Doyle + Design - 6.5.2019

Wednesday, June 5, 2019

NEW YORK

DOYLE+DESIGN

®

MO DE R N AND CONT EM PORARY A RT AND DESI GN

AUCTION

Wednesday, June 5, 2019 at 10am

EXHIBITION

Saturday, June 1, 10am – 5pm Sunday, June 2, Noon – 5pm Monday, June 3, 10am – 6pm

LOCATION

Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

INCLUDING PROPERTY FROM THE ESTATES OF

Marian Clark Adolphson, CT Bruce C. Denton, Chester, SC A Florida Collector David Follett Hilda U. and Rudolph Forchheimer Arleen S. Gamza A Gentleman, Park Avenue and Southampton, New York Robin Gottlieb Bonnie Jacobson Linda Lee Johnson Dorothy Lewis 2013 Irrevocable Trust Howard Pitsch George and Laurette Podell Robert and Gladys Rosenthal Joanna and Steven Schot, Washington, DC Joan Harmon Van Metre, The Plains, VA Barbara Wainscott

INCLUDING PROPERTY FROM

A Connecticut Private Collection A Private Monarch Beach, CA Collector A New York Collector A Distinguished New York Family Two New York Gentleman A Palm Beach Collector A Southern Lady

CONTENTS

Paintings & Sculpture Prints Furniture & Decorative Arts Silver & Silver Furniture & Decorative Arts

1-107 108-131 132-175 176-190 191-265

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII

PAINTINGS, SCULPTURE, PHOTOGRAPHS & PRINTS

Lot 15

1 Studio of Jacques Adnet 20th Century Design for a Wall-Mounted Sundial, circa 1955 Oil and mixed media on card 34 1/4 x 25 inches

3 Benny Andrews American, 1930-2006 The Beach, 1976 Signed Benny Andrews and dated 1976 (lr); inscribed as titled on the reverse Oil and collage on canvas 21 x 16 inches

Provenance: Amy Perlin Antiques, New York C $2,000-4,000 See Illustration

Provenance: A Private Florida Institution Exhibited: Hemphill Gallery, Washington D.C., Elizabeth Catlett and Benny Andrews, Sept. 14 - Oct. 29, 2016 C $3,000-5,000 See Illustration

2 Benny Andrews American, 1930-2006 Flight, 1975 Signed Benny Andrews and dated 1975 (lr); signed Benny Andrews, dated 1975 and inscribed as titled on the reverse Oil and collage on canvas 18 x 20 inches Provenance: A Private Florida Institution C $3,000-5,000 See Illustration

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4 After Jean Arp Profile, 1963 Stamped Peter / Ein-Hod / 57025 / Made in Israel and with maker's mark on the reverse; also stamped Designed by Arp and numbered 18/100 on the reverse Silver and hardstone with brooch fitting on reverse 1 7/8 x 3 inches C $3,000-5,000 See Illustration

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5 Bernard Aubertin French, 1934-2015 Untitled, 2008 Signed Bernard Aubertin and dated 2008 (lc) Burnt matches on aluminum 19 3/4 x 19 3/4 inches Exhibited: Varesse, Civico Museo Parisi, Bernard Aubertin, Territori di fuoco, May 15 - Jul. 3, 2011 This work includes a photo certificate from the Archivio Bernard Aubertin C $1,500-2,500 See Illustration 6 Luis Barragan Argentinian, 1914-2009 Navio, 1979 Signed Barragan Luis (ll), signed Luis Barragan, dated 1979 and inscribed as titled on the reverse Oil on canvas 12 x 9 1/4 inches C $800-1,200 See Illustration

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7 Stanley Bate American, 1903-1972 Untitled Signed Stanley Bate (lr) Oil on canvas 30 x 48 inches C $800-1,200 See Illustration

8 Rudolf Bauer German/American, 1889-1953 (i) Untitled Initialed B (lr) and signed Bauer on the reverse Pencil on brown paper 7 x 7 3/4 inches (ii) Untitled (a double-sided work) Initialed B (lr) Pencil on brown paper 7 3/4 x 8 3/4 inches (iii) Untitled, from the prison series, 1939 Pencil on embossed brown paper Initialed B (lr) 8 1/2 x 8 3/4 inches Provenance: Estate of Louise Baver Perry Harcourts Modern & Contemporary Art, San Francisco Portico New York, Inc., New York C $2,000-3,000 See Illustration

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9 Mark Beard American, b. 1956 Artist at the Academy, 1994 Signed Beard and dated 94 (ll) Oil on panel in artist’s frame 32 x 48 inches C Property of Two New York Gentlemen $2,000-4,000 See Illustration 10 John Behan Irish, b. 1938 Arrival Signed Behan and numbered 5/9 Bronze with brown/gold patina 24 1/2 x 22 x 14 inches C Estate of David Follett $3,000-5,000 See Illustration

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12 Val Bertoia American, b. 1949 Untitled, Sonambient Inscribed B-319 on underside Beryllium copper Height 14 1/2 inches C $3,000-5,000 See Illustration

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11 Joachim Berthold American 1917-1990 Untitled Signed J. Berthold and numbered 4/9 at side Bronze with dark green/brown patina 19 x 17 x 10 3/8 inches C Estate of Joanna and Steven Schot, Washington, DC $700-1,000 See Illustration

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13 Stephen Bitterolf American, 20th Century Sbiheul Flower Acrylic on linen 30 x 42 inches C Property of Two New York Gentlemen $700-900 See Illustration 14 Art Brenner American, 1924-2013 Untitled, 1958 Stamped with artist’s estate stamp and dated 1/58 on the reverse Oil on canvas 44 x 32 inches C $3,000-5,000 See Illustration

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15 James Brooks American, 1906-1992 Untitled, 1976 Signed Brooks and dated 1976 (lr) Gouache and collage on illustration board 19 3/4 x 31 3/4 inches Provenance: Vincent Melzac Collection, Washington DC Art Forum Ute Barth, Zurich, Switzerland C $4,000-6,000 See Illustration 16 James Brown American, b. 1951 Untitled, 1984 Initialed J.B. and dated 1984 (lr), signed James Brown and dated 1984 NYC on the reverse Graphite, colored pencil and watercolor on tan paper 40 x 44 inches C Estate of a Gentleman, Park Avenue and Southampton, New York $3,000-5,000 See Illustration 16

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18 17 17 Tom Burckhardt American, b. 1964 Untitled Coffee Can and Brushes, after Jasper Johns, from Full Stop Stamped with artist’s signature and Full Stop, numbered 3 Cardboard and marker Height 14 1/2 inches C Property of Two New York Gentlemen $700-900 See Illustration

19 Paul Cadmus American, 1904-1999 Untitled, Standing Woman Signed Cadmus and inscribed RBI (ur) Red, brown and black conte crayon on watercolor-distressed paper 14 3/8 x 7 1/4 inches C $1,000-1,500 See Illustration

18 Paul Cadmus American, 1904-1999 Tired Dancer, NM206, 1987 Signed Cadmus and inscribed NM206 (uc) Crayon on renaissance paper 19 1/2 x 22 3/4 inches Provenance: DC Moore Gallery, New York Private Collection, purchased from above in 2004 Exhibited: New York, DC Moore Gallery, Paul Cadmus: 90 Years of Drawing, May 5-Jun. 19, 1998.

New York, DC Moore Gallery, Paul Cadmus: The Male Nude 1950-1999, Oct. 10-Nov. 9, 2002 Literature: Spring, Justin, Paul Cadmus: The Male Nude, New York, 2002, pp. 150-51, illustrated C $3,000-5,000 See Illustration

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20 Stanley Casselman American, b. 1963 Luminor-4-19, 2014 Signed Stanley Casselman, dated 2014 and inscribed as titled on the reverse Acrylic on canvas 34 1/4 x 34 1/4 inches C $6,000-8,000 See Illustration

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21 Stanley Casselman American, b. 1963 Luminor-1-20, 2014 Signed Stanley Casselman, dated 2014 and inscribed as titled on the reverse Acrylic on canvas 34 x 34 inches Unframed C $4,000-6,000 See Illustration

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22 Carlos Aitor Castillo Peruvian, 1913-2000 Untitled, 1969 Signed Castillo and dated 69 (ll) Acrylic and paper collage on canvas 28 3/4 x 39 1/2 inches C $1,000-1,500 See Illustration 23 Geneviève Claisse French, b. 1935 Cercles, 1967 Signed Claisse, dated 1967 and inscribed as titled on the reverse Oil on canvas 57 1/2 x 45 inches C $3,000-5,000 See Illustration

24 Chuck Connelly American, b. 1955 The Dilemma, 1980-81 Signed Chuck Connelly and dated 1980 and 1981 on the reverse Oil on canvas 90 x 47 1/2 inches Unframed Provenance: DFN Gallery, New York C $5,000-7,000 See Illustration

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25 Chuck Connelly American, b. 1955 Cathedral, 2007 Signed Chuck Connelly and dated 2007 on the reverse Oil on canvas 68 1/4 x 59 3/4 inches Unframed Provenance: New Arts Gallery, Litchfield, CT C $3,000-5,000 See Illustration 26 Chuck Connelly American, b. 1955 Cathedral, 2007 Signed Chuck Connelly and dated 2007 on the reverse Oil on canvas 68 1/4 x 59 3/4 inches Unframed Provenance: New Arts Gallery, Litchfield, CT C $3,000-5,000 See Illustration 26 16 DOYLE • JUNE 5, 2019 • NEW YORK

27 Chuck Connelly American, b. 1955 Cathedrale 14, 2004 Signed Chuck Connelly, dated 2004 and inscribed as titled on the reverse Oil on canvas 50 x 42 1/2 inches Unframed Provenance: New Arts Gallery, Litchfield, CT C $2,000-4,000 See Illustration

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28 29 Francis Hyman Criss American, 1901-1973 Still Life with Figure, circa 1950 Signed Criss (lr) Oil and pencil on canvas 33 x 28 inches Provenance: Private Collection, New York Spanierman Gallery, New York C $3,000-5,000 See Illustration 28 CRASH American, b. 1961 Sunkist Signed J Crash Matos and inscribed as titled on the reverse Aerosol paint on canvas 72 x 24 inches C $6,000-8,000 See Illustration

30 Francis Hyman Criss American, 1901-1973 Self Portrait Signed F. Criss (ll) Oil on canvas 32 x 12 inches C $2,000-3,000 See Illustration 30 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17

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31 Chris DAZE Ellis American, b. 1962 Diamond Girl, 1989 Signed DAZE, dated 5/10/89 and inscribed as titled on the reverse Aerosol paint on canvas 46 1/4 x 46 1/4 inches Unframed C $5,000-7,000 See Illustration

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32 Peter Dechar American, b. 1942 Pears (68-14), 1968 Signed Dechar and dated 68 (lr) Oil on canvas 36 x 52 inches Provenance: Cordier & Ekstrom, New York C Estate of a Gentleman, Park Avenue and Southampton, New York $600-800 See Illustration

33 Dorothy Dehner American, 1901-1994 Vertical Quartet, 1953 Signed Dorothy Dehner and dated 1953 (lr); signed Dorothy Dehner, inscribed 33 Fifth Ave, NYC, #10 and as titled on the reverse Ink and watercolor on paper 15 1/2 x 20 1/4 inches Provenance: The Artist Herman Cherry The Estate of Herman Cherry C $2,000-3,000 See Illustration

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34 Dorothy Dehner American, 1901-1994 (i) Untitled, 1963 Signed Dorothy and inscribed for dear Cherry - Birthday ‘63 (ll) Pastel on paper 11 x 13 3/4 inches (ii) Untitled, 1963 Signed Dehner and dated 63 (lc) Monoprint 23 1/4 x 8 1/2 inches (sheet size) Provenance: The Artist Herman Cherry The Estate of Herman Cherry C $1,200-1,800 See Illustration of Part

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36 Stephen Edlich American, 1944-1989 Untitled (Demotte), 1980 Signed Step C. Edlich, dated 1980 and inscribed as titled in ink along the bottom edge Charcoal with paper and wood collage on paper 11 x 7 1/2 inches (26 x 19 1/2 inches sheet) Provenance: Marlborough Gallery, NY, stock no. 23.002 C Estate of a Gentleman, Park Avenue and Southampton, New York $600-800 See Illustration and Back Cover

35 François Dilasser French, 1926-2012 Printemps, 1986 Inscribed Printemps and dated 86 on the stretcher Oil on canvas 39 1/4 x 39 1/4 inches Provenance: Gallery K, Washington DC [Sale] Christie’s Interior Auction, Jan. 2010, lot 74 C $3,000-5,000 See Illustration

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37 Hugh Ferris American, 1889-1962 The Fisher Building, Detroit Signed Hugh Ferris (lc) Charcoal on paper 29 x 22 inches C $1,000-1,500 See Illustration 38 Tano Festa Italian, 1938-1988 Untitled, 1986 Signed Festa and dated 86 on the reverse Acrylic on canvas 47 x 39 1/2 inches This work includes a photo certificate from the Archivio Tano Festa C $3,000-4,000 See Illustration

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39 Carole A. Feuerman American, b. 1945 Shoes Each signed Carol Feuerman, numbered 1/100 and inscribed A and with copyright symbol, lower back edge Painted polyester resin 2 3/4 x 9 3/4 x 2 3/4 inches (longest shoe) C The property of Gloria Starr Kins $700-900 See Illustration

40 40 Franta (Frantisek Merte) Czechoslovakian, b. 1930 Untitled, Figurative Male Signed Franta (lr) Acrylic and pastel on brown paper 29 1/2 x 21 1/2 inches Provenance: Rosenbaum Fine Art, Boca Raton, FL C Property of a Florida Collector $800-1,200 See Illustration 41 William Gambini American, 1918-2010 Untitled #4 (Raindrop Series), 1984-85 Signed Gambini (lr); signed Gambini, dated 1984-85 and inscribed Helen / #4 / Raindrop Series / In memory of Helen Wild the artist, mother-in-law March 13, 1984 on the reverse Acrylic on canvas 50 x 40 inches C $1,500-2,500 See Illustration

41 42 Henri Gaudier-Brzeska French, 1891-1915 Three Monkeys Stamped hGaudierBrzeska and numbered 5/12 on the underside Composite stone Height 7 inches (18 cm) Provenance: Kettle’s Yard, Cambridge, U.K., acquired by the present owner in 1966 Literature: Harold Stanley Ede, A Life of Gaudier-Brzeska, London, 1930, p. 204 Roger Cole, Burning to Speak: The Life and Art of Henri Gaudier-Brzeska, Oxford, 1978, cat. no. 13, p. 60 Evelyn Silber, Gaudier-Brzeska.

Life and Art, London and New York, 1996, cat. no. 103, pp. 274-5 (dated 1914) Originally conceived in 1912-1914, it was later cast in an edition of twelve. Numbers 1, 2 and 4 of the edition belong to Cambridge University, the Tate Gallery and the Musee Nationale d’Art Moderne in Paris, respectively. The original is owned by Cambridge University.

C $2,000-4,000 See Illustration 42 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21

43 Max Gimblett New Zealander, b. 1935 Mustard Seed, 1987 Signed Max Gimblett, dated 1987, inscribed as titled and for Lori & Robert on the stretcher Metallic pigments and acrylic polymer on shaped canvas 40 x 40 inches C Property of a Palm Beach Collector $4,000-6,000 See Illustration 44 Robert Goodnough American, 1917-2010 Vertical Gray Blue Brown, 1984 Signed Goodnough, dated 1984 and inscribed as titled on the reverse Acrylic and oil on canvas 70 x 52 inches Provenance: André Emmerich Gallery, NY C $6,000-8,000 See Illustration

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45 Otello Marius Guarducci Italian, 1922-2010 Contemplation Welded copper construction on wooden base Height 19 1/4 inches without base C $800-1,200 See Illustration

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46 Stephen Hannock American, b. 1951 Untitled (Porthole) Oil on inset panel, with oil on inset panel (two works mounted in a found metal hinged porthole) Each panel 13 7/8 x 7 inches C Property of Two New York Gentlemen $4,000-6,000 See Illustration

47 Stephen Hannock American, b. 1951 Central Park, 1992-93 Signed Stephen Hannock and dated 12/93 (cr), signed Stephen Hannock (lr), dated 1992 and inscribed as titled (cl) Gouache and graphite on sheet from spiral bound drawing pad 12 x 17 3/4 inches C Property of Two New York Gentlemen $800-1,200 See Illustration

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48 Barkley Hendricks American, 1945-2017 Sweet, Sweet, Sweet, Sweet Jezabelle, 1981 Signed B. Hendricks twice, dated 1981 and 81, and inscribed as titled on the reverse Colored inks, graphite and photo transfer on paper 22 1/4 x 29 7/8 inches Unframed C $4,000-6,000 See Illustration

49 Barkley Hendricks American, 1945-2017 Soul Brother Productions, 1979 Signed B. Hendricks twice, dated 79 and ‘79, and inscribed as titled on the reverse Ink, colored inks, graphite, collaged foil label and photo transfer on paper 22 1/4 x 29 3/4 inches Unframed C $4,000-6,000 See Illustration

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50 Ibrahim Hussein Malaysian, 1936-2009 Untitled, 1964 Initialed with artist’s mark and dated 64 (ll) Gouache on printed magazine paper laid to card 10 5/8 x 13 1/2 inches C Estate of Howard Pitsch $4,000-6,000 See Illustration

51 51 Ibrahim Hussein Malaysian, 1936-2009 Freeze, 1964 Signed Ibrahim Hussein and dated Oct 1964 (lr); inscribed as titled on mount Gouache on printed magazine paper laid to card Provenance: Galerie Internationale, NY Exhibited: New York, Galerie Internationale, Ibrahim Hussein, 1965 C Estate of Howard Pitsch $3,000-5,000 See Illustration

52 52 Dahlov Zorach Ipcar American, b. 1917 Tigers and Moon Tree, 1985 Signed Dahlov Ipcar and dated 1985 (ll) Oil on canvas 48 x 24 inches C From a Private Monarch Beach, California Collector $4,000-6,000 See Illustration

53 Kim Joon Korean, b. 1966 Romanee Conti, 2011 Signed Kim Joon, inscribed 2/5 and as titled on artist’s label C-print mounted to Diasec, from an edition of 5 47 x 65 3/4 inches C $1,500-2,500 See Illustration

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54 Kim Joon Korean, b. 1966 Fragile - Chunhyang on the Limoge, 2010 Signed Kim Joon, inscribed 4/5 and as titled on artist’s label C-print, edition of 5 Sheet 59 7/8 x 41 1/2 inches, images 55 x 39 1/4 inches C $1,500-2,500 See Illustration

55 Bill Jensen American, b. 1945 (i) High Hopes, 1972 Signed Bill Jensen, dated Sept. 29, 1972 and inscribed To Cherry “High Hopes” on the reverse Oil on unstretched canvas 14 x 16 1/2 inches (ii) Untitled, 1971 Signed Bill Jensen, dated Aug. 20, 1971 and inscribed To Cherry from Bill much love on the reverse Oil on paper 30 x 22 inches Provenance for both works: The Artist Herman Cherry Estate of Herman Cherry C $1,500-2,500 See Illustration of Part

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56 Béla Kádár Hungarian, 1877-1956 Untitled Signed Kadar Bela (lr) Ink on mat board 18 3/4 x 12 1/4 inches C $1,000-1,500 See Illustration

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57 George Keyt Sri Lankan, 1901-1993 Dancer, 1979 Signed G. Keyt and dated 79 (ul) Acrylic on card 25 x 15 1/4 inches Provenance: Acquired directly from the artist by the current owner, Kandy, Sri Lanka C $3,000-5,000 See Illustration

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58 Robert Kipniss American, b. 1931 Blue and Silver Signed Kipniss (ll) Oil on canvas 37 x 30 1/2 inches C $2,500-3,500 See Illustration

59 Yayoi Kusama Japanese, b. 1929 Pumpkins (pair) Painted cast resin, published by Benesse Holdings, Inc., Japan Each stamped Yayoi Kusama on underside 4 1/4 x 2 7/8 x 2 7/8 inches C $1,000-1,500 See Illustration

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60 Michael Loew American, 1907-1985 Still Life No. 4, 1946 Signed Loew and dated 46 (ll); inscribed as titled and stamped with Estate stamp on the reverse Watercolor and ink on card 11 x 13 1/2 inches

61 Michael Loew American, 1907-1985 Color Form, No. 26 Signed Loew (ll) Pastel on paper 9 x 9 3/4 inches

Provenance: Estate of the Artist C $800-1,200 See Illustration

Exhibited: Arkansas Art Center, Little Rock, 2008 Collector’s Show, Dec. 5, 2008 - Jan. 4, 2009, No. 179 C $700-900 See Illustration

Provenance: Meredith Ward Fine Art, NY

62 Michael Loew American, 1907-1985 Nude, 1948 Signed Loew and dated 48 (lr); stamped with Estate stamp on the reverse Watercolor on paper 11 1/4 x 7 5/8 inches Provenance: Estate of the Artist C $700-900 See Illustration

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63 Michael Loew American, 1907-1985 Untitled, Space Forms, 1957 Signed Loew and dated 57 (lc) Pastel on paper 9 1/2 x 8 1/4 inches

64 Loren MacIver American, 1909-1998 Fireflys Signed MacIver (lr) Oil on canvas 12 x 25 inches

Provenance: Meredith Ward Fine Art, NY

Provenance: Pierre Matisse Gallery, NY C Estate of Robin Gottlieb $1,500-2,500 See Illustration

Exhibited: Arkansas Art Center, Little Rock, 2008 Collector’s Show, Dec. 5, 2008 - Jan. 4, 2009, No. 181 C $600-800 See Illustration

65 George Joseph McNeil American, 1908-1995 Red Shoe Dancer, 1980 Signed McNeil and dated 80 (lr); signed George McNeil, dated 1980, numbered RKEPC: 80.601c, inscribed as titled and further inscribed Given to my daughter Helen, 10/24/80 t McNeil on the reverse Oil on canvas 56 x 50 inches C $6,000-8,000 See Illustration

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66 Norman Mercer American, 1916-2007 Dreamer IV, 1999 Stamped NJM, numbered 216 and dated Oct - ‘99 on base Cast acrylic Height with base 25 inches • $800-1,200 See Illustration

67 Norman Mercer American, 1916-2007 Layered Pentacyl, 1995 Stamped NJM, numbered 115 and dated Mar. 95 on base Cast acrylic Height 17 1/2 inches • $700-900 See Illustration

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68 Norman Mercer American, 1916-2007 Large Tricornered Helix Cast acrylic Height 20 3/8 inches • $400-600 See Illustration

69 Norman Mercer American, 1916-2007 Clear Stelledron Cast clear acrylic in assembled sections Height 31 3/4 inches • $700-900 See Illustration

70 Norman Mercer American, 1916-2007 Painting in 3 Dimensions, 1999 Initialed NJM, dated Apr. - ‘99 and numbered 254 Cast acrylic 32 1/2 x 31 3/4 x 13 inches • $1,000-1,500 See Illustration 71 Norman Mercer American, 1916-2007 Untitled, 1981 Incised NJM and dated March-1981 on base Cast clear acrylic assembled in parts 45 x 48 x 19 inches without base C $2,000-4,000 See Illustration 72 George Morrison American, 1919-2000 Untitled, 1953 Signed George Morrison, dated 1953 and inscribed Cap d’Antibes (lr) Ink, crayon and gouache on paper 11 x 8 1/2 inches C $500-700 See Illustration

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73 Roger Mühl French, 1929-2008 Sable Blanc Signed Mühl (lr) Oil on canvas 19 5/8 x 25 5/8 inches Provenance: David Findlay Galleries, NY C $2,000-3,000 See Illustration 74 Yutaka Ohashi Japanese, b. 1923 The Wave #2, 1971 Signed Ohashi (ll); signed Y. Ohashi, dated 1971 and inscribed as titled on the reverse Ink and gold pigment on paper on canvas 30 x 24 inches

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Provenance: Galeria Santiago, San Juan, Puerto Rico C $1,200-1,800 See Illustration

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75 Tom Otterness American, b. 1952 (i) Man and Angel II, 1981 Signed Otterness and dated 1981 Cast hydrocal on marble base, from an edition of 250 Overall height 10 3/4 inches (ii) Bookends (pair), 1979 Each signed Otterness and dated 79 Cast hydrocal on marble base, from an edition of 250 Overall hieght 8 1/2 inches (iii) Stacked Men, 1981 Signed Otterness and dated 1981 Cast hydrocal on marble base, from an edition of 250 Overall height 15 1/4 inches Each published by Brooke Alexander Inc., New York C Property of Two New York Gentlemen $1,000-2,000 See Illustration

76 John Risley American, 1919-2002 Queen’s Treasury Redwood construction on artist’s base 67 1/2 x 20 3/4 x 9 1/4 inches overall Provenance: Acquired directly from the artist, March 30th, 1982 C $2,000-3,000 See Illustration

78 Winston Roeth American, b. 1945 Rantoul, 1993 Signed M. Roeth, dated 1993 and inscribed as titled on the reverse Tempera on MDF/Medex 32 x 32 inches C $4,000-6,000 See Illustration

77 Winston Roeth American, b. 1945 Circle Drawing, 1996 Signed W. Roeth (lr) and dated 1996 (ll); inscribed W. Roeth, dated 1996 and as titled on frame backing Pastel on customized paper 28 x 25 1/2 inches C $800-1,200 See Illustration

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79 Adolph Rosenblatt American, 1933-2017 (i) Untitled, Bleachers, 1981 Signed Adolph Rosenblatt and dated 1980 on rear; signed Adolph Rosenblatt, dated 1981 and inscribed on underside in marker Painted terra cotta (unique) 10 x 11 3/4 x 13 1/8 inches (ii) Untitled, Artist’s Wife Reading, 1979 Signed A. Rosenblatt and dated 1979 Painted terra cotta (unique) 5 3/4 x 12 1/4 x 5 1/2 inches C The property of Gloria Starr Kins $1,200-1,800 See Illustration 80 Adolph Rosenblatt American, 1933-2017 Sitting Bronze with brown patina 10 x 13 1/2 x 8 1/2 inches C The property of Gloria Starr Kins $1,000-1,500 See Illustration

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81 Jack Roth American, 1927-2004 Untitled, 1965 Signed Roth and dated 65 (ur) Acrylic on unprimed sized canvas 42 x 48 inches Provenance: Acquired directly from the artist C $6,000-8,000 See Illustration

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82 Jack Roth American, 1927-2004 Untitled, 1976-77 Initialed and dated 77 (lr); signed Roth, dated 76 and inscribed JR-152-76 on the overlap; stamped with Jack Roth Estate stamp Acrylic on unprimed canvas 47 x 47 inches

83 Jack Roth American, 1927-2004 Untitled, 1981 Signed Roth and dated 81 on the reverse Acrylic on unprimed canvas 36 x 18 inches C $2,500-3,500 See Illustration

Provenance: Estate of the Artist C $4,000-6,000 See Illustration

84 Jack Roth American, 1927-2004 Untitled, 1962 Signed Roth and dated 62 (lr and cr); inscribed a good painting must be fast, loud, and have a melody which one can whistle (uc) Acrylic on paper 23 3/4 x 19 inches C $2,500-3,500 See Illustration

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86 85 Jack Roth American, 1927-2004 Untitled, 1982 Signed Roth and dated 82 (lc) Acrylic on paper 30 1/2 x 22 1/4 inches C $1,500-2,500 See Illustration

86 John Saccaro American, 1913-1981 Untitled Signed Saccaro and inscribed SF on the reverse Oil on canvas 22 x 30 inches C $2,000-3,000 See Illustration

87 Lucas Samaras American, b. 1936 Untitled, 2000 Dated 12/4/00, inscribed 290 and 33159 in pencil on the reverse Acrylic on paper 11 x 8 1/2 inches Provenance: Pace Wildenstein, New York Exhibited: Pace Wildenstein, New York, Lucas Samaras: Paint, Nov. 13, 2001 - Jan. 5, 2002 C $2,000-3,000 See Illustration

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88 Edward Schteinberg Russian, 1937-2012 Composition, Untitled #5 Signed in Cyrillic and dated 1989 (lr) Gouache on cardboard (diptych) 39 7/8 x 29 3/4 inches Provenance: Claude Bernard Gallery, Ltd., NY C Estate of a Gentleman, Park Avenue and Southampton, New York $3,000-4,000 See Illustration 89 Richard Segalman American, b. 1934 Dusk Sketch, 2001 Signed Segalman (lr) Oil on canvas 20 x 24 inches Provenance: Harmon-Meek Gallery, Naples, FL C $2,000-3,000 See Illustration

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90 Richard Segalman American, b. 1934 Black and White Dress I, 1998 Signed Segalman (lr) Watercolor on paper 11 x 14 3/4 inches Provenance: Harmon-Meek Gallery, Naples, FL C $400-600 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 35

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91 Millard Sheets American, 1907-1989 Approaching Storm on the Kona Coast, 1951 Signed Millard Sheets and dated 1951 (ll) Gouache on heavy watercolor paper 22 x 29 inches

92 Esther Shimazu American, b. 1957 Chin Up Signed E. Shimazu and dated 00 on the underside Stoneware 11 1/2 x 24 x 9 inches C Property of a Florida Collector $1,000-1,500 See Illustration

Provenance: Kennedy Galleries, New York C $4,000-6,000 See Illustration

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94 93 Gary Slater American, b. 1947 Triangle Circle, 1980 Signed Gary Slater, dated 1980 and inscribed as titled at lower edge Partial painted stainless steel composite 24 1/4 x 25 x 17 5/8 inches C $1,000-1,500 See Illustration

94 Saul Steinberg American, 1914-1999 Cats Signed Steinberg (lr) Ink on Strathmore paper 14 1/2 x 23 inches

95 Joseph Stella Italian/American, 1877-1946 Flower Signed Joseph Stella (lc) Colored pencil on paper 13 3/4 x 10 inches

Provenance: Sidney Janis Gallery, NY C Estate of Robin Gottlieb $4,000-6,000 See Illustration

Provenance: Irma B. Jaffe, NY The Estate of Irma B. Jaffe C $600-800 See Illustration

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96 97

96 Joseph Stella Italian/American, 1877-1946 Landscape in the Bronx Signed Joseph Stella (lr) Pastel on paper 19 x 25 1/8 inches

98 Pavel Tchelitchew Russian, 1898-1957 (i) Leaf Studies, 1939 Signed P. Tchelitchew and dated 39 (ll) Pencil on paper 10 3/8 x 8 1/4 inches

Provenance: Irma B. Jaffe, NY The Estate of Irma B. Jaffe C $600-800 See Illustration

(ii) Leaves, 1939 Signed P. Tchelitchew and dated 39 (lr); inscribed 418, 39-212 and as titled on the reverse Pencil on paper 8 1/4 x 10 3/4 inches

97 Ron Tatro American, 20th/21st Century (i) SS #15 Signed RT at bottom and inscribed as titled on underside Polychrome steel Height 31 inches including base (ii) Sun #5 Signed Ron Tatro, dated 1993 and inscribed as titled on underside Polychrome steel Height 28 1/2 inches including base C $700-900 See Illustration

98 part 38 DOYLE • JUNE 5, 2019 • NEW YORK

(iii) Leaves Inscribed 39-179 and as titled on the reverse Ink on paper 8 1/4 x 10 5/8 inches (iv) Tree, 1927 Signed P. Tchelitchew and dated 1927 (ll) Colored pencil on paper 10 5/8 x 8 1/8 inches Provenance for all works in lot: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration

99

100

99 Pavel Tchelitchew Russian, 1898-1957 (i) Leaf Child, 1939 Signed P. Tchelitchew and dated 1939 (lr); inscribed 640 and 39-155 on the reverse Ink on paper 11 x 8 1/2 inches

100 Fred Troller Swiss/American, 1930-2002 Untitled, 1978 Signed Fred Troller and dated 12/7/78 (lr) Pencil and ink on paper 21 x 21 inches (31 x 23 inches sheet)

(ii) Leaf Children, 1939 Signed P. Tchelitchew and dated 39 (lr); inscribed 178 and 39-30 on the reverse Ink on paper 11 x 8 1/2 inches

Provenance: Estate of the Artist C $2,500-3,500 See Illustration

(iii) Leaf Children, 1939 Signed P. Tchelitchew and dated 39 (ll); inscribed 421 and 39-121 on the reverse Ballpoint pen on paper 11 x 8 1/2 inches

101 Fred Troller Swiss/American, 1930-2002 Untitled, circa 1958 Signed Fred Troller on the reverse Gouache on brown paper 25 1/2 x 19 7/8 inches

(iv) Milkwood Pods Inscribed indistinctly (ul); inscribed 868, 38-33 and as titled on the reverse Blue ink on paper 10 3/4 x 8 3/8 inches

Provenance: Estate of the Artist C $2,000-3,000 See Illustration

Provenance for all works in lot: Estate of Dr. Gerald Lutovich, Sausalito, CA Thence by descent to the current owner C $2,000-3,000 See Illustration

101 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39

102 Fred Troller Swiss/American, 1930-2002 Untitled, 1970 Artist’s estate stamp on frame backing Gouache on illustration board 15 x 11 inches Provenance: Estate of the Artist C $1,500-2,500 See Illustration

102

103 Vasa Velizar Mihich Yugoslavian, b. 1933 Untitled, #1326, 1978 Incised Vasa, dated 78 and numbered #1326 (lower right edge) Acrylic 21 1/8 x 8 7/8 x 2 1/2 inches C $1,000-1,500 See Illustration 104 NO LOT

103 40 DOYLE • JUNE 5, 2019 • NEW YORK

105

105 Boris Zaborov Russian, b. 1937 Young Nude, 1995 Signed Zaborov and dated 95 (lr) Acrylic on paper mounted on canvas 39 1/2 x 28 3/4 inches C Estate of a Gentleman, Park Avenue and Southampton, New York $2,000-3,000 See Illustration

106

107 William Zorach American, 1887-1966 Mother and Child, 1947 Signed Zorach and dated 1947 lower edge; signed William Zorach and dated 1947 on the reverse Alabaster Height 8 1/4 inches C Property of a Distinguished New York Family $4,000-6,000 See Illustration

106 Boris Zaborov Russian, b. 1937 Untitled, 1984 Signed in Cyrillic and dated 84 (lr) Acrylic on paper 31 1/4 x 22 3/8 inches Provenance: Galerie Claude Bernard, Paris, NY C Estate of a Gentleman, Park Avenue and Southampton, New York $2,000-3,000 See Illustration 107 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 41

108

110

PRINTS & MULTIPLES 108 Yaacov Agam (b. 1928) BIRMINGHAM Agamograph, 1976, signed and numbered 42/99 in ink, the full sheet, framed.

Sheet 14 x 15 3/4 inches; 356 x 400 mm.

Overall 21 5/8 x 23 3/8 inches; 549 x 594 mm.

C $700-1,000 See Illustration 109 Yaacov Agam COMPOSITION Color screenprint, signed and numbered 28/180 in white ink, with full margins, framed.

19 3/4 x 17 3/4 inches; 502 x 451 mm.

C $500-700 See Illustration

109

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110 Richard Anuszkiewicz (b. 1930) COMPOSITION Color screenprint, 1978, signed, dated and numbered 13/100 in pencil, with full margins, framed.

27 1/2 x 27 1/2 inches; 699 x 699 mm.

C The Estate of George and Laurette Podell $500-700 See Illustration

111 111 After Marc Chagall (1887-1985) CARMEN (SORLIER 39) Color lithograph by Charles Sorlier, 1967, from the edition of 3000, published by Editions of the Metropolitan Opera, New York, with full margins, framed.

Sheet 39 1/2 x 25 1/2 inches; 1003 x 648 mm.

C $700-1,000 See Illustration

112 113 After Kees van Dongen BRIGITTE BARDOT, MUSÉE GALLIERA (SEE J. P. 175) Color lithograph poster, 1964, signed and numbered 180/180 in pencil, printed by Mourlot, Paris, the full sheet, unframed.

Sheet 30 1/4 x 20 1/2 inches; 768 x 521 mm.

C Dorothy Lewis 2013 Irrevocable Trust $600-800 See Illustration

112 Kees van Dongen (1877-1968) CAVALIER ARABE (JUFFERMANS JL 17) Color lithograph, circa 1930, on Arches paper, signed and numbered 23/95 in pencil (aside from the numbered edition of 100), with full margins, unframed.

14 5/8 x 11 3/4 inches; 371 x 298 mm.

Sheet 26 7/8 x 19 3/4 inches; 683 x 502 mm.

C Dorothy Lewis 2013 Irrevocable Trust $600-800 See Illustration 113 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43

114 Jean-Michel Folon (1934-2005) NEW YORK SERIES Four color etchings and aquatints, signed and numbered 94/99 in color crayon, with full margins, unframed.

Each 14 7/8 x 11 3/4 inches; 378 x 298 mm.

Sheets 25 3/4 x 20 inches; 654 x 508 mm.

C $600-800 See Illustration of Part 115 Patrick Caulfield (1936-2005) CIGAR; GREY PIPE (CRISTEA 57; 64) Color screenprints, 1978 and 1981, on wove paper, signed and numbered 5/75 and 26/75, respectively, in pencil, printed by Kelpra Studio, London and with their blindstamp or inkstamp verso, published by Waddington Graphics, London, with full margins, unframed.

Larger 19 1/4 x 20 1/4 inches; 489 x 514 mm.

Provenance: Berry-Hill Galleries, New York C $600-800 See Illustration 114 part

115

44 DOYLE • JUNE 5, 2019 • NEW YORK

116 part

117 part

118 116 Patrick Caulfield FERN POT; PLANT POT (C. 59; 61) Color screenprints, 1979-80, on wove paper, signed and numbered 37/65 and 77/100, respectively, in pencil, printed by Kelpra Studio, London and with their inkstamp verso, published by Waddington Graphics, London and with their blindstamp, the full sheets, unframed. (2) Sheets approximately 33 x 23 3/8 inches; 838 x 594 mm.

117 After Jasper Johns (b. 1930) THREE FLAGS Two color offset posters, signed and dedicated in ink, one 1999, for the Whitney Museum of Art, New York, the full sheets, framed. (2) Largest overall 38 x 26 inches; 965 x 660 mm.

The artist was a friend of the present owner.

C $1,000-1,500 See Illustration of Part

118 Rockwell Kent (1882-1971) IMPERISHABLE (BURNE JONES 16) Wood engraving, 1927, signed in pencil, from the edition of 100, framed.

6 5/8 x 10 inches; 168 x 254 mm.

C The property of Gloria Starr Kins $600-800 See Illustration

Provenance: Berry-Hill Galleries, New York C $500-700 See Illustration of Part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 45

119 Yayoi Kusama (b. 1929) PUMPKINS Painted cast resin multiples, with stamped artist name and copyright on the underside, published by Benesse Holdings, Inc., Japan, with original boxes. (2) Each height 4 inches; 102 mm.

C $700-1,000 See Illustration 120 Julio Le Parc (b. 1928) FORMES VIRTUELLES PAR DEPLACEMENT DU SPECTATEUR Enameled steel, mirror-polished stainless steel and printed board multiple, 1969, signed and numbered No. 19 in ink on white label applied on the reverse, from the edition of 250, with five interchangable printed boards, published by Galerie Denise René, Paris.

17 1/4 x 9 1/4 x 9 1/2 inches; 438 x 235 x 241 mm.

C $2,000-3,000 See Illustration

119

120

46 DOYLE • JUNE 5, 2019 • NEW YORK

123 121

122 121 Pablo Picasso (1881-1973) SERVICE VISAGE NOIR (ALAIN RAMIÉ 38) Painted and glazed white ceramic plate, 1948, from the edition of 100, inscribed Madoura/C/d’aprés/picasso and with the Suzanne Ramié monogram DR and the Madoura Plein Feu pottery stamp on the reverse.

Diameter 9 1/2 inches; 241 mm.

C $3,000-4,000 See Illustration

124 part

122 Pablo Picasso SERVICE VISAGE NOIR (A.R. 45) Painted and glazed white ceramic plate, 1948, from the edition of 100, inscribed Madoura/J/d’aprés/picasso and with the Suzanne Ramié monogram DR and the Madoura Plein Feu pottery stamp on the reverse.

Diameter 9 1/2 inches; 241 mm.

C $3,000-4,000 See Illustration

123 Pablo Picasso PICADOR ET TAUREAU (A.R. 101) Red ceramic plaque, 1950, from the edition of 100, with the Empreinte Originale de Picasso pottery stamp on the reverse.

3 1/2 x 3 1/4 inches; 89 x 83 mm.

C $600-800 See Illustration

124 After Pablo Picasso [VARIOUS IMAGES] Six painted and glazed white ceramic plates, 1993, numbered out of editions of 200, dated and inscribed EDITON PICASSO on the reverse.

Each diameter approximately 14 1/4 inches; 362 mm.

C Property of a Palm Beach Collector $1,200-1,800 See Illustration

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125

126 125 Larry Rivers (1923-2002) MADAME BUTTERFLY Color lithograph, 1978, signed, dated and numbered 67/250 in orange pencil, from the Metropolitan Opera Fine Art Series, printed by Styria Studios, New York and with their blindstamp, published by the Metropolitan Opera Association, New York, the full sheet, framed.

Sheet 22 5/8 x 30 5/8 inches; 575 x 778 mm.

C $600-800 See Illustration

127 48 DOYLE • JUNE 5, 2019 • NEW YORK

126 James Rosenquist (1933-2017) DERRIÈRE L’ÉTOILE (GLENN 120) Color lithograph, 1977, on Arches Cover paper, signed, dated and numbered 64/100 in pencil, published by Sidney Singer, New York, the full sheet, framed.

Sheet 36 1/2 x 74 inches; 927 x 1880 mm.

C $1,000-1,500 See Illustration 127 Lucas Samaras (b. 1936) FORK Color screenprint, 1968, signed and numbered 14/15 in pencil, published by Pace Editions Inc., New York, from Book, the full sheet, framed.

Sheet 6 x 5 inches; 152 x 127 mm.

C $700-900 See Illustration

128

128 George Segal (1924-2000) TWO HANDS I Cast paper relief multiple, 1979, signed, dated and numbered 21/50 in pencil, in Plexiglas frame.

13 1/2 x 7 1/2 inches; 343 x 191 mm.

Overall 20 1/4 x 14 1/4 x 4 inches; 514 x 362 x 102 mm.

C The Estate of George and Laurette Podell $1,500-2,500 See Illustration

129 Francisco Sobrino (1932-1914) O2M Plexiglas multiple, 1968, incised with signature, date, title, number 63/100 and EDITIONS DENISE RENÉ, published by Galerie Denise René, Paris.

Overall 31 3/4 x 4 1/4 x 4 1/4 inches; 806 x 108 x 108 mm.

C $1,000-1,500 See Illustration 129

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130 Donald Sultan (b. 1951) FOUR PEARS Color screenprint, 1989, on wove paper, initialed, dated, titled and numbered 53/100 in pencil, published by the Metropolitan Museum of Art, New York and with their blindstamp, with full margins, framed.

12 x 12 inches; 305 x 305 mm.

C $600-800 See Illustration

130

131 Victor Vasarely (1906-1997) COMPOSITION Color screenprint, signed and numbered 107/180 in pencil, with full margins, framed.

26 5/8 x 26 3/4 inches; 676 x 679 mm.

C $500-700 See Illustration

131

50 DOYLE • JUNE 5, 2019 • NEW YORK

FURNITURE & DECORATIVE ARTS

Lot 206

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132 French Art Nouveau Gilt-Bronze Figure Entitled Femme Papillon Cast From a Model by Louis Chalon Circa 1900 Signed L. Chalon and numbered 7. Height 22 5/8 inches.

C $4,000-6,000 See Illustration 133 Gallé Acid-Etched Cameo Glass Magnolia Vase Circa 1900 Signed in cameo Gallé. Height 18 inches.

C Estate of Arleen S. Gamza $2,000-3,000

132

134 Tiffany Opalescent Favrile Glass Vase Circa 1908 With applied flowering branches decoration, signed L.C. Tiffany-Favrile 673 C. Height 12 3/4 inches.

Provenance: By repute, this vase was originally owned by Dr. White, a prominent and wealthy physician in New York City, who then gifted it to the consignor's grandmother.

Note: A similar but smaller vase in striated pale ochre, yellow and colorless glass decorated with applied stylized blossoms and branches signed L.C. Tiffany-Favrile 669 C and measuring 4 7/8 inches tall was sold at Sotheby’s, New York, 20th Century Decorative Works of Art, June 12, 1998, lot 298, where it was previously sold on November 19, 1994, sale no. 6628, lot 529.

C $8,000-12,000 See Illustration 134 52 DOYLE • JUNE 5, 2019 • NEW YORK

135

135 Tiffany Studios Leaded Glass and Bronze Geometric Hanging Shade Signed TIFFANY STUDIOS NEW YORK. Height of shade 11 1/4 inches, diameter 24 inches.

Provenance: By repute, the present hanging shade originally hung in the dining room of the stately home of the noted American sculptor William Couper (1853-1942).

The home was a large Italianate villa built by Couper in 1905 that he named Poggioridente (laughing knoll).

It was located at 105 Upper Mountain Avenue, in Montclair, New Jersey, and is today on the town’s historic register.

C $7,000-10,000 See Illustration 136 Tiffany Studios Bronze and Gold Favrile Glass Ten-Light Pond Lily Lamp Circa 1915 Nine shades signed L.C.T. Favrile, one later shade unmarked; base stamped TIFFANY STUDIOS NEW YORK 381. Height 21 inches, height of tallest shade 4 3/4 inches.

C Estate of Marian Clark Adolphson, CT $8,000-12,000 See Illustration

136 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 53

139 137 Arts & Crafts Oak and Leather Double Chair-Form Settee Circa 1900 Height 40 1/2 inches, width 50 1/8 inches, depth 21 inches.

C Property of Two New York Gentlemen $800-1,200 138 Art Deco Mirror Framed Pier Mirror Height 5 feet 10 1/4 inches, width 30 1/2 inches.

C The Estate of Barbara Wainscott $1,500-2,500 See Illustration

138

140

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139 Wiener Werkstätte Glazed Earthenware Figure of a Woman Stamped AS and WW and 64.

Height 11 inches.

C Estate of Joan Harmon Van Metre, The Plains, VA $1,000-1,500 See Illustration 140 Pair of Art Deco Brass Mounted Mahogany Consoles Each rectangluar top on waisted support centering rondel, on block feet. Height 33 inches, width 60 inches, depth 20 inches.

C $2,000-4,000 See Illustration

141 Pair of Art Deco Upholstered Giltwood Armchairs 1940s Height 32 inches, width 24 inches, depth 25 inches.

Provenance: Doyle, Doyle + Design, June 11, 2014, Lot 271.

C $1,500-2,500 See Illustration 142 Charles J. Weinstein Company Molded Glass and Chrome-Plated Metal Star-Shaped Chandelier Designed 1931 Probably made in the Czech Republic.

Height 25 inches, width 30 inches; length of largest glass element 10 1/4 inches.

C $15,000-25,000 See Illustration and Inside Front Cover

142

141

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143 R. Lalique Molded Opalescent Glass Deux Colombes Mantel Clock Marcilhac No. 727, circa 1926-1947 Signed R. LALIQUE FRANCE. Height 6 3/4 inches.

Provenance: Exhibited The Glass of René Lalique: The Magriel Collection, Mead Art Museum, Amherst College, catalogue no. 69, February 6 through March 6, 1979.

The Estate of Charles Magriel C $2,000-4,000 See Illustration

145 Art Deco Part Ebonized Mahogany Console The rectangular top with rounded corners with fret frieze on reeded scroll supports.

Height 40 1/2 inches, width 69 inches, depth 28 1/4 inches.

C $600-800

143

144

144 Pair of Eugene Schoen Upholstered Slipper Chairs

By Schmeig & Kotzian, stamped E.S. and S.K For the residence of Morris and Gwendolyn Cafritz, Washington D.C., 1937 Height 30 inches, width 23 inches, depth 28 inches.

A period image of the living room shows several of these chairs placed around the space.

C $800-1,200 See Illustration

146 56 DOYLE • JUNE 5, 2019 • NEW YORK

146 Art Deco Eggshell and Black Lacquer Chest of Drawers 1930s/1940s Height 40 1/2 inches, width 21 inches, depth 13 1/4 inches.

C Property of Two New York Gentlemen $500-700 See Illustration 147 Art Deco Burlwood Marble Top Wall Mounted Console The rectangular top with rounded ends on vasiform support on block base.

Height 37 1/2 inches, width 62 inches, depth 16 inches.

C $800-1,200

148 Émile-Jacques Ruhlmann Rosewood Model 1315 NR Extension Dining Table Circa 1930 Height 29 1/2 inches, 41 1/2 inches square.

Tables of this model have sold Christie’s, New York, June 15, 2004, lot 141, and Sotheby’s, New York, April 17, 2016, lot 69.

C $8,000-12,000 See Illustration 149 Pair of Painted Plaster Conch Shell-Form Sconces Attributed to Syrie Maugham, 1930s Height 8 inches, width 9 3/4 inches.

Literature: Pauline Metcalf, Syrie Maugham, 2010, p. 67.

C $2,500-3,500 See Illustration

148

149

151 Pair of Art Deco Style Leather Upholstered Club Chairs Height 27 inches, width 36 inches, depth 34 inches.

C $1,200-1,800

150 Pair of Syrie Maugham Painted Wood Side Chairs 1940s Height 32 7/8 inches, width 23 5/8 inches, depth 17 3/4 inches.

Literature: Pauline Metcalf, Syrie Maugham, 2010, pp. 107 and 109.

This model was used at Windsor Villa, Bois de Boulogne, France, home of the Late Duke and Duchess of Windsor and is also illustrated used in a Park Lane, London address decorated by Maugham.

C $8,000-12,000 See Illustration

150 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57

152 Jean-Théodore Dupas Verre Églomisé Panel from the S.S. Normandie Manufactured by Jaçques Charles Champigneulle for the First-Class Grand Salon of the Normandie, circa 1934 Depicting cloud formations, with gold, silver and palladium leaf. Height 19 inches, width 23 inches.

C Property of Two New York Gentlemen $2,000-4,000 See Illustration

152

155 Art Deco Rosewood Cabinet Shaped rectangular top with pair of doors flanking two short drawers and a door.

Height 39 1/4 inches, width 68 inches, depth 20 3/8 inches.

C $1,000-1,500 See Illustration 156 Art Deco Walnut Console Rectangular top with frieze drawer and arched supports joined by metal stretchers.

Height 35 inches, width 62 inches, depth 18 1/4 inches.

C $1,000-1,500 See Illustration

155

153 Art Deco Marble Top Burlwood Cabinet 1940s With foliate carved frieze drawer over pair of doors all flanked by pair of doors, on plinth base.

Height 42 1/2 inches, width 66 inches, depth 21 1/2 inches.

C $700-1,000 154 Art Deco Part Ebonized Mahogany Dining Table 1930s Rectangular with fold over top on pedestal base.

Height 30 inches, width 52 inches, depth 26 3/8 inches.

C $700-1,000 156

58 DOYLE • JUNE 5, 2019 • NEW YORK

157

157 Set of Four Gilbert Poillerat Parcel Gilt Wrought Iron Three-Light Wall Sconces 1940s Height 17 inches, length 12 inches.

Literature: François Baudot, Gilbert Poillerat Maître Ferronier, Paris, 1998, p. 212.

These sconces were originally designed for the lighting of the new restaurant at the Eiffel Tower, Paris, in the late 1930s.

C $3,000-5,000 See Illustration

158 Pair of Jean-Michel Frank Leather Upholstered Club 1930 Club Chairs For Ecart International Height 31 inches, width 31 1/2 inches, depth 30 3/4 inches.

C $3,000-5,000 See Illustration of Part 159 Jean-Michel Frank Leather Upholstered Club 1930 Sofa For Ecart International Height 31 inches, width 7 feet 6 1/2 inches, depth 30 inches.

C $3,000-5,000 See Illustration

158 part

159

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161 160

160 French Gilt-Plaster Floor Lamp Circa 1940 Height 57 inches.

161 Maison Comte Bronze Floor Lamp Buenos Aires, 1940s/1950s Height 59 1/4 inches.

Provenance: Galerie Yves Gastou, July 1999

Provenance: Gros & Delettrez, Paris C $3,000-4,000 See Illustration

Literature: Delphine Krakoff and Reed Krakoff, Houses That We Dreamt Of, 2017, p. 47.

C $4,000-6,000 See Illustration

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162 Art Moderne Mahogany Chest on Stand 1940s Rectangular with two long drawers.

Height 34 1/4 inches, width 41 1/4, depth 15 1/2 inches.

C $1,000-1,500

163 Maurice Triboy Rosewood Dressing Cabinet 1940s The raised center section with hinged top opening to a mirror over drawers, flanked by a pair of doors opening to sliding shelves, with metal tag M. Triboy Bordeaux.

Height 34 inches, width 51 1/2 inches, depth 19 7/8 inches.

Maurice Triboy (1890-1974) was a French designer recognized as one of the most talented furniture makers in Bordeaux.

His clientele were largely the city’s wealthy bourgeoisie who favored his traditional lines.

C $600-800

164 Pair of De Coene Frères Art Deco Parcel Gilt Black Lacquered Bedside Cabinets 1940s Height 31 inches, width 19 3/4 inches, depth 14 1/4 inches.

C $2,500-3,500 See Illustration

164

165 Samuel Marx Stained Oak Bookcase Circa 1940 Height 28 inches, width 72 inches, depth 17 3/4 inches.

166 T. H. Robsjohn-Gibbings Walnut Cabinet Widdicomb, 1960s Rectangular with drawers flanked by doors.

Height 33 1/2 inches, width 67 inches, depth 21 inches.

C $700-1,000

Provenance: Morton D. May, Ladue, MO David B. Lichenstein Literature: Liz O’Brien, Ultramodern: Samuel Marx, Architect, Design, Art Collection, 2012, pp. 134-143.

C $7,000-10,000 See Illustration

165

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168

169 167

167 Pair of Art Moderne Brass and Walnut Torchere Uplights Urn-form on fluted pedestal on square base.

Height 75 inches, bases 13 inches, square.

C $4,000-6,000 See Illustration

168 Jean Royère Patinated Iron Yo-Yo Andiron 1940s/1950s Height 8 1/4 inches, width 23 3/4 inches, depth 14 inches.

Provenance: Long Island Collection Literature: Pierre-Emmanuel Martin-Vivier, Jean Royère, p. 119.

C $8,000-10,000 See Illustration

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169 Mid-Century Mirror-Veneered Dressing Table Attributed to Fontana Arte, 1940s Shaped top with two frieze drawers on tapering square legs, with oval easel mirror.

Height 30 inches, width 43 1/2 inches, depth 26 1/4 inches.

Provenance: Purchased Fred Silberman, New York City, 1988.

C $2,000-3,000 See Illustration

JEAN ROYÈRE BOUQUET CHANDELIER

170

170 Jean Royère Twelve-Light Wrought Iron Bouquet Chandelier 1950s Height 40 inches, diameter 40 inches.

Provenance: Long Island Collection Literature: Galerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume I, 2012, p. 82.

This model was used by Royère in the lobby of the Hotel Saint-Georges, Beirut, Lebanon, in 1955.

C $30,000-40,000 See Illustration

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171 Jacques Quinet Smokey Glass and Gilt Bronze Low Table Height 17 3/4 inches, 31 inches, square.

C $2,000-4,000 See Illustration 172 Two Mid-Century Upholstered Chromed Metal Open Armchairs Height 30 inches, width 25 1/4 inches, depth 26 1/4 inches.

C $400-600

171

173 T. H. Robsjohn-Gibbings Lacquered Beech Low Table For Widdicomb, 1940s Rectangular with openwork stylized acanthus supports.

Height 15 1/2 inches, width 22 inches, depth 48 inches.

C $1,000-1,500 See Illustration 174 Pair of Gilbert Rohde Part Ebonized Sequoia Burlwood and Rosewood Chest of Drawers Herman Miller, model 3920, circa 1940 Height 32 1/2 inches, width 46 inches, depth 19 1/2 inches.

C $800-1,200 See Illustration

173

174

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175

175 Set of Eight Ole Wanscher Rosewood T Dining Chairs 1950s Height 31 1/4 inches, width 19 3/4 inches, depth 16 1/2 inches.

Literature: Grete Jalk, 40 Years of Danish Furniture Design, vol. 4: 1957-1966, 1987, pp. 166-167.

Ole Wanscher (1903-1985) was a Danish furniture designer whose fresh modern designs helped transform furniture worldwide. In 1958, a Danish newspaper wrote “owning a Wanscher chair is an adventure every day, and will be so even several hundred years from now, for this is how long it lasts.”

C $15,000-25,000 See Illustration

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SILVER

GILBERT MARKS ENGLISH CHARGERS 176 Set of Twelve English Sterling Silver Chargers Gilbert Marks, London, 1897 Each circular, the border embossed with different floral specimens and incised signature and date 1898.

Diameter 8 5/8 inches, total approximately 122 ounces.

Gilbert Marks (1861-1905) was widely admired for his works during his short lifetime. Very much a proponent of the Arts & Crafts movement that was revitalizing silver design, Marks was quoted in The Artist in 1898: “I do the designs myself, and never produce a duplicate. No dies or machinery are used and so the artist’s fancy is at work upon the subject in hand from the moment when the design is first conceived.”

C Estate of Bruce C. Denton, Chester, SC $25,000-35,000 See Illustration

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177 Georg Jensen Sterling Silver Bowl Designed by Oscar Gundlach-Pedersen, pattern no. 584 B, post 1945 Of circular form on openwork stem of stylized foliage and beads on circular base.

Height 5 3/4 inches, diameter 7 3/4 inches, approximately 28 ounces.

C $2,000-3,000 See Illustration

177

179 Georg Jensen Sterling Silver Covered Footed Bowl Pattern no. 72, 1918 Height 5 7/8 inches, width 4 3/4 inches.

Approximately 16 ounces.

C $1,500-2,500 See Illustration

178 part

178 Georg Jensen Sterling Silver Parallel Pattern Partial Flatware Service Designed by Oscar Gunlach-Pedersen, post-1945 Comprising seven dinner forks, seventeen salad forks, ten round soup spoons, twenty-four teaspoons, and ten dinner knives, approximately sixty-eight pieces. Total approximately 80 ounces, weighable.

C $3,000-5,000 See Illustration of Part

68 DOYLE • JUNE 5, 2019 • NEW YORK

179

180 part

180 Georg Jensen Sterling Silver Acorn Pattern Flatware Service Post-1945 Comprising twelve dinner forks, twelve lunch forks, twelve cocktail forks, twelve salad forks, twelve ice cream forks, twenty-four teaspoons, twelve citrus spoons, twelve iced tea spoons, twelve dinner knives, twelve lunch knives, twelve fruit knives, twelve butter knives, four flat servers (in sizes), carving fork, bar spoon, tea caddy spoon, cheese scoop, sauce ladle, and a pierced sugar spoon, approximately 166 pieces. Total approximately 184 ounces, weighable.

C A Connecticut Private Collection $6,000-8,000 See Illustration of Part

180 part VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69

181 part

181 Georg Jensen Sterling Silver Beaded Pattern Partial Flatware Service Comprising fourteen dinner forks, ten salad forks, eleven fish forks, eleven round soup spoons, twelve large teaspoons, eleven fruit spoons, eleven egg spoons, fourteen dinner knives, eleven fish knives, fourteen hollow handle butter knives, twelve flat handle butter knives, two serving spoons and a serving fork, approximately 134 pieces; Together with a Georg Jensen Sterling Silver Letter Opener.

Pattern no. 255. Total approximately 140 ounces, weighable.

C $8,000-12,000 See Illustration of Part

182 H. Nils Sterling Silver Flatware Service Comprising twelve dinner forks, eleven salad forks, twelve soup spoons, twelve citrus spoons, twelve teaspoons, twelve dinner knives, twelve butter knives, and five serving pieces, approximately eighty-eight pieces.

Total approximately 159 ounces.

C $1,500-2,500 See Illustration of Part

182 part 70 DOYLE • JUNE 5, 2019 • NEW YORK

183 Georg Jensen Sterling Silver Water Pitcher Designed by Johan Rhode, pattern no. 432 A, post-1945 Height 9 inches, approximately 18 ounces.

C $2,000-3,000 See Illustration

184

184 Georg Jensen Sterling Silver Water Pitcher Designed by Johan Rhode, pattern no. 432 C, post-1945 En suite with the preceding.

Height 11 1/2 inches, approximately 32 ounces.

C $4,000-6,000 See Illustration

183 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71

187 185 Towle Sterling Silver Contour Pattern Flatware Service Comprising twelve dinner forks, twelve salad forks, twelve dessert spoons, twelve teaspoons, twelve dinner knives, and twelve butter knives, approximately seventy-two pieces; Together with a Frank M. Whiting Grape-Themed Salad Serving Set. Total approximately 82 ounces, weighable.

C Property of a Southern Lady $800-1,200 186 Cartier Sterling Silver Flatware Service Comprising fourteen dinner forks, thirteen salad forks, twelve dessert forks, ten seafood cocktail forks, twenty-one dessert spoons, one round soup spoon, eleven teaspoons, four iced tea spoons, one demitasse spoon, thirteen dinner knives, thirteen butter knives, two pâté knives, two master butter knives, three serving forks, two serving spoons, one ladle and a pie server, approximately 124 pieces. Total approximately 199 ounces, weighable.

C $3,000-5,000 See Illustration of Part

186 part

72 DOYLE • JUNE 5, 2019 • NEW YORK

187 Georg Jensen Sterling Silver Blossom Pattern Tray Pattern no. 2 D, circa 1960 With an inscription on the underside.

Length 21 3/4 inches, width 17 inches.

Approximately 110 ounces.

C $8,000-12,000 See Illustration

188 Two Georg Jensen Sterling Silver Grape Pattern Beakers Pattern no. 296 A, post-1945 Height 4 inches; Together with a Smaller Georg Jensen Sterling Silver Grape Pattern Beaker; Pattern no. 296 B, post-1945. Height 2 3/4 inches; and Two Similar Georg Jensen Style Sterling Silver Grape-Themed Liqueur Glasses.

Height 3 inches. Total approximately 25 ounces.

C $700-1,000 189 Janna Thomas Sterling Silver Bamboo Pattern Flatware Service Comprising twelve dinner forks, nineteen salad forks, twelve soup spoons, eleven teaspoons, twelve dinner knives and twelve butter knives, approximately seventy-eight pieces.

Total approximately 159 ounces, weighable.

C Estate of Bruce C. Denton, Chester, SC $3,000-5,000 See Illustration of Part

189 part

190 Stuart Devlin for Cartier Sterling Silver, Parcel Gilt, and Amethyst Covered Rose Bowl London, 1967 Circular, the pierced cover with amethyst finial. Diameter 12 1/2 inches, approximately 81 ounces, weighable.

Stuart Devlin (1931-2018) was an Australian silversmith known for his modern signature style, as seen in this rose bowl, which earned him the Royal Warrant as Goldsmith and Jeweller to Her Majesty Queen Elizabeth II in 1982.

C $1,500-2,500 See Illustration 190

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73

FURNITURE & DECORATIVE ARTS 191 Jean-Pierre Hagnauer Leather Upholstered Mahogany Adjustable Campaign-Style Deck Chair 1950s Height 35 1/2 inches, width 24 1/4 inches, depth 36 inches.

Designed by French designer Jean-Pierre Hagnauer and used for commissions including the terrace of French film star Jean Marais’s country house and for Arturo Lopez-Willshaw’s yacht Gaviota I. C $5,000-7,000 See Illustration

192 Mogens Koch Teak Modular Bookcase Designed 1948, executed by Rud. Rasmussen A/S, Copenhagen, Denmark Comprising two cabinets and four open shelves. Each section height 30 inches, width 30 inches, depth 14 1/8 inches, with floating base height 2 inches.

Provenance: Purchased directly from Rud. Rassmussen Snedkerier, September 1967 C $2,000-3,000 See Illustration of Part 193 Paul Tuttle Chromed Steel and Leather Chariot Chaise Longue For Straessle International Height 28 1/4 inches, width 23 3/4 inches, depth 72 inches.

Literature: Marla Burns, Paul Tuttle Designs, 2004, pg. 63.

C $2,000-3,000

191 192 part

194 William Katavalos for Laverne International Leather Strap Bench Designed 1955 Height 14 inches, width 75 inches, depth 26 3/4 inches.

C $2,000-3,000

195

74 DOYLE • JUNE 5, 2019 • NEW YORK

195 Maison Jansen Black and Gilt Decorated Églomisé Low Table Signed Jansen underside frame.

Height 14 1/4 inches, 36 inches, square.

C $600-800 See Illustration

196 T.H. Robsjohn-Gibbings for Widdicomb Bleached Mahogany Cabinet Model 1671 Rectangular with four doors with concentric decoration opening to fitted shelves, dividers and drawers. Height 69 inches, width 54 inches, depth 20 1/8 inches.

C $5,000-7,000 See Illustration 197 Hans Wegner Upholstered Teak Model AP 20 Settee For A. P. Stolen, designed in 1954 Height 33 1/2 inches, length 51 inches, depth 29 inches C Estate of Hilda U. and Rudolph Forchheimer $700-1,000 See Illustration

196

197

198 Pair of Hans Wegner Upholstered Teak Model AP 20 Armchairs For A. P. Stolen, designed in 1954 Height 33 1/2 inches, width 27 3/4 inches, depth 30 inches.

C Estate of Hilda U. and Rudolph Forchheimer $1,000-1,500 199 Hans Wegner Upholstered Teak Model AP 27 Armchair Designed 1954, for A. P. Stolen, with manufacturer’s stamp underside.

Height 41 inches, width 28 3/4 inches, depth 30 inches.

C Estate of Hilda U. and Rudolph Forchheimer $1,000-1,500 See Illustration

199

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200

200 Danish Modern Teak Extension Dining Table Manner of Hans Wegner Height 28 1/2 inches, width 65 inches, depth 41 3/4 inches, closed.

C $3,000-6,000 See Illustration 201 Assembled Set of Six Hans Wegner Teak Dining Chairs Comprising a pair of The Chairs, for Johannes Hansen, height 30 inches, width 24 1/2 inches, depth 19 1/2 inches; and a set of four side chairs for C.M. Madsens Fabriker, height 29 3/4 inches, width 19 1/2 inches, depth 17 inches.

C $3,000-6,000 See Illustration of Part 201 part

76 DOYLE • JUNE 5, 2019 • NEW YORK

202 Venini Murano Glass Photograph Frame Height 12 3/4 inches, width 10 3/4 inches.

C Property of Two New York Gentlemen $300-500 203 Venini Murano Glass and Brass Table Mirror Mount on the reverse stamped VENINI MURANO. Height 21 3/4 inches, width 19 3/4 inches.

C Property of Two New York Gentlemen $800-1,200 204 Italian Mid-Century Upholstered Sofa Height 32 inches, width 52 3/4 inches, depth 29 1/2 inches.

C $500-700

205 Philip and Kelvin LaVerne Patinated Bronze Festival Console Table 1960s Signed to top Height 33 inches, width 56 inches, depth 20 inches.

Provenance: Purchased Philip LaVerne Galleries, Ltd., New York, 1960s C $5,000-7,000 See Illustration 206 Philip and Kelvin LaVerne Patinated Bronze Chan Coffee Table 1960s Signed to top, underside with Philip LaVerne Collection label.

Height 17 1/2 inches, diameter 35 inches.

C $3,000-5,000 See Illustration and Page 51

205 top

205

206 207 Philip and Kelvin LaVerne Patinated Bronze “Surrealistic” Low Table 1960s The rectangular top depicting figures and an arcade, raised on three supports.

Height 17 inches, width 48 inches, depth 22 1/4 inches.

C Estate of Hilda U. and Rudolph Forchheimer $1,000-2,000 See Illustration 208 Philip and Kelvin LaVerne Bronze Spring Festival Low Table 1960s Signed twice to top. Height 16 inches, width 53 inches, diameter 20 inches.

C $1,000-2,000

207 top

207

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209 Charles and Ray Eames 670 Lounge Chair and 671 Ottoman For Herman Miller Height of chair 32 inches, width 33 inches, depth 32 3/4 inches.

C $1,500-2,500 See Illustration 210 Edward Wormley for Dunbar Glass and Olive Burl Wood Low Table Model #6302G, with paper label Height 17 inches, diameter 36 inches.

C $800-1,200 209

211 Pair of Hans Wegner Oak and Beech Tambour Cabinets For FDB Mobler, 1960s Height 42 1/4 inches, width 17 inches, depth 15 1/2 inches.

C $2,000-3,000 See Illustration of Part

213 Kem Weber Chromed Metal Upholstered Armchair Height 36 1/2 inches, width 27 inches, depth 26 1/2 inches.

C $500-700

212 Mies van der Rohe Red Leather and Polished Steel Barcelona Daybed Knoll, late 20th century Height 17 inches, length 7 feet 4 inches, depth 39 inches.

C $2,000-4,000 See Illustration

212

211 part

78 DOYLE • JUNE 5, 2019 • NEW YORK

214 George Nakashima Black Walnut and Pandanus Cloth Double Sliding-Door Cabinet and Free-Standing Shelf 1960s Height of cabinet 32 inches, width 60 inches, depth 24 inches; height of shelves 39 1/2 inches, width 41 1/4 inches, depth 18 inches.

Provenance: Commissioned directly from the artist, 1960s Sold with copy of original studio design.

C $20,000-30,000 See Illustration 215 Pair of George Nakashima Walnut Slat Back Twin Headboards 1960s Height 36 inches, width 38 3/4 inches, depth 4 inches.

Provenance: Commissioned directly from the artist in the 1960s.

Another similar pair of twin headboards sold Rago, New Jersey, February 2012, lot 826.

C $3,000-5,000 See Illustration

214

215 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79

216 Peter Protzman African Zebrawood and Chromed Metal Desk For Herman Miller, 1970s With central drawer flanked by two deep drawers. Height 29 inches, width 65 inches, depth 32 1/2 inches.

C $600-800 See Illustration 217 Pair of Mies van der Rohe Red Leather and Polished Steel Barcelona Chairs Knoll, 2008 Height 30 inches, width 29 inches, depth 30 inches.

C $800-1,200 See Illustration

216

218 Ward Bennett Leather Day Bed 1970s Height 14 1/4 inches, width 77 inches, depth 54 inches.

Provenance: Purchased directly from the Springs, East Hampton, home of the designer.

C $1,000-1,500 See Illustration 219 Hans Agne Jakobsson Brass and Glass Hanging Light 1960s Height 48 inches, diameter 31 1/2 inches.

217

Provenance: Bloomberry Antiques, Maastricht, Netherlands C $700-1,000

218

80 DOYLE • JUNE 5, 2019 • NEW YORK

222 Two Piero Fornasetti Lithographed Wood and Painted Metal Side Chairs Designed 1950s, issued 1980s with paper label Fornasetti Milano Made In Italy Comprising a Capitello Corinzio chair and a Balloon chair.

Height of first 37 3/4, width 16 1/4 inches, depth 19 inches.

C $2,000-3,000 See Illustration 223 Piero Fornasetti Hand-Painted and Lithographed Wood Leopard Chest of Drawers Designed 1960, with inlaid Fornasetti Milano ivorine label Height 33 inches, width 39 1/2 inches, depth 22 inches.

Literature: M. Casadio, Fornasetti, The Complete Universe, 2010, pp. 261, 266.

C $15,000-20,000 See Illustration and Front Cover 222

220 Pier Luigi Colli Limed Oak and Glass Low Table Torino, Italy, 1940s Height 18 inches, width 34 inches, depth 25 1/2 inches.

Provenance: Purchased Fred Silberman, New York City C $600-900 221 Forma Nova Stainless Steel, Glass and Lacquered Wood Desk and Return Impressed mark, 1960s Height 29 1/2 inches, width 78 inches, depth 65 3/4 inches.

C $700-1,000 223

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81

224 Ole and Östen Kristiansson for Luxus Vittsjö Teak and Enameled Metal Tripod Praying Mantis Floor Lamp 1960s With Luxus label.

Height 57 3/4 inches.

C Estate of Joanna and Steven Schot, Washington, DC $1,000-2,000 225 Hans Wegner Ash, Teak and Rush Seat Peacock Chair Model JH 550, issued by Johannes Hansen Height 41 inches, width 29 3/4 inches, depth 28 1/2 inches.

C $1,500-2,500 See Illustration

228 Le Corbusier Leather, Hide and Tubular Metal LC4 Chaise Longue Height 29 inches, length 64 inches.

C $1,000-1,200 229 Mid-Century Walnut Sideboard Manner of Phillip Lloyd Powell, 1960s/1970s Shaped rectangular with pair of doors opening to shelves and drawers.

Height 26 1/2 inches, width 70 inches, depth 19 1/2 inches.

C $800-1,200 See Illustration

225

229

226 Eero Saarinen Marble Top Enameled Metal Tulip Table 1970s Height 28 3/4 inches, diameter 35 3/4 inches.

C $800-1,200

230 82 DOYLE • JUNE 5, 2019 • NEW YORK

227 Eero Saarinen Marble Top Black Metal Tulip Dining Table For Knoll, 2006 Height 28 1/4 inches, diameter 47 inches.

C $1,000-1,500

230 Betty Woodman Glazed Earthenware Pillow Pitcher 1981 Signed WOODMAN. Height 19 inches, width 25 inches.

Provenance: Hadler Rodriguez Galleries, New York, New York, May 4, 1982.

C $4,000-6,000 See Illustration

231 Robert Zeppel-Sperl For Berengo Studio Blown Glass Four-Tiered Animal Sculpture Titled Totem Pole Surprise Circa 1989 Engraved R.Z.S. Height overall 47 3/4 inches; height of sculpture 44 1/2 inches.

C Estates of J. Robert and Gladys Rosenthal $2,000-3,000 See Illustration

234 Danilo Zonella for Berengo Studio Blown Glass Sculpture of a Nude Woman with Hat Engraved signature Danilo Zonella.

Height 29 1/8 inches; Together with a Pencil, Ink and Watercolor Study.

Image height 18 inches, width 12 inches.

C Estates of J. Robert and Gladys Rosenthal $600-800

232 Christoph Kiefhaber for Berengo Studio Blown Glass Head Titled Circe 1989 Signed KIEFHABER and with acid-stamp mark BERENGO MURANO ITALY. Height 21 inches.

C Estates of J. Robert and Gladys Rosenthal $400-600

235 Mid-Century Walnut Sideboard Manner of Phillip Lloyd Powell, 1960s/1970s Rectangular with two pairs of carved doors opening to shelves and drawers.

Height 26 1/2 inches, width 72 inches, depth 20 3/4 inches.

C $800-1,200 See Illustration

233 Berengo Studio Blown Glass Sculpture of a Red Lemur After Claude Venard, edition no. 4/7, 1995 Height 26 1/4 inches, width 15 1/4 inches; Together with a Graphic Study for Red Lemur. Edition no. 40/99. Signed Claude Venard. Image height 21 1/4 inches, width 16 1/8 inches.

C Estates of J. Robert and Gladys Rosenthal $600-800

231

235

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DIEGO GIACOMETTI BRONZE BOUGEOIR LAMPS

236 Pair of Diego Giacometti Patinated Bronze Bougeoir Lamps Signed with monogram DG Height 8 inches.

Provenance: Purchased directly from the artist January 1982 Henry Samuel, Paris.

C $30,000-50,000 See Illustration

84 DOYLE • JUNE 5, 2019 • NEW YORK

DIEGO GIACOMETTI GUERIDON-ARBRE AU HIBOU

237 Diego Giacometti Patinated Bronze and Glass Gueridon-Arbre au Hibou Stamped Diego and monogram DG Height 26 1/2 inches, width 26 inches, depth 12 1/2 inches.

Provenance: The collection of Henri Samuel, Paris Purchased Claude Marumo, Paris, October 2004.

C $100,000-150,000 See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85

DIEGO GIACOMETTI MIROIR AUX FEUILLES ET OISEAU

238 Diego Giacometti Patinated Bronze Miroir aux Feuilles et Oiseau Height 34 1/4 inches, width 25 inches.

Provenance: The Collection of Henri Samuel, Paris Purchased Claude Marumo, Paris, February 2004.

C $60,000-80,000 See Illustration

86 DOYLE • JUNE 5, 2019 • NEW YORK

DIEGO GIACOMETTI BRONZE TABOURETS EN X, TROISIÈME VERSION

239 Pair of Diego Giacometti Patinated Bronze Tabourets en X, Troisième Version Designed 1965, stamped with Diego and monogram DG Height 16 3/4 inches, width 18 1/2 inches, depth 15 1/2 inches.

Provenance: Purchased from the artist April 1985.

C $100,000-150,000 See Illustration

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87

240 Pair of Gilt-Bronze Lamps In the manner of Alberto Giacometti Height 11 inches.

According to the receipt, these lamps were issued by the Nelson Rockefeller Collection, circa 1977. A similar lamp is illustrated in a Neiman-Marcus Nelson Rockefeller Collection catalogue.

C $5,000-7,000 See Illustration 241 Pair of Pink Painted Plaster Tête de Femme Table Lamps After Alberto Giacometti for Jean-Michel Frank Height of body 21 inches.

C $400-600

240

242 Baker Pebble Leather and Walnut Chair and Ottoman Height of chair 34 1/2 inches, width 30 inches, depth 33 inches; height of ottoman 18 inches, width 29 1/4 inches, depth 25 1/2 inches.

C The Estate of Linda Lee Johnson $800-1,200 243 Pierluigi Molinari Leather and Walnut Veneered Loop Bookcase For Pace Collection Height 7 feet 1 inch, width 85 inches, depth 12 3/4 inches.

C $2,000-3,000 See Illustration

243

88 DOYLE • JUNE 5, 2019 • NEW YORK

244 Pair of André Dubreuil Upholstered Painted Aluminum Trévise Chairs 1990s Height 37 inches, width 27 1/2 inches, depth 26 inches.

Literature: Jean-Louis Gaillemin, André Dubreuil: Poète du Fer, Poet of Iron, Paris, 2006, pp, 26-27 Claire Downey, Neo Furniture, London, 1992, p. 61 C $8,000-12,000 See Illustration

244

245

245 Thomas Moser Cherry Chest of Drawers Rectangular with nine drawers.

Height 30 inches, width 6 feet 8 1/2 inches, depth 20 inches.

C $800-1,200 See Illustration

246 Set of Six Thomas Moser Cherry Newport Dining Armchairs 2008 Height 31 1/4 inches, width 22 3/4 inches, depth 19 1/4 inches.

C $1,000-1,500

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89

247

247 Gaetano Pesce Resin and Steel Triple Play Nest of Three Tables 1990s Height of largest 15 inches, 16 inches, square.

C Estate of Bonnie Jacobson $2,000-3,000 See Illustration 248 Gaetano Pesce for Fish Design Red and White Polymer Resin ‘Spaghetti’ Vase Circa 2005 Unmarked.

Height 13 inches.

C Estate of Bonnie Jacobson $800-1,200 See Illustration

248

90 DOYLE • JUNE 5, 2019 • NEW YORK

249 Lacquered Vellum Low Table Manner of Karl Springer With a rectangular top with slightly canted corners.

Height 15 inches, width 59 inches, depth 35 1/2 inches.

C $300-500 250 Pair of Modern Design Brass Finish Metal and Black Painted Wood Lamps Height of body 21 inches.

C $500-700 251 Pair of Faux Zebra Painted Marble and Wood Side Tables Modern Height 24 inches, width 22 1/8 inches, depth 15 5/8 inches.

C $1,000-1,500

252

252 Louis Cane Inlaid Fruitwood Extension Dining Table 2000 Height 29 3/4 inches, width closed 7 feet 10 1/4 inches, depth 45 inches.

C $4,000-6,000 See Illustration 253 Pair of Ricardo Fasanello Lacquered Metal Upholstered Anel Lounge Chairs Atelier Ricardo Fasanello, Rio de Janeiro, 1990s Height 29 inches, width 27 inches, depth 21 inches.

A pair of these chairs sold Wright, Chicago, June 7, 2012, lot 260.

C $3,000-5,000 See Illustration

253

VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 91

254 Matthew Baird Designs Three-Fold Mahogany Rice Paper Screen Height 7 feet, widths of panels 41 3/4 inches, 24 1/2 inches, and 16 3/4 inches.

C Property of a New York Collector $700-1,000 See Illustration 255 Curtiss Brock Studio Glass Stone Group Sculpture Signed and numbered on the base.

Height of tallest element 20 inches.

C $1,500-2,000 See Illustration

254

256 Karl Springer Feather-Inset Glass and Brass Low Backgammon Table 1980s Height 16 inches, width 41 1/2 inches, depth 18 inches.

C $2,000-3,000 See Illustration

255

256

92 DOYLE • JUNE 5, 2019 • NEW YORK

257

257 Dale Chihuly Cinnamon Macchia Glass Basket with Red Lip Wrap Portland Press Edition, 2001 Signed Chihuly and PP01.

Height 6 3/4 inches, width 6 3/4 inches, depth 6 inches.

• $2,000-3,000 See Illustration 258 Dale Chihuly Blown Glass ‘Bel Fiori’ Sculpture with Red Protrusion From the Fiori Series, Portland Press Edition, 2005 Engraved signature Chihuly and PP05.

Height 7 5/8 inches, width 13 1/2 inches.

C Estates of J. Robert and Gladys Rosenthal $1,500-2,500 See Illustration

258

259 Black and White Lacquered Wood Low Table Modern Height 17 inches, width 51 inches, depth 28 inches.

C $400-600 260 Afra and Tobia Scarpa Leather and Chromed Steel Soriana Sofa For Cassina, 1970s Length 8 feet, width 27 inches, depth 35 inches.

C $3,000-5,000 See Illustration

261

261 Zdeněk Lhotský Cast Glass Bowl Engraved Lhotský and with the artist’s cypher, ed. no. 015/200 or 075/200, dated 2005.

Height 6 5/8 inches, width 12 3/4 inches.

C $800-1,200 See Illustration

260

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262 Tomás Hlavicka Cast, Polished and Internally Decorated Laminated Glass Bowl Circa 2015 Signed by the artist.

Height 2 1/8 inches, width 15 inches, depth 11 1/8 inches.

C $4,000-6,000 See Illustration

262

263 Paul Evans Patinated Metal and Glass Low Cube Table Signed to interior with script signature.

Height 15 5/8 inches, 42 inches square.

C $2,000-4,000 See Illustration

263

264 Rojo Alicante Marble Jumbo Low Table Designed by Gae Aulenti for Knoll, circa 1980 Of square form, with a slab top, raised on conforming truncated columnar corner supports.

Height 14 inches, 43 1/4 inches square.

C $2,000-3,000 See Illustration

94 DOYLE • JUNE 5, 2019 • NEW YORK

264

265 Pair of Rei Kawakubo Granite and Iron Tables Paolo Pallucco for Comme des Garçons, circa 1985 In two triangular sections on casters to form a rectangle.

Height 28 1/2 inches, width 54 3/4 inches, depth 42 inches.

Rei Kawakubo (b.1942) is the fashion designer founder of Comme des Garçons and Dover Street Market. Kawakubo’s furniture was originally designed for her stores and the pieces reflected the “anti-fashion,” deconstructed black, white and grey clothing of her 1980s lines.

This pair of tables was part of a limited commercial production.

C $4,000-6,000 See Illustration

END OF SALE VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95

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GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee.

In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations.

REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts.

REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue.

ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him.

SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows:

(u.l.) Upper left

(l.l.) Lower left

(u.r.) Upper right

(l.r.) Lower right

(u.c.) Upper center

(l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date.

DATED In our best judgment, the date indicated on the work is the date the work was executed.

DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible.

SIGNATURE Only manuscript signatures of the artists are indicated.

Signatures “in the plate” are not mentioned since they are considered part of the image.

QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee.

The print sleeves are the property of Doyle New York and are not included in the sale.

MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements.

Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width.

Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images.

All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist.

TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets.

REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

I

$1,325,000

LUXURIOUS HOME IN BERNARDS TWP.

This one-of-a kind luxury home was built in 2014 with an elegant and inviting atmosphere throughout its open floorplan. The chef's kitchen is fantastic for entertaining with Subzero, Wolf, and Bosch appliances. The Carrera marble backsplash and island as well as the Benchmark cabinetry complete this state-of-the-art kitchen. The master suite boasts a spa-like bath, two designer walk-in closets, and ample natural lighting. Premium millwork, Oak floors, and top-of-the-line interior and exterior finishes are featured throughout. With a private patio and backyard, this luxurious home is located just three blocks to the town of Basking Ridge.

www.16MonroePl.com LYNN FARRELL Sales Associate Basking Ridge Office Cell: 908-507-2873 Office: 908-580-5000 Lynn.Farrell@BHHSNJ.com www.BHHSNJ.com/Lynn.Farrell 665 Martinsville Rd., Suite 108, Basking Ridge, NJ 07920 Š2019 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.Ž Equal Housing Opportunity.

CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions.

Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored.

Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative.

The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact.

Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.

Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance.

Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

No reserve will exceed the low estimate of the lot.

Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York.

Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue.

Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest.

Doyle New York on occasion makes loans or advances funds to consignors.

The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller.

The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances.

The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations.

Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Estimates do not include the buyer’s premium.

Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

II

Enchanting Tudor Style Home

Rye, NY • 10 Shore Road • $6,390,000

Magical is the most applicable adjective to describe the castle-like, Tudor style home, located at 10 Shore Road, Rye, NY in the alluring waterfront enclave of Greenhaven. Set high on a private, winding, tree-lined street, this waterfront oasis is both captivating and proud.

MARGARET GRASSO Licensed Real Estate Salesperson O: (914) 967-1300 C: (914) 843-0583 MargaretGrasso@bhhsne.com MLS# 4915270 A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made.

The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee.

At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors.

Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold.

It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation.

Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed.

Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof.

In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser.

At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York.

The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale.

Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press.

They are posted in the viewing galleries and salesroom or are announced by the auctioneer.

Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York.

By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

L U X U R Y

C O L L E C T I O N

Los Angeles • Offered at $27,995,000 Elisabeth Halsted • Lic # 01434953 • 310.820.9340

bhhscalifornia.com ©2019 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale.

This catalogue may contain one or more glossaries explaining the terminology used in the catalogue.

All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid.

The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

IV

zachys

®

Private Sales & Estate Planning Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to maximize the value of your collection, and Zachys did nearly $80m in auction sales last year.

Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the United States.

In 2018, Zachys did millions in private sales to collectors all over the world.

Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together.

Estate Planning The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn of all of the ways we can help.

Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale.

Jeff Zacharia President jzacharia@zachys.com

Jamie Pollack Global Managing Director jpollack@zachys.com

Stuart Jakub Shoshana Filene Senior Specialist, New York Senior Specialist, New York sjakub@zachys.com sfilene@zachys.com

zachys

®

4

Fritz Hatton Senior Advisor fhatton@zachys.com

Charles Antin Senior International Specialist, New York cantin@zachys.com

Terrence Tang Head of Asia, Hong Kong ttang@zachys.com

Christy Erickson Head of Europe, Paris cerickson@zachys.com

Kim Busch Specialist, New York kbusch@zachys.com

Austin Zhang Sales Director, China xzhang@zachys.com

Ching Wong Specialist, Hong Kong cwong@zachys.com

Dora Kam Specialist, Hong Kong dkam@zachys.com

New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia.

For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state.

Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property.

If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

V

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information.

The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date.

Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction.

In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches.

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references.

PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department.

You may also request a condition report from the specialist in charge.

VI

BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue.

The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction.

LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account.

To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion.

Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown.

TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion.

By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242.

Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time.

Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential.

For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence.

INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers.

MAC USERS: Please use Firefox browser (download).

BidLive!, powered by Invaluable, does not support iPhone or iPad at this time.

Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot.

METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above.

Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium.

Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total.

New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale.

PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible.

Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt.

The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale.

In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan.

SHIPPING Shipping is the responsibility of the buyer.

Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia.

ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country.

Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

VII

SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market.

There are various ways to obtain appraisals.

Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require.

SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

VIII

REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction.

THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records.

Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees.

RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price.

OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.

PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services.

Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States.

Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs.

Appraisal fees are based on the scope of the property with travel expenses additional.

Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors.

We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland.

Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event.

We invite you to contact us for a complimentary proposal.

NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE JUNE

JULY

AUGUST

DOYLE+DESIGN® Auction: Wednesday, June 5 at 10am Exhibition: June 1 – 3

JEWELRY, WATCHES, SILVER & COINS

BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, July 17 at 10am Exhibition: July 12, 15 – 16

DOYLE AT HOME® Auction: Wednesday, August 7 at 10am Exhibition: August 1 – 2, 5

FINE JEWELRY Auction: Wednesday, June 12 at 10am Exhibition: June 8 – 10 PHOTOGRAPHS Auction: Thursday, June 13 at 10am Exhibition: June 8 – 10

DOYLE AT HOME® Auction: Thursday, July 18 at 10am Exhibition: July 12, 15 – 16

JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Thursday, August 8 at 10am Exhibition: August 1 – 2, 5

DOYLE AT HOME® Auction: Wednesday, June 26 at 10am Exhibition: June 22 – 24 THE ESTATE OF OLEG CASSINI Auction: Thursday, June 27

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

IX

DIRECTORY

YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 PLUS THE EXTENSION.

OFFICERS

Kathleen M. Doyle Chairman ext 215, Kathy.Doyle@Doyle.com Laura Doyle Chief Executive Officer ext 219, Laura.Doyle@Doyle.com Joanne Porrino Mournet President ext 227, Joanne@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Rodney Lang Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com Peter Costanzo Senior Vice President ext 248, Peter.Costanzo@Doyle.com

Reid Dunavant Senior Vice President 202-342-6100 Reid.Dunavant@Doyle.com

Nan Summerfield Senior Vice President 310-276-6616 Nan.Summerfield@Doyle.com

David A. Gallager Senior Vice President ext 271, David.Gallager@Doyle.com

Gillian M. Ryan Senior Vice President ext 245, Gillian.Ryan@Doyle.com

Peter Lang Senior Vice President ext 274, Peter.Lang@Doyle.com

Louis LeB. Webre Senior Vice President ext 232, Louis.Webre@Doyle.com

Ann Limer Lange Senior Vice President ext 221, Ann.Lange@Doyle.com

Samira Farmer, Vice President 202-342-6100 Samira.Farmer@Doyle.com

Angelo Madrigale Senior Vice President ext 237, Angelo.Madrigale@Doyle.com

Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com

Elaine Banks Stainton Senior Vice President ext 238, Elaine.Stainton@Doyle.com

Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com

Mark J. Moehrke, Vice President ext 272, Mark.Moehrke@Doyle.com Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com Edward Ripley-Duggan, Vice President ext 234 Edward.Ripley-Duggan@Doyle.com Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com Todd Sell, Vice President ext 269, Todd.Sell@Doyle.com Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com

ADMINISTRATION BID DEPARTMENT ABSENTEE & TELEPHONE BIDS Alanna Sutherland Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com BIDLIVE! INTERNET BIDDING Tyler Kusler ext 203, Tyler.Kusler@Doyle.com ACCOUNTING Ryan Won Accounting Manager IT Manager ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com

ESTATE & APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com

MEDIA & COMMUNICATIONS Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com

Peter Costanzo ext 248, Peter.Costanzo@Doyle.com

Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com

Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com

Kosala Kumara, Advertising ext 258, Kosala.Kumara@Doyle.com

Alexis Gyateng, Senior Appraisal Coordinator ext 228, Alexis.Gyateng@Doyle.com Daniel Sarver, Appraisal Coordinator ext. 240, Daniel.Sarver@doyle.com Arielle Goldstein, Appraisal Coordinator ext. 259, Arielle.Goldstein@doyle.com

Chelsea Wynne ext 223, Chelsea.Wynne@Doyle.com

CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com

CATALOGUE SUBSCRIPTIONS Gianine Crowell ext 200, Gianne.Crowell@Doyle.com

Erin Mandley ext 231, Erin.Mandley@Doyle.com

CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Alanna Sutherland ext 242, Alanna.Sutherland@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Tyler Kusler ext 203, Tyler.Kusler@Doyle.com Gianine Crowell ext 200, Gianine.Crowell@Doyle.com

Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com Gail Jaffe ext 239, Gail.Jaffe@Doyle.com MUSEUM SERVICES Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com Angelo Madrigale Paintings & Drawings ext 237, Angelo.Madrigale@Doyle.com David A. Gallager Furniture & Decorative Arts ext 271, David.Gallagher@Doyle.com

X

CATALOGUE PRODUCTION Stephanie Cuenca Production Manager/Senior Designer ext 250, Stephanie.Cuenca@Doyle.com Nancy Ramos Digital Marketing Coordinator Graphic Designer ext 276, Nancy.Ramos@Doyle.com PHOTOGRAPHY Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Ray Adams, Photographer ext 278, Ray.Adams@Doyle.com Hann Browning, Photographer ext 247, Hann.Browning@Doyle.com Hanna Siesel, Traffic Coordinator ext 277, Hanna.Siesel@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo

REGIONAL REPRESENTATIVES Joanne Porrino Mournet, Director of Regions 212-427-2730, ext 227 Joanne@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254, Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G., Director 310-276-6616, Nan.Summerfield@Doyle.com Emily Marchick, G.G. 310-276-6616, Emily.Marchick@Doyle.com CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 Kathy.Brackenridge@Doyle.com

FLORIDA Collin Albertsson 561-322-6795, Collin.Albertsson@Doyle.com

WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100, Reid.Dunavant@Doyle.com

NEW JERSEY Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com

Samira Farmer 202-342-6100, Samira.Farmer@Doyle.com

NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258, Hilary.Pitts@Doyle.com PENNSYLVANIA Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com

SPECIALIST DEPARTMENTS FURNITURE AND DECORATIVE ARTS David A. Gallager Executive Director ext 271, David.Gallager@Doyle.com 19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com AMERICAN FURNITURE & DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE & DECORATIVE ARTS Rodney Lang ext 243, Rodney.Lang@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke ext 272, Mark.Moehrke@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Leigh Kendrick, Client Relationship Manager ext 243, Leigh.Kendrick@Doyle.com Courtney Washington, Client Relationship Manager ext 244, Courtney.Washington@Doyle.com RUSSIAN WORKS OF ART Mark J. Moehrke, Director ext 272, Mark.Moehrke@Doyle.com

BOOKS, AUTOGRAPHS & PHOTOGRAPHS Peter Costanzo, Executive Director ext 248, Peter.Costanzo@Doyle.com Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com PAINTINGS & DRAWINGS Angelo Madrigale, Director Director Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Elaine Banks Stainton Senior Specialist, Paintings & Drawings ext 238, Elaine.Stainton@Doyle.com

BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com

RUGS, CARPETS & TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com JEWELRY Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com NEW YORK JEWELRY Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Laura Chambers, Jewelry Administrator ext 210, Laura.Chambers@Doyle.com

Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com

CALIFORNIA JEWELRY

Shani Toledano Associate Director ext 236, Shani@Doyle.com

Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com

Anne Cohen DePietro Senior Specialist, American Art ext 281, Anne.DePietro@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com Bill Fiddler Specialist, American Art ext 249, Bill.Fiddler@Doyle.com Milan Tessler Registrar ext 266, Milan.Tessler@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com PRINTS & MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com

Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com Ilana Pickard, G.G. Office Administrator 310-276-6616 Ilana.Pickard@Doyle.com NORTH CAROLINA JEWELRY Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com HAYLOFT AUCTIONS Brian Corcoran, Director 914-575-7263 Brian@HayloftAuctions.com Blythe Knapp, Business Manager Blythe@HayloftAuctions.com 929-303-3266 Stephanie Cuenca, Art Director Stephanie.Cuenca@Doyle.com

XI

175 EAST 87TH STREET NEW YORK, NY 10128

F OR O FF I CE U SE O NLY

212-427-2730 DOYLE.COM

ABSENTEE & TELEPHONE BID FORM

1.16

* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.

Please indicate the type of bid you are submitting. Please check one:

ABSENTEE BID

** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.

TELEPHONE BID

Please indicate in what capacity you are bidding. Please check one:

• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above.

You must be prepared to bid at least to the low estimate.

B I D D I N G A S A P R I VAT E B U Y E R

B I D D I N G O N B E H A L F O F A C O M PA N Y

S A L E TI TLE

19DD01 • DOYLE+DESIGN ®

S A L E D AT E

JUNE 5, 2019

N A M E*

• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.

C O MPA NY (If applicable) A D DRE SS *

Change of Address

C IT Y

STATE

ZIP CODE

EMAIL

• In the event that identical bids are submitted, the earliest will take precedence.

P HO N E

FAX

• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.

P HO N E (DAY O F SALE )** C L I EN T N UMBE R (N EW CLI EN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)

LOT N U MB ER

• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions.

Changes to bids on the day of sale must be submitted in writing by fax or email.

TOP LIMIT OF BI D / SAFE TY BI D

Excluding Buyer’s Premium

L OT N U MB E R

T O P L I MI T O F B ID / S A F ET Y BI D

Excluding Buyer’s Premium

L OT N U M BE R

T OP LI M I T O F B ID / S A FE TY B I D

Excluding Buyer’s Premium

• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date.

Otherwise, purchases cannot leave our premises until checks have cleared.

• A 25% deposit may be required on certain absentee bids.

• Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request.

• Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.

Terms and Conditions of Sale°

B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his / her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000

S I GNATU RE

Consumer Affairs No. 0777006

I understand and agree to the

XIII

Submit bids by FAX: 212-427-7526 or email: Bids@Doyle.com by 5pm (Eastern) the evening before the auction.

Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207

CLIENT SERVICES

CLIENT ACCOUNTS

Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com

Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com

BIDDING SERVICES Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com

BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com

SPECIALISTS

NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@Doyle.com CONNECTICUT 212-427-4141, ext 211 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com

Todd Sell VP, Furniture and Decorative Arts 212-427-4141 ext 269 Todd.Sell@ Doyle.com

Malcolm Mac Neil VP, Belle Epoque Furniture and Decorative Arts 212-427-4141 ext 218 Malcolm.Macneil@ Doyle.com

Harold E. Porcher VP, Director, Modern and Post-War Art 212-427-4141 ext 235 Harold.Porcher@ Doyle.com

PENNSYLVANIA 212-427-4141, ext 225 DoylePA@Doyle.com WASHINGTON, DC / MID-ATLANTIC 10421A Metropolitan Ave Kensington, MD 20895 202-342-6100 DoyleDC@Doyle.com NORTH CAROLINA 704-582-2258 DoyleNC@Doyle.com FLORIDA 561-322-6795 DoyleFL@Doyle.com

Leigh Kendrick Furniture and Decorative Arts 212-427-4141 ext 243 Leigh.Kendrick@ Doyle.com

Cynthia Klein VP, Director, Prints and Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com

Alexis Gyateng Prints and Multiples 212-427-4141 ext 226 Alexis.Gyateng@ Doyle.com

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