal Table Designed in 1906 Raised on cluster-columnar supports, with circular glass inset top. Height 25 1/2 inches, diameter 20 inches.

167 Pair of Josef Hoffmann Blondewood Fledermaus Armchairs and Center Table Manufactured by Jacob and Josef Kohn, Vienna, circa 1907 Height of chairs 28 3/4 inches, width 21 inches, depth 19 1/2 inches; height of table 28 inches, diameter 24 1/2 inches.

The table was designed in the Secessionist style by Hoffmann for the Cabaret Fledermaus in Vienna. Opened in 1907, the Cabaret Fledermaus was decorated by leading artists of the Wiener Werkstätte including Hoffmann, Gustav Klimt, and Koloman Moser among others. Their designs were elegant and functional representing the style of the pre-war years. C $700-1,000 See Illustration

See note previous lot C $600-800

170 detail

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168 Art Deco Bronze Architectural Element Of rectangular form, cast in relief with a fan and scroll motif. Height 48 inches, width 7 1/2 inches. C $600-800 169 Daum Art Nouveau Acid-Etched and Enameled Cameo Glass Vase Circa 1910 Of floriform, with a knopped stem, decorated with bellflowers, green leaves and stems, cameo signed DAUM NANCY FRANCE and with the Cross of Lorraine. Height 11 1/8 inches. C $2,000-4,000 See Illustration

170 French Art Nouveau Marquetry and Parquetry Inlaid Walnut Games Table Attributed to Louis Majorelle, circa 1900 The fold-over top inlaid with a checker board and floral sprays, the legs carved with clover and honeysuckle. Height 31 inches, width 35 1/2 inches, depth closed 20 inches. Provenance: Lillian Nassau, Ltd., New York City, April 1974 A very similar games table by Majorelle was sold Christieâ&#x20AC;&#x2122;s, London, November 21, 2012, for GBP 5,000. C $3,000-5,000 See Illustration

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171 Louis Majorelle Art Nouveau Bronze Mounted Fruitwood Marquetry Tea Table Model no. 249, circa 1900 Rectangular with tray top over four folding shelves inlaid with scenes of mice, signed L. Majorelle in marquetry. Height 31 inches, width 29 inches, depth 17 1/2 inches. Examples of this model by Majorelle have sold Lempertz, Cologne, May 19, 2017, lot 657, for Euro 3,472; Bonhams, San Francisco, October 16, 2011, lot 5088, for $3,750. C $2,500-3,500 See Illustration 172 Louis Majorelle Art Nouveau Two-Tier Bronze-Mounted Fruitwood Marquetry Inlaid Mahogany Occasional Table Circa 1900 In two tiers with floral marquetry shelves, signed L. Majorelle in marquetry. Height 32 inches, width 34 inches, depth 23 inches. cf: Julius Hoffman, Jr., Der Moderne Stil - The Modern Style - Jugendstil - Art Nouveau 1899-1905, 2006 p. 88 Alastair Duncan, Louis Majorelle, Master of Art Nouveau Design, 1991, p. 206 Examples of this table have sold Aguettes, Paris, October 8, 2014, lot 109 for Euro 12,750; Christie’s, London, April 20, 2011, lot 57 for GBP 7,500. This design which expresses the best features of Majorelle’s work was first introduced at the Exposition l’École de Nancy, Paris in 1903. C $4,000-6,000 See Illustration

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172 alternate view

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173 Tiffany Studios Gilt-Bronze and Gold Favrile Glass Harp Desk Lamp Circa 1910 The shade signed L.C.T., base stamped TIFFANY STUDIOS NEW YORK 470. Height overall 19 1/2 inches, height of shade 4 1/4 inches, diameter of shade 8 inches. Provenance: Minna Rosenblatt Gallery, New York City, March 2, 1976. C $2,000-3,000 See Illustration 174 Handel Co. Gilt-Metal Harp Floor Lamp Base; Together with a Tiffany Furnaces Blown Favrile Glass Damascene Shade Circa 1915 Base unsigned; shade signed L.C.T. Favrile. Height of lamp base 56 1/4 inches, height of shade 4 3/4 inches, diameter of shade 10 1/4 inches. C $3,000-5,000 See Illustration

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176

175 Tiffany Studios Bronze and Leaded Glass Geometric Lamp Circa 1910 Shade stamped TIFFANY STUDIOS NEW YORK and 1493, base stamped TIFFANY STUDIOS NEW YORK 534. Height overall 24 1/4 inches, height of shade 7 3/4 inches, diameter of shade 20 inches. Provenance: Astor Galleries, March 9, 1973 C $6,000-8,000 See Illustration

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176 Tiffany Studios Gilt-Bronze and Leaded Glass Vine Border Lamp Circa 1910 The shade stamped TIFFANY STUDIOS NEW YORK and 1435-19, base stamped TIFFANY STUDIOS NEW YORK and TIFFANY STUDIOS NEW YORK 584. Height overall 21 inches, height of shade 6 1/2 inches, diameter 16 inches. C Property of a Private Collector, Long Island $6,000-8,000 See Illustration

177 American Art Nouveau Leaded Glass Landscape Window Attributed to Tiffany Studios, circa 1910-15 With irises, jonquils and cattails. Height overall 68 1/2 inches, width 30 1/2 inches, height of window 62 1/2 inches, width 24 3/4 inches. Provenance: Lillian Nassau, Ltd., New York City, March 9, 1973 C $30,000-50,000 See Illustration and Inside Front Cover

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178 Pair of Liberty and Co. Cymric Pattern Sterling Silver Candlesticks Design attributed to Rex Silver, Birmingham, 1901 The candle holders cast with stylized buds and applied with tapering tendrils joining the stem and terminating in stylized square leaves on circular base. Height 7 1/2 inches, total approximately 15 ounces. The attribution of this design has drifted between Rex Silver and Archibald Knox, or is perhaps a collaboration between the two men. A pair of candlesticks of this design was sold Christie’s, London, November 21, 2012, lot 716 for GBP 4,375. C $2,000-3,000 See Illustration

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179 Georg Jensen Sterling Silver Cactus Pattern Flatware Service Post 1945 Comprising twenty-seven dinner forks, twelve lunch forks, fourteen salad forks, eight iced tea spoons, twenty-six dessert spoons, thirty-seven teaspoons, demitasse spoon, twenty-six dinner knives, seven butter knives, two serving spoons, serving fork, pâté server, two sugar tongs, fish serving knife, cake knife. Total approximately 190 ounces, weighable. • $6,000-8,000

181 Georg Jensen Sterling Silver Cosmos Pattern Tea and Coffee Service Pattern 45C, designed by Johan Rohde, post 1945 Comprising a coffee pot, teapot, cream jug and covered sugar bowl, each part fluted body with upswept handles with stylized berry joins. Height of coffee pot 10 3/4 inches, total approximately 66 ounces, all in. C $4,000-6,000 See Illustration

180 Georg Jensen Sterling Silver Compote Pattern No. 6, designed by Johan Rohde, early 20th century The flared circular body with openwork stem of stylized leaves on an oval base. Height 5 1/4 inches, approximately 13 ounces. C Property of a Santa Barbara Collector $600-800

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182 detail

182 part

182 Georg Jensen Sterling Silver Acorn Pattern Flatware Service Comprising twelve dinner forks, twelve salad forks, twelve dinner knives, twelve butter knives, twelve dessert spoons and twelve teaspoons. Total approximately 72 ounces, weighable. C $3,500-4,500 See Illustration of Part

183

183 Georg Jensen Sterling Silver Compote Pattern No. 264A, circa 1930 The shallow circular bowl hung with pendant grape clusters and vines on a spiral twisted stem on domed circular foot. Height 10 3/8 inches, approximately 36 ounces. C $3,000-5,000 See Illustration

184 Georg Jensen Sterling Silver Covered EntrĂŠe Dish Pattern No. 290A Of circular form with a beaded border, the cover with a lobed wood finial. Diameter 9 inches, total approximately 23 ounces, all in. C The James P. and Joan M. Warburg Collection $1,500-2,500 See Illustration

185 Georg Jensen Sterling Silver Compote Pattern No. 263, pre-1945 The shallow circular bowl hung with pendant grape clusters and vines on spiral twisted stem on domed circular foot. Height 7 1/4 inches, diameter 7 inches, approximately 17 ounces. C The Collection of Faith Stewart-Gordon $1,000-1,500

184 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69

186 Georg Jensen Sterling Silver Bowl Pattern No. 197B, post-1945 Circular on openwork foliate stem. Height 4 1/2 inches, diameter 5 7/8 inches, approximately 10 ounces. C The Collection of Faith Stewart-Gordon $1,000-1,500 See Illustration

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187 Georg Jensen Sterling Silver Acorn Pattern Flatware Service Post 1945 Comprising twelve dinner forks, twelve salad forks, twelve dessert spoons, twenty-four teaspoons, twelve dinner knives, twelve butter knives, two serving spoons, pierced serving spoon, two serving forks, two meat forks, lemon fork, cake knife, pie server, two cheese knives, two salt spoons, sugar tongs, four individual pepper casters, and an individual open salt. Total approximately 114 ounces, weighable. C $5,000-7,000

188 Danish Sterling Silver Thread Pattern Flatware Service S. Hingelberg, 20th century Comprising eighteen dinner forks, eighteen salad forks, three cocktail forks, twelve soup spoons, eighteen bouillon spoons, twelve fruit spoons, eighteen teaspoons, eighteen dinner knives, seventeen butter knives, fruit knife, flat server and a corkscrew. Total approximately 221 ounces, weighable. C Estate of Rhoda Blumberg $2,500-3,500 See Illustration of Part 189 Georg Jensen Sterling Silver Compote Pattern No. 263, circa 1925 The shallow circular bowl hung with pendant grape clusters and vines, on a spiral twisted stem ending in a domed circular foot. Height 7 1/2 inches, approximately 18 ounces. C $700-1,000

188 part 190 Jens Quistgaard Sterling Silver Tjorn Flatware Service For Dansk, designed 1959 Comprising ten dinner forks, ten salad forks, ten tablespoons, ten teaspoons, five demitasse spoons, ten dinner knives, and ten butter knives. Total approximately 62 ounces, weighable. This pattern has sold at Wright, Chicago, May 5, 2016, lot 125, for $5,000 and Bonham’s, Los Angeles, April 16, 2012, lot 2312, for $4,750. Jens Quistgaard (1919-2008) was chief designer at Dansk for over thirty years beginning in 1954. He is the person credited with bringing Scandinavian Modern design into American homes through his extensive tableware and homeware designs. With its futuristic look, his Tjorn pattern flatware continues to stand apart from the works of his rivals. C $3,000-5,000 See Illustration of Part 190 part 70 DOYLE • NOVEMBER 21, 2017 • NEW YORK

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191 Émile-Jacques Ruhlmann Leather Upholstered Stained Oak Settee Circa 1927 Stamped Ruhlmann. Height 36 inches, width 66 inches, depth 31 inches. Émile-Jacques Ruhlmann (1879-1933) is the French designer most closely linked with the Art Deco period. He was chosen along with a host of other great designers to create furnishings for the French ocean liners of the 1920s and 1930s which acted as floating palaces showcasing of the very best in French design. Armchairs of the same model were used aboard the SS Ile de France and are illustrated in Florence Camard’s Ruhlmann: Master of Art Deco, p. 133. Provenance: Doyle New York, April 17, 2012, lot 196, sold $25,000 C $10,000-15,000 See Illustration

192 Pair of Art Deco Leather Upholstered Bentwood Open Armchairs Height 30 inches, width 27 inches, depth 30 1/2 inches. C Property from a Connecticut Private Estate $800-1,200 See Illustration 193 Art Deco Inlaid Walnut Secrétaire à Abattant Height 55 inches, width 38 inches, depth 17 1/2 inches. C Property from a Connecticut Private Estate $600-800 194 Pair of Poltrona Frau Lyra Leather Upholstered Armchairs Each with an arched back and nailhead trim. Height 31 inches, width 29 1/2 inches, depth 30 inches. The Lyra chair was introduced by Poltrona Frau in 1935. C $600-800

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195

195 Jules Leleu Gilt-Bronze Mounted Rosewood Sideboard 1940s The rectangular case with three doors opening to shelves and drawers. Height 36 inches, width 8 feet 7 inches, depth 21 1/4 inches. Jules Leleu (1883-1961) was a French furniture designer who rose to prominence in the 1920s after winning a grand prize at the 1925 Exposition Industrielle et Arts Décoratifs which introduced the world to the Art Deco movement. He sold a commode that same year to the Metropolitan Museum in New York. Like Emile-Jacques Ruhlmann and the other great French designers of the time, Leleu also designed furnishings for the French ocean liners the Ile de France and the Normandie. C $3,000-5,000 See Illustration 196

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196 Set of Eight Jules Leleu Upholstered Rosewood Dining Chairs Circa 1940s Including two armchairs. Height 38 1/4 inches, width 20 inches, depth 21 inches. C $3,000-5,000 See Illustration 197 French Art Deco Rosewood Extension Dining Table Attributed to Jules Leleu, circa 1935 The rectangular top with pull out ends, on trestle base. Height 29 1/4 inches, width closed 71 inches, depth 39 3/4. C $1,500-2,500 See Illustration

198 Art Deco Brass Mounted Maple Sideboard The shaped rectangular top above four doors, the two central doors with swag handles, the other two with scrolled handles, raised on scrolled supports. Height 35 1/4 inches, width 6 feet 7 inches. C Ellin Jane Krinsly Trust $1,000-2,000 199 Gilt-Bronze and Alabaster Six-Light Three-Storks Chandelier In the manner of Albert Cheuret Signed in script Albert Cheuret. Height 31 3/4 inches, diameter of shade 23 1/2 inches. C $10,000-15,000 See Illustration 200 Pair of Art Deco Style Gilt-Metal Mounted Black Lacquered Consoles In the style of AndrĂŠ Arbus Height 28 inches, width 39 1/2 inches, depth 14 inches. C Property from a Connecticut Private Estate $800-1,200 See Illustration

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201 Pair of Louis XVI Style Upholstered Painted Wood Side Chairs Attributed to Maison Jansen, 20th century Height 31 inches, width 22 1/2 inches, depth 24 inches. Provenance: Christieâ&#x20AC;&#x2122;s, New York, August 22, 2017, lot 308, sold for $6,875. C $1,500-2,500 See Illustration

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202 Three Le Corbusier, Pierre Jeanneret, and Charlotte Perriand Leather Upholstered Chromed Metal LC2 Petit Modele Armchairs For Cassina Height 26 inches, width 30 inches, depth 27 inches. C $1,000-1,500 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73

203 Art Deco Rosewood, Tesselated Shell and Chromed Metal Sideboard Height 38 inches, width 8 feet 2 inches, depth 18 inches. C Property from a Connecticut Private Estate $2,000-4,000 See Illustration

203

204 Le Corbusier, Pierre Jeanneret and Charlotte Perriand LC2 Enameled Metal and Upholstered Sofa For Cassina, modern The rectangular form with external frame. Height 27 inches, width 69 inches, depth 26 inches. This classic sofa was first designed in 1928 as a modern interpretation of traditional furniture, but with the structure exposed to give a visual more suited to the International Style of the time. The clean lines and comfort of this sofa make it as inviting today as when first designed. C $1,500-2,500 See Illustration

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205 Pair of Le Corbusier, Pierre Jeanneret and Charlotte Perriand LC2 Enameled Metal and Upholstered Armchairs For Cassina, modern En suite with the preceding lot. Height 27 inches, width 30 inches, depth 28 inches. See note previous lot C $1,000-1,500 See Illustration 206 Pair of Just Andersen Patinated-Metal Lamps Circa 1940-9, the base with molded triangle mark and JUST. Height 12 inches. C $400-600 205

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207 Set of Four Vilhelm Lauritzen White Painted Aluminum and Glass Kastrup Sconces Diameter 16 3/4 inches. A set of three Kastrup Sconces were sold Artcurial, Paris May 20, 2015, lot 120, for Euro 5,850. In 1936, Danish architect Vilhelm Lauritzen (1894-1984) won the international design competition for the Kastrup Airport, Copenhagen. These sconces were made in a variety of sizes to light the new terminal which is today a listed building used for receiving heads of state and important visitors to the Danish capital. C $5,000-7,000 See Illustration of Part

207 part

208 Le Corbusier, Pierre Jeanneret and Charlotte Perriand LC4 Leather and Hide Upholstered Steel Chaise Longue For Cassina, recent issue Height 27 inches, width 63 inches, depth 21 inches. Introduced in 1928, this chaise longue is referred to as the “relaxing machine” because it is designed to mirror the contours of the body and can be adjusted into numerous positions. The tubular steel frame became a signature of the new International look which was a radical departure from the luxurious woods and materials used by their French contemporaries of the time. C $600-800 See Illustration 209 Gio Ponti Mahogany Dining Table 1940’s Height 30 3/4 inches, width 6 feet, depth 41 1/2 inches. One of the twentieth century’s most talented designers, Gio Ponti’s (1891-1979) works, include everything from furniture and lighting to silver and glass. The form of this dining table closely relates to designs done for the interiors of the Hotel Royal, Naples in 1956 and the Hotel Parco dei Principi in Sorrento in 1961. C $1,000-1,500

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210 Pair of Gio Ponti Gilt Aluminum and Upholstered Lounge Chairs Circa 1950s Height 29 1/4 inches, width 32 inches, depth 38 inches. A similar pair of lounge chairs sold Piasa, Paris, June 1, 2017, lot 217, for Euro 24,700. Another pair sold Wright, Chicago, June 6, 2013, lot 247, for $13,750. C $8,000-12,000 See Illustration 210 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75

211 Pair of Mies van der Rohe Leather and Polished Steel Barcelona Chairs Circa 1960 Height 30 inches, width 29 inches, depth 30 inches. C $1,500-2,500 See Illustration 212 Pair of Marcel Breuer Chromed Tubular Steel and Leather Wassily Chairs Designed 1925, circa 1960 Height 29 inches, width 31 inches, depth 27 1/2 inches. C $600-800 211

214 Pair of Charles and Ray Eames Mahogany 670 Lounge Chairs For Herman Miller Height 33 inches, width 33 inches, depth 32 inches. C $800-1,200 215 Jacques Adnet Stained Wood, Leather and Brass Side Table 1950s Height 29 1/2 inches, 29 inches square. C $2,500-3,500 See Illustration

213 213 Parcel Gilt Iron Mirror Manner of Tommi Parzinger The oval mirror plate within a frame surmounted by an elongated crown finial and with stylized foliate ornaments at the sides. Height 42 inches, width 25 1/2 inches. C Estate of Rhoda Blumberg $1,000-1,500 See Illustration

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216 Pair of Vladimir Kagan Upholstered Walnut Contour Lounge Chairs Designed 1958, each with a branded mark Kagan-Dreyfuss New York/ A Vladimir Kagan Design. Height 36 inches, width 33 inches, depth 20 inches. cf: Vladimir Kagan, The Complete Kagan: A Lifetime of Avant-Garde Design 2004, pg 125 Todd Merrill and Julie V. Iovine, Modern Americana: Studio Furniture from High Craft to High Glam, 2008, p. 112, 117 and 122 Similar pairs of chairs were sold Wright, Chicago, October 20, 2016, lot 358 for $30,000 and another pair October 17, 2013, lot 365, for $17,500. C Dorothy Lewis 2013 Irrevocable Trust $12,000-18,000 See Illustration and Front Cover

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217 Sergio Rodrigues Rosewood Long Chest of Drawers The rectangular case with six drawers. Height 34 inches, width 57 inches, depth 20 1/4 inches. C $2,000-4,000 See Illustration

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218 Pair of French Black Patinated Metal Ribbon and Floor Lamps 1950s Height 56 inches, diameter 10 inces. C $700-1,000 219 Charles and Ray Eames Rosewood 670 Lounge Chair and 671 Ottoman Herman Miller, circa 1960 Height of chair 32 inches, width 33 1/2 inches, depth 28 inches. C $1,500-2,500 See Illustration 219

220 Italian Mid-Century Style Mahogany and Glass Side Table Height 22 1/2 inches, width 28 inches, depth 23 inches; Together with an Art Deco Style Mahogany and Glass Occasional Table. Height 20 1/4 inches, diameter 21 1/4 inches. C Property from a Connecticut Private Estate $800-1,200

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221 Roger Debievres Palissander and Steel Dining Table Prestige Series, Édition Les Huchers-Minvielle, 1962 Height 29 1/2 inches, width closed 67 inches, depth 35 inches. C $4,000-6,000 See Illustration

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222 Line Vautrin Mirrored Glass and Talosel Resin Aux Alouettes Mirror Circa 1955, signed LINE VAUTRIN. Diameter 18 inches. An Aux Alouettes mirror sold at Christieâ&#x20AC;&#x2122;s, New York, December 19, 2017, lot 1103, for $30,000, and another sold Phillips, New York, June 7, 2006, lot 138, for $50,400.

223 Hans Wegner Upholstered Teak and Walnut Mama Bear Chair and Ottoman Height of chair 41 1/4 inches, width 33 inches, depth 25 inches. C $3,000-5,000 See Illustration

Line Vautrin (1913-1997) is best known for her exquisite mirrors. Working in post-war Paris, Vautrin used modern materials like the talosel in this mirror to create beautiful works of art that referenced the past while being at the same time fresh and new. The mirror encrusted larks on this frame look back to a Byzantine style of mosaic. From her boutique on the Rue du Faubourg Saint-HonorĂŠ she welcomed discerning trend setters like Ingrid Bergman, Yul Brynner and Brigitte Bardot who all collected her mirrors and jewelery. C $6,000-8,000 See Illustration

224 Four Arne Jacobsen Laminate and Chromed Steel Series 7 Chairs For Fritz Hansen, designed 1955 with original labels Height 30 1/2 inches, width 18 1/4 inches, depth 17 inches. C $400-600 225 Charles and Ray Eames Rosewood 670 Lounge Chair and 671 Ottoman For Herman Miller, designed circa 1956 Height 33 inches, width 33 inches, depth 32 inches. C Estate of Stephen Stempler $1,500-2,500

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GEORGE NAKASHIMA 226 Custom Made George Nakashima Maple Free-Edge Double Chest of Drawers Circa 1970 Height 32 inches, width 6 feet, depth 22 3/4 inches. Provenance: Commissioned directly from the artist and thence by descent in the family. This chest of drawers and its mate, lot 227, are exemplary examples of Nakashima's ability to create a functional piece of furniture that superbly features the natural beauty of the wood. C Property from a Private Collection $30,000-50,000 See Illustration

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227 Custom Made George Nakashima Maple Free-Edge Double Chest of Drawers Circa 1970 Height 31 1/2 inches, width 6 feet, depth 26 inches. Provenance: Commissioned directly from the artist and thence by descent in the family. This chest of drawers and its mate, lot 226, are exemplary examples of Nakashima's ability to create a functional piece of furniture that superbly features the natural beauty of the wood. C Property from a Private Collection $30,000-50,000 See Illustration

226 detail

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228

228 George Nakashima Walnut Conoid Desk Circa 1970 The slab top with free edge. Height 32 inches, width 56 3/4 inches, depth 36 inches. Similar desks by Nakashima have sold as follows: Wright, Chicago, March 24, 2016, lot 104 for $25,000 Freeman’s, Philadelphia, March 20, 2016, lot 89, for $22,100 C $15,000-25,000 See Illustration

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229 George Nakashima Walnut Captain’s Chair Height 28 inches, width 24 inches, depth 20 inches. C $800-1,200 See Illustration

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230 George Nakashima Walnut Grass-Seated Chair 1960s Height 27 1/4 inches, width 22 3/4 inches, depth 18 inches. C $1,500-2,500 See Illustration 231 Pair of Wharton Esherick Oak and Walnut Tall Stools Signed with initials and 1958 Height 27 inches. cf: Lee Nordness, Objects: USA, New York, 1970, p. 252; Wooden Works: Furniture Objects by Five Contemporary Craftsmen, St. Paul, 1972, p. 28 Half a Century in Wood: 1920-1970, The Wooden Works of Wharton Esherick, Paoli, 1988, p. 11 A pair of tall stools by Esherick sold Phillips, New York, June 9, 2010, lot 113, for $13,750. Wharton Esherick (1887-1970) was one generation ahead of George Nakashima in making finely crafted, unadorned furniture in the tradition of the Arts and Crafts movement. Having started his career as a painter and print maker, Esherick’s furniture is sculptural and yet still functional. C $6,000-9,000 See Illustration

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232

232 Milo Baughman Burl Olivewood and Chromed Metal Sideboard Probably for Thayer Coggin, 1970s Height 34 1/2 inches, width 6 feet, depth 18 1/2 inches. Milo Baughman (1923-2003) was an important American furniture designer who led American homes into the modern era of design. For over 50 years he worked with Thayer Coggin to create elegant furniture with sleek clean lines. C $3,000-5,000 See Illustration

233 Paul Evans Bronzed Resin and Glass Low Table Signed with initials PE and dated ‘69 Height 16 1/4 inches, width 60 inches, depth 24 inches. A similar table was sold Doyle, New York, April 22, 2009, lot 114, for $2,000. Paul Evans (1931-1987) was the American designer most associated with the Craft Movement of the 1970s. His Brutalist sculptural metal furniture sets him apart from his contemporaries who gravitated towards a more natural aesthetic. C $1,500-2,500 See Illustration 234 Pair of Italian Style Upholstered Armchairs In the manner of Marco Zanuso. Height 36 inches, width 30 3/4 inches, depth 30 inches. C $700-1,000

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235 Italian Mid-Century Style Upholstered Sofa Of reverse serpentine-form. Height 34 inches, width 7 feet 1 inch, depth 49 inches. C $1,500-2,500 236 Mid-Century Mahogany Stained, Blonde-Wood and Glass Sideboard Possibly Italian Height 39 inches, width 69 inches, depth 17 1/2 inches. C Property from a Connecticut Private Estate $500-700

237 Cini Boeri Chromed Metal and Glass Lunario Low Table For Knoll, circa 1970 Height 17 inches, width 59 inches, depth 43 1/4 inches. Provenance: Phillips, New York, December 17, 2013, lot 119, sold for $4,375. C $2,000-3,000 238 Set of Six Harry Bertoia Enameled Metal Dining Chairs For Knoll Height 29 inches, width 18 1/2 inches, depth 23 inches.

239

Bertoia introduced wire furniture in 1952 including five models of chairs which have become icons of mid-century design. C $400-600 239 Pair of Terence Harold Robsjohn-Gibbings Walnut Occasional Tables For Widdicomb, 1955 With stamped mark Sorrell 8-55 3328 and manufacturerâ&#x20AC;&#x2122;s label Widdicomb, designed by T.H. Robsjohn-Gibbings. Height 22 1/4 inches, width 30 inches, depth 18 inches. â&#x20AC;˘ $1,000-1,500 See Illustration 240 Paul Evans Cityscape Chromed Steel, Brass and Glass Coffee Table For Directional from the PE 200 series, circa 1975 Height 15 inches, 30 inches square. An example of this table sold Wright, Chicago, July 18, 2017, lot 385 for $2,750. C $1,500-2,500 See Illustration

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241 Set of Nine Charles and Ray Eames Leather Upholstered Soft Pad Group Management Chairs Height 31 inches, width 23 inches, depth 21 inches; Together with a Charles and Ray Eames Leather Upholstered Soft Pad Group Executive Chair. Height 38 3/4 inches, width 21 inches, depth 21 inches. C $3,000-5,000 See Illustration of Part

241 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

DIEGO GIACOMETTI 242 Diego Giacometti Bronze Trois Oiseaux Floor Lamp Circa 1975 Stamped Diego DG underside. Height 57 1/2 inches, diameter of base 18 1/4 inches. This lot is accompanied by a copy of a letter from Pierre Mattise Gallery to Serge Matta regarding the commission of this lamp. Provenance: Commissioned by Serge Matta from the artist through Pierre Matisse Gallery, New York, 1975 Private collection A pair of table lamps of the same model, from the Serge Matta commission, were sold by Sotheby’s, New York, November 15, 2016 lot 310 for $732,500. A Berceau table and a console from the same commission were sold by Doyle as lots 612 and 614, respectively, April 8, 2013. C $50,000-70,000 See Illustration

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243 Pierre Chapo Sfax T 21 Elm Dining Table Circular top on diagonal supports. Height 29 inches, diameter 53 1/2 inches.Together with a Set of Six Alain Berteau Leather Upholstered Oak Play Chairs. cf: Maison Chapo Catalogue, pg 6, 7, 8, and 9. Similar examples of this table have sold Piasa, Paris, June 22, 2017, lot 39 for Euro 5,850; Tajan, Paris, March 15, 2017, lot 154, for Euro 3,900; Piasa, Paris, February 22, 2017, lot 313, for Euro 9,100 Pierre Chapo (1927-1987) was an architect and furniture designer working from workshops in Clamart and Paris. His finely crafted pieces reflect a strong commitment to construction and form revealing the natural beauty of each piece. The joins are visible in the tradition of mid-century designers. C $3,000-5,000 See Illustration

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244 Pierre Chapo Cherry R08 Sideboard Rectangular with two frieze drawers over pair of doors. Height 32 1/2 inches, width 6 feet, depth 20 1/2 inches. See note previous lot C $3,000-5,000 See Illustration 245 Four Jacques Charpentier Plexiglass and Steel Filglass Dining Chairs Circa 1970 Height 31 inches, width 18 1/2 inches, depth 20 inches. Jacques Charpentier (1918-1986) was a French designer who embraced the new materials of the modern world including steel and plexiglass as used in these chairs. The chairs retain a traditional form, but the plexiglass and thin steel frame give them a lightness and modern edge that still looks “futuristic” forty years since their introduction. C $800-1,200

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246 Pair of HervĂŠ van der Straeten Bronze Lustre Toubillon Hanging Lanterns For Ralph Pucci Height 23 inches, diameter 16 inches. C $10,000-20,000 See Illustration 247 Dark Stained Wood and Metal Floating Shelf Contemporary Height 8 1/2 inches, width 63 inches, depth 17 1/2 inches. C $500-700

248 Group of Ten Rosenthal Studio Line White Matte Porcelain Vases Including examples by Martin Froger, Tapio Wirkkala and Christa Haeusler-Goltz Height of largest 17 3/4 inches; Together with Two Heinrich Porcelain Vases C $700-1,000

250 Group of Eleven Rosenthal Studio Line Black Porcelain Vases Including examples by Martin Froger, Tapio Wirkkala and Marcello Morandini Height of tallest 11 inches. C $400-600

249 Group of Eight Rosenthal Black and White Porcelain Pollo Vases Designed by Tapio Wirkkala Height of largest 4 1/4 inches, width 5 1/2 inches. C $500-700

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252 251

253

251 Robert Wilson Wire Mesh Hanging Freud Chair (from The Life and Times of Sigmund Freud) 1969 Height 35 3/4 inches, width 9 3/4 inches, depth 9 3/4 inches.

detail from production still

Premiering on December 18, 1969, at the Brooklyn Academy of Music, The Life and Times of Sigmund Freud was described by Wilson as “not a historical but a poetic presentation of Freud’s life”. This was the first of twenty-one productions Wilson staged at BAM. C Property from the Watermill Center, Water Mill, New York $8,000-12,000 See Illustration

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252 Robert Wilson Beech Strindberg Chair 1998, Prototype 1 designed for Dream Play Stadsteater, Stockholm Height 59 1/4 inches, width 18 1/2 inches, depth 17 inches. A rarely staged work by Swedish playwright August Strindberg, Dream Play by Robert Wilson used clean lines combined with a palette of cool gray and white painted settings, as seen in these chairs, to create a vision of a dreamlike world edging slowly towards madness. C Property from the Watermill Center, Water Mill, New York $2,000-3,000 See Illustration

253 Robert Wilson Perforated and Sheet Steel Hamletmachine Chair Designed 1987 for Hamletmachine Height 38 1/2 inches, width 11 1/4 inches, depth 17 inches. For Hamletmachine, Wilson teamed with East German playwright Heiner Muller to create “a dreamscape of fragments and hallucinations..., full of political insight, historical evocation and psychological terror” (New York Times, May 12, 1986) weaving subjects from Shakespeare to the Hungarian Uprising in 1956. C Property from the Watermill Center, Water Mill, New York $1,200-1,800 See Illustration

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254 Pair of André Dubreuil Upholstered Painted Cast Aluminum Trévise Chairs Circa 1990 Height 37 inches, width 27 1/2 inches, depth 26 inches. cf: Claire Downey, Neo Furniture, London, 1992, p. 61 Jean-Louis Gaillemin, André Dubreuil: Poète du Fer, Poet of Iron, Paris, 2006, pp, 26-27 Two pairs of similar side chairs sold Phillips, New York, December 17, 2013, lot 49, for $10,625 and lot 72 for $8,125 André Dubreuil (b. 1951) is one of the most innovative designer’s working in France. Having started as an antiques dealer, his inspiration is clearly drawn from classic European and Asian forms but given a distinct modern edge. C $8,000-12,000 See Illustration 255 Pair of André Dubreuil Wrought Iron, Copper and Glass Sunburst Sconces Circa 1992 Height of taller 23 inches, width 12 1/4 inches. A pair of sconces of the same model sold Christie’s, New York, December 17, 2011, lot 305, for $7,500. C $4,000-6,000 See Illustration

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258 256 Toshiko Takaezu Glazed Stoneware Vessel Signed with monogram. Height 10 7/8 inches. C $800-1,200 See Illustration 257 Toshiko Takaezu Glazed Stoneware Moon Vessel with Rattle Signed with monogram. Height 9 inches C $800-1,200 258 Stefano Galuzzi, Luce Continua (Continuous Light) Series Porphyry Valcamonica Lamp Created 2014 Marked on the underside L.C. 1. Height 8 inches, diameter 3 3/4 inches. Stefano Galuzzi (b. 1970) is an Italian fashion photographer and designer whose lighting gives a fresh look at a centuries old object. Marble and stone are not a new medium for lighting, and yet his lamps play with light allowing it to spread discreetly like a flickering candle rather than flooding a space with blinding light. C $800-1,200 See Illustration

92 DOYLE â&#x20AC;˘ NOVEMBER 21, 2017 â&#x20AC;˘ NEW YORK

259 Stefano Galuzzi, Luce Continua (Continuous Light) Series Basalt Lamp Created 2014 Numbered 001 and marked L.C. 5 on the underside. Height 9 inches, width 7 7/8 inches, depth 3 1/2 inches. See note previous lot. C $800-1,200 260 Stefano Galuzzi, Luce Continua (Continuous Light) Series Belgian Black Marble Lamp Created 2014 Numbered 002 and marked L.C. 2 on the underside. Height 7 7/8 inches, diameter 5 3/4 inches. See note lot 258. C $800-1,200

261 Elizabeth Garouste & Mattia Bonetti Oak, Bronze and Gilt Bronze Lenôtre Cabinet 1990 Height 59 inches, width 39 inches, depth 17 1/2 inches. Literature: Chloé Braunstein-Friegel, The Staudenmeyer Years: 25 Years of Design in France, Éditions Norma, Paris, 2009, p. 360. Catalog of the exhibition Garouste and Bonetti, Mandet-Riom Museum 1993, p. 36. An example of this cabinet is in the collection of the Museum of Design and Fashion, Lisbon. Another example of this cabinet sold Tajan, Paris, November 13, 2013, lot 47 for Euro 24, 227. C $8,000-12,000 See Illustration 262 Pair of Puzzle Piece Specimen Hardwoods End Tables Schechter Studio Height 16 inches, 24 inches square. C $800-1,200 See Illustration 263 Custom Made Puzzle Piece Specimen Hardwoods Low Table Schechter Studio Height 17 inches, width 55 inches, depth 24 inches. C $800-1,200 261

262

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93

264

264 Enzo Mari Natural Pine Dining Table Signed and dated 2007 (1974) Height 28 inches, width 6 feet, 9 1/2 inches, depth 31 1/2 inches. Enzo Mari (b. 1932) is an Italian furniture designer whose revolutionary 1974 “Autoprogettazione” series was seen as democratization of furniture design with nineteen simple and beautiful designs for tables, chairs, and bookshelves created with the idea that people could build everything themselves without need for high style formal designers. Like this table, all the pieces were to be made from humble pine, but given interesting complex shapes and forms. An avowed communist, Mari’s designs focused on sustainable, locally handmade pieces - ideas very much in keeping with today’s design mantras. C $1,000-1,500 See Illustration

265 Ronan and Erwan Bouroullec Lacquered Wood and Aluminum Butterfly Cabinet Designed 2002 for Cappellini Height 42 1/2 inches, width 69 inches, depth 23 1/2 inches. Brothers Ronan (b. 1971) and Erwan (b. 1976) are French designers with a studio based in Paris. Working together since the late 1990s, they have won several major design awards and have pieces in important collections across the world. Their Butterfly cabinet represents their design ideal that form should follow function, but still be “poetic” and beautiful. The openess of this cabinet allows for both display and storage. C $1,500-2,500 See Illustration

265

94 DOYLE • NOVEMBER 21, 2017 • NEW YORK

266 Set of Six Frank Gehry for Swid Powell Fish Glass Goblets Circa 1990 Each in frosted colorless glass, stamped on the underside Swid Powell Edition 250 Amses Cosma and with script Gehry signature. Height of tallest 7 3/4 inches. Beginning in the early 1980s, Swid Powell a company formed by Nan Swid and Addie Powell - brought a chic new look to American dining tables by commissioning renowned architects, including Frank Gehry, Philip Johnson, and Richard Meier among others, to create original pieces to allow them to bring their designs to a wider public. The diverse backgrounds of the collaborators led to an incredible range of pieces which have become emblematic of the decade. Yale University Art Gallery honored the firm in 2007-2008 with “The Architect’s Table: Swid Powell and Postmodern Design”. C $800-1,200

267

267 Albert Paley Steel and Glass Dragon’s Back Table Signed and dated 1998 to base. Height 30 inches, diameter 61 inches. Albert Paley (b. 1944) is an American designer and sculptor who began his career designing jewelry before a commission for the “Portal Gates” at the Smithsonian’s Renwick Gallery in 1974 led him to expand his scope of work into much larger creations. The twisting metal base of this table is characteristic of Paley’s work that gives a sense of organic movement to an otherwise heavy piece. Viewed in the round each angle presents a unique aspect of the artist’s vision. C $25,000-35,000 See Illustration 268 French Savonnerie Carpet After a design attributed to Paule Leleu, 1950s With label for Antimite Definitie Mitin Approximately 8 feet 10 inches x 11 feet 11 inches. C $2,000-3,000

End of Sale VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95

ARTIST INDEX Adnet, Jaçques

215

Daum

169

Handel Co.

174 41, 42

Agam, Yaacov

Dafeng, Mo

Hayes, David

Andrews, Benny

Daphnis, Nassos (After)

Hilaire, Camille

Anderson, Just

206

Dayez, Georges Debievres, Roger

21, 22

221

Dodd, Lois Barnet, Will

Donati, Enrico

Barrett, Kevin

Dubreuil, André

Bauer, Rudolf

Baughman, Milo

232

Bertoia, Harry

238

23, 24, 25, 26 27 254, 255

Eames, Charles and Ray

214, 219,

43, 44, 45

Hinterreiter, Hans Hingelberg, S.

188

Hockney, David

Hoffmann, Josef

166, 167

Hofman, Hans O.

Hough, Jennine

Hunter, Russell Vernon

Hussein, Ibrahim

52, 53, 54

Bissier, Julius

225, 241

Blanco, Jorge

Edlich, Stephen

Jacquette, Yvonne

Ernst, Jimmy

Jacobsen, Arne

Boeri, Cini

237

Bonadei, Aldo

Bonetti, Mattia and

231

Evans, Paul

Elizabeth Garouste

Bouroullec, Ronan and Breuer, Marcel

Chapo, Pierre

Esherick, Wharton

Charpentier, Jacques

233, 240

55 224

Jansem, Jean

Jensen, Georg

179, 180,

261

181, 182, 183, 184,

Erwan

185, 186, 187, 189

265

Frecon, Suzan

212

30, 31

Johnson, Lester

57, 58

Freilicher, Jane

Johnson, Ray

Fumeron, René (After)

243, 244

46, 47

245

Galuzzi, Stefano

Castañeda, Felipe

Cattelan, Maurizio

Cavallon, Giorgio

Charbonnet, Nicole

258, 259, 260

Garouste, Elizabeth and

60, 61

Kahn, Wolf

62, 63, 64, 65

Kagan, Vladimir Kayyali, Louay

216 66, 67

261

Kingman, Dong

Gehry, Frank

266

Kisling, Moïse

Giacometti, Diego

242

Kokoschka, Oskar

Cherry, Herman

Gilot, Françoise

Kollwitz, Käthe

Christopher, Tom

Golub, Leon

Krisanamis, Udomsak

Goodnough, Robert

Kusama, Yayoi

Corbusier, Pierre Jeanneret,

Grooms, Red

Charlotte Perriand

202, 204,

Gross, Chaim (After)

205, 208

Grosz, George

Gutfreund, Otto

Coburn, John

Craemer, Kurt

15, 16, 17

Mattia Bonetti

Kahn, Isaac

Lauritzen, Vilhelm

207

Leleu, Jules

195, 196, 197

Levee, John Liberty & Co.

Paley, Albert

267

Takaezu, Toshiko

256, 257

Papaloukas, Spyros

Tchelitchew, Pavel

117

Papart, Max

Tiffany Furnaces

174

178

Parish, Erin

Tiffany Studios 173, 175, 176, 177

Lipchitz, Jacques

Piper, John

100

Lipton, Seymour

Poltrona Frau

194

Lovet-Lorski, Boris

Ponti, Gio

Tworkov, Jack

118, 121

209, 210

Pucci, Ralph

246

van der Rohe, Mies

211

Van Dongen, Kees Majorelle, Louis

170, 171, 172

Mari, Enzo

264

Quistgaard, Jens

190

Martin, Fletcher

Meadmore, Clement

Raba, Manuel Gómez

Menkes, Sigmund Joseph

REEF 102

Metzinger, Jean

81, 82

Robsjohn-Gibbings,

Middleton, Sam

Mihich, Vasa Velizar Moser, Koloman Mouly, Marcel

Nakashima, George

84, 85 165 86, 87

101

Terence Harol

119, 120

van der Straeten, Herve

246

Vautrin, Line

222

Venard, Claude

122

Vicente, Esteban

123

Vytlacil, Vaclav

124

239

Rodrigues, Sergio

217

Weeks, James

125

Romero, Juan

103

Wegner, Hans

223

248, 249, 250

Weston, Brett

126

Ruhlmann, Emile-Jaçques 191

Wilson, Robert

251, 252, 253

Rosenthal

Wonner, Paul

127

Yamamoto, Noriko

128

Yee, Cheung

129

226, 227, 228, 229, 230

Saret, Alan

104, 105

Nakian, Reuben

Natkin, Robert

Sato, Tadashi

107, 108

Neiman, LeRoy

Schechter Studio

262, 263

Nevelson, Louise

Siniakova, Maria

109

Nierman, Leonardo

Slonem, Hunt

110

Zack, Léon

Spero, Nancy

111

Zadkine Ossip (After)

Steinberg, Saul

112

Zadkine, Ossip

135, 136, 137

Steiner, Michael

113, 114

Zorach, William

138

Suzuki, James

115, 116

Zúñiga, Francisco

139

Oldenburg, Claes Oliveira, Nathan Otterness, Tom

93 94, 95 96

Sarthou, Maurice Élie

Swid Powell

106

266

130, 131, 132, 133 134

OUR KNOWLEDGE IS YOUR BUYING POWER

470 Park Avenue, 2C •$3,750,000

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GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

STATELY COLONIAL IN MAPLEWOOD

$1,295,000

Nestled at the edge of South Mountain Reservation, this luxurious brick Colonial has a commanding presence in the neighborhood and offers a location of quiet enjoyment. Built in 2001, the aesthetics and lifestyle conveniences are numerous. Expect a grand foyer, high ceilings, open floor plan, outstanding millwork, spectacular designer gourmet kitchen, custom stone, wood and marble floors, his/her walk-in closets, fivestar master bath, sound system, multi-zone heat and CAC system, spa hot tub in a villa-like setting, fenced play area, stone patio, and much more. Be the beneficiary of modern architecture in an idyllic setting.

HELEN BARATTA Sales Associate Cell: 973-477-7469 H.Baratta@BHHSNJ.com BHHSNJ.com/H.Baratta Summit Office | 908-273-0400 | 392 Springfield Ave, Summit, NJ 07901 ÂŠ2017 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.ÂŽ Equal Housing Opportunity.

CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

PRIVATE RETREAT CLOSE TO TOWN

Greenwich, CT - 55 Zaccheus Mead Lane â&#x20AC;˘ $3,295,000

This very special, 3/4 bedroom, 5.1 bath, 4,178 sq. ft. home set on 4.08 bucolic acres with a private pond is just minutes from town. Elegant formal rooms open to the light-filled solarium and terrace offering spectacular views of the pond, bridge, waterfall, gardens and mature trees. Stone paths wind through the gardens to the heated pool; pool house with fireplace, full bath and kitchenette; paddle tennis court; and spa nestled in a private setting. One-floor living with FAR available for additional bedrooms and a 2nd story. Close to town, schools, train and Greenwich Ave.

JULIANNE C. WARD 203-231-1064 JulianneCWard@bhhsNE.com 101084.bhhsneproperties.com

A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;

9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. 13. If any part of these Conditions of Sale is found

h) To take such other actions as we deem necessary or appropriate; or

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

i) To effect any combination thereof.

14. The rights and obligations of the parties with

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

R A N C H O

S A N TA

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Victoria Shea | 619.743.5644 | $6,995,000

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bhhscalifornia.com | 888.995.7575 ÂŠ2017 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information. CalBRE 01177863

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot. The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

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INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE JANUARY

NOVEMBER

DECEMBER

RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday, NOVEMBER 7 at 10am Exhibition: November 4 – 6

DOYLE AT HOME Auction: Wednesday, DECEMBER 6 at 10am Exhibition: December 2 – 4

DOYLE AT HOME Auction: Wednesday, JANUARY 10 at 10am Exhibition: January 6 – 8

COINS, BANK NOTES, POSTAGE STAMPS & MINERALS Auction: Tuesday, NOVEMBER 7 at 2pm Exhibition: November 4 – 6

IMPORTANT JEWELRY Auction: Wednesday, DECEMBER 13 at 10am Exhibition: December 9 – 12

ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS & DRAWINGS / RUSSIAN WORKS OF ART Auction: Wednesday, JANUARY 24 at 10am Exhibition: January 20 – 22

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY

PHOTOGRAPHS & PHOTOBOOKS Auction: Thursday, DECEMBER 14 at 10am Exhibition: December 9 – 12

Auction: Wednesday, NOVEMBER 8 at 10am Exhibition: November 4 – 6

JEWELRY – BEVERLY HILLS Auction: Monday, NOVEMBER 13 at 10am (Pacific) NY Exhibition: October 14 - 17 CA Exhibition: November 11 & 12

IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Auction: Wednesday, NOVEMBER 15 at 10am Exhibition: November 11 – 13 DOYLE+DESIGN® Auction: Tuesday, NOVEMBER 21 at 10am Exhibition: November 18 – 20

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM