Prints & Multiples - 5.1.18

PRINTS & MULTIPLES

Tuesday, May 1, 2018

NEW YORK

PRINTS & MULTIPLES AUCTION Tuesday, May 1, 2018 at 10am

EXHIBITION Saturday, April 28, 10am – 5pm Sunday, April 29, Noon – 5pm Monday, April 30, 10am – 6pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

Catalogue: $30

INCLUDING PROPERTY FROM THE ESTATES OF Florence Aaron Fred Baum Joseph Bedics, Sr. Barbara Cook Benjamin P. Dailey Alvin B. Glaser Lydia Charlotte Heller Leo Hershkowitz Hilda Johnson Howard Kaminsky Collette T. Kean Carl Lesnor Dorothy Lewis 2013 Irrevocable Trust Marion Victor Perini Elizabeth Seiberling Elinor Steinhart Stephen Stempler Wendy Vanderbilt Lehman I. Arnold Victor III

INCLUDING PROPERTY FROM Formerly in the inventory of Berry-Hill Galleries, New York A Private New Jersey Collection A Private New Jersey Collector A Private New York Collector A New York Corporate Collection

CONTENTS Prints & Multiples

1-249

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PRINTS & MULTIPLES

Lot 89

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3 1 Yaacov Agam (b. 1928) THE BLESSING STAR Color agamograph, signed and numbered 88/99 in blue ink, the full sheet, framed.

13 1/4 x 13 1/2 inches; 337 x 343 mm.

Overall 22 3/4 x 22 1/4 inches; 578 x 565 mm.

C Estate of Marion Victor Perini $700-1,000

6

4 2 Josef Albers (1888-1976) VARIANT X (DANILOWITZ 173.10) Color screenprint, 1966, on Rives BFK paper, signed with initials, dated, titled and numbered 134/200 in pencil, from Ten Variants, published by Ives-Sillman, Inc., New Haven, with good margins, framed.

10 1/8 x 14 1/8 inches; 257 x 359 mm.

Sheet 17 x 17 inches; 432 x 432 mm.

C $800-1,200

DOYLE • MAY 1, 2018 • NEW YORK

3 John Taylor Arms (1887-1953) GOTHIC GLORY, SENS CATHEDRAL (FLETCHER 218) Etching, 1929, on oatmeal flecked laid paper, signed, dated and inscribed Second State in ink, from the edition of 140, with full margins, framed.

15 1/8 x 9 1/4 inches; 384 x 235 mm.

Sheet 16 7/8 x 10 1/2 inches; 429 x 267 mm.

C $600-800

4 Frank Auerbach (b. 1931) RECLINING FIGURE II Color photolithograph and screenprint, 1966, signed and numbered 64/70 in pencil, with full margins, framed.

23 x 31 5/8 inches; 584 x 803 mm.

Provenance: Berry-Hill Galleries, New York C $600-800

5

5 Frank Auerbach PORTRAIT OF GERDA BOEHM Color photolithograph and screenprint, 1967, signed and numbered 16/70 in pencil, with full margins, framed.

31 1/2 x 23 1/8 inches; 800 x 587 mm.

Provenance: Berry-Hill Galleries, New York C $600-800

6

6 Frank Auerbach PLAYING CARD—TWO HEADS OF J.Y.M. Color photolithograph and screenprint, 1969, signed twice and numbered 17/70 in pencil, published by Marlborough Graphics, London, with full margins, framed.

32 1/2 x 24 1/8 inches; 826 x 613 mm.

Provenance: Berry-Hill Galleries, New York C $700-1,000

7 Milton Avery (1885-1965) JAPANESE LANDSCAPE (LUNN 15) Drypoint printed in dark brown, 1939, on cream wove paper, signed, dated 1937 and numbered 94/100 in pencil, with full margins, framed.

3 3/8 x 7 7/8 inches; 86 x 200 mm.

Sheet 10 1/8 x 14 1/8 inches; 257 x 359 mm.

C $1,500-2,500

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VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7

8 8 Jennifer Bartlett (b. 1941) HOMAN-JI SERIES I (ORLANDO MUSEUM 27) Complete set of three color screenprints with gold, silver and platinum leaf, 1993, on Echizen Kizuki Hosho paper, the third signed with initials, dated and inscribed C of C, the first titled and inscribed State Proof and A of C, the second inscribed B of C, in pencil (aside from the numbered edition of 90), co-published by the artist and Simca Print Artists, Inc., New York, with full margins, framed together.

Sheets 19 1/2 x 19 1/2 inches; 495 x 495 mm.

C Estate of Howard Kaminsky $2,000-3,000 9 Jennifer Bartlett HOUSES Color screenprint, 2005, on wove paper, signed, dated and numbered 59/108 in pencil, printed by Brand X Editions, Long Island City and with their blindstamp, with full margins, framed.

30 1/8 x 30 1/8 inches; 765 x 765 mm.

Sheet 37 x 36 3/8 inches; 940 x 924 mm.

C The Estate of Barbara Cook $1,200-1,800 9 10 George Bellows (1882-1925) THE PARLOR CRITIC (MASON 80) Lithograph, 1921, on tissue-thin laid Japan paper, signed in pencil, also signed and inscribed imp by the printer, Bolton Brown, from the edition of 38, with full margins, framed.

8 1/2 x 7 inches; 216 x 178 mm.

Sheet 13 x 9 1/2 inches; 330 x 241 mm.

C $800-1,200

10 8

DOYLE • MAY 1, 2018 • NEW YORK

11 Thomas Hart Benton (1889-1975) THE RACE (FATH 56) Lithograph, 1942, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed.

8 7/8 x 13 1/4 inches; 225 x 337 mm.

Sheet 11 1/8 x 15 5/8 inches; 283 x 396 mm.

C Estate of Benjamin P. Dailey $5,000-7,000

11

12 Thomas Hart Benton NIGHT FIRING (F. 57) Lithograph, 1943, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed.

8 3/4 x 13 1/8 inches; 222 x 333 mm.

Sheet 11 5/8 x 16 inches; 295 x 406 mm.

C $1,500-2,500

12

13 Thomas Hart Benton WRECK OF THE OL’ 97 (F. 63) Lithograph, 1944, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed.

10 3/8 x 15 inches; 264 x 381 mm.

Sheet 13 x 17 1/8 inches; 330 x 435 mm.

C Estate of Benjamin P. Dailey $4,000-6,000

13 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9

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16 14 Pierre Bonnard (1867-1947) FEMME AU PARAPLUIE (BOUVET 33; ROGER-MARX 35) Color lithograph, 1895, on cream wove paper, signed in pencil, from La Revue Blanche, with full margins, framed.

8 1/2 x 5 inches; 216 x 127 mm.

Sheet 12 5/8 x 9 5/8 inches; 321 x 244 mm.

C Estate of Alvin B. Glaser $1,000-1,500 15 Georges Braque (1882-1963) OISEAU DES FORÊTS (OISEAU XVII) (VALLIER 127) Color lithograph, 1958, on Arches paper, signed and numbered 56/75 in pencil, published by Nicolas Rauch, Geneva, with full margins, framed.

15 3/4 x 18 1/8 inches; 400 x 460 mm.

Sheet 28 1/2 x 21 1/4 inches; 724 x 540 mm.

C $3,000-4,000

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16 Georges Braque PROFIL GREC (SEE V. 146) Color lithograph, 1960, signed and numbered 40/50 in pencil, from the poster edition with text, printed and published by Maeght, Paris, the full sheet, framed.

Sheet 22 x 17 3/4 inches; 559 x 451 mm.

C $600-800

17 17 Georges Braque AFFICHE POUR L’EXPOSITION GEORGES BRAQUE—RENÉ CHAR (V. 185) Color lithograph, 1963, on Japon nacré paper, signed and numbered 48/75 in pencil, published by Edwin Engelberts, Geneva, with wide margins, framed.

8 7/8 x 20 inches; 225 x 508 mm.

Sheet 21 1/4 x 21 1/4 inches; 540 x 540 mm.

C A Private New York Collector $1,000-1,500

18 18 After Georges Braque LE NID VERT (MAEGHT 1028) Color etching and aquatint, circa 1950, on Rives BFK paper, signed and numbered 48/300 in pencil, printed by Crommelynck, Paris and with their blindstamp, published

by Maeght, Paris, with wide margins, framed.

9 1/8 x 12 1/2 inches; 232 x 318 mm.

Sheet 15 x 19 5/8 inches; 381 x 498 mm.

C $600-800

19 After Georges Braque FEMME EN CHAISE LONGUE; LE TORÉADOR Color offset lithographs, circa 1956, on cream wove paper, signed and numbered 65/75 and 9/75, respectively, in pencil, with full margins, framed. (2) Larger 13 3/8 x 9 7/8 inches; 340 x 251 mm.

C $600-800 20 After Georges Braque MARINE NOIRE (M. 1044E) Color lithograph, circa 1960, on Rives BFK paper, signed and numbered 200/400 in pencil, published by Maeght, Paris, with good or full margins, framed.

19 5/8 x 28 5/8 inches; 498 x 727 mm.

C $600-800

19 part

20 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11

21 21 Bernard Buffet (1928-1999) NATURE MORTE À LA CAFETIÈRE (MOURLOT 14) Color lithograph, 1955, on Rives BFK paper, signed and numbered 64/300 in pencil, published by La Guilde de la Gravure, Geneva and with their blindstamp, with good margins, framed.

27 x 19 1/2 inches; 686 x 495 mm.

Sheet 29 7/8 x 21 7/8 inches; 759 x 556 mm.

C Estate of Elinor Steinhart $700-1,000

23 22 Charles Burchfield (1893-1967) AUTUMN WIND (PRASSE 191) Lithograph, 1951, on wove paper, signed and titled in pencil, from the edition of 60, with (full?) margins, framed.

7 1/2 x 13 1/2 inches; 191 x 343 mm.

Sheet 11 3/4 x 15 7/8 inches; 298 x 403 mm.

C Property from a Private New Jersey Collection $3,000-5,000

22 12 DOYLE • MAY 1, 2018 • NEW YORK

23 Charles Burchfield CROWS IN MARCH (P. 192) Lithograph, 1951, on wove paper, signed and titled in pencil, from the edition of 60, with (full?) margins, framed.

13 3/4 x 9 7/8 inches; 347 x 250 mm.

Sheet 15 7/8 x 11 7/8 inches; 403 x 302 mm.

C Property from a Private New Jersey Collection $3,000-5,000

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24 Charles Burchfield SUMMER BENEDICTION (P. 193) Lithograph, 1951-52, on wove paper, signed in pencil, from the edition of 260, published by the Print Club of Cleveland and with their inkstamp verso (Lugt 2049b), with full margins, framed.

12 x 9 1/8 inches; 306 x 233 mm.

Sheet 15 3/4 x 11 1/2 inches; 400 x 292 mm.

C Property from a Private New Jersey Collection $3,000-5,000 25 Alexander Calder (1898-1976) CHEVALIER Color lithograph, 1969, on wove paper, signed and numbered 50/125 in pencil, the full sheet, framed.

Sheet 29 1/2 x 21 1/4 inches; 749 x 540 mm.

C $2,000-3,000 26 Alexander Calder THE CIRCUS Color lithograph, on wove paper, signed and inscribed H.C. in pencil, published by Maeght, Paris, the full sheet, framed.

Sheet 26 1/8 x 38 1/4 inches; 663 x 972 mm.

C $1,500-2,500

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28

27 Alexander Calder BATEAU NOIR Color lithograph, on wove paper, signed and numbered 43/100 in pencil, the full sheet, framed.

Sheet 22 3/4 x 30 5/8 inches; 578 x 778 mm.

C Estate of Hilda Johnson $1,500-2,500 28 Alexander Calder OCTOPUS Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet.

Sheet 29 7/8 x 22 1/8 inches; 759 x 562 mm.

C Estate of Joseph Bedics, Sr. $1,000-1,500

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14 DOYLE • MAY 1, 2018 • NEW YORK

29 Alexander Calder WHITE CIRCLES AND ELLIPSES Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet.

Sheet 22 x 29 7/8 inches; 559 x 759 mm.

C Estate of Joseph Bedics, Sr. $1,000-1,500

30 Alexander Calder CIRCLE WITH EYES Color lithograph, 1975-76, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet.

Sheet 22 x 29 7/8 inches; 559 x 562 mm.

C Estate of Joseph Bedics, Sr. $1,000-1,500 31 Leonetto Cappiello (1875-1942) PAPIER À CIGARETTES, JOB Color lithograph, 1933, printed by Vercasson, Paris, with full margins, framed.

33 1/2 x 21 3/4 inches; 851 x 552 mm.

C Estate of Collette T. Kean $1,000-1,500 32 Leonora Carrington (1917-2011) BIRD BATH Color screenprint, 1974, on wove paper, signed and numbered 146/150 in pencil, published by Brewster Editions, New York, with full margins.

28 x 22 inches; 711 x 559 mm.

Sheet 34 1/2 x 27 3/8 inches; 876 x 695 mm.

C $1,000-1,500

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32 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15

33 Patrick Caulfield (1936-2005) NAPKIN AND ONIONS; BIG SAUSAGE; DRESSED LOBSTER (CRISTEA 28; 55; 63) Color screenprints, 1972, 1978, 1980, on wove paper, signed, the first and second numbered 43/72 and 77/150, the third dated and inscribed 8/14 AP in pencil, printed by Kelpra Studio, London and with their blindstamp or inkstamp verso, published by Waddington Graphics, London, the full sheets. (3) Largest sheet 39 1/2 x 29 1/4 inches; 1003 x 743 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,500

33 part

34 Patrick Caulfield TULIPS; CURTAIN AND BOTTLE; PARIS SEPARATES (C. 32; 34; 36) Color screenprints, 1973, on wove paper, signed and inscribed AP in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington Graphics, London, with full margins. (3) Each 21 7/8 x 30 7/8 inches; 556 x 784 mm.

Sheets approximately 28 5/8 x 37 1/4 inches; 727 x 946 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,000

34 part

16 DOYLE • MAY 1, 2018 • NEW YORK

35 part

35 Patrick Caulfield SIGNATURE POTS; LAMP AND PINES (C. 42; 45) Color screenprints, 1975, on wove paper, signed and numbered 70/70 in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington Graphics, London, the full sheets. (2) Sheets approximately 30 3/8 x 40 3/8 inches; 772 x 1026 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,000 36 Patrick Caulfield PIPE IN BOWL; CIGAR; GREY PIPE (C. 50; 57; 64) Color screenprints, 1976, 1978, 1981, on wove paper, signed, the first and third numbered 31/76 and 34/75, the second inscribed 11/14 AP in pencil, printed by Kelpra Studio, London and with their blindstamp or inkstamp verso, published by Waddington Graphics, London, with full margins. (3) Largest 19 1/8 x 20 1/8 inches; 486 x 511 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,500

36 part

37 Patrick Caulfield FERN POT; PLANT POT (C. 59; 61) Color screenprints, 1979-80, on wove paper, signed and numbered 46/65 and 88/100, respectively, in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published

by Waddington Graphics, London and with their blindstamp, the full sheets. (2) Sheets approximately 32 7/8 x 23 1/2 inches; 835 x 597 mm.

Provenance: Berry-Hill Galleries, New York C $800-1,200

37 part

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38

38 Marc Chagall (1887-1985) L’ACROBATE AU VIOLON (KORNFELD 40) Etching and drypoint, 1924, on wove paper, signed in pencil, published by Ambroise Vollard, Paris, with full margins, framed.

16 3/8 x 12 1/2 inches; 416 x 318 mm.

Sheet 22 3/4 x 17 3/4 inches; 578 x 451 mm.

C Estate of Elinor Steinhart $2,000-3,000

18 DOYLE • MAY 1, 2018 • NEW YORK

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39 Marc Chagall LA FEMME DE POTIPHAR (CRAMER BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 59/100 in pencil, from Le Bible, published by Tériade, Paris, with wide margins, framed.

11 3/4 x 9 3/4 inches; 298 x 248 mm.

Sheet 17 3/8 x 15 3/8 inches; 441 x 391 mm.

C $2,000-3,000

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42 part 40 Marc Chagall SAÜL ET DAVID (C. BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 57/100 in pencil, from Le Bible, published

by Tériade, Paris, with good margins, framed.

11 3/4 x 9 5/8 inches; 298 x 244 mm.

Sheet 19 1/2 x 13 3/4 inches; 495 x 349 mm.

C $2,500-3,500

41 Marc Chagall ORACLE SUR BABYLONE (C. BOOKS 30) Hand-colored etching, 1931-39, on Arches paper, signed with initials and numbered 25/100 in pencil, from Le Bible, published

by Tériade, Paris, with wide margins, framed.

12 1/2 x 9 3/4 inches; 318 x 248 mm.

Sheet 16 7/8 x 15 3/8 inches; 429 x 391 mm.

C $2,000-3,000

42 Marc Chagall JACQUES LASSAIGNE, CHAGALL (MOURLOT 192-207; SEE C. BOOKS 34) Complete set of 15 lithographs (including cover and frontispiece), 1957, on wove paper, bound (as issued), with complete text in French, from the edition of 6000, published by Maeght, Paris, the full sheets.

Overall 9 1/4 x 8 inches; 235 x 203 mm.

C $700-1,000

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43

43 Marc Chagall TEMPLE ET HISTOIRE DE BACCHUS (M. 346; C. BOOKS 46) Color lithograph, 1961, on Arches paper, signed and numbered 30/60 in pencil, from Daphnis et Chloé, published by Tériade, Paris, with full margins, framed.

16 3/4 x 25 3/8 inches; 425 x 645 mm.

Sheet 21 x 29 5/8 inches; 533 x 752 mm.

C Estate of I. Arnold Victor III $20,000-30,000

20 DOYLE • MAY 1, 2018 • NEW YORK

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44 Marc Chagall COUPLE SUR FOND NOIR II (M. 707A) Color lithograph, 1973, on Japon nacré paper, published by Maeght, Paris, with full margins, framed.

13 x 9 7/8 inches; 330 x 251 mm.

Sheet 21 5/8 x 16 3/4 inches; 549 x 425 mm.

C $3,000-5,000 45 Marc Chagall L’INTÉRIEUR (M. 931) Color lithograph, 1978, on Arches paper, signed and numbered 34/50 in pencil, with full margins, framed.

12 3/4 x 9 7/8 inches; 324 x 251 mm.

Sheet 23 x 17 3/4 inches; 584 x 451 mm.

C Estate of Fred Baum $3,000-5,000 46 Marc Chagall JACOB ET LES ANGES (M. 966) Color lithograph, 1980, on Arches paper, signed and numbered 34/50 in pencil, with full margins, framed.

14 3/8 x 11 3/4 inches; 365 x 298 mm.

Sheet 25 1/4 x 17 3/8 inches; 641 x 441 mm.

C Estate of Fred Baum $3,000-5,000

46 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21

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47 Marc Chagall CHAGALL LITHOGRAPHE I-VI (MOURLOT 281-292; 391-402; 577-78; 729-30, C. BOOKS 43; 56; 77; 94) Complete set of of six volumes with 28 lithographs, 1960-1986, bound (as issued), with complete text in English, published by André Sauret, Monte Carlo, the full sheets.

Each overall 13 x 10 inches; 330 x 254 mm.

C $2,000-3,000

22 DOYLE • MAY 1, 2018 • NEW YORK

48 After Marc Chagall ROMEÓ ET JULIETTE (SORLIER 96) Color lithograph by Charles Sorlier, 1964, from the edition of 5000, published by the French Tourist Bureau, Paris, the full sheet.

Sheet 25 x 39 inches; 635 x 991 mm.

C Dorothy Lewis 2013 Irrevocable Trust $600-800

49 After Marc Chagall L’OISEAU BLEU (S. 114) Color lithograph by Charles Sorlier, 1968, signed in ink, from the edition of 2000, published by Biennial Editions of Menton, with full margins, framed.

Sheet 30 x 20 inches; 762 x 508 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500

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51

52 part 50 Edgar Chahine (1874-1947) LA TERRASSE (TABANELLI 26) Aquatint and drypoint, 1899, on cream laid paper, signed and dedicated a Monsieur Sagot in pencil, with full margins, framed.

13 3/4 x 11 3/4 inches; 349 x 298 mm.

Sheet 21 5/8 x 14 1/4 inches; 549 x 362 mm.

C $800-1,200

51 Eduardo Chillida (1924-2002) LEVITATION I (VAN DER KOELEN 64006) Lithograph, 1964, on Rives BFK paper, signed and numbered 82/150 in pencil, published by Maeght, Paris, the full sheet, framed.

Sheet 14 7/8 x 11 inches; 377 x 279 mm.

C $800-1,200

52 John Coburn (1925-2006) WASTELAND; SUMMER GARDEN; GARDEN OF DESIRE; FLAME TREE Color screenprints, 1976, on wove paper, signed, dated, titled and numbered 5/40, 30/40, 44/50 and 2/40, respectively, in pencil, with full margins. (4) Largest 27 3/8 x 42 3/8 inches; 695 x 1076 mm.

C Dorothy Lewis 2013 Irrevocable Trust $700-1,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 23

53 Howard Cook (1901-1980) BROOKLYN BRIDGE (DUFFY 214) Lithograph, 1949, on cream wove paper, signed, dated and inscribed to the printer, Thanks, George! in pencil, from the edition of 20, printed by George C. Miller, New York, with full margins, framed.

13 13/16 x 8 inches; 351 x 203 mm.

Sheet 15 7/8 x 11 7/8 inches; 403 x 301 mm.

C Property from a Private New Jersey Collection $5,000-7,000 54 Salvador Dalí (1904-1989) ALICE’S ADVENTURES IN WONDERLAND (FIELD 69-5 A-M; M./L. 321-333) Complete set of one etching and 12 color heliogravures with woodcut remarque, 1969, on Mandeure paper, signed on the title page, numbered 218 of 2500, with complete text, loose (as issued), published by Maecenas Press, New York, the full sheets, in original linen-covered clamshell portfolio with gilt title and slipcase. (13) Overall 18 1/2 x 13 x 2 3/4 inches; 470 x 330 x 70 mm.

C $4,000-6,000

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54 part 24 DOYLE • MAY 1, 2018 • NEW YORK

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55 Stuart Davis (1892-1964) HOTEL CAFÉ (COLE/MEYER 4) Lithograph, 1928-29, on light beige chine collé paper, signed and numbered 17/30 in pencil, with full margins, framed.

10 1/4 x 7 7/8 inches; 260 x 200 mm.

Sheet 19 5/8 x 12 1/2 inches; 498 x 317 mm.

C Property from a New York Corporate Collection $2,000-3,000 56 Stuart Davis RUE DE RATS (C./M. 5) Lithograph, 1928-29, on light beige chine collé paper, signed and numbered 3/30 in pencil, with good margins, framed.

10 1/8 x 15 1/4 inches; 257 x 387 mm.

Sheet 12 3/4 x 18 inches; 324 x 457 mm.

C Property from a New York Corporate Collection $4,000-6,000 57 Stuart Davis ARCH NO. 1 (C./M. 6) Lithograph, 1929, on light beige chine collé paper, signed and numbered 16/30 in pencil, with full margins, framed.

9 x 13 inches; 228 x 330 mm.

Sheet 12 3/4 x 19 5/8 inches; 323 x 498 mm.

C Property from a New York Corporate Collection $2,000-3,000

57

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58

60 58 Stuart Davis AU BON COIN (C./M. 8) Lithograph, 1929, on light beige chine collé paper, signed and numbered 26/30 in pencil, with full margins, framed.

7 7/8 x 9 7/8 inches; 200 x 228 mm.

Sheet 12 3/4 x 19 5/8 inches; 323 x 498 mm.

C Property from a New York Corporate Collection $3,000-5,000 59 Stuart Davis RUE DE L’ECHAUDÉ (C./M. 12) Lithograph, 1929, on light beige chine collé paper, signed and numbered 18/30 in pencil, with full margins, framed.

9 x 14 1/8 inches; 228 x 358 mm.

Sheet 14 1/8 x 21 inches; 358 x 553 mm.

C Property from a New York Corporate Collection $2,000-3,000

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60 Stuart Davis COMPOSITION (C./M. 18) Lithograph, 1931, on cream wove paper, signed and inscribed artist’s proof in pencil, one of five proofs (aside from the edition of 25), with wide margins, framed.

10 x 9 inches; 254 x 229 mm.

Sheet 17 7/8 x 13 5/8 inches; 454 x 346 mm.

C Property from a Private New Jersey Collection $2,000-3,000

61 After Stuart Davis IVY LEAGUE (C./M. P. 79) Color screenprint, 1953, on cream wove paper, with the stencil signature, with full margins, still affixed at top left sheet corner verso to Edith G. Halpert 1953 holiday greetings card (as issued).

5 x 7 7/8 inches; 127 x 200 mm.

Sheet 6 x 9 inches; 152 x 229 mm.

C $600-800 62 Adolf Dehn (1815-1968) AFTERNOON IN CENTRAL PARK (LUMSDAINE/O’SULLIVAN 303) Lithograph, circa 1937, on Rives paper, signed in pencil, from the edition of unknown size, published by the Federal Art Project, WPA, New York and with their inkstamp, with full margins.

9 3/4 x 13 1/8 inches; 248 x 333 mm.

Sheet 11 1/2 x 16 inches; 292 x 406 mm.

C Estate of Leo Hershkowitz $700-1,000

61

63 Adolf Dehn NEW YORK SKY LINE (L./O. 490) Lithograph, 1952, on cream wove paper, signed, dated, titled and numbered 14/25 in pencil, with full margins, framed.

11 7/8 x 16 inches; 302 x 406 mm.

Sheet 15 1/4 x 19 3/4 inches; 381 x 502 mm.

C $800-1,200 62

63 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 27

64 part

65 part

64 After Robert Delaunay (1885-1941) ARC DE TRIOMPHE; FENÊTRE SUR LA VILLE; SAINT SÉVERIN; LA TOUR Two lithographs and two photolithographs, 1926-69, on Rives BFK paper, signed, dated, titled, numbered 40/75 and dedicated by the artist’s widow, pour Robert Delaunay by Sonia Delaunay in pencil, with the Robert Delaunay estate stamp, with full margins. (4) Largest 24 3/8 x 17 3/4 inches; 619 x 451 mm.

Sheets approximately 25 3/4 x 19 3/4 inches; 654 x 502 mm.

C Dorothy Lewis 2013 Irrevocable Trust $3,000-4,000 65 Sonia Delaunay-Terk (1885-1975) CINÉMA; NOIR ET BLANC Lithographs (the first printed in color), on Arches paper, signed, numbered 62/75 and 21/75, respectively, the second dated 1936-69, in pencil, with full margins. (2) Larger 17 3/4 x 22 7/8 inches; 451 x 581 mm.

C Dorothy Lewis 2013 Irrevocable Trust $3,000-4,000

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66 Sonia Delaunay-Terk RONDE Color lithograph, 1937-70, on Arches paper, signed, dated and inscribed H.C. 21/25 in pencil, with full margins.

15 1/8 x 15 1/8 inches; 384 x 384 mm.

Sheet 25 5/8 x 19 5/8 inches; 651 x 498 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

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68

67 Sonia Delaunay-Terk JOCKER Color lithograph, 1969, on Arches paper, signed and numbered 38/75 in pencil, with full margins.

19 7/8 x 9 5/8 inches; 505 x 244 mm.

Sheet 25 3/4 x 20 inches; 654 x 508 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 68 Sonia Delaunay-Terk JEUX D’ENFANTS Color lithograph, 1970, on wove paper, signed and numbered 57/75 in pencil, with full margins.

27 x 22 inches; 686 x 559 mm.

Sheet 30 1/8 x 22 7/8 inches; 765 x 581 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,000 69 Sonia Delaunay-Terk LA VERTE Color lithograph, 1970, on Arches paper, signed, dated and inscribed EA X/XXV in pencil, with full margins, framed.

21 3/4 x 15 3/4 inches; 552 x 400 mm.

Sheet 25 5/8 x 19 3/4 inches; 651 x 502 mm.

C The Estate of Barbara Cook $1,500-2,500

69

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70

71

70 Sonia Delaunay-Terk THUNDERBIRD Color lithograph, 1973, on Arches paper, signed and inscribed HC XXII/XXV in pencil, with full margins, framed.

20 7/8 x 17 inches; 530 x 432 mm.

Sheet 29 7/8 x 22 1/8 inches; 459 x 562 mm.

C The Estate of Barbara Cook $1,500-2,500 71 Sonia Delaunay-Terk BALLONS JAUNES Color lithograph, on Arches paper, signed and numbered 69/75 in pencil, with full margins, framed.

25 x 18 7/8 inches; 635 x 479 mm.

Sheet 30 x 22 inches; 762 x 559 mm.

C The Estate of Barbara Cook $1,200-1,800

72

30 DOYLE • MAY 1, 2018 • NEW YORK

72 Sonia Delaunay-Terk CARRÉ ROUGE Color lithograph, on Arches paper, signed and inscribed HC XIX/XXV in pencil, with full margins, framed.

22 1/2 x 17 3/4 inches; 572 x 451 mm.

Sheet 30 x 22 1/4 inches; 762 x 565 mm.

C The Estate of Barbara Cook $1,500-2,000

73

74

73 Sonia Delaunay-Terk LOSANGE Color lithograph, on wove paper, signed and numbered 35/75 in pencil, with full margins, framed.

22 5/8 x 18 3/4 inches; 575 x 476 mm.

Sheet 25 3/4 x 19 7/8 inches; 654 x 505 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500 74 Sonia Delaunay-Terk SYNCOPÉ Color lithograph, on Arches paper, signed and inscribed E.A. 1/10 in pencil, with full margins.

20 5/8 x 18 3/8 inches; 524 x 467 mm.

Sheet 30 x 22 inches; 762 x 559 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,200-1,800 75 Érik Desmazières (b. 1948) INTÉRIEUR À PRESSY (FITCH 125) Etching, aquatint and roulette, 1991, on Rives BFK paper, signed, dated, titled and numbered 22/90 in pencil, with full margins.

24 3/4 x 39 5/8 inches; 629 x 1006 mm.

Sheet 27 3/8 x 43 inches; 695 x 1092 mm.

C $1,500-2,500

75

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77

76

78

32 DOYLE • MAY 1, 2018 • NEW YORK

76 Richard Diebenkorn (1922-1993) COMBINATION Color etching and aquatint, 1981, on Arches paper, signed, dated and numbered 13/40 in pencil, from Clubs and Spades, published

by Crown Point Press, Oakland and with their blindstamp, with full margins, framed.

15 1/2 x 13 1/2 inches; 394 x 343 mm.

Sheet 30 3/4 x 24 3/8 inches; 781 x 619 mm.

C $10,000-15,000 77 Jim Dine (b. 1935) HEART FOR FILM FORUM (CULLEN 60) Color woodcut, 1993, on Mohawk Superfine Cover paper, signed with initials and numbered 25/500 in pencil, co-published by the artist and Pace Editions, Inc., New York, with full margins, framed.

15 1/4 x 13 1/8 inches; 387 x 333 mm.

Sheet 23 1/8 x 17 5/8 inches; 587 x 448 mm.

C Estate of Howard Kaminsky $800-1,200

78 Kees van Dongen (1877-1968) CAVALIER ARABE (JUFFERMANS JL 17) Color lithograph, circa 1930, on Arches paper, signed and inscribed Epreuve d’ artiste-VIII/XXX in pencil (aside from the numbered edition of 100), with full margins.

14 5/8 x 11 3/4 inches; 371 x 298 mm.

Sheet 26 7/8 x 19 3/4 inches; 683 x 502 mm.

C Dorothy Lewis 2013 Irrevocable Trust $600-800

80 79

79 Kees van Dongen CÉRÈS (BUSTE DE FEMME) (J. JM 8) Color heliogravure and offset lithograph, 1948, on Rives BFK paper, signed and numbered 88/200 in pencil, published by Éditions Carmen Guillard, Paris, with full margins.

21 3/8 x 17 1/8 inches; 543 x 435 mm.

Sheet 29 3/4 x 22 1/8 inches; 756 x 562 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 80 Kees van Dongen CLAUDINE (MLLE OEUIE DE LYNX) (J. JL 28) Color lithograph, circa 1950, on wove paper, signed and inscribed E.A. 8/24 in pencil (aside from the numbered edition of 150), with full margins.

13 7/8 x 9 1/4 inches; 352 x 240 mm.

Sheet 21 1/8 x 15 3/4 inches; 537 x 400 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

81 Kees van Dongen JEAN-MARIE WITH HAT AND PIPE (LE BONHEUR) (SEE J. P. 175) Color lithograph, 1955, on Arches paper, signed in blue crayon and inscribed 31/46 E.A. in pencil (aside from the edition of unknown size), with full margins.

20 1/2 x 17 3/4 inches; 521 x 451 mm.

Sheet 28 x 20 3/8 inches; 711 x 518 mm.

C Dorothy Lewis 2013 Irrevocable Trust $700-1,000

81

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82 82 Kees van Dongen MARCELLE LEONI (J. JL 30) Color lithograph, 1959, on Arches paper, signed in blue ballpoint pen and inscribed Epreuve d’artiste in pencil (aside from the numbered edition of 200), with full margins.

18 1/2 x 15 1/4 inches; 470 x 387 mm.

Sheet 26 7/8 x 18 5/8 inches; 683 x 473 mm C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,000

83 83 Kees van Dongen BRIGITTE BARDOT (J. JL 42B) Color lithograph, 1964, on Arches paper, signed in blue ballpoint pen and numbered 7/150 in pencil, with full margins.

22 7/8 x 17 3/8 inches; 581 x 441 mm.

Sheet 28 7/8 x 21 3/4 inches; 733 x 552 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,500

84 Kees van Dongen FEMME SUR LA PLAGE, TROUVILLE (J. JL 43) Color lithograph, 1966, on Arches paper, signed and numbered 46/99 in pencil, with full margins, framed.

20 1/2 x 17 1/2 inches; 521 x445 mm.

Sheet 29 5/8 x 22 inches; 752 x 559 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,500-2,000 85 Kees van Dongen [SEATED NUDE WITH PEARL NECKLACE] (SEE J. JB 24) Etching, 1966-68, on cream wove paper, signed and numbered 33/34 in pencil (aside from the edition for Charles Baudelaire, Les Fleurs du Mal), with the Van Dongen blindstamp, with full margins.

15 x 11 inches; 381 x 279 mm.

Sheet 22 3/8 x 15 inches; 568 x 381 mm.

C Dorothy Lewis 2013 Irrevocable Trust $700-1,000

85

84 32 DOYLE • MAY 1, 2018 • NEW YORK

86 Arthur Welsey Dow (1857-1922) IPSWICH LANDSCAPE Color woodcut, circa 1893-95, on laid mulberry paper, from Along Ipswich River, with full margins, framed.

5 x 2 1/4 inches; 127 x 57 mm.

Sheet 5 3/4 x 2 7/8 inches; 146 x 73 mm.

C Property from a Private New Jersey Collection $1,500-2,000

88 Albrecht Dürer (1471-1528) THE BATH HOUSE (BARTSCH 128; MEDER 266) Woodcut, circa 1498, a very good, Meder d or possibly earlier impression, with an undecipherable watermark, laid on card, trimmed on or within the borderline, framed.

Sheet 15 1/8 x 11 1/8 inches; 384 x 283 mm.

C $1,000-1,500

87 Marcel Duchamp (1887-1968) PULLED AT FOUR PINS (SCHWARZ 609) Etching, 1964, on wove paper, signed and numbered 56/100 in pencil, with full margins.

12 1/2 x 8 3/4 inches; 318 x 222 mm.

Sheet 25 1/2 x 18 1/4 inches; 648 x 464 mm.

C $800-1,200

86

87

88 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33

89

89 Maurits Cornelis Escher (1898-1972) DAY AND NIGHT (BOOL/KIST/LOCHER/WIERDA 303) Woodcut printed in black and grey, 1935, on tissue-thin laid Japan paper, signed, titled Dag en Nacht and inscribed Houtsnede in pencil, with good margins, framed.

15 1/2 x 26 5/8 inches; 394 x 676 mm.

Sheet 18 5/8 x 27 3/4 inches; 473 x 705 mm.

C $20,000-30,000

34 DOYLE • MAY 1, 2018 • NEW YORK

90

91

90 Charles Fazzino (b. 1955) NONSTOP NEW YORK Three-dimensional color screenprint and glitter multiple, 1994, signed and numbered 177/475 in pencil, with full margins, framed.

15 1/2 x 12 inches; 394 x 305 mm.

Overall 26 x 22 inches; 660 x 559 mm.

C Estate of Marion Victor Perini $800-1,200 91 Charles Fazzino AS AMERICAN AS APPLE PIE! Three-dimensional color screenprint and glitter multiple, signed, titled and numbered 148/300 in pencil, with full margins, framed.

10 1/2 x 7 1/2 inches; 267 x 191 mm.

Overall 22 1/4 x 19 1/4 x 3 1/2 inches; 565 x 489 x 89 mm.

C Estate of Marion Victor Perini $600-800 92 Lyonel Feininger (1871-1956) DORF (VILLAGE) (PRASSE W301) Woodcut, 1918-19, on oatmeal-tan carbon-copy paper, signed in pencil, one of only three known proofs, with full margins, framed.

6 7/8 x 7 7/8 inches; 175 x 200 mm.

Sheet 8 5/8 x 11 1/8 inches; 219 x 282 mm.

C Property from a Private New Jersey Collection $1,500-2,500

92

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93

95

93 John Ferren (1905-1970) SEA FORMS Color wood engraving, 1937, on Japon nacré paper, edition of seven and an unknown number of artist’s proofs, with full margins, framed.

14 1/2 x 14 1/2 inches; 368 x 368 mm.

Sheet 22 1/4 x 19 5/8 inches; 565 x 498 mm.

C Property from a Private New Jersey Collection $1,000-1,500 94 Sam Francis (1923-1994) UNTITLED (LEMBARK SUPP. SF 359) Color lithograph, 1993, on 112 Waterleaf paper, signed and numbered 55/100 in pencil, published by The Litho Shop, Inc., Santa Monica, the full sheet, framed.

23 1/4 x 23 1/4 inches; 603 x 603 mm.

C $1,500-2,500 95 Mark Freeman (1908-2003) SECOND AVENUE “EL” Lithograph, 1933, signed, dated 34, titled and inscribed Ed. 75 in pencil, from the edition of 75, with full margins, framed.

10 1/4 x 14 1/4 inches; 260 x 362 mm.

Sheet 12 3/4 x 20 inches; 324 x 508 mm.

C Property from a Private New Jersey Collection $1,000-1,500

94 36 DOYLE • MAY 1, 2018 • NEW YORK

96 Elisabeth Frink (1930-1993) GUILLEMOT (WISEMAN 20) Color lithograph, 1967, on J. Green paper, signed and inscribed Artist’s Proof in pencil, one of five proofs (aside from the numbered edition of 50), published by Leslie Waddington Prints Ltd., London, with full margins.

21 x 28 7/8 inches; 533 x 733 mm.

Provenance: Berry-Hill Galleries, New York C $800-1,200 97 Elisabeth Frink CHANTICLEER AND THE FOX; MILLER’S TALE I-II; THE REEVE’S (THE REEVE’S TALE) (W. 27-30a) Etchings and aquatints, 1970, signed, titled and numbered 68/70, 26/70, 31/70 and 70/70, respectively, in pencil, from The Canterbury Tales I, published by Leslie Waddington Prints Ltd., London, with full margins. (4) Largest 10 5/8 x 11 3/4 inches; 270 x 298 mm.

Largest sheet 15 5/8 x 23 3/8 inches; 397 x 594 mm.

Provenance: Berry-Hill Galleries, New York C $1,000-1,500

96

98 Elisabeth Frink CORRIDA I-III; CORRIDA V; REJONEADORA I-III (W. 78-80; 82-85) Color lithographs, 1972, on T.H. Saunders paper, signed and numbered 67/72 (3), 61/72, 62/72, 28/72 and 43/72 in pencil, from Corrida, published by Leslie Waddington Prints Ltd., London, the full sheets. (7) Sheets approximately 22 5/8 x 30 1/2 inches; 575 x 775 mm.

Provenance: Berry-Hill Galleries, New York C $2,000-3,000 97 part

98 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37

99 Elisabeth Frink GOGGLED HEAD (W. 86) Color etching, 1973, signed, titled and numbered 31/52 in pencil, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins.

21 3/4 x 17 1/2 inches; 552 x 444 mm.

Sheet 36 x 25 5/8 inches; 914 x 651 mm.

Provenance: Berry-Hill Galleries, New York C $700-1,000

99

100

101

102

100 Elisabeth Frink GOSHAWK (W. 107) Color etching and aquatint, 1974, on J. Green paper, signed and numbered 28/50 in pencil, from Birds of Prey, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins.

21 1/4 x 18 1/4 inches; 540 x 464 mm.

Sheet 36 1/4 x 25 5/8 inches; 921 x 651 mm.

Provenance: Berry-Hill Galleries, New York C $700-1,000

38 DOYLE • MAY 1, 2018 • NEW YORK

101 Elisabeth Frink PEREGRINE FALCON (W. 109) Color etching, 1974, on J. Green paper, signed and numbered 19/50 in pencil, from Birds of Prey, printed by White Ink, London and with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins.

21 1/4 x 18 3/8 inches; 540 x 467 mm.

Sheet 36 x 25 5/8 inches; 914 x 651 mm.

Provenance: Berry-Hill Galleries, New York C $800-1,200

102 Elisabeth Frink STRAWBERRY ROAN (W. 122) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 28/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins.

21 1/2 x 27 1/8 inches; 546 x 689 mm.

Sheet 28 3/4 x 35 7/8 inches; 730 x 911 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,500

103 Elisabeth Frink ROLLING OVER HORSE (W. 123) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 51/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins.

21 1/2 x 27 inches; 546 x 686 mm.

Sheet 26 5/8 x 36 inches; 676 x 914 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,500

103

104 Elisabeth Frink VISZLA A (W. 124) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 26/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins.

21 1/2 x 27 inches; 546 x 686 mm.

Sheet 26 3/4 x 35 5/8 inches; 679 x 905 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,500

104

105 Elisabeth Frink VISZLA B (W. 125) Color etching and aquatint, 1980, on Velin Arches paper, signed and numbered 51/75 in pencil, printed by Kelpra Studio, London and with their blindstamp, published by Waddington Graphics, London and with their blindstamp, with full margins.

21 3/8 x 27 inches; 543 x 686 mm.

Sheet 26 5/8 x 35 3/4 inches; 676 x 908 mm.

Provenance: Berry-Hill Galleries, New York C $1,500-2,500

105

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106 Sir Terry Frost (1915-2003) BLACK ON MAUVE GREY (KEMP 42) Color screenprint, 1968, on Kent paper, signed, dated and numbered 60/75 in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Leslie Waddington Prints, London, with full margins.

30 1/4 x 22 1/8 inches; 768 x 562 mm.

Sheet 40 x 27 inches; 1016 x 686 mm.

Provenance: Berry-Hill Galleries, New York C $600-800 107 Sir Terry Frost RED AND BLACK ON GREY (K. 45) Color screenprint, 1968, on Kent paper, signed, dated and inscribed Artist Proof in pencil (aside from the numbered edition of 75), printed by Kelpra Studio, London and with their inkstamp verso, published by Leslie Waddington Prints, London, with full margins.

21 3/4 x 27 3/8 inches; 552 x 695 mm.

Sheet 27 x 39 3/4 inches; 686 x 1010 mm.

Provenance: Berry-Hill Galleries, New York C $700-1,000

106

107

40 DOYLE • MAY 1, 2018 • NEW YORK

108 Sir Terry Frost RED, BLUE, ORANGE ON YELLOW (K. 51) Color lithograph, 1969, on Arches paper, signed, dated and inscribed VIII Artist’s Proof in pencil (aside from the numbered edition of 75), published by Leslie Waddington Prints, London, with full margins.

18 x 18 inches; 457 x 457 mm.

Sheet 30 x 22 1/4 inches; 762 x 565 mm.

Provenance: Berry-Hill Galleries, New York C $500-700

108

109

110

109 Sir Terry Frost ORANGE DUSK (K. 56) Color lithograph, 1970, on Rives BFK paper, signed, dated and inscribed Artist’s Proof in pencil (aside from the numbered edition of 75), with full margins.

26 1/2 x 20 1/8 inches; 673 x 511 mm.

Sheet 33 1/4 x 25 inches; 845 x 635 mm.

Provenance: Berry-Hill Galleries, New York C $700-1,000 110 Sir Terry Frost STACKED ON THE SIDE (K. 58) Color lithograph, 1970, on Rives BFK paper, signed, dated and numbered 48/75 in pencil, published by Leslie Waddington Prints, London, with full margins.

19 1/4 x 27 1/2 inches; 489 x 699 mm.

Sheet 25 x 35 1/2 inches; 635 x 902 mm.

Provenance: Berry-Hill Galleries, New York C $600-800 111 Red Grooms (b. 1937) MATISSE IN NICE (KNESTRICK 134) Color lithograph, 1992, signed, dated and numbered 5/45 in pencil, published by Shark’s Inc., Lyons, Colorado, the full sheet, framed.

Sheet 22 1/4 x 29 3/4 inches; 565 x 756 mm.

C $1,500-2,500

111

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112

114

112 Robert Gwathmey (1903-1988) END OF THE DAY (WILLIAMS 4) Color screenprint, 1944, signed in ink, with full margins, framed.

12 1/4 x 14 inches; 311 x 356 mm.

Sheet 17 x 18 1/4 inches; 432 x 464 mm.

C $1,000-1,500 113 Barbara Hepworth (1903-1975) RANGATIRA II Color screenprint, 1969, on TH Saunders paper, signed and numbered 21/60 in pencil, from Opposing Forms, published by Marlborough Fine Art, London, with full margins, framed.

Sheet 30 1/2 x 22 7/8 inches; 775 x 581 mm.

Provenance: Berry-Hill Galleries, New York C $1,000-1,500 114 David Hockney (b. 1937) IN A CHIAROSCURO (S.A.C. 207; TOKYO 186) Color etching and aquatint, 1976-77, on Inveresk mould-made paper, signed and numbered 87/200 in pencil, from The Blue Guitar, published by Petersburg Press, London and New York, with full margins, framed.

13 3/4 x 16 3/4 inches; 349 x 425 mm.

Sheet 18 x 20 5/8 inches; 457 x 524 mm.

C $1,000-1,500 113 42 DOYLE • MAY 1, 2018 • NEW YORK

115 115 David Hockney ANN LOOKING AT HER PICTURE (M.C.A.T. 235; T. 270) Lithograph, 1980, on wove paper, signed, dated and numbered 36/50 in pencil, printed

by Tyler Graphics, Ltd., Mount Kisco and with their blindstamp, with full margins, framed.

Sheet 44 1/2 x 30 inches; 1130 x 762 mm.

C $3,000-5,000 116 David Hockney JAMES (GEMINI G.E.L. 922; M.C.A.T. 243) Lithograph, 1980, on Arches Cover paper, signed, dated and numbered 25/100 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed.

Sheet 24 x 20 inches; 610 x 508 mm.

Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner, circa 1982 C $800-1,200

116 117 David Hockney UNTITLED (FOR JOE WACHS) (GEMINI 93-1348) Color lithograph and screenprint, 1993, on wove paper, signed, dated and numbered 57/130 in pencil, co-published by the artist and Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed.

Sheet 21 1/2 x 25 1/2 inches; 546 x 648 mm.

C $2,000-4,000

117 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43

118 Howard Hodgkin (1932-2017) NICK’S ROOM (HEENK 35) Hand-colored color lithograph, 1977, on Lexington handmade paper, signed and inscribed PP in pencil, one of two printer’s proofs (aside from the numbered edition of 100), published by Petersburg Press, the full sheet.

Sheet 20 5/8 x 24 1/4 inches; 524 x 613 mm.

C $1,000-1,500

118

119 Howard Hodgkin PUT OUT MORE FLAGS (H. 90) Hand-colored color etching, aquatint and carborundum, 1992, signed with initials, dated and numbered 54/75 in pencil, published by the Modern Art Museum of Fort Worth, Texas, the full sheet, framed.

Sheet 17 x 21 inches; 432 x 533 mm.

C The Estate of Barbara Cook $3,000-5,000

119

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120

120 Edward Hopper (1882-1967) NIGHT SHADOWS (LEVIN 82) Etching, 1921, on Van Gelder Zonen paper, signed in pencil, edition of approximately 500, from The New Republic Portfolio, with full margins, framed.

7 x 8 1/4 inches; 178 x 210 mm.

Sheet 11 x 13 3/4 inches; 279 x 349 mm.

C Estate of Alvin B. Glaser $15,000-25,000

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121 Louis Icart (1880-1950) SUMMER SHADE; HYDRANGEAS (HOLLAND/ CATANIA/ISEN 191a; 373) Hand-colored color drypoint and aquatints, 1923 and 1929, respectively, signed, the first numbered 64/100, in pencil, the second with the artist’s blindstamp, with good margins, framed. (2) Larger 16 5/8 x 21 inches; 422 x 533 mm.

C $600-800 122 Louis Icart IMPUDENCE; LOUISE (H./C./I. 261, 317) Hand-colored color drypoint and aquatints, 1926 and 1927, respectively, signed, the first inscribed Ep. d’a, in pencil, the second with the artist’s blindstamp, with margins, framed. (2) Larger 21 1/8 x 14 1/8 inches; 537 x 359 mm.

C $700-1,000

121 part

122 part 46 DOYLE • MAY 1, 2018 • NEW YORK

123 Louis Icart LITTLE KITTENS; JEALOUSY (H./C./I. 299; 301) Hand-colored color drypoint and aquatints, 1926 and 1927, respectively, signed and numbered 160 and 176, respectively, in pencil, with the artist’s blindstamp, with margins, framed. (2) Each 10 1/8 x 10 5/8 inches; 257 x 270 mm.

C $600-800

123 part

124 Jasper Johns (b. 1930) COAT HANGER AND SPOON (FIELD 142; ULAE 96) Color lithograph, 1971, on Arches paper, signed, dated and numbered 54/76 in pencil, from Fragment-According to What, printed and published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed.

Sheet 34 1/4 x 25 3/8 inches; 670 x 645 mm.

C Estate of Stephen Stempler $3,000-5,000 125 Alex Katz (b. 1927) PORTRAIT OF ADA (SCHRÖDER 288) Color screenprint, 1993, on cream wove paper, signed and numbered 53/100 in pencil, from 23 Artistes pour Médecins du Monde, the full sheet.

Sheet 26 1/8 x 26 1/2 inches; 663 x 673 mm.

C $800-1,200 126 Ellsworth Kelly (1923-2015) WALL (AXSOM 177) Etching and aquatint, 1976-79, on Arches Cover paper, signed and numbered 4/50 in pencil, published by Tyler Graphics Ltd., Bedford, New York and with their blindstamp, with full margins.

16 1/4 x 13 7/8 inches; 413 x 352 mm.

Sheet 31 3/4 x 28 inches; 806 x 711 mm.

C $3,000-5,000

125

124

126

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127

127 Ellsworth Kelly 18 COLORS (CINCINNATI) (AXSOM 193) Color lithograph, 1979-82, on Arches Cover paper, signed and numbered 15/57 in pencil, published by Gemini G.E.L., Los Angeles and with their blindstamps, with full margins, framed.

7 1/2 x 78 1/4 inches; 191 x 1994 mm.

Sheet 16 x 90 1/2 inches; 406 x 2299 mm.

Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner, circa 1982 C $15,000-25,000

128

48 DOYLE • MAY 1, 2018 • NEW YORK

128 Gene Kloss (1903-1996) RIO GRANDE FOOTBRIDGE (KLOSS 430) Drypoint, 1948, signed and titled in pencil, from the edition of 35, with (full?) margins, framed.

11 x 14 inches; 279 x 356 mm.

Sheet 12 7/8 x 17 inches; 327 x 432 mm.

C $600-800

129 Gene Kloss RETURN OF THE WOODGATHERERS; FIESTA PARASOL (K. 434; 530) Etching, aquatint and drypoint and an etching, 1949 and 1969, signed and titled, the second inscribed imp and numbered 17/75 in pencil, the first from the edition of 35, with good or full margins, framed. (2) Larger 13 3/4 x 11 inches; 349 x 279 mm.

C $1,000-1,500

129 part

130 Jeff Koons (b. 1955) PUPPY Glazed white ceramic vase, 1998, with incised signature and date and stamp numbered 1639/3000 on the underside, published by Art of this Century, New York and Paris and with their stamp.

Height 17 1/2 inches; 445 mm.

C The Estate of Barbara Cook $7,000-10,000

131 Yayoi Kusama (b. 1929) PUMPKINS Painted cast resin multiples, with stamped artist name and copyright on the underside, published by Benesse Holdings, Inc., Japan, with original boxes. (2) Each height 4 inches; 102 mm.

C $1,800-2,200

131 130 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49

132 Clare Leighton (1898-1989) STOOKING (FLETCHER 213) Wood engraving, 1933, on Japan paper, signed, titled and numbered 10/30 in pencil, from The Farmer’s Year, with (full?) margins, framed.

8 x 10 3/4 inches; 203 x 273 mm.

Sheet 11 1/8 x 14 7/8 inches; 283 x 378 mm.

C Estate of Elizabeth Seiberling $1,000-1,500 133 Martin Lewis (1881-1962) ON THE BRIDGE Watercolor on paper, signed in ink lower left, the full sheet, framed.

Sheet 17 3/4 x 20 3/4 inches; 451 x 527 mm.

Provenance: Sale, Christie’s, New York, September 26, 1986, lot 250 C Estate of Alvin B. Glaser $10,000-20,000

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133 50 DOYLE • MAY 1, 2018 • NEW YORK

134 134 Martin Lewis THE GREAT SHADOW (MCCARRON 44) Drypoint, 1925, on wove paper, signed and inscribed imp in pencil, from the edition of 86, with good margins, framed.

9 7/8 x 7 inches; 251 x 178 mm.

Sheet 13 1/8 x 9 7/8 inches; 333 x 251 mm.

C $3,000-5,000

135 135 Martin Lewis UNDER THE STREET LAMP (MCC. 70) Etching, 1928, on laid F.J. Head paper, signed and inscribed imp in pencil, from the edition of approximately 83, with full margins, framed.

14 7/8 x 9 3/8 inches; 378 x 238 mm.

Sheet 19 x 13 1/2 inches; 483 x 343 mm.

C Estate of Alvin B. Glaser $5,000-7,000

136 Martin Lewis EAST SIDE NIGHT, WILLIAMSBURG BRIDGE (MCC. 71) Drypoint, 1928, on cream laid paper, signed in pencil, from the edition of 69, with full margins, framed.

10 x 11 7/8 inches; 254 x 302 mm.

Sheet 13 3/8 x 16 3/8 inches; 340 x 416 mm.

C Estate of Alvin B. Glaser $5,000-7,000

136 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 51

137 Martin Lewis WET SATURDAY (MCC. 81) Drypoint, 1929, on cream laid paper, signed and inscribed imp in pencil, from the edition of 72, with full margins, framed.

10 x 10 3/8 inches; 254 x 264 mm.

Sheet 14 1/4 x 15 1/4 inches; 362 x 387 mm.

C $4,000-6,000 138 Martin Lewis SPRING NIGHT, GREENWICH VILLAGE (MCC. 85) Drypoint and sandpaper ground, 1930, on cream laid paper, signed in pencil, from the edition of 92, with full margins, framed.

10 x 12 3/8 inches; 254 x 314 mm.

Sheet 13 1/2 x 15 7/8 inches; 343 x 403 mm.

Ex-collection: Patricia Lewis C Property from a Private New Jersey Collection $8,000-12,000

137

138 52 DOYLE • MAY 1, 2018 • NEW YORK

139 Martin Lewis NIGHT IN NEW YORK (MCC. 102) Etching, 1932, on cream laid paper, signed in pencil, from the edition of 135, published by the Chicago Society of Etchers and with their blindstamp, with good or full margins, framed.

8 1/2 x 8 7/8 inches; 216 x 225 mm.

Sheet 13 1/2 x 12 inches; 343 x 305 mm.

Ex-collection: The Art Institute of Chicago C Estate of Alvin B. Glaser $4,000-6,000

139

140 Sol LeWitt (1928-2007) BRUSHSTROKES IN ALL DIRECTIONS (KRAKOW 1994.05) Color screenprint, 1994, on Folio white paper, signed and numbered 39/500 in pencil, published by Film Forum, New York, with full margins, framed.

16 x 16 inches; 406 x 406 mm.

Sheet 20 x 20 inches; 508 x 508 mm.

C Estate of Howard Kaminsky $1,000-1,500

140

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 53

141 Roy Lichtenstein (1923-1997) SHIPBOARD GIRL (CORLETT II 6) Color offset lithograph, 1965, on wove paper, signed in pencil, from the edition of unknown size, published by Leo Castelli Gallery, New York, with full margins, framed.

26 1/16 x 19 3/16 inches; 662 x 487 mm.

Sheet 27 1/16 x 20 1/8 inches; 687 x 511 mm.

C Estate of Fred Baum $8,000-10,000

141

142 Roy Lichtenstein DR. WALDMANN (C. 173) Color woodcut and embossing, on Arches Cover paper, 1980, signed, dated and numbered 15/50 in pencil, from Expressionist Woodcuts, published by Gemini G.E.L., Los Angeles and with their blindstamps and inkstamps verso, with full margins, framed.

35 1/8 x 27 5/8 inches; 892 x 702 mm.

Sheet 41 1/2 x 34 1/4 inches; 1054 x 870 mm.

Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner, circa 1982 C $8,000-12,000

142 54 DOYLE • MAY 1, 2018 • NEW YORK

143 143 Roy Lichtenstein RED AND YELLOW APPLE (C. 195) Color woodcut, 1983, on Iwano Kizuki Hosho paper, signed, dated and numbered 45/60 in pencil, from Seven Apple Woodcuts, published by Petersburg Press, London and New York, with full margins, framed.

22 3/4 x 30 1/2 inches; 578 x 775 mm.

Sheet 28 3/4 x 37 5/8 inches; 730 x 956 mm.

Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner, circa 1982 C $5,000-7,000

144 144 Louis Lozowick (1892-1973) BROOKLYN BRIDGE (FLINT 48) Lithograph, 1930, on Rives BFK paper, signed and dated in pencil, from the edition of 100, with full margins, framed.

13 1/16 x 7 7/8 inches; 332 x 200 mm.

Sheet 15 7/8 x 11 3/8 inches; 403 x 289 mm.

C Property from a Private New Jersey Collection $6,000-8,000

145 Louis Lozowick SUBWAY CONSTRUCTION (F. 86) Lithograph, 1931, signed, dated and numbered 12/50 in pencil, with full margins, framed.

6 11/16 x 13 1/16 inches; 170 x mm.

Sheet 11 1/4 x 15 3/4 inches; 286 x 400 mm.

C Property from a Private New Jersey Collection $2,000-4,000

145 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55

146

147 part

146 After René Magritte (1898-1967) LE PRÊTRE MARIÉ (KAPLAN/BAUM 13) Color etching and aquatint, 1968, on cream wove paper, with the stamped signature and numbered 15/150 in pencil, from Signe de Survie au Temps d’Amour, published by G. Visat, Paris, with good margins, framed.

3 3/4 x 5 1/2 inches; 95 x 140 mm.

Sheet 7 1/4 x 8 3/4 inches; 184 x 222 mm.

C Estate of Marion Victor Perini $1,500-2,500

148 part

56 DOYLE • MAY 1, 2018 • NEW YORK

147 Man Ray (1890-1976) UNTITLED (MENTON); UNTITLED (DEUX FIGURES) (ANSELMINO 33; 27) Color lithographs, 1967 and 1971, respectively, signed, the first numbered 18/40, the second inscribed E.A. (aside from the numbered edition of 200) in pencil, the first before the letters, the full sheets. (2) Larger 24 1/4 x 17 3/4 inches; 615 x 450 mm.

C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500

148 Man Ray MON PREMIER AMOUR; REBUS (A. 62; 2) Color soft-ground etchings and aquatints, 1971 and 1972, the first on laid paper, the second on Japon nacré paper, signed and inscribed E.A. in pencil, the first printed and published by Edizioni Astrid, Varese, the second published by Richard Binder, Brussels, with full margins.

Larger 19 5/8 x 15 5/8 inches; 498 x 396 mm.

C Dorothy Lewis 2013 Irrevocable Trust $800-1,200

149 149 Samuel Margolies (1897-1974) 59TH AND FIFTH Etching and aquatint, 1936, signed and titled in pencil, published by the Federal Art Project, WPA, New York and with their inkstamp, with full margins.

8 7/8 x 11 1/2 inches; 225 x 292 mm.

Sheet 11 1/4 x 15 3/4 inches; 286 x 400 mm.

C Estate of Leo Hershkowitz $700-1,000 150 Marino Marini (1901-1980) PERSONNAGES DU SACRE DU PRINTEMPS V, VII (GUASTALLA L118; L120) Color lithographs, 1974, on Arches paper, signed and numbered 75/75 in pencil, co-published by Société Internationale d’Art XXe Siècle, Paris and Léon Amiel, New York, with (full?) margins, framed. (2) Larger 20 1/2 x 15 1/4 inches; 521 x 387 mm.

C $1,200-1,800

150 part

151

151 Reginald Marsh (1898-1954) NEW YORK SKYLINE (SASOWSKY 167) Etching, 1936, on cream wove paper, inscribed with the artist’s name, initialed and numbered 10 in pencil by the artist’s wife, from the eleventh state of eleven, edition of less than 200, published by American Artists Group, New York, with (full?) margins, framed.

6 x 15 inches; 152 x 381 mm.

Sheet 10 1/2 x 17 5/8 inches; 267 x 448 mm.

C $700-1,000 152 Reginald Marsh TOMBS PRISON (S. 65) Etching, 1929, on cream laid paper, signed and numbered 7 in pencil, from the fifth state of five, edition of 12, with margins, framed.

8 x 9 7/8 inches; 203 x 251 mm.

Sheet 8 7/8 x 11 1/8 inches; 225 x 283 mm.

C Estate of Alvin B. Glaser $600-800

152 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57

154 Alice Trumbull Mason (1904-1971) SUSPENSION Color etching and aquatint, 1946, on J. Whatman handmade paper, signed, dated, titled and numbered 9/30 in pencil, with good margins, framed.

9 7/8 x 14 5/8 inches; 251 x 371 mm.

Sheet 14 3/8 x 18 5/8 inches; 365 x 473 mm.

C Property from a Private New Jersey Collection $1,000-1,500 155 Alice Trumbull Mason INTRANSITIVE Color etching and aquatint, 1949, on Arnold Unbleached paper, signed, dated, titled and numbered 5/25 in pencil, with good margins, framed.

15 1/2 x 9 3/4 inches; 394 x 248 mm.

Sheet 21 3/4 x 15 inches; 552 x 381 mm.

C Property from a Private New Jersey Collection $1,000-1,500 153 153 Reginald Marsh PEOPLES FOLLIES (S. 178) Engraving, 1938, signed and inscribed Forty Proofs in pencil, from the fourth state of four, with full margins, framed.

9 1/2 x 12 inches; 241 x 305 mm.

Sheet 10 1/2 x 13 1/4 inches; 267 x 337 mm.

C Estate of Alvin B. Glaser $1,000-1,500

154

155 58 DOYLE • MAY 1, 2018 • NEW YORK

156 Henri Matisse (1869-1954) JEUNE FILLE EN ROBE FLEURIE AU COL D’ORGANDI (DUTHUIT 429) Lithograph, 1923, on chine volant paper, signed and numbered 38/50 in pencil, with full margins, framed.

8 5/8 x 5 7/8 inches; 219 x 149 mm.

Sheet 14 7/8 x 11 1/4 inches; 378 x 286 mm.

C $4,000-6,000

156

157 Henri Matisse LA CAPELINE DE PAILLE D’ITALIE (D. 430) Lithograph, 1923, on chine volant paper, signed and inscribed Essai in pencil, with (full?) margins, framed.

17 3/4 x 15 3/4 inches; 451 x 400 mm.

Sheet 23 1/8 x 17 7/8 inches; 587 x 454 mm.

C $10,000-15,000

157 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59

158 Henri Matisse NU AU FAUTEUIL SUR FOND MOUCHARABIEH (D. 470) Lithograph, 1925, on Arches paper, signed and numbered 22/50 in pencil, with full margins, framed.

21 1/2 x 17 1/4 inches; 546 x 438 mm.

Sheet 25 7/8 x 19 7/8 inches; 657 x 505 mm.

C $8,000-12,000

158

159 Henri Matisse BUSTE, ROBE FLEURIE (D. 137) Etching, 1929, on chine collé paper, signed and numbered 11/15 in ink, with full margins, framed.

8 7/8 x 6 inches; 225 x 152 mm.

Sheet 15 x 11 inches; 381 x 279 mm.

C $4,000-6,000

159 60 DOYLE • MAY 1, 2018 • NEW YORK

160 Henri Matisse POEMS DE CHARLES D’ORLÉANS (D. BOOKS 28) Complete portfolio with 54 color lithographs, 1950, on Arches paper, signed in pencil by the artist on the justification, the justification numbered 801, from the edition of 1200 (total edition of 1230), with complete text, published by Tériade, Paris, the full sheets, in original paper wrappers and later blue cloth-covered paper board slipcase.

Sheets 16 1/8 x 10 3/8 inches; 410 x 264 mm.

C Estate of Marion Victor Perini $2,000-3,000 161 Peter Milton (b. 1930) INTERIOR VI: SOUNDINGS (MILTON 112) Etching and engraving, 1989, on Somerset paper, signed, dated, titled and numbered 111/175 in pencil, with full margins, framed.

30 x 23 3/4 inches; 762 x 603 mm.

Sheet 38 1/8 x 30 3/8 inches; 968 x 772 mm.

C $1,000-1,500 162 Joan Miró (1893-1983) PERSONNAGE ET OISEAU (MOURLOT 68) Color lithograph, 1948, on Rives BFK paper, signed, located and dated Paris 17/12/48 and inscribed epreuve d’essai in pencil (aside from the numbered edition of 75), published by Maeght, Paris, with full margins, framed.

Sheet 25 3/4 x 20 inches; 654 x 508 mm.

C $4,000-6,000

160 part

161

162 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61

163 part

163 Joan Miró CONSTELLATIONS (M. 261; CRAMER BOOKS 58) Complete set of one color lithograph and 22 color pochoir reproductions after gouaches by the artist, 1959, on Arches paper, the first signed and numbered 321/350 in pencil, the justification signed by the artist in blue ink and the author, André Breton, in red ink and numbered 321 (the total edition was 384), with complete text, published by Pierre Matisse, New York, with full margins and full sheets, in original paper folders and linen-covered portfolio case.

Lithograph 11 3/4 x 9 1/2 inches; 298 x 241 mm.

Sheets 17 1/8 x 14 1/8 inches; 435 x 359 mm.

C Estate of Marion Victor Perini $50,000-70,000

62 DOYLE • MAY 1, 2018 • NEW YORK

164

165

166 164 Joan Mirรณ CONSTELLATIONS (DUPIN 270; C. BOOKS 58) Color etching, 1959, on Arches paper, signed and inscribed H.C. in pencil (aside from the numbered edition of 50), from the same-titled portfolio, published by Pierre Matisse, New York, with full margins, framed.

10 7/8 x 7 3/4 inches; 276 x 197 mm.

Sheet 17 3/8 x 14 1/8 inches; 441 x 359 mm C Property from a Private New Jersey Collection $3,000-4,000

165 Joan Mirรณ ALBUM 19, PLANCHE 5 (M. 248) Color lithograph, 1961, on Rives BFK paper, signed with initials and numbered 34/75 in pencil, from the same-titled suite, printed and published by Maeght, Paris, the full sheet, framed.

Sheet 26 3/8 x 20 1/8 inches; 670 x 511 mm.

C $800-1,200

166 Joan Mirรณ OUVRAGE DU VENT II (D. 343) Color aquatint, 1962, on Rives BFK paper, signed and numbered 52/75 in pencil, published by Maeght, Paris, with full margins, framed.

8 5/8 x 23 1/8 inches; 219 x 587 mm.

Sheet 20 1/2 x 32 inches; 521 x 813 mm.

C A Private New York Collector $1,500-2,500

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 63

167 167 Joan Miró LUNE ET VENT (D. 346) Color aquatint, 1963, on Rives BFK paper, signed and numbered 74/75 in pencil, published

by Maeght, Paris, with full margins, framed.

Sheet 20 1/2 x 31 5/8 inches; 521 x 803 mm.

C A Private New York Collector $1,500-2,500

169 Joan Miró LA CASCADE (M. 391) Color lithograph, 1964, on wove paper, signed and numbered 6/75 in pencil, printed and published by Maeght, Paris, the full sheet, framed.

Sheet 35 1/2 x 23 3/4 inches; 902 x 603 mm.

C A Private New York Collector $2,000-3,000

168 Joan Miró FOND MARIN I (D. 357) Color aquatint, 1963, on Rives BFK paper, signed and numbered 35/50 in pencil, with full margins.

14 1/4 x 20 1/2 inches; 362 x 521 mm.

Sheet 22 1/4 x 29 7/8 inches; 565 x 759 mm.

C $1,500-2,000

168 64 DOYLE • MAY 1, 2018 • NEW YORK

169

170 Joan Miró LES ESSÈNCIES DE LA TERRA (M. 576; SEE C. BKS. 123) Brush and ink under color lithograph, 1968, on Japon nacré paper, signed and numbered 71G/100 in pencil, from the edition of 100 color variants, published by Ediçiones Polígrafa, Barcelona, with full margins, framed.

Sheet 19 5/8 x 14 1/4 inches; 498 x 362 mm.

C A Private New York Collector $6,000-8,000

170

171 Joan Miró LA FEMME ARBORESCENTE (D. 649) Color etching and aquatint, 1974, on Arches paper, signed and numbered 8/50 in pencil, published by Maeght, Paris, the full sheet, framed.

Sheet 43 3/4 x 29 1/2 inches; 1111 x 737 mm.

C $15,000-25,000

171 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65

172

172 Joan Miró L’ENFANCE D’UBU (M. 1015) Color lithograph, 1975, on Arches paper, signed and numbered 68/120 in pencil, from the same-titled portfolio, published by Tériade, Paris, with full margins, framed.

Sheet 12 3/4 x 20 inches; 324 x 508 mm.

C $1,500-2,500

174 part

173 Joan Miró TRES JOANS (D. 1034) Color etching and aquatint, 1978, on Arches paper, signed and numbered 9/99 in pencil, printed and published by Ediçiones Polígrafa, Barcelona/Morsang, Paris, with full margins, framed.

20 7/8 x 42 inches; 530 x 1067 mm.

Sheet 29 3/4 x 47 5/8 inches; 756 x 1210 mm.

C $5,000-7,000

173 66 DOYLE • MAY 1, 2018 • NEW YORK

174 Joan Miró LA MÉLODIE ACIDE (M. 1212-1225) Complete set of 14 color lithographs, 1980, on Arches, each numbered 460/1500, the justification numbered 460, published by Au Pont des Arts, Paris, with full margins, in original oatmeal textured paper folder and white cardboard folder.

Sheets 13 x 9 7/8 inches; 330 x 251 mm.

C $1,500-2,500

175 part

176 175 Joan Miró MIRÓ LITHOGRAPHS I-IV (MOURLOT 854; 857-867; 1036-1047; 1112-1117; 1255-1260; CRAMER BOOKS 160; 198; 230; 249) Set of four volumes of the catalogue raisonné for lithographs by the artist, with 32 lithographs, 1972-81, on wove paper, bound (as issued), with complete text in English, from the edition of 5000, published by Maeght, Paris, the full sheets.

Each overall 13 x 10 1/4 inches; 330 x 260 mm.

C $1,000-1,500

176 After Joan Miró MAUVE DE LA LUNE (MAEGHT 1704) Color offset lithograph, 1952, on Arches paper, signed, dated and numbered 36/300 in pencil, published by Maeght, Paris, with full margins, framed.

16 1/4 x 12 1/2 inches; 413 x 318 mm.

Sheet 25 1/2 x 18 7/8 inches; 648 x 479 mm.

C Estate of Elinor Steinhart $2,500-3,500

177 Henry Moore (1898-1986) RECLINING FIGURE Mixed media offset print with embossing, on Alpha wove paper, signed in pencil, numbered II/XIII in black crayon, an artist’s proof aside from the numbered edition of 50, published by Nathan Silberberg, New York, the full sheet, framed.

Sheet 19 1/2 x 25 1/8 inches; 495 x 638 mm.

C $2,000-3,000

177 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 67

178 Alphonse Mucha (1860-1939) TÊTES BYZANTINES: BRUNETTE, BLONDE (RENNERT/WEILL 40) Color lithographs, 1897, from Variant I, printed by F. Champenois, Paris, trimmed into the image on two sides, with margins on two sides, framed together.

First sheet 19 3/8 x 11 1/16 inches; 492 x 281 mm.

Second sheet 18 7/8 x 11 1/2 inches; 479 x 292 mm.

C Property of a Private New Jersey Collector $2,000-3,000 179 Alphonse Mucha FLEURS (R./W. 49) Set of four color lithographs, 1898, printed by F. Champenois, Paris, published

by La Plume, Paris, with margins, framed together in two frames.

Each 40 x 16 1/4 inches; 1016 x 413 mm.

C Property of a Private New Jersey Collector $6,000-8,000 178

179 68 DOYLE • MAY 1, 2018 • NEW YORK

180 Alphonse Mucha JOB (R./W. 51) Color lithograph, 1898, printed by F. Champenois, Paris, with full margins, framed.

55 1/4 x 37 inches; 1403 x 940 mm.

C Property of a Private New Jersey Collector $2,000-3,000 181 Alphonse Mucha MOËT & CHANDON (BOWERS/MARTIN 301-310) Complete set of ten color lithograph menu cards, 1900, published by F. Champenois, Paris, with (full?) margins, framed together with a print of Camille Lemonnier, in four frames.

Largest four 5 1/8 x 3 3/8 inches; 130 x 86 mm.

C Property of a Private New Jersey Collector $800-1,200 182 Emil Nolde (1867-1956) TISCHGESELLSCHAFT (SCHIEFLER 38) Etching and aquatint printed in bluish black, 1906, on Van Gelder paper, signed in pencil, from the fourth state of four, with good margins, framed.

6 x 7 5/8 inches; 152 x 194 mm.

Sheet 10 x 11 inches; 254 x 279 mm.

C Property from the Estate of Wendy Vanderbilt Lehman $2,000-3,000 180

181 part

182

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69

183 184

183 Pablo Picasso (1881-1973) LE SALTIMBANQUE AU REPOS (BLOCH 10) Drypoint, 1905, on cream wove paper, edition of 250, from Saltimbanques, published by Ambroise Vollard, Paris, 1913, with good margins, framed.

4 7/8 x 3 5/8 inches; 124 x 92 mm.

Sheet 12 x 9 inches; 305 x 229 mm.

C $1,500-2,500 184 Pablo Picasso LE BAIN (BLOCH 12) Drypoint, 1905, on Van Gelder paper, edition of 250, from Saltimbanques, published by Ambroise Vollard, Paris, 1913, with wide margins, framed.

13 1/2 x 11 1/2 inches; 343 x 292 mm.

Sheet 21 1/4 x 18 1/8 inches; 540 x 460 mm.

C $3,000-5,000

185

70 DOYLE • MAY 1, 2018 • NEW YORK

185 Pablo Picasso PEINTRE DEVANT SON TABLEAU (B. 92) Etching, 1927, on wove paper, signed and numbered 14/99 in brown ink (faded), from Le Chef—d’Oeuvre Inconnu, published by Ambroise Vollard, Paris, 1934, with full margins, framed 11 x 7 3/4 inches; 279 x 197 mm.

Sheet 20 x 15 1/4 inches; 508 x 387 mm.

C $3,000-5,000

186 Pablo Picasso MARIE-THÉRÈSE CONSIDÉRANT SON EFFIGIE SURRÉALISTE SCULPTÉE (B. 187) Etching, 1933, on laid paper with the Picasso watermark, signed in pencil, from the total edition of 310, from the Vollard suite, with full margins, framed.

10 1/2 x 7 5/8 inches; 267 x 194 mm.

Sheet 17 1/2 x 13 3/8 inches; 445 x 340 mm.

C $10,000-15,000

186

187 Pablo Picasso L’ATELIER DE CANNES (B. 794) Color lithograph, 1956, on Arches paper, the cover for Ces Peintres Nos Amis, printed and published

by Mourlot, Paris in 1960, framed.

Sheet 17 3/4 x 12 3/4 inches; 451 x 324 mm.

C Estate of Benjamin P. Dailey $800-1,200

187 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71

188 188 Pablo Picasso LA DANSE DES FAUNES (B. 830) Lithograph printed in black and cream, 1957, on Arches paper, with the artist’s stamped signature, from the edition of 1000, with full margins, framed.

16 1/8 x 20 7/8 inches; 410 x 530 mm.

Sheet 19 x 25 1/4 inches; 483 x 641 mm.

C $1,000-1,500

189 189 Pablo Picasso LES MODES CHANGENT: DEUX COUPLES (B. 1556) Etching, 1968, on wove paper, signed in pencil, numbered 24/50, from La Série 347, published by Galerie Louise Leiris, Paris, with full margins, framed.

7 1/2 x 4 5/8 inches; 191 x 117 mm.

Sheet 12 7/8 x 10 inches; 327 x 254 mm.

C $3,000-5,000

190 72 DOYLE • MAY 1, 2018 • NEW YORK

190 Pablo Picasso PETIT CHOUETTE (NOT IN ALAIN RAMIÉ) Painted and partially glazed (interior only) white ceramic pitcher, circa 1949, with the Madoura Plein Feu and D’Apres Picasso pottery stamps on the base.

Height 5 1/2 inches; 140 mm.

C $3,000-4,000

192

191 191 Pablo Picasso CHOUETTE AUX TRAITS (A.R. 121) Painted and partially glazed white ceramic vase, 1951, from the edition of 300, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base.

Height 11 inches; 279 mm.

C $8,000-12,000 192 Pablo Picasso SUJET POISSON (A.R. 139) Painted red ceramic pitcher, 1952, from the edition of 500, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on base.

Height 4 3/4 inches; 121 mm.

Length 7 5/8 inches; 194 mm.

C $2,000-4,000 193 Pablo Picasso PICADOR (A.R. 160) Painted and partially glazed white ceramic plate, 1952, from the edition of 500, incised Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the reverse.

7 7/8 x 7 7/8 inches; 200 x 200 mm.

C Estate of Marion Victor Perini $1,500-2,000

193

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73

194 194 Pablo Picasso PICADOR (A.R. 201) Painted and partially glazed white ceramic plate, 1953, aside from the numbered edition of 200, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse.

9 1/2 x 9 1/2 inches; 241 x 241 mm.

C $3,000-4,000

195 Pablo Picasso VISAGE (A.R. 288) Painted and partially glazed (interior only) white ceramic pitcher, 1955, incised Edition Picasso and Madoura and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base.

Height 12 inches; 305 mm.

C Estate of Marion Victor Perini $5,000-7,000

196 74 DOYLE • MAY 1, 2018 • NEW YORK

195 196 Pablo Picasso FEMME (A.R. 297) Painted and partially glazed (interior only) white ceramic pitcher, 1955, inscribed Edition Picasso and with the D’Apres Picasso and Madoura Plein Feu pottery stamps on the base.

Height 12 1/2 inches; 318 mm.

C $8,000-12,000

197

197 Pablo Picasso JOUEUR DE FLÛTE ET CHÈVRE (A.R. 382) Painted and glazed white ceramic plaque, 1956, from the edition of 450, with the Empreinte Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse.

10 x 9 3/4 inches; 254 x 248 mm.

C $3,000-4,000

199 Pablo Picasso SUJET COLOMBE, MAT (A.R. 433) Painted white ceramic vase, 1959, numbered 38/100, inscribed Edition Picasso and with the Edition Picasso and Madoura Plein Feu pottery stamps on the base.

Height 6 5/8 inches; 168 mm.

Length 11 3/4 inches; 298 mm.

C $6,000-8,000

198

198 Pablo Picasso DANSEURS (A.R. 388) Painted and partially glazed white ceramic plaque, 1956, from the edition of 500, with the Madoura Plein Feu and Empriente Originale de Picasso pottery stamps on the reverse.

7 1/2 x 7 1/2 inches; 191 x 191 mm.

C Estate of Lydia Charlotte Heller $2,000-3,000

199

200 Pablo Picasso VISAGE (A.R. 533) White ceramic plate, 1965, numbered 40/100, inscribed T. 119 and with the Empreinte Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse.

10 5/8 x 10 3/4 inches; 270 x 273 mm.

C Estate of Alvin B. Glaser $2,000-4,000

200 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75

201 Pablo Picasso LOSANGE AU VISAGE (A.R. 627) Red ceramic tile, 1971, from the edition of 500 (presumably numbered on the reverse).

5 7/8 x 5 7/8 inches; 149 x 149 mm.

C $1,000-1,500 202 Pablo Picasso PETIT CARRÉ AU SOLEIL (A.R. 631) Red ceramic tile, 1971, from the edition of 500 (presumably numbered on the reverse).

5 7/8 x 5 7/8 inches; 149 x 149 mm.

C $1,000-1,500

201

202

76 DOYLE • MAY 1, 2018 • NEW YORK

203 Alain Ramié PICASSO, CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971 The complete catalogue raisonné of Picasso’s ceramic editions, in English, published in 1988 by Galerie Madoura.

Overall 11 3/4 x 9 5/8 x 1 5/8 inches; 298 x 244 x 41 mm.

C Dorothy Lewis 2013 Irrevocable Trust $700-1,000

203

204 After Pablo Picasso TOROS Complete set of fifteen offset lithographs and one additional offset lithograph, 1960, on Arches paper, the first fifteen numbered 1/500, the sixteenth lithograph inscribed Planche supplementaire/offerte a mon ami Georges/ **** in another hand verso, justification numbered 1/500, with poems by Pablo Neruda, published

by Au Vent d’Arles, Paris, with full margins, in original red linen covered portfolio.

Sheets approximately 16 1/2 x 21 inches; 419 x 533 mm.

C $2,500-3,500 205 After Pablo Picasso COLOMBE AU SOLEIL Color lithograph, on Rives BFK paper, signed and numbered 167/200 in pencil, with full margins, framed.

Sheet 23 1/4 x 29 7/8 inches; 591 x 759 mm.

C $2,000-3,000

205

206 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 164/200, with full margins.

25 5/8 x 19 3/4 inches; 651 x 502 mm.

Sheet 21 1/2 x 29 3/8 inches; 546 x 746 mm.

C Estate of Carl Lesnor $3,000-4,000

204 part

206

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77

207

209

207 After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas and with his blindstamp, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Sheet 26 x 19 3/4 inches; 660 x 502 mm.

C Estate of Florence Aaron $1,000-2,000 208 After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Sheet 25 3/4 x 19 3/4 inches; 654 x 502 mm.

C Estate of Florence Aaron $1,000-2,000

208

78 DOYLE • MAY 1, 2018 • NEW YORK

209 After Pablo Picasso IMAGINARY PORTRAIT Color offset lithograph, 1969, inscribed A 47/250, from the American edition of Imaginary Portraits, printed by Marcel Salinas and with his blindstamp, published by Harry N. Abrams, Inc., New York, the full sheet, framed.

Sheet 26 x 19 3/4 inches; 660 x 502 mm.

C Estate of Florence Aaron $1,000-2,000

210 Camille Pissarro (1830-1903) PORTRAIT DE PAUL CÉZANNE (DELTEIL 13) Etching, 1874, on cream laid paper, with the artist’s monogram inkstamp (Lugt 613f), numbered 39/75, from the posthumous edition printed in 1920 (there were also 18-20 lifetime impressions), with full margins, framed.

10 5/8 x 8 1/2 inches; 270 x 216 mm.

Sheet 18 1/2 x 11 5/8 inches; 470 x 295 mm.

C $1,000-1,500

211 Robert Rauschenberg (1925-2008) VISITATION I (FOSTER 29) Color lithograph, 1965, on Rives BFK paper, signed, dated and inscribed AP in pencil (aside from the numbered edition of 42), published by ULAE, West Islip and with their blindstamp, with full margins, framed.

Sheet 30 x 22 1/8 inches; 762 x 562 mm.

Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner, circa 1982 C $3,000-4,000 212 Robert Rauschenberg CORE POSTER (F. 32) Color offset lithograph and screenprint with varnish, 1965, on wove paper, signed, dated and numbered 99/200 in ink, printed by Ives-Sillman, New Haven, and with their blindstamp, the (full?) sheet, framed.

Sheet 35 3/4 x 23 7/8 inches; 908 x 606 mm.

C $2,000-4,000

211

210

212

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213 Robert Rauschenberg CHARMS AGAINST HARMS Color offset lithograph, 1993, signed, dated and numbered 76/100 in pencil, the full sheet.

Sheet 40 3/8 x 27 7/8 inches; 1026 x 708 mm.

C $800-1,200 214 Odilon Redon (1840-1916) TÊTE D’ENFANT AVEC FLEURS (MELLERIO 169) Lithograph, 1897, on chine appliqué paper, numbered 34/35 in pencil, with good margins, framed.

9 7/8 x 8 1/4 inches; 251 x 210 mm.

Sheet 14 3/4 x 11 inches; 375 x 279 mm.

C Property from the Estate of Wendy Vanderbilt Lehman $4,000-6,000 215 Rembrandt van Rijn (1606-1669) JOSEPH AND POTIPHAR’S WIFE; JOSEPH TELLING HIS DREAMS (BARTSCH 39, 37) Etchings, 1634 and 1638, respectively, good but later impressions, the first with small margins and three sides, small to thread margins at top, the second trimmed to or just within the platemark, framed. (2) Sheet of larger 3 3/4 x 4 3/4 inches; 95 x 121 mm.

C $1,500-2,500

213

214 80 DOYLE • MAY 1, 2018 • NEW YORK

215 part

216

216 Gerhard Richter (b. 1932) ORCHIDEE II (BUTIN 103) Color offset lithograph, 1998, on white cardboard mounted between Plexiglas plates, signed, dated and numbered 17/25 in felt-tip pen verso, published by the artist, Cologne, the full sheet.

Sheet 11 5/8 x 14 3/4 inches; 295 x 375 mm.

Provenance: Anthony d’Offay Gallery, London Marian Goodman Gallery, New York Christie’s New York, November 11, 2010, lot 330 C $8,000-12,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81

217 217 Larry Rivers (1923-2002) QUEEN OF CLUBS Color lithograph and screenprint, 1979, on Arches paper, signed, dated and numbered 84/200 in pencil, printed by Styria Studio, New York and with their blindstamp, published by Clarkson N. Potter, New York, with full margins, framed.

28 1/4 x 20 1/2 inches; 718 x 521 mm.

Sheet 29 7/8 x 22 1/4 inches; 759 x 565 mm.

C Estate of Stephen Stempler $800-1,500

218 218 Carl Rungius (1869-1959) FRIENDS AGAIN (CROUCH 5) Etching and drypoint, 1925, signed in pencil, with good margins, framed.

6 1/4 x 8 1/2 inches; 159 x 216 mm.

Sheet 11 3/4 x 13 5/8 inches; 298 x 346 mm.

C $1,000-1,500

219 82 DOYLE • MAY 1, 2018 • NEW YORK

219 Carl Rungius ALARMED (C. 6) Etching and drypoint, 1925, signed in pencil, with good margins.

6 1/4 x 8 1/2 inches; 159 x 216 mm.

Sheet 11 3/4 x 13 5/8 inches; 298 x 346 mm.

C $1,000-1,500

220 Ed Ruscha (b. 1937) ABSOLUT RUSCHA Color offset lithograph, 1988, signed and dated in pencil, with full margins.

41 3/4 x 30 3/8 inches; 1060 x 772 mm.

Sheet 45 1/4 x 33 1/4 inches; 1149 x 845 mm.

This lot is accompanied by a certificate of authenticity from Absolute Americana Art Gallery.

C $1,000-1,500

220

221 Ed Ruscha IT IS A GO Color lithograph, 2009, signed, dated and numbered 43/50 in pencil, printed by Hamilton Press, Los Angeles and with their blindstamp, with full margins.

23 3/8 x 19 1/8 inches; 594 x 486 mm.

C $3,000-5,000

221 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83

222

223

222 Kiyoshi Saito (1907-1997) BUDDHA ASYURA (D) Color woodcut, 1959, signed in black ink, dated, titled and numbered 64/100 in pencil, with the self-carved, self-printed artist’s label affixed to the frame backing paper, with full margins, framed.

15 1/4 x 20 7/8 inches; C Estate of Elinor Steinhart $700-1,000 223 Kiyoshi Saito STEADY GAZE Color woodcut, on Japan paper, signed in ink, with full margins, framed.

14 1/4 x 9 inches; 362 x 229 mm.

C Estate of Marion Victor Perini $600-800

224 part

84 DOYLE • MAY 1, 2018 • NEW YORK

224 Colin Self (b. 1941) BLACKBIRD I; BLACKBIRD II; WILLOW; GRAIN Etchings and aquatints, 1971, signed, dated, inscribed and numbered 21/60 verso, numbers 1, 2, 5 and 6 from Prelude to 1000 Objects, published by Editions Alecto, London and with their inkstamp verso, the full sheets, framed. (4) Largest sheet 27 1/8 x 21 3/8 inches; 689 x 543 mm.

Provenance: Berry-Hill Galleries, New York C $1,000-1,500

226

225

225 Gino Severini (1883-1966) COMMEDIA DELL’ARTE (MELONI 34) Color lithograph, 1958, on cream wove paper, signed and numbered 103/175 in pencil, published by L’Oeuvre Gravée, Paris, and with their blindstamp, with full margins, framed.

25 5/8 x 20 inches; 651 x 508 mm.

Sheet 27 5/8 x 21 inches; 702 x 533 mm.

C $600-800 226 Ben Shahn (188-1969) PLEIADES (PRESCOTT 42) Hand-colored color screenprint, 1960, on Japan paper, signed in red ink, from the edition of approximately 54, with full margins, framed.

18 1/8 x 24 1/2 inches; 460 x 622 mm.

Sheet 20 3/8 x 26 1/2 inches; 518 x673 mm.

C Estate of Alvin B. Glaser $600-800

227 Tavík Frantisek Simon (1877-1942) IN THE WIND BY THE SEA; CHARLES BRIDGE AND HRADCANY; CARNIVAL IN PARIS; COURT OF THE CONVENT OF SAINT AGNES; ÉGLISE SAINT-SÉVERIN, PARIS; BRETON COAST; LA SAINTE CHAPELLE, PARIS; NOVÝ SVET IN PRAGUE; MALÁ STRANA UNDER SNOW; SNOW COVERED ROAD; STONE BRIDGE, PRAGUE II; SELF PORTRAIT; ALLEY IN KROMERIZ (NOVÁK 59; 97; 102; 142; 166; 173; 177; 194; 195; 237; 361; 394; 416) Seven color etchings and aquatints, three etchings, two drypoints and one color woodcut, twelve signed, one dated 16/11.1908, four numbered and three inscribed III. stav, imp or 1.tisk/1.stav in pencil, eight with the artist’s stamp, with good or full margins. (13) Largest 15 3/4 x 14 3/4 inches; 400 x 374 mm.

C $1,000-1,500 227 part

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

228 Théophile Steinlen (1859-1923) L’ÉTÉ, CHAT SUR UNE BALUSTRADE (CRAUZAT 292) Color lithograph, 1909, signed in pencil, from the edition of 250, published

by E. Sagot, Paris and with their blindstamp, with margins at right side, framed.

Sheet 19 3/8 x 23 7/8 inches; 492 x 606 mm.

C $3,000-5,000

228

229 Théophile Steinlen L’HIVER, CHAT SUR UN COUSSIN (CRAUZAT 293) Color lithograph, 1909, from the edition of 250, published by E. Sagot, Paris, framed.

Sheet 19 1/8 x 23 inches; 486 x 584 mm.

C $2,000-3,000

229

86 DOYLE • MAY 1, 2018 • NEW YORK

230

231

230 John Storrs (1885-1956) ROMANTIC NIGHT (EAGLE) (FRACKMAN 31) Woodcut, 1916, on Rives BFK, inscribed 11th of 16=1st 16 in pencil, with full margins, framed.

4 1/8 x 4 1/8 inches; 104 x 104 mm.

Sheet 9 3/4 x 7 7/8 inches; 247 x 200 mm.

C Property from a Private New Jersey Collection $1,500-2,500 231 Rufino Tamayo (1899-1991) COYOTE (PEREDA 34) Color lithograph, 1950, on Rives BFK paper, signed and numbered 99/100 in pencil, with full margins, framed.

16 1/2 x 21 1/8 inches; 419 x 537 mm.

Sheet 19 7/8 x 25 5/8 inches; 505 x 651 mm.

C Estate of Elinor Steinhart $1,500-2,500 232 Rufino Tamayo HOMBRE (P. 37) Color lithograph, 1950, on Rives BFK paper, signed and numbered 52/100 in pencil, with full margins, framed.

20 3/4 x 17 1/2 inches; 527 x 445 mm.

Sheet 25 5/8 x 19 7/8 inches; 651 x 505 mm.

C Estate of Elinor Steinhart $1,500-2,500

232

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233

234

235 233 Rufino Tamayo TORSE DE FEMME (P. 108) Color lithograph, 1969, on Rives BFK paper, signed and numbered 84/150 in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins.

27 1/4 x 20 7/8 inches; 692 x 530 mm.

Sheet 30 x 22 1/2 inches 762 x 572 mm.

C $800-1,200

88 DOYLE • MAY 1, 2018 • NEW YORK

234 Rufino Tamayo FIGURA EN JARRAS (P. 274) Color aquatint, 1980, on Guarro paper, signed and numbered 74/99 in black crayon, printed and published by Ediçiones Polígrafa, Barcelona, the full sheet, framed.

Sheet 29 3/4 x 22 inches; 756 x 559 mm.

C $1,500-2,500

235 James Jacques Tissot (1836-1902) SOIRÉE D’ÉTÉ (WENTWORTH 56) Etching and drypoint, 1881, on cream laid paper, from the second state of two, edition of approximately 100, with full margins, framed.

Sheet 14 3/8 x 22 1/8 inches; 365 x 562 mm.

C $1,200-1,800

236 236 Cy Twombly (1928-2011) MUSHROOMS NO. III (BASTIAN 44) Hand-colored color lithograph, collotype and collage, 1975-76, on Fabriano Bütten paper, signed with initials and numbered 69/98 in pencil, from Natural History, Part I, Mushrooms, published by Propyläen Verlag, the full sheet, framed.

Sheet 29 7/8 x 22 inches; 759 x 559 mm.

Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner, circa 1982 C $5,000-7,000

237 237 Cy Twombly QUERCUS ROBUR (B. 54) Color lithograph and collotype, 1975-76, on Fabriano Bütten paper, signed with initials and numbered 35/98 in pencil, from Natural History, Part II, Some Trees of Italy, published by Propyläen Verlag, the full sheet, framed.

Sheet 29 7/8 x 22 1/4 inches; 759 x 565 mm.

Provenance: Acquired from Leo Castelli Gallery, New York, by the present owner, circa 1982 C $4,000-6,000 238 Elizabeth O’Neill Verner (1883-1979) DO AS YOU CHOOSE ALLEY, CHARLESTON Etching, on cream wove paper, signed, titled and numbered 34/80 in pencil, with (full?) margins, framed.

6 7/8 x 5 inches; 175 x 127 mm.

Sheet 11 1/8 x 8 3/4 inches; 283 x 222 mm.

C $700-1,000

238

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89

239 Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-50) Complete set of 25 offset lithographs, 1953, on pale blue wove paper, with accompanying poetry by Ralph Thomas Ward, from the edition of approximately 100, published by the artist, New York, the full sheets.

Sheets 11 x 8 1/2 inches; 279 x 216 mm.

Provenance: The artist Billy Cecil (William Cissell), a New York artist and set designer Private Collection C $4,000-6,000

240 Andy Warhol HAPPY BUTTERFLY DAY Hand-colored offset lithograph, circa 1955, on cream wove paper, with full margins.

Sheet 13 7/8 x 10 inches; 352 x 254 mm.

Provenance: The artist Billy Cecil (William Cissell), a New York artist and set designer Private Collection C $1,000-1,500 241 Andy Warhol CAMPBELL’S SOUP CAN ON A SHOPPING BAG (F./S. 4) Color screenprint on a paper shopping bag, 1964, from the edition of approximately 300, published by Bianchini Gallery, New York.

6 x 3 1/2 inches; 152 x 89 mm.

Bag 19 1/2 x 17 1/8 inches; 495 x 435 mm.

C $800-1,200

239 part

240 90 DOYLE • MAY 1, 2018 • NEW YORK

241

242 Andy Warhol LIZ (F./S. II.7) Color offset lithograph, 1964, on wove paper, signed in black ballpoint pen, from the edition of approximately 300, published

by Leo Castelli Gallery, New York, with margins, framed.

21 7/8 x 21 7/8 inches; 556 x 556 mm.

Sheet 22 3/4 x 22 3/4 inches; 578 x 578 mm.

C Estate of Fred Baum $7,000-10,000

242

243 Andy Warhol LA GRANDE PASSION (F./S. IIIB.28) Color offset lithograph, 1984, on white wove paper, signed and dated in pencil, printed by Rupert Jasen Smith, New York, published by Carillon Importers, Ltd., New Jersey, with full margins.

38 x 36 1/8 inches; 965 x 918 mm.

Sheet 39 x 37 1/8 inches; 991 x 943 mm.

This lot is accompanied by a certificate of authenticity from Absolute Americana Art Gallery.

C $3,000-5,000

243 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91

244 James Abbott McNeill Whistler (1834-1903) ANNIE SEATED (KENNEDY 30; GLASGOW 32) Etching, circa 1858, on cream laid paper, MacDonald’s third state of three, with good margins, framed.

5 1/8 x 3 7/8 inches; 130 x 98 mm.

Sheet 7 7/8 x 5 3/4 inches; 200 x 146 mm.

C $600-800 245 James Abbott McNeill Whistler EN PLEIN SOLEIL (K. 5; G. 11) Etching, 1858, MacDonald’s third state of three, from Twelve Etchings from Nature, printed by Delâtre, Paris, with good margins, framed.

4 x 5 3/8 inches; 102 x 137 mm.

Sheet 6 3/8 x 8 7/8 inches; 162 x 225 mm.

• $700-1,000

244

245

92 DOYLE • MAY 1, 2018 • NEW YORK

246

246 James Abbott McNeill Whistler VENUS (K. 59; G. 60) Etching and drypoint, 1859, on tissue-thin cream laid Japan paper, MacDonald’s second state of two, with (full?) margins, framed.

6 x 9 inches; 152 x 229 mm.

Sheet 8 x 11 1/4 inches; 203 x 286 mm.

C Estate of Alvin B. Glaser $7,000-10,000

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93

247

249

248 247 Ray Charles White (b. 1961) RESONATE Screenprinted enamel on anodized aluminum, 2003, signed with initials and inscribed A.P. 1/4 in felt tip marker verso, published by Durham Press, Pennsylvania, the full sheet, framed.

20 x 66 inches; 508 x 1676 mm.

C $1,000-1,500

248 Zao Wou-Ki (1921-2013) UNTITLED (AGERUP 159) Color lithograph, 1965, on Rives BFK paper, signed, dated and numbered 13/200 in pencil, published by the International Graphic Arts Society, New York, with good margins, framed.

23 3/8 x 14 3/4 inches; 594 x 375 mm.

Sheet 26 3/8 x 17 3/4 inches; 670 x 451 mm.

C Estate of Hilda Johnson $2,000-3,000

249 Francisco Zúñiga (1912-1998) MADRE E HIJA (BREWSTER 14) Color lithograph and screenprint, 1974, on Fabriano paper, signed, dated and numbered 4-99 in pencil, printed by Kyron, S.A., Mexico D.F. and with their inkstamp verso, co-published by Kyron, S.A. and J.M. Tasende, Mexico D.F., the full sheet, framed.

Sheet 20 3/4 x 27 1/4 inches; 527 x 692 mm.

C Estate of Stephen Stempler $800-1,200

End of Sale 94 DOYLE • MAY 1, 2018 • NEW YORK

ARTIST INDEX Agam, Y. Albers, J. Arms, J. T. Auerbach, F. Avery, M.

1 2 3 4-6 7

Bartlett, J. Bellows, G. Benton, T. H. Bonnard, P. Braque, G. Braque, G., After Buffet, B. Burchfield, C.

8, 9 10 11-13 14 15-17 18-20 21 22-24

Calder, A. Cappiello, L. Carrington, L. Caulfield, P. Chagall, M. Chagall, M., After Chahine, E. Chillida, E. Coburn, J. Cook, H.

25-30 31 32 33-37 38-47 48, 49 50 51 52 53

Dalí, S. Davis, S. Davis, S., After Dehn, A. Delaunay, R., After Delaunay-Terk, S. Desmazières, E. Diebenkorn, R. Dine, J. Dongen, K. van Dow, A. W. Duchamp, M. Dürer, A.

54 55-60 61 62, 63 64 65-74 75 76 77 78-85 86 87 88

Escher, M. C.

89

Fazzino, C. Feininger, L. Ferren, J. Francis, S. Freeman, M. Frink, E. Frost, T.

90, 91 92 93 94 95 96-105 106-110

Grooms, R. Gwathmey, R.

111 112

Hepworth, B. Hockney, D. Hodgkin, H. Hopper, E.

113 114-117 118, 119 120

Icart, L.

121-123

Jasper, J.

Katz, A. Kelly, E. Kloss, G. Koons, J. Kusama, Y.

Nolde, E.

162-175 176 177 178-181 182

Picasso, P. Picasso, P., After Pissarro, C.

183-203 204-209 210

Rauschenberg, R. Redon, O. Rembrandt Richter, G. Rivers, L. Rungius, C. Ruscha, E.

211-213 214 215 216 217 218, 219 220, 221

Saito, K. Self, C. Severini, G. Shahn, B. Simon, T. F. Steinlen, T. Storrs, J.

222, 223 224 225 226 227 228, 229 230

Tamayo, R. Tissot, J. J. Twombly, C.

231-234 235 236, 237

Verner, E. O.

238

124 125 126, 127 128, 129 130 131

Leighton, C. 132 Lewis, M. 133-139 LeWitt, S. 140 Lichtenstein, R. 141-143 Lozowick, L. 144, 145 Magritte, R., After Man Ray Margolies, S. Marini, M. Marsh, R. Mason, A. T. Matisse, H. Milton, P.

Miró, J. Miró, J., After Moore, H. Mucha, A.

146 147, 148 149 150 151-153 154, 155 156-160 161

Warhol, A. Whistler, J. A. M. White, R. C. Wou-Ki, Z. Zúñiga, F.

239-243 244-246 247 248 249

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95

MODERN CALIFORNIA STYLE IN MILL BASIN

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New York Properties

Tatiana Nikichina | Licensed Real Estate Salesperson 646.677.1028 | TatianaNikichina@bhhsnyp.com

212.710.1900 • contact@bhhsnyp.com • bhhsnyp.com • 590 Madison Avenue, New York, New York © 2018 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliate, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee.

In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations.

REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts.

REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue.

ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him.

SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows:

(u.l.) Upper left

(l.l.) Lower left

(u.r.) Upper right

(l.r.) Lower right

(u.c.) Upper center

(l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date.

DATED In our best judgment, the date indicated on the work is the date the work was executed.

DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible.

SIGNATURE Only manuscript signatures of the artists are indicated.

Signatures “in the plate” are not mentioned since they are considered part of the image.

QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee.

The print sleeves are the property of Doyle New York and are not included in the sale.

MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements.

Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width.

Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images.

All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist.

TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets.

REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

I

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A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions.

Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored.

Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative.

The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact.

Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.

Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance.

Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

No reserve will exceed the low estimate of the lot.

Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York.

Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue.

Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest.

Doyle New York on occasion makes loans or advances funds to consignors.

The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller.

The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances.

The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations.

Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Estimates do not include the buyer’s premium.

Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

II

ELEGANT ARCHITECTURAL DETAIL IN NEW JERSEY

$1,800,000

This one-of-a-kind home was built in 2009 overlooking the beloved Berta Pond in Bernards Township, New Jersey. With estate-caliber construction, this home has elegant architectural detail with a warm atmosphere throughout. Enjoy four levels of living in sun-filled rooms designed to bring the outdoors in. In the heart of the home is the chef’s kitchen with a professional range with oven, farm sink, oversized island, and second oven which is ideal for entertaining. The large master suite boasts a private balcony overlooking the Berta Pond and spalike bath. Just .7 miles to the nearest NJ Transit station – a fantastic opportunity for the NYC commuter that cannot be missed!

Take a tour at: www.15-Sunnybrook-Rd.com CHANTAL KONICEK Sales Associate "Konicek Group” Berkshire Hathaway HomeServices New Jersey Properties Office: 908-580-5000 Cell: 908-612-0862 Chantal.Konicek@BHHSNJ.com www.KonicekGroup.com Basking Ridge Office | 665 Martinsville Road, Basking Ridge, NJ 07920 ©2018 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made.

The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee.

At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors.

Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold.

It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation.

Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed.

Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids;

9. LIMITED LIABILITY If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York.

The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale.

Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press.

They are posted in the viewing galleries and salesroom or are announced by the auctioneer.

Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

h) To take such other actions as we deem necessary or appropriate; or

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

i) To effect any combination thereof.

14. The rights and obligations of the parties with

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser.

At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York.

By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

M O N T E C I TO Nancy Kogevinas & Robert Kemp | 805.450.6233 / 805.259.6318 | $8,750,000

EXQUISITE Uncovering hidden gems every day

bhhscalifornia.com | 888.995.7575 Š2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. CalBRE 01209514 / 01246412

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP “Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale.

This catalogue may contain one or more glossaries explaining the terminology used in the catalogue.

All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid.

The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

IV

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® New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia.

For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property.

If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

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BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information.

The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date.

Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction.

In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches.

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references.

PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department.

You may also request a condition report from the specialist in charge.

V #I

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue.

The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction.

LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account.

To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion.

Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.

TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion.

By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242.

Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time.

Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential.

For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence.

INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers.

MAC USERS: Please use Firefox browser (download).

BidLive!, powered by Invaluable, does not support iPhone or iPad at this time.

Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot.

METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above.

Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium.

Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total.

New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale.

PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible.

Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt.

The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale.

In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan.

SHIPPING Shipping is the responsibility of the buyer.

Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia.

ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country.

Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII #

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market.

There are various ways to obtain appraisals.

Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require.

SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII #

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction.

THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records.

Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees.

RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price.

OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services.

Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States.

Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs.

Appraisal fees are based on the scope of the property with travel expenses additional.

Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors.

We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

AUCTION SCHEDULE APRIL

MAY

JUNE

AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Auction: Wednesday, APRIL 18 at 10am Exhibition: April 14 – 16

PRINTS & MULTIPLES Auction: Tuesday, MAY 1 at 10am Exhibition: April 27 – 29

DOYLE+DESIGN® Auction: Wednesday, JUNE 6 at 10am Exhibition: June 2 – 4

COINS, BANK NOTES, & STAMPS Auction: Tuesday, MAY 1 at 3pm Exhibition: April 27 – 29

FINE JEWELRY Auction: Wednesday, JUNE 13 at 10am Exhibition: June 9 – 11

IMPRESSIONIST & MODERN ART Auction: Wednesday, MAY 9 at 10am Exhibition: May 5 – 7

PHOTOGRAPHS Auction: Thursday, JUNE 14 at 10am Exhibition: June 9 – 11

POST-WAR & CONTEMPORARY ART Auction: Wednesday, MAY 9 at 2pm Exhibition: May 5 – 7

DOYLE AT HOME Auction: Wednesday, JUNE 27 at 10am Exhibition: June 23 – 25

IMPORTANT JEWELRY Auction: Tuesday, APRIL 24 at 10am Exhibition: April 19 – 22 RARE BOOKS, AUTOGRAPHS & MAPS Auction: Wednesday, APRIL 25 at 10am Exhibition: April 20 – 22

®

JEWELRY BEVERLY HILLS NYC Auction: Monday, MAY 14 at 10am NYC Exhibition: May 12 – 13 ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS Auction: Wednesday, MAY 23 at 10am Exhibition: May 19 – 21

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

IX#

DIRECTORY

YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 PLUS THE EXTENSION.

OFFICERS Kathleen M. Doyle, Chairman/CEO ext 215, Kathy.Doyle@Doyle.com Rodney Lang, Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com Joanne Porrino Mournet Executive Vice President ext 227, Joanne.Mournet@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Laura Doyle, Vice Chairman Executive Vice President ext 219, Laura.Doyle@Doyle.com Peter Costanzo Senior Vice President ext 248, Peter.Costanzo@Doyle.com Reid Dunavant, Senior Vice President 202-342-6100 Reid.Dunavant@Doyle.com

David A. Gallager Senior Vice President ext 271, David.Gallager@Doyle.com Peter Lang Senior Vice President ext 274, Peter.Lang@Doyle.com Ann Limer Lange Senior Vice President ext 221, Ann.Lange@Doyle.com Elaine Banks Stainton Senior Vice President ext 238, Elaine.Stainton@Doyle.com Nan Summerfield Senior Vice President 310-276-6616 Nan.Summerfield@Doyle.com

Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com

Samira Farmer, Vice President 202-342-6100 Samira.Farmer@Doyle.com

Todd Sell, Vice President ext 269, Todd.Sell@Doyle.com

Ashley A. Hill, Vice President ext 231, Ashley.Hill@Doyle.com Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com Angelo Madrigale, Vice President ext 237, Angelo.Madrigale@Doyle.com

Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com

Louis LeB. Webre, Senior Vice President ext 232, Louis.Webre@Doyle.com

Edward Ripley-Duggan, Vice President ext 234 Edward.Ripley-Duggan@Doyle.com

19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com AMERICAN FURNITURE & DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE & DECORATIVE ARTS Rodney Lang ext 243, Rodney.Lang@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke ext 272, Mark.Moehrke@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Leigh Kendrick, Client Relationships Manager ext 243, Leigh.Kendrick@Doyle.com Lauren Ventrone, Client Relationships Manager ext 244, Lauren.Ventrone@Doyle.com

Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com Eileen Weisbaum, Vice President ext 226, Eileen.Weisbaum@Doyle.com Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com

Mark J. Moehrke, Vice President ext 272, Mark.Moehrke@Doyle.com

Gillian M. Ryan Senior Vice President ext 245, Gillian.Ryan@Doyle.com

FURNITURE AND DECORATIVE ARTS David A. Gallager Executive Director ext 271, David.Gallager@Doyle.com

X #

Anne Cohen DePietro, Vice President ext 281, Anne.Depietro@Doyle.com

RUSSIAN WORKS OF ART Mark J. Moehrke, Director ext 272, Mark.Moehrke@Doyle.com BOOKS, AUTOGRAPHS & PHOTOGRAPHS Peter Costanzo, Executive Director ext 248, Peter.Costanzo@Doyle.com Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com PAINTINGS & DRAWINGS Angelo Madrigale, Business Director VP, Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Elaine Banks Stainton Acting Director ext 238, Elaine.Stainton@Doyle.com Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani@Doyle.com Anne Cohen DePietro Senior Specialist, American Art ext 281, Anne.DePietro@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com Bill Fiddler Registrar ext 249, Bill.Fiddler@Doyle.com Milan Tessler Registrar ext 266, Milan.Tessler@Doyle.com

ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com PRINTS & MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com RUGS, CARPETS & TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com NEW YORK JEWELRY Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Alexandra Fulham, Administrator ext 210, Alexandra.Fulham@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com NORTH CAROLINA JEWELRY Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com

REGIONAL REPRESENTATIVES Laura Doyle, Director of Regions 212-427-4141, ext. 219 Laura.Doyle@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254, Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G., Director 310-276-6616, Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616, Emily.Marchick@Doyle.com

CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 Kathy.Brackenridge@Doyle.com

PENNSYLVANIA Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com

FLORIDA Collin Albertsson 561-322-6795, Collin.Albertsson@Doyle.com

WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100, Reid.Dunavant@Doyle.com

NEW JERSEY Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com

Samira Farmer 202-342-6100, Samira.Farmer@Doyle.com

NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258, Hilary.Pitts@Doyle.com

BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com

ADMINISTRATION ABSENTEE & TELEPHONE BIDS Elizabeth Jones Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com ACCOUNTING Ryan Won ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com Julie Bacongco ext 223, Julie.Bacongo@Doyle.com CATALOGUE PRODUCTION & DESIGN Eileen Weisbaum, Director ext 226, Eileen.Weisbaum@Doyle.com Stephanie Cuenca, Senior Graphic Designer ext 250, Stephanie.Cuenca@Doyle.com Nancy Ramos, Graphic Designer ext 276, Nancy.Ramos@Doyle.com PHOTOGRAPHY PRODUCTION Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Ray Adams, Photographer ext 278, Ray.Adams@Doyle.com Hann Browning, Photographer ext 247, Hann.Browning@Doyle.com Hanna Siesel, Traffic Coordinator ext 277, Hanna.Siesel@Doyle.com CATALOGUE SUBSCRIPTIONS Anne Taylor ext 200 Anne.Taylor@Doyle.com CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Elizabeth Jones ext 242, Elizabeth.Jones@Doyle.com

Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com

Ayala Levi ext 259, Ayala.Levi@Doyle.com

Chelsea Wynne ext 204, Chelsea.Wynne@Doyle.com

Alexis Gyateng ext 228, Alexis.Gyateng@Doyle.com

Anne Taylor ext 200 Anne.Taylor@Doyle.com

Hannah Iversen ext 251, Hannah.Iversen@Doyle.com

MEDIA & COMMUNICATIONS DEPARTMENT Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com

MUSEUM SERVICES Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com

Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com

Anne Cohen DePietro Paintings ext 281, Anne.DePietro@Doyle.com

Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com ESTATE & APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com Peter Costanzo ext 248, Peter.Costanzo@Doyle.com Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com

David A. Gallager Furniture and Decorative Arts ext 271, David.Gallagher@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo Ashley Hill

Carl Raymond, Estate and Appraisal Services Coordinator ext 216, Carl.Raymond@Doyle.com

RESTORATION SERVICES Charles Mournet, ext 224

Gail Jaffe, Estate and Appraisal Services Assistant ext 239, Gail.Jaffe@Doyle.com

HAYLOFT AUCTIONS 929-303-3266

INVENTORY CONTROL Eddy Santana APPRAISAL & CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com Ashley A. Hill ext 231, Ashley.Hill@Doyle.com Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com

Brian Corcoran, Director 914-575-7263 Brian.Corcoran@Doyle.com & Brian@HayloftAuctions.com Blythe Knapp, Business Manager Blythe.Knapp@Doyle.com & Blythe@HayloftAuctions.com Adam Bitzer Adam@Hayloftauctions.com

Charlotte Williams ext 240, Charlotte.Williams@Doyle.com XI #

175 EAST 87TH STREET NEW YORK, NY 10128

F OR O FF I CE U SE O NLY

212-427-2730 DOYLE.COM

ABSENTEE & TELEPHONE BID FORM

1.16

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above.

You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

S A L E TI TLE

18PM01

• PRINTS & MULTIPLES

S A L E D AT E

MAY 1, 2018

N A M E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPA NY (If applicable) A D DRE SS *

Change of Address

C IT Y

STATE

ZIP CODE

EMAIL

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

FAX

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N U MB ER

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions.

Changes to bids on the day of sale must be submitted in writing by fax or email.

TOP LIMIT OF BI D / SAFE TY BI D

Excluding Buyer’s Premium

L OT N U MB E R

T O P L I MI T O F B ID / S A F ET Y BI D

Excluding Buyer’s Premium

L OT N U M BE R

T OP LI M I T O F B ID / S A FE TY B I D

Excluding Buyer’s Premium

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date.

Otherwise, purchases cannot leave our premises until checks have cleared.

• A 25% deposit may be required on certain absentee bids.

• Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request.

• Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

Terms and Conditions of Sale°

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

S I GNATU RE

Consumer Affairs No. 0777006

I understand and agree to the

XII

Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction.

Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Elizabeth Jones 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Chelsea Wynne 212-427-4141, ext 203 BidLive@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Penthouse 1012 Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com CONNECTICUT 136 East Putnam Avenue Greenwich, CT 06830 212-427-4141, ext 211 203-637-6209 DoyleCT@Doyle.com

Cynthia Klein VP, Director, Prints and Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

Alexis Gyateng Appraisal and Consignment Services 212-427-4141 ext 226 Alexis.Gyateng@ Doyle.com

NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com WASHINGTON, DC / MID-ATLANTIC 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com

Front Cover Back Cover Inside Front Cover

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DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM