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Has lax case changed alum support, giving? Rob Copeland THE CHRONICLE

by

It’s no secret that private schools depend on their alumni to bankroll

the billion-dollar endowments necessary to sustain a modern university. And although it remains unclear what effect the lacrosse scandal analysis has had on Duke’s alumni relations, one thing is certain—there are strong opinions all around. “The conduct of the administration and certain parts of the faculty has had a chilling effect. I’m less excited about the prospect of sending money back to Duke,” said Peter Bove, Trinity ’99. “It was the exact inverse effect of a successful basketball season.”

In FY 'O5-'O6, alumni and parents donated S99M of the $342M Duke

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pg. 8

Duke alumni are involved at every level of the case. Jim Cooney, defense attorney for indicted lacrosse player Reade Seligmann, graduated from Trinity College ofArts and Sciences in 1979. One other alumnus with deep ties to the University is Dave Sandridge, who served a fellowship at the Duke University Medical Center, in addition to sending his daughter to Duke. He said, though, that the lacrosse case has deterred him from supporting the University financially. “I won’t be giving Duke any more money,” Sandridge wrote in an email. “My daughter’s women’s studies professors were annoying to me in the ’Bos. What I read now is not only annoying, but frightening.” But the alumni by no means share a unanimous opinion, and though those ceasing to donate may be vocal critics, they may be in the minority. “I’ve probably spoken in 30 alumni settings since last April, and very few have cut off their donations,” President Richard Brodhead said in an interview last week. “Gifts did not go down after March of last year. I regarded those gifts as a vote of confidence.” There may be a middle ground. Though he often posts criticism of the administration on online message boards, W. Tate Scott, Trinity ’75 and Fuqua ’7B, said he has not reduced his contributions SEE ALUMNI ON PAGE 8

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The Blue Devils stay undefeated after beating Florida St., PAGE 9

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Dave McClure is mobbed by his teammates after hitting the game-winning shot Thursday night at Cameron. by

Michael Moore

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THE CHRONICLE

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Dave McClure and Jon Scheyer firmly placed their names alongside duos Laettner and Hill and Dockery and Mcßoberts in the lore ofBlue Devil late-game heroics. With 4.4 seconds remaining in a 66-66 game and Clemson (18-3, 4-3 in the ACC) holding every ounce of momentum after an unthinkable comeback, Scheyer caught a pass deep into the backcourt—much far-

up the sideline and, still uncertain whether there would be enough time to make the play, rifled a pass to a cutting McClure. McClure caught the pass and took a dribble down the center of the lane. The redshirt sophomore went up over K.C. Rivers and Vernon Hamilton, double clutched and released a tough floater with one tenth of a second remaining on the clock. SEE M. BBALL ON PAGE 11

Study looks at Chernobyl effects Law panel decries by

Rebecca Wu

THE CHRONICLE

SPECIAL TO THE CHRONICLE

Duke researchers are taking part in a study that will examine the effects of the 1986 nuclear disaster at a Chernobyl, Ukraine, power plant.

The city of Pripyat, located threekilometers from Chernobyl, Ukraine, may seem frozen in time, but thousands of workers are once again descending upon the infamous nuclear power plant that exploded in 1986. Duke researchers—in collaboration with RTI International, the University of North Carolina at Asheville and the Ukraine Research Center for Radiation Medicine—will study the health effects of radiation exposure by monitoring workers who are building a new radiation-containment system in Chernobyl, called the New Safe ConfinementShelter. “This is a tremendous and unique opportunity to systematically study and hopefully understand the impact of radiation exposure,” said John Chute, associate professor of medicine. “To do it in a prospective way is a great opportunity for the entire scientific community.” The project, known as the International Consortium SEE RADIATION ON PAGE 6

Nifong’s conduct by

Andrew Beach

THE CHRONICLE

In light of the firestorm surrounding the highly publicized Duke lacrosse case, a panel of legal and media experts discussed the relationship between the prosecutor and the press in a packed auditorium Thursday afternoon. Duke Law professors Tom Metzloff, James Coleman and Michael Tigar, along with The Raleigh News and Observer reporter Joseph Neff, analyzed journalistic andjudicial ethical problems that can arise in highprofile cases. The panel discussion focused on Mike Nifong SEE MEDIA PANEL ON PAGE 7


THE CHRONICLE

2 FRIDAY, JANUARY 26, 2007

Brain spot controls addiction

Lebanon military declares curfew by Brian Murphy THE ASSOCIATED PRESS

BEIRUT, Lebanon University students loyal to Lebanon’s government clashed with Hezbollah supporters Thursday, setting cars ablaze and battling with homemade clubs and stones. The melee deepened worries that Lebanon cannot contain the political and sectarian rivalries threatening to push it toward civil war. At least three people were killed and dozens were injured before army troops backed by tanks and firing barrages of warning shots into the air dispersed most rioters. The military then declared Beirut’s first curfew since 1996.

But the fallout reaches far beyond the casualty count. The clashes, sparked by a cafeteria scuffle between pro-government Sunni Muslims and pro-Hezbollah Shiites, reinforced fears that Lebanon’s sectarian divisions are erupting into violence as they did during the 1975-1990 civil war. It was the third straight day of violence, sparked by a Hezbollah-led strike Tuesday that came ahead of a crucial gathering of donor nations in Paris. That conference, held Thursday, raised pledges of $7.6 billion to help Prime Minister Fuad Saniora’s U.S.-backed government rebuild after last summer’s devastating Israel-Hezbollah war.

The money and show of international support could boost the embattled Saniora. The Iranian-backed Hezbollah has vowed to bring him down unless the opposition is given more power. The chaos has paralyzed the government. Hezbollah leader Sheik Hassan Nasrallah said Wednesday that donors were backing the wrong side in the standoffand that he could topple Saniora at any time. In Paris, Saniora pleaded to his countrymen to “distance themselves from tensions.” “No one can help a country if the people of this country don’t want to help themselves,” he said. “I call on your wisdom and reason.”

Senators propose two Iraq strategies by

Anne Flaherty

THE ASSOCIATED PRESS

WASHINGTON The leader of a bipartisan effort to rebuke President George W. Bush’s Iraq strategy said Thursday he would not strike a compromise with a harsher Democratic resolution the Senate will debate next week. Sen. John Warner, R-Va., former chairman of the Armed Services Committee, said he will not negotiate with Democrats to develop a single proposal on Iraq. His comments—along with the emergence of other resolutions the Senate might consider—underscored how a Con-

gress largely against Bush’s proposal to send more troops to Iraq remained divided over what to do about it. Warner’s decision bolsters chances that his resolution will be the one to win final Senate approval. Democrats are expected to vote for his proposal if their measure fails, and several Republicans said they prefer Warner’s approach because it is less divisive. His decision to avoid bargaining also decreases the odds that a single resolution will emerge that could garner a strong, bipartisan vote reproaching Bush’s plan, a situation that the White House hopes to avoid.

Warner’s resolution would put the Senate on record as opposing Bush’s decision to send 21,500 more troops to Iraq. It leaves open the possibility that a small number offorces could be sent to the western Anbar Province, where al-Qaida members are believed to be operating. The nonbinding measure is less critical than one approved Wednesday in a 12-to-9 vote by the Senate Foreign Relations Committee. That resolution—introduced by Sens. Joseph Biden, D-Del., Carl Levin, DMich. and Chuck Hagel, R-Neb.—states flatly that sending more troops into Iraq is “not in the national interest.”

Damage to a silver dollar-sized spot deep in the brain seems to wipe out the urge to smoke—a surprising discovery that may shed important new light on addiction.The research was inspired by a stroke survivor who claimed he simply forgot his addiction.

Suicide car bomber kills 26 A suicide car bomber struck a mostly Shiite neighborhood Thursday in central Baghdad, killing 26 people, hours after the prime minister promised the coming U.S.-lraq security sweep in the capital would pursue militants wherever they were hiding.

Ford reports loss of $12.78 Ford Motor Co. lost a staggering $12.7 billion in 2006—an average of $1,925 for every car and truck it sold and the worst loss in the company's 103-year history. The company’ warned it will bleed cash for two more years before it has a shot at making money.

Chavez warns U.S. ambassador President Hugo Chavez said the U.S.ambassador could be asked to leave the country if he keeps "meddling in Venezuela's affairs." The leader lashed out after Ambassador William Brownfield said U.S.companies must receive a fair price for shares of telephone company. News briefs compiled from wire reports

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CHRONICLE

FRIDAY, JANUARY 26,2007

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Environmental test puts Duke in top 26 Anna Lieth

The report evaluates schools in seven categories—four of which focus on camAlthough there isn’t much green pus-sustainability practices and three of adorning the Gothic Wonderland this time which focus on the University endowofyear, a report released Wednesday puts ment’s effect on sustainability. Duke in a distincdy “green” light. The University received “A”s in all of The Sustainable Endowments Indie campus-related categories and stitute gave Duke an overall “B” ratone endowment-related category. Duke, however, did not pering on its College Sustainability Report Card and recognized the SUSTAINABLE form as well in the endowmentUniversity as one of the 26 campus ENDOWMENTS related categories, receiving ratleaders in environmental sustain- I I S 111 I E ings of “D” and “F” in r ability, said Mark Orlowski, Shareholder Engagement and founder and executive director of SEI Endowment Transparency, respectively. “Duke should certainly be proud of a Shareholder Engagement evaluates the job well done,” Orlowski said. involvement of shareholders in deciding The College Sustainability Report how the endowment is invested. Card—developed by SEI, a MassachuSchools dial have a shareholder sustainsetts-based company founded in 2005 ability committee—through which students, evaluates the 100 colleges in the United faculty and staff can make recommendations States of America and Canada with the largest endowments. SEE GREEN RATING ON PAGE 6 by

THE CHRONICLE

The Carolina Theatre, a local cultural institution, has not been a popular destinationfor Duke students.

Arts center struggles to attract students Harrassment p olicy to by

Gabby McGlynn THE CHRONICLE

Duke students enjoy many Durham attractions on a regular basis. But one they infrequently visit is perhaps the city’s most historic and stately—the Carolina Theatre. “The Carolina Theatre is a cultural resource that a lot of Duke students don’t realize is there,” said senior Eric Oberstein. “It is sad, because I think they have a lot of great programs to offer, and it has a distinct Durham flare to it.” Even among Duke’s performing arts community, the Carolina Theatre does not attract many students’ attention. “Part of the problem is that we have so much programming on campus that there is little incentive for students to even research what is going on there,” said senior Josh Posen, president of Hoof ‘n’ Horn, Duke’s student musical theater organization. Efforts are still being made, however,

to enhance the relationship between the two Durham landmarks. The Carolina Theatre offers student discount rates,

leasable facilities for student receptions and student internship opportunities. When possible, the theater and Duke assist each other by providing information. “The Carolina Theatre has just helped us with a promotion by sharing their mailing list,” said Miriam Sauls, marketing specialist for the theater studies department. “Just last week, they provided us with some theater-lovers’ names, and we will do the same for them.” Other University, representatives said they have enjoyed valuable experiences with the theater, as well. “Several members of the Duke community are on the board of the theater,” said Dane Byers, a member of the Carolina Theatre’s board of directors. “We SEE THEATER ON PAGE 6

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include ‘gender identity* Chair Haagen upholds faculty voice in athletics by

Meg Bourdillon THE CHRONICLE

Faculty unanimously approved wording changes to the Equal Opportunity

Policy and discussed issues related to athletics at the Academic Council meeting Thursday. The amended version of the Equal Opportunity Policy, which appears in faculty and staff handbooks, now forbids harassment and discrimination on the basis of “gender identity.” In addition, the faculty approved altering the phrase “sexual orientation or preference” to read only “sexual orientation.” Benjamin Reese, vice president for SEE ACAD. COUNCIL ON PAGE 8

JIANGHAI HO/THE

CHRONICLE

Benjamin Reese, VP for institutional equity, speaks on two changes to the University anti-discrimination code.


THE CHRONICLI

4 I FRIDAY, JANUARY 26, 2007

Cameron Crowell pegged for faculty in residence set to host

CAMPUS COUNCIL

Wenjia Zhang THE CHRONICLE

by

If administrators approve the faculty-inresidence pilot program, Campus Council members voted Thursday night to run the program in Crowell Quadrangle. Officials announced the plan to install five faculty-in-residence apartments on West Campus last fall. Construction of the apartments in Craven, Crowell, Few, Kilgo and Keohane quadrangles was slated to be complete for the 2008-2009 academic year. Several student leaders, however, have called into question the loss of 30 to 36 bed spaces and die $3.5 million cost needed to support the program’s expansion from East Campus, where 11 faculty in residence currendy live. Larry Moneta, vice president for student affairs, asked Campus Council members to identify a quadrangle in which to run the pilot program, if a pilot program begins, said Campus Council Presidentjay Ganalra, a senior. “This is a very big if,” Ganatra said, adding that Moneta has the right to decide to go ahead with the program if he sees fit. “This is a program some might see as more beneficial,” Ganatra said. “We could try a pilot program to see if the program is successful or not.” Council members ranked quads in order of preference for the pilot program. Crowell Quad was the first pick, followed by Keohane, Craven, Kilgo and Few quads. The members were given the proposed blueprints of the apartments —which were released in November—to help them make their decision. Junior Ryan Todd, a Few Quad representative, said that because the quad already has a faculty in residence, relocation of die faculty-in-residence apartment within the quad would not accurately reflect how West residents would receive the new program. “My first thought was in Crowell [Quad] because there are no rowdy living groups, so it would be a quieter area for the faculty,” he added. Todd noted that because Wannamaker and Crowell are administratively grouped

slooKshot by

Katie Noto

THE CHRONICLE

With attendance lagging at men’s basketball games, it seems like even Coach K isn’t able to bring a crowd to Cameron these days. But could SIOOK do the trick? This month, Alltel Wireless launched “My Circle Mania,” its new promotional sweepstakes, on Duke’s campus. Through text messaging and online submissions, basketball fans are able to enter to win up to $lOO,OOO in a halftime shoot-out Feb. 28 at Cameron Indoor Stadium. One winner will choose 10 friends to make shots from various locations on ,the basketball court and then will shoot from halfcourt to multiply the winnings by 10. “We didn’t want to just do something traditional,” said Sam Zebian, director of sponsorship marketing for Alltel. “We really felt that this was a fun way to give Duke fans away to participate in the

sweepstakes.”

Pending approval, Crowell will host the faculty-in-residence pilot program,Campus Council decided Thursday. as one quad, the faculty in residence for Crowell would administer both residential areas. “We can see if Wannamaker residents will come to Crowell too,” he said. Facilities and Services Chair Hasnain Zaidi, a junior, said he would prefer running the pilot program in a non-air-conditioned quad. “We’d have to put in AC for the faculty anyway—this way we won’t be taking AC rooms away from students,” he said. Craven Quad representative Kevin Thompson, a sophomore, noted that construcdon of an apartment in Craven

Quad would take away the space of

a computer cluster. “If they were to take [the computer cluster] out and replace it, they’d have to take out more bed spaces,” he said. Faculty-in-residence apartments in Kilgo and Keohane quads would be built on the second floor, which members said would not be conducive to student-faculty interaction. Sophomore Molly Bierman, a Kilgo Quad representative, said she observed that the faculty in residence program was more successful in the smaller dormitories on East.

In addition to the one halfcourt shot, there will be opportunities for other fans to win prizes such as gift cards, signed basketballs and phone accessories. Alltel also plans to donate at least $2,500 to the University scholarship fund. The amount will increase depending on the winner’s performance on court. “I think it’s a great idea,” said Michael Sobb, assistant athletic director ofmarketing. “It’s a unique opportunity to engage a group of people rather than just one person. What we’ve tried to do over the past year is to work with [Alltel] to integrate their sponsorship and to get them to interact more with our fans. Alltel is running the contest at 13 schools, including Duke. “We’ve just completed Michigan State,” Zebian said. “The contest went really well. ”

SEE MY CIRCLE ON PAGE 5

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FRIDAY, JAM

ARY 26, 20071 5

Duke Forest thrives as research site, ‘live laboratory’ by Lysa Chen THE CHRONICLE

Though thousands of visitors flock to the Duke Forest every year, students comprise a relatively small fraction of yearly visits to the 7,050-acre site. Officials estimate that between 13,000 and 15,000 students from Duke, the University of North Carolina at Chapel Hill and local high schools go to the forest to

take advantage of its educational and research opportunities each year. “Perhaps the Forest has never been as actively used for these (and other purposes) as it is today,” Dan Richter, Duke professor of soils and forest ecology, wrote in an e-mail. “The Duke Forest is literally one of the premier land treasures closely associated with any university in America.” Biology lecturer Chantal Reid said her general ecology students use the forest once a week as a “live laboratory” to learn about how different plants grow in their environments and compete for limiting resources. “For teaching ecology, the Duke Forest is a great asset,” Reid said. “It allows us to bring students to various sites right in our backyard, so they can experience firsthand how science is done.” Curtis Richardson, professor of resource ecology, said the forest’s close proximity and relatively undisturbed habitats enable his students to conduct manipulations on the site that would be impossible to do anywhere else in North Carolina. In the past five years, Richardson said his students have been able to work on improving Duke campus runoff by designing and implementing wetland restoration projects. “If we tried to do these stream and bottomland forest restorations, we would still be waiting for permits and approval for multiple landowners if Duke did not have this area available,” he wrote in an e-mail.

JAMES RAZICK/THE CHRONICLE

Officials saybetween 13,000and 15,000local studentsvisit theDuke Forest for educational experiences each year. Richardson added that his students’ projects could not be accomplished in a traditional classroom setting. “There is no way a classroom can substitute for being out in the forest and its en-

vironment,” he said. “We currently have students studying plant, bird, fish and insect populations on the restored forested wetland areas. This real-world experience is invaluable to the students.”

Students can also use the forest for their individual research. Erica Tsai, a graduate student in the Department of Biology, wrote in an e-mail that she is currently conducting a project on the manner in which parasites invade and persist in host populations. The Duke Forest is one of approximately 100 populations included in her study. “Besides its proximity to the University, there are many resources available for researchers such as GIS maps and detailed plot histories,” Tsai said. “It’s great to have access to an experimental forest as a student.” Joseph Sexton, a graduate student at the Nicholas School of the Environment and Earth Sciences, wrote in an e-mail that the forest was a particularly helpful resource for his research on suburban forest dynamics. “Its legacy of data makes it unique,” Sexton said. “Since we have data spanning decades, we can study long-term processes that are otherwise difficult or impossible to study. When trying to learn the impact that humans have on their environment, we need to take a long view—the Duke Forest supplies this.” Tsai added that, by studying the forest, her general appreciation for the environment has grown. “Unfortunately, Duke Forest suffers from what many eastern American forests suffer,” she said. “The natural habitat is fragmented making it prone to invasive species and extinction of natives.... Working with the forest has made me admire and rally for the conservation efforts around me.” Reid said she hopes her students learn the importance of maintaining ecosystems like the Duke Forest. “Regardless of what field of studies one will pursue, living in a healthy environment is important for our quality of life,” she said.

Harvard specialist rallies support for global health Kim calls on Gates Foundation for interest, investment “The average cost was $25,000 per patient in 1996,” he said. When a buying team was assembled to Jim Kim, chair of the Harvard Medical School Department of Social Medicine, find generic drugs from India and China, spoke Thursday about the future of glob- the cost was decreased to $1,500 per paal health to an audience of approximate- dent, Kim said. ly 50 medical students, researchers and “We proved to the WHO that very cornundergraduates. plicated drug interventions are possible in The former poor countries,” director of the Kim added. “eal* G,o ba heal h “10 million deaths can be pree l Organization s hope to activists a i d s / h iv develop sophistivented every year if we can Unit—who cocated implemenrr i i the treateffectively implement founded Parttation nets m Health in the next few already.” ment tools that we have with global years to combat Kim health activist infectious disPaul Farmer, eases in the dechair, Harvard social medicine Fnnity ’B2 veloping world, stressed the Kim said, need to connect clinical knowledge with de“Delivery science, a new discipline, is livery of treatment to third-world nations. needed to bridge the implementation Ten million deaths can be prevented gap,” he said. “In Africa, only 50 percent of every year if we can effectively implement women who tested positive for HIV at clinthe treatment tools that we have already,” ics received antiretroviral therapy.” Kim said. Kim has looked to the business world for Kim began his speech in the John Hope ways to provide delivery implementation. Franklin Center by describing his experi“We need to engage with our business ence with treating patients suffering from drug-resistant tuberculosis in Haiti SEE GLOBAL HEALTH ON PAGE 8 by

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THE CHRONICLE

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CHRONICLE FILE PHOTO

ESPN basketball analyst Dick Vitale is the spokesperson for a contest that may award a student $lOO,OOO.

MY CIRCLE

they’re actively sponsoring.” Sophomore Nick Menchel won a similar Alltel competition called “My Own Game,” We’re also interested to see how people which focused on Duke football last fall. “The prizes were sweet,” he said. “They respond to it in various communities. It’s always remarkable for us to see just how picked 10 finalists, and they gave us bikes and cell phones and free service. Then I passionate basketball fans are. The excitement that comes from the traditions of got $l,OOO, a football game named after Duke basketball is something that we me and a tour. I got to walk through the wanted to be a part of.” Yoh Center, went in the locker room and ESPN basketball analyst Dick Vitale got to stand on the field.” is the spokesperson for the sweepstakes Both the “My Circle Mania” and the and will appear at the Alltel store at the “My Own Game” contests are wordplays Streets at Southpoint to promote the on Alltel’s “My Circle” calling feature, becontest Feb. 7. cause they involve the winner’s “circle” of Duke fans, students and non-students 10 friends. “The only thing was that I had alike, are eligible to enter the contest, which trouble finding 10 people who would includes tickets to the game in the prize. rather go on the football tour than to “We’ve tried to come up with a differ- the last tailgate,” Menchel said. “But tailent experience for basketball,” Sobb said, gate isn’t as good as $l,OOO. It might be “They’re not just passively sponsoring; good as 20 bucks, though.” from page 4


FRIDAY, JANUARY 26,

THE CHRONICLE

2007

RADIATION

LAUREN

PRATS/THE CHRONICLE

The Carolina Theatre in downtown Durham has instituted policies intended to raise student patronage.

THEATER from page 3 don’t necessarily go to Duke for decisions, but we look to include them whenever possible.” In 2005, Oberstein fulfdled a requirement for an arts management class through an internship at the Carolina Theatre. “I worked at the theater primarily in the educational outreach and volunteer department. I really got to move around to different departments of the theater and speak to department heads to learn how the theater was run,” Oberstein said. Duke students have also rented the ballrooms for social events and utilized the cinemas for private screenings.

GREEN RATING

“My most interesting experience at the theater was seeing a Chinese acrobatic show,” said Shannon Rowbury, a graduate student in the humanities. “They did all sorts of balance, trapeze work and contortion.” Jim Carl, senior director for the theater, said Duke students have also served on selection committees for the theater’s various film festivals. Every year, it hosts the Full Frame documentary film festival, the Retrofantasma film festival and the North Carolina Gay and Lesbian Film Festival. “I think that a lot of people forget that there are other cultural resources beyond campus,” Oberstein said. “I would encourage all Duke students to check it out for a movie.”

incentives to convince workers to engage in hazardous behavior. “People are only supposed to work for a for Applied Radiation Research, is schedcertain amount of time, but there are exuled to begin collecting initial data March amples of people who’ve done things like 1, 2007, said Geoffrey Ginsburg, director cheated on their time cards and swiped in of the Center for Genomic Medicine at the twice to make extra money, which is hazDuke Institute for Genome Sciences and ardous to their health,” said junior Sarah Wallace, who is working with Ginsburg on Policy. Ginsburg said the Chernobyl explosion, the Chernobyl project. “We have to make like the bombings of Hiroshima and Nasure that doesn’t happen,” she added. gasaki, was an occasion on which people Ginsburg said he set two major goals for were ill-prepared to handle and study the the research project; to provide medical manifestations of radiation. services to radiation victims in the Ukraine “Data from those kinds of studies and to assess the environment’s effect on have been rather fragmented, and we’ve workers’ genome content. been left with many questions about ion“Our goal is to use... circulating white izing radiation’s effect on people’s blood cells as a biological measure of rahealth,” he said. diation exposure. We want to follow individuals for several years and correlate biGinsburg said he hopes the research project will help develop diagnostics and treatological information with what happens ments that could protect the public, particuto them,” he said. “Do they develop neularly in the case of a bioterrorist attack. rological or heart diseases? We want to “Many people might be exposed to ionsee what manifestations can be attributed izing radiation, and the public will need a to radiation exposure and associate bioway to rapidly assess if people have been exlogical measures with these outcomes.” The research aspect will revolve posed,” he said. “If they have been, we would have a robust way to triage them and around collecting peripheral blood samdetermine whether they need intense medples from workers at the Chernobyl site, ical attention to follow therapy or not.” Chute said. Researchers will then analyze Robert Cook-Deegan, director of the gene expression in order to determine IGSP’s Center for Genome Ethics, Law whether and at what levels a person has and Policy, who focuses primarily on legal been exposed to radiation. In addition, and ethical concerns, is another reGinsburg said researchers were hoping searcher on the project. He said there is to find alternatives to “thermolucent more under consideration in the study dosimeters,” the current standard for than scientific research. Cook-Deegan also measuring radiation exposure. said Chernobyl’s original containment “Ultimately, we would like to develop a structure is leaking, and it poses a health tool to clinically assess one’s exposure to hazard to workers at the Chernobyl site. radiation in the absence of thermolucent “It’s a question of making sure we mindosimeters,” he said. imize the risks and harm that come out of One of the major drawbacks to TLD is this process,” he said. “It’s a matter of inthat they neglect to reveal anything about formed consent and accurately calculating the biological responses, Ginsburg said. risks—it’s about transparency.” “All of us have different genetic backCook-Deegan said there are a number grounds, and if exposed to radiation, we of relevant concerns that require careful could have very heterogeneous responses, regulation, including the use ofeconomic biologically,” he said. from page 1

from page 3

on how endowment funds should be allocated to encourage sustainability—received high ratings in this category, Orlowski said. Duke, however, is not alone in its low Endowment Transparency rating, Orlowski said, noting that SEI gave close to 70 “F”s in this category. Other institutes—such as Dartmouth College and Williams College—are disclosing basic information on endowment invesunents and received an “A” in this category, Orlowski said. “The ratings regarding the endowment reilect the transparency of the investment—not the quality of those investments from a sustainability perspective," Anne Light, assistant director of administration, wrote in an e-mail. “As a matter of policy, Duke doesn’t disclose information about the investment of its endowment.” Under the Investment Priorities category —which evaluates the quality of investments—Duke received an “A.” Orlowski encouraged the University to, “continue to innovate and be a leader in the southeast.” Despite Duke’s low performance in the endowment-related categories, the University scored highly in other areas, due to its campus environmental policies. “Duke signed an environmental policy statement in 2005, making a commitment to environmental responsibility and to the community,” said Tavey McDaniel, environmental sustainability coordinator at the University. “There was considerable administrative support for the policy.” The University is currently working on a number of new sustainability issues

Duke's Sustainability Transcript

B

Overall Grade (top 30)

A

Administration

A

Climate Change & Energy

A A

Food

&

Recycling

Green Building

Endowment MELANIE

Duke received an "A* in Investment Priorities in the environment, in part because ofthe new French Science Center. for the future. They include incorporating sustainability into the new Central Campus, creating a campus sustainability vision, drafting new green-dining guidelines, formulating an energy-management plan and extending the recycling

Transparency

TANNENBAUM/THECHRONICLE

program into the Duke Health System, Light said. “We are extremely proud of our efforts in sustainability,” McDaniel said. “There is always room for improvement, and that is definitely something on our radar screen.”

A

Investment

Priorities

D

Shareholder Engagement


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FRIDAY, JANUARY 26,

CHRONICLE

media panel from

page 1

the criticism of Durham District Attorney Mike Nifong’s handling of the media during his investigation of three members of the 2005-2006 men’s lacrosse team accused of sexual assault and kidnapping. “Mike Nifong tried his case in the press,” Tigar said. “We can prove that it has an effect.” Potential jurors are likely to be affected by media portrayals of such high-profile cases and are likely to be influenced by what they watch or read, he said. The media cannot necessarily be blamed for how they report what lawyers tell them, Tigar said. “The lawyer is in the best position to know the facts,” he said. In addition to being advocates of clients, lawyers are also public figures, making them responsible for ensuring that

cases are honestly presented to the public, “I think he has caused a great deal of Tigar said. damage to Duke, Durham and the judicial Because the prosecution was so vocal system,” Coleman said. about the case Neff focused during the early on t e etl ics o stages of its injournalism in has “I think [DA Mike vestigation, the high-profile incaused a great deal of damage defense was vestigations and forced to pressaid the lacrosse to Duke, Durham and the judient its own side case has proven of the story in cial system.” to be unstable the media, Coleground for reColeman man said. porters. criminal laxo “When the expert, Duke Law “It soon turned prosecution :rom a criminal talks about the case into an invescase, the defense has to do something to tigation of someone else’s investigation, and level the playing field,” he said. as a reporter, that just scares me,” Neff said. He explained that, in covering controAlthough lawyers have the right to speak about their cases, Nifong abused versial cases, journalists have a history of this right in order to gain an advantage getting themselves into legal trouble. before the case ever went to trial, ColeIn particular, the use of anonymous man added. sources in these cases can be ethically

Nifong]

—James

20071 7

questionable, Neff said. “I am really wary of giving anonymity to people in a case like this,” he added. In general, The N&O elected not to use anonymous sources during the lacrosse case because of the risk of misrepresenting facts to the public, Neff said. He noted that it is the obligation of a newspaper to validate the sources it uses and also to take responsibility for any factual errors in reporting. Legally, a newspaper must have a “goodfaith basis” for reporting information obtained from a new source, Tigar said. “If this was us,” Metzloff asked, “how would we report it and how would we do it?” Metzloff said that the ultimate question, which he had often been asked by reporters, was what might have happened to this case had Nifong spoken or acted differently. “The Nifong case will serve us well only if it is a serious step toward confronting judicial misconduct,” Tigar said.

NOTICE OF A CITIZENS INFORMATIONAL WORKSHOP FOR THE PROPOSED EAST END CONNECTOR A NEW LOCATION FREEWAY FROM THE DURHAM FREEWAY (NC 147) TO US 70 (MIAMI BOULEVARD) IN DURHAM Durham County U-0071 The North Carolina Department of Transportation (NCDOT) will hold the above Citizens Information Workshop on January 30, 2007 between the hours of 4:00 p.m. and 7:00 p.m. at the Fellowship Hall of the Living Waters Christian Community Church, 1104 Lynn Road, Durham, 27703. NCDOT representatives will be available in an informal setting to provide information, answer questions and receive comments regarding this project. Attend at your convenience during the above stated hours. Please note there will be no formal presentation.

The purpose of this workshop is to provide detailed information about the alternatives being studied. The opportunity to submit comments about the project will be provided. Public input from these meetings will be included in the Draft Supplemental Final Environmental Impact Statement (DSFEIS) and will be used in the decision making process. The DSFEIS is scheduled for release in 2007. NCDOT proposes to construct on new location a fully controlled access freeway with service roads between the Durham Freeway (NCI47) and US 70 (Miami Boulevard) in southeast Durham. The project will include new interchanges at the Durham Freeway and US 70. Potential intersecting roads are Angier Avenue (SR 1926), Glover Road (SR 1940), East End Avenue, Carr Road, Pleasant Drive and Rowena Avenue. This project will also widen US 70 to a six-lane freeway from Holloway Street (NC 98) to Pleasant Drive. Anyone desiring additional information may contact Ms. Beverly Robinson, Project Development and Environmental Analysis Branch at 1548 Mail Service Center, Raleigh, NC 27699-1548, phone (919) 733-7844, ext. 254 email or

brobinson dot.state.nc.us. General information about the project is also provided on the NCDOT Website www.ncdot.ora/Droiects/eastendconnector/. NCDOT will provide auxiliary aids and services under the Americans with Disabilities Act for disabled persons who wish to participate in this workshop. Anyone requiring special services should contact Ms. Robinson as early as possible so that arrangements can be made.

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THE CHRONICLE

8 I FRIDAY, JANUARY 26, 2007

Brodhead’s Dec. 22 statement ended my wait. No contribution.” Even though some alumni have reand continues to interview prospective frained from donating to the University, students. the case’s long-term impact is impossible He said he is avoiding a rush to judgto measure at this time, said Peter ment of the adVaughn, Duke’s executive director ministration’s actions an umm an' the real culprits velopment com“A great many people —even munications. in the scandal when they disagree with the His office has are the “Group received thouof 88” profes—continue to supUniversity sands of letters in sors who signed response to the port it financially.” a controversial advertisement Peter Vaughn scandal, but the majority are supin an April 6 director ofalumni communications, Duke issue of The portive of the UniChronicle. versity, he said. Vaughn noted Many members of that original group followed up on the that even some of the most fervent critics ad with a second statement this month. continue to donate to their alma mater. “A great many people —even when Scott added that professors from the School of Law and Department of Ecothey disagree with the University—connomics should speak to the media as inditinue to support it financially,” Vaughn viduals, without invoking their association said, adding that this principle has held with the University. true during previous controversies. “The Group of 88 was despicable,” he “The truth is that the vast majority of said. “They pushed this from a small case what goes on at Duke has nothing to with lacrosse, but you certainly wouldn’t know to international scrutiny.” That sentiment is shared by many alumthat reading the media,” he added. Donations are on track for this fiscal ni, including Tom Truscott, Trinity ’75 and Grad ’Bl, who said the Group of 88 became year, although the total number of donors “the de facto spokespeople of Duke.” has fallen, Vaughn said. Truscott said he paid his annual alumni “Do I wish that the lacrosse incident dues and then, before giving additional hadn’t happened? Absolutely, for all donations, waited to no avail for Duke to kinds of reasons—but, if nothing else, it break its silence and defend its students. illustrates that people care about this “Words do matter and Duke’s were place whether they’re angry or not,” he abysmal,” he wrote in an e-mail. “I waited, said.

ALUMNI from page 1

bogus case.... I knew it was a hoax, ff I could use a little common sense to figure out the prank so quickly, why couldn't Duke?" —Erika Hoffman Trinity 73 and MAT 74 ,

g. jv people, one an alum, have told me he should go. Early onf I heard 'Duke thinks they are guilty, that's why they fired the coach.' I think [Pressler] should be fired today." —Richard Fay Trinity '66 ,

"I really feel bad for the players and the families of the accused. Quite honestly, I feel for the alleged victim and her family, because I really do believe the district attorney has used them. But I have much less sympathy for the alleged victim, because she should be at the forefront now of correcting the system and admitting exactly what happened." —Ray Davis, JD and LLM 'BB "I personally know of no one

"I think [the media] really misrepresents Duke in general—they make it sound like everyone is a bunch of trust fund kids. I certainly wasn't." -Ellen Schwartz, Fuqua 'O5 "I'm not going to rush to judgement about Dick Brodhead, Bob Steele, John Burness or Peter Lange until I see the facts of the case and what they did or did not do." —W. Tate Scott, Trinity '75 and Fuqua '7B f

ACAD. COUNCIL from page 3

GLOBAL HEALTH fro. page 5

institutional equity, described the changes to council members. He said removing the word “preference” reflected most people’s understanding of sexual orientation. Reese and Pamela Bernard, vice president and general counsel, further explained the addition of the words “gender identity” in a memo distributed to the council. “The majority of our peer institutions, including Columbia, Harvard, Princeton, MIT, Penn and Yale, have made similar changes,” they wrote. Reese and Bernard noted that the change would not affect the University’s medical or benefit plans. Although Reese invited inquiries and comments from the faculty, council members approved the change without debate or opposition. President Richard Brodhead and Paul Haagen, professor of law and chair of the council, addressed oversight of athletics in a prepared statement and an informal discussion. During a delay in the meeting’s progression, Haagen reported that he hopes to finalize the executive committee’s recommendations for changes to the Athletic Council by Friday. Haagen emphasized the importance of a strong and informed faculty voice regarding athletics. “The athletic department does not crave a position of distance or isolation,” Brodhead said. Assigning faculty representatives to spe-

colleagues and borrow the case study approach to teach delivery science,”

JIANGHAIHO/THE CHRONICLE

President Brodhead speaksThursday about thefuture of faculty and administrative oversight ofDuke athletics. cific sports teams has engendered an “overwhelmingly positive” response, Haagen said. In his response earlier in the session to the “Question for the President,” a regular feature of the Academic Council’s meetings, Brodhead addressed a faculty member’s inquiry about the “removal as students” of three members of the 2005-2006 men’s lacrosse team. “It is not the case that anyone was suspended from this University... on the basis of the [March 13] party alone,” Brodhead said. He added that it is University policy to put students under “interim suspension” when there is reason to think the students’ presence in the community would put them or others at risk.

Twenty-four “comparable institutions” have similar policies, Brodhead noted. Last on the meeting’s agenda was an appearance by Dr. Victor Dzau, chancellor for health affairs and president and CEO of the Duke University Health System. The council entered a closed session for Dzau’s presentation on “proposed Medical School reorganization.” In other business: Kenneth Sunn, professor of literature, has joined the executive committee of the Academic Council. He will complete the term ofKarla Holloway, professor of English, who recendy resigned from her position on the committee. Holloway also announced her resignation from the Campus Culture Initiative earlier this month.

Want to shoot pictures that will be seen by 15,000 people?

Join The Chronicle's photography staff. E-mail Photo Editor Jianghai atjh62@duke.edu

Rim said. The process studies successful treatments of epidemic diseases—such as smallpox and polio—to find applicable methods that carry over to today, he added. A large potential source of funding for global health lies in the Bill and Melinda Gates Foundation, he said. “When the time comes, we want to make Bill Gates feel as certain and excited about global health as he is about Microsoft,” Kim said. When asked about the role of academia in global health, Kim responded that universities around the counshould work together to try consolidate advances in the new discipline of delivery science. With regard to medical education, Kim said the American Medical Association has never made equity of access a priority. Lack of mentoring, ad-hoc project-based programs and few career opportunities are hindrances to global health education, he said. Another important goal of global health is to set up viable healthcare systems in third-world countries, Kim said. “Right now, we have people who have grown up in different systems arguing over which is better,” he said. “We have yet to recruit system specialists who have built 10 or 15 health systems.”


January 26, 2007 THE LANDLORD RETURNS SHELOEN WILLIAMS WILL BECOME

THE 12TH BORE MEN'S PLAYER TO HAVE HIS JERSEY RETIRED SUfyBAY

WOMEN CONTINUE TO ROLL The No. 1 Blue Devils are still undefeated after dispatching of Florida State 73-60 in Tallahassee Thursday night. 10

'BIG SHOT DAVE' SAVES THE DAY

LAUREN PRATS AND MATT NEWCOMB (BOTTOM RIGHT)/THE

CHRONICLE

Dave McClurelofts the winning shot over Ciemson'sK.C. Rivers moments after a nervous Duke bench locked arms in anticipation(top right). The Blue Devils piled on Dave McClure after it went in, setting off the celebration. by

Meredith shiner THE CHRONICLE

In 4.4 seconds, the Blue Devils proved more about their resiliency and ability to win games than they had in three straight conference victories. Going into Thursday night’s match-up against Clemson, some doubt still surrounded this young Duke team and its ability to beat formidable conference opponents.

When Dave McClure released the ball with .1 seconds left on the clock—and the shot went in—that doubt got drowned out in the pile of Blue Devils smothering McClure on the floor, the roars from the Crazies in the stands and the 68-66 final score. Drowned along with it was the frustration generated by an errant Josh Mcßoberts inbound pass in the backcourt, which the sophomore called the worst play te has ever made. That critical mistake led to Vernon Hamilton tying the game with a

game luc Sc ana analysis

dead-on three. McClure’s big basket also buried the act that Jon Scheyer—the assist-man on

the buzzer beater—had been the last Duke player to score a field goal before that shot, when he hit a three with 6:21 left in the game, extending the Blue Devil lead to 58-52. “A few weeks ago, it would have been easy for us to fold and go away and have them run away with the game,” McClure said. “But, we’ve grown and we really stayed poised down the end. We were able to make stops when we needed them, come up with the rebounds when we needed them, and we hit some clutch free-throws.” In the second half, deflated by the more-than-six minute scoring drought to close out the game, Duke shot 33.3 percent from the field. In this same span, however, the Blue Devils went a perfect 8-for-8 from the free throw line—including four shots sunk by freshmen Scheyer and Gerald Henderson in the final 49 seconds. “In this league, at this level, you have to learn to play ‘tired’ well,” Duke head coach Mike Krzyzewski said. ‘You have to find something, and you can’t really teach that in practice.” Krzyzewski found that something in the clutch play of Scheyer, who, in addition to his 12 points and perfect 6-for-6 shooting

from the charity stripe, had the poise of a in executing the winning play. The freshman caught the ball much deeper in the backcourt than Krzyzewski had hoped, the coach said, but what he did with the ball amazed his teammates, particularly the recipient of his last-second dish, McClure. “Just to have the courage, because he’s a freshman, [Clemson players] are flying at him and seconds are ticking off the clock, and he has the poise to look up and find me—it was really an unbelievable pass,” McClure said. Krzyzewski said that if his team would have played this game three weeks ago, the Blue Devils would have lost by 12. But as Duke is continuing to grow into its own identity, the team is also learning how to win. The Blue Devils played more aggressively than they had in previous outings, attacking the basket and out-rebounding the Tigers, 40-24. Mcßoberts paced the more assertive Blue Devils on offense, recording only his second double-double of conference play by scoring 17 points and pulling down 12 boards—including six on the offensive glass—in 36 minutes. veteran

And although McClure most likely will be remembered for taking the game-ending shot, his presence on defense—particularly his ability to guard on the interior but contain perimeter players when switching off screens—has made him one of Duke’s most reliable players. “He does a lot of tilings that many people don’t notice—loose balls, rebounds, defense—for him to get this, it’s what he deserves,” sophomore Greg Paulus said. “He’s been playing so well for us the last couple of weeks. It’s a credit to how good of a player he is.” On Tuesday night, Krzyzewski called a special meeting for the Cameron Crazies, keeping them past midnight to convince them that his team is hungry and his players need them to come out in full force in order to defeat the Tigers. The capacity crowd in Cameron Indoor Stadium kept its end of the bargain Thursday. And with the heart of the ACC schedule still in front of them, the Blue Devils will have to do the same and continue to find ways to win close games. As disappointed Clemson head coach Oliver Purnell said after the loss; “There are no moral victories here.”


10IFRIDAY, JANUARY

THE CHRONICLE

26, 2007

HI

FLORIDA STATE d

73 60

DUKE

1

Blue Devils stay unbeaten despite challenge Stephen Allan THE CHRONICLE

by

The top-ranked TALLAHASSEE, Fla. Blue Devils walked into the sparsely populated, yet vociferous, Donald L. Tucker Civic Center and must have imagined themselves on a playground. Kids screamed as they slid down a giant inflated slide off the edge of the court, while others danced around in the moonwalk inside the slide. When the Florida State band began playing their famous Tomahawk Chop, several of the Duke players imitated the hand motion and laughed about it. As soon as the referee tossed the ball in the air and Florida State (15-5, 4-1 in the ACC) recovered the ball in what looked like a game of hot potato, however, the Blue Devils quickly realized this was not going to be a children’s game of tag. This was about to be a tough, gut-checking boxing match. The teams batded. their way through a combined 40 fouls and 36 turnovers, and at the final buzzer, Duke (21-0, 6-0) stood victorious over the Seminoles, 73-60. “Sometimes you just have to grind out games,” head coach Gail Goestenkors said. “For games that you’re not as emotional about, you need to generate your intensity and focus, and we had a hard time with that.” With their 21st straight victory to open the season, the Blue Devils are off to the best start in program history. Certainly the team came out relaxed. Everyone joked around during their warmup drills, and even on the opening tip, Abby Waner could be seen smiling. It certainly did not help them for the

One Seminole free throw later, Brittany Mitch was fouled hard and nailed one of two free throws. Lindsey Harding closed the half by also making one of two from the foul line. The spurt spilled over into the second half, and when it was all said and done, the Blue Devils led 51-36. Down the stretch in the second half, the Seminoles and Blue Devils traded buckets as Duke maintained a comfortable lead and cruised to a 13-point victory. Free throws supported the Blue Devils throughout the game, as they out-shot Florida State by 14 at the line for the game, making 20 of 26 free throws. “I don’t know if you can win a basketball game when you get to the line 12 times and the other team gets there 26,” Florida State head coach Sue Semrau said. “Either we’re going to have to learn how to adjust to officials or I’m going to have to learn how to get a technical foul.” Harding also played well despite shooting l-for-7 from the field in the game. The senior guard was 8-for-10 from the charity stripe to finish with 10 points and also added five assists to bring her career total to 534, passing Hilary Howard as Duke’s all-time leader. “Lindsay Harding is a tremendous point guard and she is a difference ASHLEY POSUTA/FSVIEW maker,” Semrau said. Florida State. became Duke's all-time assists leader The win gave Duke its 600th victory against Lindsey Harding during Thursday night's game over the history of the program and the man Bridgette Mitchell feeding the star of team has now won 29 of its last 30 true road majority of the first half. comthe game, Carrem Gay, inside for an open games. With the opening period rapidly “Duke’s a great basketball team,” Seming to close, the Blue Devils clung to a 28- layup on the left side of the basket. On the 27 lead. very next inbounds play under the Blue rau said. “They just know their roles. They Devils’ offensive basket, Abby Waner nailed have a real confidence that starts with their They soon widened that lead. Duke kicked off a 23-9 run with fresha catch-and-shoot from the left comer. point guard position.”

Gay keeps Duke by

David

Ungvary

THE CHRONICLE

TALLAHASSEE, Fla. There was no 19-0 run to start the game for the Blue Devils Thursday night against Florida State. ln fact, Duke didn’t look the No. 1 D31T16 team in the nation for most of the night, alclllcllySlS 1- lowing a weak Seminoles team to grind the game out for most of regulation. The Blue Devils were noticeably lacking

ASHLEY POSUTA/FSVIEW

Florida State's stingy defense held the Blue Devils to 42.1 percent shooting from the floor Thursday night.

afloat in tough win

open the game, especially compared to the passion they showed Monday night when they beat No. 4 Tennessee 74-70 in the Volunteers’ packed home stadium. “We were a little fatigued, this being our third game on the road in a row,” head coach Gail Goestenkors said. ‘You can’t be as emotionally up for every single game it’s just impossible.” About nine minutes into the game Duke was holding onto a slim 12-10 lead and the Seminoles were staying with the Blue Devils stride for stride. Goestenkors had already pulled three starters—Abby Waner, Wanisha Smith and Lindsey Harding—out of the game briefly following a dismal opening stretch. Out of this cloud emerged an unsuspected silver lining. Sophomore Carrem Gay, who had fouled out of Duke’s last contest with just two points, hit a smooth jumper to kick start a sputtering Blue Devil offense. Gay had her best night of the season so far. She scored 12 of her 14 points in the first half, easily topping her combined 11 total points over the last three games. “I’ve been really slacking the last few games,” Gay said. “I just wanted to come out and attack on offense a be a little more of a threat.” Gay’s presence in the post was crucial for the Blue Devils, who found themselves challenged by Florida State’s physicality on

in intensity

to

the low block “[Gay] did a great job taking the ball to the basket,” Goestenkors said. “They double teamed [Alison Bales] a couple of times and we were able to find her slashing to the basket”. Although Bales scored in double figures, along with all of Duke’s starters, the usually dominant center was often outmuscled down low by Seminole forwards Britany Miller and Jacinta Monroe. “I thought Florida State’s post players did a really good job tonight,” Bales said. “We wanted to dig in a little bit more—they were really strong and physical and had good moves down there.” The Seminole tandem combined for 22 of Florida State’s 60 points. They also chipped in 14 rebounds and five blocks. Six of those points came from consecutive and-one plays by the sophomore Miller with two minutes left in' the first half. Miller’s stellar effort brought the Seminoles within one point of Duke, giving a breath of life to the FSU squad. “I felt like I could [play against] Alison even though she’s 50 feet taller than me,” Miller said. “I just kept playing my game and kept moving my feet, and I defended.” Gay responded to Miller’s strong play by scoring twice in a row, leading the Blue Devils into a momentum-shifting 8-1 run to end the half. Florida State head coach Sue Semrau blamed her team’s slip-up on foul trou-

Duke 73, Florida State 60 36 37 73 28 32 60

Duke (21-0, 6-0) Florida State (15-5, 4-1) 33 6-10 31 5-10 32 5-15 32 1-7 28 4-6 11 1-2 6 0-0 10 1-3 -15 1-2 0-2 2

Gay

Bales A.Waner

Harding Smith E.Waner Mitchell

Cheek Mitch

Jackson

0-0 0-0 1-6 0-0 2-3 1-2 0-0 0-0 1-2 0-0

2-2 5-7 2-2 8-10 2-2 0-0 0-0 0-1 1-2 0-0

TEAM Blocks FG%

Williams Gladden Harvin Davis-Cain

Blocks FG%

J

5 1 4

2 2 4 5 2 0 0 2 0 1 1

0 2 4 2 0 1 0 0 0 0

14 15 13 10 12 3 0 2 4 0

11 11 2 4 6 5 3 2 0 2 0 3 0 0

2 0 2 0 0 0 4 1

8 14 4 5 17 0 10 2

1 2 2 5 3 1 1 1 0 0

Bales (5), Gay (3) Ist Ha1f:41.2, 2nd Half: 43.5, Game: 42.1

Monroe Miller Freshour

Anthony TEAM

8 9 3 6 2 0 2

24 35 30 31 36 6 29 9

4-7 6-10 1-4 2-13 7-18 0-3 4-16 1-2

0-0 0-0 0-2 0-1 0-1 0-2 2-9 0-0

0-0 2-2 2-2 1-2 3-6 0-0 0-0 0-0

8 6 5 3 7 1 3 4 3

Monroe (4), Miller (1) Ist Half: 32.3, 2nd Half: 35.7, Game: 34.2

ble—certainly plausible considering her team had 11 fouls when the run began. “Are you going to risk getting the third foul?” Semrau said. “I think we just didn’t have the discipline we needed at the time.” The Blue Devils’ 13-point victory does not reflect the lack of discipline on their side, but Goestenkors did make note of her relative disappointment after the game. “I’m just happy to come away with a win,” she said.


THF.

chronicle

FRIDAY, JANUARY 26,

2007111

Duke 68, Clemson 66 25 41 66 36 32 68

Clemson (18-3,4-3) Duke (17-3, 4-2)

Hammonds Rivers

Tyler Sykes Potter

Powell

Mem (mi mm

Booker (3), Perry

Mcßoberts Thomas Paulus Nelson

Scheyer

Williams’ No. 23 set to join Duke Comer ris ra ers MATT NEWCOMB/THI

Sean Moroney pare to putting your name in the rafters.” CHRONICLE Williams will be the 12th player in Shelden Williams will step in front of Duke history to receive the exclusive a packed house at Cameron Indoor Stahonor, and JJ. Redick will become the dium Sunday for the first time since he 13thwhen the Blue Devils take on Florida State Feb. 4. played his final game against North Carolina March 4, 2006. The ceremony will take place at halfBut instead of donning his No. 23 time of Duke’s 5:30 p.m. game Sunday Duke uniform like he had done for four against the ACC’s first place team, seasons, Williams will have his number Boston College. retired, and his jersey will join those of The Atlanta Hawks selected Williams with the fifth pick in June’s NBA Draft. some of the all-time Blue Devil greats. “It’s a tremendous honor,” Williams said. Williams’ jersey will hang above Coach “Even with all the accolades, it doesn’t com- K Court along with other Duke legends by

THE

DUKE vs. BOSTON COLLEGE Sunday, January 28

Cameron Indoor Stadium 5:30 p.m. FSN •

No. 10 Duke (17-3, 4-2) JOSH MCROBBtIS 12.8 ppg, 8.0 rpg

Boston College (14-5, 6-1) F

i

LAHCE THOMAS 4.5 ppg,2.4 rpg DIMABCUS NELSON 14 4 p f 5.5 n JOH SCHEYEB 12.1 ppg, 3.2 rpg GRIG PfIULUS 8,9 1,3,5 ai

With the loss of center Sean Williams, the Golden Eagles' frontcourt rests largely on young Spears and inconsistent Oates. While Dudley looks to have another high-scoring game, he cannot compensate for the loss of Williams' defense. Rice has come into his own in his sophomore year, leading the ACC in assists, and Marshall is coming off a game-winning three against FSU. Nelson and Scheyer have thrived on offense recently, but Paulus is still struggling with turnovers. With the loss of Williams and reserve Akida McLain, the X Golden Eagles are only going U seven deep, while the Blue z ui Devil bench has benefited from CQ the spark provided by Dave McClure and Gerald Henderson in recent games.

JARED DUDLEY] 8 9 ppg, 8.8 rpg SHAMABJ SPEARS 8.5 pi pg. 6 - 2 n JOHN OffUS 4.5 ?q, 3,8 f| SEAH MARSHALL 16.3 ig, 5.4 TYRES! RICE 16.7 pi ia, 5.9 aps

PPG PPG DBF

FG% 3PT% FT% RPG APG BPG SPG TO/G

DUKE 69.4 55.8 .473

78.1 70.2

,383

,316

.693 36.1 14.1

722 37.7 15.8

15.9

14.8

,482

The Skinny Boston College is riding high after a ra thrilling victory against Florida State, but the Golden Eagles are still Smf adjusting to playing without .fj Sffi Williams. After starting out 0- SB | 2, Duke has rebounded powerfully in recent ACC games, and look for the Blue Devils to con- ** m tinue their strong play Sunday, m Our call: gf Duke wins, 71-63 Compiled by John Schneider

if

~

,

\J

who left a special mark, such as Johnny Dawkins, Christian Laettner, Bobby Hurley, Grant Hill and Shane Battier. The last jersey Duke retired was Jason Williams’ in 2003. “Ifyou look at the guys who have their

jerseys retired—Laettner, Hill, [Danny]

Ferry, Williams... Those guys were national players of the year, NCAA careerrecord holders,” assistant coach Steve Wojciechowski said. “They were different than other players because they were a cut above even the best in the NCAA, and they were exceptional in what they brought to the table as students.” Williams finished his four years at Duke with a BA in Sociology and a certificate in Markets and Management Studies. He was known among his peers to be a hard-working student that always stayed on top of his schoolwork. Williams, though, will be remembered more for what he did on the court. The legacy “The Landlord” left was that of a soft-spoken team leader who dominated down low as a nittygritty power forward. Following his Junior and senior seasons, Williams was awarded National Defensive Player ofthe Year honors, becoming only the fifth player to receive that honor in consecutive seasons. “I was never a very outspoken person,” Williams said. “But I had to become accustomed to having the attention on me over my four years at Duke, and each year, I had to become an example for the younger players who were coming in.” Even though Williams finished the 2005-06 season as the leader in rebounds and blocks in the ACC, there were a number of questions at the end of last season whether Williams would have his jersey retired along with Redick—who was almost a lock given he was the 2006 AP National Player of the Year and the all-time leading scorer in the ACC. But Williams’ career on and off the floor during his four years at Duke was enough to convince head coach Mike Krzyzewski and other Duke administrators that he was worthy of the elite honor. “He was a rock for all the teams he played on, especially his senior season,” Wojciechowski said. “He always gave a consistent effort—the kind of guy who brought his hard hat and lunch pail to every practice.”

4 7 13 21 5

12 0 2 8 5 6

2 5 2 0 2 0 5 4 2 11 1 4 1 2 0 11

17 0 13 13 12 8

0 6

0

0

Ist Half: 40.0, 2nd Half: 50.0, Game: 45.5

Hamilton

mM

0 4 3 1 1 0 0 1 0 0

Blocks FG%

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McClure Henderson Zoubek TEAM Blocks F6%

1-1 3-8 5-9 9-15 1-8 5-9 0-0 1-2 0-2 0-1

2-2 1-1 3-4 0-0 2-2 0-0 0-0 0-0 2-2 0-0

TEAM

Booker

17 35 35 30 36 31 1 6 7 2

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2 1 3 1 4 5 5 1 2 2 3 1 0 0 11 2 0 1 0 1

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36 4 38 36 33 34 15 4

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2-2 0-0 016-6 4-6 20-0

1

0

Nelson (1), McClure (1) Ist Half: 48.4,2nd Half; 33.3, Game; 41.4

M. BBALL from page 1 As the horn sounded, the ball bounced around the rim before finally falling through and giving Duke a 68-66 victory. The No. 11 Blue Devils (17-3, 4-2) piled onto McClure in celebration under the basket as they won their fourth straight game and moved into fourth place in the ACC. “We felt like we could just push it,” Duke head coach Mike Krzyzewski said of the final play. “They actually took away what we had diagrammed, but Jon made a play and Dave made a shot. It’s not an easy shot.” McClure’s shot saved the Blue Devils from overtime and what could have been a devastating late collapse after they had led by two baskets with less than 10 ticks left. Gerald Henderson drained two free throws with 12 seconds remaining to give Duke a seemingly comfortable five-point margin, but Hamilton streaked down the court and hit a high layup over Josh Mcßoberts with five seconds left. The Tigers applied full-court pressure, as they had for most of the game, and Mcßoberts threw the inbounds pass behind a cutting Greg Paulus. The ball bounced right into Hamilton’s waiting hands, and the Clemson senior set himself and buried the tying three. “We just made a mistake,” Krzyzewski said. “We got them to shoot a two and we had a three-point lead and a timeout, and we made a mistake. And that kid Hamilton is a hell of a player. I mean, we threw the ball right to him, but he still had to hit it, and he hit it. Thank God he hit it quick.” Down three with six and a half minutes left, the Tigers came out of a timeout in a rare 2-3 zone, and Jon Scheyer took advantage by hitting a three-pointer from the comer to put the Blue Devils up, 58-52. The basket was the last field goal Duke would score until McClure’s game-winner, but the Blue Devils maintained a lead by hitting all eight of their free throws in the final stretch. In addition, Duke, which shot just 33 percent in the second half, benefitted from its dominance on the glass. Clemson came into Thursday’s contest as the top offensive rebounding team in the ACC at 15.4 per game, but the Blue Devils outpaced the Tigers 17-6 on the offensive glass. Duke won the total rebounding batde by 16, which allowed the Blue Devils to keep the lead during stretches where they went cold. “For us to out-rebound them 40-24 shows the effort that my guys had the whole night,” Krzyzewski said. “We were very deserving to win. We just could not put the ball in the basket at times.” Luckily for the Blue Devils, McClure put the ball in the basket at just the right time.


PART-TIME HABTECH Work oneon-one with kids with disabilities. Mornings, evenings and weekends open. Variety of schedules available. Experience preferred. Payrate $lO- hour. Contact Keri Anderson at 854-4400 or via email keri.ander-

DUKE IN BERLIN INFO MEETING Tuesday, Jan. 30, 4:30 PM 211 Languages Bldg. German faculty and representatives from the Office of Study Abroad will answer questions about the summer and http;// programs. semester www.aas.duke.edu/ study_abroad/

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WORKER FOR SUPPORT TEENAGER After school support for 14-yo girl with cerebral palsy; no specialized knowledge needed; help c/homework, community outings, dates with friends, swimming, biking, etc. Support is to help her build independence, confidence, and skills in a fun, positive, safe, abilities-focused manner. Applicant must have or be willing to acquire CPR and Red Cross cert, have valid driver’s license and use of vehicle. Position available from January 07 Tuesdays through Thursday, 2:45pm to 6:3opm. Hours and days somewhat flexible for the right person! Email betsym@fifnc.org or call 919-7813616 x 223. Must live in Durham or Chapel Hill. $lO-12/hr to start.

Information

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ASSISTANTS NEEDED The Brain Imaging and Analysis Center is looking for FT RAs to start as soon as possible. RAs participate in all aspects of research from collecting data on the MR scanners to data analysis in our laboratory. Students with previous programming or engineering experience are encouraged to apply. Work-Study preferred, but not required. Send resume to tankersley@biac.duke.edu 919.681.9935

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HEALING WATERS DAY SPA hiring P/ T front desk concierge. T/Th 11am-Bpm some Fri/ Sat hrs req’d. Also hiring F/ T Sr. Floor Mgr. 40+ hrs. bus degree & retail exp pref’d. Benefits offered. www.hwmedspa.com. Submit resume by fax: 572-6368 or email: hw_spa@hotmail.com. Now

+

LOVE ANIMALS? Large West Durham animal hospital now taking applicants for all positions. Flexible hours. Apply in person at 3301 Old Chapel Hll Road, Durham. ORGANIZER I am looking for some one to help me organize my CD and book library. $20.00 an hour. 919.403.9852

Entry level marketing Part-time. $9/ hour Email resume to Izbthoakley@yahoo.com

CHILD CARE Durham mother needs help caring for toddler and infant twins. Flexible morning/ early afternoon hours. Transportation required. Please call 919.382.3432

NANNY/ MOTHER’S HELPER needed in Durham for children 3 and 5. M-F, 2:30-8:00pm. School pick-up and occasional evening babysitting a plus. References and

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working

Contact

Charming brick house on Eno River. 8 minutes to Duke West Campus. 4BR, 2BA, 1900sf, 2 acres, lake, lawn maint & security incl. No smokers or pets. Avail $1195/month. 2/1/07. epartp@aol.com or 629-7891

PERSONALS HAIR SPECIALIST Specializing in all types of hair additions and custom made hair pieces. Call for a free Consultation 919-544-9504

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AFTERSCHOOL CARE FOR 6YR OLD Responsible student needed from 4-6 pm M-F (some flexibility). Near West Campus. $B-10/ hr. phone 383-1614/483-9213 or email: resOfoOa@verizon.net BABYSITTER NEEDED Looking for fun, responsible babysitter for 17 month old son. In Durham, approx, one night or weekend afternoon per week. Non smoker, own transportation, great references reqd. Please email if interested. wcwcew@yahoo. com $l2FT NANNY NEEDED: 16/HOUR Chapel Hill, M-F, Bam-4pm, long term, must have exc. refs and previous exp. 919.493.0702 $l2FT NANNY NEEDED: 14/HOUR Durham, M-F, 12-spm, long term, must have exc. refs, and previous exp. 919.493.0702

HOMES FOR SALE CUSTOM TRANSITIONAL HOME Stunning Frank Betz Design Custom Home just minutes to Duke and DUMC. 29005q. Ft.

4BR & 3 BA. $392,500.00 Take an Online Tour at www.philficks.com. or Call Phil Ficks @ Fonville Morisey Realty 919.402.1218

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TOWNHOUSE FOR RENT LOCATION LUXURY Great rental for a young family, recent graduates or young professionals. $l,lOO I 2 BR / 1.5 BA 1300sqft VERY easy access to Duke, RTF, and I-40! Gas log firecosts utility Low place 919.260.6303 QUIET, CONVENIENTLY LOCATED 10 minutes from Duke off Sparger Rd. 2BR, 21/2 BA, 2 story, 1200 sq ft, W/ D, storage. $BOO/ month 828.459.1003

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landscaped community. Cathedral ceiling in great room with ceiling fans throughout. Private patio and parking. Phone, cable & computer hookups. 2 mi. to Duke $6OO/ mo. 919.383:0167

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FRIDAY, JANUARY 26,

CHRONICLE

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McLCUTCH: Gotta love the “Mc”s: Duke’s losing effort comes up short:... The stuff of McLore: McClure does it for Duke again: Someone’s getting lucky: Referees cheat, Duke takes advantage: After magical .6 second 3, Duke wins:. Roily is happy for Big Shot Dave:

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Desmund Collins, Erin Richardson Account Assistants: Cordelia Biddle Advertising Representatives: Evelyn Chang, Margaret Stoner Kevin O’Leary Marketing Assistant: National Advertising Coordinator: Charlie Wain Services Coordinator: Alexandra Beilis Creative Nayantara Andrew, Marcus Atal Creative Services: Susan Zhu Sarah Jung, Akara Lee, Elena Liotta, Roily Miller Online Archivist: Business Assistants: ...Danielle Roberts, Chelsea Rudisill

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THE CHRONICLE

26,2007

14IFRIDAY, JANUARY

cal muscles

Time to flex our pol one and propose the New New thought of President Deal or the Greater Great George W. Bush’s State Society, Bush’s cession to of the Union Address Tuesday, his status as a lame duck, in a sense, means the lack of inithat we should 6Qltoricll dative in his ourprepare words and poliselves, as the generation cies is undeniable. The state of our union is paying for the war in Iraq dormant. Facing the issues with our blood and for the of global warming, nuclear national deficit out of our proliferation, the extremely first paychecks, for two unstable Middle East and years of inactivity in which an ever-increasing gap be- the burdens and problems tween the wealthy and poor of our nation will be transin our own nation, Bush, ferred more squarely onto weakened by an unpopular our shoulders, But this burden, as heavy as war and facing a combative be, provides us with the it may no real Congress, presented solutions to those problems opportunity to flex our politiTuesday night. Although no cal muscles. Indeed, it charges one can realistically expect us with the responsibility to inthe president, who lacks form ourselves better than certain necessary political ever before as we move toward capital, to stand before us the 2008 election.

No

f-H

u E— l

matter what

ontherecord defense

Coleman, professor at the School of Law, on the statements made by the defense to the media in the ongoing Duke lacrosse case. See story page I.

—James

LETTERS POLICY The Chronicle welcomes submissions in the form of letpurposes of identification, phone numberand local address. Letters should not exceed 325 words. The Chronicle will not publish anonymous or form letters or letters that are promotional in nature. The Chronicle reserves the right to edit letters and guest columns for length, clarity and style and the right to withhold letters based on the discretionof the editorial page editor.

Est. 1905

Direct submissions to: Editorial Page Department The Chronicle Box 90858, Durham, NC 27708 Phone: (919) 684-2663 Fax: (919) 684-4696 E-mail: letters@chronicle.duke.edu

The Chronicle

Inc. 1993

RYAN MCCARTNEY, Editor ANDREW YAFFE, Managing Editor IZA WOJCIECHOWSKA, News Editor ADAM EAGLIN, University Editor KATHERINE MACILWAINE, University Editor SEYWARD DARBY, Editorial Page Editor GREG BEATON, Sports Editor JIANGHAI HO, Photography Editor JONATHAN ANGIER, GeneralManager ROB COPELAND, Features Editor SHREYA RAO, City & State Editor VICTORIA WARD, City & State Editor JASTEN MCGOWAN, Health & ScienceEditor MICHAEL MOORE, Sports Managing Editor CAROLINA ASTIGARRAGA, Health & Science Editor WEIYI TAN, Sports Photography Editor STEVE VERES, Online Editor ALEX WARR, Recess Managing Editor LEXI RICHARDS, Recess Editor BAISHIWU, Recess Design Editor ALEX FANAROFF, Towerview Editor SARAH KWAK, Towerview Editor EMILY ROTBERG, TowerviewManaging Editor MICHAEL CHANG, Towerview Photography Editor ALEX BROWN, TowerviewManaging Photo Editor MIKE VAN PELT, Supplements Editor DAVID GRAHAM, Wire Editor JARED MUELLER, Editorial Page Managing Editor WENJIA ZHANG, Wire Editor VARUN LELLA, Recess OnlineEditor IREM MERTOL, Recess Photography Editor HOLLEY HORRELL, Senior Editor MEG BOURDILLON, Senior Editor ASHLEY DEAN, SeniorEditor MINGYANG LIU .Senior Editor LAUREN KOBYLARZ, Sports SeniorEditor PATRICK BYRNES, Sports Senior Editor JOHN TADDEI, Sports SeniorEditor BARBARA STARBUCK, Production Manager YU-HSIEN HUANG, Supplements Coordinator MARY WEAVER, OperationsManager NALINI AKOLEKAR, University Ad Sales Manager STEPHANIE RISBON, AdministrativeCoordinator MONICA FRANKLIN, Durham Ad Sales Manager DAWN HALL, Chapel Hill Ad Sales Manager TheChronicleis published by theDuke Student Publishing Company, Inc., a non-profitcorporation independent of Duke University. The opinions expressed in this newspaper are not necessarily those of Duke University, its students, faculty, staff, administration or trustees. Unsigned editorials represent the majority view of the editorialboard. Columns, letters and cartoons represent the views of theauthors. To reach theEditorial Office at 301 Flowers Building, call 684-2663 or fax 684-4696. To reach the Business Office at 103 West Union Building, call 684-3811. To reach the Advertising Office at 101 West Union Building call 684-3811 or fax 684-8295. Visit The Chronicle Online at http://www.dukechronicle.com. 2006 TheChronicle, Box 90858, Durham, N.C. 27708. All rights reserved. No part of this publication may be reproduced in any form without the prior, written permission of the Business Office. Each individ©

ual is entitled to one free copy.

American politics and to pick a direction. As important as it is to find great leadership, we cannot simply wait to be led. The spirit of American democracy is activism, and for the last century activism has found its home in universities. It is now our time, as students, to carry that torch and to become activists. It is time to expect less from the government and more from our generation. While the Baby Boomers that run the government can afford to put off problems to another day, we cannot. We will be here in the decades to come, even as our standard of living is decided today—so let’s take the steps to help make today’s decisions good ones.

letterstotheeditor

When the prosecution talks about the case, the has to do something to level the playing field.

ters to the editor or guest columns. Submissions must include the author’s name, signature, department or class, and for

race is not unreasonable, the stakes are too high for this nation, and disinterest is inexcusable. So if “info sessions” aren’t your thing, step up and plan something better. It is imperative to vote, but with possibly the most important election of a generation a little more than a year away we should not wait to act. While these candidates are forming their agendas and asking for input on their platforms, it is our responsibility to speak up and influence their thinking. Ultimately, the problems that are debated today are not the problems of the politicians. They are our problems. It is up to us to change the current holding pattern of

Even in its fledgling form, with many hopefuls announcing their candidacies within the past week, the upcoming presidential election looks to be one of the most exciting and interesting in American history. The diverse field of candidates includes a woman, an African American and a Hispanic American. And this is just the beginning of the race. The time is now to become educated about the candidates, to find the one that speaks to us —to you as an individual—and to start advocating. We cannot afford to be anything less than fully informed and fully active. While many could argue that antipathy for campus panels and forums about the upcoming

Malaklou’s column disappointing Shadee Malaklou’s recent column in The Chronicle was deeply disappointing (“Happily Ever After, Part I,” Jan. 24). We support her point that women privileged to attend this excellent university owe it to ourselves and society to use our education in a productive manner. However, it is incredibly disheartening that Malaklou believes that devoting time to family and children is an unproductive use of our resources. If an educated woman chooses to alter her career plans in favor of raising a family, she should not be criticized simply because it is not the career path for everyone. There is not a more honorable job than motherhood. Malaklou contends that “very few women will ever pursue the careers that Duke has prepared them for.” Each year, women leave Duke on their way to Wall Street, medical and law schools, Teach for America, etc. These are strong women who will contribute to society the rest of their lives. Education is important to be a productive member of society, however altering your career for your family does not condemn you to unproductiveness, nor does it mean you are wasting your education. The several thousand females attending Duke should find it insulting that a fellow student could generalize us as “Southern belles” in search of merely a “MRS degree.” That is certainly not why we are here. It is our hope that our daughters will be intelligent, ambitious young women who will view success not just through the lens of their careers, but through the relationships they will carry throughout their lives. Their personal success will not simply be judged by the number of figures on their pay check, but rather by how they impacted the lives of those around them. Brooke

Jandl

Trinity ’OB Christiane Regelbrugge Trinity ’OB Rabbi’s remarks misunderstood

Although I appreciate much of what guest

columnist Youshaa Patel had to say in his editorial “Are Muslims fundamentally different?” (Jan. 24), I believe he missed the main point of Chief Rabbi Sir Jonathan Sacks’ Kenan ethics lecture. The lecture was mainly focusing on the radical, violent Islam responsible for the numerous terror attacks worldwide, not the religion in general. Furthermore, the Chief Rabbi’s remark regarding generalizations referenced in Patel’s column was not an attempt to defend the use of generalizations, but merely illustrates the point that it is impossible to avoid all generalizations. I took this point to mean thatwhile the Rabbi admits he, too, uses generalizations, he does so with the regret that such generalizations are imperfect. Finally, Patel also inaccurately forwarded the Rabbi’s message, for he failed to touch on what I thought was the essence of the speech; the need for listening. Chief Rabbi Sacks urged all of us to listen to others so that we may better understand their values. Through listening we can learn who we can talk to about liberty and democracy, and who might be more interested in religion. He was not implying that no Muslims understand the value of democracy; rather he was saying that all people have different values, and we should also respect the values that we ourselves do not share. If we can discern what values different cultures, religions and civilizations hold, we will all be able to interact with the Other in a more appropriate and respectful manner.

Joel Ribnick Trinity ’O9 Claire Crowley memorial this Saturday There will be a memorial service this Saturday at 11 a.m. in the Goodson Chapel to celebrate the life of Claire Crowley. All are welcome to attend and share their memories of Claire. Rosanne Jones Trinity ’O9


THF.

commentaries

chronicle

FRIDAY, JANUARY 26,

The wheels on the bus semester, my class schedule exists in just such a way that I have to take the bus between

This

campuses (campi?) after every single class. That’s right, no humorous exaggeration here: every single class. As such, I have come to know the buses well. I have not to sit in the seat right on top of the wheel because your knees are shoved m into your face, I have bus which learned driver is the “crazy one” (you all know who I am talking Stacy ChUdWltl about) and I have

learned

.

learned to calculate with absolute preci-

shenanigans

sion the trajectory of an oncoming bus so it rolls to a stop right in front of me for my boarding convenience. But above all these, I have learned that there are always very particular types of people on the bus. I decided to observe these various types in their natural environment and categorize them here for your read-

ing pleasure: 1) “Loud Conversation Girl” “Loud Conversation Girl” (also known as Wendy Won’t-Shut-the-Hell-Up) is a common staple of every bus ride. This girl feels the need to let the entire bus know how hard her chem test was, which frats she visited the night before or that on New Year’s she got so drunk that she vomited on her cat. Honey, keep it to yourself. Or at least use an indoor voice. Why air your dirty laundry (or dirty lingerie) for a busload of irritated strangers? The intended target for Wendy’s conversation usually fake laughs at the right times, all the while darting awkward glances at the fellow bus riders in an almost-apologetic way. “Loud Conversation Girl” can easily be recognized by faded black “X”-es on the backs of her hands, an unusually large mouth and a Northeast accent. 2) “Foreign Professor Gyy” “Foreign Professor Guy” (also known as Professor Awsygfqifksjul) is another bus ride friend of ours. The Professor is almost always accompanied by a frizzyhaired female colleague with whom he can converse rapidly in his native tongue. The language is largely unidentifiable, usually sounding like some sort of mix between Portuguese and Chinese (maybe Pornese?). We don’t know where these people come from or what classes they teach, but we feel proud to belong to such a cosmopolitan university. Inevitably, there is always someone on the bus who is a student of Professor Awsygfqifksjul. They then attempt to fumble and bumble through a conversation in the mystery language,

Politician’s Unabridged Dictionary

to even us English-speakers that they have no idea what the hell they are doing. “Foreign Professor Guy” can be recognized by his thick, oddly shaped spectacles, black turtleneck and unwashed appearance. 3) “Guy Who Rests His Arm on the Top of the Seat So When You Sit Next to Him It Looks Like He Has His Arm Around You and It’s Awkward” Enough said 4) “The Leader” “The Leader,” (a.k.a. Tommy Take-Charge) is a necessary figure on a crowded bus. As more and more people frantically attempt to mosh pit their way onto the bus, swinging elbows and backpacks, the following battle of wills takes place: Bus Driver: “Can y’all move back and let these people get on?” Riders: (glazed, apathetic look) Bus Driver: “Come on now, everyone move back!” Riders; (shuffle feet without actually moving) Bus Driver: “Are y’all retarded? MOVE BACK!” It is at this point of supremely heightened tension that “The Leader” always steps in to save the day. Usually a stand-ee toward the front of the bus, he remembers his own plight trying to get on the bus moments before, and wants to help those still in the struggle. Tommy: “All right, come on guys, you heard what she said. Let’s move back.” Something about his gentle yet firm tone always has the intended affect, and slowly the herd begins to migrate toward the back of the bus. Where would we be if it wasn’t for Tommy taking it upon himself to spread the word of the bus driver? Well, a lot of us would probably still be waiting at the bus stop to get on. “The Leader” can be recognized by a hairstyle and outfit indicating that he is a legit dude, a political science book

I have learned that there are always very particular types of people on the bus. under one arm, and an idealistic glint in his eye. And so we have come to the end of our little romp through the world of the bus. I’m sure you have recognized some of these people; hey, you might even be one of them. The next time you ride (or if you are reading a soggy, discarded copy of The Chronicle on the bus right now), take a look around. Wendy, the Professor and Tommy can serve as familiar faces in a bus full of otherwise strange people. Stacy Chudwin is a Trinity sophomore. Her column runs every otherFriday.

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person: watch MTV

You

don’t want to hear this, but the people at MTV are sheer geniuses. They have completely reinvented television. Usually, a good television program needs either a premise that viewers can relate to or characters they could like. This is a difficult task, and the vast majority of shows on television really, really suck. So the bright people at MTV made everything a whole lot simpler by doing just the opposite of what we would expect: they created television jordan axt programs that no one can relate to filled with palindromes characters that no one could possibly like. Think about shows like The Real World, Tiara Girls, Laguna Beach, The Hills, and my favorite, My Super Sweet Sixteen. I cannot relate to anyone who has appeared on these programs. I have never had to deal with an overbearing pageant coach, stress out about whether or not my fashion designer could deliver my personalized sequined blazer, or ride in a helicopter on the way to my birthday party. These people live in a world completely unlike my own. Also, can you think of one person on these shows that you would actually want as a friend? They are all shallow, spoiled, materialistic idiots. If they don’t already have a drinking problem, they will probably develop one soon. No one really wants to be these people. We may covet their wealth, good looks or fame, but we don’t want their personalities. If I were offered the chance to wake up tomorrow as veritable jerk Jason from The Hills, I know I would pass. Unlike a lot ofpeople on television, the personalities on MTV are completely loathsome and unlikable. And I believe that this is saving America. Allow me to explain. Through their programming, MTV is committing a great public service. They are slowly boosting the self-confidence of millions of viewers. Just watching MTV makes me feel better about myself. Every night, I can turn on the TV and see someone who is unquestionably a worse human being than I am. Now, I’m no Mother Theresa, but at least I have never dumped a girl the day after Valentine’s Day or forced someone into admitting that she is a slut. MTV reassures me that I am a pretty normal, capable person. To use psychological jargon, MTV is providing the world with mass “downward social comparisons” that simply make me look good by contrast. Somehow, it’s extremely comforting to know that awful people like this exist. But, MTV programming does not only make me feel like a more reasonable human being —it may even help me make more friends. The New York Times Magazine discussed a concept called “negativity friendships” in its December “ideas of the year” issue. According to Jennifer Bosson, a social psychologist at the University of South Florida, what we dislike can matter in friendship as much as what we like. Bosson explains how “it’s not that we enjoy disliking people, it’s that we enjoy meeting people who dislike the same people.” This is where MTV has made things a lot easier. They have created shows where it’s very easy to hate everyone. With negativity friendships, I imagine that this hatred will eventually manifest itself into lifelong bonds. I can picture it now: best friends meeting as Brianna systematically ignores Rocky at her pool party or marriages forming as Davis from The Real World yells a racial slur. I thank MTV for making me the popular and wellrounded human being that I am today. Hating MTV personalities does not make me a cruel, superficial person. Instead, it just means that I am a man who appreciates life and values friendship. And I can live with that.

Jordan Axt is a Trinity sophomore. His column runs every other Friday.


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Arts Preview

January 26,2007

The Chronirlp

Be Inspired for the New Year! Contributed by Duke Performances

Violist Yuri Bashmet’s enthusiasm for his instrument, love of new music, and passion for rediscovering old works have led him to musical prominence and simultaneously created renewed interest in the viola. He began study of the violin as a young child but later turned to the viola at the Moscow Conservatoire after hearing that the viola required less practice (This way he could spend more time studying what he believed was his true love: the guitar.) This decision, however, led to a deep love of the viola, resulting in a world-

renowned musical career built upon his intense training and a unique passion for performance

Schnittke's Viola Concerto was written specifically for him and has subsequently become firmly established in the classical music repertoire. Bashmet also brings a new perspective to a life beyond classical music. Outside of his Principal Conductor of the Symphony exceptional musical accomplishments, he Orchestra of New Russia and toured with remains a Beatles and Jimi Hendrix fan and them through Russia, Italy, France, and has hosted political discussions in the Russian More media. England. recently, he became the founder and Bashmet and the Moscow Soloists will perdirector of the form a program at Duke including Benjamin Moscow Soloists, a Britten’s Lachrymae, Op. 48a, Schnittke’s for and Viola group with whom he Monologue Strings, will be performing Beethoven/Mahler“ Quartette Serioso”, and at Duke later this Schubert’s “Death and the Maiden.” Vienna Philharmonics, Royal Concertgebouw Orchestra, Boston, Chicago, and Montreal New York Orchestras, Symphony Philharmonic, London Philharmonic and London Symphony Orchestra. He became

month.

Mr Bashmet plays a 1758 Testore viola (similar Described by The Times as “...without

to the one played by Mozart.)

one of the world's greatest livmusicians ing

doubt,

Bashmet launched his musical career in 1976 when he won the International Viola Competition in Munich. Since his debut, he has appeared with all the world's great orchestras including the Berlin and

...”

Bashmet

is an inspiring artist for composers and is in the forefront of creating new works for the viola. Alfred

Moscow Soloists with violist Yuri soloist director, Bashmet, and Wednesday, January 31 at 8:00 pm in Auditorium. Tickets are Page $32/$26/$22 Reserved Seating and $5 for Duke Students. Call (919) 684-4444 or order online at tickets.duke.edu.

2007 Season June 7-21

DUKE EMPLOYEES receive 10% off single ticket purchases the evening of the performance

STUDENT RUSH TICKETS are half-priced tickets available the night of the performance and are

subject to availability. These discounted tickets are sold at the box office one hour prior to the beginning of the performance.

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The Chronicle

Aits Preview

January 26,2007

3

Three Movements Premieres Contributed by Duke Department of Theater Studies

As Trinity senior Martin Zimmerman moves through his last semester at Duke, he has one major goal yet to accomplish—his senior distinction project. Zimmerman has written a play called Three Movements that will be produced February Bth-llth in Sheafer Theater as his honors project. While some might assume college students would write about what they know—their contemporaries —Zimmerman has chosen a different stage of life to explore. In fact when he first gave a draft of his new play to people to read, they expressed surprise that he would write about an older character, especially when one of the character’s main obstacles is his own age and the breakdown of his body. But Zimmerman thinks people of every age can relate to change and loss. Zimmerman’s play is a fictional story inspired in part by the life of the famed ballet choreographer George Balanchine. It follows the efforts of a fictional choreographer (also named George) and his relationship with his wife, Sonia, who was one of his greatest dancers. In the play she has recently contracted polio at the height of her career. “I think the theme of loss is something most people in college can relate to, if not physically, then at least psychologically,” he says. “All of us in some way long for a past part of our lives where we were healthier and happier, where we were allowed to be more

naive and idealistic. In many ways, the play is about someone trying desperately to preserve a more glorious past.

believes is the future of his company and the perfect dancer for his choreography. His infatuation with her puts a serious strain on his relationship with his wife, and the complex relationship he with develops Lindsay brings about many problems of its own.

“I was at a point where I knew I wanted to write a love

story,” says Zimmerman. “I had just come off writing Playwright Martin Zimmerman (right) is also an actor, pictured here in Hapgood with a play that was largely inspired by ideas, Mike Dickison. and a love story by definition revolves programs in dramatic writing. He is currentaround human relationships. I wanted to ly looking into opportunities (fellowships, write a play that was more rooted in human grants, etc.) that will allow him to write over the summer. One of his goals for this prorelationships than anything else.” duction of Three Movements is to polish the Zimmerman has been working on this play play to a point where it is ready to send out for more than a year. He wrote a first draft to contests and professional theaters. over semester break 2005 and developed it Zimmerman has the full confidence of the over spring semester last year and also during a fellowship with New York Stage and Theater Studies faculty. Department Chair Film at the Powerhouse New Work Festival John- Clum says simply, “Martin Zimmerman is the most gifted and dedicated playwriting last summer. student we have had at Duke.”

He is also currently working on developing several other plays and is in the process of So while Zimmerman may be moving writing a libretto for a collaboration on an toward the finish line at Duke, he clearly is “We see both George and Sonia trying to opera with George Lam, who is a graduate nowhere near the end of his writing career—negotiate what their relationship will student in Music Composition at Duke. The far more likely this is just the beginning. become in the wake of her illness, while opera is being developed in conjunction with Three Movements Sheafer Theater George still has to keep running his ballet the American Opera Project. Feb. 8-10 at 8 pm; Feb. 11 at 2 pm company,” says Zimmerman. “As George continues to keep the company, he discovers He is planning on pursuing playwriting in the Tickets $5 general admission, $3 students Lindsay, a gifted young dancer who he future and has applied to several graduate and senior citizens. Tickets sold at the door. ,

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Spring

January 26,2007

Aits Preview

The ChroniHp

Spring Features from the Nasher Museum Contributed by the Nasher Museum of Art at Duke University,

A contemporary art trend at the Nasher Museum continues this spring with two new exhibitions of work by important living artists. “Our spring shows are what the Nasher Museum is all about,” said Kimerly Rorschach, director of the Nasher Museum. “These works have not, until now, been readily accessible to audiences in the Triangle region.”

“Irwin Kremen: Beyond Black Mountain (1966-2006),” opening March 22, is the artist’s first major retrospective, including collage, painting, and sculpture. “Street Level: Mark Bradford, William Cordova, & Robin Rhode,” opening March 29, presents the work of three global urban artists who are exhibiting together for the first time. Students are invited to learn more about contemporary art at exciting programs and events at the Nasher Museum this spring.

The museum is located at Duke University Road and Anderson Street, adjacent to the Sarah R Duke Gardens. Sign up for the Nasher student listserv to find out about exclusive student events throughout the year. Just send an e-mail to majordomo@duke.edu with “subscribe nasher-students” in the body of the e-mail (without the quotes). Duke students can explore contemporary art at the Nasher Museum’s last all-student party of the year, “Nashquerade,” on April 13. The Nasher Student Advisory Board invites Duke undergraduate, graduate and professional students to don a creative costume and celebrate spring at the museum. The evening will feature live music, dancing,

a costume contest, refreshments and a cash bar (credit cards and Food Points accepted). Duke I.D. is required. The free event is generously sponsored by the Office of the Vice President for Student Affairs.

A DJ party will kick off “Street Level” on March 28. Ninth Wonder, a local hiphop producer and DJ with Little Brother, will provide the entertainment at the event, open to the Duke community and museum members. The exhibition opens on March 29 with a conversation between artists Mark Bradford, William Cordova and Robin Rhode.

Wendy Ewald (Duke) and Jeff Whetstone (UNC-CH). Muniz, born in Sao Paulo, lives and works in New York. In 2006, museums in Miami, Seattle, San Diego, Montreal and Quincy (FL) presented solo exhibitions of his work. The talk is co-sponsored by Duke’s Center for International Studies and the Nasher Museum.

Meet Irwin Kremen at the exhibition preview on March 21 at 5 p.m. The artist will discuss his retrospective on view at the Nasher Museum with Sarah Schroth, the museum’s Nancy Hanks Senior who Curator, organized the show. The talk will be followed by a reception and cash bar.

The museum offers five free lectures on Still from "White Walls" (detail), Robin Rhode, 2002 Longtime arts supDigital animation, 56 seconds. contemporary art porter E. Blake this spring. Byrne, Duke class of '57 and chairman of the Nasher Museum’s Board of Advisors, Meet Thomas Krens, director of the will talk with Museum Director Rorschach Solomon R. Guggenheim Foundation, at about how he built his collection of contemthe Annual Semans Lecture on Feb. 21. porary art on April 14. Byrne is listed as one Krens will talk about some of his groundof ARTnews magazine’s top 200 collectors breaking ideas, which include the art musein the world. um as brand and an exhibition devoted to the art of the motorcycle. Learn about the art of sampling at a talk on April 17 with Mark Anthony Neal (associOn March 5, international artist Vik Muniz ate professor of African-American literapresents a talk as part of “The Practice of ture at Duke) Kawachi Clemmons (who Representation: Portraiture in teaches the innovative hip-hop course at a Photography,” series organized by artists North Carolina Central University) and Sprng Features continued on page 9

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Aits Preview

Xhe Chronicle

Janui

26,2007.5

Practice pays off for sophomore violinist Contributed by Duke Department of Music

“When I received the phone call from my violin teacher telling me that I won, I was in disbelief,” says Mingyi Huang. He had just won the Duke Symphony Orchestra’s annual Concerto Competition, besting 13 other talented student musicians for the opportunity to perform as soloist with the DSO. Mingyi will be featured in the group’s last concert of the season on Wednesday, April 11 at 8 pm in Baldwin Auditorium.

Price (’O6). “Every time Ashley played in Duke Symphony Orchestra: Spring 2007 rehearsal or in the concert, she always Both concerts are FREE ADMISSION played with poise. She has taught me that being calm is the key to having a powerful Wednesday, February 14 stage presence and performing well.” 8 pm, Baldwin Auditorium Guest Artists: REBECCA TROXLER, The Duke Symphony flute; JOSEPH ROBINSON, oboe; Orchestra the FRANCES HSIEH, violin; LEONID sponsors Student Concerto ZILPER, cello fall. Program: Competition every Musicians who are interested Karl Friedrich Abel, Symphony in E-flat in competing should speak to Major, Op. 7, No. 6 their teachers or contact Prof. J.C. Bach, Sinfonia Concertante in C Major Harry member of the Davidson Felix Mendelssohn, Symphony No. 3 in A A regular (hdavid@duke.edu). Mingyi minor ("Scottish"), Op. 56 DSO’s violin section, when has a high opinion of the qualMingyi steps on stage on ity of musicianship this combe a will facing Wednesday, April 11 he April 11 petition encourages. “I was 8 pm, Baldwin Auditorium different experience in familHe be will in actually surprised to win,” he Featuring Student Concerto Competition iar territory. Student Concerto Competition says. “There were many tal- Winner MINGYI HUANG front of the group he is usually Winner, Mingyi Huang will be a part of, taking on a new and playing on Wednesday, April 11 in ented musicians that entered performing Sibelius, Violin Concerto in D minor, Op. 47 (Ist mvt.) challenging role. “I feel honthis year.” Baldwin Auditorium. also on the program: ored to have this opportunity featured soloist and excited for the I’m as a Otto Nicolai, Overture to The Merry Wives concert. I think watching last year's competiof Windsor tion winner will help me with my performFranz Schubert, Symphony No. 9 in C ance,” he says, referring to pianist Ashley Major ("the Great"), D. 944 *

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Aits Preview

26,2007

The Chronip|

Duke University Spring 10 Duke String School.

Dorothy Kitchen, dir. Mid-Winter Festival. 3,4, and /pm. Baldwin Auditorium. Free. (MUS)

Opus One. Four superb musicians renowned as soloists in their own right. Works by Mozart, Dvorak, and Tsontakis. Bpm. Reynolds Theater. $25 Adult; $l5 Youth; $5 DS. (DP)

Man OfLa Mancha. Musical based on The Aduenturcs of Don Quixote by Miguel de Cervantes. 7:3opm. Paye Auditorium. $55/45/35 General Public; $4O/30/20 Duke employees; $25/20/15 DS.

Double Reed Recital.]Robinson, oboe; Martin Kyi basson; Keisuke Wakao.oW Ikuma, English horn; and* Nelson Music Room. Free.(Muj Gala

Duke Double Reed Days.(s£ , 27 violin Masterclass with Dm|

Sitkovetsky. 3pm. Nelson fa Free. (MUS)

29 Duke Chorale. Rodney Spring Tour Concert. 8 pm,jj Auditorium, Free. (MUS)

30 Faculty Recital. Elizabeth ii^ soprano Deborah Hollis, ( Romantic Faure, Duparc, Grieg, andfo Nelson Music Room. Free.(MUS &

Yuri Bashmet (See Jan. 31'

Profan us” (Sacred and Profane) German a cappella vocal ensemble. Bpm. Goodson Chapel, Divinity School. $l5 General; $5 DS. (DP)

JANUARY 26

“Awakening.” A multi-media presentation featuring The Ciompi Quartet, Vocal Arts Ensemble, Barbara McKenzie, piano, Elizabeth Ransom, flute, and Joseph Pecoraro, guitar.

Rare Music. Tian Yun Si Yu (The Heavenly Sound of Silk Music): A Chinese Lute Medley. 4pm. Perkins Rare Book Room, Perkins Library. Free. (MUS, LIB)

7:3opm.

Goodson Chapel, Divinity School. $l5 General; $5 DS. (DP)

1-40”. Rebecca Troxler, flute; Joseph Robinson, oboe; Igor Begelman, clarinet; David Jolley, horn; Michael Burns, bassoon; Jane Hawkins, piano. Works by Reicha, Thuille, Dillon and Poulenc. Bpm. Nelson Music Room. Free. (MUS)

Hair. (See Jan. 2 6)

31

2pm.

(HH, DUU)

17

1 Turtle island

Hsia-Jung Chang(See Feb. 17) Guest Recital. Pianist Hsia-Jung Chang performs the complete Chopin Etudes. Bpm. Baldwin Auditorium. Free. (MUS)

The Great Game. (See February 14) 2pm. $25 General Public; $5 DS. Bpm. $3O/525 General Public; $5 DS. (TS)

18 The Great Game. (See February $3O/$25 General Public; $5 DS.

string Quartet with

Sergio and odair Assad, guitarists. Two super-groups of the jazz and classical string worlds come together to postulate a new unified ‘string theory.’ Bpm. Page Auditorium. $25/szo/sis Reserved; $5 DS. (DP)

19 Piano Masterclass with Hsia-Jung Chang.

1) 2pm. (TS)

Three Movements. Senior distinction project for playwright Martin Zimmerman. Bpm. Sheafer Theater, Bryan Center. $5 General Public; $3 Students/Sr. Citizens. (IS)

Nelson Music Room. Free.

20 The Great Game. (See February 14)

$25 General Public; $5 DS. (TS)

21 The Great Game. (See February

14)

$25 General Public; $5 DS. (TS) Duke wind 22 symphony. David 7:3opm.

Rockefeller, conductor. American Originals: music by Copland, Persichetti, Dellojoio, Stamp, Gershwin, and Sousa. 8 pm. Baldwin Auditorium. Free. (MUS)

ciompi Quartet “First course” concert

and discussion. s:3opm social half-hour, spm performance. Doris Duke Center. $5 at the door. (DP)

1) Bpm. (TS) 1) Bpm. (TS)

7pm.

(MUS)

Tick... Tick... Boom! Duke Players Lab Theater. Musical by the creator of Rent, Jonathan Larson. Bpm. Brody Theater, East Campus. $5 General Public; $3 Students/Sr. Citizens. (TS)

2 Tick...Tkk...BOOm! (See Feb. 3 Tick...Tick...Boom! (See Feb. 4 Tick...Tick...Boom! (See Feb.

14) 2pm 7:3opm.

$25 General Public; $5 DS. (TS/DUU)

7:3opm.

FEBRUARY

23

The Great Game. (See February 14) 7:3opm. $25 General Public; $5 DS. (IS) Duke Jazz Ensemble. John Brown, dir. Guest Artists: Irvin Mayfield, trumpet and Adonis Rose, drummer. Bpm. Baldwin Auditorium. $lO General Public; $5 Students/Sr. Citizens. (MUS) The Great Game. (See February 14) Bpm. s3o/$25 General Public; $5 DS. (IS)

22 Murray Perahia, piano. One of the most sought-after and cherished pianists of our time first performed at Duke as a young rising star in 1979. Works by Bach, Beethoven, Schumann and Chopin. Bpm. Parje Auditorium. $46/s4o/$25 Resented; $5 DS. (DP)

Student Concerto Compeft Mingyi Huang. Works bySI Nicolai, and Schubert. Spral Auditorium. Free. (MUS)

12 4 minutes 33 seconds. Com|

Cage dedicated this workfa also known as his “silentps Irwin Kremen. Performed!)

Red Light Winter. (See March 1) Bpm. The Great Game. (See February 14) Bpm. $3O/525 General Public; $5 DS. (IS)

Murray Perahia (See March 22)

3 Vincent Mantsoe, “Men-Jaro”

Rare Music: 4+l. The 5-string Cello with Dr. Brenda Neece, DUMIC curator. 4pm. Perkins Rare Book Room, Perkins Library. Free. (MUS, LIB)

Choreographer/dancer Vincent Mantsoe of South Africa combines traditional African and contemporary global dance styles. Bpm. Page Auditorium. $22 General; $5 DS. (DP)

Family Fare: up the Mountain with Jody Cassell. Storyteller presents a

Red Light Winter. (See March 1) Bpm.

combination of music and movement for all ages. 11am. Angle Amphitheatre, Duke Gardens. $5 all ages. (DP)

The Great Game. (See February 14) 2pm. $25 General Public; $5 DS. Bpm. $3O/525 General Public; $5 DS. (IS)

Duke Double Reed Days. Two days of workshops, demonstrations, and recitals led by oboist Joseph Robinson, bassoonist Martin Kuuskmann, oboist Keisuke Wakao, English hornist Keisuke Ikuma, and others. Begins at 10am. Nelson Music Room. $lOO registration

4 Milestones Festival of New Music. The Red Clay Saxophone Quartet performing premieres of new works by Duke graduate composers George Lam, Kathleen Bader, Paul Leary, and Ben Crawford, and other works. 4pm. Baldwin Auditorium. Free. (MUS)

Memorial Hall, UNC-Chapel Hill. $l5 general; $lO Employees, Students; Call 919843-3333- (M US) Red Light Winter. (See March 1) 2pm.

required. (MUS)

25

Organ Recital. “Spanish Music for

Various Keyboard Instruments.” Robert Parkins, University Organist. 2:30 pm and 5 pm. Duke Chapel. Free. (CHAP) Mallarme chamber Ensemble. Eric Pritchard, violin, and Jane Hawkins, piano join Mallarme Chamber Players. 3pm, Nelson Music Room. $l5 general; stu-

dents/children free. (MUS)

DS. (IS)

10 Three Movements.

Milestones Festival ofNew Music. Gala Concert, featuring Terry Rhodes, soprano; Frank Gratowski, alto saxophone; UNC Wind, Percussion, Choral and Orchestral Ensembles; and NC Jazz Repertory Orchestra in works by Stephen Jaffe, Jennifer Higdon, and a world premiere by Todd Hershberger. 7:3opm. Memorial Hall, UNC-Chapel Hill. $l5 General; $lO Faculty, Staff, Students; Cali 919-843-3333. (MUS)

(See February 8) Bpm. (IS)

11 Duke chorale chamber choir and the

chamber choir of the choral society of Durham. Rodney Wynkoop, director. Works by Part, J. C. Bach, J. S. Bach. 3pm. Duke Chapel. $l5 General Admission; Students Free. (MUS) Three Movements. (See February 8) 2pm. (IS)

14 The Great Gome. World premier Theater

Joseph Robinson (See Feb. 24

&

March 24)

Milestones Festival of New Music. The Zeitgeist ensemble in Scott Lindroth and Anya Belkina’s film-music collaboration on Rumi, Nasuh. Bpm. “The Space” in Smith Warehouse, 114S. Buchanan Bind. Free. (MUS)

w

Davidson, music

Experimental vocalist Pamela Z in Metal/ Vox/Water, a collage of short solo works and excerpts from her large-scale multimedia works. Bpm. Nashcr Museum Auditorium. $lB General Admission; $5 DS. (DP)

Brentano Quartet performs works by Steve Mackey, Bela Bart6k, Mario Davidovsky and Nick Horne. 7:3opm.

Arias, Dances, and suites,t Music by Bach, Telemann,s with Penelope Jensen, sop® Troxler, flute; Mary Kay Rofe Brent Wissick, viola da gam! Krumdieck, cello; JosephU oboe and Elaine Bpm. Nelson Music Room.Fra

11 Duke symphony orchestn

2 Milestones Festival of New Music.

Milestones Festival of New Music.The

Shadow OfHimself. (See Aprilj

Shadow of Himself. (See Bpm. (IS)

The Great Game. (See February 14) 7:3opm. $25 General Public; $5 DS. (IS)

The Great Game. (See February 14) 2pm. (final show) s3o/$25 General Public; $5

Three Movements. (See February 8) Bpm. (IS)

Previews production with Tony Award winning Broadway co-producer Randall Wreghitt, written by D. Tucker Smith and directed by Tony Award-nominated Wilson Milam—an epic play of romance.

Organ Recital. William Peterson, Pomona College. spm. Duke Chapel. Free. (CHAP)

Players Lab Theater. Play by Adam Rapp. Bpm. 209 East Duke, East Campus. $5 General Public; $3 Students/Sr. Citizens. (IS)

Moscow chamber soloists with violist

Yuri Bashmet Leading young string players from Moscow will perform works by Britten, Schnittke, Beethoven/ Mahler, and Schubert. Bpm. Page Auditorium. $32/$26/$22 Reserved; $5 DS. (DP)

play by faculty member Ne; by faculty member Jody Met Sheafer Theater, Bryan Cental Public; $7 Students/Sr. Citizen

1 Red Light Winter. Duke

Bpm. (HH.DUU)

28 “Ensemble

5 shadow of Himself. World p

MARCH

and Brahms. Bpm. Reynolds Theater. $25 General; $l5 Youth; $5 DS. (DP) &

APRIL

The Great Game. (See February 14) 2pm. $3O/$25 General Public; $5 DS. 7:3opm. $25 General Public; $5 DS. (TS/DUU)

premier quartet of a new generation of European classical musicians performs works by Webern

2pm

defunctis a6 and motets by Clemens, Whitacre, Byrd, ar( 4 pm. Duke Chapel. Free. (CHAP

The Great Game. (See February 14) 2pm. $25 General Public; $5 DS. Bpm. $3O/$25 General Public; $5 DS. (IS)

25

27 Artemis Quartet The

Hair. (See Jan. 2 6)

Vincent Mantsoe (See March 3)

24 The ciompi Quartet with joe Robinson, oboe. Beethoven, Brahms, and world premier of a new work by Robert Ward. Bpm. Nelson Music Room, East Duke Building. $l5 General; $8 Youth; Free to DS iu/ ID. (DP)

The Great Game. (See February 14) Bpm, s3o/$25 (Opening night) General Public; $5 DS. (TS)

Hair. The American Tribal Lovelßock Musical. Relive the turbulent ’6os with the most controversial work of theater of the last half century. (Appropriate for Ages 15 and Up. Contains sexual subject matter and partial undressing.) Bpm. Sheafer Lab Theater, Bryan Center. sio General Public; $5 Duke employees and students. (HH)

31 vespers Ensemble spring Aeterna, featuring Victoria’s!

Laßar, Ph.D., associate Center for Cognitive Neura 7:3opm. Free luith museum nfc

shadow of Himself. (See V 13 Duke jazz Ensemble. Johns director, with membersoftl Chorale, Duke Symphony!) and Duke Dance Program' Music ofLouie Bellson and! Bellson’sjazz Ballet. Guest Jazz Master Louie Bellson,i Duke Chapel. Admission TBAI

Nashquerade. studentput Nasher. Live music, costun cash bar. Duke I.D. require: 12am. Free.

(NMA)

Shadow of Himself. (See $

14 Prism concert Gala perfor

turingthe Duke Chorale,! Musicum, Djembe EnsemU Ensemble, Opera Workshop Orchestra, and Wind Symp Baldwin Auditorium. Free#

Graduate composers cow Nelson Music Room. Free# Shadow of Himself. (SeeAprf 15 shadow of Himself. (See ¥ 18 Theater 2007: New works

1

Plays written, directed aj by students. Bpm. BrodpCampus. $5 General Pu®' : Citizens. (IS)

J

19 Duke wind symphony. '; Rockefeller, conductor Auditorium. Free. (MUS)

Robert Parkins (See March 25)

Paper Handpuppet Interne#'


Spring

The Chronicle

Arts Preview

26,2007 7 •

CALENDAR OF EVENTS 22 Opening Exhibition. “Irwin Kremen:

JANUARY

9

Visual Culture,” by Francesca Dal Lago, Leiden University, The Netherlands. spm. Nasher Museum. Free. (NMA)

Louisejones Broom Gallery, Bryan Center.

(DUU)

Exhibition. “Leave Your Mark on the Plaza!” Photography ofDuke Senior Anna Wu captures the chalk art of students, faculty, and passersby at the fall opening of the West Campus Plaza. Thru mid February. Rostock Technology Alcove. (DUU)

Maria Schneider (See April 20) (See icater 2007: New works Festival.

iril 18) Bpm. (TS) ompj Quartet “First Course” concert id discussion. s:3opm social half-hour, Chapel, Diuinity ,m performance. Goodson hool. $5 at the door. (DP)

aha Schneider jazz orchestra. Gil

protegee pushes the big-band ■chestra sound into the future. Part of Page Audiie Duke Jazz Festival. Bpm. rium.s2s/s2o/sis Rcserued; $5 DS. (DP)

Exhibition. “Reclaiming Midwives: Stills from All My Babies.” Photographs by Robert Galbraith and film by George C. Stoney. Black midwives in Georgia in the 19505. Thru April 2,2007. Kreps and Lyndhurst Galleries. (CDS)

15 opening Exhibition. “The

30

18 Chinese New Year celebration. Celebrate the Year of the Boar and the last day of “Between Past and Future: New Photography and Video from China” with live entertainment and make-and-take crafts. i2-4pm. Free urith museum admission. (NMA)

.

20

gium Musicum. Kerry McCarthy, tor. J. S. Bach and the German Bpm. Nelson Music Room. Free. (MUS)

of the Solomon R. Guggenheim Foundation. Annual Semans Lecture. Reception & cash bar. 7:3opm. Free with museum admission. (NMA)

soundscape/remix/performance/ focus on race, terror, surllance. 9-npm. PSI Theatre, Durham Council. Registration required—see ice with

s

Early Photography and the Making of African American Identity.” Keynote address by Carla Williams. 6:3opm. Perkins Library Rare Book Room. Free. (LIB)

Hand Puppet intervention.

ib 2007: celebrating clay. ig 2007 marks the final semester lay Taliaferro’s distinguished 20career as a Professor of the Practice ance. 8 pm Reynolds Theater, Bryan cr. $l5 General; $5 Students. (DDP)

ater 2007: New Works Festival. (See

1

18) Bpm. (TS)

e Jazz Festival .Jazz on the Green,

uring local and regional musicians. Location TBA. Free. (MUS) €l choir and Duke chorale spring >rio. Works by Rachmaninoff and •hAchron. Rodney Wynkoop and Friedman, Conductor. 4 pm. Duke il- $l5 General, first 300 Duke nts free. (CHAP)

Opera Workshop. Susan Dunn, dir. 'Pm. Baldwin Auditorium. Free. (MUS)

ioiab 2007: celebrating clay. (See

»)3Pm.(DDP)

ter 2007: New Works Festival. (See '8) 2pm. (IS) ;

n American Theater Workshop.

mating performance by African 'can Theater class. Bpm. :r, West Campus. Free. (TS) Sheafcr

er Music Recital. Featuring stu-OUPs. /pm. Nelson Music Room. IUS)

Morale. Rodney Wynkoop, dir.

Celebration. Bpm.

ie.

(MUS)

Biddle Music

String Quartet The preeminent quartet of today concludes the >erArts Society season with a "jelsofen.Beethoven, Bartok, Brahms, Bpm. Reynolds Theater. $25 11 S youth; $5 DS. (DP) fring School. Dorothy Kitchen, g eSt'Val - 314,& 7 Pm- Baldiuin c ,um - Free. (MUS)

l

Party, “street

Opening Exhibition Panel Discussion. “Street Level: Mark Bradford, William Cordova Robin Rhode.” spm. Free with museum admission. (NMA)

s

19-21 Conference. Electronic Techtonics: Thinking at the Interface,

HASTAC Inter-

national Conference. Performances, panels, lectures. Registration required—see www.hastac.org. (FHI)

&

&

21 Symposium. "Beyond Technique: Performingthe Masters." loam-izpm, Ark Dance Studio, East Campus. (DDP)

APRIL 1 Family Day. Entertainment, make-and-

take crafts, gallery hunts. i2-4pm. Free with museum admission. (NMA)

23

4 Wednesdays at the center. Trevor Schoonmaker (Curator of Contemporary Art, Nasher), “Street Level and Jet Stream: the Local, the Global, and the Contemporary Curator.” 12pm. 240 John Hope Franklin Center. Free—lunch provided. (FHI)

5 First Thursday at the Nasher.

Meet

Esther Gabara, assistant professor of romance studies and Art, Art History Visual Studies. Cash bar. s:3opm. Free with museum admission. (NMA)

screen/society: Duke student Film Showcase. The best of the current crop of student films produced at Duke this semester! (Tentative date) 5-npm. Richard White Auditorium. Free (FVD)

29 Holocaust Remembrance.

Irwin Kremen

with “On the Making of the Re’eh Series and Its Iconography." 3 pm. Open to the public. Free with museum admission. (NMA)

MAY 3 First Thursday at the Nastier.

Meet

William Noland, professor of the practice in Duke’s Department of Art, Art History and Visual Studies. Cash bar. s:3opm. Free with museum admission. (NMA)

&

14 Collectors Conversation. E. Blake

Byrne, T ‘57, w/ Nasher Dir. Kimerly Rorschach. 1 pm. Free with museum admission. (NMA)

2 Symposium. “Pictures and Progress:

11u.hastac.org. (FHI)

ciompi Quartet with jane vkins, piano. Works by Schubert, ag, and Frank. Bpm. Nelson Music i, East Duke Building. $l5 Adults; $8 i; $5 DS. (DP)

29

Carla Antonaccio, professor of Classical Studies. Cash bar. s:3opm. Free with museum admission. (NMA)

ie Garcia (VJ cyops), “ReMixZ.” Live

ger-than-life puppets and zany traders help us see how we can protthe environment and the world we share. 11am. Angle Amphitheatre, Duke dens. $5 all ages. (DP)

Meet

ing: The Girls Who Went Away,” audio installation by Ann Fessler, based on oral histories of women who surrendered babies for adoption in the 1950 and ‘6os. “Cliff & Hazel,” Fessler’s video installation portrait of the adoptive parents who shaped her identity. 6-gpm, artist’s talk 7pm. Thru July 8. (CDS)

&

21 Thomas Krens Lecture. Krens, director

1 First Thursday at the Nastier.

il 18) Bpm. (TS)

&

Level: Mark Bradford, William Cordova Robin Rhode.” Contemporary artists to watch. 7pm. Free with museum admission. (NMA)

in

MARCH

ater 2007: New works Festival. (See

ier

Lecture. “House and Household

19 Gallery show and Reception. “Everlast-

Perkins Library Rare Book Room.

28 Exhibition Preview D.J.

Ancient Athens” by Barbara Tsakirgis, Vanderbilt University. s:3opm. Nasher Museum. Free. (NMA).

Lecture. Michael Chorost, winner of the

PEN/USA-winning Rebuilt: Myjourney Back to the Hearing World, “The Future of Bodies and Communities in a Hypertechnological Age.” 4:3opm. 240 John Hope Franklin Center. (FHI)

7:3opm.

Past is

Art for all. Nasher Student Advisory Board sponsors refreshments, cash bar, tours, live entertainment. 7-iopm. Free urith museum admission. (NMA)

Engaging Faculty Series. Robin Kirk, coordinator ofthe Duke Human Rights Initiative, “Hometown Human Rights.”

Neal (Duke), Kawachi Clemmons (NCCU), and Ninth Wonder, from Little Brother. 7pm. Free with museum admission. (NMA)

Free. (LIB)

Present: Classical Antiquities at the Nasher Museum.” Thru Feb. ‘OB. (NMA)

African languages and literature; and

I

Music. “The Oboe Revealed,” a lonstration with Joseph Robinson, NY Philharmonic, ier principal oboist, Perkins Rare Book Room, Perkins iry. Free. (MUS, LIB)

documentary series, “Art 21.” Discussion after. 3pm. Nasher Museum. Free. (NMA)

Litzinger. Asian/Pacific Studies Institute; Kang Liu, Asian and

Tianjian Shi, political science. 3pm. Free urith museum admission. (NMA)

27

11 Screening. One-hour viewing of PBS

28 Teach-in. Ralph

fans

Lecture. “Icons of‘China’: Reappropriat-

ing Tradition in Contemporary Chinese

Exhibition. “Surface” photographs, video and installation by Ava Johnson.

17 Hip-hop demonstration. Mark Anthony

Beyond Black Mountain (1966 to 2006).” Collage, painting & sculpture by Duke emeritus professor of psychology Irwin Kremen. ioam-spm. (NMA)

Symposium. “Pictures and Progress: Early Photography and the Making of African American Identity.” Panel sessions and presentations. ioam-spm. Perkins Library Rare Book Room. Free. (LIB)

Michael Chorost (See Jan. 50)

FEBRUARY 1 First Thursday at the Nasher. Photographer Alex Harris, professor of the practice at the Center for Documentary Studies. Cash bar. s:3opm. Free with museum admission. (NMA)

1-4 Eleventh Annual Documentary

8 Film Screening. ALL MY BABIES, in conjunction with “Reclaiming Midwives.” 7pm. (CDS)

Film screening, all my babies, with Dir. George Stoney and Judith Helfand ofWorking Films, in conjunction with “Reclaiming Midwives” and the

Documentary Happening. 2~4pm. (CDS)

7 Wednesdays at the center. Duke faculty Anne Allison, Sean Metzger, and Tomiko Yoda, “Transnational Asian Erotics: Inves-

tigating the Interface ofArea/ldentity/ Sexuality Studies.” 12pm. 240 John Hope Franklin Center. Free—lunch provided. (FHI)

2.22

3.8 3.22 4.5

Distinguished Lecture in the Humanities by Dr. Kwame Anthony Appiah (Princeton). spm. Nasher Museum. (FHI) Beyond Black Mountain (1966 to 2006).”

Artist conversation reception. spm. Free with museum admission. (NMA) &

Wednesdays at the center, jehanne Gheith (Slavic Studies, Duke), “Stalin, the German Shepherd: Memory, Trauma, and the Gulag.” 12pm. 240 John Hope Franklin Center. Free—lunch provided. (FHI)

THE CONTENDER Torture and Revolution THE BATTLE OF ALGIERS

DREAMERS

4/5

SCARS ON MEMORY

wwn in French

cinema 1/29 JEUX INTERDITS (Forbidden Games) & NIGHT AND FOG (W) 2/5 L’ARMEEDES OMBRES (Army of

Lecture. Mellon

21 Exhibition Preview. “Irwin Kremen;

4/11

2/8 AT HOME IN THE WORLD 2/22 OUT OF PHOENIX BRIDGE 3/8 URBAN SONNETS 3/22 NO SEASON

Opening Exhibition. “Christian Karkow: Ex Machina,” Thru May 25. 5pm. John Hope Franklin Ccntcr/Bosement Gallery. Free. (JHFC)

20

3/28 Confronting Racism —CRASH 4/4 The Politics of Privacy—

voices from the Margins: contemporary Chinese Documentary Film (N) (7pm} 1/25 BUMMING IN BEIJING: THE LAST

AT HOME IN THE WORLD OUT OF PHOENIX BRIDGE URBAN SONNETS NO SEASON SCARS ON MEMORY

“Wendy Ewald; On Reading,” Thru May 25. 5pm.John Hope Franklin Center Gallery. Free. (JHFC)

FVD) Family Day. Entertainment, make-andtake crafts, gallery hunts. i2-4pm. Free with museum admission. (NMA)

2.8

19 opening Exhibition.

Happening. Screenings and workshops in film, audio, and photography. (CDS,

4

MOVIES AT THE NASHER

Films will be shown in the Nasher Auditorium beginning at 7pm. Free. All euents subjectto change—for updates/details see: www.nasher.duke.edu

Shadows) (G)

mmmmA Syriana(See Feb. n)

SCREEN/SOCIETY

Unless otherwise noted, films are at Bpm are open to the general public. Location key: G=Griffith Film Theater, Bryan Center; W=Richard White Aud.; N=Nasher Aud. All euents subjectto change—for updates/details see: fud.aas.duke.edu/screensociety

2/12 LACOMBE LUCIEN (G) 2/19 A SELF-MADE HERO (G) 2/26 LA GRANDE VADROUILLE (Don’t Look Now, We’ve Been Shot At) (W)

&

free

&

Cine-East 9: New East Asian cinema FINAL FANTASY VII: 4/1 ADVENT CHILDREN (W) 4/25 GODZILLA (Original uersion, restored 35 mm) (G) (7pm) More films to come in this series! See web site for updates!

Frederick Wiseman Retrospective (Documentary Films) (N) 3/19 LAWAND ORDER (7pm) (16mm) 3/21 TITICUTFOLLIES (2pm)(i6mm) 3/24 MODEL (/pm) (iGmm) 3/25 NEAR DEATH (ipm-/:3opm, wj tiuo 15 min. intermissions) (16mm) They came From Beyond:

international

science Fiction Films (/pm) (3smm short) ALPHAVILLE 1/30 (35mm feature) (6) 2/14 SEKSMISJA (Sex Mission) (W) a Valentine’s Day farce! 3/21 Double Feature: FIRST ON THE

SPECIAL EVENTS 1/16 Lilly Shows Its Shorts! (W) Lilly Library screens short films from

1/31

its video collection. Call 660-5995 f° r more information. A 35mm Tribute to cinematographer Sven Nykvist, 1922-2006 (G) Double feature. 7pm: PRETTY BABY (Louis Malle, 1978) 9:3opm: PER&

SONA (Ingmar Bergman, 2/27

4/23

&

4/25

MOON & WILD BLUE YONDER (G) GODZILLA (original uersion, restored

35mm) (G) The Morality of Power (G) (/pm) 2/21

The Evasion of Accountability—

3/7

Vengeance and

SYRIANA

Justice—MUNICH

1966).

Surveillance: Documentary and the Hidden Camera. The Full Frame festival presents SECRET TAPES & THE INTIMACY OF STRANGERS. (N) (7pm) Student Film Showcase (W) (spmnpm). Student films produced at Duke this semester (tentatiue date see web site for updates) VALLEY OF THE WOLVES—IRAQ (G). Anti-American action film, vastly popular abroad, but rarely shown in this country, (tentatiue)

Persona (See Jan. 31)


8 Jam •

The Chronicle

Arts Preview

26,2007

Celebrating Clay: Duke University Dance Program bids fond farewell to Professor of the Practice of Dance Clay Taliaferro Contributed by Charles Latham, Staff Assistant, Duke University Dance Program

The spring semester of 2007 will be a bittersweet one for the Duke University Dance Program. While we are thrilled to be celebrating the Arts and Sciences Council’s recent approval of the major in dance, available to students for the first time this semester, we will be bidding farewell to Professor of the Practice of Dance Clay Taliaferro, who will be retiring after twenty years of dancing, choreographing and teaching at Duke. Having been on leave for the past year, Clay has returned to teach one final semester. He has been awarded Professor Emeritus standing upon retirement, and a dance scholarship or prize will be established in his name. To further celebrate Clay Taliaferro’s remarkable career and service to the University, the Dance Program is dedicating its annual Spring concert to him; ChoreoLab 2007Celebrating Clay (April 21 & 22) will feature several exciting guest artists, along with Taliaferro’s own choreography. Clay is a profoundly dedicated and challenging teacher. He challenges his students to grow intellectually as well as artistically and supports them through the difficult process of personal honesty required for deep changes. He thrives in a classroom situation where he is engaged in a process of awakening students to their own capabilities. Students that accept that challenge speak of how his teaching developed not only their knowledge of dance, but also their knowl-

earning an international reputation as an award-winning performer, teacher, and choreographer. In 1971, he was invited by Jose Limon to join his company, and served as a principal dancer and guest artist for more than ten years, performing all the major roles. After Jose’s death, he served as Artistic Assistant Clay Taliaferro first to Ruth Director came to Duke Currier for the University as an ArtistCompany. Besides his in-Residence in the important tenure with mid-1980’s at the invithe Jose Limon Dance tation of Julia Wray, Company, Clay was the former director of also Acting Artistic the Dance Program. Director and principal His continuous service dancer for the Donald began in January of McKayle, Dance 1987, and since that Company, a soloist with time he has been a of the Practice of Dance Clay Taliaferro Professor other major companies major contributor to will be retiring from Duke University this year. such as the Phyllis the growth and development of the Dance Program. He has Lamhut Dance Company, the Lotte Goslar taught all levels of Modern Dance technique, Company and Emily Frankel Dance-Drama initiated and taught a full-credit freshman Company, and co-founder/director of The seminar course, as well as a multi-disciplined Theatre Dance Trio. Clay has choreographed Floor Barre class, among others. In addition, a sizeable body of work, and continues as a guest artist beyond the Duke University Clay has developed and taught a very popular dance course for senior citizens through campus. DILR (Duke Institute for Learning in Retirement), which uses dance as a catalyst As a choreographer, Clay has created for rediscovering spirit and empowering a numerous works for both aspiring students sense of personal essence and wellness. and faculty alike. Recently he restaged a Outside of his university career, he has had Limon masterwork, Choreographic Offering, extensive involvement with American dance, for Duke’s Modern Repertory Ensemble to edge of themselves. He is as eager to work with students who have no background in dance as he is to work with advanced dance students. For him, watching a student discover and master knowledge is an endless fascination.

Celebrating Clay continued on page 10

Russian Choral Music at Duke Chapel Contributed by Duke Chapel

On Sunday, April 22 at 4 pm in Duke Chapel Rodney Wynkoop will lead the Duke Chapel Choir and Chorale in Rachmaninoffs All-night Vigil, a piece of stunning beauty and power. The acappella work features a wide array of colors and moods from intense, quiet reflections to ebullient expressions of praise. The 200-voice choir will sing the work in the original Church Slavonic.

While Rachmaninoff is primarily known as a composer for the piano, the All-night vigil, or Vespers, as it is sometimes called, held a special place in the composer's heart. He asked that the Nunc Dimitis, the fifth movement from the work be performed at his funeral. Rachmaninoff's fluidity within the idiom of Russian choral music is clear throughout this work, and the listener wonders at the imagination of the composer as he continually creates new voice combinations and effects. At the same time, his care in setting the Slovanic text infuses the whole work with a sacred power that few works can match.

In addition to the All-night Vigil, the Chapel Choir will present the premiere of a new edition of Joseph Achron's Sabbath Evening Service. Achron's Hebrew setting features subtle and powerful harmonies, as well as infectious, folk-like melodies. Achron was one of the leading composers of the Jewish Russian school of composition, which flourished in the second decade of the last century. Tickets will be available for the concert starting March 15 at the Duke Box Office: www.tickets.duke.edu or 684-4444.

I 4 I

I*l*l

i

i

i 4

»

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iring Aits

The Chronicle

Preview

Janui

Spring Features Ninth Wonder (a local hip-hop producer and will remain on view at the DJ with Little Brother). They will lead a dis- museum through and demonstration of sampling, both February 18. cussion visual and musical.

26,2007 *9

continued from page 4

during overseas travels. His sculptures, made in collaboration with Duke artist William Noland, are composed of iron, saw blades and steel, among other materials. Kremen’s work has been shown in more than 30 venues at museums and contemporary art centers nationally and abroad.

Spring Exhibitions: On April 29, Irwin Kremen will discuss his “Irwin Kremen” includes series of 11 collages related to images of the more than 160 works—Holocaust. The lecture, “On the Making of collage, painting, and the Re’eh Series and Its Iconography,” refers sculpture—spanning each to work on view as part of the artist’s retroof the 40 years of spective, _lrwin Kremen: Beyond Black Kremen’s art-making Mountain (1966 to 2006) career. The longtime North Carolina resident In the meantime, an exhibition that has trav- and Duke emeritus proAll three artists in “Street eled the world, “Between Past and Future: fessor of psychology was Level” use the streets of New Photography and Video from China,” inspired to make art by their respective cities as poet/potter M.C. fluid, living sources of Richards, with whom he inspiration. They have studied literature at the recently received considfamous Black Mountain erable attention in the College in the mid-19405. contemporary art world Irwin Kremen, "Yellow Canto II," In 1951, in New York, 1996/2001/2006. Paper, film, acrylic, 8 and are important to Richards introduced him 15/16x5 1/2 inches. Courtesy of the artist watch as they build global to celebrated artists assoreputations. Mark ciated with Black Mountain John Cage, Bradford was the 2006 recipient of the David Tutor and Merce Cunningham all of Bucksbaum Award, given every two years to whom became close friends and eventually a single outstanding artist in the Whitney ardent supporters. After playing with differ- Biennial. Robin Rhode was a star at Art ent materials, Kremen began to make Basel Miami Beach, the world’s largest art Mark Bradford, "Untitled (Shoe), 2003. Paper colintensely beautiful collages, mostly created fair, where he won the $75,000 annual W lage, 30 x 31 1/2 inches. Collection of Jerry & Katherine Speyer. from scraps of weathered paper he gathers South Beach Artist Commission. _.

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Sprini

January 26,2007

Arts Preview

The Chronicle

Milestones Festival Embraces the New Contributed by Duke Department of Music

IV

ILISTOrJEs

ImilestonesjOo? “

20071 DUKE

What is Milestones 2007? It’s a week long festival of new, recent, and landmark music-- music that’s been written by composers such as Mario Davidovsky Steve (Harvard, emeritus), Mackey and Duke’s (Princeton) own Stephen Jaffe and Scott Lindroth It’s mix of the new and works that inform the new- look for landmark 20th century works by Bela Bartok and compositions written this year by Duke graduate students. It’s a collaboration Stephen Jaffe will be among the between tne many composers participating in of Milestones 2007. Departments Music at Duke University and UNC-Chapel Hill, using venues on both campuses. ,

,

It’s Metal/Vox/Water by experimental vocalist and composer Pamela Z, who digitally processes her voice in real time to create layers of sound and triggers sampled sounds using the BodySynth MIDI controller. It’s the Red Clay Saxophone Quartet. You’ve heard string quartets, sure, but a saxophone quartet? And speaking of string quartets, Milestones is also the Brentano String Quartet, of whom the New York Times says, “Their music making is private, delicate and fresh, but by its very intimacy and importance it seizes attention.” It’s moving the audience around to three areas in the course of one piece. What? Composer Scott Lindroth explains, “The concert on March 7 will present a collaborative work with music by me and visual media by Anya Belkina. The performance grew out of an earlier collaboration called Nasuh, for soprano and string quartet, which features a text by the great Persian Sufi poet, Rumi. We took this piece as a point of departure for other combinations of visual media and music, including a new piece for animation and video accompanied by live musicians playing percussion, saxophone, keyboard and electronics.

The performance will take place in "The Space" in the Arts Warehouse. There will be three screening areas, one for each segment of the performance, and the audience will move from one to the next as the performance unfolds.” Milestones 2007 is all this and more. But see for yourself. Milestones 2007 takes place from March

2-7.

Check the Spring Arts Calendar for a complete listing of events.

The Red Clay Saxophone Quartet will also be a part of Milestones 2007, a week long festival in March.

Celebrating Clay continued from page 9 critical acclaim. Last February, Clay’s current and former students joined a packed theater of fans and professional colleagues (many of them dance legends in their own right) to witness his farewell performance with the Jose Limon Dance Company as the Moor in the Limon masterwork The Moor’s Pcivane. This performance of his signature role was met with a standing ovation.

Khalsa has had the unique experience dancer's individual strengths and chalof being both a student of Clay’s and lenges her or his weakhis professional colleague. “Clay was the reason I ended up here at Duke,” nesses. He is well she says. “After meeting him and dancperhaps I known ing with him in graduate school at should say notorious Ohio State where he was a visiting among dancers here artist, I decided I wanted to study and and internationally for dance with him in New York. It was his ability to push and at through Clay's classes the Ruth coax a dancer to Clay’s contributions to the Dance Program Currier studio that I met Barbara achieve movement far beyond extend far beyond the theater and the class- [Dickinson, Director of the Duke what the into the lives of his students and colUniversity Dance Program]. After room, dancer thought she or leagues. Professor Keval Kaur Khalsa Clay got the job at Duke, he brought he was capable of. It has recently expressed her admiration and grati- me down to perform a couple of times. •gic been a rare privilege to 2QN-Celebrating Clay on April 21 22. tude in a piece she choreographed for I fell in love with the area, and he let work side by side with November Dances 2006, entitled Pieces of me know when Julia Wray's sudden passing this man, to dance for him and with him. It Clay. “I consider Clay my dance mentor,” occurred and the Dance Program needed a is an even deeper privilege to be able to call Professor Khalsa says. “The content of my replacement.” him friend... Clay Taliaferro is approaching modern technique class is heavily influenced retirement, but he will remain a dedicated by Clay's movement vocabulary and philosProgram Dance Director Barbara teacher, an active seeker of knowledge and ophy. I aspire to his expectations of and Dickinson’s words echo the thoughts and understanding about the arts and humanity, commitment to students, his curiosity and feelings of the entire Dance Program faculty: and an endlessly creative artist long after he constant exploration.” The choreography for “Some of the most precious times in my retires from Duke. He is impatient of rest the piece was based on phrases from various dancing career were when I was working in and comfort; he is never satisfied with what works choreographed by Taliaferro; Khalsa the studio with Clay -working through end- he has achieved. He will continue to be a even costumed her dancers with costumes less details of the movement, digging ever profoundly respected faculty member and from the many pieces he has choreographed deeper into its qualities and textures. Clay is teacher at Duke, and a revered artist in the for Dance Program performances. Professor a genius in creating movement that uses a discipline.” -

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Arts Preview

The Chronicle

26,2007

11

Playing The Great Game at Duke Contributed by Duke Department of Theater Studies

British and Indian history buffs know “the 1870, The Great Game is an epic story of love, betrayal, and intrigue Great Game” as a term coined in the ninecentury to cat teenth describe the and mouse played out in the drawing rooms of conflict between the British Empire and the London and the snow-capped Russian Empire for supremacy in Central peaks of Central Asia. When the Asia. aristocratic Hayward family meets their adventurous son George’s Now Theater Previews at Duke, the profesnew wife, their entire world is sional producing arm of the Theater thrown off-kilter as they discover Department, brings to campus a play called that she is an Indian girl named The Great Game that uses that conflict as the Safia. backdrop for a story filled with politics, romance, mystery and espionage. It will have “While the family copes with the its world premiere in Reynolds Theater culture clash, Safia uses cunning, February 14 March 4,2007. wit and help from unexpected allies in her quest to help George Theater February The play was written by D. Tucker Smith, who during his perilous expedition. As she maneuwill be on campus watching the words of her vers her way around the unfamiliar minefield script come to life for the first time on stage of London aristocracy, Safia plays a game of under the direction of Tony-nominated suspense, creating a whirlwind of intrigue that Broadway director Wilson Milam. leaves a life-altering mark on each of the Haywards.” Smith says she has always been fascinated by India and was quite taken with a book by The cast of The Great Game is made up of vetRudyard Kipling set during the Great Game. eran professional actors and actresses with She became further interested in this period impressive Broadway, film and television when she read the work of British journalist resumes. They arrived in Durham to begin Peter Hopkirk, who wrote a book called The rehearsals in mid-January and live in local Great Game: The Struggle for Empire in apartments. Professional lighting, sound and Central Asia. costume designers from New York joined the playwright, director and actors in Durham to Smith learned that as Imperial Russia threatcreate the look and feel of the play. ened expansion, Britain feared for its hold on the "jewel in the crown" of the British Empire, Duke students will have a special opportunity India. She sets her fictional play within this his- to intern with the visiting theater professiontorical context, and takes a real person, Royal als, adding a unique dimension to their educaGeographic Society explorer George tion. They have chosen from directing, marketHayward, as one of her central characters. ing, producing, stage-managing and designing, and they are working closely with the visiting Smith describes her play, “Set in the spring of artist in that field.

“The students don’t just file papers and get coffee for the guest artists,” says Duke’s pro-

director, ducing Zannie Giraud Voss. “We give them meaningful projects. They work hand in hand with the professionals. Sometimes the pros aren’t used to this system, but it is always a great source of pride for us at Duke when our guest artists leave here impressed with the intellect and talent and commitment of our students.”

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14 March 4, 2007 -

Voss is also pleased that this play lends itself to substantial discussions suitable for a rigorous academic environment. “The Great Game is a play whose universal themes of imperialism, racism, greed and forbidden love resonate now more than ever,” says Voss.

During its run, Voss will be making sure the play fulfills the mission of Theater Previews at Duke—to serve as a breeding ground for professional, innovative and high quality new plays and musicals and to offer audiences the opportunity to engage in productions in a variety of stages of development.

The Great Game February 14-15,20-22 and March 1 at 7:30 pm February 16-17,23-24, and March 2-3 at 8 pm February 17-18,24-25 and March 3-4 at 2 pm Prices range from $lB-$3O group and student rates available www.duke.edu/web/theaterstudies for info www.tickets.duke.edu for tickets. -

CHRONICLE STAFF SUPPLEMENTS COORDINATOR CHAPEL HILL ADVERTISING MANAGER

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Monica Franklin

UNIVERSITY ADVERTISING MANAGER

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Opening March 29

Charlie Wain

Evelyn Chang, Margaret Stoner

PRODUCTION MANAGER

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Dawn Hall

Jonathan Angier

The Chronicle presents the Spring Arts Preview in collaboration with various Duke University Departments. The Arts Preview is meant to highlight artists and/or events that will be at Duke University this spring. The Chronicle has made every attempt to print correct and updated information, however, information is subject to change. Please check with the sponsoring departments to verify event information. ©2007 The Chronicle , 101 W. Union Bldg., Box 90858, Durham, NC 27708-0858. All rights reserved. No part of this publication may be reproduced in any form without the prior written permission of The Chronicle Business Department.

Street Le ve I:

Mark Bradford, Untitled (Shoe),

2003. Paper collage, 30 x 311/2 inches.

Collection of Jerry & Katherine Speyer

Mark Bradford, William Cordova and Robin Rhode

Global urban artists on view together for the first time

Also on view: Irwin Kremen: Beyond Black Mountain (1966 to 2006) March 22 June 17, 2007 -

NASHER MUSEUM OF ART AT DUKE UNIVERSITY PREPARE TO BE ENLIGHTENED.

nasher.duke.edu

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919-684-5135


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26,2007

Arts Preview

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