DONNINGTON PRIORY
JEWELLERY, SILVER, WATCHES AND COINS Tuesday 8th October 2013
IMPORTANT NOTICES Please see Conditions of Business and Conditions of Sale at the back of this catalogue Dreweatts & Dreweatts 1759 are trading names of The Fine Art Auction Group Limited. The Fine Art Auction Group Limited is registered in England, company number: 03839469, registered office: 11 Adelphi Terrace, London WC2N 6BJ. Buying at Dreweatts There are several ways you can bid at a Dreweatts auction; in person, by leaving a commission or absentee bid, on the telephone where available and live via the internet – please make arrangements before the sale. Bidding in Person If intending to buy you are required to register your name and details at reception prior to the commencement of the auction. You will then be allocated a bidding number, which you use when bidding for an item. Commission Bids Dreweatts will execute bids on your behalf if you are unable to attend the sale. Commission or absentee bids are accepted either directly at reception, or can be sent by post, fax, email, telephone or via the website: www.dnfa.com. Dreweatts will add these bids to the auctioneers’ sale book and will undertake to purchase the lots on your behalf as cheaply as allowed by other bids and reserves. Dreweatts does not accept liability for failing to execute commission bids, or for any errors or omissions. Condition Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request – see the Conditions of Business at the back of this catalogue for more information regarding condition reports. Requests for condition reports must be submitted by 4pm on the day prior to the auction. Commission Charges All purchases are subject to a buyer’s premium, which is 24% of the hammer price plus VAT on this 24% (28.8% including VAT), for items up to £150,000. The commission reduces to 12% (14.40% including VAT) on the balance of items with a hammer price of £150,001 and over. In the event that a lot has an asterisk (*) beside the lot number in the catalogue, this indicates that the item is owned by an entity or company required to pay VAT (generally not an Antique Dealer, as they operate under a dealer’s margin scheme). VAT is payable at 20% on the hammer price. Live Internet Bidding To register to bid live via the internet or to follow the sale go to: artfact.com, epailive.com, liveauctioneers.com or the-saleroom.com. Dreweatts does not accept liability for any failure of these services. Payment Payment will be accepted, if you are a successful bidder, by debit card issued by a UK bank and registered to a UK billing address, by bank transfer direct into our bank account, Bank Details: Natwest, Blackboys Hill, Bristol. Account Name: Dreweatts 1759 Limited Client Account. A/C: 96633778 Sort Code: 60-17-24 BIC: NWBK GB 2L IBAN: GB25 NWBK6017 2496 6337 78; in cash up to £12,000 (subject to relevant money laundering regulations), or by all major UK issued credit cards registered to a UK billing address with the exception of American Express and Diners Club. A surcharge of 3% is payable on all payments made by credit card. This surcharge does not apply to debit card payments. Payment may also be made by Sterling personal cheques drawn on a UK bank account but Dreweatts regrets that purchases paid for by this method can not be collected until your cheque has cleared.
Bidding Increments The Auctioneer will advance bids in the following preset increments, and is under no obligation to accept bids between these increments. £200 £320 £550 £1100 £2200 £3200 £5500 £11000 £22000 £32000 £55000 £110000 £220000 £320000
£220 £350 £600 £1200 £2400 £3500 £6000 £12000 £24000 £35000 £60000 £120000 £240000 £350000
£240 £380 £650 £1300 £2600 £3800 £6500 £13000 £26000 £38000 £65000 £130000 £260000 £380000
£260... £400... £700... £1400... £2800... £4000... £7000... £14000... £28000... £40000... £70000... £140000... £280000... £400000...
£300 £500 £1000 £2000 £3000 £5000 £10000 £20000 £30000 £50000 £100000 £200000 £300000 £500000
Collection or Delivery Before being able to collect your purchases you are required to pay the hammer price, plus the applicable commissions, and obtain a receipt acknowledging payment. Collection of the purchased lots is at the purchaser’s risk and expense and whilst Dreweatts do not provide packing and despatch service we can suggest some carriers. Dreweatts also require that all purchased items are collected within three days of the sale to avoid a storage charge being applied. Storage Charges All items of furniture and larger works of art not collected by 5.30pm on theTuesday of the week following the sale will be automatically removed to commercial storage and subject to a minimum storage charge of £20 (plus VAT) per lot and to a further storage charge of £2 (plus VAT) per lot per part or full day thereafter.These charges will be the sole liability of the purchaser and will be billed directly to them by Snelsmore Storage. On payment of all sales and storage costs, items will be available for collection by appointment from Snelsmore Storage, tel: 01635 248636, mobile: 07774 703749. These charges are set by Snelsmore Storage, we recommend that you contact them directly regarding queries relating to these charges and other questions relating to storage. Staff at the saleroom will be unable to answer questions relating to items that have been removed from the saleroom. Further Information The colours printed in this catalogue are not necessarily a true reflection of the actual item. All weights and measures given in the catalogue should be regarded as approximate. Valuation Services Dreweatts provides a range of confidential and professional valuation services to private clients, solicitors, executors, estate managers, trustees and other professional partners. These services include auction valuations, insurance valuations, probate valuations, private treaty valuations, valuations for family division or for tax purposes. For more information, please see our website: www.dnfa.com. For directions to Donnington Priory, please see our website: www.dnfa.com Parking is available at Donnington Priory in two car parks on either side of the saleroom.
DONNINGTON PRIORY
JEWELLERY, SILVER, WATCHES AND COINS Tuesday 8th October 2013, 10am Sale No. 20620
For bidding and more information: +44 (0) 1635 553 553 | donnington@dnfa.com Specialists David Rees drees@dnfa.com
Free live online bidding for this sale:
Tessa Parry, FGA, DGA tparry@dnfa.com Nick Mann nmann@dnfa.com
www.artfact.com
Alexandra Francis, GG afrancis@dnfa.com www.liveauctioneers.com
www.the-saleroom.com
Viewing There is no surcharge for using this service
Saturday 5th October 2013 9.00 a.m. - 12.30 p.m.
Visit our website for current catalogues, colour illustrations of major lots and a word search service: www.dnfa.com
Monday 7th October 2013 9.00 a.m. - 6.00 p.m.
Dreweatts Donnington Priory Salerooms Newbury, Berkshire RG14 2JE Tel: +44 (0)1635 553553 Fax: +44 (0)1635 553599 donnington@dnfa.com
Day of sale from 8.30 a.m. Catalogues £10 (£12 by post) Buyer’s premium is charged per lot at 24% of the hammer price (28.8% including VAT) up to and including £150,000, and 12% on the hammer price (14.40% including VAT) in excess of £150,000. Follow us on Twitter
@DreweattsBlooms
Illustrations – Front cover: lot 230 | Back cover: 141
JEWELLERY, SILVER, WATCHES AND COINS
DONNINGTON PRIORY
SILVER-PLATE
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2 (part)
1 An old Sheffield plate shaped oval entrée dish, cover and handle on stand, the loop stock handle issuing from leaves and acorns, with scroll foliate borders, the stand with twin handles conforming, on four scroll feet, 38.5cm long £150-200
2 An old Sheffield plate twin handled oval tray, circa 1820, with a gadrooned edge and moulded handles, on ball feet, engraved with an armorial, 71cm (28in) long; and an electro-plated oval galleried tray by William Hutton & Sons, circa 1890, engraved with two crests beneath a viscount’s coronet, 61cm (24in) long (2) The first with the arms of OGLE, originally of Kirkley, Northumberland, impaling another. The arms are charged with the mark of a third son. Chaloner Ogle, 3rd son of Dr. Nathaniel Ogle, physician to the forces under the Duke of Marlborough, served in the Royal Navy as senior admiral of the red under the Duke of Clarence. He was created a baronet in 1816 and died five months later. His son Sir Charles Ogle, 2nd Bt., reached the rank of Admiral of the Fleet and died in 1858.
3 3 A late Victorian electro-plated and cut glass straight-sided oval biscuit barrel by William Hutton & Sons, circa 1890, 21.5cm wide £150-200
The second with the coronet and crests of DILLON and LEE for the Viscounts Dillon of Costello-Gallin of Co. Mayo in the Peerage of Ireland. The viscounty was created in 1621/2 for Sir Thebold Dillon, General Collector and Receiver of Taxes in Connaught and Thomond. He helped suppress the native Irish (1598-1601) and held the appointment Lord President of Connaught.
4 4 A set of twelve French electro-plated figural knife rests, 1920s, as six pairs of figures with animals, on rectangular stepped bases each 8cm long
£250-350
£100-150
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SILVER 5 A Queen Anne silver Hanoverian with rat-tail pattern table spoon, no maker’s mark, London 1712, Britannia standard; and a George II silver Hanoverian pattern table spoon by James Wilks, London 1744, dated 1744, both initialled, 2.3 oz gross (2)
8 A collection of George III silver Old English pattern tea spoons, various makers and dates, including: four bright-cut by Hester Bateman, London 1786; together with a pair of bright-cut sugar tongs by Thomas Oliphant, London no date, 8.8 oz gross (22)
£120-160
£200-300
6 A George I silver Hanoverian with rat-tail table spoon by John Holland, London 1716, Britannia standard, with heart shaped thread decoration at the top of the front of the handle, engraved ‘L’ over ‘CE’ to the back, 19.5cm (7 ¾in) long, 44g (1.4 oz)
9 Five silver bottom marked Hanoverian pattern table spoons, various makers and dates, comprising:
£50-70
7 A matched silver fiddle and thread part table service, various George III to Victorian dates and makers, comprising: six table forks, twelve dessert forks, eight dessert spoons (four are military fiddle and thread), 1523g (48.95 oz) gross (26)
Samuel Hutton, London 1730 Ebenezer Coker, London 1758 James Tookey, London 1749, 1759 or 1769 Maker’s mark probably ‘IT’, London 1761 Thomas Chawner, London 1774 Four engraved ‘LV’, the other engraved ‘JH’, the largest spoon 20.5cm long, 10.7 oz gross £150-250
£400-600
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12
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DONNINGTON PRIORY 10 A set of five 19th century silver fiddle pattern table spoons, unascribed, possibly colonial, engraved with a monogram, 23cm long, 11.3 oz £80-120
11 A George III silver Old English pattern gravy spoon by Stephen Adams, London 1800, engraved with a script ‘S’, 3.45 oz £80-120
12 A pair of Dutch silver embossed spoons, import marks for B. Muller & Son, Chester 1898, with figure terminals standing on plinths, pierced scrolling stems and foliate embossed bowls, 25cm long, 6.2 oz £150-200
13 A pair of silver and plain ivory handled fish servers by Mappin & Webb, Sheffield 1921, the knife 28.5cm long, in a case
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£100-150
14 A Victorian Scottish provincial silver sugar tongs by Robert Keay II, Perth (RK, eagle, RK, eagle and RK to other arm), 1839-1856, with shell bowls, engraved with a script ‘S’, 15.5cm (6in) long, 1.7oz £80-120
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15 15 A mid 18th century silver sugar nips, maker’s mark ‘IN’ and standard only, engraved with a monogram ‘TH’, 11cm (4 3/8in) long, 1.05 oz (repaired)
17 A George III Irish silver pointed Old English pattern table spoon by Arthur Murphy, Dublin 1809, with star bright-cut decoration and a vacant reserve, 25cm (9 ¾in) long, 67g (2.15 oz)
£80-120
£100-150
18 18 A late George III silver meat skewer by William Eley, William Fearn & William Chawner, London 1811, engraved with a crest, 33cm long, 3.45 oz £100-150
16 16 A late George III Scottish silver marrow scoop by Charles Dalgleish, Edinburgh 1815, engraved with a crest, a motto ‘Grip Fast’ and a script ‘L’, 24.5cm, 1.5 oz The crest probably for LESLIE. £100-150
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20
21
22 19 A pair of George IV Scottish single struck King’s pattern toddy ladles, maker’s mark ‘WM’ over ‘AM, Glasgow 1828, engraved ‘W’, 17cm long, 2.2 oz
21 A late George III silver fiddle pattern fish slice by William Eley & William Fearn, London 1817, the handle engraved ‘LW’ and the pierced blade engraved with a pike, 30.5cm long, 4.5 oz
£100-150
£150-200
20 Three Victorian Irish silver King’s pattern mustard spoons by William Cummins, Dublin 1839, engraved with a crest, 13cm long, 3.35 oz
22 A silver shaped circular salver by Frank Cobb & Co. Ltd., Sheffield 1931, with a gadrooned and shell border, and on four ball and claw feet, 33.5cm diameter, 31.95 oz
£100-150
£300-400
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DONNINGTON PRIORY 25 A late Victorian silver circular small salver by Roberts & Belk, Sheffield 1899, engraved with half florette and scroll bands, the raised border with embossed rocaille and lobing, the rim gadrooned, on three bracket feet, 21cm diameter, 12.45 oz £100-150
23 23 A silver square salver by Thomas Bradbury & Sons Ltd, Sheffield 1919, with inset curved angles, a moulded rim and on four pad feet, 30cm wide, 32.5 oz 26
£250-350
26 A silver canted square salver by Richard Comyns, London 1947, plain with plain incurves to the raised border, on four bracket feet, 25.5cm (10in) wide, 28.9 oz £300-400
24 24 A silver square salver by Roberts & Belk, Sheffield 1943, with inset double curved angles, a moulded rim and on four bracket feet, 31cm wide, 36.4 oz 27
£300-400
27 An Edwardian silver oblong baluster tea pot by George Nathan & Ridley Hayes, Chester 1906, engraved for Pearce & Sons, York as retailers, with a composition lobed oval finial and harp handle, a shell and gadrooned rim, a nulled band and on four bun feet, 30cm (11 ¾in) long, 21.9 oz gross £150-200
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30
28 28 A silver oval three piece tea service by Mappin & Webb Ltd., Sheffield 1913, the teapot with a composition finial and harp handle, a half gadrooned body and with a reeded oval foot rim, 27cm long, 24.8 oz gross £250-350
29 A silver oblong baluster three piece tea service by Fordham & Faulkner, Sheffield 1912, the tea pot with a black composition finial and handle, 28.5cm long, 38.55 oz gross £350-450
31
30 A William IV silver compressed spherical tea pot by Joseph & Albert Savory, London 1835, with a flower finial to the dome centred cover, a tonguecapped moulded loop handle, on four anthemion and scroll feet, 28cm (11in) long, 23.9 oz gross
31 A pair of silver candlesticks by Z. Barraclough & Sons Ltd., Sheffield 1926, the shaped oval sconces with moulded borders, tapering stems and on conforming shaped oval bases, 29cm high, loaded
£200-300
£200-300
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32 32 A matched pair of silver dwarf Corinthian candlesticks by Barker Brothers, Chester 1914 and Birmingham 1903, the sconces with beaded outlines, on stepped and part beaded square bases, 15.5cm high, loaded
34 A pair of silver vase shape sugar casters by William Suckling Ltd, Birmingham 1951, with turned ball finials, scroll pierced domed covers and on moulded circular bases, 16.5cm high, 8.2 oz £80-120
£150-250
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33 33 A pair of plain silver pepper mills by A. J. Poole, Birmingham 1997, 10cm high; and a late Victorian pair by Joseph Braham, London 1900, plain and engraved with a pelican in her piety crest, 7.5cm high, all loaded (4)
35 A pair of Edwardian silver oval pedestal sauce boats by Williams (Birmingham) Ltd, Birmingham 1904, with leaf-capped flying scroll handles, engraved with a monogram ‘MSB’, 16.5cm long, 12.2 oz
£70-100
£120-160
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36 An early George III silver ogee baluster sugar caster by John Delmester, London 1762, with a wrythen finial to the pierced and engraved domed cover, the body engraved with a vacant cartouche and foliage, on a moulded circular foot, 17cm high, 6.25 oz
38 An early Victorian silver lobed baluster cream jug by Edward, Edward junior, John & William Barnard, London 1844, with a double scroll handle, engraved with foliate sprays and on a shaped circular foot, 13.5cm high, 6.75 oz £150-200
£200-250
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37 37 A George III silver pedestal pepperette, London 1812, with a ball finial to the pierced centre domed cover with gadrooned rim, a moulded girdle, the spreading foot with a gadrooned band, 8.5cm high, 2.45 oz
39 A pair of Victorian silver pierced straight sided circular salt cellars by Henry William Dee, London 1876, with beaded rims, the sides pierced with alternating lotus and palmettes, each on three ball-and-claw feet, 6.7cm diameter, 5.95 oz, with blue glass liners £150-200
£150-200
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40 A late Victorian silver small drum mustard pot by Henry Stratford, London 1898, the cover with a volute thumb piece, an S-scroll handle and beaded band decoration , 5.7cm high, 3.05 oz, with a blue glass liner
42 A George III silver navette pedestal sugar basket by Robert Hennell I, London 1794, with a reeded swing handle and later embossed with scrolls, flowers and foliage, engraved with a crest, 13.5cm long, 5.55 oz
£60-80
£150-250
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41 A Victorian silver circular mustard pot by Robert Harper, London 1860, with a shell thumb piece and foliate scroll handle, the cover engraved with a foliate vacant reserve, a pierced body and on a circular foot, 9.7cm long, 3.2 oz, with a blue glass liner
43 A pair of silver café au lait pots by Charles S. Green & Co. Ltd, Birmingham 1969, in mid Georgian style, straight-tapered with turned finials to the domed covers, composition double scroll handles and tuck-in bases, 26cm high, 47.8 oz gross
£150-200
£350-450
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44 44 A Victorian silver circular mustard pot by Henry William Curry, London 1871, with a figural thumb piece and a double scroll handle, beaded borders, engraved with scrolls and portraits, with six applied portraits and on four winged cherub head feet, 8.5cm long, 4.3 oz, with a blue glass liner
46 A George III silver swollen oval mustard pot by Solomon Hougham, London 1804, with a scroll handle, a reeded border, embossed with foliate sprays and swags and two vacant reserves, 11cm long, 3.6 oz, with a blue glass liner £120-160
£150-200
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45 45 A William IV silver shaped circular chamber candlestick by Creswick & Co., Sheffield 1830, with a tongue-capped handle, raised moulded borders and engraved ‘J. Hodgson’ beneath, with an associated unmarked extinguisher, 14.5cm diameter, 9.7 oz
47 A Victorian silver goblet by William Eaton, London 1850, embossed with two reserves bordered by bulrushes and water lilies, the lobed base with flowers and foliage, the interior gilt, 17cm high, loaded £200-300
£200-300
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48 48 An Edwardian silver three handled pedestal bowl by James Dixon & Sons, Sheffield 1906, with a shaped reeded border, three double scroll handles and on a conforming foot, 17cm diameter, 12 oz
50 50 A George III silver wine label, maker’s mark ‘T.I’ struck twice only, circa 1790, engraved ‘HOCK’, 4.9cm long, 0.3 oz £50-100
£150-250
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49 49 A silver tazza by John Round & Son Ltd., Sheffield 1916, with twin shaped flat handles supported by flattened curved brackets, a pierced gallery, two girdles to the stem and on a shaped circular base, 16cm high, 19.2 oz
51 A pair of Victorian silver decanter labels by Charles Rawlings & William Summers, London 1859, of vine leaf outline, pierced ‘Port’ and ‘Sherry’, on suspension chains, leaf 6cm (2.25in) long, 53g (1.75 oz)
£200-300
£100-150
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52 52 [Crimean war interest] A mid 19th century silver oval compression tobacco box, unmarked, the cover embossed with two soldiers and ‘Two Friends 1854’, the body engraved with foliate swags, scrolls, shells and a crest, 8.3cm long, 2.5 oz
54 54 A George III silver canted-rectangular nutmeg grater by Ford & Slater, Birmingham 1798, with foliate and dotted borders, the hinged upper cover with a vacant shield, 4.1cm long £100-150
£180-220
55
53 53 A cast silver figure of a squirrel by Collingwood & Co., London 1966, naturalistically modelled eating a nut, 8cm (3 ¼in) high, 211g (6.8 oz) £100-150
55 A George IV silver rectangular vinaigrette by Edward Smith, Birmingham date obscured, the plain cover and base with chased border and thumb piece, the sides reeded, the gilt interior with a detached scroll pierced and engraved grille, 5.2cm (2in) long Edward Smith registered in May 1826, the mark worn but of Gothic form of the series beginning in 1824. £150-200
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58 56 56 A George III silver oval section rectangular tobacco or snuff box by John Thornton, Birmingham 1803, the cover aperture with an engraved border, the cover and base with a French inscription ‘Pour aiguiser l’esprit Temoigner d’amitie et de respect de la part de EL’ (To sharpen the mind Witness of friendship and respect from EL), the interior gilt, 7.7cm (3in) long
58 A set of six silver long hexagonal napkin rings by S. W. Goode & Co., Birmingham 1930, with vacant roundels on an engine turned ground, each 5.3cm long, 4.15 oz, in a case £80-120
£100-150
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57
59 A silver model of an elephant, import marks for London 1969, with composition tusks and mounted on a marble base, 8.9cm long £70-100
57 A Victorian silver shaped rectangular card case by Hilliard and Thomason, Birmingham 1884, with engraved foliate decoration and a central shaped vacant reserve, 9.4cm long, 1.85 oz £120-160
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DONNINGTON PRIORY
62 60 60 A silver filled model of a swan by John Bull Ltd, Birmingham 1995, naturalistically modelled swimming, 17cm high, 23cm long, loaded £150-250
61 A pair of silver decanter labels or tickets by Israel Freeman & Son Ltd, London 1979, with vine and cherub cast borders, the clamped panels engraved ‘Whisky’ and ‘Brandy’, 5cm wide; five others with vine or foliate, scroll and shell borders, various late 20th century makers and dates, engraved ‘Sherry’ (2), ‘Vodka’, ‘Rum’ and ‘Port’; and three in bone china by Coalport, for ‘Whisky’, ‘Brandy’ and ‘Gin’, 2.6 oz weighable (10)
63
62 A matched pair of silver, tortoiseshell piqué and cut glass spherical cologne bottles, maker’s marks rubbed, London 1923 and 1928, 9cm high
63 A silver dressing table set by Barrowclift Silvercraft, Birmingham 1989, comprising: a circular swing mirror in a stem which fits onto a circular stand with a pair of fixed vases and brush rests, a pair of circular pots and covers and six make up tools, 692g (22.25 oz) weighable, in a fitted case
£150-250
£400-600
£70-100
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64 64 A late Victorian silver mounted cut glass claret jug by Norton & White, Birmingham 1900, with a top mounted arched thumb piece to the plain flat cover, a plain clamped collar to the short cylindrical neck, a glass loop handle and a spherical body, 18.5cm high £120-160
66 A pair of Italian silver coloured three light low candlesticks, 1944-1968 mark for Milan 665, .800 standard, the inverted bell capitals with leaves issuing from the bases, leafy scroll branches and disc bases with foliate centres, each on three scroll and paw feet, 9cm (3 ½in) high, 608g (19.55 oz) £250-350
65 A Continental silver coloured oval baluster three piece tea service, stamped ‘800’ only, possibly Italian, 20th century, the tea pot with a lobed wooden finial to lobed domed cover, a wood harp handle, a cable rim and half lobing, 27cm (10 ½in) long, 1375g (44.2 oz) gross £400-600
66
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67 67 An Italian silver coloured oval bowl, control mark indistinct, .800 standard, mid-late 20th century, the waved rim with scrolls and shells, roundel embossed and on a conforming oval pedestal base, 32cm long, 21.7 oz £150-200
69 69 A Continental silver coloured baluster lemonade or water jug, stamped ‘925’, late 20th century, the flared rim with a wide spout, a loop handle and a moulded circular foot, 23.5cm high, 25.45 oz £200-300
68 68 A Continental silver coloured wine cooler, apparently unmarked, late 20th century, cylindrical with a flared lip and twin loop handles, 22cm high, 61.5 oz 70
£500-700
70 A Dutch silver oval tray by J. M. Van Kempen & Son, 2nd standard mark, key marks for export and import, 1910, with beaded borders, 35cm long, 10.5 oz £120-180
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73 71 71 [Judaica] A silver spice tower, import marks for London 1973, with a flag to the pull off steeple cover, filigree decoration to the slightly tapering body and on a circular moulded spreading foot, 17.5cm high, 2 oz £70-100
72 A Dutch silver gilt figure of a cockerel, pseudo marks, French import marks, the hinged head with inset red glass eyes, and with naturalistic feathers, 22cm (8 1/8in) high, 9 oz (one tail feather detached) £100-150
73 A German silver novelty trinket box by Simon Rosenau, Bad Kissingen, import marked for Sheffield 1896 by Samuel Boyce Landeck, in the form of a side table, the cover embossed with a chinoiserie landscape, the sides with foliage, on cabriole supports, 5cm wide, 1.05 oz, in a Cartier red leather box with a calling card printed ‘Duchess of Westminster’ and handwritten ‘Laura To commemorate your Confirmation Sunday November 5th’ 72
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£80-120
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74 74 A Thai silver deep bowl, dot engraved ‘100%’ and ‘30’ and a letter (for 30 baht), late 19th/20th century, chased with animals in niched panels on a foliate ground, 20cm diameter, 14.75 oz
76 A set of twelve American silver coloured individual nut dishes by Gorham Mfg. Co., design 5B, leaf shaped with tendril handles, 10cm long; and another pair by R. Blackinton & Co., of maple leaf shape, 12.5cm long, 13.35 oz gross (14) £100-150
£100-150
77 75 75 An American silver coloured deep bowl by Shreve, Crump & Low Co., Boston, Massachusetts, stamped ‘P. Revere Reproduction’, engraved with the crest of Pelham Burn and the motto ‘Ever Ready’, 25.5cm (10in) diameter, 24.45 oz £200-300
77 An American silver mounted glass bowl by Tiffany & Co., stamped ‘TIFFANY & Co. MAKERS STERLING SILVER C4’, with sponsor’s mark for Albert William Feavearyear, import marked for London 1906, the silver everted rim with embossed and pierced panels of flowers and leaf scrolls, the bowl of cut glass, diameter 23.5cm In 1892 Albert William Feaveryear was the manager of the newly located Tiffany premises at 221 Regent Street. £150-200
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80 78 78 A Russian silver and enamel saucer by V. Akimov, Kokoshnik mark for Moscow 1899-1908, 84 zolotniks, assay master Ivan Lebedkin, with foliate decoration and a white beaded border, 11.5cm (4 ½in) 85g (2.75 oz) gross £100-150
80 A silver coloured and enamel rectangular box, partial Imperial Russian marks ‘84’ and ‘BK’, midlate 20th century, the cover with a flower and pearl trellis panel with the border and sides of a flower meander, 7.5cm wide, 4.7 oz gross £100-150
79 79 A Russian silver gilt and cloisonné enamel circular napkin ring by Nicholai Pavlov, Kokoshnik mark for Moscow 1908-1926, 84 zolotniks, decorated with shaded flowers and scroll foliage, 4.5cm diameter, 1.55 oz gross
81 Two similar silver coloured rose gilt and enamel spoons, unmarked, mid-late 20th century, in Russian style, 19.5cm (7 ¾in) long, 4.35 oz gross
£100-150
£150-200
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DONNINGTON PRIORY 82 A silver coloured gilt and enamel spoon, two spurious Imperial marks, mid-late 20th century, in Russian style, 19.5cm (7 ¼in) long, 1.9 oz gross £70-100
83 Three similar silver coloured rose gilt and enamel spoons, unmarked, mid-late 20th century, in Russian style, 12cm (4 ¾in) long, 1.8 oz gross £100-150
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84 84 A Russian silver and enamel sugar bowl by Andrei Postnikov, Moscow, 84 zolotniks, late 19th century, the swing handle with foliate decoration, the circular bowl with foliate decoration throughout, the rim with a white beaded border and on a circular spreading foot, 8.5cm (3 ¼in) diameter, 230g (7.4 oz) gross £200-300
83
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DONNINGTON PRIORY 85 Two Soviet Russian silver coloured gilt and enamel cheroot pipes, the first with partial maker’s mark, 1927-1958 mark for St. Petersburg, with a bone mouth piece, 10.5cm (4 ¼in) long; 1927-1958 mark for St. Petersburg .916 standard, lacking the mouth piece, 7.5cm (3in) long; three cigarette holders, the first with 1927-1958 mark for St. Petersburg .916 standard, with an ivory mouth piece, 8.2cm (3 ¼in) long; the second apparently unmarked, with a bone mouth piece, 7.5cm (3in) long; the third with 1927-1958 mark for St. Petersburg .916 standard, the bone mouth piece detached; and an oblong pocket petrol lighter, maker’s mark poorly struck, Kokoshnik mark for 1908-1926, 84 zolotniks, with flowers, scrolls and beads, 7cm (2 ¾in) long (6) £220-260
86 A set of six Russian silver coloured gilt and enamel spoons by Mik. Zorin, Moscow, Kokoshnik mark for 1908-1926, the backs of the fig shaped bowls with scroll decoration on a matted ground, the ends of the part twisted handles with enamelling in two tiers, 13.5cm (5 ¼in) long, 163g (5.25 oz) gross 85
£200-300
86
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DONNINGTON PRIORY
87
89
87 A Russian silver gilt and cloisonné enamel sugar tongs, maker’s mark ‘B?A’ (Cyrillic, not traced), Kokoshnik mark for Moscow 1899-1908, assay master Ivan Lebedkin 1898-1914, 84 zolotniks, foliate decorated on a matted ground, 12.2cm (4 ¾in) long, 38g (1.2 oz) gross
89 Two Soviet Russian silver coloured and enamel circular boxes, 1927-1956 .916 standard marks, one gilt and straight-sided, the other a powder compact with a mirror inside the cover, each with scroll designs, 4.3cm and 4.5cm diameter, 2.1 oz gross
£80-120
£100-150
90
88 88 The base of a Russian silver and enamel throne salt, maker’s mark ‘YaB’ (Cyrillic, not traced), Kokoshnik mark for 1899-1908, assay master Yakov Lyapinov, St. Petersburg 1899-1903, 84 zolotniks, decorated in shaded scrolls on a pink ground, 6.5cm wide, 6.55 oz gross (lacking the back)
90 A Russian silver gilt and enamel footed bowl, maker’s mark ‘F.S’ (Latin, unknown master), Moscow 1892, assay master Anatoly Artisibashov, 84 zolotniks, with a beaded rim, decorated outside and in with scroll designs, on a short flared base, 9.2cm diameter, 3.65 oz gross (beading broken) £200-300
£200-300
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DONNINGTON PRIORY
93 91 91 A Russian silver coloured and enamel belt, maker’s mark ‘MYeR’ (Cyrillic, not traced), Kokoshnik mark for 1908-1926, 84 zolotniks, composed of oval and circular links, 78.5cm long; and two Russian silver gilt and guilloche enamel small spoons, one with a Kokoshnik mark for 1908-1926 (3)
93 A Regency ivory etui, circa 1815, cylindrical with a flat base, with a central silver navette reserve engraved ‘Bella’ within a tortoiseshell and silver banded reserve, a faux keyhole and two hinged end flaps with ring handles, one end vacant, the other with two apertures for scent bottles and a tweezers, 7.5cm (3in) long £200-300
£80-120
OBJECTS OF VERTU
94 92 92 Negretti & Zambra, a pair of mother of pearl opera glasses, signed to the eyepieces, in the original leather case
94 A metal trinket box with a Limoges type enamel hinged cover, of oval outline, the girl in profile with holly to her hair, highlighted in parts with pallions, lined interior, 6.8cm long £60-80
£60-80
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DONNINGTON PRIORY
97 (part) 95 95 A silver and tortoiseshell pique oval snuff box, unmarked, the cover and base early 18th century, the sides late 18th century, cover with gold piqué point work of a cypher with scroll foliage to the quadrants, the straight sides engine turned within moulded borders, the tortoiseshell base plain, 8cm (3 1/8in) long £200-300
97 Three various fans, European, late 19th/early 20th century, comprising; a lace and gauze example painted with cherubs with two colour gilt bone sticks and guards, 39cm wide (open); the second with a printed, painted and gilded scene of three ladies and two gentlemen in a garden landscape, with gilt bone sticks and guards; the third with a painted coastal scene, with pierced and painted sticks and guards, each in a rectangular frame, glazed (one damaged glass) £150-250
96 96 Two fob seals, one in the form of a sitting dog stamped with a French poincon, on a cornelian matrix; together with a fob seal decorated with flowers and shells, with a purple paste matrix engraved with a cherub holding a lantern with the word ‘Hush’ below
98 98 A paper fan, circa 1900, painted with Classical warriors by a wooded stream coming across two maidens and a putto, with pierced and gilded mother of pearl sticks and guards, mounted open in a glazed case £80-120
£80-100
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DONNINGTON PRIORY
101 101 English School (circa 1900), three portraits of a mother, a boy and a baby girl, possibly on photographic bases, two 6.5cm x 4.5cm, one 3.2cm x 2.5cm, ovals, each in a gilt metal oval frame with tied ribbon surmount, in leather covered easel back cases 99
£100-150
99 Seven items of objects of vertu, including: a plain ivory sewing neccessaire, 19th century, 7.5cm long; an Indian silver coloured embossed heart shaped box, circa 1900; a silver coloured circular box, stamped ‘925’ twice, late 20th century, the cover applied with a monogram; a coloured glass scent bottle; and other items £80-120
102 100 100 An Art Deco cream vellum travelling vanity case with silver mounted fittings, maker’s mark ‘TP’, London 1937-1940, the fitted interior with engine turned silver mounts inscribed ‘Rhona’, comprising three circular cut glass jars, five rectangular containers, four brushes, a mirror, a shoe horn and comb, the case impressed ‘R.W.’, 35cm x 26cm, in a canvas travel case
102 English School (mid 19th century), a portrait of a fair haired young lady, 8.7cm x 5.8cm, oval, in an oval gilt gesso frame £80-120
£200-300
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DONNINGTON PRIORY 104 Patrick Cox, a blue leather shoulder bag, the front with a chrome dog clip clasp, the lining, zip tags and front of bag stamped with ‘Patrick Cox’, with inner zip pocket, mobile phone holder and slip pocket, chrome fittings, width 42cm, height 25cm £50-80
103 103 German School (18th century), a group of three oval portraits of princes or nobles, each 3.3cm x 2.7cm, later mounted in a common rectangular black papier mache frame, 16.5cm x 24.5cm overall £100-150
105 105 Louis Vuitton, a Monogram canvas soft sided travelling or suitcase, stamped ‘Louis Vuitton Paris Made in France’ inside, stamped to rivets and zipper pulls, leather handles, name tag and double banding, 42cm high, 62cm long, 20cm deep £200-300
106 Parker, 61, Presidential, an 18 carat gold ball point pen, with engine turned decoration throughout; together with an 18 carat gold Parker pencil, with engine turned decoration throughout, 46g gross £600-800
104
106
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DONNINGTON PRIORY
107 De La Rue & Co Ltd, Onoto-Magna, model 1873, the black fountain pen with three rolled gold bands at the base of the cap and rolled gold clip, with two tone no 7 nib, stamped ‘14ct’ £200-300
108 Louis Vuitton, a black leather organiser, the textured black leather with Louis Vuitton monogram to one corner, and signed ‘Louis Vuitton Paris, Made In France’ on one of the three inside front pockets, two pockets at the back, with original card separators for diary; the travellers log book; personal reminders; address book, with index; and notes, 22.5cm long £70-100
107
108
WATCHES 109 Breant, Paris, an early 19th century 18 carat gold open face repeating pocket watch, circa 1820, the two piece hinged case with rope twist decoration, the back cover with a flower head and laurel wreath motif in pink and yellow gold with further engraved flower and circle decoration, the white dial above a chamfered plate engraved ‘Breant’ with further engraved decoration, with black Arabic numerals, original pierced hands set with rose cut diamonds, the full plate verge fusee repeating movement with pierced and engraved cock, polished steel end piece, cylindrical pillars and hammer striking on pegged case, the case 44mm diameter £700-1,000
109
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DONNINGTON PRIORY
112
110 110 A Swiss 18 carat gold and enamel half hunter fob watch, ref. 8352, circa 1880, with a four piece hinged case, red enamelled chapter ring to the front with white Roman numerals, white enamelled dial with black Roman numerals, blued steel spade hands, the cuvette engraved ‘C. Dobell. Hastings’, keyless 7 jewel Swiss cylinder bar movement, case monogrammed
112 J.B Dent & Sons, London, a silver hunter pocket watch, hallmarked Chester 1898, with four piece hinged case, white enamelled dial with black Roman numerals and subsidiary seconds dial, three quarter plate English lever movement, bimetallic shift balance, hat balance spring, reversing pinion, no. 306359, 51mm diameter, with an unassociated Vacheron & Constantin box. £100-150
£80-100
111 111 Waltham, a 9 carat gold hunter pocket watch, no. 330680, hallmarked Birmingham 1925, with four piece hinged case, inner bezel, white enamelled dial with black Arabic numerals and subsidiary seconds dial, blued steel spade hands, 7 jewel Waltham movement, bimetallic split balance, overcoil balance spring, no. 24128915, 48mm diameter, 94g gross including movement £250-350
113 113 Whytock & Sons Dundee, a Swiss gun metal open face pocket watch, no. 14063, circa 1920, with four piece case, white enamelled dial, black Roman numerals, subsidiary seconds dial and blued steel hands, 15 jewel bar movement, bimetallic split balance, overcoil balance spring, screw shepherds crook regulator, 48mm diameter £80-120
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DONNINGTON PRIORY
114
116
114 A gun metal moonphase double dial full calendar Swiss pocket watch, circa 1900, the three piece case with a white enamel dial, subsidiary second dial, moonphase, black Roman numerals, blued steel spade hands, calendar dial, outer silvered rim, black date letter and a gilt date chapter ring with Arabic numerals and month aperture, a 15 jewel Swiss bar movement, bimetallic split balance, overcoil balance springs, reverse calendar mechanism, no. 54142, the case 53mm diameter
116 Swaine & Adeney, an eight day stirrup clock, signed Swaine & Adeney, 185 Piccadilly, W1, circa 1930, with a two piece hinged nickel plated case, a chrome plated screw bezel, a silvered engine turned dial, blued steel hands, black Arabic numerals, 7 jewel eight day Swiss movement with double mainspring barrels, monometallic balance and flat balance spring, hung in a leather pouch from a riding stirrup, 14.5cm high £100-150
£150-200
115
117
115 An open faced fob watch, circa 1880, the first with a four piece case, stamped ‘18k’, with a white enamelled dial and black Roman numerals within gold coloured circles, Swiss cylinder bar movement, case with engraved scrolling foliate decoration; together with a similar fob watch with a 15 jewelled three-quarter plate Swiss movement, with bimetallic balance and overcoil hair balance spring
117 Asprey, a brass mantel clock, circa 1997, ref. M545, the matt brass case with polished edges, bezel and fixed handle, white background to front, the white dial with baton and Roman numerals, black hands and on four polished bun feet, non jewelled Swiss quartz movement, no. 1885388, 41.94304 MHZ, 25.5cm high, in a card box from Asprey & Garrard £150-200
£250-350
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DONNINGTON PRIORY
118 118 A gilt brass and green onyx eagle bull’s eye desk clock, circa 1900, the gilt brass eagle supporting the timepiece on its wings, the white dial with black Roman numerals, a tapering minute hand and spade hour hand, the later 15 jewel Omega watch movement, bimetallic split balance, no. 4847674, on a brass and onyx base, 15cm high
120 120 Omega, a lady's 18 carat gold wristwatch, no. 115 10524 61, the silvered dial signed Omega, with baton hour markers, 17 jewel Omega Watch Co. movement no. 483, the case 23mm, on a woven link bracelet strap, 15.5cm long, 34g total £500-700
£100-150
121 119 119 Rotary, a 9 carat gold mid sized wristwatch, ref. 24-5-1210, 381892, hallmarked Birmingham 1950, the two piece case with signed circular dial, Arabic numerals, subsidiary seconds dial and blued steel hands, 15 jewel movement, the case 31mm long including lugs; together with a further mid sized wristwatch, ref. 12102484268, hallmarked Birmingham 1952, the three piece case with circular silvered dial, black Arabic numerals, subsidiary seconds dial and blued steel arrow hands, the case 32mm long including lugs
121 Movado, a sapphire and diamond cocktail watch, the square silvered dial signed Movado and 'Hardy Bros', with alternating Arabic and baton hour markers, the stepped lugs set with alternating step cut sapphires and eight cut diamonds, 2.8cm long, to a 9 carat gold woven link bracelet strap; together with a lady’s diamond set wristwatch, the circular silvered dial with Arabic numerals, the bezel set with small old cut diamonds, diameter 2.8cm, the case numbered ‘192’ with French poincon, to a later cordette bracelet strap £400-600
£120-160
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DONNINGTON PRIORY
122* Tag Heuer, Aquaracer, a lady’s stainless steel wristwatch, circa 2005, the two piece screw down case and crown with diamond set rotating bezel, the mother of pearl dial with diamond dot numerals, baton hands and date aperture, 3 jewel Swiss quartz movement cal. ETA F03.111, the case 33mm including lugs, on a stainless steel block link bracelet with fold over clasp £400-600
122
123
123* Citizen Eco-Drive lady's stainless steel bracelet wristwatch, ref. G670-S070643, OD102631, GN-0-5-9, circa 2012, the two piece case with white stone bezel, mother of pearl dial, baton numerals and Dauphine hands, non jewelled Citizen quartz movement cal. 9670m, the case 25mm diameter, 19cm long; together with a Citizen Eco-Drive Lady's stainless steel bracelet wristwatch, ref. E011-S066433, ON1020745 GN-YW-5-9, circa 2012, the two piece case with white stone bezel, mother of pearl dial, white stone dot numerals, date aperature and luminous skeleton hands, non jewelled Citizen quartz movement cal. E011M, the case 26mm diameter, 20cm long £100-150
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DONNINGTON PRIORY
124
125
124* Palatina, a lady's wristwatch, circa 1980, the two piece case with gold dial, baton numerals and hands, quartz movement, on a block rope effect integral bracelet with French poincon, 30g gross £400-600
125 Longines, a lady's '10k filled gold' wristwatch, ref. 9935702, circa 1940, the two piece case with rotating bezel, two crowns, one wind, the other set, two bezel lock, silvered dial with Arabic numerals and alpha hands, 16 jewel Longines movement, bimetallic split balance, overcoil balance spring, cal. 10L, no. 6365282, on a later brown leather strap £100-150
126
126 Baume & Mercier, a lady’s 18 carat gold wristwatch, circa 1970, ref. 38263, no. 488148, the two piece case with black dial and Dauphine hands, 17 jewel Baume & Mercier movement cal. 775, the case 25mm, on an 18 carat gold integral woven bracelet with a snap ladder clasp, 18.5cm long overall £800-1,200
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DONNINGTON PRIORY 128 Rolex, Precision, a lady’s 9 carat gold watch, hallmarked Birmingham 1965, ref. 60804, no. 421516, the two piece case with engraved presentation inscription to the back cover, the silvered dial with baton markers and hands, 18 jewel Rolex movement cal. 1400, the case 17mm, on an integral 9 carat gold bark effect bracelet, in a green Rolex box £150-250
127 127 Longines, a gentleman's '10k gold filled' rectangular wristwatch, ref. L125, no.7340, circa 1953, the two piece case with silvered dial, tapered baton and Arabic numerals, subsidiary seconds dial, 17 jewel Longines Tonneau movement, monometallic balance, flat balance spring, cal. 9LT, no. 9587132, on a later brown leather strap; together with a Longines lady’s 18ct gold wristwatch, hallmarked Birmingham 1916, on a later brown leather strap £150-200
129 129 Omega, a gentleman’s automatic wristwatch, the dial with Arabic and baton numerals and inner minute ring, subsidiary seconds dial, tapered hands, on an expandable bracelet strap £100-150
128
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DONNINGTON PRIORY 131 Omega Seamaster, a gentleman's stainless steel wristwatch, ref. 14761.1.5c. circa 1959, the two piece case with silvered convex dial, raised baton numerals and hands, 24 jewel Omega automatic movement cal. 552, no. 1773 4488, on a later black strap £100-150
130 130 Girard Perregaux, a lady’s 18 carat white gold watch, ref. 712 FG, the two piece case with silvered dial, baton hands and numerals, the case 25mm long, on an 18 carat white gold block link bracelet with ladder snap clasp, in a Girard Perregaux box £500-700
132 132 Omega Seamaster De Ville, a gentleman's 18ct gold wristwatch, ref. 165004, the two piece case with silvered dial, raised baton numerals and hands, 24 jewel Omega automatic movement cal. 671, no. 22930265, on a brown strap £250-350
131
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DONNINGTON PRIORY
133 133* Tag, Formula 1, a gentleman’s stainless steel wristwatch, circa 2005, ref. WAH 1110, JC7002, the two piece screw down case and crown with rotating black bezel, the black dial with luminous baton numerals and hands, and date aperture, 7 jewel Swiss quartz movement cal. ETA F06111, the case 46mm including lugs, on a block link bracelet with fold over clasp £300-500
134 134 Eterna Matic, a gentleman's wristwatch, the case with a Swiss control mark and numbered '5076856', the signed silvered dial with baton hour markers and date aperture at 3 o'clock, 2.9cm diameter, on a later gilt stainless steel block link bracelet £300-400
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DONNINGTON PRIORY 136 Longines, a gentleman's silver wristwatch, circa 1915, ref. 3470272, the three piece case with white enamelled dial, black Roman numerals, Arabic red minute numerals, blued steel hands and subsidiary seconds dial, 15 jewel Longines movement, 13.3 ligne, bimetallic split balance and flat balance spring, 34mm long including lugs, on a later leather strap ÂŁ200-300
135 135 Longines, St Imier, a gentleman's '10k gold filled' wristwatch, circa 1928,ref. 9078452, the two piece case with outer bezel 1/10minute divisions, double crowns, wind and set, two centre dial disc set, the white dial with Roman numerals, Arabic 0-180, inner dial, rotation centre disc 60 seconds, 15 jewel Longines movement, monometallic balance, overcoil balance spring, cal. 101, no. 5990871, on a later brown leather strap, in a Longines box ÂŁ150-250
137 137 Garrard, a lady's 18 carat white gold bracelet wristwatch, circa 1980, ref. 1228, the two piece square case with silvered dial signed Garrard, baton numerals and hands, 17 jewel Swiss movement signed Delano, cal. ETA. 2412, the dial 13mm long, on an integral woven bark effect bracelet, in an associated box 136
ÂŁ600-800
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DONNINGTON PRIORY
138
139
138 A stainless steel gentleman's wristwatch, circa 2000, ref. 104-898, 660141, the three piece screw case and crown with black quartered dial signed Porsche Design, luminous baton hour markers and hands, date aperture at 3 o'clock, 7 jewel Swiss quartz movement cal. ETA. 955-612, the case 44mm long including lugs, on a black leather bracelet strap
139* Aquamaster, a lady’s stainless steel and diamond chronograph wristwatch, circa 2000, the two piece screw down case with diamond set bezel, the mother of pearl dial with Arabic twelve, three and nine, luminous hands, subsidiary dials running seconds, hour and minutes and date aperture, none jewelled chronograph quartz movement cal. Miyata F500, the case 36mm including lugs, on a stainless steel block link bracelet with fold over clasp
£150-200
£300-500
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DONNINGTON PRIORY
141
140 140 Cartier, Must De Cartier, a gentleman’s stainless steel and gold plated bracelet wristwatch, circa 2000, ref. B02114, the two piece screw down case with wide bezel, white dial, Roman numerals and blued steel baton hands, 7 jewel Cartier quartz movement cal. 90.06, the case 33mm including lugs, on a two colour link bracelet with fold over clasp, in a Cartier box with outer card packaging and instruction booklet
141 Tudor, Prince Oysterdate 34, a gentleman's stainless steel wristwatch, circa 1958, ref. 7944, no. 267015, the two piece screw case and crown with white textured dial, Arabic numerals, blued steel luminous lance hands and date aperture, 17 jewel Swiss Tudor Auto Prince movement, monometallic balance, flat balance spring, the case 41mm including lugs, on a brown leather strap, with later Tudor box
£400-600
£400-600
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DONNINGTON PRIORY 144 A pair of cufflinks, stamped ‘18ct’, the cufflinks each with a shaped rectangular panel and a marquise shaped panel with belcher link connectors, inscribed ‘R’, together with a bloodstone signet ring, indistinct hallmark, the oval panel engraved with an elephant’s head, finger size K, 15.8g total
JEWELLERY
£200-300
142 142 An archaeological revival ram’s head ring by Zolotas, the head terminal to a bead and wire work graduated shank, signed Zolotas, and stamped ‘750’ and ‘950’, finger size I; together with three oval cut citrine stones, approximately 6 carats in total (4) £100-150
145 145 A sapphire and diamond plaque ring, second quarter of the 20th century, the shaped geometric panel set with rose cut diamonds and calibre cut sapphires, with a central old brilliant cut diamond accent, finger size M ½ £450-550
143 143 An aquamarine and diamond dress ring, the rectangular mixed cut aquamarine in a four claw setting to stepped brilliant cut diamond shoulders, 0.42 carats total, finger size N £500-700
146 146 An 18 carat gold and diamond single stone ring, the brilliant cut diamond in a collet setting, finger size K ½ £70-90
144
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DONNINGTON PRIORY
150
147 147 An amethyst and diamond ring, the circular shaped amethyst in a six claw setting, with eight cut diamonds and baguette cut diamonds to the shoulders, stamped ‘PLAT’, finger size K
150 A Victorian diamond, ruby and emerald three row panel ring, the central line of old cut diamonds flanked between a row of cushion cut rubies and a row of step cut emeralds, diamonds approximately 0.86 carats, to tulip shaped shoulders, finger size L £500-700
£300-400
148 148 A diamond ring, the ring set with brilliant and rectangular brilliant cut diamonds in shaped settings, approximately 1.40 carats total, finger size Q £200-300
151 151 An aquamarine and diamond ring, the central oval cut aquamarine, approximately 3.05 carats, within a surround of brilliant cut diamonds, estimated to weigh 0.60 carats total, finger size O½ £600-800
149 149 A French 1940s diamond dress ring, with a central three row arched panel set with brilliant cut diamonds, with brilliant cut and eight cut diamonds to the shoulders, approximately 1.10 carats total, on a wide band shank, finger size L ½
152 A diamond and black diamond ring with matching pendant necklace, the ring centrally set with a brilliant cut diamond, the shoulders pave set with black and white diamonds, finger size N; and matching pendant necklace, pendant 2cm long, curb link chain 42.5cm long (see illustration on our website) £300-500
£700-1,000
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DONNINGTON PRIORY
153
156
153 A yellow sapphire and diamond cluster ring, the oval cut sapphire within a surround of brilliant cut diamonds, the shank with a 14ct gold London hallmark, finger size N
156 A ruby and diamond panel ring, the marquise shaped ring set with alternating lines of rubies and rose cut diamonds, finger size O ½ £200-300
£300-400
157
154 154 Two Roman rings, circa 1st-3rd century A.D., the first with a chalcedony intaglio engraved with a figure of Mercury, mounted in hollow gold with a bitumen core, finger size L; the second with a carnelian intaglio engraved with a goddess, possibly Minerva, in a collet setting, finger size O
157 An onyx and diamond dress ring, the shaped panel with a central polished oval onyx plaque with a central diamond accent and graduated diamond terminals, finger size L £400-600
£400-600
158 155 155 A diamond eternity ring, with brilliant cut diamonds, approximately 0.83 carats total, 18 carat white gold, London hallmark, finger size K; and a five stone brilliant cut diamond ring, approximately 0.40 carats total, 18 carat white gold, Birmingham hallmark, finger size L
158 A five stone diamond ring, the graduated old cut diamonds in claw settings, approximately 0.38 carats total, finger size O £250-350
£300-400
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DONNINGTON PRIORY
159 159 A diamond half eternity ring, set with nine princess cut diamonds in a channel setting, approximately 1 carat total, finger size O ½ 163
£600-800
163 A sapphire and diamond ring, the central oval cut sapphire in claw settings between two brilliant cut diamonds, approximately 0.16 carats total finger size O £600-700
160 160 An 18ct gold three stone diamond ring, the graduated step cut diamonds in polished collet settings, approximately 1.13 carats total, finger size M £600-800
164
161 161 A half eternity ring, the old cut diamonds in closed back settings, approximately 0.39 carats total, finger size S
164 A garnet and diamond dress ring, the cushion cut garnet between brilliant cut diamond set shoulders, the setting with an 18 carat gold London hallmark, finger size N ½ £300-400
£250-350
165
162 162 A five stone diamond ring, the old cut diamonds with a raised central stone, approximately 0.45 carats total, to shaped polished shoulders, the shank stamped ‘18k’, finger size K
165 A 22 carat gold wedding ring, of plain D section, 3.3mm wide, finger size N½, 5.6g gross; with an 18 carat gold signet ring, Birmingham 1906, the shield shaped head monogrammed, finger size P, 3.6g gross £160-180
£250-350
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DONNINGTON PRIORY
169 166 166 A sapphire and diamond ring, the shaped triangular panel set with eight cut diamonds, and raised claw set round and oval cut sapphires, the shank stamped ‘18ct’, finger size L ½
169 An 18 carat gold diamond ring, the three central step cut diamonds, estimated to weigh 0.54 carats total, within a surround of brilliant cut diamonds, estimated to weigh 0.60 carats total, finger size M £900-1,200
£150-200
170 167 167 A platinum tanzanite ring, the square cut tanzanite in a four claw setting, finger size N £200-300
170 A single stone treated blue diamond ring, the brilliant cut diamond in a raised six claw setting, approximately 1 carat, the shank stamped ‘14k’, finger size M £300-400
168 171
168 A diamond five stone ring, the ring set with five graduated old cut diamonds in a claw setting, 1.05 carats total, scrolled gallery, the shank stamped ‘18ct’, finger size
171 An 18 carat gold seven stone diamond ring, claw set with seven brilliant cut diamonds, approximately 0.70 carats total, finger size N ½
£800-1,200
£250-350
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DONNINGTON PRIORY
172 172 A platinum and diamond ring, the band half set with three rows of brilliant cut diamond points, finger size M ½ £180-220
175 175 A sapphire and diamond ring, the central oval cut sapphire in a claw setting between two brilliant cut diamonds, approximately 0.50 carats total, finger size P £200-300
176 173 173 An opal and ruby dress ring, the oval cabochon opal between two rows of graduated round cut rubies, to polished reeded terminals, finger size O½
176 A diamond ring, the ring with a central row of baguette cut diamonds between two rows of brilliant cut diamonds, 1.53 carats total, the shank stamped ‘18k’, finger size M £800-1,200
£400-600
177
174 174 A five stone ruby ring, the mixed cut rubies with rose cut diamond points between, the shank stamped ‘18’, finger size N
177 A yellow sapphire and diamond three stone ring, the round cut yellow sapphire between two brilliant cut diamonds in collet settings, the shank stamped ‘18ct’, finger size L £700-1,000
£300-500
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DONNINGTON PRIORY
178 178 A diamond eternity ring, set with twenty eight baguette cut diamonds, approximately 1.12 carats total, finger size M; and an 18 carat gold wedding band, engraved with foliate decoration, finger size P½ £500-700
181 181 A diamond three stone gypsy ring, the central old brilliant cut diamond in a collet setting, between two old brilliant cut diamonds, on a wide band shank, approximately 0.80 carats total, finger size M £800-1,200
179 179 A platinum diamond cluster ring, the central rectangular panel set with a baguette cut diamond within a surround of brilliant cut diamonds, to brilliant cut diamond shoulders, 0.84 carats total, finger size M ½ £300-350
182 182 A sapphire and diamond set dress ring, the ring set with pear cut sapphires in the form of flower heads on a pave set brilliant cut diamond ground, diamonds approximately 0.68 carats total, the setting stamped ‘18k’, finger size P £250-350
180 180 A diamond dress ring, the pave set ring with a central four claw set brilliant cut diamond, approximately 1.53 carats total, the shank stamped 18ct, finger size P £600-800
183 183 A diamond and opal heart cluster ring, the cabochon heart shaped opal within a surround of eight cut diamonds, the shank stamped ‘18c’, finger size K ½ £300-400
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DONNINGTON PRIORY
187
184 184 A diamond four stone platinum band ring, the brilliant cut diamonds in a rub over band setting, approximately 0.16 carats total finger size N
187 A diamond eternity ring, set throughout with brilliant cut diamonds, estimated to weigh 0.72 carats total, finger size Q ½
£250-350
£200-300
188
185 185 An 18 carat gold diamond three stone ring, the central brilliant cut diamond between two brilliant cut diamonds, estimated to weigh 0.75 carats total, finger size P £200-300
188 A single stone diamond ring, the brilliant cut diamond in an eight claw setting, to tapered shoulders, diamond approximately 1 carat, finger size L £1,200-1,800
186 186 A diamond and bouton pearl cluster ring, the pearl within a surround of graduated old cut diamonds, please note the pearl is untested and unwarranted as a natural pearl, the shank with a partial French poincon, finger size M ½ £800-1,200
189 189 A late 19th century gold and hardstone cameo brooch/pendant, circa 1890, the oval hardstone cameo carved to depict a lady in Renaissance dress, within a polished mount with a beaded border and scroll at the cardinal points, 4.6cm long £400-500
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190 190 An emerald and diamond ring, the rectangular step cut emerald in a claw setting, with a trefoil of old cut diamonds to each side, finger size K ½ £200-240
193 193 A citrine and half pearl Victorian brooch, the oval cut citrine within a surround of half pearls to a scrolled border, citrine measures 2.5cm across, please note the pearls are untested and unwarranted as natural pearls £150-250
191 191 A French Art Nouveau medallist brooch by Frederic Charles Victor De Vernon, the circular rose cut diamond accented circular panel depicting Saint Cecilia, the patroness of music, playing a harp, flanked either side by clover, the reverse with a song bird on a branch, signed F Vernon, 3cm long, 6.4g gross
194 194 A circular brooch by Mosheh Oved, the brooch with a central raised cross motif, the reverse inscribed ‘Faith’, with maker’s mark £80-120
£300-350
195 192 192 A turquoise brooch, in the form of a twisted serpent, set throughout with cabochon turquoise, 3cm long
195 A cultured pearl and diamond swallow brooch, the swallow set throughout with seed pearls, within a circle set with rose cut diamonds, 2.2cm diameter
£100-150
£400-450
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199 196 196 An Art Nouveau brooch, the shaped pierced brooch with purple plique a jour enamel, with a central cabochon amethyst, and a red paste drop, the clasp stamped with a Russian Kokoshnik import mark for 1899-1908, 84 zolotniks, 3.6cm long
199 A porcelain plaque brooch, the rectangular plaque painted to depict Fabiola, after Jean Jacques Henner, the setting with an 18 carat gold Sheffield hallmark, 4.7cm x 3.7cm overall £80-120
£150-200
200
197 197 A diamond frog brooch, set throughout with eight cut diamonds, and with circular shaped rubies to the eyes, 2.8cm long
200 A diamond and seed pearl crescent brooch, the white coloured setting with graduated old cut diamonds with an inner row of graduated seed pearls, 3.6cm long £400-600
£1,200-1,500
201 198 198 An early 20th century sapphire and diamond brooch, the pierced brooch set with old and rose cut diamonds, with a central cushion cut sapphire, and lines of step cut sapphires, 6.4cm long £300-400
201 A paste brooch, by Christian Dior, dated 1967, set with three green cabochon pastes with stamens between against five realistically modelled leaves with a green finish over the gilding, 8cm across; with a pair of earclips, dated 1963, set with a green marbled paste and a similar drop beneath £70-90
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DONNINGTON PRIORY
205 202 202 A gem set butterfly brooch, set with half pearls to the body and accented with diamonds, rubies and emeralds to the wings, 3.5cm long
205 A Norwegian sterling silver brooch/pendant by Uni David-Andersen, on a belcher link chain, the pendant 5cm diameter £50-70
£200-300
206
203 203 A diamond and black enamel pendant and brooch, the matching oval pierced pendant and brooch set with old cut diamonds with black enamelled panels between, the pendant with a diamond and black enamelled bale length 3.2cm, brooch measures 2.3cm
206 A diamond single stone band ring, the old brilliant cut diamond, estimated to weigh 1.75 carats, rub over set above a tapered double hoop shank, stamped '750', finger size N £3,000-5,000
£300-400
207
204 A Georgian garnet brooch, circa 1800, the brooch in the form of a lovers’ knot, the garnets with foiled closed back settings, 3.7cm wide
207 A diamond and pearl cluster bar brooch, the bar with a central diamond and pearl cluster, to millegrain set old cut diamond terminals, 4.7cm long, please note the pearl is untested and unwarranted as natural pearl, in original fitted gold tooled brown leather case
£250-350
£400-600
204
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208 208 A two colour gem set bird brooch, circa 1940, the bird with eight cut diamond accented wings and a pave set emerald and sapphire set chest, 4.7cm wide £400-600
211
209 209 A 9 carat gold jade bar brooch, set with a central oval cabochon jade in a collet setting, 5.3cm long
211 A diamond swallow brooch, the brooch set throughout with rose cut diamonds, and cabochon rubies to the eyes, 3.5cm long £300-500
£40-60
210 210 An aquamarine bar brooch, the central oval cut aquamarine in a cut down collet setting, 6cm long; and a pair of aquamarine ear studs, set with circular cut aquamarines in claw settings, with post fittings £40-60
212 212 A 19th century eye brooch, the eye shaped gold brooch with a faceted clear paste tear, with a later miniature of a lady holding a dove, inscribed on the reverse ‘M Bishop Calne’, 4cm long £500-700
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DONNINGTON PRIORY
213
215
213 An early 19th century foil backed topaz and pearl set cannetille necklace, with graduated oval mixed cut topaz with pink foiled backs set in a cannetille surround, and highlighted with half pearls, interspaced with squared cannetille panels with half pearl highlights, to a three row beaded belcher link chain, sections missing
215 An opal, diamond and half pearl fringe necklace, the necklace with graduated cabochon opal and diamond set knife edge bar drops, to an articulated necklace with alternating opal and half pearl set links, to pearl set links and a polished link back chain, 40.5cm long £800-1,000
£500-700
214 214 A coral necklace, the necklace with thirteen rows of small coral (corallium rubrum) beads to a carved coral bead clasp, beads approximately 1mm diameter, 47cm long £300-400
216 216 A blonde tortoiseshell necklace and locket, circa 1890, the locket suspended from a circular plaque both with inlaid silver foliate and floral detail, to a graduated belcher link tortoiseshell necklace, in original case, locket drop 9.5cm long, chain 98cm long £150-250
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217
219
217 An Italian coral charm necklace, circa 1880, the necklace with alternating coral and gold links, suspending various red, white and black charms including; Pucinella with his coppolone hat; a lute; a fish; a key; a hand holding a cluster of further novelty charms, to a white coral barrel clasp, 41cm long
219 A peridot and amethyst necklace, the necklace consisting of tumbled beads of peridot, to a carved amethyst clasp, 46.5cm long £150-200
£150-250
218 218 An agate bead necklace, the graduated polished agate beads on a knotted necklace, largest diameter 16mm, smallest diameter 10mm, 116cm long £80-120
220 220 An opal and faceted rock crystal two row necklace, the slightly graduated opal beads interspaced with faceted rock crystals, the opals 4.8mm diameter to 6.4mm diameter, 147 beads total, ring clasp, 52.5cm long £600-800
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DONNINGTON PRIORY
223 223 A sapphire and diamond necklace, the triangular shaped panel with pierced geometric detailing set with step and round cut sapphires and brilliant cut diamonds, approximately 1.34 carats total, with a brick link back chain, 44cm long £600-800
221 221 A lapis lazuli necklace, the woven small lapis bead links with circular link connectors, 47cm long £400-600
224
222 222 A faceted amber bead necklace, the graduated amber beads to a hidden amber clasp, beads 7mm to 25mm, 79 in total, 64gm total £400-600
224 A garnet necklace, composed of graduated clusters set with circular garnets, with a pear shaped garnet suspended below, on a fine curb link chain, 42.5cm long; a garnet ring, set with an oval shaped garnet, within a surround of circular shaped garnets, finger size L; a garnet brooch, in the shape of a bow, set with a central rectangular step cut garnet between two triangular shaped garnets, within a surround of circular shaped garnets, 4.3cm long; a garnet brooch, set with nine circular shaped garnets in a circle, 1.8cm diameter £200-250
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227 225
227 A green tourmaline, ruby and diamond brooch/pendant by Rita Galle, designed as a stylised bow, centrally set with a step cut green tourmaline with oval mixed cut and square cut ruby highlights, and brilliant cut diamond accents, signed R. Galle, stamped ‘750’ with Italian control marks, 6.2cm long
225 A seed pearl necklace, of floral design, accented with seed pearls, on a box link chain, with a concealed box clasp, stamped ‘15ct’, 41.5cm long £200-250
Literature: ‘Rita Galle: Linea E Armonia’, Exhibition Catalogue 1991, item 19 p.31, for an illustration of this piece. Rita Galle was a Sicilian jeweller, silversmith, sculptor and painter who worked from her studio in Milan. £500-700
228 A pair of 18 carat gold heart shaped ear studs and pendant by Elsa Peretti for Tiffany & Co, the ear studs and pendant signed Tiffany & Co and Elsa Peretti, the pendant on a fine belcher link chain stamped ‘Peretti’, heart pendant 1.5cm long, the ear studs and pendant both in fitted boxes
226 226 Two amber bead necklaces, the first consisting of seventy 7.5mm - 20mm graduated faceted beads of amber, 70cm long, 48.5g; the second with seventy three 7.8mm -14.8mm graduated faceted amber beads, 70cm long, 42.3g
£400-600
£400-450
228 59
DONNINGTON PRIORY
229 229 A diamond pendant, the pear cut diamond, approximately 0.60 carats, in a three claw setting, to a fine belcher link chain stamped ‘750’, chain length 46cm
231 231 A diamond and ruby flower head pendant, the pointed petals set with rose cut diamonds to a ruby set bombe centre, 4.6cm long £600-800
£400-600
232 230 230 An early 19th century pink topaz cannetille brooch/pendant, circa 1830, the cannetille pediment set with three oval cut topazes in foiled closed back settings, suspending three pear cut topaz cannetille drops, 6.2cm long
232 A moonstone star pendant, the sugarloaf moonstones in four claw settings, 5.5cm long £200-300
£400-600
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DONNINGTON PRIORY
233 235
233 An aquamarine, diamond and seed pearl negligee necklace, the two drops each with a pierced quatrefoil panel terminal, each with a central millegrain set oval cut aquamarine with rose cut diamond accents, suspended by half pearl set articulated bars to a matching quatrefoil pediment, to a two colour back chain, the clasp stamped ‘15ct’, pendant 5cm long
235 An Edwardian sapphire, diamond and seed pearl pendant, the pierced circular pendant with foliate detail with rose cut diamond and seed pearl accents, to a pear cut sapphire drop, the pendant suspended from a knife edge bar with a round cut sapphire pediment, on a belcher link chain, 4.9cm long
£400-600
£300-400
236
234 234 An Austro-Hungarian pendant of St George and the Dragon, the polychrome enamel silver pendant depicting St George slaying the dragon, with seed pearl accents, maker’s mark ‘HB’, 5.3cm long, on a fine belcher link chain stamped ‘15’
236* A blue topaz and diamond cluster pendant, the mixed cut blue topaz within a border of brilliant cut diamonds, to a diamond set bale, total length 2.8cm £80-100
£150-200
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DONNINGTON PRIORY
239
237 A pair of diamond earpendents, the flower head drops with articulated stems and star shaped pediments, set with cut down collet lasque cut diamonds, hook fittings, 4.7cm long
239 A pair of cultured pearl and diamond chandelier earrings, the slightly baroque cultured pearl drops suspended from cartouche mounts set with rose cut diamonds, suspended from rose cut diamond quatrefoil tops, with hook and clip fittings, 6.1cm long
£500-700
£300-400
237
238 238 A pair of sapphire and diamond ear studs and a brooch, the ear studs of a pierced ‘S’ design, each with a sugarloaf cabochon sapphire and old cut diamond accent; the brooch made of two matching panels soldered together, adapted from a pair of cufflinks; together with the original Russian cufflink case signed ‘A.D Ivanoff, St Petersburg’ £400-600
240 240 A pair of Edwardian sapphire and diamond earrings, the central circular cut sapphire in a cut down collet setting, within an openwork surround of graduated brilliant cut diamonds, to a brilliant cut diamond set surmount, with post fittings, 2.6cm long £300-500
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DONNINGTON PRIORY
241 241 A pair of diamond set ear pendants, the kite shaped drops with a central foliate articulated pendant, to bow shaped pediments, with hook attachments, 3.5cm long £500-700
243 243 A pair of emerald and diamond earpendents, the cabochon emerald terminal suspended from articulated diamond set attachments, hook fittings, 3.5cm long £700-1,000
242 242 A pair of Victorian diamond and pearl earpendents, the earpendents with a central rose cut diamond cluster, suspending three knife edge bars with pearl terminals with applied rose cut diamond foliate accents, with looped rose cut diamond pediments, please note the pearls are untested and unwarranted as natural pearls, 4.6cm long
244 A pair of ruby and diamond earpendents, the oval cabochon ruby terminals with brilliant cut diamond pediments, suspended from a row of articulated brilliant cut diamonds with a step cut diamond accent at the top, 0.96 carats total, 3.8cm long
£700-1,000
£500-700
244
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DONNINGTON PRIORY
247
245 245 A French chatelaine, the double rope twist chain with black enamelled sliders with Greek key decoration, suspending a T bar with integral watch winder; a hardstone fob; and a further watch winder, 39.5cm long, weight 24.4gm total
247 A Victorian shell cameo set hair bracelet, the shell cameo depicting the profile of Christ wearing a crown of thorns within a scrolled engraved setting, to a five row platted hair work bracelet with a connector bar inscribed with the names ‘James, Charlotte, Lucy, Elizabeth, Mary’ and two glazed compartments verso, cameo 5.3cm long, bracelet 17cm long £300-350
£400-600
248 246 246 A Victorian locket, the oval locket with foliate decoration, on a panel link neck chain, locket 6.3cm long £80-120
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248 A William IV mourning locket, circa 1833, the round locket set with a double row of half pearls surrounding an enclosed section of hair work, and engine turned decoration to the reverse engraved with an inscription, on a box link chain, 47.5cm long £600-800
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DONNINGTON PRIORY
249 249 A mid 19th century micro mosaic locket, circa 1870, the oval locket inlaid with the image of a beetle on white ground, the reverse with the word ROMA, 4cm long £500-700
252 252 An Art Deco diamond surete pin, the pin in the form of an arrow set with old cut and rose cut diamonds, 8.8cm long 250
£300-400
250 A diamond and ruby cluster ring, the three central rubies within a surround of old cut diamonds, with decorative shoulders, finger size Q £250-350
253 253 A pair of blue enamel cufflinks, the round shaped double sided cufflinks set with lines of blue enamel, stamped ‘9ct’,1.5cm diameter 251
£80-120
251 A pair of moss agate cufflinks, the double sided cufflinks set with oval cabochon moss agate, stamped ‘9ct’, 2cm long £150-250
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DONNINGTON PRIORY 256 Five pairs of Scandinavian cufflinks, comprising; two pairs of Georg Jensen cufflinks, one pair with a circular and oval terminal, the other with rectangular and oval terminals; a pair of white enameled rectangular panelled cufflinks signed Norne, by Askel Holmsen; a pair of rectangular faceted cufflinks by Tone Vigeland; and a further pair of shaped panel cufflinks, stamped ‘Denmark’ with an unidentified maker’s mark £200-300
254 254 A set of coral shirt studs, the three studs in the form of insects, 1.5cm long; two 9 carat gold shirt studs; and three 18 carat gold and turquoise shirt studs 257
£80-120
257 A pair of banded agate cufflinks, the oval cabochon cufflinks with banded agate terminals, one terminal with a horizontal band the other with an oval band, joined a pair of two headed dog clip attachments £150-250
255 255 A pair of 9 carat gold cufflinks, formed in the shape of tragedy and comedy masks, the eyes set with rubies and sapphires, T bar fittings £180-220
258 258 A glass goldstone bracelet, the oval cabochon glass goldstones linked by polished bars, the clasp stamped ‘18k’, with a belcher link safety chain, 18cm long £300-400
256
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DONNINGTON PRIORY
262
259 259 A diamond set line bracelet, the bracelet of shaped matt links set with old cut diamonds, approximately 0.27 carats total, the clasp stamped ‘K14’, 18.3cm long, 36g total £500-600
262 A diamond and synthetic ruby bracelet, the front of articulated pierced geometric panels set with old cut diamonds, approximately 1.88 carats total, and triangular and rectangular cut synthetic ruby accents, to a bar link bracelet with a fancy link safety chain, length approximately 15cm £500-700
260 260 A diamond double cluster hinged bangle, the bangle with two old cut diamond flower head clusters to crossover diamond set shoulders, approximately 0.90 carats total, inner width 5.9cm £600-800
263 261 261 A sapphire bracelet, composed of eleven open work oblong links centrally set with a circular cut sapphire and rose cut diamonds, with engraved scroll borders, to a concealed box snap clasp, stamped ‘18’, 18cm long
263 A Victorian turquoise bracelet, circa 1870, consisting of fancy links set with cabochon turquoise, the clasp in the shape of a heart with foliate decoration, 17.5cm long £500-700
£400-600
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DONNINGTON PRIORY 264 A bracelet by Georg Jensen, numbered 79, designed by Joergen Jensen, the pierced scrolled panels to a hidden clasp, 19.5cm long £80-120
264
265 A brooch by Georg Jensen, numbered 322, designed by Henning Koppel; a pair of Georg Jensen lapis lazuli ear studs, numbered 9 £120-150
266 Atasay, a diamond and simulated pearl suite, the necklace with scrolled articulated panels suspending pear shaped simulated pearls, 45cm long, a pair of scrolled diamond set earpendents, each suspending a pear shaped simulated pearl, 2.9cm long, together with a similar ring and bracelet, the necklace, ring and bracelet signed and stamped ‘585’, in a fitted green Atasay box £1,000-1,500
265
266
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DONNINGTON PRIORY
COINS AND BANKNOTES
270 267 267 Victoria, Sovereign 1863, young head, rev. shield. Good fine
270 George V, Sovereign 1912. Good, very fine £180-200
£160-180
271
268 Elizabeth VII, Sovereign 1910. Good, fine
271 George VI, Coronation 1937, proof Sovereign and Half-Sovereign, each with plain edge (S.4076, 4077). Extremely fine, some discolouration to Sovereign obverse. (2)
£180-200
£1,000-1,500
268
272 269 269 George V, Sovereign 1913. Good very fine £180-220
272 Edward VII, Half-Sovereign 1905. Good fine £80-120
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DONNINGTON PRIORY
273 273 Elizabeth II, Sovereigns (10) 1957 - 1959 inclusive, 1962 - 1968 inclusive. Extremely fine (10)
276 276 Edward VII, Half-Sovereign 1909. Good fine £70-100
£2,000-2,600
274
277
274 George V, Sovereigns (2) 1911, 1912. Good very fine (2)
277 Sovereigns (2) 1898 S, 1910, in loose 9 carat mounts, total weight 20.8g. About very fine (2)
£350-400
£350-400
275 275 Two mounted Victorian sovereigns, dated 1883 in a loose mount, and 1883, soldered, 17.8g total £350-400
278 278 George IV, Sovereign 1827 (S. 3801), in a loose 9 carat mount. Very fine, marks consistent with mounting £250-300
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DONNINGTON PRIORY
282
279 279 Victoria, Sovereign, young head, rev. shield, large 0 in date (S. 3852D). Good fine
282 Edward VII, Sovereigns (2) 1905M, 1907. Very fine (2) £320-350
£180-200
280 280 Elizabeth II, Sovereign 1958; Half-Sovereigns (2) 1893, 1916. Second coin fair, others extremely fine (3) £320-350
283 283 Elizabeth II, Sovereigns (3) 1979 and 2000 (2). Extremely fine (3) £600-800
281 281 Sovereigns (3), 1904; 1912; 1914; Half-Sovereigns (2), 1911; 1915. Very fine (5) £600-800
284 284 Victoria to George V, Half-Sovereigns (6), 1892; 1908; 1910, mounted; 1911, mounted; 1912; 1915. Generally very fine. (6) £450-500
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DONNINGTON PRIORY
285
286
288 (part)
287
285 Edward VII, Sovereigns (12), 1902; 1905, with scroll mount and gilded; 1905M; 1908 (2); 1909 (2); 1909M; 1910 (4); George V, Sovereigns (2) 1911; 1913. Mostly very fine and better. (14)
288 Elizabeth II, proof Half-Sovereign 2009, in Royal Mint case of issue with certificate; Alderney, proof gold One-Pound 2005, 1.2g. As issued (2) £80-120
£2,000-2,500
286 Victoria, Sovereigns (3), jubilee head 1887, veiled head (2) 1898, 1899M; Half-Sovereign 1900. Very fine and better (4) £550-600
287 Edward VII, Sovereigns (4), 1902, 1908 (2), 1910. Very fine (4)
289 289 Victoria, Sovereigns (2), 1883S, 1884, young head, rev. St. George. Very fine (2)
£700-750
£350-400
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DONNINGTON PRIORY
290
291 290 Victoria, Sovereigns (10), 1876; 1880; 1886; 1888; 1892; 1894; 1895; 1896M; 1899. Very fine or better. (10)
292
£1,500-1,700
291 George V, Sovereigns (3) 1911, 1913 and 1915S. Good very fine £450-500
293
292 George V, Half-Sovereign 1913, in a 9 carat gold loose mount with chain, 9.4g gross. Very fine £90-100
293 George V, Sovereigns 1913 (2). Good very fine (2) £320-350
294 Prince Charles and Camilla Parker Bowles, wedding 2005, proof gold medal, arms, rev. Prince of Wales feathers, 22ct., wt. 39.94g, 38mm, with certificate numbered 0133, in Royal Mint case of issue. As issued £800-900
294
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DONNINGTON PRIORY
295 295 Austria, restrike fine gold 4-Ducats dated 1915, loosely set in a 9 carat gold mount with chain, 25.2g gross. Good, extremely fine £700-800
297
296 296 Alderney, Elizabeth II, proof gold twenty-five pound commemorating Princess Diana 2002, Prince William 2003, each 22ct., 7.98g in Royal Mint case of issue with certificates. As issued £300-400
297 Alderney, Elizabeth II, proof gold twenty-five pound for Prince William’s 21st birthday, 22ct., 7.98g, in Royal Mint case of issue with certificate. As issued £150-200 298 Elizabeth II, Golden Jubilee Collection 2002, United Kingdom and Commonwealth silver proof Crown size (24), many with the Queen’s portrait in gilt, in fitted presentation case numbered 990. As issued £250-300
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DONNINGTON PRIORY 301 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4) £600-650
299 299 George I, Quarter-Guinea 1718 (S.3638). Very fine £80-120
302 302 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4) 300
£600-650
300 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4) £600-650
303 303 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4) 301
£600-650
75
DONNINGTON PRIORY
304
306
304 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4)
306 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4)
£600-650
£600-650
305
307
305 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4)
307 Malaysia, Islamic Mint and IGD Exchange, modern proof gold 2-Dinars (4), mosque, rev. Islamic legends, each 22 carat, wt. 8.5g, in cases with certificates. Mint state (4)
£600-650
£600-650
76
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DONNINGTON PRIORY
308
308 George III, spade Guineas (2), 1787; 1794; Half-Guinea 1794, all mounted or ex-mount; and a brass gaming counter. (4) £380-420
309 Jamaica, proof gold 20-Dollars 1972, 12 carat gold, 15.74g (KM 61), in plastic case of issue. As issued £150-200
309
310 Italy, Palazzo Asmundo, sterling silver medal 2009, by L. Kalinavskaite for Johnson, view of a building, putti and other figures below, rev. museum collections, 120g, 65mm, about as issued. £30-50
311 South Africa, ZAR, gold Half-Pound 1894 (KM 9.2). Very fine £80-100
310
312 George III, Half-Crown 1817 (S. 3789), very fine, Victoria, Crown 1845 VIII (S. 3882), almost fine, and a Byzantine bronze in a gold pendant mount (3) £80-120
311
312
77
DONNINGTON PRIORY
314 313 313 Scotland, International Fisheries Exhibition, Edinburgh 1882, silver prize medal, view of Edinburgh Castle within wreath, rev. engraved award legend ‘for cured fish’, 48mm, in contemporary case from Hamilton Crichton & Co., Edinburgh. Extremely fine; a small quantity of coins including pre - 47 silver (107g), varied state. (Lot) £40-60
314 Edward IV, first reign (1461 - 1470), light coinage, Groat, London, quatrefoils at neck, i.m sun (S.1997). Good fine £80-100
315 Jamaica, proof silver 10-Dollars 1972; Canada proof set 1971, Dollar to Cent; Prince Charles Investiture 1969, official issue medal in silver, 45mm; Crown size world silver coins (3), base issues (3). Generally extremely fine (Lot) £80-120
316 Channel Islands, Elizabeth II, 150th Anniversary of the Crimean War 2004, silver proof Five-Pounds (3) and a modern miniature Crimea medal, in case of issue with certificate. As issued (4) £40-50
315 317 317 Margaret Thatcher, First Lady Prime Minister 1979, gold medal by Pobjoy, bust facing, rev. Una and the lion, date in exergue, 9 carat, weight 5.2g, with certificate, extremely fine, and a gilded Churchill Crown 1965, in a loose scroll mount, good very fine (2) 316
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£50-70
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DONNINGTON PRIORY
318 318 British and World coins, a quantity, mostly 20th century base, some silver. Varies state (Lot) £100-150
320 320 South America and Mexico, assorted banknotes from Mexico, Brazil, Chile, Argentina, Colombia, Paraguay, Bolivia, Uruguay, Many uncirculated (Lot) £20-40
319 319 Russia, State Treasury, 100-Roubles 1910, 5Roubles 1909, good very fine, other Russian issues (6), from circulation, Czechoslovakia 1000-Korun dated 1940, good fine, other Eastern European issues. Varied state (Lot) £30-50
321 321 Assorted banknotes from France, Greece, Italy, Spain and others, includes French Revolution 15Sold Assignats (2). Generally from circulation (Lot) £20-40
79
DONNINGTON PRIORY 324 Bank of England, Fforde Five-Pounds (2), 31B 652853 (B. 314), 14M 776452 (B. 315), fine, Peppiatt One-Pound C16D 327298 (B. 251), fine, other British Isles banknotes (12), face value £14, these mostly from circulation (16) £50-60
322 322 Germany, Reichbanknoten and Notgeld, a quantity, good variety. Many from circulation, however many in better grade (Lot) £50-80
325 325 St. Pierre & Miquelon, Caisse Centrale de la France d’Outre-Mer, 1950 issue banknotes (5), 5Francs (KM 22), 10-Francs (3) (KM 23), 20-Francs (KM 24). Uncirculated (5) 323
£60-90
323 Ireland, Central Bank of Ireland banknotes (5), One Pound (4), issues 16.3.62, 17.5.74 (2), 21.4.75, these extremely fine or better, 10-Shillings 3.1.62, this very fine, creases (5) £60-80
326 326 China, Republic, banknotes (50 approximately) from Bank of China, Bank of Communications, Central Bank of China, The Farmers Bank of China, varied denominations and sundry. Generally from circulation, a few better (Lot) £40-60
324
80
www.dnfa.com tel. +44 (0) 1635 553 553
DONNINGTON PRIORY
327
328
327 Japan, 100-Yen with red overstamps, uncirculated, other Japanese banknotes from circulation; Second World War, Japanese occupied territories, various banknotes, mostly uncirculated (Lot)
328 World banknotes from Indonesia, Cambodia, Hong Kong, Taiwan, South Korea, India, Ceylon, Biafra, Uganda, Nigeria et al. Some from circulation, but many uncirculated (Lot) £30-50
£30-50
329 329 British and World coins and banknotes, a large collection, mostly 20th century, includes pre-47 silver Half-Crowns (16); Florins (346); shillings (525); minor silver; some sterling silver issues. Varied state (Lot) £1,000-1,500
81
DONNINGTON PRIORY
330
331 330 British and World coinage, mostly from circulation, some silver, proof sets from Cook Islands, Ethiopia, Barbados, Bahamas, Papua New Guinea, Royal Mint proof year, sets and sundry. Varied state (Lot)
331 Elizabeth II, deluxe proof year sets (3), 1996, 1997, 1998, in Royal Mint cases of issue, and a silver proof One-Pound 2000. As issued (Lot) £40-60
£250-350
82
www.dnfa.com tel. +44 (0) 1635 553 553
DONNINGTON PRIORY
332 332 Elizabeth II, executive proof year sets (6), 2005, 2006, 2007 (2), 2009, 2010, and proof year sets in 2000, in cases of issue, many with certificates. As issued (Lot) £200-250
333 Elizabeth II, modern silver proof sets, silver OnePounds and other commemorative issues, cased. As issued (Lot) £180-220 334 Elizabeth II, Royal Shield of Arms, silver proof set 2008, silver proof One-Pound to One-Penny, in Royal Mint case of issue with certificate. As issued (7) £70-100
333
335 335 Elizabeth II, Royal Shield of Arms, silver proof set 2008, silver proof One-Pound to One-Penny, in Royal Mint case of issue with certificate. As issued (7) 334
£60-80
83
DONNINGTON PRIORY
338 338 Great War, British War Medal and Victory pair to 27971 IAM J E LEE RFC; Crown 1935; ‘plastic’ Coronation set 1953 and sundry coins (lot) £30-40
336 336 Elizabeth II, 25th Anniversary of Decimalisation 1996, silver proof set, silver proof One-Pound to One-Penny, in plush Royal Mint case of issue with certficiate. As issued (7) £40-60
339 339 Assorted circulated World coins, mostly British, including: George III Penny 1797; United States, Dollar 1928; Half-Dollar 1964; India, Victoria, OneRupee 1862; George V, Crown 1935; Victoria, Crown 1883; and sundry other, mainly cupro-nickel and other base £30-50
337 337 Elizabeth II, 80th Birthday 2006, silver proof set, comprising silver proof Five-Pounds to One-Penny, Maundy Fourpence to Penny, in plush Royal Mint case of issue. As issued (13) £120-150
84
www.dnfa.com tel. +44 (0) 1635 553 553
DONNINGTON PRIORY
343 343 Victoria, Maundy set 1898, Fourpence to Penny, later case. Good very fine, toned, Fourpence with small obverse field scratch (4) £50-70
340 340 European and World coinage, mostly modern base, a few silver including Morgan Dollar 1885. Varied state (Lot) 344
£30-50
344 Victoria, Maundy set 1885, Fourpence to Penny, later case. Very fine (4) £40-60
341 341 Victoria, Five-Pounds 1887, currency issue (S.3864). Good very fine, minor reverse edge bruise £1,000-1,500
345 345 Victoria, Maundy set 1897, Fourpence to Penny. Extremely fine (4) £50-80
346 346 Victoria, Maundy set 1895, Fourpence to Penny. Good, very fine (4) £50-70
342 342 Victoria, Two-Pounds 1887, with scroll mount. Very fine £380-420
85
DONNINGTON PRIORY
351
347 347 Victoria, Maundy set 1899, Fourpence to Penny. Good, very fine (4) £50-70
351 Edward VII, Maundy set 1904, Fourpence to Penny, in a later case. Good, extremely fine or better, deep tone (4) £50-70
348
352
348 Victoria, Maundy set 1901, Fourpence to Penny. Good, very fine and better (4)
352 Edward VII, Maundy set 1905, Fourpence to Penny. Good, extremely fine or better (4)
£50-70
£50-70
349 349 Edward VII, Maundy set 1902, Fourpence to Penny. Good, very fine (4) £40-60
353
350 Edward VII, Maundy set 1903, Fourpence to Penny. Extremely fine or better (4)
353 British and World coins, a large quantity, including: sterling silver Half-Crowns (9); Florins (9); Shillings (18); Sixpence (17); pre-47 silver HalfCrowns (37); Florins (38); Shillings (80); Sixpence (48); arranged in Whiteman folders by date and sundary base modern coinage. Varied state
£50-70
£300-400
350
86
www.dnfa.com tel. +44 (0) 1635 553 553
DONNINGTON PRIORY
354 354 George V, Maundy set 1929, Fourpence to Penny. Extremely fine (4) 358
£50-70
358 Victoria, Maundy sets (2) 1893, 1896, Fourpence to Penny. Fourpence and Penny in each set severely damaged by rusty water (8) £40-60
355 355 George V, Maundy set 1930, Fourpence to Penny, in a later case. Extremely fine, mottled tone (4) £50-70
359 (part) 356 356 George VI, Maundy set 1937, Fourpence to Penny, in a later case. Extremely fine, light tone (4) £50-70
359 Wales, Pontardawe, W.G & Co., set of three uniface token checks, early 20th century, values Penny; Twopence; Threepence; Great War, British War Medal and Victory pair, to 48707 Pte. S. Williams, RAMC (2). Good very fine (5) £30-50
357 357 George VI, Maundy set 1951, Fourpence to Penny. Good, extremely fine (4) £60-80
360 360 British tokens, mostly 18th and 19th century, a small quantity, including: Cheltenham Penny 1812 (DH673), this very fine; other British and World coins, mostly base. Varied state (Lot) £100-150
87
DONNINGTON PRIORY
362 (part)
364
361 361 USA, Morgan Dollars (5), 1879 (2), 1880O, 1889, 1921S, Pence Dollar 1922. Very fine and better (6) £70-100
364 George III to George V, sterling silver Half-Crowns (49), later Half-Crowns (3); Bank of England 3Shillings 1814. Mostly fair to fine, some better (53) £300-400
362 George III to Elizabeth II, Crowns (36), comprising sterling silver (27); pre-47 silver (2), including 1844, 1845, 1847, fine, 1902, very fine, but scuffed cheek and rim bruise. Generally fine to very fine (36) £400-500
365
363 363 British Trade Dollars (4), 1901B, 1902B, 1911B (2); Belgium 5-Francs (2) 1873, 1874; Spain 5-Pesetas 1884; Austria, restrike Thalers (2); Uganda 5Shillings 1968. Generally very fine (11)
365 Victoria and Edward VII, Florins (30), DoubleFlorins (3) 1888, 1889, 1890; one ounce fine silver ingot and sundry. Varied state (Lot) £180-220
£120-150
88
www.dnfa.com tel. +44 (0) 1635 553 553
DONNINGTON PRIORY
367
366 366* Treasury note, Fisher 10-Shillings second issue (1922) 0/11 043080 (Dugg T30), from circulation, sterling silver shillings (2), poor; cupro-nickel Crown 1981; USA Pence Dollar 1922. (5) £40-60
367 British and Wold modern commemorative issues, a quantity, including silver Crown size (30 approximately). Mostly about as issued (Lot)
368 368 British and World modern proof issues, comprising: Panama silver 20-Baltoas 1974, 155g; Belize proof set 1975; Papua New Guinea proof set 1975; Jamaica proof set 1976; Barbados proof set 1975; Royal Mint proof year sets (7); Ceylon 1971; Falklands 1974, Swaziland 1974; United Kingdom 1970 (2), 1977, 1983. Coins as issued, a few casings a little damaged (Lot) £180-220
£350-400
89
DONNINGTON PRIORY
372
371
369 369 Victoria, Maundy set 1885, Fourpence to Penny, later case. Good very fine, toned (4)
371 Victoria, Maundy set 1887, Fourpence to Penny, later case. Good very fine, toned (4)
£60-80
£60-80
372 Danbury Mint, The Royal Arms Collection, 12 silver shield shaped ingots, Birmingham 1976, limited edition of 7500, in a fitted box of issue, 582g (12) 370
£150-200
370 Victoria, Maundy set 1885, Fourpence to Penny, later case. Good very fine, toned (4) £60-80
90
www.dnfa.com tel. +44 (0) 1635 553 553
DONNINGTON PRIORY
373 (part) 373 World Crown size coins (6), Australia Crown 1937; Ethiopia Birr EE 1895, fine; Netherlands 2 ½Guiden 1932; USA, Morgan Dollars (2) 1921, 1921S; Maria Theresa restrike Thaler; France, silver 5Francs 1870A, converted into a pair of miniature scissors, with chain attached; Elizabeth I, Sixpences (2) 1573 and 1582; George III Penny 1797. Generally fine, except as stated (10)
376 376 A large quantity of Victorian and later predecimal base coinage, 25kgs approximately, and a quantity of similar coins contained in albums. Varied state £40-60
£80-120
374 374 George III, Bank of England Dollar 1804 (S. 3768). Very fine
377 377 Edward VII, Two-Pounds 1902, with scroll mount suspender. Good fine £350-400
£150-200
375 British coins, a collection contained in an album, including: Farthing 1739, very fine; another 1750, good very fine, but with reverse ding; Maundy oddments (10); sterling silver (47); lesser silver and sundry. Varied state (Lot)
378 378 British coins, a small quantity, includes Penny 1797, good very fine, Penny 1857, Halfpenny 1854, Farthing 1857, generally very fine, Half-Crown 1887, obverse solder deposit, mixed silver Threepences (140g approximately) and sundry, Varied state (Lot)
£250-350
£80-120
375
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These Conditions of Sale and Business constitute the contract between Dreweatts (the “Auctioneer”) and the seller, on the one hand, and the buyer on the other. By bidding at the auction, you agree to be bound by these terms.
INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The Buyer agrees to pay a buyer's premium on the hammer price of each lot purchased. The buyer's premium is 24% (28.8% including VAT) of the hammer price on each lot up to and including £150,000, plus 12% (14.40% including VAT) for any amount in excess of £150,000.VAT at the prevailing rate of 20% is added to all of these premiums and additional charges as defined below. 5. VAT. (*) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. Descriptions and Conditions. Condition reports are provided on our website or upon request. The absence of a report does not imply that a lot is without imperfections. The detail in a report will reflect the estimated value of the lot, and large numbers of such requests received shortly before the sale may not receive a response to all lots. Members of staff are not trained restorers or conservators and, particularly for higher value lots, you should obtain an opinion from such a professional. We recommend that you always view a lot in person. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods.These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having
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regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. Any cheques tendered will need to be cleared before removal of the goods is permitted. The following methods of payment are acceptable: Sterling cheque to be drawn on a UK bank and made payable to ‘Bloomsbury Auctions’. It will be necessary to allow at least five working days for the cheque to clear before collecting your purchases. Bank transfer. All transfers must state the relevant sale number, lot number and your bid / paddle number. If transferring from a foreign currency, the amount we receive must be the total due in pounds sterling (after currency conversion and the deduction of any bank charges). Our bank details can be found on the reverse of your invoice or in the sale catalogue under ‘Important Notices’. Debit cards drawn on a UK bank and registered to a UK billing address. There is no additional charge for purchases made with these cards. Debit cards drawn on an overseas bank or deferred debit cards will be subject to a 3% surcharge. Sterling cash payments of up to £8,000 and debit cards payments can be made at the Cashier’s Office, either during or after the sale. 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. 13. Droit de suite royalty charges. From 1st January 2012 all UK art market professionals (which includes but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by qualifying artists each time a work is re-sold during the artist’s lifetime and for a period up to 70 years following the artists death. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to UK Sterling exchange rate on the day of the sale in this regard, and the auctioneer accepts no responsibility whatsoever if the qualifying rate is different to the rate indicated. All items in this catalogue that are marked with δ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000.The royalty charge will be added to all relevant buyers’ invoices, and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneers. The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4%. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Warranty. The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. All commissions and fees are subject to VAT at the prevailing rate. 4. Commission is charged to sellers at the following rates:- please enquire at our salerooms. 5. Removal costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
6. Loss and damage of goods. (a) Loss and Damage Warranty - Dreweatts is not authorised by the FSA to provide insurance to its clients, and does not do so. However Dreweatts for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Dreweatts makes a charge of 1.5% of the hammer price plus VAT, subject to a minimum charge of £1.50, or if unsold 1.5% of our lower estimate. The liability assumed by Dreweatts shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. (b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 6 (a) is inapplicable. 7. Illustrations.The cost of any illustrations is borne by you. If we consider that the Lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 8. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 9. We may sell Lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve. 9. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and loss and damage warranty charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. (d) Reserves are not usually accepted for lots expected to realise below £100 10. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 11. Soft furnishings. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 10 and 11 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request 12. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 13. Unsold. Unsold. If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 14. Withdrawn and bought in items. These are liable to incur a charge of 15% commission, 1.5 % Loss and Damage Warranty and any other costs incurred including but not limited to illustration and restoration fees all of these charges being subject to VAT on being bought in or withdrawn after being catalogued. 15. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. We will also, at our discretion, and as far as practicable, confirm that an item consigned for sale does not appear on the Art Loss register, which is administered by an independent third party.
16. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £10 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 18. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 12 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Bloomsbury Auctions carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. Definitions In these Conditions: (a) “auctioneer” means the firm of Bloomsbury Auctions or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Bloomsbury accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. Bidding procedures and the Buyer (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. Increments Bidding increments shall be at the auctioneer’s sole discretion. 4. The purchase price together with a premium thereon of 28.8% which shall include VAT on the premium at the rate imposed by law. The buyer will also be liable for any royalties payable under Droit de Suite as set out under Information for Buyers.
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5. Value Added Tax Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. Payment (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) Buyers who utilise the services of ATG Live Auctions or any other live internet services are hereby informed that the payment method details that are provided to ATG Live Auctions or any other live internet services as part of the process of registration will, in the absence of compliance with paragraph (1) of this clause, be utilised by us to settle any amounts owing by such buyers to us. 7. Title and collection of purchases (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. (4) Bloomsbury Auctions can accommodate packing and shipping for certain items. For lots they are unable to provide this service for, successful buyers must make these arrangements independently, though the saleroom may be able to suggest specialist shipping companies who can advise buyers, this advice is not a recommendation and the saleroom is not liable for any aspect of the packaging and shipping process. Please note that the cost of packaging and shipping depends on the size/weight of the item(s) purchased, insurance requirements, and the shipping destination, not on the value of the item(s) purchased. Please note that any items not collected within one week of the sale date may be automatically removed to commercial storage and subject to a storage charge. 8. Remedies for non-payment or failure to collect purchases (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (g) to retain that or any other Lot sold to you until you pay the total amount due; (h) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (i) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. Third party liability All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
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10. Commission bids Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. Warranty of title and availability The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. Agency The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. Terms of sale The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. Descriptions and condition (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. Forgeries Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. General 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail, email or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.
NOBLE INVESTMENTS (UK) PLC GROUP DEPARTMENTS LONDON – MADDOX STREET Bloomsbury House 24 Maddox Street London, W1S 1PP Tel: +44 (0) 20 7495 9494 info@bloomsburyauctions.com
BOOKS AND MANUSCRIPTS Rupert Powell Deputy Chairman (Bloomsbury Auctions), Travel, Natural History & Science Dido Arthur Art & Architecture, Private Press & Illustrated Justin Phillips Continental & Early Printing Simon Luterbacher Manuscripts & English Literature Clive Moss Children’s Books Max Hasler Modern First Editions Hannah Usher Books Emily Bradfield Books Michael Heseltine Consultant Stephen Massey Senior International Consultant PICTURES AND MAPS Archie Parker International Head of Old Master & 19th Century Paintings Robert Hall Richard Carroll
PHOTOGRAPHS Sarah Wheeler John Cumming Consultant VINTAGE POSTERS Richard Barclay Consultant MEDALS AND MILITARIA David Kirk PHILATELICS Rick Warren Director, UK & World Stamps Tim Francis Director, UK & World Stamps Colin Avery UK & World Stamps Heather Babington Smith Mixtures Olivia Odell Autographs Peter Elwood Approvals
MODERN AND CONTEMPORARY ART AND PRINTS Alexander Hayter International Head of Contemporary Art Ross Thomas Shane Xu
LONDON – ADELPHI TERRACE 11 Adelphi Terrace London WC2N 6BJ Tel: +44 (0) 20 7930 6879 info@baldwin.co.uk
NEWBURY – DONNINGTON PRIORY Donnington Priory Newbury, Berkshire, RG14 2JE Tel: +44 (0) 1635 553 553 donnington@dnfa.com
NUMISMATICS Dimitri Loulakakis Director, European & Latin American Coins, Modern Greek Coins Edward Baldwin Chairman of Baldwin's, European, Russian, Colonial and Oriental Coins Stephen Hill Director, English hammered and milled Coins Seth Freeman Director, Banknotes and Tokens Graham Byfield Indian & Islamic Coins & Commemorative Medals Paul Hill Ancient Greek, Roman and Byzantine Coins Andre de Clermont Islamic, Indian & South American Coins David Kirk Military Medals and English hammered and milled Coins Caroline Holmes Numismatic Books Julie Lecoindre World Coins Randy Weir Consultant, Canada Ma Tak Wo Consultant, Hong Kong Daniel Fearon Consultant, Commemorative Medals Stan Goron Consultant, Indian and Islamic Coins Peter Donald Consultant, Byzantine Coins Peter Brooks Consultant, Australia
ASIAN CERAMICS AND WORKS OF ART Benedetta Mottino CLOCKS AND SCIENTIFIC INSTRUMENTS Leighton Gillibrand Director COUNTRY SPORTING Geoffrey Stafford Charles Director DECORATIVE ARTS David Rees Director ENGLISH AND CONTINENTAL CERAMICS Geoffrey Stafford Charles Director FURNITURE AND CARPETS Will Richards Deputy Chairman (Dreweatts) Richard Madley Senior Director Cristian Beadman Associate Director Ben Millerchip-Brown Associate Director Emma Terry Elaine Binning Consultant
JEWELLERY, SILVER, WATCHES AND OBJECTS OF VERTU James Nicholson Deputy Chairman Dreweatts David Rees Director, Silver & Objects of Vertu Ian Pickford Silver Consultant Nick Mann Patricia Law Alexandra Francis Tessa Parry MEDALS AND MILITARIA Malcolm Claridge PICTURES Archie Parker International Head of Old Master & 19th Century Paintings James James-Crook Irish Paintings & Sculpture STEAM MODEL ENGINEERING Michael Matthews Consultant TOYS AND COLLECTABLES Peter Rixon Director WINE Chris Hambleton Consultant
ROME / MILAN For further information, please contact: Dott. Luciana Scarpa Tel: +39 388 8813070 roma@bloomsburyauctions.com
We are pleased to continue our joint venture in Italy. Together with Philobiblon Auctions, a subsidiary of the highly respected antiquarian books and manuscripts dealership, we are able to offer a first class service throughout Italy from premises in both Rome and Milan. We have Italian speaking specialists in all major departments and offer a regular calendar of both valuation events and sales in Rome and Milan.
WE ALSO OPERATE FROM THE FOLLOWING SALEROOMS: BRISTOL:
Dreweatts Baynton Road, Ashton, Bristol BS3 2EB. Tel: +44 (0) 117 953 1603 | bristol@dnfa.com
GODALMING:
Baverstock House, 93 High St., Godalming, Surrey GU7 1AL. Tel: +44 (0) 1483 423 567 | godalming@dnfa.com