Ironically, WK is now referred to by numerous publications as a politically charged artist, two words he had shirked association with over the years. The Soldier-story became a turning point at least for him accepting a more blatant
approach to political issues. This deliberate representation, he deemed necessary to reach a seemingly dormant public in order to draw awareness to a human crisis. He refers to it as a campaign, not art, not work but a campaign fueled by his conscience as a fellow man.
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