Sheffield Otherwise: Counter-Mapping the Living Heritage of Diasporic & Queer Communities

Page 98

3.2

CONTEXT

SADACCA and African-Caribbean Diasporic In Sheffield, The District African Caribbean Community Association (SADACCA) was established in 1986 on the foundations of the Sheffield West Indian Association. The latter was initially founded in 1955 by the first-generation Afro-Caribbean migrants in the city, also referred to as the Windrush generation. The organisation expanded its reach to accommodate the influx of migrants from diverse African-Caribbean backgrounds but also to provide spaces for care activities for the community. Shortly after, community wellness groups, social clubs and support structures providing care services began to spring forth, and in response Sheffield began to acknowledge the growing culture and population, albeit passively and unenthusiastically.

challenging the validity of an essentialist cultural identity imposed by the coloniser on colonised populations. It is the failure to establish a singular and universal sociospatial framework of identity for the ‘other’ that creates the indeterminate spaces of “disruption and displacement of hegemonic colonial narratives and cultural structures and practices” (Bhabha 1994; Bhabha 1996; Paul 1998). The third space is a production of a culture that is familiar but with new

When approached, the city leased the Wicker building, an old steel factory near the river and tucked away in the part of the city that was not deemed desirable for locals, to SADACCA and its community members to carry out their cultural practices. The building had previously been unoccupied for ten years and was in a state of severe disrepair. Community volunteers and the community Elders set out to create a space that was livable and that could host a range of activities as needed. These activities spanned health services, day care groups for elders and young children, Saturday school to impact knowledge, church services, a women’s support group, mental health associations, gardening and food classes and parties in the main hall. Thus, this African-Caribbean community occupied a central place in post-colonial urban landscape of Sheffield. The community subverted inequity, racism, alienation and colliding cultural differences to form a palpable space that Homi Bhaba would describe as; “something different, something new and unrecognizable, a new era of negotiation of meaning and recognition” (Bhabha, 2001). The spaces and the practices within were borne in response to a gap in the infrastructure of care within the city and resulted in the creation of niche spaces; a ‘third space’ to accommodate a diasporic culture, one of hybridity. Bhabha (1994) explains hybrid identity and third space in postcolonial discourse as emerging from

Fig 3.

98

SADACCA Community Centre (Source: Online - SADDACA Facebook


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4.7 CONCLUSIONS

1min
pages 152-153

4.8 REFERENCES

2min
pages 154-155

4.6 PROPOSALS

10min
pages 141-151

4.5 STRATEGY

4min
pages 138-140

4.3 METHODOLOGY

7min
pages 132-135

4.4 CASE CONTEXT

4min
pages 136-137

4.1 INTRODUCTION

2min
page 127

4.2 CONCEPTUAL FRAMEWORK & RESEARCH QUESTIONS

3min
pages 128-131

3.7 CONCLUSION

1min
pages 120-121

3.6 PROPOSALS

6min
pages 111-119

3.5 FINDINGS & STRATEGIES

2min
pages 107-108

3.4 METHODOLOGY

3min
pages 104-106

3.2 CONTEXT

3min
pages 98-101

3.1 INTRODUCTION

2min
page 97

2.9 REFERENCES

4min
pages 91-96

3.3 RESEARCH QUESTION

2min
pages 102-103

2.8 CONCLUSIONS

1min
page 90

2.6 STRATEGY

1min
page 82

2.5 CASE STUDY (FINDINGS

14min
pages 67-81

ILLUSTRATION TABLE

3min
pages 9-11

2.1 INTRODUCTION

2min
pages 55-57

0.2 PROJECT BACKGROUND

1min
page 8

0.3 PUBLIC ENGAGEMENT

1min
pages 12-13

0.4 REFERENCES

1min
pages 14-15

0.1 INTRODUCTION

3min
pages 6-7

2.4 METHODOLOGY

4min
pages 64-66

2.3 CONTEXT

3min
pages 62-63
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