American Paintings, Furniture & Decorative Arts - 4.18.18 by Doyle

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS

Wednesday, April 18, 2018

NEW YORK

AMERICAN PAINTINGS, FURNTURE & DECORATIVE ARTS

AUCTION Wednesday, April 18, 2018 at 10am

EXHIBITION Saturday, April 14, 10am – 5pm Sunday, April 15, Noon – 5pm Monday, April 16, 10am – 6pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $35

INCLUDING PROPERTY FROM THE ESTATES OF Albert Bruce Connor Doris Frank Leo Hershkowitz Eleanor Johnson Howard Kaminsky Eve G. Kingsland Betty Wright Landreth Peter K. and Kathleen B. Leisure A Long Island Estate Barbara Hartley Lord A New York Estate A New York Private Estate Estate of Elinor Steinhart Stephen Stempler The James P. and Joan M. Warburg Collection James H. Wickersham Jr.

INCLUDING PROPERTY FROM A Manhattan Lady A Mid-Atlantic Museum to Benefit the Acquisitions Fund A New York Collector A New York Corporate Collection A New York Museum A Private Collector The Rhinelander Stewart Family

CONTENTS Paintings 1-93 Prints 94-99 Furniture & Decorations 100-160 Silver 161-207 PROPERTY FROM THE RHINELANDER STEWART FAMILY

Silver & Silver Plate Furniture & Decorations

Furniture & Decorations Carpets & Rugs

208-226 227-242 243-306 307-328

Glossary I Conditions of Sale II Information on Sales & Use Tax III Terms of Guarantee IV Buying at Doyle V Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

AMERICAN ART Lot 27

2 1 Thomas Bludget de Valdenuit American/French, 1763-1846 Portrait of a Young Man, Believed to be Benjamin Woolsey Rogers, in Profile Signed Vald, dated 1797 (ll), inscribed illegibly (ur), and dated 1797 on the reverse Chalk on pink prepared paper 19 x 14 inches Born in France, Thomas Bludget de Valdenuit came to America in the aftermath of the French Revolution, joining forces with his fellow countryman, Charles Balthazar Julien Févret de Saint-Mémin to create profile portraits with a physiognotrace. Invented in France in 1783-84, the device was designed to mechanically trace a sitter’s portrait in profile. The partners offered a package deal: a silhouette portrait executed in black chalk on pink toned paper, a small engraved metal plate, and a dozen engravings. In their partnership, Valdenuit drew the initial likeness, and Saint-Mémin produced the plate and prints. The business arrangement ended in September 1797 when Valdenuit returned to France.

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The present work is believed to depict Benjamin Woolsey Rogers (1765-1859), part of a prosperous New York family that made a substantial fortune from the importation of hardware.

Rogers himself served as a governor of New York Hospital and was a founder of the Bloomingdale Asylum for the Insane. An engraving of Rogers by Saint-Mémin dated 1796 may possibly relate to the present work. C $1,200-1,800 See Illustration 2 Attributed to Rembrandt Peale American, 1778-1860 Portrait of a Gentleman (traditionally believed to depict Hilary Baker), circa 1805 Oil on canvas 26 1/2 x 22 inches Provenance: Berry-Hill Galleries, New York C $2,500-3,500 See Illustration 3 Attributed to Spoilun (Guan Zuolin) Portrait of Nathaniel Bowditch Oil on canvas mounted on Masonite 23 1/2 x 17 3/4 inches Provenance: Berry-Hill Galleries, New York C $4,000-6,000 See Illustration

4 Manner of Joseph Whiting Stock Young Girl in Red Dress Oil on canvas 30 x 25 inches Provenance: [Sale] Brunk Auction, Asheville, NC, Nov.4, 2006, lot 571 C $1,000-2,000 See Illustration

4 5 Attributed to Joseph Whiting Stock Boy in a Blue Dress with His Dog, circa 1840s Oil on canvas 30 x 25 inches Provenance: Smith College Museum of Art Peter Tillou, Litchfield, Connecticut [Sale] Bonhamâ&#x20AC;&#x2122;s September 23, 2014, lot 1189 Literature: Juliette Tomlinson, ed., The Paintings and the Journal of Joseph Whiting Stock, together with a checklist of his works compiled by Kate Steinway, Wesleyan University Press, Middletown, CT, 1976, p. 72, no. 17 and plate II:17 Peter Tillou, Where Liberty Dwells: 19th-Century Art by the American People, Works of Art from the Collection of Mr. and Mrs. Peter Tillou, Albright-Knox Gallery, Buffalo, NY, 1976, no. 62 C Property from a Beekman Place Apartment $4,000-6,000 See Illustration

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6 Augustus Saint-Gaudens American, 1848-1907 Portrait Medallion of Robert Louis Stevenson, 1887-88 Signed Augustus Saint-Gaudens, dated MDCCCLXXXVII and inscribed To Robert Louis Stevenson, along with Stevenson’s poem “To Will H. Low” from Underwoods; also inscribed under the figure Copyright by Augustus Saint-Gaudens Bronze with dark brown patina, possibly in the original frame Diameter 17 3/4 inches Provenance: Berry-Hill Galleries, New York In 1877 Saint-Gaudens shared a studio in Paris with Will Hickock Low, a close friend of Stevenson’s, although he and the author did not meet at that time. Later they met in New York, where Stevenson, who was gravely ill with tuberculosis, posed for Saint-Gaudens, sitting up in bed reading. The sculptor created three versions of the portrait, which were cast in varous sizes. This is the second version, which eliminates the foot of the bed and the lower quarter of the author’s body. C $10,000-15,000 See Illustration

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7 Titian Ramsay Peale American, 1799-1885 Looking Through a Grotto to a Bay, drawn while on the Wilkes Expedition to the South Seas, circa 1840 Ink on paper 4 7/8 x 5 1/2 inches Provenance: Jacqueline Hoffmire (a Peale descendant) Miss Ida Edelson, Germantown, PA Private Collection, CT Exhibited: Philadelphia, PA, Frank Schwarz & Son, A Gallery Collects Peales, May 1 - Jun. 27, 1987 Together with James Peale American, 1749-1831 Landscape with a Bridge Ink on paper 4 1/8 x 7 7/8 inches Unframed Provenance: Ida Edelson, Germantown, PA Private collection, CT C $800-1,200 See Illustration of Part

8 Robert Walter Weir American, 1803-1889 The Fountain of Cicero, 1829 Signed Robt W. Weir and dated 1829. (lr) Oil on canvas 14 1/8 x 22 inches Provenance: Gouverneur Kemble, Cold Spring, New York Mark Lurie, Indianapolis, IN, until 1972 Berry-Hill Galleries, New York Campbell Weir, great-grandson of the artist Berry-Hill Gallery, New York Exhibited: Philadelphia, PA, Pennsylvania Academy of Fine Arts, Nineteenth Annual Exhibition, 1830, no. 105 Lawrence, KS, University of Kansas Museum of Art, The Arcadian Landscape: Nineteenth Century American Painters in Italy, Nov. 4 - Dec. 3, 1972, no. 43 West Point, NY, Cadet Fine Arts Forum of the U. S. Corps of Cadets, Robert Weir: Artist and Teacher of West Point, 1976, no. 83 Literature: The Arcadian Landscape: Nineteenth Century American Painters in Italy, Lawrence, KS, University of Kansas, 1972, n.p. illus. n.p Robert Weir: Artist and Teacher of West Point, West Point, NY, Cadet Fine Arts Forum of the U. S. Corps of Cadets, 1976 pp. 42, 81 illus. Brigitte Bailey, “Cole and the Italian Landscape”, essay in American Iconology, New Haven, Yale University Press, 1933, pp. 103-104 illus. Betsy Fahlman, John Ferguson Weir: The Labor of Art, Newark, DE, The University of Delaware Press, 1997, pp. 22-23 illus. C $2,000-4,000 See Illustration 9 Bass Otis American, 1784-1861 Dido and Aeneas on the Quay at Carthage, 1850 Signed Painted by B. Otis and dated April 1850 (lr) Oil on canvas 43 x 58 1/2 inches Unframed Provenance: Berry-Hill Galleries, New York C $4,000-6,000 See Illustration

10 Elihu Vedder American, 1836-1923 Italian Landscape Signed Vedder (ll); signed Vedder and inscribed Minerva Medica as it was during the changes when making the new quarter on the reverse Oil on canvas laid to stretched canvas 7 1/2 x 12 3/4 inches Provenance: Berry-Hill Galleries, New York The structure depicted, thought to be the Temple of Minerva Medica, is actually a 4th century A. D. nymphaeum, or monumental fountain that was a part of the Horti Liciniani complex on the Esquiline Hill. The misnomer dates to the discovery of the Minerva Guistiniani excavated in the 17th century, though it is disputed that the famous work was even found at this site. The structure’s dome collapsed in 1828. The present work is a charming example of Vedder’s Italian landscapes. C $2,000-3,000 See Illustration

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11 Thomas Worthington Whittredge American, 1820-1910 A Scene near Brunnen on the Lake of the Four Cantons, Switzerland, 1859 Signed W. Whittredge and dated Rome 1859 Oil on canvas 39 1/4 x 53 1/2 inches Provenance: Brigham Young University, Provo, UT Berry-Hill Galleries, New York Exhibited: New York, Berry-Hill Galleries, Hudson River School Days, Nov. 18, 1992 - Jan. 9, 1993 Lake of the Four Cantons is another name for Lake Lucerne, located in central Switzerland and the fourth largest in the country. C $15,000-25,000 See Illustration

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12 George Inness American, 1825-1894 A Valley Within Mountains, circa 1875 Bears signature G. Inness (lr) Oil on paper laid to board 9 5/16 x 13 1/8 inches Provenance: Mrs. Elizabeth Inness, wife of the artist Rufus T. Bush, Brooklyn, NY Wendell T. Bush and Mary Louise Bush, New York, by inheritance Anna Plummer Hoagland (Mrs. Hudson Hoagland), Southborough, MA, by gift from her adopted father, Wendell T. Bush Hudson Hoagland, Southborough, MA, by inheritance Joan Hoagland Humphrey, Northport, NY By descent to the current owner, 1984 In a letter dated February 14, 2018, Dr. Michael Quick writes, “Your painting, which I shall title A Valley Within Mountains,... bears the signature added by the Inness estate.... The landscape has the appearance of a field sketch, painted on the spot, recording the shape of the valley and the facing ridge and mountain ranges. It was painted rapidly and with great skill and assurance over a tan underpainting, which the artist in numerous places has allowed to stand as a middle value. The terrain corresponds most closely with that of North Conway, New Hampshire, where Inness painted during the summer of 1875. However, no finished work has come to light that shares this vantage point.”

We extend sincere thanks to Dr. Quick for his kind assistance in authenticating the present work. A copy of his letter accompanies this lot. C $4,000-6,000 See Illustration 13 George Inness American, 1825-1994 Sunset, circa 1888 Signed G. I...ss (ll) Oil on board 9 1/2 x 13 inches Provenance: Mrs. Jonathan Scott Hartley (Helen Inness Hartley, daughter of the artist) By descent in the family Literature: Michael Quick, George Inness: A Catalogue Raisonné, Rutgers University Press, 2007, vol. II, cat. no. 1946, p. 237, illus. C The Estate of Barbara Hartley Lord $6,000-8,000 See Illustration 14 George Inness American, 1825-1894 Shepherdess, circa 1883-1885 Signed Geo. Inness (lr) Watercolor and gouache over graphite pencil on paper laid to board 6 3/4 x 9 3/4 inches Provenance: Mrs. Jonathan Scott Hartley (Helen Inness Hartley, daughter of the artist) By descent in the family Literature: Michael Quick, George Inness: A Catalogue Raisonné, Rutgers University Press, 2007, vol. II, no. 804, pp. 132-3, illus. p. 133 C The Estate of Barbara Hartley Lord $1,200-1,800 See Illustration

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15 Hermann Ottomar Herzog American/German, 1832-1932 Fisherfolk on the Beach, 1878 Signed H. Herzog and dated 1878 (lr) Oil on canvas 22 1/8 x 33 1/4 inches Provenance: The Collection of Nicholas Windisch-Graetz C $8,000-12,000 See Illustration

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16 Attributed to Mary Blood Mellen Ship Leaving Harbor by Moonlight (Castine Harbor) Oil on canvas 16 1/8 x 22 inches Provenance: Berry-Hill Galleries, New York Exhibited: Castine, ME, Castine Historical Society, 2008 C $2,500-3,500 See Illustration 17 Edward B. Gay American, 1837-1928 Boy with Boat, Long Island, 1885 Signed Edward Gay. (ll) Oil on canvas 17 1/8 x 26 3/4 inches Provenance: Berry-Hill Galleries, New York This work was painted in 1885, the year that Gay exhibited another Long Island scene, Washed by the Sea, at the National Academy of Design. That work was praised for its simple yet bold handling of space, air and light, and its masterful treatment of tone and gradation. This success inspired Gay to create a series of views of Long Island Sound. By the early 1880s, Gay was reportedly traveling the sound in search of subject matter on his steam yacht, the “Gitche Gumme,” which was said to be a “haven of pleasure for his friends” (Ronald G. Pisano, Long Island Landscape Painting, 1820-1920, Boston, 1985, p. 87.) C $3,000-5,000 See Illustration

18 William Trost Richards American, 1833-1905 (i) Bude Haven Signed Wm T Richards (ll) Oil on panel 4 3/4 x 7 inches (ii) Near Bude River Oil on board 4 3/4 x 7 inches Provenance: [Sale] Christie’s, New York, September 28, 2010, lot 165 Questroyal Fine Art, New York C Property from a Beekman Place Apartment $3,000-5,000 See Illustration

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19 19 Thomas Hill American, 1829-1908 Fishing in a Woodland Stream, 1872 Signed T. Hill and dated 1872 Oil on canvas 24 x 20 1/8 inches Provenance: Dartmouth College, Hanover, NH The Collection of Nicholas Windisch-Graetz C $10,000-15,000 See Illustration

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20 20 William Louis Sonntag, Sr. American, 1822-1900 Anglers by a Wood Signed W. L. Sonntag N. A. (ll) Oil on canvas 15 3/4 x 23 3/4 inches C Estate of Eve G. Kingsland $2,500-4,500 See Illustration 21 William Preston Phelps American, 1848-1923 Winter in the White Mountains, New Hampshire Signed W P Phelps (lr) Oil on canvas 24 x 16 inches Provenance: Henry Petty, Lowell, MA, circa 1929 Florence Petty McHale, by descent, circa 1952 Gwendolyn McHale Paiva and Carl H. Paiva, New York and Bermuda, 1982 C $2,000-3,000 See Illustration

22 William Preston Phelps American, 1848-1917 Children beside a River Signed W. P. Phelps (ll) Oil on canvas 18 x 30 inches Provenance: Henry Petty, Lowell, MA, circa 1929 Florence Petty McHale, by descent, circa 1952 Gwendolyn McHale Paiva and Carl H. Paiva, New York and Bermuda, 1982 C $4,000-6,000 See Illustration

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23 Julian Walbridge Rix American, 1851-1903 Birch Trees Signed Rix (lr) Oil on panel 14 x 9 5/8 inches Provenance: Berry-Hill Galleries, New York C $800-1,200 See Illustration 24 James Brade Sword American, 1839-1915 Farmhouse by a Lake Signed J. B. Sword (lr) Oil on canvas 22 x 36 inches C $500-700 23

25 William Keith American, 1838-1911 Evening Signed W. Keith and inscribed S F (lr) Oil on canvas 24 x 36 inches Provenance: The Collection of Nicholas Windisch-Graetz C $2,500-3,500 See Illustration

26 William C. Bauer American, 1862-1904 Old Saw Mill, 1889 Signed W. C. Bauer. and dated 89. (lr) Oil on canvas 14 x 26 1/4 inches C Estate of Elinor Steinhart $500-700 See Illustration

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27 Roger Medearis American, 1920-2001 Milking Time, 1947 Signed Medearis and dated 1947 (lr); signed Roger Medearis, dated 1947 inscribed with media and as titled on the reverse Egg tempera on board 14 x 18 inches Provenance: Berry-Hill Galleries, New York C $4,000-6,000 See Illustration

28 American School 19th Century A Farm on the Hudson River at Harvest Time Oil on canvas 18 x 24 inches C $500-700

29 American School 19th Century Farm in Winter Oil on canvas 18 x 24 inches Provenance: The Collection of Nicholas Windisch-Graetz C $800-1,200

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30 Samuel S. Carr American, 1837-1908 Caught in the Act, 1885 Signed S. S. Carr and dated 85 (lr) Oil on canvas 18 x 24 inches Provenance: [Sale]: James P. Silo’s Auction Rooms, NY, n.d. Helen Freidin, Brooklyn, NY, acquired circa 1950 Private Collection, Boca Raton, FL C $10,000-15,000 See Illustration

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31 Edward Percy Moran American, 1862-1935 Conversation in the Garden Signed E. Percy Moran with monogram (lr) Oil on canvas 24 x 18 inches Provenance: [Sale] Sotheby’s, New York, Dec. 18, 1991, lot 122 The Collection of Nicholas Windisch-Graetz C $1,500-2,500 See Illustration 32 John McAuliffe American, 1830-1900 Molly Signed J. McAuliffe (ll) Oil on canvas 20 x 24 inches Provenance: Hirschl and Adler Galleries, inc., New York H. V. Allison Galleries, Inc., New York Berry-Hill Galleries, New York C $1,500-2,500 See Illustration

33 33 William Aiken Walker American, 1838-1921 Cotton Pickers by a Field Signed WAWalker. with conjoined initials (ll); inscribed Field on the reverse Oil on board 9 1/8 x 12 inches Provenance: Kennedy Galleries, Inc., New York Berry-Hill Galleries, Inc., New York The present work is accompanied by a letter of authentication by Robert M. Hicklin, Jr., who writes that Cotton Pickers by a Field “is typical of the artist’s best work in this genre. The frame is of the type Kennedy Galleries would typically have used on paintings by Walker in the 1960s and 1970s, though more often we see it with a linen liner.” We extend our sincere thanks to Mr. Hicklin for his kind assistance in authenticating the present work. C $7,000-9,000 See Illustration

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34 34 Edward Moran American, 1829-1901 Bird Hunting, 1868 Signed Ed Moran and dated 1868 (ll) Oil on canvas 20 x 18 inches Provenance: Taylor Graham, New York Private Collection, Chappaqua, NY C $12,000-18,000 See Illustration

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35 Henry Herman Cross American, 1837-1918 Wa-She-Choon (White Man), 1862 Signed H. H. Cross., dated 1862 and inscribed No. 31 â&#x20AC;&#x153;Wa-She-Choon.â&#x20AC;?/White Man. (ul) Oil on canvas 36 x 29 inches Unframed Provenance: Berry-Hill Galleries, New York Born in Flemingville, NY, Henry H. Cross was a restless youth who ran away several times as a boy; at 16, in 1853, he traveled to Paris to study animal painting with Rosa Bonheur. When he returned in 1855 he went west with a circus, working as a painter of animal and Indian portraits. He was in Minnesota during the 1862 Sioux uprising, painting a number of portraits of the particpants, including this one of Wa-She-Choon, one of 39 men sentenced to be hanged on December 26, 1862 as a result of the rebellion. C $5,000-7,000 See Illustration 36 American School 19th/20th Century Plainsman Shooting Buffalo Oil on canvas 15 3/4 x 26 inches Provenance: Estate of H. Armour Smith Gift from the above, acc. 61.13.88 C Property of a Mid-Atlantic Museum to Benefit the Acquisitions Fund $500-700 See Illustration 35

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37 John Gutzon de la Mothe Borglum American, 1867-1941 Maquette for the Lincoln Memorial in Newark, New Jersey, 1910 Signed, dedicated and dated With love / to Paul Warburg / Gutzon Borglum / 1910 on the top of the bench; stamped Gorham & Co. Founders on the rear edge of the bench Bronze with greenish brown patina 20 1/2 x 27 x 17 inches Provenance: The artist Paul Moritz Warburg, New York By descent in the family C The James P. and Joan M. Warburg Collection $40,000-60,000 See Illustration

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38 John Gutzon de la Mothe Borglum American, 1867-1941 Self Portrait Signed J G Borglum, dated June 15 - 1904 and inscribed Phila (lr) Graphite pencil on paper 7 7/8 x 4 3/4 inches Provenance: The artist Paul Moritz Warburg, New York By descent in the family C The James P. and Joan M. Warburg Collection $1,000-1,500 See Illustration

39 Ruth Inge Hardison American, 1904-2016 W. E. B. DuBois Signed Inge and stamped Inge Hardison Plaster with bronzed patina Height 7 1/2 inches C $800-1,200 See Illustration

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MARY ELIZABETH 40 Mary Elizabeth Price American, 1877-1965 (i) Flower Border I Signed M. Elizabeth Price (ll); signed on the reverse M. Elizabeth Price and inscribed Screen Panels (Uncut) / 140 West 57th St. / Flower Border I / FLOWER Oil with gold leaf on board 50 x 19 1/2 inches (ii) Flower Border II Signed M. Elizabeth Price (lc); signed on the reverse M. Elizabeth Price and inscribed 140 W. 57 N.Y, / Flower Border II / BORDER Oil with gold, silver and copper leaf on board 50 x 19 1/2 inches Provenance for both: Arthur G. Altschul, New York Betty Wright Landreth, New York Exhibited: New York, The American Women’s Association, Inc., Exhibition of Work of Members, n.d. The daughter of a Quaker family with roots in the Shenandoah Valley, Mary Elizabeth Price is best known for her highly decorative paintings of floral panels, often with metal leaf backgrounds. Born in West Virginia, at a young age she moved with her family to a home in Solebury, in Bucks County, Pennsylvania, where she eventually developed close ties with the vibrant artists’ community there, and where she returned in the late 1920s. After attending the Friends Central School and the Philadelphia School of the Industrial Arts, Price studied still life painting and drawing at the Pennsylvania Academy of the Fine Arts, where her works were exhibited for more than twenty years. She studied with Hugh Breckenridge and Daniel Garber, and took private lessons from William Langson Lathrop. In 1917, Price was hired to teach art to public school children in New York City, in a program funded by Gertrude Vanderbilt Whitney. By 1921 she was exhibiting at the National Academy of Design. Earlier works appear diverse in subject, bearing titles such as City Lights, The Old Storehouse, and Spanish Galleon. By 1928, floral themes dominate: Mille Fleurs, Echinops and Phlox, Mallows, Delphinium Pattern. For a number of years, Price lived at 140 West 57th Street, a building constructed in the early 20th century to provide studios and residences for artists. However, by the late 1920s, she returned to Bucks County, living in an old stone cottage that she named the Pumpkin Seed. Her flower garden of irises, mallows, peonies, poppies, lilies, delphiniums and hollyhocks appears in the paintings for which she is best known: elaborate floral panels such as the present works, executed over backgrounds of as many as sixteen tones of metal leaf. Inspired by Tuscan Renaissance artists, she employed a sharp tool to incise her designs in gilded gesso, subsequently adding an array of perennials in brilliant hues. A New York Times critic wrote, “Her work combines a Sienese delicacy of line with a modern freedom in the use of color.” Flower Border II, an exquisite composition that epitomizes Price’s best work, appears to have been conceived and shown as a diptych. It was exhibited in a member’s show at the American Women’s Association’s new clubhouse at 353 West 57th Street, completed in 1929. The organization, of which Price was an officer, had been founded to enable professional women to network their way to success in the business world. In 1931 she, along with fellow painter Lucille Howard, painted a series of murals inspired by stitchery — traditionally considered “women’s work” — for the new headquarters. Mary Elizabeth Price was part of a family with close ties to the art world in both Pennsylvania and New York. Her brother F. Newlin Price owned Ferargil Gallery, which sold the work of many Pennsylvania Impressionists in New York. Another brother, Reuben Moore Price, was an artist, framemaker and art dealer in Pennsylvania, and a sister, Alice, also an artist, married another New Hope painter, Rae Sloan Bredin. C Property from the Estate of Betty Wright Landreth $60,000-100,000 See Illustration and Back Cover

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41 Abbott Fuller Graves American, 1859-1936 Fountain Signed Abbott Graves (lr) Oil on canvas 22 1/8 x 16 1/8 inches Provenance: [Sale] Christie’s New York, Sep. 23, 1992, lot 146 The Collection of Nicholas Windisch-Graetz C $3,000-5,000 See Illustration

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42 Richard Emil Miller American, 1875-1943 La Robe de Bal, circa 1900 Signed Miller (lr) Oil on canvas 18 x 15 inches Provenance: Berry-Hill Galleries, New York C $4,000-6,000 See Illustration

43 Henry Golden Dearth American, 1864-1918 Passing Wave, 1917 Signed Dearth (ll) Oil on panel 12 3/4 x 16 1/4 inches Provenance: Berry-Hill Galleries, New York C $1,000-1,500 See Illustration

44 Richard Emil Miller American, 1875-1943 Harbor Scene, circa 1918 Signed Miller (lr) Oil on canvas 16 x 20 inches Provenance: Berry-Hill Galleries, New York C $4,000-6,000 See Illustration

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45 Hugh Bolton Jones American, 1848-1927 Landscape in Spring Signed H Bolton Jones Oil on canvas 15 3/4 x 24 3/4 inches Provenance: Godel and Co. Fine Art, New York C $3,000-5,000 See Illustration

46 Hugh Bolton Jones American, 1848-1927 Spring Landscape with Pond and Trees Signed H. Bolton Jones Oil on canvas 16 1/8 x 25 1/8 inches Provenance: Godel and Co. Fine Art, New York C $3,000-5,000 See Illustration

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47 Leonard Ochtman American, 1854-1934 Sunset (Winter Tones), 1907 Signed Leonard Ochtman and dated 1907 (ll) Oil on canvas 30 x 40 1/8 inches Provenance: Berry-Hill Galleries, New York C $2,000-3,000 See Illustration

48 Carl Wuermer American, 1900-1981 Autumn Tranquility Signed Carl Wuermer (lr) and inscribed No. 312 on the stretcher Oil on canvas 19 x 29 inches Provenance: Grand Central Art Galleries, New York Adelaide and Harold Sutton, New York, NY and Armonk, NY, acquired from the above By descent to the current owner C $4,000-6,000 See Illustration

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49 Albion Harris Bicknell American, 1837-1915 Pink Roses in a Glass Vase, circa 1860s Signed A. H. Bicknell (lr) Oil on canvas 22 x 18 inches Provenance: Greenwich Gallery, Greenwich, CT Taylor Graham, New York Private Collection, Chappaqua, NY C $1,500-2,500 See Illustration

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50 Edward Middleton Manigault American, 1887-1922 Still Life with Tulips and a Rose in Blue Pitcher, 1918 Signed Manigault (ul) and dated 1918 (ur) Oil on canvas 22 18 x 14 3/8 inches Provenance: Montross Gallery, New York Salander-O’Reilly Galleries, Inc., New York Hollis Taggert Galleries, New York C $4,000-6,000 See Illustration

51 Edward Chalmers Leavitt American, 1842-1904 German Stein, Royal Worcester Vase and Roses, 1889 Signed E C Leavitt and dated 1889 (lr) Oil on canvas 23 3/4 x 20 inches Provenance: Berry-Hill Galleries, New York C $2,000-3,000 See Illustration

52 John William Hill American, 1812-1879 Lilacs, circa 1865-1870 Signed J. W. Hill (ll) Watercolor over pencil on paper, ovoid 13 1/4 x 11 1/2 inches Provenance: Berry-Hill Galleries, New York C $2,500-3,500 See Illustration

53 Alfred Thompson Bricher American, 1837-1908 Apple Blossoms, 1879 Signed A. T. Bricher, dated Montclair / May 1879, and inscribed illegibly (ll) Watercolor and gouache on paper 14 x 19 3/4 inches Exhibition: Boston, MA, Doll and Richards, Sixty-Nine Works by Alfred Thompson Bricher, April 12-13, 1882 Literature: “Sketches and Studies, From the Portfolios of R. Swain Gifford, Winslow Homer, Arthur Quartley, and A. T. Bricher,” The Art Journal For 1880, New Series, Vol. 6, New York, D. Appleton & Co., 1880, pp. 325-328, p. 327, illus. p. 328

In the article, “From the Portfolios of R. Swain Gifford, Winslow Homer, Arthur Quartley, and A. T. Bricher,” an unidentified author observes about the present work, “Mr. Bricher’s versatility and industry are suggested by the sketch of an apple-bough hung thick with blossoms, and which seem to give one the fragrance and soft airs of May. Bricher’s pictures indicate knowledge, industry, and skill, and are yearly going further and further in their use of the resources that modern times have endowed Art with. His academic instincts, which once were strong, are gradually breaking up: his studies in the schools of the Art-Students League have opened to his pencil a new and inviting vista.” C $4,000-6,000 See Illustration

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54 part

55 54 William Jacob Hays American, 1830-1875 (i) Ferns and Wildflowers and (ii) Two Orchids (Catasetum/Gongora Atropurpurea): Two The second signed with initials W. H. (ll) and inscribed Catasetum (ll) and Gongora Atropurpurea (cr) The first oil on paper mounted on canvas; the second oil on canvas The first 12 1/2 x 15 1/2 inches; the second 6 1/2 x 10 1/2 inches Provenance of both: Berry-Hill Galleries, New York C $1,500-2,500 See Illustration of Part

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56 part 55 William Jacob Hays American, 1830-1875 Four Orchids and a Bromeliad Inscribed Epedendron Stanfordianum (ul), Oncidium Cerebellum (cl), Lycasta Aromatica (c), and Oncedium Ampleatum Major (cr) Oil on canvas 12 1/2 x 15 1/2 inches Provenance: The artist William Jacob Hays, Jr., son of the above, by inheritance Hoffman R. Hays, son of the above, by inheritance Berry-Hill Galleries, New York C $800-1,200 See Illustration

56 William Jacob Hays American, 1830-1875 (i) Orchid (Lycaste Deppei) Inscribed Lycaste depii [sic] (ul) Oil on canvas mounted to canvas 10 3/4 x 4 1/2 inches Provenance: Brown-Corbin, Lincoln, MA Berry-Hill Galleries, New York Exhibition: Southampton, NY, The Parrish Art Museum, The Tenth Street Studio Building: Artist-Entrepreneurs from the Hudson River School to the Ameican Impressionists, June 8 - Aug. 10, 1997 and New York, The Nation Academy Museum and School of fine Arts, Aug. 21 - Nov. 16, 1997 (ii) Two Orchids (Aspasia Epidendroides / Species Epidendrum), 1870 Dated Mar. 28, 1870 (ur) Oil on canvas mounted on canvas 5 1/4 x 12 3/4 inches Provenance: Berry-Hill Galleries, New York C $800-1,200 See Illustration of Part

57 Levi Wells Prentice American, 1851-1935 Mullen Plant by Fence Signed L. W. Prentice. (ll) Oil on canvas 26 x 18 1/8 inches Provenance: Berry-Hill Galleries, New York Exhibited: Blue Mountain Lake, NY, The Adirondack Museum, Levi Wells Prentice, May 29-Oct. 12, 1993, no. 180 Literature: Barbara L. Jones, Nature Staged: The Landscape Paintings of Levi Wells Prentice,1993, illus. pl. 49 C $4,000-6,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33

WILLIAM MICHAEL 58 William Michael Harnett American, 1848-1892 To This Favour - A Thought from Shakespeare, 1879 Signed WMHarnett with conjoined initials and dated 1879 (ll) Oil on canvas 24 x 20 inches Provenance: Private collection, Hartford, CT Berry-Hill Galleries, New York Private collection, New York Literature: American Paintings, New York, Berry-Hill Galleries, 1981, p. 13, illus. Barbara S. Groseclose, “Vanity and the Aritst: Some Still Life Paintings by William Michael Harnett,” American Art Journal, Vol. 19, No. 1 (1987), pp. 53-54 Chad Mandeles, “Grave Counsel: Harnett and Vanitas,” in William M. Harnett (New York, Metropolitan Museum of Art, 1992), pp. 254-55, illus. fig. 117 The title of this work refers to Shakespeare’s quotation from Hamlet (Act V, Scene I), inscribed on the paper at the lower center, “Now get you to my lady’s chamber and tell her, let her paint an inch thick, to this favour she must come.” Another version of this work , also dated 1879, is in the collection of the Cleveland Museum of Art. C $50,000-70,000 See Illustration

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59 Nicholas Alden Brooks American, 1840-1904 A Desktop Still Life, 1890 Signed N. A. Brooks and dated N.Y. 1890 (ll) Oil on canvas laid to Masonite 9 x 11 inches Provenance: [Sale] William Doyle Galleries, New York, 19th and 20th Century American and European Paintings, Feb. 25, 1982, lot 111, illus. Berry-Hill Galleries, New York C $1,800-2,200 See Illustration

60 Nicolas Alden Brooks American, 1880-1904 Five Dollar Bill with Clipping, 1880 Signed N. A. Brooks/N. Y. below the bill (lr) Oil on panel 7 x 9 1/2 inches Provenance: H.V. Allison Galleries, Inc., New York (no. HV 0204, as An Actual Necessity Berry-Hill Galleries, New York Exhibited: New York, Berry-Hill Galleries, Old Money: American Trompe l’Oeil Images of Currency, Nov. 11-Dec. 17, 1988. no. 4 C $3,000-5,000 See Illustration

61 De Scott Evans American, 1847-1898 Still Life with Grapes, 1886 Signed De Scott Evans and dated 86 (ll) Oil on canvas 11 1/4 x 8 1/4 inches C $800-1,200 See Illustration

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62 Andrew John Henry Way American, 1826-1888 Still Life of Hanging Grapes, circa 1873 Signed A. J. H. Way (ll) Oil on panel 20 x 9 7/8 inches Provenance: Berry-Hill Galleries, New York C $1,500-2,000 See Illustration 63 William Mason Brown American, 1828-1898 Bowl of Strawberries Signed with conjoined initials WM Brown (lr) Oil on canvas 15 1/4 x 20 inches Provenance: Berry-Hill Galleries, New York C $3,000-5,000 See Illustration

64 Bryant Chapin American, 1859-1927 Stawberries, 1903 Signed Bryant Chapin and dated 1903 (lr) Oil on canvas 13 x 17 inches Provenance: Vose Galleries, Boston Berry-Hill Galleries, New York C $1,000-1,500 See Illustration

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65 George Cochran Lambdin American, 1830-1896 Climbing Roses, 1882 Signed Geo. C. Lambdin and dated 82. (lr) Oil on canvas 30 x 20 inches Provenance: Berry-Hill Galleries, New York Exhibited: New York, Berry-Hill Galleries, American Beauty: The Rose in American Art (1800-1920), May 20 - July 18, 1997 C $7,000-9,000 See Illustration

66 Abbott Fuller Graves American, 1859-1936 Roses Signed Abbott Graves (lr) Oil on canvas 14 x 18 inches C $6,000-8,000 See Illustration

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67 Benjamin Ferris Gilman American, 1856-1934 Mallows Signed B. F. Gilman (lr) Oil on canvas 32 1/8 x 22 1/8 inches Provenance: The artist’s daughters, Julia Ferris Gilamn Ashley and Claudine Scott Gilman (Mrs. Alvin Christian) Kraenzlein By inheritance to the latter’s daughter Claudine Kraenzlein von Eberlin Tvede By inheritance to her daughters Bodil Tvede, Susanna Tvede, and Bettina Tvede Barret Schwarz Gallery, Philadelphia, PA Private collection, acquired from the above Exhibited: Scranton, PA, Everhart Museum, Exhibition of Paintings by Julia Ashley, April 2 May 4, 1935, no. 30 Literature: Schwarz Gallery, Philadelphia, PA, The Gillmans, Philadelphia Collection LXI, October 1996, pl. 18 Schwarz Gallery, Philadelphia, PA, One Hundred Fifty Years of Philadelphia Still Life Painting, Philadelphia Collection LXII, February, 1997 C $1,000-1,500 See Illustration

68 Henry Augustus Ferguson American, 1845-1911 Street of Seideh Zeyneb, Cairo, circa 1880 Signed Henry A. Ferguson (ll); inscribed as titled on a fragmentary exhibition label affixed to the frame Oil on canvas 38 5/8 x 28 inches Exhibited: New York, National Academy of Design, 1881, no. 321 C Property of a New York Museum $8,000-12,000 See Illustration 69 Harry Humphrey Moore American, 1844-1926 Mending at Home, 1881 Signed H Humphrey Moore and dated 81 (ll), inscribed No. 25 / Mending at Home on a paper label on the reverse Oil on panel 5 1/4 x 7 3/4 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Mr. and Mrs. P. Ohanian, New York, circa 1950 Thence by descent to the present owner C $1,200-1,800 See Illustration

70 Harry Humphrey Moore American, 1844-1926 Rainy Day at Hotel Entrance, 1881 Signed H Humphrey Moore and dated 81, inscribed No. 27 / Rainy Day at Hotel Entrance on a paper label on the reverse Oil on panel 7 3/4 x 5 1/4 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Mr. and Mrs. P. Ohanian, New York, circa 1950 Thence by descent to the present owner C $700-900 See Illustration

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71 71 Harry Humphrey Moore American, 1844-1926 Boatman, 1881 Signed H Humphrey Moore and dated 81 (ll); inscribed No. 10 and No. 10 / Boatman on a paper label on the reverse Oil on panel 7 3/4 x 5 1/8 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Mr. and Mrs. P. Ohanian, New York, circa 1950 Thence by descent to the present owner C $1,000-1,500 See Illustration 72 Harry Humphrey Moore American, 1844-1926 A Storm Scene in Yokohama Signed H H Moore (lr) Oil on panel 7 3/4 x 5 1/4 inches Provenance: The artist By descent to his wife, Maria Moore, 1926 Gift of the above to Mr. and Mrs. P. Ohanian, New York, circa 1950 Thence by descent to the present owner

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In 1996, in his introduction to the exhibition calalogue for a landmark exhibition American Artists in Japan presented by Hollis Taggart Galleries, New York, Dr. William H. Gerdts wrote, “. . . as a figure and genre painter, the deaf-mute Harry Humphrey Moore was the first American painter to seriously address the appearance and mores of the Japanese people. . . A member of the prestigious Bohemian Club, Moore was in San Francisco in 1880, a city where his work was much appreciated, and from which he left for a fairly extended stay in Japan the following year. Moore painted about sixty small Japanese scenes of subjects such as Japanese temples, formal gardens, tombs, tradespeople, workmen, and Geisha girls. Unfortunately, few of Moore’s Japanese paintings have surfaced in recent years” “Moore’s painting of scenes in Tokyo, Yokohama, Kyoto, Nikko, and Osaka recall very well the academic procedures of his Parisian teachers, maintaining Western perspective and chiaroscuro.” “One critic, writing decades after the fact, credited the Japanese paintings by Harry Moore with stimulating his good friend, Robert Blum, to travel to Japan.” [William H. Gerdts, “American Artists in Japan,” Hollis Taggart Galleries, New York, pp. 5, 7] Since Dr. Gerdts wrote his insightful essay, Doyle has offered several works from Harry Humphrey Moore’s Asian sojourn. Prized by the artist through his lifetime, the Japanese paintings were protected by his widow following his death, and she brought them to America following the second World War. The present work, depicting two exquisite young women dressed in kimonos, a baby astride the back of one of them who is also carrying an umbrella, is enchanting. C $1,500-2,500 See Illustration

73 Frederick William MacMonnies American, 1863-1937 La Raseur, (Monsieur Cardin), circa 1901 Oil on burlap 70 3/4 x 41 1/2 inches Provenance: Berry-Hill Galleries, New York Exhibited: Liege, Belgium, Exposition Universelle et Internationale de Liege, 1905 University Park, PA, Palmer Museum of Art, Pennsylvania State University, Interlude at Giverny, October 23, 2000 February 25, 2001 and Giverny, France, Musee d’Art Americain, April 1 - June 24, 2001 Literature: Thompson, Whitney. “Frederick William MacMonnies (1863-1937).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000-. http://www.metmuseum.org/ toah/hd/macm/hd_macm.htm (March 2016) C $8,000-12,000 See Illustration

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74 Bessie Potter Vonnoh American, 1872-1955 A Young Mother, 1899-1903 Signed Bessie Potter/Copyrighted Bronze with brown patina Height 15 inches Provenance: Berry-Hill Galleries, New York C $10,000-15,000 See Illustration

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75 Anna Vaughn Hyatt Huntington American, 1876-1973 Joan of Arc, 1915 Signed Anna V. Hyatt, stamped Gorham Co. Founders/0802 and #13 Bronze with dark brown patina, marble base Height to top of sword 18 1/4 inches Provenance: Berry-Hill Galleries, New York C $8,000-12,000 See Illustration

76 Bessie Potter Vonnoh American, 1872-1955 Good Night (Girl in a Nightgown) Signed Bessie Potter Vonnoh, numbered IIII/XXIX, stamped R.B.W. for Roman Bronze Works Bronze with brown patina attached to stone base Height 9 inches Provenance: Berry-Hill Galleries, New York C $5,000-7,000 See Illustration

77 Burl Jones American, 20th Century Miner, 2003 Signed Burl Jones, dated 03 and numbered 4/15 Bronze with brown patina Height 22 inches C $600-900

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78 Leopold Gould Seyffert American, 1887-1956 Model in Flowered Kimono, 1923 Signed Leopold Seyffert and dated 1923 (ll) Oil on canvas 30 x 25 inches Provenance: Grand Central Art Galleries, Inc., New York Private Collection Berry-Hill Galleries, New York Exhibition: New York, Berry-Hill Galleries, Leopold Seyffert Retrospective Exhibition, April 9 May 11, 1985, no. 18 C $2,000-3,000 See Illustration 79 Sir James Jebusa Shannon, R.A. Anglo-American, 1862-1923 Portrait of a Dutch Girl (Dirkje), circa 1891-1896 Signed with initials J. J. S. (lr) Oil on canvas 16 1/4 x 12 1/8 inches Provenance: The artist Mrs. Phylis Keigwen Mugliston, sister-in-law of the artist’s daughter Stephen R. Sharp Fine Art Berry-Hill Galleries, New York

Exhibiton: London, Fine Art Society, 1896 London, Leicester Galleries, 1923, no. 26 Literature: Barbara Dayer Gallati, “James Jebusa Shannon,” Antiques Magazine, November, 1988, Vol. CXXIV, No. 5, pp. 1137-39, illus. Plate X Portrait of a Dutch Girl dates to 1891-1896, a period when the artist was spending his summers at the Dutch art colony of Egmond aan Zee. While Shannon’s usual sitters were people of wealth and elegance, this touching likeness represents his Dutch servant, Dirkje. The artist’s energized brushstroke, his descriptions of fabrics and textures, and the individualizaton of the figure are particularly telling in this image. C $3,000-5,000 See Illustration

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80 Irving Ramsey Wiles American, 1861-1948 Mother Bathing a Child Signed by Irving Wiles and inscribed Trade for the Century Co. (ll) Ink on paper 19 1/4 x 15 1/4 inches Provenance: Berry-Hill Galleries, New York C $700-900 See Illustration 81 William McGregor Paxton American, 1869-1941 Female Nude Signed Paxton (ll) Pencil on card 16 1/4 x 11 7/8 inches Provenance: Berry-Hill Galleries, New York C $800-1,200 See Illustration

82 Francis Coates Jones American, 1857-1932 Girl with Tambourine Signed Francis C. Jones (ul) Oil on panel 9 1/2 x 7 5/8 inches Provenance: Berry-Hill Galleries, New York C $1,200-1,800 See Illustration 83 Emile Gruppe American, 1896-1978 Nude at Forest’s Edge Signed Emile A. Gruppe (ll) Oil on panel 16 x 12 inches C $2,000-3,000 See Illustration 84 Charles Dana Gibson American, 1867-1944 Girl in Red and Blue, 1942 Signed C.D. Gibson (ll) and dated 1942 (lr) Oil on canvas 37 1/2 x 28 inches Provenance: Berry-Hill Galleries, New York C $2,000-3,000 See Illustration

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85 Louis Le Breton French, 1818-1866 View of New York Harbor with Castle Garden, circa 1850 Signed Le Breton (ll) Watercolor and gouache on paper 7 x 11 5/8 inches Provenavce: Donaldson, Lufkin, and Jenrette, New York C $6,000-8,000 See Illustration

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86 Louis Maurer American/German, 1832-1932 View of Forty-third Street West of Ninth Avenue, circa 1883 Inscribed West 43rd St - 9th Ave/about 1883/By Louis Maurer and Forty-third Street West of Ninth Ave./Painted about 1883 by Louis Maurer./The first stoop on the right was his home. on the reverse Oil on canvas 18 x 24 inches Provenance: The artist Michael J. de Sherbinin, New York, 1931-1938 Stephen C. Clark, New York, Nov. 1938-1960 Thence by descent in the family Berry-Hill Galleries, New York Literature: Life in America (New York, Metropolitan Museum of Art, 1939), p. 206, illus. Howard Devree, “America in Perspective,” The New York Times, July 16, 1939, p. 111, illus.Herman Warner Williams, Jr., Mirror to the American Past: A Survey of American Genre Painting 1750-1900, (Greenwich, CT, 1973), pp. 216, 218, illus. Exhibited: New York, Metropolitan Museum of Art, Life in America, Apr. 24-Oct. 29, 1939, no. 270 Dallas, Museum of Fine Arts, Famous Families in American Art, Oct. 8-Nov. 20, 1960, no. 48. Louis Maurer immigrated to New York from Germany at 19, establishing himself as a lithographer. He worked for Currier and Ives and later founded his own firm, Maurer & Heppenheimer. He lived at 404 West 43rd Street in Hell’s Kitchen from 1868 until his death in 1932. His son, the modernist painter Alfred Maurer, lived in a small room on the top floor of the house. C $2,500-3,500 See Illustration

87 George Wesley Bellows American, 1882-1925 Winter Morning Signed Geo Bellows (lc) Crayon, pencil and ink on paper 5 7/8 x 8 3/4 inches Provenance: Hirschl and Adler Galleries, Inc., New York Private collection, acquired from the above, late 1990s C $4,000-6,000 See Illustration

88 Winthrop Duthie Turney American, 1884-1965 Ebbets Field Signed Winthrop Turney (ll) Graphite on illustration board 16 1/2 x 16 inches Provenance: Berry-Hill Galleries, New York C $800-1,200 See Illustration

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89 James Henry Daugherty American, 1889-1974 The Picnic Watercolor and pencil on paper 14 3/4 x 11 1/2 inches C Property from a New York Corporate Collection $800-1,200 See Illustration 90 James Henry Daugherty American, 1889-1974 Ham and Hash Signed Daugherty (ll) Graphite and gouache on paper 22 x 15 inches C Property from a New York Corporate Collection $1,000-2,000 See Illustration 91 James Henry Daugherty American, 1889-1974 Fifth Avenue Bus Graphite and gouache on paper 26 1/4 x 22 1/8 inches C Property from a New York Corporate Collection $1,500-2,500 See Illustration

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92 Johann Berthelsen American/Danish, 1883-1972 Snowy Afternoon in New York Signed Johann Berthelsen (lr) Oil on artist’s board 12 x 9 inches C Estate of Doris Frank $3,000-5,000 See Illustration

93 Johann Berthelsen American/Danish, 1883-1972 Central Park at Night Signed Johann Berthelsen (lr) Oil on canvas 22 x 28 inches Provenance: Traders in Treasures, New York [Sale] Sotheby’s, New York, Mar. 8, 2007, lot 153 C $5,000-7,000 See Illustration

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Prints 94 George Brookshaw (1751-1823) [FRUIT STUDIES] Six hand-colored color aquatints and stipple engravings, from Pomona Britannica, published by G. Brookshaw, London, 1804-1812, with good or full margins, framed. Sight of each sheet 18 1/4 x 15 inches C Property of a Manhattan Lady $2,000-3,000 See Illustration of Part

94 part

95 George Brookshaw [FRUIT STUDIES] Eight hand-colored color aquatints and stipple engravings, from Pomona Britannica, published by G. Brookshaw, London, 1804-1812, with good or full margins, framed. Sight of each sheet 17 1/4 x 13 1/4 inches C Property of a Manhattan Lady $2,000-3,000 See Illustration of Part

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96 After John James Audubon (1785-1851) DOWNY WOODPECKER Hand-colored etching, aquatint and engraving by R. Havell, 1836, on J. Whatman paper watermarked 1831, plate CXII from The Birds of America, with good margins, framed .Plate 26 1/4 x 21 inches Sheet 31 x 25 inches Provenance: Lucille Pelouze Leisure, New York; Hon. Peter Keeton Leisure; Thence by descent C Estate of Peter K. and Kathleen B. Leisure $600-900 See Illustration

97 After John James Audubon RED-NECKED GREBE Hand-colored etching, aquatint and engraving by R. Havell, 1836, on J. Whatman watermarked paper, plate CCXCVIII from The Birds of America, with good margins, framed. Plate 15 x 20 5/8 inches; Sheet 24 3/4 x 29 5/8 inches C $800-1,200 See Illustration 96

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98 After John Christian Schetky (1778-1874) THE BATTLE BETWEEN THE “H.M.S. SHANNON” AND THE “U.S.S. CHESAPEAKE” Set of four hand-colored lithographs by L. Haghe, published by Smith, Elder & Co., London. Sight of each sheet 15 x 17 1/2 inches C Property of a Long Island Estate $1,500-2,500 See Illustration of Part

98 part

99 Kurz & Allison, publishers ASSAULT ON FORT SANDERS; BATTLE OF CHANCELLORSVILLE; BATTLE OF CORINTH; FALL OF PETERSBURG; SIEGE OF VICKSBURG; THE FORT PILLOW MASSACRE Six chromolithographs, 1888-92, with margins. Image of each approximately 17 x 25 inches C $1,000-1,500 See Illustration of Part

99 part

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FURNITURE & DECORATIVE ARTS

Lot 157

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103 Chippendale Mahogany Serpentine Chest of Drawers Possibly Salem, circa 1775 The top with a molded edge, above four graduated drawers and a cockbeaded case, raised on claw and ball feet. Height 33 inches, width 38 inches, depth 21 inches. Provenance: Israel Sack, Inc., New York, New York and with paper label. C $1,500-2,500 See Illustration 104 William and Mary Pine and Maple Tavern Table The rectangular top above a long frieze drawer, on a turned base. Height 28 inches, width 38 1/2 inches, depth 29 1/2 inches. C Estate of Leo Hershkowitz $300-500 105 American Pine Hutch Table With hinged lid to seat. Height 30 inches, width 53 inches, depth 35 1/2 inches. C $400-600

100 100 Queen Anne Walnut Tilt-Top Tripod Stand Possibly Chester County, Pennsylvania, last quarter of the 18th century The dished top with a molded edge, on a shaped block, turning on a baluster stem, raised on three cabriole legs ending in pad feet. Height 28 1/4 inches, diameter 21 3/4 inches. C $600-900 See Illustration 101 Chippendale Mahogany Parcel Gilt Mirror 18th Century The scrolled and pierced crest centering a phoenix. Height 38 1/4 inches, width 22 inches. C Property of a Long Island Estate $400-600 102 Chippendale Walnut Slant-Front Desk Delaware Valley, second half of the 18th century The interior with prospect door, document drawers, valanced pigeonholes and stepped serpentine drawers, the case with four graduated drawers, on ogee bracket feet. Height 49 inches, width 39 1/2 inches, depth 22 1/2 inches. C $800-1,200 54 DOYLE • APRIL 18, 2018 • NEW YORK

103

106 Chippendale Maple Chest on Chest New England The molded cornice over a fan-carved drawer flanked by two small drawers on either side, over four long graduated drawers, the lower section with three long drawers, on ogee bracket feet.Height 6 feet 4 inches, width 39 1/2 inches, depth 21 1/4 inches. C $1,000-1,500 107 American Pine Slant-Front Clerk’s Desk 19th Century Height 37 1/2 inches, width 30 3/4 inches, depth 21 1/4 inches. C Estate of Leo Hershkowitz $250-350 108 George III Mahogany Bowfronted Side Table Circa 1800 Height 29 3/4 inches, width 39 inches, depth 19 5/8 inches. C $200-300

109 Federal Mahogany Parcel Gilt Mirror Late 18th century With a phoenix crest and scrolled pediment, the shaped plate flanked by pendant fruit and foliage, scrolled apron. Height 47 1/4 inches, width 22 3/4 inches. C Property of a Long Island Estate $3,000-4,000 See Illustration 110 Queen Anne Mahogany Corner Chair Massachusetts, 18th century The molded crest and flat scrolled arms above two pierced splats and columnar supports, over a slip seat and shaped apron, on cabriole and straight legs. C Property of a Long Island Estate $1,500-2,000 See Illustration

112 Federal Fruitwood and Maple Tester Bed 19th Century Height of post 7 feet 3/4 inches, length 6 feet 7 inches, width 52 inches. C $500-700 113 Pair of Chippendale Style Brass Andirons Early 20th century Height 26 inches, depth 22 3/4 inches. Provenance: George and Lucille Leisure, 660 Park Ave, NYC C Estate of Peter K. and Kathleen B. Leisure $800-1,200

111 Queen Anne Maple Chest on Frame 18th Century The molded cornice above two short and four long graduated drawers, the stand with a long drawer and scrolled apron on cabriole legs.Height 5 feet 1 inch, width 39 1/4 inches, depth 19 1/2 inches. C $700-1,000

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114 Chippendale Mahogany Slant-Front Desk 18th Century The interior with concave fan motifs, prospect door, valanced pigeonholes and small drawers, the case with four graduated drawers and a gadrooned apron, on claw and ball feet. Height 43 inches, width 47 1/2 inches, depth 23 1/2 inches. Provenance: By repute, Collection of Gypsy Rose Lee C Estate of Peter K. and Kathleen B. Leisure $1,500-2,500

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115 Federal Maple Tilt-Top Stand 19th Century With an octagonal top on a four-legged base. Height 27 1/2 inches, width 19 1/2 inches, depth 13 1/4 inches. C $300-400

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116 Classical Brass Mounted and Inlaid Mahogany Fold-Over Card Table Possibly Philadelphia, circa 1820 The top with a molded edge and bowed outset center, above a conforming frieze, on a lyre support and four molded sabre legs with brass paw casters. Height 30 1/2 inches, width 36 1/2 inches, depth 18 inches. C $1,500-2,500 See Illustration 117 Classical Giltwood Convex Mirror 19th Century Diameter 17 inches. C $300-400 118 Classical Gilt Bronze Mounted Mahogany Pier Table Height 36 1/2 inches, width 41 5/8 inches, depth 17 3/4 inches. C $700-1,000 119 Classical Style Marble Top Mahogany Console On term-form supports. Height 39 1/2 inches, width 42 inches, depth 13 3/4 inches. C $500-700

116

120 Classical Gilt-Bronze Mounted Mahogany and Marble Pier Table Manner of Duncan Phyfe, New York, second quarter of the 19th century The rectangular marble top with a reeded edge above a frieze with brass inlaid edge, and floral mounts, over marble columnar supports and pilasters centering a mirrored panel, the concave platform base on acanthus carved paw feet. Height 37 inches, width 42 inches, depth 18 inches. C $1,500-2,500 See Illustration 121 Federal Inlaid and Parcel-Gilt Mahogany and Églomisé Mirror 19th Century With scrolled pediment, the frieze inlaid with Prince of Wales plumes. Height 52 1/2 inches, width 23 1/2 inches. C $1,500-2,000

120

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122 George III Inlaid Mahogany Dining Table With two D-shaped ends and two leaves. Height 29 1/4 inches, width extended 8 feet 1 1/2 inches, depth 51 inches. C $1,200-1,800

123 Chippendale Maple Chest of Drawers With four long drawers, on bracket feet. Height 43 1/4 inches, width 38 1/2 inches, depth 19 inches. C $500-700 124 Federal Mahogany Tall Case Clock Simon Willard, Boston, Circa 1800 The arched hood with scrolled pierced cresting and three brass finials, painted dial with moon phase and subsidiary seconds hand, the case with brass mounted reeded corner columns, banded and molded door and banded base, on bracket feet. Height 8 feet 2 1/2 inches, width 20 1/4 inches, depth 10 1/8 inches. C $5,000-8,000 See Illustration and Inside Front Cover 125 George II Marble Top Mahogany Serpentine Console Raised on cabriole legs. Height 28 inches, width 53 1/2 inches, depth 22 1/2 inches. C $1,000-1,500 126 Federal Style Inlaid Mahogany Fold-Over Card Table Height 29 1/2 inches, width 35 3/4 inches, depth 18 1/2 inches. C $300-500 127 Pair of Federal Inlaid Mahogany Demilune Consoles Each inlaid with urns. Height 28 1/2 inches, width 37 1/2 inches, depth 18 1/4 inches. C $1,000-1,500

128 Federal Inlaid Mahogany Sideboard Philadelphia or Baltimore, early 19th century With rounded ends and inset serpentine center, the frieze drawer above two cupboard doors, all flanked by cupboard doors, on square tapering legs. Height 40 1/2 inches, width 6 feet 3 inches, depth 27 1/4 inches. C $1,000-1,500 129 Set of Ten Federal Style Mahogany Dining Chairs Including two armchairs. Height of armchair 35 3/4 inches, width 23 3/4 inches, depth 17 inches. C Property of a Long Island Estate $800-1,200 130 Group of Eight Salt Glazed Stoneware Crocks 19th Century Impressed with various New York City vendorâ&#x20AC;&#x2122;s names. Heights 9 1/4 - 16 3/4 inches. C Estate of Leo Hershkowitz $400-600 131 Federal Style Mahogany Parcel Gilt Mirror 19th Century With a phoenix crest, pendant flowers and fruit at the sides. Height 50 1/2 inches, width 29 3/4 inches. C Property of a Long Island Estate $1,200-1,800 132 Set of Four George III Style Brass Two-Light Sconces with Glass Shades Height 20 1/2 inches, width 14 inches, depth 9 inches. C Property of a Long Island Estate $800-1,200

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133 Copper Eagle Weathervane 19th Century With a directional arrow. Height 48 1/2 inches, width 60 inches, depth 27 inches. C Property of a New York Collector $1,200-1,800 See Illustration 134 Figured Maple Corner Basin Stand Height 34 inches, width 29 3/4 inches, depth 21 inches. C $200-300 133

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135 Two Slat-Back Rush Seat Rocking Chairs Pennsylvania 19th century Height of one 44 inches, width 25 inches, seat depth 17 inches. C $200-300 136 Two Cobalt Decorated Salt Glazed Stoneware Jugs Early 19th century Impressed C. CROLIUS MANUFACTURER NEW YORK. Height of taller 12 1/2 inches. C Estate of Leo Hershkowitz $600-900 See Illustration 137 William and Mary Style Walnut and Burl Walnut High Chest Height 64 1/2 inches, width 39 1/2 inches, depth 20 1/4 inches. C Estate of Howard Kaminsky $500-700 138 Carved and Painted Ship’s Figurehead 19th Century Height 46 inches. C Property of a New York Collector $800-1,200 See Illustration 139 Chippendale Walnut Blanket Chest Pennsylvania The interior with a till above two small drawers, the dovetailed case with two drawers, on bracket feet. Height 26 3/4 inches, width 48 inches, depth 19 3/4 inches. C Estate of James H. Wickersham Jr. $600-900 140 Baroque Style Brass Six-Light Chandelier Height 20 inches, diameter 29 inches. C $400-600

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141 Set of Seven Chippendale Style Mahogany Side Chairs 19th Century Each with lozenge splat needlepoint slip seat and, on cabriole legs with claw and ball feet. C $800-1,200 142 American Painted and Decorated Childâ&#x20AC;&#x2122;s Fancy Armchair 19th Century Height 20 inches, width 12 1/4 inches, depth 11 1/2 inches. Provenance: Hirschl & Adler, New York C $400-600 See Illustration 143 George III Style Double-Pedestal Dining Table Each columnar standard on four downswept legs with brass cap casters, two leaves. Height 29 1/2 inches, width extended 8 feet 10 inches, depth 47 1/4 inches. C Property of a Long Island Estate $800-1,200

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144 Federal Style Mahogany Parcel Gilt Mirror Height 59 1/2 inches, width 23 1/4 inches. C Property of a Long Island Estate $200-300 145 Federal Mahogany Tilt-Top Tripod Stand New England, late 18th/early 19th century The serpentine top with a molded edge, raised on fluted and leaf carved tapering standard and three cabriole legs with pad feet. Height 27 1/2 inches, 20 1/2 inches square. C Property of a Long Island Estate $800-1,200 See Illustration 146 George III Mahogany Chest of Drawers 18th Century The top with a molded edge above two short and three long drawers, on ogee bracket feet. Height 36 inches, width 37 1/4 inches, depth 17 inches. C Estate of James H. Wickersham Jr. $600-900 147 Chippendale Mahogany Slant Front Desk Massachusetts, circa 1770 The interior with paneled prospect door, document drawers and valanced pigeonholes, above two small drawers, the case with four graduated lip-molded drawers, on claw and ball feet. Height 42 inches, width 36 inches, depth 22 inches. C Estate of James H. Wickersham Jr. $400-600 145

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148

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148 Two Staffordshire Historical Blue Pottery Alms House New York Platters J.&W. Ridgway, circa 1825 From the Beauties of America. Lengths 16 1/2 and 16 3/4 inches. C Estate of Leo Hershkowitz $800-1,200 See Illustration 149 Group of Staffordshire Historical Blue Pottery Landing of Lafayette Articles Clews, circa 1825 Comprising basin, diameter 12 7/8 inches; dark blue platter, length 15 1/4 inches; and dark blue square covered dish, 12 1/4 inches square. C Estate of Leo Hershkowitz $800-1,200 See Illustration 149

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150 Group of Four Staffordshire Historical Blue Pottery Jugs 19th Century Comprising one depicting Alms House New York and Hartford Asylum, possibly Stubbs, height 7 inches; one depicting City Hall New York and New York Hospital, height 7 inches; one depicting City Hall New York and Boston State House, height 6 inches; and one depicting City Hall New York and New York Hospital, of lobed form, height 7 inches; Together with a Staffordshire Pottery Brown Transfer Printed Jug. Depicting Picturesque Views, Glenns Falls Hudson River. Height 9 1/4 inches. C Estate of Leo Hershkowitz $400-600

151 Group of Staffordshire Historical Blue Pottery Landing of Lafayette Articles Clews, circa 1825 Comprising six plates, three marked Greenfield’s China Store No. 77 Pearl Street New York, diameter of six 9 inches; two plates, one marked Greenfield’s China Store No. 77 Pearl Street New York, diameters 10 1/8 inches; four plates, diameter 6 3/4 inches, one plate, diameter 7 3/4 inches; two cup plates, diameters 3 1/2 and 4 1/2 inches; and five handleless teacups, each with L mark. See Illustration of Part C Estate of Leo Hershkowitz $400-600 See Illustration of Part 152 Staffordshire Historical Blue Pottery Castle Garden-Battery Well and Tree Platter Possibly Stubbs, circa 1825 With a shell border. Length 18 1/2 inches. C Estate of Leo Hershkowitz $700-1,000 153 Staffordshire Historical Blue Pottery Esplanade and Castle Garden N.Y. Platter Stevenson, circa 1825 Dark blue with leaf border. Length 18 1/2 inches. C Estate of Leo Hershkowitz $800-1,200 See Illustration

154 Group of Staffordshire Historical Blue Pottery Articles Circa 1825 Comprising a vegetable dish Brooklyn Ferry, Stevenson; square dish cover, Esplanade and Castle Garden NY, 9 7/8 inches square; sugar bowl and cover; sauce tureen stand, Columbia College, New York, length of stand 8 7/8 inches; and a sauce tureen cover and stand, Stevenson, the cover depicting Masonic Hall Philadelphia, the tureen depicting Fulton Market, New York, the stand depicting Columbia College New York. Provenance of last: Bertram K. Little and Nina Fletcher Little sale, Sotheby’s, New York, January 29, 1994, lot 17. C Estate of Leo Hershkowitz $500-700 155 Group of Staffordshire Historical Blue Pottery Articles Circa 1825 Comprising soup plate, View of Governor’s Island New York, Stevenson; plate New York from Brooklyn Heights, Stevenson; plate, Chief Justice Marshall Steamboat; plate, View of New York Bay; plate, New York Battery, Stevenson; plate, Fort Gansevoort; diameters 6 1/2 - 10 1/4 inches.; Together with a Blue Shell Edge and Transfer Decorated Chancellor Livingston Plate. C Estate of Leo Hershkowitz $400-600 156 Group of Staffordshire Historical Blue Pottery Articles Circa 1825 Comprising three Castle Garden cup plates and two others; cup plate American Museum; saucer, Captain Mac Donnough’s Victory; saucer, New York Battery; dish, Catholic Cathedral; dish, Church in the City of New York; dish, Park Street Theatre New York; dish, St. Paul’s Church New York; and dish, Columbia College New York. Diameters 3 1/2 - 7 3/8 inches. C Estate of Leo Hershkowitz $400-600

157 Staffordshire Historical Blue Pottery Castle Garden-Battery Platter Enoch Wood & Sons, circa 1825 Dark blue with shell border. Length 20 1/2 inches. C Estate of Leo Hershkowitz $800-1,200 See Illustration 158 Staffordshire Historical Blue Pottery New York from Weehawken Platter Stevenson, circa 1825 Length 20 1/2 inches. C Estate of Leo Hershkowitz $1,000-1,500 See Illustration

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159 Group of Staffordshire Historical Blue Pottery Plates Circa 1825 Comprising Arms of New York, Mayer, diameter 9 3/4 inches; Alms House New York, Stevenson, diameter 9 7/8 inches; Exchange Baltimore; States; two City Hotel New York, one with inset View of the Aqueduct Bridge at Little Falls; and Columbia College N.Y., diameter 8 3/8 inches. C Estate of Leo Hershkowitz $400-600 160 Group of Eight Staffordshire Historical Blue Pottery City Hall New York Articles Circa 1825 Comprising a plate, J.&W. Ridgway, diameter 9 3/4 inches; two plates, Stubbs, diameters 6 3/4 and 7 1/4 inches; teapot, Stubbs, length 9 3/4 inches; waste bowl; creamer; and cup and saucer. C Estate of Leo Hershkowitz $400-600 See Illustration

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Silver 161 American Silver Teapot and Covered Sugar Urn Samuel Alexander, Philadelphia, circa 1800 Each of faceted vasiform on pedestal foot, the stepped covers with urn finials. Height of teapot 11 inches, total approximately 41 ounces, all in. For a similar teapot and sugar urn, please see Sotheby’s, New York, January 22, 2016, lot 1264. C $1,500-2,500 See Illustration 162 American Coin Silver Cream Jug Thomas Whartenby, Philadelphia, circa 1810 Of baluster form, the body with chased foliate scrolls centering cartouches, with leaf capped scrolled handle, on a stepped domed foot. Height 7 3/4 inches, approximately 13 ounces. • $200-300 163 Group of Coin Silver Flatware Various makers, 19th century Approximately fifty-five pieces. Total approximately 52 ounces. • $500-700 164 American Coin Silver Cream and Sugar Set Apparently unmarked, circa 1825 Each lobed globular body on pedestal foot with applied bands of foliate scrolls. Height of covered sugar bowl 9 inches, total approximately 26 ounces. • $300-500

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165 American Silver Four-Piece Part Tea and Coffee Service John Curry and Curry & Preston, Philadelphia, circa 1825 Comprising coffee pot, two teapots and cream jug, each globular-form chased with band of grapes and leaves, the scroll spouts with bird masks, with leaf capped handles; Together with a silver-plated two-handled tray. Height of coffee pot 10 3/4 inches, total approximately 135 ounces, weighable. C Property of a Long Island Estate $3,000-5,000 See Illustration

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166 American Silver Teapot Edward Lownes, Philadelphia, circa 1830 The globular body on square pedestal foot raised on four winged lion feet, the hinged cover with acorn finial. Height 10 1/4 inches, approximately 33 ounces, all in. C $700-1,000 167 American Silver Cream and Sugar Set Bailey & Kitchen, Philadelphia, circa 1835 Each lobed body on pedestal foot with applied bands of decoration, with upswept leaf capped handles. Height of sugar bowl 10 inches, total approximately 46 ounces. C A New York Private Estate $400-600

167A American Silver Five-Piece Water Set of New York City Interest William Schenck Wood, New York, circa 1850 Comprising a water pitcher and four matching goblets, of baluster-form chased with oak leaves and acorns, one panel chased with the fountain at City Hall Park and another depicting the Astor House Hotel and dated 1834-1926. Height of pitcher 13 inches, total approximately 61 ounces. The Astor House hotel is regarded as the first luxury hotel in New York City and soon after its opening in 1836 was the best known hotel in America. John Jacob Astor purchased the lots around his home located in one of New York’s smartest residential quarters on Broadway between Vesey and Barlcay Streets across from New York City Hall Park. There were over 300 rooms and the building included gas lighting and running water delivered to each floor. The center courtyard atrium was one of the most fashionable places for men to dine, and women were not admitted unless accompanied by a man. President Abraham Lincoln was one of many Presidents among the notable guests to have stayed there. As New York society moved further uptown the hotel eventually fell victim to more modern rivals, yet in 1906 it was still important enough a society venue to hold a “ghost dance” whose invitees were only those families who had lived in Manhattan in 1836. In 1913 the hotel finally closed when Vincent Astor sold his half of the hotel to developers forcing his cousin William Waldof Astor to sell his half as well. C $3,000-5,000 See Illustration

167A

168 Tiffany & Co. Sterling Silver Coffee Service 1854-1855 Comprising coffee pot, cream jug, covered sugar bowl and kettle on stand, each baluster-form with quilted pattern centering shields. Height of coffee pot 11 inches, total approximately 147 ounces. C A New York Private Estate $2,500-3,500 See Illustration 169 Rare American 950 Silver Dish Cross Ball, Black & Co., New York, 1855 Of typical form with stylized shell feet and supports. Length 11 1/2 inches, approximately 19 ounces; Together with a Chinese Export Famille Rose Porcelain Bowl. 18th Century. Diameter 10 inches. C Estate of Leo Hershkowitz $400-600 See Illustration of Part

168

170 Tiffany & Co. Sterling Silver Bowl on Stand 1854-70 Of circular form, on a fixed stand. Diameter 7 3/4 inches; Together with a Gorham Sterling Silver Tray. Of oval form, with a reeded border, the field engraved with intertwined branches. Length 14 inches, total approximately 38 ounces. • $500-700 171 American Sterling Silver Tea Service William Gale & Son, New York, 1862 Comprising teapot, covered cream jug, covered sugar bowl and waste bowl, each inverted pear-form body with faceted panels below chased foliate scrolls. Height of teapot 11 inches, total approximately 82 ounces. C A New York Private Estate $1,000-1,500

169 part

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172 Garner & Winchester Coin Silver Monteith Lexington, Kentucky circa 1845 Circular on pedestal foot chased with thistles and foliage with architectural scene and courting couple scene, the removable notched crown chased with flowers centering two cartouches, one engraved E.H. Warfield from her grandfather John Brand 1849, the other Eleanor Royce Mercein from Hariette Holly Kelly 1901. Diameter 9 inches, approximately 40 ounces. The firm Garner & Winchester was formed in 1842 by Eli Garner and Daniel Frank Winchester. Interestingly, Winchester apprenticed in Baltimore so he would have retained contacts in that city’s silver industry and been intimately acquainted with the popular style known as “Baltimore silver”. Winchester joined the Union Army in 1862 and served as a 2nd Lieutenant. He returned to silversmithing for a few years after the war before his death in 1868. The Museum of Fine Arts, Houston has a magnificent ewer by the firm in their permanent collection. This striking montieth is the third example found to have been owned by John Brand (1775-1849), a prominent member of early Kentucky society. The other two montieths (one sold Sotheby’s, New York, October 28, 2004 and the other in these rooms October 4, 2017) have similar decoration of thistles referencing Brand’s Scottish roots. This example was first presented by Brand to his granddaughter Elizabeth Hay (Brand) Warfield (1827-1891). The second presentation is from Harriette Holly (or Holley) Warfield Kelly (1847-1921), daughter of Elizabeth Warfield and given to Eleanor Royce Mercein (1880-1968). Eleanor was the wife of Harriette’s son Robert Morrow Kelly (1871-1926). This montieth and the coffee service (lot 173) have descended seven generations in the same family. C Estate of Eleanor Johnson $5,000-7,000 See Illustration

172

173 Garner & Winchester Coin Silver Coffee Service Lexington, Kentucky, circa 1850 Comprising a coffee pot, cream jug and covered sugar bowl, each baluster-form on scroll feet, the body chased with flowers, birds and architectural scenes centering cartouches engraved BW to EN & EHW 1851 and LKM to CJ & EWM 1941, the covers with thistle finials. Height of coffee pot 14 inches, total approximately 84 ounces. The firm Garner & Winchester was formed in 1842 by Eli Garner and Daniel Frank Winchester. Interestingly, Winchester apprenticed in Baltimore so he would have retained contacts in that city’s silver industry and been intimately acquainted with the popular style known as “Baltimore silver”. Winchester joined the Union Army in 1862 and he served as a 2nd Lieutenant. He returned to silversmithing for a few years after the war before his death in 1868. The Museum of Fine Arts, Houston has a magnificent ewer by the firm in their permanent collection. A similar milk jug marked Garner & Winchester was sold by Cowan’s, Cincinnati October 9, 2010 lot 328. The first presentation is likely a posthumous gift from William Brand (1803-1845) to his daughter Elizabeth Hay (Brand) Warfield (1827-1891) and her husband Elisha Nicholas Warfield (1823-1903).

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The second presentation is from Lisa Kelley Muir (1888-1958) to her daughter Eleanor Muir (1920-2011) and her husband Collister Johnson (1917-2017) presumably on their wedding in 1941. This coffee service and the montieth (lot 172) have descended seven generations in the same family. C Estate of Eleanor Johnson $5,000-7,000 See Illustration

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174 Tiffany & Co. Silver Presentation Salver 1854-1870 Oval with applied border, the center field engraved with vignettes of the four seasons and dated 1st January 1861, raised on four bracket feet. Length 20 inches, approximately 67 ounces. This interesting salver was presented to its recipient in January 1861, a month which would see the Southern States secede one by one dissolving the American union and begining the Civil War. Although impossible to confirm they are indeed the same person, there is record of a William O. Hoffman listed on the U.S. Civil War Roll of Honor as having died in 1862. â&#x20AC;˘ $1,500-2,500 See Illustration

175 Whiting Sterling Silver Presentation Water Pitcher Circa 1885 Of baluster-form, the lower body chased with scrolls with chased foliage above, the loop handle with foliate join, with presentation inscription Tuxedo Club Thanksgiving Day 1887. Height 11 3/4 inches, approximately 56 ounces. C Property of a Private Collector $3,000-5,000 See Illustration 176 Two Gorham & Co. Aesthetic Movement Sterling Silver Butter Pats 1876 Each square with engraved bee or bird at center, the flat rim with stylized band of decoration. 4 1/4 Inches square, total approximately 6 ounces. C A New York Private Estate $300-500 175

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177 Gorham Sterling Silver and Other Metals Japanesque Bowl and Stand Circa 1880 Each quatrefoil form applied with figures and insects. Bowl 4 7/8 inches square, the stand 6 3/4 inches square, total approximately 18 ounces. C Property of a Private Collector $1,500-2,500 See Illustration

177

178 Tiffany & Co. Sterling Silver Aesthetic Movement Water Pitcher 1875-1891 Of square form chased overall with flowers and foliage, the loop handle with scrolling join to base. Height 8 1/2 inches, approximately 35 ounces. C Property of a Private Collector $5,000-7,000 See Illustration and Front Cover

179 Pair of Tiffany & Co. Parcel Gilt Sterling Silver Dessert Stands 1873-1891 Each shaped oval on four winged feet, the border chased with flowers and foliage. Length 10 1/2 inches, total approximately 36 ounces. C $2,000-3,000 See Illustration

178

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180 Tiffany & Co. Sterling Silver Shell and Thread Pattern Flatware Service Comprising twelve dinner forks, twelve luncheon forks, twelve salad forks, twelve dinner knives, twelve luncheon knives, twelve butter knives, twelve soup spoons, twelve dessert spoons, twelve teaspoons, four serving spoons, five serving forks, master butter knife. Total approximately 178 ounces, weighable. C $2,500-3,500 See Illustration of Part 181 Whiting Sterling Silver Yacht Trophy Chafing Dish on Stand Circa 1885 Circular form chased with seaweed and shells, the stand with three scrolling feet, the cover acid etched with inscription Seawanhaka Corinthian Yacht Club, June 11th 1887 won by Atlantic and burgee of the club, and engraved Daniel Chauncey. Diameter 9 inches, total approximately 65 ounces, all in.

180

The Seawanhaka Corinthian Yacht Club was founded in 1871 and is located in Oyster Bay, New York. Daniel Chauncey was a successful businessman from Brooklyn Heights who is recorded as member to many of the most prominent sporting and social clubs of the day. This trophy was presented for the 17th Corinthian Regatta in which twenty-three vessels of various classes were entered. Atlantic was registered in the First Class Sloops and Cutters category. C $1,000-1,500 See Illustration 182 Dominick & Haff Sterling Silver Japanesque Trophy 1881 Of square form with two loop handles, the body with hammered finish overall and chased with flowers and insects. Length over handles 9 inches, approximately 25 ounces. C Property of a Private Collector $2,000-3,000 See Illustration 183 Black, Starr & Frost Sterling Silver Tea and Coffee Service Comprising a teapot, coffee pot, cream jug, covered sugar bowl, waste bowl, tea strainer, kettle-on-stand, and two handled tray, each rectangular body with canted corners. Height of coffee pot 8 1/4 inches, length of tray 24 inches, total approximately 217 ounces. C Property of a Private Collector $3,000-5,000

181

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184 part

184 Tiffany & Co. Sterling Silver Marquise Pattern Part Flatware Service Comprising twelve dinner forks, twenty-three luncheon forks, twelve salad forks, six cocktail forks, two dinner knives, twenty-three luncheon knives, ten butter knives, five fruit knives, twelve gumbo spoons, thirteen bouillon spoons, eleven dessert spoons, six iced tea spoons, six fruit spoons, sorbet spoon, twelve teaspoons, eleven demitasse spoons, four serving spoons, four serving forks. Total approximately 249 ounces, weighable. C $7,000-10,000 See Illustration of Part 185 Tiffany & Co. Sterling Silver Wave Edge Pattern Covered Entrée Dish 1873-1891 Rectangular, the domed cover with removable ring handle. Length 10 1/4 inches, total approximately 45 ounces. C $1,000-1,500

186 Pair of Gorham Sterling Silver Bread Trays In the Renaissance Revival style, each shaped oval with applied border of masks and scrolls, the cavetto chased with scrolls and swags of fruit. Length 12 1/2 inches, total approximately 32 ounces. C $700-1,000 187 Gorham Sterling Silver Loving Cup 1904 Of baluster form, the body chased with floral repoussé, with three floral caped loop handles, on a domed foot. Height 12 inches, approximately 71 ounces. • $1,000-1,500

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188 Set of Twelve Gorham Sterling Silver Luncheon Plates Early 20th century Each shaped circular with applied border of foliate scrolls, the cavetto chased with floral swags. Diameter 9 1/4 inches, total approximately 180 ounces. C A New York Private Estate $2,000-3,000 See Illustration 189 Whiting Sterling Silver Centerpiece Basket Early 20th century Shaped rectangular on oval foot, with openwork body and cavetto pierced with berries and leaves, with two foliate handles. Length over handles 19 1/2 inches, approximately 37 ounces. C A New York Private Estate $500-700

190

190 Dominick & Haff Sterling Silver and Cut Glass Garniture Set Retailed by Black, Starr & Frost, early 20th century Comprising a centerpiece bowl and two pairs of graduated vases, each on fluted columnar supports hung with swags, the glass with conforming decoration; Together with a pair of German silver and glass candlesticks, en suite. Height of centerpiece bowl 11 3/8 inches, diameter 10 inches, total approximately 123 ounces, weighable. C $15,000-25,000 See Illustration 191 Tiffany & Co. Sterling Silver Two-Handled Tray 1902-1907 Shaped rectangular with applied foliage to corners and border. Length over handles 30 1/2 inches, approximately 229 ounces. C $4,000-6,000

192 Tiffany & Co. Sterling Silver Two-Handled Low Compote 1907-1938 Shaped circular, with applied border of tied flowers, with flat handles. Length over handles 14 inches, approximately 26 ounces. C A New York Private Estate $400-600 193 Pair of Tiffany & Co. Sterling Silver Open Vegetable Dishes 1907-1938 Each shaped circular with applied border of tied rosettes. Diameter 9 1/2 inches, total approximately 38 ounces. C $700-1,000 194 Graff, Washbourne & Dunn Sterling Silver Punch Bowl Retailed by Brand-Hier Co., circa 1920 Circular with applied border of foliate scrolls to foot and rim and engraved with band of flowers and scrolls; Together with a Tiffany & Co. Sterling Silver Punch Ladle. Diameter of punch bowl 13 inches, total approximately 56 ounces. C $1,000-1,500

195 Tiffany & Co. Sterling Silver Footed Cake Plate 1907-1938 Circular the cavetto with band of acid etched flowers and foliage, the center with wreath of foliage. Diameter 12 inches, approximately 30 ounces. C $700-1,000 196 Tiffany & Co. Sterling Silver Chrysanthemum Pattern Flatware Service Late 20th century Comprising eighteen dinner forks, eighteen salad forks, seventeen teaspoons, twelve dinner knives. Total approximately 121 ounces, weighable. â&#x20AC;˘ $4,000-6,000 197 Tiffany & Co. Sterling Silver Footed Salver 1907-1938 Shaped circular, with scroll and twisted rope border, on four scroll feet. Diameter 18 inches, approximately 73 ounces. C A New York Private Estate $1,500-2,500

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198 part

198 Tiffany & Co. Sterling Silver Reeded Edge Flatware Service Comprising twelve dinner forks, twelve luncheon forks, twelve salad forks, twelve fish forks, twelve cocktail forks, twelve dinner knives, twelve luncheon knives, twelve steak knives, twelve fish knives, twelve butter knives, twelve round soup spoons, twelve dessert spoons, twenty-four teaspoons, twelve demitasse spoons, pie server, two serving forks, two serving spoons, and two-piece salad serving set. Total approximately 190 ounces, weighable. C $7,000-10,000 See Illustration of Part

199 Tiffany & Co. Sterling Silver St. Dunstan Pattern Two-Handled Tray 1907-1938 Length over handles 28 3/4 inches, approximately 210 ounces. C A New York Private Estate $4,000-6,000 See Illustration

201 Gorham Sterling Silver Ewer 1909 The faceted baluster body chased with flowers and scrolls with upswept loop handle. Height 14 inches, approximately 34 ounces. C A New York Private Estate $400-600

200 Gorham Sterling Silver Centerpiece Bowl and Stand 1929 The circluar bowl and stand chased with panels of foliate scrolls and swags. Diameter of bowl 9 1/2 inches, diameter of stand 15 inches, total approximately 67 ounces. C A New York Private Estate $800-1,200

202 Gorham Sterling Silver Tea and Coffee Service Retailed by Shreve, Crump & Low, circa 1930 Comprising teapot, coffee pot, cream jug, covered sugar bowl, waste bowl and kettle on stand, each vasiform chased with foliate garlands and swags; Together with a Silver Plated Two-Handled Tray. Height of coffee pot 11 inches, total approximately 135 ounces, weighable. C $2,000-3,000

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203 Two Erik Magnussen Sterling Silver Bowls For Gorham, 1930s Each fluted bowl on three stork-form supports raised on hardstones on a flat ring base. Height 4 1/4 inches, diameter 6 1/8 inches, total approximately 30 ounces, all in. C $2,000-3,000 See Illustration 204 American Arts and Crafts Sterling Silver Flatware Service Dirk Van Erp, San Francisco, 20th century Comprising eighteen dinner forks, seventeen luncheon forks, eighteen cocktail forks, eighteen salad forks, eighteen dinner knives, eighteen luncheon knives, seventeen butter knives, eighteen soup spoons, eighteen dessert spoons, thirty-six teaspoons, sixteen demitasse spoons, serving fork and serving spoon. Total approximately 330 ounces, weighable. C $8,000-12,000 See Illustration of Part

203

205 Pair of Shreve & Co. Sterling Silver Covered Vegetable Dishes San Francisco, circa 1915 Each shaped oval body with applied border of stylized flowers and scrolls, the covers with removable handles. Length 12 inches, total approximately 63 ounces. C $1,500-2,000 206 Reed & Barton Sterling Silver Francis I Pattern Flatware Service Comprising eleven dinner forks, twelve luncheon forks, eleven salad forks, twelve fish forks, eight cocktail forks, eleven dinner knives, twelve luncheon knives, twelve breakfast knives, eleven butter knives, twelve fish knives, twelve gumbo spoons, twelve iced tea spoons, twelve dessert spoons, eighteen teaspoons, ten demitasse spoons, two piece carving set, five serving spoons, two serving forks. Total approximately 211 ounces, weighable. C $5,000-7,000 See Illustration of Part

204 part

207 Tiffany & Co. Sterling Silver Centerpiece Bowl 20th Century The oval body with scalloped rim, with hammered finish. Length 12 3/4 inches, approximately 50 ounces. C $1,200-1,800

206 detail

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PROPERTY FROM THE

RHINELANDER STEWART FAMILY William Rhinelander Stewart (1852-1929) was descended from one of New York’s oldest families whose extensive land interests included large tracts of property on the Upper East Side of Manhattan. Stewart was president of the family Rhinelander Real Estate Company and also a great philanthropist serving as president of the New York State Board of Charities for twenty-five years. He also helped to shape the city as a key figure in fundraising for Ulysses S. Grant’s Tomb, and was the man responsible for commissioning Stanford White to design the arch in Washington Square Park. His son William Rhinelander Stewart Jr. (1888-1945) was one of New York’s great society figures along with his wife Janet (née Newbold) who was considered “the most beautiful woman in New York” and regularly appeared on the best-dressed lists. She was captured by photographer Irving Penn in one of the artist’s most entrancing portraits.

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212

208 American Silver Goblet Apparently unmarked, circa 1850 Faceted on pedestal foot, with engraved presentation inscription Wm. C. Rhinelander to his grandson William Rhinelander Stewart on his 2nd birthday Dec. 2nd 1854. Height 6 1/4 inches, approximately 6 ounces. William C. Rhinelander (1790-1878) was one of the richest landowners in New York. Part of his estates included 72 acres in Yorkville purchased as a country residence along with almost the entire Washington Square Park North from Fifth Avenue to MacDougal Street where the family lived from 1840 until 1914. Rhinelander was instrumental in building the Church of the Ascension on Fifth Avenue and 10th Street. At his death the New York Times reported his estate to be valued at between $50 to $75 million. C Property from the Rhinelander Stewart Family $200-300 209 Tiffany & Co. Sterling Silver Childâ&#x20AC;&#x2122;s Bowl and Stand 1875-1891 Circular, each applied with band with parade of children, the underside engraved Serena Rhinelander to William Rhinelander Stewart Jr. April 21 1889. Diameter of stand 7 1/4 inches, diameter of bowl 5 inches, total approximately 22 ounces. Serena Rhinelander (1827-1914) was aunt to William Rhinelander Stewart Jr. and another member of this prominent New York family whose legacy can still be seen today in the Church of the Holy Trinity on East 88th Street. Rhinelander gave the land and the money to build the church on land that formed part of her grandfatherâ&#x20AC;&#x2122;s summer estate of 72 acres which ran from the present day Third Avenue to the East River from 86th Street to 89th Street. C Property from the Rhinelander Stewart Family $600-800 See Illustration Previous Page 210 Dominick & Haff Sterling Silver Custom Made Paper Knife Circa 1880 The terminal with fully modelled figure of a pelican as borne on the crest of William Rhinelander Stewart. Length 11 1/4 inches, approximately 7 ounces. C Property from the Rhinelander Stewart Family $400-600

211 Tiffany & Co. Sterling Silver Hip Flask 1891-1902 Rectangular form with acid etched crest and script monogram. Height 5 1/2 inches, approximately 6 ounces. The crest is that of William Rhinelander Stewart. C Property from the Rhinelander Stewart Family $400-600 212 Pair of George IV Sterling Silver Wine Coasters John Bridge, London, 1827 Each circular with rocaille rim, the base with band of grapevine and clusters, the turned wooden bottom set with silver medallion engraved with the crest of William Rhinelander Stewart. Diameter 6 1/2 inches. C Property from the Rhinelander Stewart Family $800-1,200 See Illustration 213 Edwardian Sterling Silver Mounted Cut Glass Claret Jug Hukin & Heath, Birmingham, 1905 The ring-form glass body decorated with flowers and foliage; Together with an English Sterling Silver Bottle Ticket. Height 12 inches. C Property from the Rhinelander Stewart Family $400-600 214 Asprey Sterling Silver Three-Tier Cigar and Cigarette Box London, 1911 In three graduated rectangular boxes with engine turned decoration. Length 6 1/2 inches, weighted. C Property from the Rhinelander Stewart Family $400-600 215 Group of Eleven French Silver Tumblers Largely 18th century Each of typical form. Heights approximately 2 1/8 inches - 2 1/2 inches, total approximately 19 ounces. C Property from the Rhinelander Stewart Family $400-600

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221

216 S. Kirk & Son Silver Covered Butter Dish 1880-1890 Circular chased with floral repoussé, raised on four claw and ball feet, lion mask loose ring handles, with pierced liner, the domed cover with floral finial. Diameter 6 1/4 inches, total approximately 22 ounces. C Property from the Rhinelander Stewart Family $400-600 217 George III Sterling Silver Covered Sugar Bowl Samuel Taylor, London, 1760 The inverted pear-form body chased with floral swags, on foliate pierced foot, the domed cover with similar chasing and bud finial. Height 6 inches, total approximately 12 ounces. C Property from the Rhinelander Stewart Family $500-700

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218 Howard & Co. Sterling Silver Asparagus Tray and Liner 1896 The rectangular body with flat pierced rim applied with foliate scroll border, the removable liner with pierced scrolls. Length 14 inches, total approximately 36 ounces. C Property from the Rhinelander Stewart Family $600-800 219 Gorham Sterling Silver Platter 1922 Oval with acanthus border, the center engraved WRS. Length 20 inches, approximately 55 ounces. C Property from the Rhinelander Stewart Family $500-700

220 Two Frank M. Whiting Sterling Silver Serving Trays Retailed by J.E. Caldwell & Co., circa 1920 Comprising a deep dish and divided dish, each shaped circular with gadroon border. Diameters 13 1/4 inches, total approximately 51 ounces. C Property from the Rhinelander Stewart Family $600-800 221 George II Sterling Silver Salver Denis Langton, London, 1732 Shaped circular on four scroll feet, the center engraved with heraldic arms, the reverse engraved with later presentation inscription WSR With out best wishes and as a token of friendship 20th November 1924 and script signatures including Marshall Field and Condé Nast. Diameter 16 3/4 inches, approximately 65 ounces. C Property from the Rhinelander Stewart Family $1,000-1,500 See Illustration

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222 Pair of Tiffany & Co. Sterling Silver Platters 1907-1938 Each shaped oval with scroll and twisted rope border, the undersides engraved one William Rhinelander Stewart on his seventieth birthday December 3rd 1922 from his brother Lispenard Stewart, and the other from his sister Mary Stewart Witherbee. Length 20 1/2 inches, total approximately 153 ounces. C Property from the Rhinelander Stewart Family $3,000-5,000 See Illustration

224 Pair of Tiffany & Co. Sterling Silver Covered EntrĂ¨ e Dishes 1907-1938 Each shaped oval with scroll and twisted rope border, the covers with detachable ring handles, the underside of each base engraved William Rhinelander Stewart on his seventy fourth birthday December 3rd 1926 From his sister Mary Stewart Witherbee. Length 11 3/4 inches, total approximately 80 ounces. C Property from the Rhinelander Stewart Family $1,200-1,800 See Illustration

223 Pair of Tiffany & Co. Sterling Silver Chop Dishes 1907-1938 Each shaped circular with scroll and twisted rope border, the undersides engraved one William Rhinelander Stewart on his seventieth birthday December 3rd 1922 From his sister Mary Stewart Witherbee, and the other From his brother Lispenard Stewart. Diameter 13 1/4 inches, total approximately 64 ounces. C Property from the Rhinelander Stewart Family $1,200-1,800

225 Pair of Tiffany & Co. Sterling Silver Open Vegetable Dishes 1907-1938 Each oval with border of scrolls and twisted rope; Together with a Tiffany & Co. sterling silver bread tray. Length of bowls 8 1/2 inches, total approximately 33 ounces. C Property from the Rhinelander Stewart Family $500-700 226 Tiffany & Co. Sterling Silver St. Dunstan Pattern Circular Tray 1907-1938 Together with a Tiffany & Co. Sterling Silver Charger. Diameter of tray 13 inches, total approximately 45 ounces. C Property from the Rhinelander Stewart Family $700-1,000

224

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Furniture & Decorative Arts 227 Set of Nineteen French Gilt Decorated and Crested Porcelain Dinner Plates 19th/20th Century Each with a crest as borne by William Rhinelander Stewart, the border with scrolled branches and shells. Diameter 10 inches C Property from the Rhinelander Stewart Family $400-600 See Illustration

227

228 French Gilt Decorated and Crested Porcelain Dinner Service 19th/20th Century Each with a crest as borne by William Rhinelander Stewart, comprising thirty-two dinner plates, twelve salad plates, six soup plates, three dessert plates, two oval platters; Diameter of dinner plates 9 3/4 inches. Together with a Set of Eight Crested Porcelain Shell Dishes. Diameter 4 1/4 inches. C Property from the Rhinelander Stewart Family $500-700 229 French Gilt Decorated and Crested Porcelain Dinner Service Early 20th century Comprising thirty-three dinner plates, twenty-three soup plates, twenty-four crescent salad plates, twenty-one bouillon cups and sixteen saucers, twenty-one bread plates and sixteen butter pats each decorated with the crest as borne by William Rhinelander Stewart; Together with a Set of Twenty-two French Gilt Decorated Porcelain Salad Plates and a Similar Copeland Porcelain Menu. Diameter of dinner plates 9 3/4 inches. C Property from the Rhinelander Stewart Family $1,200-1,800 See Illustration of Part

229

230 An Extensive Cut Glass Table Service Early 20th Century Comprising fifteen water goblets, fourteen red wine goblets, nineteen white wine goblets, twenty-one port glasses, nineteen cordials, fifteen dessert bowls, twenty-four underplates, and each with gilt crest as borne by William Rhinelander Stewart, nine carafes. Height of water goblets 6 1/4 inches. C Property from the Rhinelander Stewart Family $2,000-3,000 See Illustration of Part 231 Crested Glass Table Service Each colorless glass with crest of William Rhinelander Stewart, comprising nine red wine goblets, eighteen white wine goblets, nine champagne coupes, sixteen port glasses, twenty-one cordials, nine dessert bowls, twenty saucers, eleven nut dishes. Height of red wine goblets 5 1/2 inches. C Property from the Rhinelander Stewart Family $400-600

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234

232 Set of Sixteen French Gilt Decorated and Crested Porcelain Dinner Plates 19th/20th Century Each with a crest as borne by William Rhinelander Stewart Diameter 12 inches; Together with a Set of Fourteen French Porcelain Claret Border Crested Service Plates; A Set of Eight Mintons Porcelain Crested Salad Plates; And a Set of Twelve French Porcelain Cobalt Blue Ground Gilt Decorated and Crested Demitasse Cups and Eight Saucers. Diameter of salad plates 8 7/8 inches. C Property from the Rhinelander Stewart Family $300-500

235 Group of Blue Spongeware Pottery Articles Comprising three teabowls, four carpet balls, four mugs, standing salt and a mustard pot. Heights 1 3/4 - 2 3/4 inches. C Property from the Rhinelander Stewart Family $200-300

233 British Sailorâ&#x20AC;&#x2122;s Woolwork Picture 19th Century Depicting a three-masted sailing ship. Height overall 16 inches, width 20 inches. C Property from the Rhinelander Stewart Family $500-700

237 Group of Blue Spongeware Pottery Articles Comprising seven oversized saucers, diameter 8 1/4 inches; three oversized breakfast cups, thirteen coffee cups; and eleven saucers. C Property from the Rhinelander Stewart Family $200-300

234 Jacobean Oak Drop-Leaf Dining Table With D-shaped leaves, two frieze drawers on spiral turned legs joined by conforming stretchers.Height 32 inches, width 6 feet 11 inches, depth 6 feet 4 inches. C Property from the Rhinelander Stewart Family $1,500-2,500 See Illustration

238 English Provincial Oak Dresser Early 19th century The molded cornice above two molded shelves, the base with three frieze drawers over a shaped apron on turned supports and platform base with turned feet. Height 7 feet 8 1/2 inches, width 5 feet 2 3/4 inches, depth 17 1/2 inches. Provenance: Stair & Co, New York. C Property from the Rhinelander Stewart Family $1,000-1,500

236 Assembled Set of Six English Oak Yorkshire Chairs Each with spindled back and rush seats. Height 38 1/2 inches, width 19 1/4 inches, depth 16 inches. C Property from the Rhinelander Stewart Family $400-600

239 Group of Blue Spongeware Pottery Articles Comprising six jugs and eight bowls. Height of largest 6 5/8 inches. C Property from the Rhinelander Stewart Family $200-300 240 Group of Blue Spongeware Pottery Articles Comprising seven two-handled plates, sixteen miscellaneous plates, six rectangular vegetable dishes, eight serpentine oblong platters, and three oval platters. C Property from the Rhinelander Stewart Family $400-600 241 Jacobean Oak Chest on Frame The molded cornice above pulvinated frieze drawer, two short over three long raised panel drawers, the frame with short baluster legs joined by flat molded stretchers. Height 58 1/2 inches, width 46 inches, depth 23 1/4 inches. C Property from the Rhinelander Stewart Family $1,000-1,500 242 Group of Blue Spongeware Pottery Articles Comprising an oblong platter, length 18 inches; basin; pitcher; and charger; Together with a Maddocks Transfer Decorated Ironstone Punch Bowl. Diameter 17 1/4 inches. C Property from the Rhinelander Stewart Family $250-350

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Property from Various Owners 243 Group of Four Southwestern Pottery Vessels Comprising an olla, by Anderson & Peynetsa, Zuni, decorated with deer, height 9 1/8 inches; one decorated with hares, one by Ida Sahmie, and one by Juanita Fragua, Jemez. C Estate of Leo Hershkowitz $400-600 See Illustration

243

244 Group of Four Southwestern Pottery Vessels Comprising examples by Priscilla Namingha, Nampeyo, height 7 inches; Kahe; Elton, Nampeyo; and David (?). C Estate of Leo Hershkowitz $300-400 245 Group of Three Southwestern Pottery Vessels Comprising two examples by Ida Sahmie, and one by Antoinette Silas Hopi-Tewa. Diameter of larger 9 5/8 inches. C Estate of Leo Hershkowitz $400-600 246 Southwestern Blackware Pottery Olla Arminda Silveira With iron stand. Diameter 11 inches. C Estate of Leo Hershkowitz $300-400 See Illustration 247 Group of Three Southwestern Pottery Vessels Comprising an example by Priscilla Namingha, Nampeyo, diameter 8 inches; and two by Finkle or Sahmie. C Estate of Leo Hershkowitz $250-350

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248 Large Southwestern Blackware Vessel By Carmelita Dunlap, San Ildefonso, with feather border. Diameter 15 1/2 inches. Provenance: Sotheby’s, New York, November 12, 1992, lot 81. C Estate of Leo Hershkowitz $600-900 See Illustration 249 Group of Five Southwestern Pottery Vessels Comprising examples by D. Peyneda Zini, decorated and molded with lizards; Elvira Naha, Nampeyo; leaf symbol; M.N. and V.N.; and R. Sahmie. Diameters 4 1/4 - 8 1/2 inches. C Estate of Leo Hershkowitz $300-500

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250 Group of Three Southwest Blackware Pottery Vessels Comprising examples by Maramie Debize, length 6 3/4 inches; Hilario Quezada; and Ines Olivar; Together with two Iron Stands. C Estate of Leo Hershkowitz $400-600

251 Group of Seven Southwestern Pottery Vessels Comprising example of hare form; one of adobe form; one by Nolan Youvella, Nampeyo; one by G. Sendia, Jamez, of grourd form, with an incised and polished exterior; and three others. Height of first 11 inches. C Estate of Leo Hershkowitz $300-500 252 Group of Three Southwestern Pottery Vessels Comprising a blackware bottle vase example by Jan Carlos (Sulta), molded with a lizard, height 14 3/4 inches; carved redware example by Jo Ann Tafoya, Santa Clara; and a carved blackware example by Mida Tafoya, Santa Clara. C Estate of Leo Hershkowitz $300-500 253 Group of Four Southwestern Pottery Vessels Comprising an example by Gloria Kane, with winged figures, diameter 10 1/2 inches; one by Juanita Fragua; one by Julia Ledezma; and one other. C Estate of Leo Hershkowitz $300-500 254 Federal Gumwood Linen Press New Jersey, early 19th century The molded cornice above two paneled doors opening to a shelved interior, the lower section with two short and three long drawers, on bracket feet. Height 6 feet 7 inches, width 49 1/2 inches, depth 21 1/4 inches. C Estate of Leo Hershkowitz $1,200-1,800 See Illustration 255 Two Dutch Delft Faïence Plates 18th Century Diameter of larger 12 1/4 inches; Together with a Continental Blue and White Faïence Jug. The jug with handwritten sticker 55 Water St. dug 1969. C Estate of Leo Hershkowitz $200-300 256 Gumwood and Pine Blanket Chest Possibly Long Island, 18th century With a panelled front above a long drawer, on detachable feet Height 38 inches, width 40 1/2 inches, depth 20 inches. C $800-1,200

254

257 Pine Dough Bin Height 28 1/2 inches, width 42 inches, depth 24 inches. C $100-150

258 American Maple and Pine Windsor Bench Height 32 1/2 inches, width 8 feet, depth 14 1/2 inches. • $200-300

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261 Queen Anne Black Painted Corner Chair New England, 18th century The molded crest and flat scrolled arms above two pierced scrolled splats and a slip seat, on cabriole and turned legs joined by turned X-form stretchers. Height 33 inches, width 30 1/2 inches, depth 26 inches. C $1,500-2,500 See Illustration 262 Queen Anne Cherry High chest New England The upper section with five graduated drawers including a fan carved drawer, raised on cabriole legs. Height 6 feet 2 1/2 inches, width 39 inches, depth 19 1/2 inches. C $800-1,200 263 Queen Anne Mahogany Tripod Stand Pennsylvania, last quarter of the 18th century The circular dished top on a column and vase standard and three cabriole legs with pad feet. Height 28 inches, diameter 19 inches. C $600-900 See Illustration

259

259 Chinese Export Porcelain Pseudo Tobacco Leaf Platter Circa 1800 Decorated with luxuriant flowers and leaves and two exotic birds. Length 15 3/4 inches. C $800-1,200 See Illustration

260 Chippendale Style Mahogany Tripod Stand With a piecrust top. Height 26 1/2 inches, diameter 23 1/2 inches. C Property of a Long Island Estate $200-300

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264 George II Mahogany and Parcel Gilt Mirror The scrolled pediment with eagle crest, the frame with egg-and-dart molding and pendant foliage. Height 52 inches, width 27 1/2 inches. C $700-1,000

263

265 Pair of Irish George II Mahogany Side Chairs 18th Century with a yoked crest and baluster splats and scrolled stiles, above a compass seat, on cabriole legs joined by a flat stretcher, ending in faceted feet. Height 38 inches, width 20 1/2 inches, depth 16 1/2 inches. C $1,200-1,800 See Illustration 266 Pratt Ware Commemorative Tea Caddy Circa 1790 Molded with a profile portrait of George III. Height 6 1/2 inches; Togther with a Staffordshire Historial Blue Pottery Platter Depicting Windsor Castle. Circa 1830. Length 18 3/4 inches. â&#x20AC;˘ $300-400 265

267 Federal Mahogany Pembroke Table Circa 1820 The leaves with canted corners, above a frieze drawer, on reeded legs with casters. Height 28 1/2 inches, width 23 inches, depth 36 inches. C $300-500 268 Chippendale Mahogany Slant Front Desk Massachusetts, circa 1775 The interior with valanced pigeonholes and seven small drawers, the case with four long drawers, pendant apron, on bracket feet. Height 42 1/2 inches, width 40 1/2 inches, depth 19 1/2 inches. C Property of a Long Island Estate $700-1,000 See Illustration 269 Pair of Sandwich Type Molded Glass Decanters 19th Century Height 10 1/8 inches; Together with a Pair of Sandwich Type Molded Glass Flip Glasses. 19th Century Height 5 3/4 inches. C Estate of Leo Hershkowitz $400-600 270 Collection of Hand Blown Glass Stemware 18th/19th Century Approximately twenty-six pieces. Heights 3 - 7 inches. C Estate of Leo Hershkowitz $300-500

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273 Federal Cherry and Figured Maple Bowfronted Chest of Drawers New England, early 19th century The four graduated cockbeaded and banded drawers, each centering inlaid ribbon-tied branches, all on splayed bracket feet. Height 39 inches, width 42 3/4 inches, depth 21 1/4 inches. C $2,500-3,500 See Illustration 274 Pair of Chinese Export Porcelain Famille Rose Vases Each mounted as a lamp, of cong form. Height of vase 13 inches, height overall 27 1/2 inches. C Property of a Long Island Estate $300-500 275 George III Mahogany Dressing Glass Late 18th century The oval mirror plate on a serpentine base with three drawers. Height 22 inches, width 16 1/2 inches, depth 8 1/2 inches. • $150-250 271

271 Federal Inlaid Mahogany Pembroke Table New York, early 19th century The elliptical line inlaid top centering a patera, above a bowed frieze frieze with one drawer, on paterae and bellflower inlaid legs with banded ankles, inscribed under the top Made by Albert Coxhead, 22 Maxon Street, Poughkeepsie, New York. Provenance: Israel Sack, Inc., New York C Property of a Long Island Estate $1,500-2,000 See Illustration 272 Pair of Chinese Export Style Porcelain ‘Pistol’ Handled Covered Urns Mottahedeh Height 14 inches. C Property of a Long Island Estate $400-600

273

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276 Federal Upholstered Mahogany Wing Chair Early 19th century With scrolled arms and loose cushion seat, on square tapering legs. Height 48 1/2 inches, width 37 inches, depth 21 1/2 inches. C $1,000-1,500 See Illustration 277 Federal Mahogany Fold-Over Card Table Early 19th century With rounded inset corners, raised on string inlaid square tapering legs. Height 29 inches, width 35 inches, depth 17 1/2 inches. C $500-700

279 George III Style Mahogany Circular Breakfast Table On a columnar standard over four splayed legs with brass paw casters. Height 29 inches, diameter 48 inches. C $600-900 280 Federal Mahogany Serpentine Sideboard New York, early 19th century With three frieze drawers and four cupboard doors on square tapering legs. Height 42 inches, width 70 inches, depth 26 3/4 inches. C $1,200-1,800 See Illustration

278 Federal Inlaid Mahogany Demilune Fold-Over Card Table 19th Century With patera-inlaid square tapering legs. Height 28 1/2 inches, width 36 1/2 inches, depth 18 inches. C $800-1,200

276

280

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281 Chippendale Mahogany Side Chair Philadelphia, 18th century The serpentine crest centered by a flanged shell and scrolls, above a pierced splat in a molded shoe, slip seat, on shell carved cabriole legs with claw and ball feet. Height 39 3/4 inches, width 22 inches, depth 17 inches. C $1,500-2,500 See Illustration 282 Dutch Baroque Style Brass Six-Light Chandelier Height 21 inches, diameter 22 inches. C Estate of Leo Hershkowitz $300-400

281

283 Chippendale Mahogany Tilt-Top Tea Table New York, circa 1770 The circular dished top above a bird cage mechanism with baluster supports, over a baluster standard and three acanthus carved cabriole legs with claw and ball feet. Height 28 1/2 inches, diameter 31 3/4 inches. C Property of a Long Island Estate $1,500-2,500 See Illustration 284 Queen Anne Maple High Chest The upper section with five graduated drawers, the lower section with a long drawer and three short drawers, on cabriole legs. Height 6 feet 3 inches, width 39 1/2 inches, depth 20 inches. C $1,200-1,800 285 Chippendale Mahogany Wing Chair On straight molded legs joined by H-form stretchers. Height 48 inches, width 30 1/2 inches, depth 25 inches. C $1,000-2,000

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286 Group of Seven Salt Glazed Stoneware Crocks and Jugs 19th Century Impressed with various New York City and nearby vendorâ&#x20AC;&#x2122;s names. Height of tallest 11 1/4 inches. C Estate of Leo Hershkowitz $400-600 287 Queen Anne Mahogany Dressing Table Massachusetts, third quarter of the 18th century The top with a molded edge and inverted front corners, above a long frieze drawer and three small drawers, the center drawer with concave fan carving, over a shaped apron with acorn pendants, on angular cabriole legs. Height 30 1/2 inches, width 35 7/8 inches, depth 20 3/4 inches. C Property of a Long Island Estate $2,000-3,000 See Illustration 287

288 Pair of Canton Famille Rose Porcelain Vases 19th Century Each decorated with various figural reserves, etc. and molded with fu dogs and kylins. Height 24 inches. C $800-1,200 See Illustration 289 Childâ&#x20AC;&#x2122;s Windsor Side Chair Height 25 1/2 inches, width 14 inches, depth 13 inches. C $100-150

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290

290 [COLT, SAMUEL] Lithophane Portrait of Samuel Colt holding a revolver Circa 1855. Rare KPM die-pressed oval porcelain plaque with portrait of Samuel Colt seated holding a revolver in his right hand and a compass in his left. 7 x 5 3/4 inches (18 x 15 cm); stamped on the verso with the KPM mark over KPM/460/Z. Lightly soiled.

291 Scale Model of the Yacht America First winner of the America’s Cup 1851 Made by Wm. E. Hitchcock For the San Francisco Ship Model Gallery. Height 21 inches, width 25 1/2 inches; Together with a Case. Height 23 inches, width 29 3/4 inches. C $800-1,200

In 1855, Colt is known to have commissioned about 111 examples of this lithophane bearing his portrait to be used in the windows of his mansion, Armsmear, and likely planned others for presentation as gifts. The image, the only known of Colt holding a revolver (here an 1851 Navy model), was made a from a photograph taken of Colt in Germany in 1855. This example formerly owned by Charles Leonard Frost Robinson (1874-1916), president of Colt’s Patent Fire Arms Manufacturing Company in Hartford from 1911 to 1916. Only a small number of this rare lithophane appear extant today and they are quite rare in commerce; Together with a Second KPM Lithophane. Depicting Palais des Prinzen Heinrich. See Herbert G. Houze, Samuel Colt’s Porcelain Transparencies in The Magazine Antiques, April, 2006. C $2,500-3,500 See Illustration

292 American Renaissance Revival Mahogany Table Manner of Horner, late 19th century The rectangular top above three drawers carved with lions and foliage and a door carved with a cartouche, each side carved with swags and foliage, raised on a monopodia legs with winged brackets. Height 29 1/2 inches, width 55 1/2 inches, depth 34 inches. C Estate of Stephen Stempler $2,000-3,000 See Illustration

292

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293 Pair of Classical Style Carved and Giltwood Seven-Light Sconces Each with a different facing eagle crest. Height 24 3/4 inches. C Property of a Long Island Estate $300-500

294 Chippendale Walnut Tea Table Philadelphia, last quarter of the 18th century The circular dished top above a bird cage mechanism, on a suppressed ball standard and three cabriole legs with pad feet. Height 29 inches, diameter 32 5/8 inches. C $1,200-1,800 295 Queen Anne Maple Side Chair New England, 18th century The yoked crest and baluster splat over a compass seat on cabriole legs joined by turned stretchers. Height 40 1/4 inches, width 21 inches, depth 17 inches. C $400-600 296 Classical Mahogany Fold-Over Card Table Possibly Boston. circa 1820 The banded top with canted corners above a conforming frieze, on a trestle base with spiral turned stretcher. Height 30 1/2 inches, width 35 3/4 inches, depth 18 inches. C $800-1,200 See Illustration

296

297 Federal Mahogany and Figured Maple Fold-Over Card Table Massachusetts , early 19th century The serpentine top and sides with rounded outset corners, above a conforming apron, on ring-turned and reeded legs with casters. Height 29 3/4 inches, width 38 1/4 inches, depth 17 3/4 inches. C Estate of Leo Hershkowitz $1,500-2,000 See Illustration

297

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301 Queen Anne Mahogany Dressing Table The top with molded edge above five small drawers, over a shaped apron on cabriole legs. Height 29 inches, width 33 1/2 inches, depth 21 inches. C $1,200-1,800 See Illustration 302 Two Painted Papier Mâché Cigarette Sleeves 19th Century Each painted with a view of New York, lengths 5 3/8 inches. C Estate of Leo Hershkowitz $300-400 301

303 Federal Marble Top Inlaid Mahogany Mixing Table The shaped top above a conforming frieze with burl panels, above square tapering legs inlaid with pendant bellflowers. Height 29 1/4 inches, width 36 3/4 inches, depth 23 1/4 inches. C Property of a Long Island Estate $1,500-2,500 See Illustration

298 Queen Anne Figured Maple High Chest The straight molded cornice above five drawers in the upper section, the lower section with three small drawers and a shaped and carved apron, on cabriole legs. Height 67 3/4 inches, width 38 1/2 inches, depth 18 3/4 inches. C $700-1,000 299 Federal Inlaid Mahogany Fold-Over Card Table New England, early 19th century With rounded inset corners, the string and oval inlaid frieze on string inlaid square tapering legs. Height 29 1/2 inches, width 36 inches, depth 17 inches. C $700-1,000 300 Pine Hutch Cupboard With open shelves above three frieze drawers and a pair of panelled doors, on bracket feet. Height 6 feet 3 inches, width 52 1/2 inches, depth 18 inches. C $800-1,200

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303

304 Regency Giltwood and Part Ebonized Overmantel Mirror Circa 1825-30 Carved with fruit and masks, with tripartite plate. Height 30 1/2 inches, width 58 inches. C $600-900 305 Federal Inlaid Mahogany Serpentine Front Sideboard Early 19th century With three frieze drawers above bowed inset cupboard doors, flanked by deep drawers, on faceted and square tapering legs. Height 39 1/2 inches, width 66 1/2 inches, depth 28 inches. C $1,200-1,800 306 Stone Mile Marker 19th Century Of arched form, inscribed 40 Miles from New York. Height 31 1/2 inches, width 14 inches, depth 4 inches. C Estate of Leo Hershkowitz $800-1,200 See Illustration

Carpets & Rugs 307 Mahal Carpet Central Persia, second quarter of the 20th century The scarlet field with large-scale floral vinery overall is within a midnight blue rosette border. Approximately 11 feet 8 inches x 8 feet 10 inches. Minor losses to ends, re-piled areas. C $1,500-2,500 308 Heriz Carpet Northwest Persia, last quarter of the 19th century The central polychrome geometric medallion on the madder field flanked by midnight blue spandrels is within a palmette and vine border. Approximately 15 feet 10 inches x 10 feet 5 inches. Reselvedged, areas of wear, partial ends, end borders removed and reattached. C $2,500-3,500

309 Mahal Carpet Central Persia, circa 1930 The scarlet field with polychrome floral vinery overall is within a midnight blue palmette and vine border. Approximately 15 feet 1 inch x 12 feet 1 inch. Areas of wear, re-piled areas, tinted areas. C $1,000-2,000 310 Eagle Kazak Rug Southwest Caucasus, dated 1334 AH/1916 AD Three polychrome sunburst medallions on the madder field are within an ivory rosette border. Approximately 7 feet 11 inches x 4 feet 6 inches. Oxidized blacks, thin areas. C Estate of Elinor Steinhart $1,000-1,500 311 Heriz Carpet Northwest Persia, circa 1925 The indigo field with polychrome stylized vinery overall is within a coral palmette and leafy vine border. Approximately 11 feet 1 inch x 9 feet 2 inches. Even wear. C Estate of Albert Bruce Connor $1,500-2,500 312 Bakhtiari Carpet South Persia, early 20th century The allover pattern of polychrome geometric medallions on the midnight blue field is within a madder palmette and meandering vine border. Approximately 16 feet 8 inches x 10 feet 6 inches. Areas of wear, small hole, nicks to ends and edges. C $1,500-2,500 313 Kurd Kazak Rug Southwest Caucasus, first quarter of the 20th century Three polychrome hexagonal medallions on the indigo field are within an ivory serrated leaf and calyx border. Approximatley 7 feet 2 inches x 4 feet 6 inches. Restorations to corners. C $1,000-2,000

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314 Senna Kilim Carpet Northwest Persia, early 20th century The central polychrome stepped medallion on the midnight blue field is within an ivory stylized rosette border. Approximately 16 feet 5 inches x 10 feet 9 inches. Small holes, fraying to perimeter. C $1,500-2,500 315 Kashkuli Carpet Southwest Iran, contemporary The allover polychrome garden design is within a madder rosette border. Approximately 13 feet x 9 feet 11 inches. Spot stain. C $1,000-2,000 316 Northwest Persian Runner Northwest Persia, circa 1900 Four and one-half hexagonal pole medallions on the buff field are within a madder rosette and serrated leaf border. Approximately 15 feet 2 inches x 3 feet 2 inches. Reduced in length, re-piled areas. C $1,000-2,000 317 Shiraz Carpet South Iran, mid-20th century The allover pattern of polychrome diamond stepped medallions on the madder field is within a buff rosette border. Approximately 12 feet 4 inches x 7 feet 2 inches. Stain. C $600-900 318 Mahal Carpet Central Persia, second quarter of the 20th century The scarlet field with a polychrome harshang pattern overall is within an indigo rosette and serrated leaf border. Approximately 16 feet 5 inches x 12 feet 2 inches. Thin areas, restorations, tinted areas. C $2,000-3,000 319 Shirvan Rug East Caucasus, first quarter of the 20th century Of Karabagh design with a central pendant medallion on a madder field flanked by animals is within indigo and ivory rosette borders. Approximately 5 feet 7 inches x 4 feet. Re-piled areas, restored areas. C Estate of Albert Bruce Connor $800-1,200

90 DOYLE â&#x20AC;˘ APRIL 18, 2018 â&#x20AC;˘ NEW YORK

320 Bakhtiari Carpet South Persia, second quarter of the 20th century The central polychrome pendant medallion on the indigo field flanked by madder spandrels is withing an ivory flora vinery border. Approximately 17 feet 7 inches x 11 feet 4 inches. Missing outer guard stripe border, reselvedged, small oxidized and worn areas. C $2,000-3,000 321 Mahal Carpet Central Persia, last quarter of the 19th century The madder field with large-scale polychrome floral vinery overall is within a midnight blue palmette and meandering vine border, signed. Approximately 21 feet 1 inch x 10 feet 10 inches. Areas of wear, stains, tinted areas. C $4,000-6,000 322 Kazak Rug Southwest Caucasus, last quarter of the 19th century The madder field with a central polychrome geometric medallion is within an ivory serrated leaf and calyx border. Approximately 7 feet x 5 feet 7 inches. Rewoven end guard borders, re-piled areas. C $1,500-2,500 323 Kurdish Runner West Persia, early 20th century The madder field with polychrome stepped medallions overall is within an ivory stylized rosette border. Approximately 8 feet 10 inches x 3 feet 6 inches. Re-piled areas, two restored areas one end. C Estate of Albert Bruce Connor $800-1,200 324 Heriz Carpet Northwest Persia, second half of the 20th century The madder field with polychrome stylized floral vinery overall is within an indigo palmette and vine border. Approximately 9 feet 2 inches x 6 feet 7 inches. Minor moth damage, re-piled areas. C $600-900

325 Kazak Rug Southwest Caucasus, circa 1900 The overall ascending pattern of polychrome shrubs in a vinery lattice is within a saffron rosette border. Approximately 9 feet x 4 feet 3 inches. Restored areas on ends. C Estate of Albert Bruce Connor $2,000-3,000 326 Esari Beshir Gallery Carpet West Turkestan, last quarter of the 19th century The central polychrome octagonal medallion amongst stylized flora on the midnight blue field is within three madder rosette borders. Approximately 15 feet 6 inches x 7 feet 2 inches. Areas of wear, fold wear, stain, dogeared corners, small repairs. C Property of a New York Estate $1,500-2,500 327 Mahal Carpet Central Persia, second quarter of the 20th century The central floral medallion on the scarlet field is within a charcoal meandering vine border. Approximately 9 feet 2 inches x 6 feet 10 inches. Areas of wear, stains, tinted areas, crude repairs. C $300-500 328 Shirvan Rug East Caucasus, circa 1900 The pale saffron field with stylized ornamentation overall is within an ivory rosette border. Approximately 5 feet 5 inches x 3 feet 1 inch. Rewoven end borders, re-piled areas. C Estate of Albert Bruce Connor $1,000-2,000

End of Sale

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows: FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works. PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist. CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style. MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

PRINTS NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title. MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed. DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed. EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image.

THE RITZ TOWER ON PARK AVENUE

465 Park Avenue, 9F | $1,100,000 | Cooperative The esteemed Ritz Tower was designed to offer luxury apartment living. Inlaid herringbone floors, north facing windows, and lacquer wall treatments, complete this pristine one-bedroom, one-and-a-half-bathroom home.

New York Properties

Craig Dix | Senior Sales Executive, Associate Real Estate Broker 646.677.1038 | CraigDix@bhhsnyp.com | The Key-Ventures Team

212.710.1900 • contact@bhhsnyp.com • bhhsnyp.com • 590 Madison Avenue, New York, New York © 2018 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliate, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms: 2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent. 3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property. 5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information. 6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot. Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

CLASSIC STONE & SLATE ESTATE

Rye, NY - 39 Park Drive South • $6,250,000

This beautiful home built is situated on 4.35 spectacular acres with magnificent views overlooking a picturesque fountain, bridge, flag pole and the 4th hole on Westchester Country Club’s South Course. The property is a private oasis equipped with an in-ground gunite pool, pool house, kitchenette and full bath. The main house boasts an elegant entry foyer leading to a formal dining room and impressive family room, sun-filled gourmet kitchen with top of the line appliances and a butler’s pantry - ideal for entertaining. The upper level consists of a grand master bedroom suite with a sitting room and a luxurious bath with radiant heated floors. Four additional en-suite bedrooms, a bonus room, laundry room and walk-up attic complete the second floor. A four-car garage in rear of house overlooks the stunning property.

MARGARET GRASSO (914) 967-1300 MargaretGrasso@bhhswestchester.com bhhsneproperties.com/4742377

A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE CONTINUED 8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions;

f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale. 9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public. 11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them. 12. All measurements and weight are approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause. 13. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law. 14. The rights and obligations of the parties with respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction. WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of

the state or country in which the purchaser resides or does business.

sales tax in effect in the state where the property is delivered.

WHERE DOYLE NEW YORKCOLLECTS SALES TAX

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX

Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%. If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate

Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States. III

BALLANTINE MANSION IN PRESTIGIOUS LLEWELLYN PARK

$1,999,000

The Pride of Llewellyn Park, this Ballantine Mansion sits majestically on 2.65 acres. This one-of-a-kind Manse boasts the most sophisticated upgrades that must be seen to be believed. European history abounds in this elegant four bedroom, four and-a-half bath Tudor edifice. The chef’s kitchen is made for entertaining featuring two dishwashers, a professional range, and an oversized island. The manicured grounds boast three fountains, a tea house, and meandering pathways that lead to a secret garden.

www.86MountainAveWestOrangeTwp.com SAM JOSEPH Sales Associate - Luxury Collection Specialist Cell: 917-359-8990 Sam.Joseph@BHHSNJ.com www.SamJosephRealtor.com Montclair Office | 973-744-5544 | 695 Bloomfield Ave., Montclair, NJ 07042 ©2017 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION (CONTINUED) Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art

dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below. 1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below. 2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot. The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require,

at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts. 3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. 4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest. 5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or

ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty. 6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee. LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

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bhhscalifornia.com | 888.995.7575 ÂŠ2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. CalBRE 01209514 / 01246412

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot. BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

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BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges. AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to the constraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf VI

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations. OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase. SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department. AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

VIII

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees. ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.” INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE MAY

JUNE

DOYLE AT HOME Auction: Wednesday, APRIL 11 at 10am Exhibition: April 7 – 9

PRINTS & MULTIPLES Auction: Tuesday, MAY 1 at 10am Exhibition: April 27 – 29

DOYLE+DESIGN® Auction: Wednesday, JUNE 6 at 10am Exhibition: June 2 – 4

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Auction: Wednesday, APRIL 18 at 10am Exhibition: April 14 – 16

COINS, BANK NOTES, & STAMPS Auction: Tuesday, MAY 1 at 3pm Exhibition: April 27 – 29

FINE JEWELRY Auction: Wednesday, JUNE 13 at 10am Exhibition: June 9 – 11

IMPRESSIONIST & MODERN ART Auction: Wednesday, MAY 9 at 10am Exhibition: May 5 – 7

PHOTOGRAPHS Auction: Thursday, JUNE 14 at 10am Exhibition: June 9 – 11

POST-WAR & CONTEMPORARY ART Auction: Wednesday, MAY 9 at 2pm Exhibition: May 5 – 7

DOYLE AT HOME Auction: Wednesday, JUNE 27 at 10am Exhibition: June 23 – 25

APRIL ®

IMPORTANT JEWELRY Auction: Tuesday, APRIL 24 at 10am Exhibition: April 19 – 22 RARE BOOKS, AUTOGRAPHS & MAPS Auction: Wednesday, APRIL 25 at 10am Exhibition: April 20 – 22

JEWELRY BEVERLY HILLS NYC Auction: Monday, MAY 14 at 10am NYC Exhibition: May 12 – 13 ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS Auction: Wednesday, MAY 23 at 10am Exhibition: May 19 – 21

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM