The Floating World of Ukiyo-e
Sponsorship: This exhibition, catalog, and programming were made possible by the generous support of Ford Conservation of the works in this exhibition was made possible through a grant from The United States-Japan Foundation.
Shadows, Dreams, & Substance
Art Institutue Of Chicago Museum Hours Monday–Wednesday, 10:30–5:00 Thursday, 10:30–8:00 Friday–Sunday, 10:30–5:00 February 28–May 7, 2012 Ryerson and Burnham Libraries http://www.artic.edu/aic/ Admissionw Adults: $18 Children, Students, and Seniors (65 and up): $12 Children under 14: Free Members: Free
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Japanesse woodblock prints are often reffered to as ukiyo-e The word ukiyo-e was originally Buddhist and meant “sad world” By the seventeenth century, however, the meaning evolved to mean, floating world. The prints and paintings that the merchants commissioned and bought, almost always depicted aspects of a carefree existence, and were there fore called ukiyo-e pictures of the floating world.
This exhibition showcases the Museum’s spectacular holdings of Japanese prints, books, and drawings from the 17th to the 19th centuries. These works are complemented by related works from the museum’s collections created by Japanese and Westerns artists into the 20th century.
The Floating World of Ukiyo-e: Shadows, Dreams, and Substance showcases the museum’s spectacular holdings of Japanese “Ukiyo-e” (translated as pictures of the floating, or sorrowful, world) and is the first public viewing of this important and previously unseen collection. Featured are selected Ukiyo-e prints, books, and drawings from the seventeenth to the nineteenth centuries and other related works from the Library’s collections created by Japanese and Western artists into the twentieth century. The museum owes its extensive holdings of Ukiyoe prints and printed books to a host of different collectors, including Supreme Court Justice Oliver Wendell Holmes and President William Howard Taft. However, the most extensive collection of Ukiyo-e at the Library was assembled by Crosby Stuart Noyes (1825-1908), an owner and editor-inchief of the former Washington Evening Star. In giving the collection to the Library in 1905, Mr. Noyes expressed the hope that the collection would be “an illustration of the extraordinary variety in Japanese art and an instructive and timely insight into their history and culture.”