PRINTS & MULTIPLES
Tuesday, October 22, 2019
NEW YORK
PRINTS & MULTIPLES
AUCTION Tuesday, October 22, 2019 at 10am
EXHIBITION Saturday, October 19, 10am – 5pm Sunday, October 20, Noon – 5pm Monday, October 21, 10am – 6pm
LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com
Catalog: $35
INCLUDING PROPERTY FROM THE ESTATES OF Otis and Fredericka Carney Elizabeth H. Fuller Steven R. Gross The Marian Sulzberger Heiskell and Andrew Heiskell Collection Christa Hofer Carol Lesnor Dorothy Lewis 2013 Irrevocable Trust Lillian Linder, Westchester County, New York Sylvia Miles Sarah A.T. Mills A New York Estate A Park Avenue Lady Ruth Schapira Frederieke Sanders Taylor
INCLUDING PROPERTY FROM A Private New York Collector Two New York Gentlemen A South Carolina Collector
CONTENTS Prints & Multiples
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Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII
PRINTS & MULTIPLES Lot 56
THE ESTATE OF SYLVIA MILES Doyle is honored to offer artwork and memorabilia from the Estate of Sylvia Miles (1924-2019). Twice nominated for an Academy Award, Miles is best remembered for her strong performances in diverse works ranging from Midnight Cowboy to Sex and the City, as a bona fide “Warhol Superstar,” and as a prominent and frequent figure on the Manhattan party scene.
It was Miles’ association with Andy Warhol as a close friend and one of the so-called “Warhol Superstars” that cemented her status as a New York icon. Miles had a starring role in Warhol’s 1972 film Heat, the third in a trilogy that parodied Sunset Boulevard, alongside Joe Dallesandro.
Miles’ Central Park South apartment, which she occupied from 1968 until her death earlier this year, was filled with memorabilia from her career and artwork gifted by her talented group of friends, particularly Warhol. The current sale features prints by Warhol, and Keith Haring; and upcoming sales will include works by Robert Rauschenberg, Larry Rivers, and Leroy Neiman.
Property from the Estate of Sylvia Miles comprises lots 69, 70, 155, 157, 158, 160 & 161 in the October 22 auction. Additional property from the Estate will be offered in the sales of Rare Books, Autographs & Maps (Nov 12) and Doyle+Design (Dec 18)
The Marian Sulzberger Heiskell & Andrew Heiskell Collection
Bill Cunningham for The New York Times
Doyle is honored to present The Marian Sulzberger Heiskell and Andrew Heiskell Collection in select auctions throughout the Fall season. A civic leader and philanthropist, Marian championed outdoor community spaces across New York and led a nonprofit organization responsible for restoring the 42nd Street theatres. She was instrumental in the 1972 campaignto create the Gateway National Recreation Area, a 26,000-acre park with scattered beaches and wildlife refuges around the entrance to the New York-New Jersey harbor. For 34 years, she worked as a Director of The New York Times, where her grandfather, father, husband, brother, nephew and grand-nephew served as successive publishers. Her work at the newspaper focused on educational projects. In 1965, Marian married Andrew Heiskell, the Chairman of Time Inc., whose philanthropies included the New York Public Library.
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Property from The Marian Sulzberger Heiskell and Andrew Heiskell Collection comprises lots 15 & 63 of the October 22 auction. Additional property from the Collection will be offered in the sales of English & Continental Furniture & Old Master Paintings (Oct 30), Impressionist & Modern Art (Nov 6), Post-War & Contemporary Art (Nov 6), Rare Books, Autographs & Maps (Nov 12), Doyle at Home (Nov 26) and Photographs (Dec 11). DOYLE • OCTOBER 22, 2019 • NEW YORK
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1 Yaacov Agam (b. 1928) COMPOSITION Agamagraph, signed and dedicated in ink, the full sheet, framed. Sheet 11 3/4 x 16 1/4 inches; 298 x 413 mm. C $700-1,000
2 Josef Albers (1888-1976) FORMULATION ARTICULATION I AND II (DANILOWITZ APPENDIX C) Complete set of 127 color screenprints, 1972, on 66 sheets of wove paper, each folded (as issued), signed in ink on the half-title, numbered 263/1000 in ink on the colophon, with complete text, co-published by Harry N. Abrams, Inc., New York and Ives-Sillman, Inc., New Haven, with full margins, in two original gray linen-covered portfolios and slipcases. Overall 20 3/8 x 15 5/8 inches; 518 x 297 mm. C $8,000-12,000
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5 3 Richard Anuszkiewicz (b. 1930) SEQUENTIAL II Color screenprint, 1972, signed, dated, numbered 33/200 and titled II in pencil, from the same-titled portfolio, published by Sanmore Editions, New York, with full margins, framed. Image 26 x 19 inches; 660 x 483 mm. Sheet 28 x 21 inches; 711 x 533 mm. C $700-1,000
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6 4 Alexander Archipenko (1887-1964) TORSO IN SPACE Color screenprint and lithograph with embossing, 1952, on wove paper, signed and numbered 12/50 in pencil, published by the artist, the full sheet, framed. Sheet 15 x 23 3/4 inches; 381 x 603 mm. C $2,000-3,000
DOYLE • OCTOBER 22, 2019 • NEW YORK
5 Arman (1928-2005) ACCUMULATION Multiple of rubber stamps and stamped imprints on paper in a wooden box with a Plexiglas lid, 1973, signed and numbered 30/100 in pencil, stamp numbered 30/100 verso, co-published by Jörg Schellmann, Munich and John Gibson Gallery, New York. Overall 18 1/2 x 12 5/8 x 3 1/4 inches; 470 x 321 x 83 mm. C Estate of Frederieke Sanders Taylor $800-1,200
6 Richard Artschwager (1923-2013) UNTITLED (BOX WITH DRAWERS) Wood five-drawer box multiple, with brass, Formica, glass and horse hair, 1971, signed, dated and numbered 11/50 in ink on label, published by Multiples, Inc., New York. Overall 11 3/4 x 14 1/2 x 13 inches; 298 x 368 x 330 mm. C Estate of Frederieke Sanders Taylor $2,000-4,000
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7 Milton Avery (1885-1965) BATHERS (LUNN 20) Drypoint, 1941, on cream wove paper, signed, dated and numbered 14/60 in pencil, with full margins, framed. Plate 4 1/4 x 8 3/8 inches; 108 x 213 mm. Sheet 13 x 15 inches; 330 x 381 mm. C Property of a Park Avenue Lady $2,000-3,000
8 Milton Avery RECLINING NUDE (L. 22) Drypoint, 1941, on cream wove paper, signed, dated and numbered 34/100 in pencil, with wide margins, framed. Plate 3 3/4 x 7 3/8 inches; 95 x 187 mm. Sheet 13 1/8 x 15 inches; 333 x 381 mm. C $1,000-1,500
9 Milton Avery ROOSTER (L. 50) Woodcut, 1953, on Japan paper, signed, dated and numbered 18/25 in pencil, published by Collectors of American Art, New York, with good margins, framed. Image 9 1/2 x 7 1/8 inches; 241 x 181 mm. Sheet 15 1/2 x 11 3/4 inches; 394 x 298 mm. C $1,500-2,500
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10 Thomas Hart Benton (1889-1975) PLANTING (FATH 28) Lithograph, 1939, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. Image 9 7/8 x 12 5/8 inches; 251 x 321 mm. Sheet 11 7/8 x 16 inches; 302 x 406 mm. C $2,000-3,000 11 Thomas Hart Benton TEN POUND HAMMER (F. 79) Lithograph, 1967, signed and titled in pencil, from the edition of 300, with full margins, framed. Image 13 7/8 x 9 3/4 inches; 352 x 248 mm. Sheet 17 7/8 x 12 7/8 inches; 454 x 327 mm. C $4,000-6,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
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12 Pierre Bonnard (1867-1947) L’ENFANT À LA LAMPE (ROGER-MARX 43; BOUVET 43) Color lithograph, circa 1897, on chine volant paper, signed in pencil, from the edition of 100 for the proposed third Album d’estampes originales by Vollard, Paris, with large margins, framed; Together with a copy of Francis Bouvet, Bonnard: The Complete Graphic Work. Image 13 1/8 x 17 7/8 inches; 333 x 454 mm. Sheet 17 x 22 1/2 inches; 430 x 572 mm. C $6,000-12,000
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13 Georges Braque (1882-1963) CARNETS INTIMES (NOT IN VALLIER) Color lithograph, 1955, on Arches paper, signed and numbered 23/75 in pencil, printed by Mourlot, Paris, published by Éditions de la Revue Verve, with full margins, framed. Image 12 x 7 inches; 305 x 178 mm. Sheet 15 1/8 x 10 5/8 inches; 384 x 270 mm. C $1,000-1,500
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DOYLE • OCTOBER 22, 2019 • NEW YORK
14 Georges Braque OISEAU NOIR SUR FOND VERT (V. 181) Color lithograph, 1962, on japon nacré paper, signed and numbered 36/40 in pencil, from Si je mourais là-bas, published by Louis Broder, Paris, with full margins, framed. Sheet 18 1/2 x 14 5/8 inches; 470 x 371 mm. C $1,000-1,500
15 Georges Braque L’ORDRE DES OISEAUX (V. 182) Complete set of twelve color etchings and aquatints, three plates en-texte, nine hors-texte, 1962, on handmade Richard de Bas wove paper with the publisher’s watermark, with complete text by Saint-John Perse, the justification signed by both the artist and the author in ink, numbered 42, from the edition of 100, published by Au Vent d’Arles, Paris, the full sheets, bound in black leather-covered boards inset with purple silk and a bird collage on the front. Largest sheets approximately 16 3/4 x 20 3/4 inches; 425 x 527 mm. C The Marian Sulzberger Heiskell and Andrew Heiskell Collection $6,000-8,000
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17 16 After Georges Braque SOLEIL ET LUNE II (MAEGHT 1035) Color lithograph, 1959, on Rives BFK paper, signed and numbered 22/275 in pencil, published by Maeght, Paris, with full margins, framed. Image 8 5/8 x 3 3/4 inches; 219 x 95 mm. Sheet 19 x 12 7/8 inches; 483 x 327 mm. C Estate of Christa Hofer $700-1,000
17 After Georges Braque BORD DE MER (M. 1037) Color lithograph, 1960, on cream wove paper, signed and numbered 216/300 in pencil, published by Maeght, Paris and with their blindstamp, with full margins, framed. Image 9 1/2 x 23 inches; 241 x 584 mm. Sheet 18 1/4 x 29 3/4 inches; 464 x 756 mm. C $1,000-1,500
18 After Georges Braque BOUQUET DANS UN VASE (NOT IN M.) Color aquatint, circa 1960, on Arches paper, signed and numbered 45/300 in pencil, printed by Atelier Crommelynck and with their blindstamp, published by Maeght, Paris, with wide margins, framed. Plate 18 7/8 x 11 1/2 inches; 479 x 292 mm. Sheet 26 x 19 3/4 inches; 660 x 502 mm. C $1,000-2,000
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19 Antonio Canal, Il Canaletto (1697-1768) S. GIUSTINA IN PRÀ DELLA VALLE (DEVESME 8; BROMBERG 7) Etching, circa 1744, on cream laid paper, Bromberg’s second state of two, with full margins, framed. Plate 12 x 17 1/8 inches; 305 x 435 mm. Sheet 14 7/8 x 19 7/8 inches; 378 x 505 mm. C $1,000-1,500 20 Leonora Carrington (1917-2011) BIRD BATH Color lithograph, 1974, on wove paper, signed and numbered 88/150 in pencil, published by Brewster Editions, New York, with full margins, framed. Image 28 x 22 inches; 711 x 559 mm. C $1,000-1,500
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DOYLE • OCTOBER 22, 2019 • NEW YORK
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21 Mary Cassatt (1844-1926) BY THE POND (BREESKIN 161; MATHEWS/SHAPIRO 21) Color drypoint and aquatint, circa 1896, on cream laid paper, signed in pencil, Mathews/Shapiro’s fourth state of four, with full margins, framed. Plate 13 x 16 7/8 inches; 330 x 429 mm. Sheet 16 5/8 x 19 3/4 inches; 422 x 502 mm. C Estate of Otis and Fredericka Carney $15,000-25,000
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22 Patrick Caulfield (1936-2005) BLACK AND WHITE CAFÈ (CRISTEA 31) Color screenprint, 1973, on wove paper, signed and numbered 48/75 in pencil, from Rothko Memorial Portfolio, printed by Kelpra Studios, London and with their ink stamp verso, published by Matthews, Miller & Dunbar for the Mark Rothko Memorial Trust, with full margins, in original paper folder, unframed. Image 28 x 23 1/2 inches; 711 x 597 mm. Sheet 36 x 28 inches; 914 x 711 mm. C $1,000-1,500
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DOYLE • OCTOBER 22, 2019 • NEW YORK
23 Paul Cézanne (1839-1906) LES BAIGNEURS (GRAND PLANCHE) (DRUICK I; VENTURI 1157) Color lithograph, 1896-8, on MBM laid paper, signed in the stone and printed Tirage à cent exemplaires no., from the edition of approximately 100, Druick’s second state of three, printed by Auguste Clot, published by Ambroise Vollard, Paris, with full margins, framed. Image 16 3/8 x 20 5/8 inches; 416 x 524 mm. Sheet 18 3/4 x 24 1/2 inches; 476 x 622 mm. C $10,000-15,000
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24 Marc Chagall (1887-1985) CHAGALL LITHOGRAPHE I-VI (MOURLOT 281-292; 391-402; 577-78; 729-30, CRAMER BOOKS 43; 56; 77; 94) Complete set of six volumes of the catalogue raisonné, with 28 lithographs, 1960-1986, on wove paper, bound (as issued), with complete text in English, published by André Sauret, Monte Carlo, the full sheets. Each overall 13 x 10 inches; 330 x 254 mm. C $2,500-3,500 25 Marc Chagall MOISE ET LES TABLES DE LA LOI (M. 381) Color lithograph, 1963, on Arches paper, signed and numbered 30/40 in pencil, with full margins, framed. Image 30 x 22 1/4 inches; 762 x 565 mm. Sheet 32 x 23 1/8 inches; 813 x 587 mm. C $3,000-4,000
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26 Marc Chagall NOCTURNE Á VENCE (M. 400; C. BKS. 56) Color lithograph, 1963, on Arches paper, signed and numbered 6/40 in pencil, printed by Mourlot, Paris, published by André Sauret, Monte Carlo, with (full?) margins, framed. Image 12 7/8 x 9 5/8 inches; 327 x 244 mm. Sheet 18 1/8 x 12 7/8 inches; 460 x 327 mm. C $5,000-7,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
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27 Marc Chagall LA FAMILLE D’ARLEQUIN (M. 430) Color lithograph, 1965, on Rives BFK paper, signed and numbered 24/50 in pencil, with full margins, framed. Image 26 1/2 x 20 1/8 inches; 673 x 511 mm. Sheet 30 3/4 x 22 1/2 inches; 781 x 572 mm. C Estate of Lillian Linder, Westchester County, New York $5,000-7,000
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28 Marc Chagall LE SONGE DU PEINTRE (M. 489) Color lithograph, 1967, on Arches paper, signed and numbered 9/50 in pencil, with full margins, framed. Image 29 1/4 x 22 1/2 inches; 743 x 572 mm. Sheet 34 1/2 x 26 inches; 876 x 660 mm. C $6,000-8,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
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29 Marc Chagall LE ROI DAVID (M. 718) Color lithograph, 1974, on japon nacré paper, signed and numbered 18/40 in pencil, with (full?) margins, framed. Image 5 3/4 x 4 1/8 inches; 146 x 105 mm. Sheet 11 5/8 x 8 1/4 inches; 295 x 210 mm. C $1,500-2,500
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30 After Marc Chagall by Charles Sorlier CARMEN (CHARLES SORLIER 39) Color lithograph, 1966, on Arches paper, signed in black crayon, numbered 66/150 in white crayon, published by Editions of the Metropolitan Opera, New York, with full margins, framed. Image 39 5/8 x 25 3/4 inches; 1006 x 654 mm. Sheet 40 1/4 x 26 1/4 inches; 1022 x 667 mm. C Estate of Ruth Schapira $6,000-8,000
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31 Samuel Chamberlain (1895-1975) SOARING STEEL (CHAMBERLAIN/KINGSLAND 79) Drypoint, 1929, on cream wove Rives paper, signed and numbered 67/100 in pencil, with full margins, unframed. Plate 12 3/8 x 9 5/8 inches; 314 x 244 mm. Sheet 15 1/2 x 12 3/8 inches; 394 x 314 mm. C Estate of Sarah A. T. Mills $600-800 32 Asa Cheffetz (1896-1965) A NEW ENGLAND CALENDER (IN MINIATURE) (SPRINGFIELD MUSEUM 42) Complete set of twelve wood engravings, circa 1933, on smooth wove paper, signed and titled in pencil, in original presentation folder signed, titled and numbered 27/50 in pencil, with full margins, matted together (as issued), unframed. Images approximately 3/4 x 1 inch, 19 x 25 mm. Sheets approximately 1 5/8 x 1 3/4 inches; 41 x 44 mm. C Estate of Sarah A. T. Mills $600-800
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33 Ed Clark (b. 1926) UNTITLED Color etching, 1997, on wove paper, signed, dated and inscribed C.T.P. in pencil, with full margins, unframed. Plate 7 3/4 x 9 inches; 197 x 229 mm. Sheet 11 3/4 x 14 3/8 inches; 298 x 365 mm. Provenance: Gift of the artist to the present owner C $1,000-1,500
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DOYLE • OCTOBER 22, 2019 • NEW YORK
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34 Chuck Close (b. 1940) SELF PORTRAIT-PULP Colored, pressed handmade paper pulp consisting of eleven various grays, 2001, signed, dated and numbered 33/35 in pencil, published by Pace Editions, Inc., New York, the full sheet, framed. Sheet 56 x 40 inches; 1422 x 1016 mm. C $40,000-50,000
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37 35 Howard Cook (1901-1980) FOG IN EASTPORT (DUFFY 83) Lithograph, 1928, on wove paper, signed, dated, titled, inscribed imp and annotated 15 in pencil, from the edition of 25 (the intended edition was 50), with (full?) margins, unframed. Image 12 1/16 x 10 1/4 inches; 306 x 260 mm. Sheet 13 3/4 x 11 3/8 inches; 349 x 289 mm. Provenance: Descended through the family of the artist to his sister and subsequently to his niece. C $700-1,000 36 Howard Cook EDISON PLANT (D. 127) Lithograph, 1930, on Rives paper, signed and dated in pencil, from the edition of 35 (the intended edition was 75), with full margins, unframed. Image 13 3/8 x 9 7/8 inches; 340 x 251 mm. Sheet 22 3/4 x 15 7/8 inches; 578 x 403 mm.
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DOYLE • OCTOBER 22, 2019 • NEW YORK
Provenance: Descended through the family of the artist to his sister and subsequently to his niece. C $1,200-1,800
37 Howard Cook ENGINE ROOM (D. 128) Lithograph, 1930, on Rives paper, signed, dated and inscribed 75 in pencil, from the edition of 35 (the intended edition was 75), with full margins, unframed. Image 10 1/8 x 12 1/4 inches; 257 x 311 mm. Sheet 15 1/2 x 21 inches; 394 x 533 mm. Provenance: Descended through the family of the artist to his sister and subsequently to his niece. C $1,000-1,500
38 38 Howard Cook FINANCIAL DISTRICT (D. 155) Lithograph, 1931, on Rives paper, signed, dated and inscribed 75 in pencil, from the edition of 75, with full margins, unframed. Image 13 3/8 x 10 3/8 inches; 340 x 264 mm. Sheet 23 x 16 inches; 584 x 406 mm.
40 Howard Cook NEW YORK NIGHT (D. 162) Lithograph, 1931, on Rives paper, signed and dated in pencil, from the edition of 30 (the intended edition was 75), with full margins, unframed. Image 10 x 12 1/8 inches; 254 x 308 mm. Sheet 16 1/8 x 22 3/4 inches; 410 x 578 mm.
Provenance: Descended through the family of the artist to his sister and subsequently to his niece. C $2,500-3,500
Provenance: Descended through the family of the artist to his sister and subsequently to his niece. C $2,500-3,500
39 Howard Cook GEORGE WASHINGTON BRIDGE WITH “B� (D. 156) Lithograph, 1931, on Rives paper, signed, dated 1932 and inscribed 75 in pencil, from the edition of 50 (the intended edition was 75), unframed. Image 13 3/4 x 9 7/8 inches; 349 x 251 mm. Sheet 22 3/4 x 16 inches; 578 x 406 mm.
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Provenance: Descended through the family of the artist to his sister and subsequently to his niece. C $1,500-2,500
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43 41 William N. Copley (1919-1996) THINK (FLAG) Screenprint, 1967, signed, dated and inscribed Artist’s Proof in pencil, from Artists and Writers Protest Against the War in Vietnam 1967, published by the Artists’ Poster Committee of Art Worker’s Coalition, the full sheet, framed. Sheet 20 3/4 x 25 3/4 inches; 527 x 654 mm. C $600-800
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42 Joseph Cornell (1903-1972) UNTITLED (DERBY HAT) Color heliogravure, 1972, on Rives BFK paper, with the ink stamp signature and estate blindstamp, inscribed A.P. in pencil (a proof aside from the edition of 125), from Prints for Phoenix House, published by Brooke Alexander, New York, with full margins, framed. Plate 13 1/4 x 10 3/8 inches; 337 x 264 mm. Sheet 19 5/8 x 15 inches; 473 x 381 mm. C $800-1,200
DOYLE • OCTOBER 22, 2019 • NEW YORK
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44 43 Salvador Dalí (1904-1989) PURGATORY CANTO 25 (SEE FIELD P. 192) Color wood engraving, 1963, on cream wove paper, signed and numbered 88/150 in red pencil, from The Divine Comedy, with full margins, framed. Image 10 x 7 3/8 inches; 254 x 187 mm. Sheet 13 x 10 3/8 inches; 330 x 264 mm. • $800-1,200
44 Salvador Dalí PURGATORY CANTO 31 (SEE F. P. 192) Color wood engraving, 1963, on cream wove paper, signed and numbered 18/150 in red pencil, from The Divine Comedy, with full margins, framed. Image 10 x 6 3/4 inches; 254 x 171 mm. Sheet 13 x 10 1/4 inches; 330 x 260 mm. C Estate of Lillian Linder, Westchester County, New York $800-1,200
45 Salvador Dalí PEGASUS (F. 63-3B) Color heliogravure and drypoint, 1963, on Arches paper, signed, dated and inscribed Epreuve d’artiste in pencil (a proof aside from the edition of 150), from The Mythology suite, published by Pierre Argillet, Paris, with full margins, framed. Plate 21 x 24 5/8 inches; 533 x 625 mm. Sheet 22 3/8 x 30 inches; 568 x 762 mm. C $1,500-2,500
47 Salvador Dalí THE OLD HIPPIE; THE PAGODA; WOMAN WITH CUSHION (F. 69-13A, F, J) Three hand-colored color etchings and drypoints, 1969-1970, on Arches paper, signed and numbered 44/145 in pencil, with the artist’s blindstamp, from The Hippies suite, published by Graphic Europa, Switzerland, with full margins, two framed. Sheets 26 x 19 7/8 inches; 660 x 505 mm. C $2,000-3,000
46 Salvador Dalí VENUS; OEDIPUS AND THE SPHINX; THESEUS AND THE MINOTAUR; NEPTUNE (POSEIDON) (F. 63-3E, J, L, O) Four color heliogravures and drypoints, 1963-65, on Arches paper, signed, the second and third dated 1964, the fourth dated 1965 and each inscribed Epreuve d’Artiste in pencil (proofs aside from the edition of 150), from The Mythology suite, published by Pierre Argillet, Paris, with full margins, unframed. Sheets 30 1/8 x 22 1/4 inches; 765 x 565 mm. C $4,000-6,000
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48 Edgar Degas (1834-1917) AUTOPORTRAIT (DELTEIL 1; ADHÈMAR 13) Etching, 1857, on heavy laid paper, from the fourth state of four, printed after cancellation, with good margins, framed. Plate 9 1/8 x 5 3/4 inches; 232 x 146 mm. Sheet 13 1/8 x 9 3/4 inches; 333 x 247 mm. C Property from a Park Avenue Estate $600-800 49 Richard Diebenkorn (1922-1993) #16 FROM 41 ETCHINGS AND DRYPOINTS (GUILLEMIN CHANTAL 65) Drypoint, 1964, on wove paper, signed, dated and inscribed a.p. in pencil (one of 10 artist’s proofs aside from the numbered edition of 25), published by Crown Point Press, San Francisco, with good margins, framed. Plate 13 3/8 x 9 7/8 inches; 340 x 251 mm. Sheet 17 7/8 x 14 3/4 inches; 454 x 375 mm. C $2,000-3,000 50 Richard Diebenkorn AQUATINT WITH DRYPOINT HALO Aquatint and drypoint, 1978, on Rives wove paper, initialed, dated and numbered 21/35 in pencil, published by Crown Point Press, San Francisco and with their blindstamps, with full margins, framed. Plate 23 7/8 x 17 1/4 inches; 606 x 438 mm. Sheet 35 3/8 x 26 inches; 899 x 660 mm. C $4,000-6,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
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51 part 51 Jim Dine (b. 1935) THE PICTURE OF DORIAN GRAY (GALERIE MIKRO 47) Complete set of twelve color lithographs (one with collage and one with acetate overlay) and the extra suite of six color lithographs, 1963, on Arches paper, the six signed in pencil, stamped Edition A and numbered 8/200 in ink verso, the justification signed, numbered 8/200 and inscribed Edition A in ink, with complete text, published by Petersburg Press, London, bound (as issued), the extra suite loose (as issued), with full margins, in original red velvet binding with the title blocked in silver and black linen covered slipcase. Loose sheets 17 3/4 x 12 1/4 inches; 448 x 311 mm. C $1,500-2,500 52 Jim Dine THE REALISTIC POET ASSASSINATED (WILLIAMS COLLEGE 32) Hand-colored etching, 1970, on J. Green mold made paper, signed, dated 1971 and inscribed A/P in pencil (a proof aside from the edition of 75), published by Petersburg Press, London, with full margins, framed. Plate 27 x 21 1/2 inches; 698 x 547 mm. Sheet 34 3/4 x 28 inches; 718 x 711 mm. C $800-1,200
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53 Otto Dix (1891-1969) LIEGENDER AKT (SITZENDE MIT ZIGARETTE) (KARSCH 54) Lithograph, 1923, on cream laid paper, signed, dated and numbered 20/36 in pencil, published by Karl Nierendorf, with full margins, framed. Image 22 1/8 x 17 1/8 inches; 560 x 435 mm. Sheet 25 1/2 x 19 3/4 inches; 648 x 502 mm. C $3,000-5,000 54 Kees van Dongen (1877-1968) CÉRÈS (BUSTE DE FEMME) (JUFFERMANS JM 8) Color heliogravure and offset lithograph, 1948, on Rives BFK paper, signed and numbered 113/200 in pencil, published by Éditions Carmen Guillard, Paris, with full margins, unframed. Image 22 5/8 x 18 1/2 inches; 575 x 470 mm. Sheet 29 5/8 x 22 1/4 inches; 752 x 565 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 55 Kees van Dongen LE CARROUSEL (LE CHAMPS-ÉLYSÉES) (J. JL 39) Color lithograph, 1963, on Rives BFK paper, signed in blue ballpoint pen, numbered 38/100 in black ink, with full margins, unframed. Image 22 x 18 3/8 inches; 559 x 467 mm. Sheet 30 1/8 x 22 1/4 inches; 765 x 565 mm. C Dorothy Lewis 2013 Irrevocable Trust $1,000-1,500 53
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DOYLE • OCTOBER 22, 2019 • NEW YORK
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56 56 Albrecht Dürer (1471-1528) THE VIRGIN WITH THE SWADDLED CHILD (BARTSCH 38; MEDER 40) Engraving, 1520, with thread margins, a very good Meder a/b impression, with bits of the horizontal lines in the tablet still showing, unframed. Plate 5 5/8 x 3 13/16 inches; 143 x 97 mm. Sheet 5 3/4 x 3 7/8 inches; 146 x 98 mm. Exhibited: Middletown, Connecticut, Davison Art Center, Wesleyan University, Prints and Drawings from the Collection of Eileen and Gerald Burke, March 25-May 8, 1988, no. 7 C $6,000-8,000
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58 57 Erté (1892-1990) MORNING DAY/EVENING NIGHT SUITE Two color screenprints, 1982, on black wove paper, signed and numbered 176/300 in white pencil, with full margins, framed. Sheets 39 7/8 x 29 7/8 inches; 1013 x 759 mm. C $800-1,200
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DOYLE • OCTOBER 22, 2019 • NEW YORK
58 Erté LOVE AND PASSION SUITE: THE MARRIAGE DANCE; KISS OF FIRE Two color screenprints, 1983, on black wove paper, signed and numbered XLIII/CLXXV in white pencil, with full margins, framed. First sheet 28 7/8 x 33 7/8 inches; 733 x 860 mm. Second sheet 33 3/4 x 28 7/8 inches; 857 x 733 mm. C $800-1,200
59 Shepard Fairey (b. 1970) CLOSE KNIT Color screenprint, 2009, on cream wove paper, signed, dated and numbered 32/40 in pencil, co-published by the artist and Rush Philanthropic Arts Foundation, New York, with full margins, unframed. Image 31 7/8 x 24 7/8 inches; 810 x 632 mm. Sheet 36 5/8 x 28 1/4 inches; 930 x 718 mm. C $600-800 60 Georges de Feure (1868-1943) PARIS-ALMANACH Color lithograph, 1896, laid on linen, printed by Bourgerie & Cie., Paris, with margins, framed. Image 31 x 23 1/4 inches; 787 x 591 mm. Sheet 31 3/8 x 24 inches; 797 x 610 mm. C $600-800 61 Sam Francis (1923-1994) FOUR STONE UNTITLED (LEMBARK L.95) Color lithograph, on Kochi paper, 1959-68, signed, dated and numbered 3/25 in pencil, printed and published by Universal Limited Art Editions, West Islip, New York and with their blindstamp, with full margins, framed. Image 17 5/8 x 13 3/4 inches; 448 x 349 mm. Sheet 28 1/2 x 22 inches; 724 x 559 mm. C $1,500-2,500
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62 62 Helen Frankenthaler (1928-2011) WHITE PORTAL (HARRISON 10) Color lithograph, 1967, on Arches paper, signed, dated and numbered 12/18 in pencil, published by Universal Limited Art Editions, West Islip, New York and with their blindstamp, with full margins, framed. Image 19 x 14 5/8 inches; 483 x 371 mm. Sheet 30 x 22 3/8 inches; 762 x 568 mm. C $2,000-3,000
63 Helen Frankenthaler SURE VIOLET (H. 74) Color etching, aquatint and drypoint, 1979, on white TGL handmade paper, signed, dated, inscribed 8/16 Color Trial Proof and dedicated for Andrew HF 1980 in pencil (aside from edition of 50 and other proofs), published by Tyler Graphics, Ltd., Bedford Village, New York and with their blindstamp, with full margins, framed. Plate 23 3/4 x 35 3/4 inches; 603 x 908 mm. Sheet 31 x 43 inches; 787 x 1092 mm. C The Marian Sulzberger Heiskell and Andrew Heiskell Collection $7,000-10,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
64 Helen Frankenthaler MIDNIGHT (H. 123) Color etching, aquatint and drypoint, 1987, on Magnani paper, signed and numbered 26/71 in pencil, published by 2RC Edizioni d’Arte, Rome and with their blindstamps, with full margins, framed. Plate 19 1/2 x 15 3/4 inches; 495 x 400 mm. Sheet 32 x 25 1/8 inches; 813 x 638 mm. C $4,000-6,000
65 Isaac Friedlander (1890-1968) BROOKLYN BRIDGE Etching, 1930, on Rivers BFK Paper, signed, dated, titled and numbered 45/50 in pencil by the artist’s widow, with full margins, unframed. Plate 14 3/8 x 6 1/8 inches; 365 x 156 mm. Sheet 20 3/4 x 14 5/8 inches; 527 x 371 mm. C $600-800 66 Alberto Giacometti (1901-1966) RIMBAUD VUE PAR LES PEINTURES (LUST 175) Etching, 1962, on cream wove paper, signed and numbered 96/97 in pencil, published by Matarasso, Paris, with good margins, framed. Plate 11 5/8 x 10 7/8 inches; 295 x 276 mm. Sheet 18 7/8 x 14 3/8 inches; 479 x 365 mm. C A Private New York Collector $2,000-3,000
66 67 Frederick Landseer Griggs (1876-1938) ST. MARY’S, NOTTINHAM; OWLPEN MANOR (COMSTOCK 41; 46) Two etchings, 1928 and 1931, respectively, on cream laid paper, signed in pencil, with the artist’s DHP ink stamp (Lugt 760a) and numbered 21 and 5 verso, from the editions of 76 and 45, fourth state of four and second state of three, with full margins, framed. Larger plate 7 1/2 x 10 3/8 inches; 191 x 264 mm. C $1,500-2,500
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68 George Grosz (1893-1959) THE BOWERY; MADISON SQUARE (DUCKERS M VII 2, 3) Two color collotypes, 1934, on cream wove paper, signed and numbered 149/150 in pencil, from Bagdad-on-the-Subway, published by The Print Club, New York, 1935, with full margins, framed. Sheets 20 1/2 x 15 inches; 521 x 381 mm. C $700-1,000 69 Keith Haring (1958-1990) INTO ‘84......SHAFRAZI GALLERY POSTER Color offset lithograph, 1984, signed in silver ink, with full margins, unframed. Sheet 35 1/8 x 23 1/4 inches; 892 x 591 mm. C Estate of Sylvia Miles $1,000-1,500
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70 Keith Haring SHAFRAZI GALLERY POSTER Color offset lithograph, 1988, signed, dated, dedicated For Sylvia and with a drawing of a figure in ink, the full sheet, unframed. Sheet 25 1/8 x 34 3/8 inches; 638 x 873 mm. C Estate of Sylvia Miles $700-1,000
71 Ernest Haskell (1875-1925) JAMES ABBOTT MCNEILL WHISTLER Soft-ground etching, 1898, on cream thin laid Japan paper, signed in pencil, with good margins. Together with an early photograph of Whistler’s etching THE KITCHEN, the first framed. First plate 10 1/2 x 6 5/8 inches; 267 x 168 mm. First sheet 12 1/4 x 7 7/8 inches; 311 x 200 mm. C $800-1,200 72 Stanley William Hayter (1901-1988) DANSE DU SOLEIL (BLACK/MOORHEAD 197) Color etching and engraving with embossing, 1951, on wove paper, signed and numbered 107/200 in pencil, published by La Guilde Internationale de la Gravure, Geneva and Paris, with wide margins, framed. Plate 15 1/2 x 9 1/2 inches; 394 x 241 mm. Sheet 21 1/4 x 14 7/8 inches; 540 x 378 mm. • $700-1,000 73 Paul César Helleu (1859-1927) [FEMME] Drypoint printed in sepia, on cream wove paper, signed and inscribed planche d’artiste in black pencil, with margins, laid on card, framed. Plate 27 3/8 x 14 inches; 695 x 356 mm. Sheet 29 3/8 x 16 inches; 746 x 406 mm. C $600-900
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75 74 Barbara Hepworth (1903-1975) RANGATIRA II Color screenprint, 1969, on TH Saunders paper, signed and numbered 35/60 in pencil, from Opposing Forms, printed by Kelpra Studio, London and with their ink stamp verso, published by Marlborough Fine Art, London, with full margins, framed. Sheet 30 1/2 x 23 inches; 775 x 584 mm. C $1,500-2,500
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75 Barbara Hepworth ORCHID Color screenprint, 1970, on wove paper, signed and numbered 41/60 in pencil, from Opposing Forms, with full margins, framed. Image 18 1/8 x 15 3/4 inches; 460 x 400 mm. C $1,500-2,500
76 Patrick Heron (1920-1999) UNTITLED Color screenprint, 1972, on J. Green mould made paper, signed and numbered 48/75 in pencil, from Rothko Memorial Portfolio, printed by Kelpra Studios, London and with their ink stamp verso, published by the Matthews, Miller & Dunbar for the Mark Rothko Memorial Trust, with full margins, in original folder, unframed. Image 23 x 32 inches; 584 x 813 mm. Sheet 27 x 36 inches; 686 x 914 mm. C $1,000-1,500
77 Louis Icart (1888-1950) HIDING PLACE; DUET (HOLLAND/CATANIA/ISEN 308; 382) Two hand-colored color etchings and drypoints, 1927 and 1929, respectively, on wove paper, signed in pencil, with the artist’s blindstamp, with good margins, framed. Larger plate 19 x 15 1/2 inches; 483 x 394 mm. C Estate of Sarah A. T. Mills $1,000-1,500 78 Robert Indiana (1928-2018) GOLDEN LOVE (SHEEHAN 77) Color screenprint, 1973, on cream wove paper, signed and numbered XXVII/L in pencil (a proof aside from the edition of 150), published by Encounter, New York, with full margins, framed. Image 30 x 30 inches; 762 x 762 mm. C $2,000-3,000 79 Jasper Johns (b. 1930) RECENT STILL LIFE (FIELD 50) Lithograph, 1965-66, on Italia paper, signed, dated and inscribed Artist’s Proof 6/15 in pencil (aside from the edition of 100), printed by Universal Limited Art Editions, West Islip and with their blindstamp, with full margins, framed. Sheet 40 3/8 x 28 inches; 1026 x 711 mm. C $2,500-3,500
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81 80 Alex Katz (b. 1927) LUNA PARK 2 (MARAVELL 67; SCHRÖDER 68) Color screenprint, 1973, on Arches paper, signed and numbered 60/60 in pencil, co-published by Brooke Alexander and Marlborough Graphics, Inc., New York, the full sheet, framed. Sheet 40 x 30 inches; 1016 x 762 mm. C $2,000-3,000
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81 Alex Katz MAN WITH PIPE (S.181) Color etching and aquatint, 1984, on Rives BFK paper, signed and numbered 58/185 in pencil, printed by Aldo Crommelynck, co-published by Aldo Crommelynck, Paris and The Brooklyn Museum, New York, with full margins, framed. Plate 10 1/8 x 16 inches; 257 x 406 mm. Sheet 20 x 26 1/8 inches; 508 x 664 mm. C $1,000-1,500
82 Alex Katz SWEATSHIRT II (SELF PORTRAIT) (S. 248) Color screenprint, 1990, on Arches paper, signed and numbered 40/150 in pencil, from Alex and Ada, the 1960’s to the 1980’s, printed by Styria Studio, Inc., New York and with their ink stamp verso, published by Gaultney-Klineman Art, the full sheet, unframed. Sheet 36 x 28 3/4 inches; 914 x 730 mm. C $1,400-1,800
83 Ellsworth Kelly (1923-2015) LEAVES (FEUILLES) (AXSOM 32) Lithograph, 1964-65, on Rives BFK paper, signed and numbered 42/75 in pencil, from Suite of Plant Lithographs, printed and published by Maeght, Paris, with full margins, framed. Image 25 1/2 x 18 3/4 inches; 648 x 476 mm. Sheet 35 3/8 x 24 7/8 inches; 899 x 632 mm. C $4,000-6,000
84 Jane Kent (b. 1952) and Susan Orlean (b. 1955) THE ORCHID THIEF REIMAGINED Complete set of eight screenprints with letterpress on Somerset paper and eight lithographs on glassine, 2003, with text by Susan Orlean, signed by the artist and author and numbered 20/35 in pencil on the justification, co-published by Grenfell Press, New York and RISD Print Editions, Providence, the full sheets, in original purple linen covered portfolio case. (16) Sheets approximately 16 1/4 x 11 1/4 inches; 413 x 286 mm. C Property of Two New York Gentlemen $1,000-1,500 85 Rockwell Kent (1882-1971) SELF-PORTRAIT (BURNE JONES 104) Lithograph, 1934, on Rives paper, signed in pencil, from the edition of 150, with full margins, framed. Image 13 3/8 x 9 3/4 inches; 340 x 248 mm. Sheet 17 1/2 x 13 1/4 inches; 445 x 337 mm. C $1,200-1,800 84 part
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86 Yves Klein (1928-1962) MONOCHROME UND FEUER (TRIPTYCH) Complete work of one sheet coated in gold foil with gold leaf applied by the artist and two color screenprints (one printed in blue and one in pink), 1961, on card, published by the Kaiser Wilhelm Museum, Krefeld, on the occasion of the same-titled exhibition at the Museum Haus Lange, Krefeld, the full sheets, framed together. (3) Sheets 12 5/8 x 9 1/4 inches; 321 x 235 mm. C $10,000-15,000
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87 Kiki Kogelnik (1935-1997) SEVENTH AVE. PEOPLE Color screenprint, 1970, on wove paper signed, dated, inscribed Artist proof and dedicated twice (once verso) in pencil, with full margins, framed. Sheet 23 1/8 x 29 5/8 inches; 587 x 752 mm. C $800-1,200
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88 Armin Landeck (1905-1984) MANHATTAN NOCTURNE (KRAEFT 70) Drypoint, 1938, on cream laid paper, signed in pencil, from the edition of 100, the first state of two, with full margins, framed. Plate 7 1/8 x 12 inches; 181 x 305 mm. Sheet 10 5/8 x 15 3/8 inches; 270 x 391 mm. C $1,000-1,500
89 Armin Landeck WASHINGTON SQUARE VISTA (K. 95) Etching, 1945, on cream laid paper, signed in pencil, from the edition of 10, with good margins, framed. Plate 9 3/8 x 11 3/8 inches; 238 x 289 mm. Sheet 12 3/8 x 15 1/2 inches; 314 x 394 mm. C $1,200-1,800
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90 Martin Lewis (1881-1962) PASSING STORM (MCCARRON 38) Mezzotint printed in sepia, 1919, signed and inscribed imp in pencil, from the edition of 55, with full margins, framed. Image 10 1/2 x 13 7/8 inches; 267 x 352 mm. Sheet 14 x 18 1/4 inches; 356 x 464 mm. Ex-collection: Lucille Deming Lewis C $6,000-9,000
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91 Martin Lewis BOSS OF THE BLOCK (MCC. 128) Etching and aquatint, 1939, on cream wove paper, signed in pencil, from the edition of 212, with full margins, framed. Plate 11 1/4 x 7 3/8 inches; 286 x 187 mm. Sheet 15 3/4 x 11 1/8 inches; 400 x 283 mm. C $1,500-2,500
92 92 Martin Lewis SNOW ON THE EL (MCC. 95) Drypoint, 1931, on cream laid paper, signed in pencil, from the edition of approximately 50, with full margins, framed. Plate 14 x 9 inches; 356 x 229 mm. Sheet 18 x 13 inches; 457 x 330 mm. C $20,000-30,000
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95 93 Sol LeWitt (1928-2007) LINES OF ONE INCH IN FOUR DIRECTIONS AND COMBINATIONS (KRAKOW 1971.16) Lithograph, 1971, on Magnani paper, signed and numbered 36/50 in pencil, plate 5 from the same-titled portfolio, printed and published by Landfall Press, Chicago and with their ink stamp verso, with full margins, framed. Image 14 x 14 inches; 356 x 356 mm. Sheet 23 1/8 x 23 1/8 inches; 587 x 587 mm. C $800-1,200 44
DOYLE • OCTOBER 22, 2019 • NEW YORK
94 Sol LeWitt LINES IN FOUR DIRECTIONS (HORIZONTAL, VERTICAL, DIAGONAL RIGHT AND DIAGONAL LEFT) AND ALL THEIR COMBINATIONS, FOUR COLORS (YELLOW, BLACK, RED AND BLUE) (K. 1978.01) Color screenprint, 1978, on Arches 88 paper, signed, numbered 11/50 and dedicated in pencil, printed by Jo Watanabe, New York, published by the artist, with full margins, framed. Image 16 x 33 inches; 406 x 838 mm. Sheet 23 x 40 1/8 inches; 584 x 1019 mm. C $800-1,200
95 Roy Lichtenstein (1923-1997) MODERN ART POSTER (CORLETT II.8) Color screenprint, 1967, on smooth cream wove paper, signed and numbered 33/300 in pencil, published by Leo Castelli Gallery, New York, with full margins, framed. Image 8 x 10 15/16 inches; 203 x 278 mm. Sheet 9 x 11 15/16 inches; 229 x 303 mm. C $4,000-6,000
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96 Jacques Lipchitz (1891-1973) THESEUS AND THE MINOTAUR Etching, aquatint and drypoint, 1943, on cream wove paper, signed and numbered 14/50 in pencil, with full margins, framed. Plate 9 x 6 7/8 inches; 229 x 175 mm. Sheet 11 3/4 x 9 inches; 289 x 229 mm. C $700-1,000 97 Louis Lozowick ANGRY SKIES (FLINT 123) Lithograph, 1935, signed in pencil, from the edition of 250, published by Associated American Artists, New York; Together with James McBey (1883-1959) NEW YORK HARBOUR (HARDIE 279), etching, 1941, signed and numbered XXXII in ink; and Joseph Pennell (1857-1926) UNION SQUARE, RAINY DAY; SUNSET FROM WILLIAMSBURG BRIDGE (WUERTH 330; 674), two etchings, 1904 and 1915, respectively, signed, the second inscribed imp, in pencil, with good or full margins, unframed. (4) Largest plate 10 1/4 x 14 7/8 inches; 260 x 378 mm. C $800-1,200
98 Marino Marini (1901-1980) PERSONNAGES DU SACRE DU PRINTEMPS V, VII (GUASTALLA L118; L120) Two color lithographs, 1974, on Arches paper, signed and numbered 75/75 in pencil, co-published by Société Internationale d’Art XXe Siècle, Paris and Léon Amiel, New York, with full margins, framed. Larger 20 1/2 x 15 1/4 inches; 521 x 387 mm. C $2,000-3,000 99 Reginald Marsh (1898-1954) TATTOO-SHAVE-HAIRCUT (SASOWSKY 140) Etching, 1932, on wove paper, numbered 95/100 in pencil, from the Whitney Museum Edition printed in 1969 and with their blindstamp, with full margins, unframed. Plate 9 7/8 x 9 3/4 inches; 251 x 248 mm. Sheet 15 1/2 x 13 1/4 inches; 394 x 227 mm. C $800-1,200
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100 Henri Matisse (1869-1954) DANSEUSE ÉTENDUE AU DIVAN (DUTHUIT 484) Lithograph, 1925-26, on Arches paper, signed and numbered 95/130 in pencil, from Dix Danseuses, published by la Galerie d’Art Contemporain, Paris, with full margins, framed. Image 10 7/8 by 18 1/8 inches; 276 x 460 mm. Sheet 12 7/8 x 20 inches; 327 x 508 mm. C $6,000-8,000
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101 Henri Matisse NU COUCHÉ SUR SOL FLEURI (D. 503) Lithograph, 1929, on Arches paper, signed and numbered 21/50 in pencil, with full margins, framed. Image 18 1/8 x 22 inches; 460 x 559 mm. Sheet 19 7/8 x 26 inches; 505 x 660 mm. C $10,000-15,000
102 Craig McPherson (b. 1948) CLAIRTON Mezzotint, 1997, on pale green paper, signed, dated, titled, inscribed imp and ED. 75 and dedicated in pencil, published by the Print Club of Cleveland and with their blindstamp, with full margins, framed. Plate 13 5/8 x 16 3/4 inches; 346 x 425 mm. Sheet 18 3/4 x 22 7/8 inches; 476 x 581 mm. C $800-1,200
103 Joan Mirรณ (1893-1983) PARTIE DE CAMPAGNE II (DUPIN 431) Color etching and aquatint, 1967, signed and numbered 34/75 in pencil, published by Maeght, Paris, with full margins, framed. Plate 23 x 36 1/2 inches; 584 x 927 mm. Sheet 29 1/4 x 41 inches; 743 x 1041 mm. C Property of a Park Avenue Lady $6,000-8,000
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104 Joan Miró LES ESSÈNCIES DE LA TERRA (MOURLOT 576; SEE CRAMER BOOKS 123) Brush and ink under color lithograph, 1968, on japon nacré paper, signed and numbered 71G/100 in pencil, from the edition of 100 color variants, published by Ediçiones Polígrafa, Barcelona, with full margins, framed. Sheet 19 5/8 x 14 1/4 inches; 498 x 362 mm. C A Private New York Collector $6,000-8,000
105 Joan Miró MIRÓ LITHOGRAPHS I-IV (M. 854; 857-867; 1036-1047; 1112-1117; 1255-1260; C. BKS. 160; 198; 230; 249) Set of four volumes of the catalogue raisonné, with 30 lithographs, 1972-81, on wove paper, bound (as issued), with complete text in English, numbered on the justification pages (numbered 4512 in ink, 1055 in pencil, and stamp numbered 1615 and 32, respectively), from editions of 5000, published by Maeght, Paris, the full sheets. Each overall 13 x 10 1/4 inches; 330 x 260 mm. C $1,000-1,500
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106 Joan Miró LA RANA (M. 1177) Color lithograph, 1978, on cream wove paper, signed and inscribed H.C. in pencil (aside from the edition of 50), printed by Maeght, Paris, published by Cuademos Guadalimar, Madrid, with wide margins, framed. Image 5 3/4 x 6 3/4 inches; 146 x 171 mm. Sheet 12 3/8 x 14 5/8 inches; 314 x 371 mm. C Estate of Christa Hofer $700-1,000 107 After Joan Miró FEMME À AISSELLE COIFFANT SA CHEVELURE À LA LUEUR DES ÈTOILES (C. BKS. 58) Color lithograph and pochoir, 1959, from the edition of 350, from Constellations, published by Pierre Matisse, New York, the full sheet, framed. Sheet 14 1/8 x 17 inches; 359 x 432 mm. C $1,500-2,500 108 Robert Motherwell (1915-1991) PAUILLAC #4 (BELKNAP 122; ENGBERG/BANACH 151) Color lithograph with collage and embossing, 1973, on George Duchêne Hawthorne of Larrouque handmade paper, signed and numbered 39/54 in pencil, from Summer Light Series, published by Gemini G.E.L., Los Angeles and with their and the artist’s blindstamps, with full margins, unframed. Image 30 x 12 inches; 762 x 305 mm. Sheet 35 1/2 x 18 1/2 inches; 902 x 470 mm. C $2,000-3,000
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109 Edvard Munch (1863-1944) GRABENDE ARBEITER (STREET WORKMEN) (SCHIEFLER 484) Lithograph, 1920, on cream wove paper, signed and numbered No 11 in pencil, with full margins, framed. Image 17 1/8 x 23 1/2 inches; 435 x 597 mm. Sheet 19 3/4 x 29 1/8 inches; 502 x 740 mm. Exhibited: Middletown, Connecticut, Davison Art Center, Wesleyan University, Prints and Drawings from the Collection of Eileen and Gerald Burke, March 25-May 8, 1988, no. 16 C $800-1,200
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110 Takashi Murakami (b. 1962) and Mark Grotjahn (b. 1968) UNTITLED (CANARY YELLOW AND BLACK BUTTERFLY 830) Color offset lithograph, 2008-2010, on wove paper, signed by both artists in felt-tip pen (silver and black, respectively), published by KaiKai Kiki Co., Ltd., Japan, the full sheet, unframed. Sheet 27 3/4 x 22 inches; 705 x 559 mm. C $800-1,200 111 Louise Nevelson (1899-1988) COLLEGIATE SCHOOL RELIEF MULTIPLE (BARO 123) Cast relief multiple in black mounted to smoked Plexiglas stand, 1972, with incised signature, date and numbered 146/150 on the stand, fabricated by Aurora Products Inc., New York, published by Pace Editions Inc., New York. Overall height 8 1/2 inches; 216 mm. C $1,000-1,500
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112 Claes Oldenburg (b. 1929) ALTERNATIVE PROPOSAL FOR THE ALLEN MEMORIAL ART MUSEUM, OBERLIN, OHIO (AXSOM/PLATZKER 169) Color etching and aquatint, 1979, on Rives BFK paper, signed, dated and inscribed A.P. XII/XII in pencil (a proof aside from the edition of 60), printed by Aeropress, New York and with their blindstamp, published by Multiples, Inc., New York, with full margins, framed. Plate 22 7/8 x 28 5/8 inches; 581 x 727 mm. Sheet 34 x 40 3/4 inches; 864 x 1035 mm. C $1,000-1,500 113 Louis Orr (1876-1966) PORTS OF AMERICA Complete set of 14 etchings, 1928, on Arches paper, signed, 13 titled, in pencil, signed in pencil on the title page, from the edition of 100, with the index page, published by Yale University Press, with full margins, in original portfolio. Sheets approximately 19 x 14 inches; 483 x 356 mm. C $800-1,200
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114 Margaret J. Patterson (1867-1950) CAPE COD HOUSE Color woodcut, circa 1920, on Japan paper, signed recto and titled verso in pencil, trimmed to or within the borderline presumably by the artist, framed. Sheet 7 1/8 x 10 inches; 181 x 254 mm. C $700-1,000 115 Philip Pearlstein (b. 1924) VIEW OVER SOHO, LOWER MANHATTAN Color etching and aquatint, 1978, on Rives BFK paper, signed, dated, titled and numbered 41/41 in pencil, the full sheet, framed. Sheet 30 1/4 x 40 1/2 inches; 768 x 1029 mm. C $800-1,200 115 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM
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116 Pablo Picasso (1881-1973) MINOTAURE CARESSANT UNE FEMME (BLOCH 191) Etching, 1933, on Montval laid paper watermarked Vollard, signed in pencil, from the edition of 260, from La Suite Vollard, printed by Lacourière, published by Vollard, Paris, 1939, with full margins, framed. Plate 11 3/4 x 14 1/2 inches; 298 x 368 mm. Sheet 13 1/4 x 17 5/8 inches; 337 x 448 mm. C $10,000-15,000
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119 117 Pablo Picasso MAX JACOB WRITING (B. 803; CRAMER BOOKS 78) Drypoint, 1956, on Rives BFK paper, signed in red pencil, numbered 24/60, from Chronique des Temps Héroïques, published by Louis Broder, Paris, with wide margins, framed. Plate 7 7/8 x 5 7/8 inches; 200 x 149 mm. Sheet 19 5/8 x 12 5/8 inches; 498 x 321 mm. C Estate of Lillian Linder, Westchester County, New York $1,000-1,500
118 Pablo Picasso (1881-1973) LE VIEUX ROI (B. 869) Lithograph, 1959, on Arches paper, with the red printed signature, from the edition of 1000, with full margins, framed. Image 25 5/8 x 19 5/8 inches; 651 x 422 mm. Sheet 26 x 20 inches; 660 x 508 mm. C $1,200-1,800
119 Pablo Picasso DANS L’ATELIER: PEINTRE, MODÈLE ET SPECTATRICE (B. 1139; C. BKS. 130) Etching, 1963, on Richard de Bas paper, signed and numbered 21/150 in pencil, from Le Peintre et son Modèle, printed by Crommelynck, Paris, with full margins, framed. Plate 4 1/2 x 9 3/8 inches; 114 x 238 mm. Sheet 12 x 11 1/4 inches; 305 x 286 mm. C $2,000-3,000
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120 Pablo Picasso TÊTE DE BOUFFON (CARNAVAL) (B. 1193) Color linocut, 1965, on cream wove paper, signed and numbered 126/160 in pencil, with good margins, framed. Image 25 1/4 x 20 5/8 inches; 641 x 524 mm. Sheet 29 5/8 x 24 1/2 inches; 752 x 622 mm. C $8,000-12,000
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121 Pablo Picasso DEUX FEMMES (B. 1203) Drypoint, 1965, on cream wove paper, signed and numbered 30/50 in pencil, with full margins, framed. Plate 12 1/2 x 16 1/2 inches; 318 x 419 mm. Sheet 18 3/8 x 22 1/2 inches; 467 x 572 mm. C A Private New York Collector $2,000-3,000
122 After Pablo Picasso TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 158/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 3/4 inches; 651 x 502 mm. Sheet 29 1/4 x 21 1/2 inches; 743 x 546 mm. C Estate of Carl Lesnor $3,000-4,000
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123 123 Pablo Picasso TÊTE DE CHEVRE DE PROFIL (ALAIN RAMIÉ 146) Painted and partially glazed red ceramic plate, 1952, from the edition of 250, with the Empriente Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse. 12 1/2 x 20 1/4 inches; 318 x 514 mm. C $5,000-7,000
124 Pablo Picasso VISAGE DANS UN OVALE (A.R. 275) Painted and glazed white ceramic plate, 1955, numbered 82/100 and incised C117, with the Empriente Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse. 13 3/8 x 16 inches; 340 x 406 mm. C $7,000-10,000
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125 Pablo Picasso VISAGE TOURMENTÉ (A.R. 360) Painted and partially glazed white ceramic charger, 1956, numbered 82/100 and incised C117, with the Empriente Originale de Picasso and Madoura Plein Feu pottery stamps on the reverse. 17 x 17 inches; 432 x 432 mm. C $8,000-12,000
126 Pablo Picasso ARÈNE (A.R. 406) Painted and partially glazed white ceramic vase, 1958, numbered No. 54/100 and inscribed Edition Picasso, with the Edition Picasso and Madoura Plein Feu pottery stamps on the base. Height 12 inches; 305 mm. C Estate of Steven R. Gross $20,000-30,000
126 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM
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127
129
127 Giovanni Battista Piranesi (1720-1778) THE TEMPLE OF SATURN WITH THE ARCH OF SEPTIMUS SEVERUS IN THE BACKGROUND (FOCILLON 830; HIND 110; WILTON-ELY 286) Etching, 1774, a fine impression of the first state of three, with good margins, framed. Plate 18 5/8 x 27 7/8 inches; 473 x 708 mm. Sheet 20 7/8 x 29 7/8 inches; 530 x 759 mm. C $800-1,200 128 Richard Prince (b. 1949) UNTITLED (DE KOONING) Hand-colored color offset lithograph and collage with hand-cutting and assemblage on inset board, 2008, signed in pencil, published by Two Palms Press, New York and with their original label numbered 3/26, unframed. Image 8 1/4 x 8 1/4 inches; 210 x 210 mm. Board 14 x 14 inches; 356 x 356 mm. C $2,500-3,500
128
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129 Rembrandt van Rijn (1606-1669) ABRAHAM AND ISAAC (BARTSCH, HOLLSTEIN 34; HIND 214; NEW HOLLSTEIN 224) Etching, drypoint and engraving, 1645, with thread margins or trimmed to the platemark, a very good impression of Usticke’s second state of three, New Hollstein’s second state of two, laid on a support sheet, framed. Sheet 6 1/4 x 5 3/16 inches; 159 x 132 mm. C Estate of Elizabeth H. Fuller $2,000-3,000
131
130
130 Rembrandt van Rijn (1606-1669) JAN ASSELYN, PAINTER (B., HOLL. 277; H. 227) Etching, engraving and drypoint, 1647, on laid paper without watermark, a fine impression of White and Boon’s third state of three, before later re-work, with small margins, framed. Plate 8 9/16 x 6 3/4 inches; 217 x 171 mm. Sheet 9 x 7 1/8 inches; 229 x 181 mm. Ex-collection: F. F. Hansen (Lugt. 2813); Anonymous, possibly N. A. Hazard (Lugt 1279)
131 Pierre-Auguste Renoir (1841-1919) LE CHAPEAU EPINGLE (3E PLANCHE) (DELTEIL, STELLA 8) Etching, 1894, second state of two, with full margins, framed. Plate 4 3/4 x 3 3/8 inches; 121 x 86 mm. Sheet 11 1/8 x 9 1/8 inches; 283 x 232 mm. C $800-1,200
Provenance: C. & J. Goodfriend, New York C $6,000-8,000
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132 132 Pierre-Auguste Renoir LES ENFANTS JOUANT À LA BALLE (D., S. 32) Color lithograph, circa 1900, on Arches Ingres laid paper with the MBM watermark, published by Ambroise Vollard, Paris, with large margins, framed. Image 22 7/8 x 19 7/8 inches; 581 x 505 mm. Sheet 28 3/4 x 23 3/4 inches; 730 x 603 mm. C $30,000-50,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
133 Bridget Riley (b. 1931) UNTITLED (SCHUBERT 19) Color screenprint, 1973, on Aquarelle Arches Satine paper, signed, dated and numbered 48/75 in pencil, from Rothko Memorial Portfolio, printed by Kelpra Studios, London and with their ink stamp verso, published by Matthews, Miller & Dunbar for the Mark Rothko Memorial Trust, with full margins, in original paper folder, unframed. Image 21 3/4 x 30 3/8 inches; 552 x 772 mm. Sheet 28 x 36 1/8 inches; 711 x 918 mm. C $3,000-5,000
133
134 Diego Rivera (1886-1957) EL MERCADO DE FLORES (FLOWER MARKET) Lithograph, 1930, on gray PMF (Italia) Ingres laid paper, signed, dated and numbered 89-100 in black crayon, published by The Weyhe Gallery, New York, with full margins, framed. Image 10 3/4 x 15 3/4 inches; 273 x 400 mm. Sheet 18 3/4 x 24 3/4 inches; 476 x 629 mm. C Estate of Christa Hofer $1,000-1,500 134 135 Larry Rivers (1923-2002) DUTCH MASTERS Color lithograph and screenprint, 1982, on Fabriano paper, signed, dated and numbered 32/100 in pencil, published for the benefit of the Good Samaritan Hospital, with full margins, framed. Image 24 1/4 x 30 3/4 inches; 616 x 781 mm. Sheet 27 1/2 x 39 3/8 inches; 699 x 1000 mm. C $600-800
135 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM
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136
138 part
137 136 Susan Rothenberg (b. 1945) UNTITLED (THE HARTFORD PRINT) (MAXWELL 12) Lithograph, 1980, on Arches Cover wove paper, signed, dated and numbered 10/23 in pencil, printed and published by the Hartford Art School, with full margins, framed. Image 31 x 27 1/4 inches; 787 x 692 mm. Sheet 35 x 29 3/4 inches; 889 x 756 mm. C $700-1,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
137 Henri Rousseau (1844-1910) LA GUERRE Lithograph, 1894, on red-orange wove paper, with the central vertical fold (as issued), from the January 1895 edition of L’Ymagier, co-published by Alfred Jarry and Rémy de Gourmont, a very good impression of the only print known by the artist, with (full?) margins, framed. Image 8 3/4 x 12 3/4 inches; 222 x 324 mm. Sheet 10 1/4 x 15 7/8 inches; 260 x 403 mm. C $2,000-3,000
138 Kiyoshi Saito (1907-1997) AIZU SCENE; WINTER IN AIZU; TEMPLE GATE Three color woodcuts, on Japan paper, signed in black ink, with full margins, framed. Largest image 10 5/8 x 15 1/2 inches; 270 x 394 mm. Sheets approximately 11 5/8 x 17 3/8 inches; 295 x 448 mm. C $1,000-1,500
139
139 Egon Schiele (1890-1918) SECESSION 49, AUSSTELLUNG (KALLIR 15) Color lithograph, 1918, on thin cream wove paper, from the edition of unknown size, printed by Albert Berger, Vienna, with full margins, framed. Image 25 x 18 7/8 inches; 635 x 479 mm. Sheet 26 3/4 x 20 7/8 inches; 679 x 530 mm. C $10,000-15,000
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140 Jun’ichiro Sekino (1914-1988) KYOTO IN TWILIGHT; TAKAYAMA IN SNOW Two color woodcuts, signed, numbered 93/98 and 136/218, respectively, the first dated 1969 and titled in Japanese, in pencil, with full margins, framed. Larger image 32 1/2 x 21 7/8 inches; 826 x 556 mm. C $1,500-2,500
141 Saul Steinberg (1914-1999) MAN IN LANDSCAPE Color lithograph, 1975, on wove paper, signed and numbered 11/50 in pencil, with good or full margins, framed. Image 43 1/4 x 43 1/4 inches; 1099 x 1099 mm. C $1,000-1,500
140 part
141 64
DOYLE • OCTOBER 22, 2019 • NEW YORK
142
142 Théophile Alexandre Steinlen (1859-1923) LAIT PUR STÉRILISÉ (CRAUZAT 491) Color lithograph, 1894, on wove paper, laid on linen, printed by Charles Verneau, Paris, with full margins, framed. Sheet 55 3/8 x 39 1/2 inches; 1407 x 1003 mm. C $7,000-10,000
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143
144
143 Donald Sultan (b. 1951) BLACK LEMONS AND EGG, APRIL 14, 1987 Aquatint, 1987, on Somerset Satin paper, initialed, dated, titled and numbered 5/14 in pencil, published by Parasol Press, Ltd., New York, with full margins, framed. Plate 61 3/4 x 47 3/4 inches; 1568 x 1213 mm. Sheet 53 1/2 x 47 1/2 inches; 1360 x 1210 mm. C $1,500-2,500 144 Rufino Tamayo (1899-1991) LA NEGRA (PEREDA 109) Color lithograph, 1969, on Rives BFK paper, signed and numbered 148/150 in pencil, from Mujeres, published by Touchtone Publishers, New York, with full margins, unframed. Image 27 1/4 x 21 inches; 692 x 537 mm. Sheet 29 7/8 x 22 3/8 inches; 759 x 568 mm. • $1,000-1,500
145
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DOYLE • OCTOBER 22, 2019 • NEW YORK
145 Rufino Tamayo DOS CARAS (P. 155) Color lithograph, 1973, on Arches paper, signed and dedicated in pencil (a proof aside from the edition of 100), printed by the American Atelier, New York and with their blindstamp, the full sheet, unframed. Sheet 22 x 30 inches; 559 x 762 mm. C $2,000-3,000
146
147
146 Rufino Tamayo HOMBRE CON MANZANA (P. 141) Color lithograph, 1973, on Guarro paper, signed and numbered 23/75 in white pencil, printed and published by Ediciones PolĂgrafa, Barcelona, the full sheet, unframed. Sheet 22 1/8 x 29 7/8 inches; 562 x 759 mm. C $2,000-3,000 147 George Tooker (1920-2011) THE VOICE (GARVER 3) Lithograph, 1977, on gray Rives BFK paper, signed, numbered 124/125 and dedicated in pencil, published by Editions Press, San Francisco, with full margins, framed. Image 11 x 9 3/4 inches; 279 x 248 mm. Sheet 21 1/8 x 18 inches; 537 x 457 mm. C $1,000-1,500 148 George Tooker THE MIRROR (G. 4) Color lithograph, 1978, on cream Arches paper, signed and numbered 83/125 in pencil, published by Editions Press, San Francisco and with part of their blindstamp, with wide margins, framed. Image 20 x 16 inches; 508 x 406 mm. Sheet 27 1/8 x 22 1/4 inches; 689 x 565 mm. C $1,000-1,500
148
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149
149 Victor Vasarely (1906-1997) BLUE STUDY; AXONOMETRIC STUDY Two color screenprints, 1969, on wove paper, signed, the first in pencil, the second in ink, the first inscribed E.P. A, the second numbered III/VII, the full sheets, framed. Sheets 18 1/8 x 15 3/4 inches; 460 x 400 mm. C $1,200-1,800 150 Victor Vasarely [GEOMETRIC FIGURES] Color screenprint, 1988, signed and numbered 203/250 in pencil, with full margins, framed. Image 20 1/2 x 23 5/8 inches; 521 x 600 mm. Sheet 24 1/2 x 27 5/8 inches; 622 x 702 mm. C $800-1,200
150
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DOYLE • OCTOBER 22, 2019 • NEW YORK
151 part
151 Andy Warhol (1928-1987) LOVE IS A PINK CAKE (FELDMAN/SCHELLMAN IV.27-37; 39-49) 23 offset lithographs, 1953, on pale blue wove paper, with accompanying poetry by Ralph Thomas Ward, from the set of 25, edition of approximately 100, published by the artist, New York, the full sheets, unframed. Sheets 11 x 8 1/2 inches; 279 x 216 mm. Provenance: The artist Billy Cecil (William Cissell), a New York artist and set designer Private Collection C $2,000-3,000 152 Andy Warhol HAPPY BUTTERFLY DAY; MERRY CHRISTMAS Two offset lithographs (the first hand-colored), circa 1955, on cream and wove papers, respectively, with full margins, unframed. Largest sheet 13 7/8 x 10 inches; 352 x 254 mm. Provenance: The artist Billy Cecil (William Cissell), a New York artist and set designer Private Collection C $1,000-1,500
152 part
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153
153 Andy Warhol FLOWERS (F./S. II.6) Color offset lithograph, 1964, signed and dated in ballpoint pen, on wove paper, from the edition of approximately 300, printed by Total Color, New York, published by Leo Castelli Gallery, New York, with full margins, framed. Image 22 x 22 inches; 559 x 559 mm. Sheet 23 1/8 x 23 1/8 inches; 587 x 587 mm. C $10,000-15,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
154 154 Andy Warhol JACQUELINE KENNEDY I (JACKIE I) (F./S. II.13) Screenprint printed in silver, 1966, on wove paper, stamp-signed, numbered XXI and annotated 65/74 verso, from the Roman numeral edition of 50 (aside from the edition of 200), published by Original Editions, New York, with full margins, framed. Image 20 7/8 x 17 1/8 inches; 530 x 435 mm. Sheet 24 x 20 inches; 610 x 508 mm. C $8,000-12,000
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155
155 Andy Warhol MARILYN (F./S. II.26) Color screenprint, 1967, on wove paper, signed in pencil verso, also dedicated and dated To Sylvia AW 73 and inscribed A.P. in ink verso (an artist’s proof aside from the numbered edition of 250 and the 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, the full sheet, framed. Sheet 36 x 36 inches; 914 x 914 mm. C Estate of Sylvia Miles $40,000-60,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
156
157
156 Andy Warhol FLASH—NOVEMBER 22, 1963 (F./S. II.33) Screenprint printed in silver, 1968, on wove paper, signed in ballpoint pen and numbered 164/200 verso, with Teletype text pages 15 and 16 (folded as issued), published by Racolin Press, Inc., Briarcliff Manor, New York, the full sheet, framed. Sheet 21 x 21 inches; 533 x 533 mm. C $3,000-5,000
157 Andy Warhol SCOTCH BROTH (F./S. II.55) Color screenprint, 1969, on smooth wove paper, signed in ballpoint pen and stamp numbered 164/250 verso, also dedicated To Sylvia with love NYC Andy Warhol in ink verso, from Campbell’s Soup II, published by Factory Additions, New York, colors attenuated, with full margins, framed. Image 31 7/8 x 18 3/4 inches; 810 x 476 mm. Sheet 35 x 23 inches; 89 x 584 mm. C Estate of Sylvia Miles $8,000-12,000
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158 Andy Warhol MARILYN (TATE GALLERY) (NOT IN F./S.) Color offset lithograph, 1971, on wove paper, signed, dated 72 and dedicated To Sylvia with Love in ink, trimmed to the image or a proof aside from the poster edition with text and margins, framed. Sheet 19 5/8 x 19 1/2 inches; 498 x 488 mm. C Estate of Sylvia Miles $1,500-2,500 158
159 Andy Warhol GOLDA MEIR (F./S. 153A) Color screenprint on felt, 1973, published by the American Friends of the Israel Museum, New York and numbered 7/550 on their label verso, the full sheet, unframed. Sheet 6 3/4 x 6 3/4 inches; 171 x 171 mm. C $700-1,000
159
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DOYLE • OCTOBER 22, 2019 • NEW YORK
160
160 Andy Warhol MARILYN (ANNOUNCEMENT) (NOT IN F./S.) Color offset lithograph, 1981, on wove paper, signed and dedicated To S (Sylvia Miles) in black felt-tip pen, signature and colors attentuated, from the edition of unknown size, with exhibition announcement text verso, printed by Colour Editions, Inc., published by Castelli Graphics, New York, the full sheet, framed. Sheet 12 1/8 x 12 1/8 inches; 318 x 318 mm. C Estate of Sylvia Miles $1,000-1,500
161
161 Andy Warhol MARILYN (INVITATION) (NOT IN F./S.) Color offset lithograph, 1981, on wove paper, signed and dedicated To Sylvia in black felt-tip pen, signature and colors attentuated (color only at edges), from the edition of unknown size, folded as issued, with invitation text verso, printed by Colour Editions, Inc., published by Castelli Graphics, New York, the full sheet, framed. Folded 7 x 7 inches; 178 x 178 mm. Sheet 7 x 14 inches; 178 x 356 mm. C Estate of Sylvia Miles $800-1,200 162 Andy Warhol THE BROOKLYN BRIDGE 1883-1983 (NOT IN F./S.) Color screenprint and offset lithograph, 1983, on smooth wove paper, signed in ink, commissioned by The 1983 Brooklyn Bridge Centennial Commission Inc., published by Impress Graphics, Port Chester, New York, the full sheet, framed. Sheet 26 1/4 x 16 3/8 inches; 667 x 416 mm. C $1,000-1,500 162 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM
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163
163 Tom Wesselmann (1931-2004) STILL LIFE Painted and glazed ceramic multiple, 1988, numbered 41/299 on a plaque affixed to the reverse of the base, published by Rosenthal Limited Edition, Germany, mounted on original base, as issued. Ceramic 13 1/4 x 14 3/4 inches; 337 x 375 mm. Base 18 3/4 x 20 1/8 inches; 476 x 511 mm. C $1,500-2,000
164 James Abbott McNeill Whistler (1834-1903) LIMEHOUSE (KENNEDY 40; GLASGOW 48) Etching and drypoint, 1849, on cream laid paper, Glasgow’s sixth state of six, with full margins, unframed. Plate 5 x 7 7/8 inches; 127 x 200 mm. Sheet 7 5/8 x 10 1/8 inches; 194 x 257 mm. C $700-1,000 164 165 James Abbott McNeill Whistler BLACK LION WHARF (K. 42; G. 54) Etching, 1859, on cream Japan paper, Glasgow’s fourth state of four, with margins, framed. Plate 6 x 9 1/8 inches; 152 x 232 mm. Sheet 7 3/8 x 10 5/8 inches; 187 x 270 mm. C $700-1,000
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DOYLE • OCTOBER 22, 2019 • NEW YORK
167
166 James Abbott McNeill Whistler HURLINGHAM (K. 181; G. 184) Etching and drypoint, 1879, on cream laid paper, Glasgow’s fourth state of four, with good margins, unframed. Plate 5 1/2 x 7 7/8 inches; 140 x 200 mm. Sheet 6 3/4 X 9 3/4 inches; 171 x 248 mm. C $700-1,000
166
167 Zao Wou-Ki (1921-1913) MONTAGNES ET SOLEIL (MOUNTAIN AND SUN) (AGERUP 59) Color lithograph, 1951, on Arches paper, signed and numbered IV/LX in pencil, published by La Guilde Internationale de la Gravure and with their blindstamp, with full margins, framed. Image 11 3/4 x 18 inches; 298 x 457 mm. Sheet 15 1/4 x 22 3/8 inches; 387 x 568 mm. C $2,000-3,000
168 Stephen Scott Young (b. 1957) BARRICADE Etching, signed, titled and numbered 10/18 in pencil, with full margins, framed. Plate 7 5/8 x 7 7/8 inches; 194 x 200 mm. Sheet 12 3/8 x 11 3/8 inches; 314 x 289 mm. C Property of a South Carolina Collector $800-1,200
END OF SALE
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ARTIST INDEX Agam, Y.
1
Fairey, S. 59
Albers, J.
2
Feure, G. de 60
Anuszkiewicz, R.
3
Francis, S. 61
Archipenko, A.
4
Frankenthaler, H.
Arman
5
Friedlander, I.
65
Artschwager, R.
6 Giacometti, A.
66
Griggs, F. L.
67
Avery, M. 7-9
62-64
10, 11
Grosz, G. 68
Bonnard, P. 12
Grotjahn, M. 110
Benton, T. H. Braque, G.
13-15
Braque, G., After
16-18
Haring, K.
69, 70
Haskell, E. 71 Canaletto 19
Hayter, S. W. 72
Carrington, L.
Helleu, P. C. 73
20
Cassatt, M. 21
Hepworth, B.
Caulfield, P.
Heron, P. 76
22
74, 75
Cézanne, P. 23 Chagall, M.
24-29
Chagall, M., After
30
Icart, L.
77
Indiana, R. 78
Chamberlain, S. 31 Cheffetz, A. 32
Johns, J. 79
Clark, E. 33 Close. C. 34
Katz, A.
80-82
Cook, H.
35-40
Kelly, E. 83
Copley, W. N.
41
Kent, J. 84
Cornell, J.
42
Kent, R. 85 Klein, Y. 86
Dalí, S. Degas, E.
43-47
Kogelnik, K. 87
48
Diebenkorn, R.
49, 50
Landeck, A.
88, 89
Dine, J.
51, 52
Lewis, M.
90-92
LeWitt, S.
93, 94
Dix, O.
53 54, 55
Lichtenstein, R. 95
Dürer, A. 56
Lipchitz, J. 96
Dongen, K. van
Lozowick, L. 97 Erté 78
DOYLE • OCTOBER 22, 2019 • NEW YORK
57, 58
Marini, M. 98
Saito, K. 138
Marsh, R. 99
Schiele, E. 139
Matisse, H.
100, 101
Sekino, J. 140
McBey, J. 97
Steinberg, S. 141
McPherson, C.
Steinlen, T. A.
102
Mirรณ, J.
103-106
Mirรณ, J., After
107
Motherwell, R.
108
Munch, E. 109
142
Sultan, D. 143 Tamayo, R.
144-146
Tooker, G.
147, 148
Vasarely, V.
149, 150
Warhol, A.
151-162
Murakami, T. 110 Nevelson, L. 111 Oldenburg, C.
112
Wesselmann, T. 163
Orlean, S. 84
Whistler, J. A. M.
Orr, L. 113
Wou-Ki, Z. 167
Patterson, M. J.
Young, S. S. 168
114
Pearlstein, P. 115
164-166
Pennell, J. 97 Picasso, P.
116-121, 123-126
Picasso, P., After
122
Piranesi, G. B.
127
Prince, R. 128 Rembrandt
129, 130
Renoir, P. A.
131, 132
Riley, B. 133 Rivera, D. 134 Rivers, L. 135 Rothenberg, S. 136 Rousseau, H. 137
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79
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GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:
FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.
PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.
SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.
PRINTS
EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.
NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.
CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.
MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.
MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.
DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.
I
Virtually Staged & Painted
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CONDITIONS OF SALE 1. BINDING TERMS
The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:
2. AS IS
All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.
The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.
3. WITHDRAWAL
Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.
4. RESERVES
If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.
5. ESTIMATES
Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.
6. BIDDING
Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.
7. PURCHASER’S RESPONSIBILITY
Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.
II
CUSTOM HOME IN WATCHUNG MOUNTAINS, WATCHUNG, NEW JERSEY
$1,995,000
Situated on a cul-de-sac in the premier Burnhead section of the Watchung mountains, this exquisitely designed and renovated home offers five bedrooms, seven-and one-half baths, and a four car garage. This spacious home features an open floor plan, decorative mill work throughout, and custom built-ins. The gorgeous chef's kitchen boasts custom Cherry cabinetry, custom Limestone Hood over range, Caesarstone countertops, Copper hammered sink, high-end appliances, and a separate butler's station with custom cabinets. Enjoy the convenience of a recreational area in your own home with a hockey rink/dance studio, sound-proof rehearsal studio/media room, and a rec room with a full bar. The home is located in a highly sought-after school district, less than two miles to I-78 and Route 22.
www.165Knightsbridge.com JANINE ROSE Sales Associate Cell: 908-229-6253 Janine.Rose@bhhsnj.com www.JanineRose.com Watchung Office | 908-753-4450 | 659 Mountain Blvd., Watchung, NJ 07069 Š2019 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.Ž Equal Housing Opportunity.
CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.
8. REMEDIES AVAILABLE TO DOYLE NEW YORK
In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.
If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.
9. LIMITED LIABILITY
If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.
10. DOYLE NEW YORK EMPLOYEES
Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.
11. WAIVER OF CONDITIONS
Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.
12. All measurements and weight are approximate.
Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.
13. If any part of these Conditions of Sale is found
by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.
14. The rights and obligations of the parties with
respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.
III
Greg Noonan, Lic # 00655720
619.884.0180
TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.
1. DEFINITION OF AUTHORSHIP
“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.
2. COVERAGE UNDER THE GUARANTEE
Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.
The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.
3. NON-ASSIGNABILITY
The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.
4. SOLE REMEDY
The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.
5. EXCLUSIONS
This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.
6. LIMITED WARRANTY
As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.
IV
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The White Tie Collection Part II and Fine & Rare Wines October 2 & 3, 2019 Zuma, New York City
The Collection of Ian Mill QC October 26, 2019 Le Bernardin Privé, New York City
The Holiday Auction December 6 & 7, 2019 Smith & Wollensky, New York City
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New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838
INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.
WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.
WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.
WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.
RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.
CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.
LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.
If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.
#V
BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.
BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.
VI#
BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.
ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.
BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.
AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.
To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.
STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.
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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.
OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.
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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.
SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.
AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.
ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”
INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.
HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com
FALL 2019 AUCTION SCHEDULE October
December
IMPORTANT JEWELRY Auction: Wednesday, Oct 16 at 10am Exhibition: Oct 11 – 14
PHOTOGRAPHS Auction: Wednesday, Dec 11 at 10am Exhibition: Dec 7 – 10
PRINTS & MULTIPLES Auction: Tuesday, Oct 22 at 10am Exhibition: Oct 19 – 21
THE MOLLIE BREWSTER BROUSSARD COLLECTION Auction: Thursday, Dec 12 at 10am Exhibition: Dec 7 – 10
COINS, BANK NOTES & POSTAGE STAMPS Auction: Tuesday, Oct 22 at 2pm Exhibition: Oct 19 – 21
IMPORTANT JEWELRY Auction: Friday, Dec 13 at 10am Exhibition: Dec 7 – 10
ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS / OLD MASTER PAINTINGS Auction: Wednesday, Oct 30 at 10am Exhibition: Oct 26 – 28 RUSSIAN WORKS OF ART Auction: Wednesday, Oct 30 at 10am Exhibition: Oct 26 – 28
November IMPRESSIONIST & MODERN ART Auction: Wednesday, Nov 6 at 11am Exhibition: Nov 2 – 4 POST-WAR & CONTEMPORARY ART Auction: Wednesday, Nov 6 at 11am Exhibition: Nov 2 – 4 RARE BOOKS, AUTOGRAPHS & MAPS Auction: Tuesday Nov 12 at 10am Exhibition: Nov 9 – 11 JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, Nov 13 at 10am Exhibition: November 9 – 11 CALIFORNIA JEWELRY NY Auction: Monday, Nov 18 at 10am NY Exhibition: Nov 15 – 17 LA Exhibition: TBA
DOYLE+DESIGN® Auction: Wednesday, Dec 18 at 10am Exhibition: Dec 14 – 16
........................................................
Exhibitions 175 East 87th Street New York, NY 10128 212-427-4141, option 5 or visit Doyle.com
Selling at Auction We invite you to contact us for a complimentary auction evaluation of your collection. Contact us at 212-427-2730 or info@Doyle.com
Catalogues 212-427-2730 x203 subscriptions@Doyle.com View Lots & Bid Online at
DOYLE.com
FINE MODERN ART Auction: Tuesday, Nov 19 at 10am Exhibition: Nov 15 – 17 DOYLE AT HOME® INCLUDING JEWELRY Auction: Tuesday, Nov 26 at 10am Exhibition: Nov 23 – 25
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DIRECTORY
YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 PLUS THE EXTENSION.
Kathleen M. Doyle Chairman ext 215, Kathy.Doyle@Doyle.com Laura Doyle Chief Executive Officer ext 219, Laura.Doyle@Doyle.com Joanne Porrino Mournet President ext 227, Joanne@Doyle.com Kenneth McKenna Executive Vice President/CFO ext 254, Ken.McKenna@Doyle.com Rodney Lang Senior Executive Vice President ext 243, Rodney.Lang@Doyle.com Sebastian Clarke Senior Vice President 917-664-0697, Sebastian@Doyle.com Peter Costanzo Senior Vice President ext 248, Peter.Costanzo@Doyle.com
Reid Dunavant Senior Vice President 202-342-6100 Reid.Dunavant@Doyle.com David A. Gallager Senior Vice President ext 271, David.Gallager@Doyle.com Peter Lang Senior Vice President ext 274, Peter.Lang@Doyle.com Ann Limer Lange Senior Vice President ext 221, Ann.Lange@Doyle.com Angelo Madrigale Senior Vice President ext 237, Angelo.Madrigale@Doyle.com Elaine Banks Stainton Senior Vice President ext 238, Elaine.Stainton@Doyle.com Nan Summerfield Senior Vice President 310-276-6616 Nan.Summerfield@Doyle.com
Gillian M. Ryan Senior Vice President ext 245, Gillian.Ryan@Doyle.com Louis LeB. Webre Senior Vice President ext 232, Louis.Webre@Doyle.com Samira Farmer, Vice President 202-342-6100 Samira.Farmer@Doyle.com Cynthia Klein, Vice President ext 246, Cynthia.Klein@Doyle.com Malcolm Mac Neil, Vice President ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke, Vice President ext 272, Mark.Moehrke@Doyle.com
Alison Robinson, Vice President ext 229, Alison.Robinson@Doyle.com Todd Sell, Vice President ext 269, Todd.Sell@Doyle.com Charlotte A. Taylor, Vice President ext 233, Charlotte.Taylor@Doyle.com Shani Toledano, Vice President ext 236, Shani.Toledano@Doyle.com Katherine Van Dell, Vice President 215-847-6146, Katherine.VanDell@Doyle.com Janice Youngren, Vice President ext 207, Janice.Youngren@Doyle.com
Harold E. Porcher, Vice President ext 235, Harold.Porcher@Doyle.com Edward Ripley-Duggan, Vice President ext 234 Edward.Ripley-Duggan@Doyle.com
ADMINISTRATION BID DEPARTMENT ABSENTEE & TELEPHONE BIDS Alanna Sutherland Bid Fax: 212-427-7526 ext 242, Bids@Doyle.com BIDLIVE! INTERNET BIDDING Tyler Kusler ext 203, Tyler.Kusler@Doyle.com ACCOUNTING Ryan Won Accounting Manager IT Manager ext 205, Ryan.Won@Doyle.com Emma I. Ebue ext 214, Emma.Ebue@Doyle.com
ESTATE & APPRAISAL SERVICES Joanne Porrino Mournet, Executive Director ext 227, Joanne.Mournet@Doyle.com
MEDIA & COMMUNICATIONS Louis LeB. Webre, Director ext 232, Louis.Webre@Doyle.com
Peter Costanzo ext 248, Peter.Costanzo@Doyle.com
Charlotte A. Taylor, Art Director ext 233, Charlotte.Taylor@Doyle.com
Gillian M. Ryan, On-site Estates Coordinator ext 245, Gillian.Ryan@Doyle.com
Sarah Horn, Marketing Manager ext 258, Sarah.Horn@Doyle.com
Alexis Gyateng, Senior Appraisal Coordinator ext 228, Alexis.Gyateng@Doyle.com
CATALOGUE PRODUCTION
Daniel Sarver, Appraisal Coordinator ext. 240, Daniel.Sarver@doyle.com Frederica Tam, Appraisal Coordinator ext. 251, Frederica.Tam@doyle.com
Chelsea Wynne ext 223, Chelsea.Wynne@Doyle.com
CONSIGNMENT SERVICES Alison Robinson, Director/Consignments ext 229, Alison.Robinson@Doyle.com
CATALOGUE SUBSCRIPTIONS Gianine Crowell ext 200, Gianne.Crowell@Doyle.com
Erin Mandley ext 231, Erin.Mandley@Doyle.com
CLIENT SERVICES Janice Youngren, Director ext 207, Janice.Youngren@Doyle.com Alanna Sutherland ext 242, Alanna.Sutherland@Doyle.com Steven L. Kuzio ext 202, Steven.Kuzio@Doyle.com Tyler Kusler ext 203, Tyler.Kusler@Doyle.com Gianine Crowell ext 200, Gianine.Crowell@Doyle.com
Doris M. Fugazy ext 261, Doris.Fugazy@Doyle.com Gail Jaffe ext 239, Gail.Jaffe@Doyle.com MUSEUM SERVICES Peter Costanzo Books, Photographs & Manuscripts ext 248, Peter.Costanzo@Doyle.com Angelo Madrigale Paintings & Drawings ext 237, Angelo.Madrigale@Doyle.com David A. Gallager Furniture & Decorative Arts ext 271, David.Gallagher@Doyle.com
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Stephanie Cuenca Production Manager/Senior Designer ext 250, Stephanie.Cuenca@Doyle.com Nancy Ramos Digital Marketing Coordinator Graphic Designer ext 276, Nancy.Ramos@Doyle.com PHOTOGRAPHY Hisao Oka, Director ext. 255 Hisao.Oka@Doyle.com Ray Adams, Photographer ext 278, Ray.Adams@Doyle.com Hann Browning, Photographer ext 247, Hann.Browning@Doyle.com Hanna Siesel, Traffic Coordinator ext 277, Hanna.Siesel@Doyle.com AUCTIONEERS Rodney Lang Joanne Porrino Mournet Janice Youngren Cynthia Klein Peter Costanzo Sebastian Clarke Angelo Madrigale
REGIONAL REPRESENTATIVES Joanne Porrino Mournet, Director of Regions 212-427-2730, ext 227 Joanne@Doyle.com BOSTON / NEW ENGLAND Kathryn Craig 617-999-8254, Boston@Doyle.com CALIFORNIA Nan Summerfield, G.G., Director 310-276-6616, Nan.Summerfield@Doyle.com
CONNECTICUT Kathy Brackenridge 212-427-4141, ext. 211 Kathy.Brackenridge@Doyle.com
NORTH CAROLINA Hilary Pitts, G.G. 704-582-2258, Hilary.Pitts@Doyle.com
FLORIDA Collin Albertsson 561-322-6795, Collin.Albertsson@Doyle.com
PENNSYLVANIA Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com
Sebastian Clarke 917-664-0697, Sebastian@Doyle.com
WASHINGTON, DC/MID-ATLANTIC Reid Dunavant, Director 202-342-6100, Reid.Dunavant@Doyle.com
Emily Marchick, G.G. 310-276-6616, Emily.Marchick@Doyle.com
Katherine Van Dell 215-847-6146, Katherine.VanDell@Doyle.com
CHICAGO / MIDWEST Roger Ward 773-575-7696 Roger.Ward@Doyle.com
NEW JERSEY Jill Bowers 212-427-4141, ext. 225, Jill.Bowers@Doyle.com
Samira Farmer 202-342-6100, Samira.Farmer@Doyle.com BEIJING Winnie Hu Winnie.Hu@Doyle.com HONG KONG Jasmin Blunck Jasmin.Blunck@Doyle.com
SPECIALIST DEPARTMENTS FURNITURE AND DECORATIVE ARTS David A. Gallager Executive Director ext 271, David.Gallager@Doyle.com 19TH AND 20TH CENTURY DECORATIVE ARTS Malcolm Mac Neil, Director ext 218, Malcolm.MacNeil@Doyle.com AMERICAN FURNITURE & DECORATIVE ARTS David A. Gallager, Director ext 271, David.Gallager@Doyle.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS Peter Lang, Director ext 274, Peter.Lang@Doyle.com FURNITURE & DECORATIVE ARTS Rodney Lang ext 243, Rodney.Lang@Doyle.com Peter Lang ext 274, Peter.Lang@Doyle.com Malcolm Mac Neil ext 218, Malcolm.MacNeil@Doyle.com Mark J. Moehrke ext 272, Mark.Moehrke@Doyle.com Todd Sell ext 269, Todd.Sell@Doyle.com Leigh Kendrick, Client Relationship Manager ext 243, Leigh.Kendrick@Doyle.com Courtney Washington, Client Relationship Manager ext 244, Courtney.Washington@Doyle.com RUSSIAN WORKS OF ART Mark J. Moehrke, Director ext 272, Mark.Moehrke@Doyle.com
BOOKS, AUTOGRAPHS & PHOTOGRAPHS Peter Costanzo, Executive Director ext 248, Peter.Costanzo@Doyle.com
RUGS, CARPETS & TAPESTRIES Mark M. Topalian ext 602, Mark.Topalian@Doyle.com
Edward Ripley-Duggan, Director ext 234, Edward.Ripley-Duggan@Doyle.com
JEWELRY
PAINTINGS & DRAWINGS Angelo Madrigale, Director Director Contemporary Art ext 237, Angelo.Madrigale@Doyle.com Elaine Banks Stainton Senior Specialist, Paintings & Drawings ext 238, Elaine.Stainton@Doyle.com Harold E. Porcher Director, Modern & Post-War Art ext 235, Harold.Porcher@Doyle.com Shani Toledano Associate Director ext 236, Shani@Doyle.com Anne Cohen DePietro Senior Specialist, American Art ext 281, Anne.DePietro@Doyle.com Hermine Chivian-Cobb Senior Specialist, Fine Art ext 252, Hermine@Doyle.com Bill Fiddler Specialist, American Art ext 249, Bill.Fiddler@Doyle.com Milan Tessler Registrar ext 266, Milan.Tessler@Doyle.com ASIAN WORKS OF ART Marley Rabstenek, Consultant ext 299, Asian@Doyle.com COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant ext 273, Norman.Scrivener@Doyle.com PRINTS & MULTIPLES Cynthia Klein, Director ext 246, Cynthia.Klein@Doyle.com
Ann Limer Lange, G.G., Executive Director ext 221, Ann.Lange@Doyle.com NEW YORK JEWELRY Kevin Zavian, Senior Specialist ext 262, Jewelry@Doyle.com Martha Garcia, F.G.A., Appraiser, Cataloguer ext 262, Martha.Garcia@Doyle.com Laura Chambers, Jewelry Administrator ext 210, Laura.Chambers@Doyle.com CALIFORNIA JEWELRY Nan Summerfield, G.G., Director of California Operations 310-276-6616 Nan.Summerfield@Doyle.com Emily Marchick, G.G., Associate Director of California Operations 310-276-6616 Emily.Marchick@Doyle.com Cassie Ho Office Administrator 310-276-6616 Cassie.Ho@Doyle.com FLORIDA JEWELRY Katherine Van Dell 215-847-6146, Katherine.VanDell@Doyle.com NORTH CAROLINA JEWELRY Hilary Pitts, G.G. 704-582-2258 Hilary.Pitts@Doyle.com HAYLOFT AUCTIONS Brian Corcoran, Director 914-575-7263 Brian@HayloftAuctions.com Stephanie Cuenca, Art Director Stephanie.Cuenca@Doyle.com
#XI
175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730
FO R O FFI CE U SE O NLY
DOYLE.COM Consumer Affairs No. 0777006
ABSENTEE & TELEPHONE BID FORM
4.19
* Name and address must agree with resale certificate, if applicable. Invoices cannot be changed once registered.
Please indicate the type of bid you are submitting. Please check one:
ABSENTEE BID
** If you are using a cell phone for bidding, a safety bid is required in case of lost connection.
TELEPHONE BID
Please indicate in what capacity you are bidding. Please check one:
• Telephone bids will only be accepted on lots with a low estimate of $2,000 and above. You must be prepared to bid at least to the low estimate.
B I D D I N G A S A P R I VAT E B U Y E R
B I D D I N G O N B E H A L F O F A C O M PA N Y
SALE T IT LE
• Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions. Changes to bids on the day of sale must be submitted in writing by fax or email.
S A L E D ATE
NAM E*
• Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid.
COM PA NY (If applicable) ADD RESS *
Change of Address
C IT Y
STATE
Z IP C O D E
CO UNTRY
• In the event that identical bids are submitted, the earliest will take precedence.
PHON E
• A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price.
PHON E (DAY OF SA LE **)
• Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date. Otherwise, purchases cannot leave our premises until checks have cleared.
E MA IL CL IE NT N UM B ER ( NE W C L IEN T S: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date)
LOT NUMBER
T OP L IM IT OF BI D / SA FE T Y B ID
Excluding Buyer’s Premium
LOT N U M BE R
TO P L I M I T O F B ID / S A F E TY B I D
Excluding Buyer’s Premium
LO T N U MB E R
T O P LI MI T O F B I D / S A F E T Y B ID
Excluding Buyer’s Premium
• A 25% deposit may be required on certain absentee bids. • Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. • Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. ° Terms and Conditions of Sale may be viewed in the catalogue, on our Web site and in our salesroom.
I understand and agree to the Terms and Conditions of Sale°
S IGNATUR E
Submit bid form by email: Bids @DOYLE.com or FAX XII
B I D D I N G I N C R E M E N T S (The auctioneer may vary the increments at his/ her discretion.) $0 – $100 . . . . . . . . . . . . . . . $10 $100 – $500 . . . . . . . . . . . . . $25 $500 – $1,000 . . . . . . . . . . . . $50 $1,000 – $2,000 . . . . . . . . . . $100 $2,000 – $5,000 . . . . . . . . . . $250 $5,000 – $10,000 . . . . . . . . . $500 $10,000 – $20,000 . . . . . . . . $1,000 $20,000 – $50,000 . . . . . . . . $2,500 $50,000 – $100,000 . . . . . . $5,000 $100,000+ . . . . . . . . . . . . $10,000
212- 427-7526 by 4pm (Eastern) the evening before the auction.
Alternatively, absentee bids may be placed online at DOYLE.com until 8am (Eastern) the morning of the auction. Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207
CLIENT SERVICES
CLIENT ACCOUNTS
Janice Youngren, Director 212-427-4141, ext 207 Janice@Doyle.com
Steven Kuzio 212-427-4141, ext 202 ClientAccounts@Doyle.com
BIDDING SERVICES Absentee & Telephone Bids Alanna Sutherland 212-427-4141, ext 242 Bid Fax: 212-427-7526 Bids@Doyle.com
BidLive! Internet Bidding Tyler Kusler 212-427-4141, ext 203 BidLive@Doyle.com
SPECIALISTS
NEW YORK 175 East 87th Street New York, NY 10128 212-427-2730 Info@Doyle.com CALIFORNIA 9595 Wilshire Boulevard Beverly Hills, CA 90212 310-276-6616 DoyleLA@Doyle.com BOSTON / NEW ENGLAND 129 Newbury Street Suite 400 Boston, MA 02116 617-999-8254 Boston@ Doyle.com CONNECTICUT 212-427-4141, ext 211 DoyleCT@Doyle.com NEW JERSEY 212-427-4141, ext 225 DoyleNJ@Doyle.com
Cynthia Klein VP, Director, Prints & Multiples 212-427-4141 ext 246 Cynthia.Klein@ Doyle.com
Alexis Gyateng Appraisal and Consignment Services 212-427-4141 ext 226 Alexis.Gyateng@ Doyle.com
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