January 25, 2008 by Duke Chronicle Print Archives

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VA.TECH DUKE Endowment Prez pay 64 81 hikes reflect No. 4 Blue Devils fly over Hokies return ranks 3rd in nation new duties

by Ashley

Holmstrom

Matt Johnson

THE CHRONICLE

President Richard Brodhead will not be purchasing a summer home in The Hamptons any time soon. But Duke’s top dog still finds himself cashing in a larger check than President George W. Bush at the end ofeach year. Tax forms filed by the University in May reported Brodhead’s 2006 salary at a whopping $517,500—notably larger than Bush’s $400,000 annual salary. Why the big bucks? According to a November 2006 article in The Chronicle of Higher Education, running a prestigious university today is like serving as the chief executive officer of a business corporation. And it’s not just Duke. The bigger paychecks reflect die increasing workload of university presidents across the country as they make the transitionfrom an age when presidents were primarily academicians to the business-oriented presidencies of today. The level of expectations has risen, and managerial skills, leadership and vision are very necessary at the president’s level, said John Bumess, senior vice president for public affairs and government relations. “At a university such as Duke, the president acts as the mayor of a small city, responsible for medical care, housing and food not just education,” he said. “Universities were originally founded with only a small number of students and faculty, but it is a much more complex enterprise today.” In comparison to Bush’s 400 grand, the average salary of a private university president was $528,105 in 2005. Yale University President Richard Levin is one of the top-paid university presidents in the country. He earned a salary and benefits package totaling $869,026 in 2006, marking an 11.6-percent increase over his

Explosive growth in the size of college endowments has prompted Congress to call for the nation’s wealthiest universities to open their coffers and spend more on financial aid. A study released Thursday by the National Association of Colleges and University Business Officers found a 17.2-percent one-year average investment return for the endowments of the 785 institutions surveyed. The results, which covered the fiscal year spanning from July 2006 to June 2007, also found universities spend, on average, 4.6 percent of their endowments each year. Duke’s endowment grew third fastest among the 76 schools in North America with endowments exceeding $1 billion. The 31.4-percent growth rate, which accounts for donations, withdrawals and management fees in addition to investment return, trailed only the University of Notre Dame and the University of North Carolina at Chapel Hill, which weighed in at 34.7 percent and 32.1 percent, respectively.

The findings prompted Sens. Max Bau-

cus, D-Mont. and Chuck Grassley, R-lowa of

the Senate Finance Committee ters to the 136 American

—

SEE BRODHEAD ON PAGE 8

NOAH PRINCE/THE

CHRONICLE

Senior captain DeMarcus Nelson recorded 10 points and four rebounds in Duke's 81-64 victory over Virginia Tech Thursday night at the Cassell Coliseum in Blacksburg. See story PAGE 9.

send let-

colleges with en-

dowments of $5OO million or more, asking them to provide details about their endowments’ investment, growth and spending on student aid. “Tuition has gone up, college presidents’ salaries have gone up and endowments SEE ENDOWMENT ON PAGE 6

Study: many grads shuffle jobs by

Kristen Davis THE CHRONICLE

There is one thing students probably did not learn

at the Career Fair —they will most

GLEN GUTTERSON/CHRONICLE FILE PHOTO

President Richard Brodhead's salary is slightly less than average for private university presidents.

likely change jobs at

least once within five years of graduation. According to the first-annual “Five Year Out” survey, conducted by Sheila Curran, Fannie Mitchell executive director of the Career Center, initial job satisfaction seems to have been short-lived for many of the young professionals of the Class of 2001. Though 60 percent of the graduates said they were happy with their career choice just after graduation, 36 percent changed jobs within a year and 43 percent have changed career fields at least once in the past five years. Most alumni said they switched because their first job was “not a good fit.” “Don’t hyperventilate aboutyourfirstjob because itwon’t SEE JOB SHUFFLE ON PAGE 6

The

first-annual “Five Year Out” survey conducted by the Career Center found that many graduates in the Class of 2001 changed careers more than once five years out of Duke. The survey also found that out of the 540 graduates who participated in the study:

76 percent went directly into the work force 11.6 percent enrolled in a masters or Ph.D. program 5.7 percent went to law school 5.3 percent went to medical school 75 percent of all graduates found a job within six months of graduation, even if they did not have an occupation lined up at

•

graduation

2 | FRIDAY, JANUARY 25,2008

THE CHRONICLE

Weather

ENTERTAINMENT Winehouse enters drug rehab

NEWS Kenyan rivals to work for peace

BUSINESS Stocks rise as Congress votes

NAIROBI, Kenya Kenya's president and its main opposition leader met Thursday for the first time since the disputed Dec 27 presidential vote, but they emerged still clearly divided over the central question of who won the election. President Mwai Kibaki and opposition leader Raila Odinga met for about an hour with former U.N. Secretary-General Kofi Annan, who succeeded where previous international mediators had failed in getting Kibaki and Odinga to sit down together. The two rivals shook hands and promised to work for peace after a spasm of postelection violence left about 700 people dead.

NEW YORK—WaII Street scored its second LONDON Amy Winehouse, the jazz-pop straight big advance Thursday after economdiva best known for refusing to enter drug ic figures suggested the job market is holdrehab in her hit song, entered a treatment faing upand as lawmakers agreed on measures cility Thursday. The announcement came just that could ease concerns about consumer days after the 24-year-old was pictured in spending. The Dow Jones industrials rose British tabloid The Sun inhaling fumes from a more than 100 points, bringing its two-day small pipe. Police are investigating. gain to more than 400. "Amy decided to enter the facility today Investors appeared pleased by a widely after talks with her record label, manageanticipated agreement between congressio- ment, family and doctors," Universal Music nal leaders and the White House on an ecoGroup said in a statement.The statement also nomic stimulus package. The agreement calls indicated Winehouse still planned to attend for most tax filers to be given refunds of $6OO and perform at the Grammys, to be held Feb. to $1,200, and more ifthey have children. 10 in Los Angeles.

PM resigns after Senate vote Italian Premier Romano Prodi reROME signed Thursday night after his government lost a risky Senate confidence vote. The center-left government fell four votes short ofthe 160 needed for victory.Calling early elections or asking a politician to form another government are among President Giorgio Napolitano's op-

SCIENCE/TECH 2008 to be "Year of the Reef" Even coral reefs thought facing challenges, researchers said Thursday launching the International Year of the Reef. The year of the reef is a "campaign to highlight the importance ofcoral reef ecosystems te people to protect them," bacher, head of the National Atmospheric Administration, WASHINGTON

to be pristine are

id to just miss Earth ANGELES An asteroid at ;00 feet long will make a rare ;e pass by Earth next week, but .re is no chance of an impact, ientists reported Thursday. The object, known as 2007 TU24, is expected to whiz by Earth on Tuesday with its closest approach at 334,000 miles, or about 1.4 times the distance of Earth to the moon.

FRI Cold A.M.

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Warmer!

A cold front is slowly moving into the area, so well have a delay in the cold until tonight when lows will be in the upper-teens to tower-205. Expect breezy conditions today and a cold, sunny dayFriday. Take care! —Jonathan Oh

Glover convicted of trespassing NIAGARA FALLS,Ontario Danny Glover has been convicted in Niagara Falls, Ontario, for trespassing in a hotel during a union rally in 2006. Glover, who wasn't in court, was convicted Thursday along with UNITE HERE union representative Alex Dagg and Ontario Federation of Labour President Wayne Samuelson.

Mostly Sunny

Calendar

Today Abhijit Mahato memorial service CIEMASSchidano Auditorium, 1 p.m. Service in memory of Abhijit Mahato, a secondyear Ph.D. candidate in the Pratt School of Engineering, who was murdered last Friday. Networking training Social Sciences 139,4:30p.m. to 6:30 p.m. Brush up on your networking skills prior to the Saturday career conference. Representatives from Linkedln, an online networking ..

ODDS & ENDS Firm accidentally wrecks home MOSCOW Returning home after an absence can mean unpleasant surprises—a leaky roof, a pet's mess, even a break-in. But a Russian woman got a nastier surprise when she returned from her country house: Her home was gone, torn down mistakenly by construction workers clearing a site, according to a report Thursday on NTV television. "There was nothing left, not even a log," Lyudmila Martemyanova said. A local prosecutor, Nikolai Govorkov, said a construction company tore down the wrong building—Martemyanova's, instead of one nearby that was marked for demolition.

tool, will be on hand. Public stargazing Duke Forest, 6 p.m. Led by Physics department members, using 10"telescopes at Duke Teaching Observatory News briefs compiled from wire reports "World going one way, people another." —Root

If Peter Peter Pumpkin Eater had read The Chronicle classifieds, he would have found an apartment for his wife.

www.dukechronicle.com/classifieds

FRIDAY, JANUARY 25,2008 | 3

the chronicle

RLHS selects Kilgo for gender-neutral bathroom by

Ally Helmers the chronicle

Showering alongside the opposite sex will now be an option for some students living in Kilgo Quadrangle next year. Residence Life and Housing Services staff selected the third floor of House O and House P in Kilgo Quad as the location for a new gender-neutral bathroom next semester. Approved by a unanimous Campus Council vote last Thursday, the bathroom joins coed blocking in an effort to further integrate gender-neutral living spaces in dorms. “We’ve known that this is a change students will endorse,” said Marijean Wil-

PHOTO ILLUSTRATION

SYLVIA QU/THE CHRONICLE

A gender-neutral bathroom will be placed on the thirdfloor ofKilgo Quadrangle,RLHS officials said.

liams, director of housing assignments and communications. “We’re ready to move ahead now with a pilot program.” Although a gender-neutral facility has been discussed before, student momentum heightened the issue’s importance when a transgender student had difficulty with living options on West Campus this

Fall, she added. For the upcoming year, the option of a gender-neutral bathroom will only be available in one area, Williams said. It will be located on a floor that also has a male and female bathroom for those who are more comfortable using a single-sex facility. “We’ll talk with students who live there and those who don’t live there to try to determine if it’s the best use of space for our students,” Williams said. Once the Room Pix process begins, any student who wants to sign up for the space will be notified either in person or online with a message designating the area’s bathroom as gender-neutral, she added. The council also recommended that two rooms with access to the facility initially be removed from the housing lottery and reserved for students who express strong interest in living in the area, said junior Kevin Thompson, vice president of Campus Council. “We wanted to make sure that any student who wanted the bathroom or needed it could have access to it,” he added. Junior Daniel Harvey, a member of the Lesbian, Gay, Bisexual and Transgender SEE BATHROOM ON PAGE 8

Duke

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Great Courses. Great Instructors. Great Price!

SYLVIA QU/THE CHRONICLE

Jim Neal, a Democratic candidatefor Senate from North Carolina, spoke in the Bryan Center Thursday.

Senate candidate says students key to change by

imately 30 listeners. “I am one voice, and I

Anna Lieth

THE CHRONICLE

At a speech in the Bryan Center’s Von Canon Room Thursday, Jim Neal, a North Carolina Democrat running for the U.S. Senate, encouraged students to use their voting power to make change in America. Neal, who hopes to unseat Republican incumbent Elizabeth Dole, Woman’s College ’5B, in the 2008 Senate elections, said Dartmouth University students who came out in record numbers for the New Hampshire primary set the stage for the younger generation’s involvement in this year’s elections. “There’s nothing supernatural or extraordinary about Jim Neal,” he told approx-

am only as loud as the voices behind me.” The Duke Democrats sponsored the event, and President Samiron Ray, a sophomore, said a major reason the group wanted to bring Neal to campus was to educate the student body. “At such a critical point in our nation’s history, we want to inform the University on all the campaigns,” Ray said. Neal, who has a background in investment' banking, business and campaign management, has been criticized for his lack of experience in public office. SEE NEAL ON PAGE

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THE CHRONICLE

6 I FRIDAY, JANUARY 25,2008

facets of their career life, such as their initial positions, further education, how they found their jobs and Duke’s influence on their job performance. be your onlyjob or career,” Curran said. Daniel Miller, Trinity ’O7, works on the The study reported that 76 percent of the Class of 2001 went directly into the trading floor in an investment banking powork world, 11.6 percent enrolled in a sition for Countrywide Securities Corporagraduate program, 5.7 percent went to tion in New York City, following a fairly tralaw school and 5.3 percent began medical ditional route for recent Duke graduates. Miller came to Duke on a soccer scholschool. Even if they did not have ajob lined and expected to play professional at 75 of students graduation, arship up percent soccer, but decidwho wanted to be ed junior year mat employed found “There are certain skills you he would have to work within six look to other camonths of gradulearn at Duke that don’t show up reers instead. He ation said competitive “One- to twoon the transcript that help you pressures from his year positions are become successful.” peers drew him more common Curran now,” Daniel Miller, Trinity ’O7 toward investment said. “Students banking. Miller added, are taking time however, that off before going Duke’s relatively intense social atmosphere to law or medical school.” This trend follows the traditional plan compared to peer institutions—such as Harvard and Yale universities—has helped of business school applicants, who work before starting their specialized professional him adjust more easily to nonacademic life. graduate education. “There are certain skills you learn at Alumni accept short-term positions Duke that don’t show up on the transcript most commonly in education abroad, Teach for America, the Peace Corps or that help you become successful,” he said. Unlike Miller, Sarah Chasnovitz, Trinity investment banking —because they do not know what they want to do in the long ‘Ol, chose to follow a less-traveled path after graduation —to South Africa. term, Curran said. who were “I spent a year doing documentary work the recent graduates In past, reluctant to commit to a specific field went with families living in informal settlements to graduate school to delay entering the outside Cape Town,” she explained. Even though Chasnovitz enjoyed her workforce, she said. But today the cost of higher education has been going up much documentary work, she eventually decided to attend graduate school. faster than the rate ofinflation. “I finished up [law school] last summer, Five hundred-forty members of the Class of 2001 responded to the survey, which had and now I’m in my first legal job as a law a 42-percent response rate. They revealed clerk to a judge on the U.S. Court of Ap-

JOB SHUFFLE from page 1

—

peals for the [District of Columbia] Cir-

cuit,” she said. During law school, she and another Duke graduate started Zebra Crossings, a company that imports fair-trade goods from the areas she documented in Africa. “Students may feel that there are only three or four different successful careers, but alumni quickly find out that the scope of opportunity is much wider,” Curran said. Kathryn Bradwell, Trinity ‘O2, currendy works in New York City with a publishing company, but said the exceedingly corporate nature of the business surprised her, so she now attends interior-design school as well. Like Bradwell, many of the members of the Class of 2001 eventually decided to pursue higher education after several years in the workforce—the figure rose from 26.6 percent at graduation to 64.8 percent five

senators’ questions. He added that the University committed last spring to spending five percent of the endowment each year and recently tapped endowment funds to and said a release to pay for sweeping changes to financial aid introduced in press continue go up up,” Grassley “We need to start seeing tuition relief for families go up in December. The study also noted that university asset managers just as fast. It’s fair to ask whether a college kid should have increasingly turned to forthe have to wash dishes in dining hall to pay his tuition when his eign investment in pursuit of high returns, a trend inquired about in “It’s fair to ask whether a colcollege has a billion dollars in the Senate letter. the bank.” lege kid should have to wash “This year’s survey shows a The Senate Finance Committee has jurisdiction over tax poldishes in the dining hall to pay steady movement out of U.S. fixed income and U.S. equity icy, including tax exemptions covering college donations and his tuition when his college has a and into non-U.S. equity over the past five years,” said Brett Hamendowment funds. Federal law billion dollars in the bank.” mond, chief investment straterequires most tax-exempt priSen. Chuck Grassley, R-lawa gist at the Teachers Insurance vate organizations to pay out and Annuity Association-College five percent of their assets anRetirement Equities Fund, accharitable nually toward their cause, but no such requirement exists for university en- cording to Dowjones news service. “I think this suggests that endowments of all sizes are becoming increasingly comfortable with the idea of no longer being U.S.-censenior vice for afpresident public John Burness, fairs and government relations, said Duke had not yet tric with their investments, and we anticipate that this received the letter but would be happy to answer the represents a long-term strategy.”

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years later. “Students don’t give themselves a chance to figure out who they are,” Curran said. “Most premeds don’t figure out they don’t want to be a doctor until they take organic chemistry. They have wasted a lot of time when they could have been exploring.” She said most alumni regret putting themselves in “career boxes” too early, rather than sufficiendy soul-searching as an undergraduate. “Looking back on my time [at Duke], I think I should have given in to the exploration urge a bit more,” Chasnovitz said.

FRIDAY, JANUARY 25,2008 | 7

the chronicle

NEAL

from page 3

But he said that is a good thing. “Voters have become very disenchanted with the failure of elected officials,” Neal said. “The Senate has become a millionaires’ club.” He added that his greatest strength is that he is not bound to partisan or elite interests. “I’ve been a millionaire—I’ve stood in the unemployment line. I’ve experienced a lot of different viewpoints,” Neal said. Sophomore Andrew Zonderman said hearing from a candidate who was willing to talk casually with students was encouraging. “He’s a candidate that is not completely polished—he still has some edges,” he said. But Zonderman said he wished Neal could have given his views on the Employee Fair Choice Act, a bill that would allow workers more flexibility in organizing unions. Though Zonderman brought up the act, Neal said he wasn’t familiar enough with it to comment. Neal said going out and listening to voters and running a transparent campaign is his

main strategy. He has been open about the fact that he is gay, and he said it won’t affect his chances of being elected or his ability to serve in public office. “He isn’t Just a politician who wants to make a stump speech,” Ray said. “He has a solid grasp of the issues.” Joe Gavrilovich, field director for Neal’s campaign, said he decided get involved because of Neal’s knowledge of political issues. “It’s not about whether you are gay, straight, black, white, male, female—it’s about where you are on the issues.” Neal said he has always planned to run for public office, but that as a single parent, that wasn’t previously possible. “My sons’ interests always came first,” he said. “But they gave me the green light.” Although not every student who attended the speech was a supporter, as the audience filed out of the room, Zonderman said he was impressed by Neal’s performance. “I think he has at least a good chance—betSYLVIA QU/THE CHRONICLE ter than I gave him before hearing him speak,” Jim Neal said hislack of experience in elected office is a benefit, not a disadvantage, in his run forSenate. he noted.

Photo provided by Robert Trachtenberg

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2 Tan •

Spring

25,2008

The Chronicle

Arts Preview

Awakening into Adulthood Submitted by Duke Department of Theater Studies Many theater buffs know the title Spring Awakening because of the smash Broadway musical that won the Tony Award last spring. But the musical was based on a play by the same name that debuted a full century before, and the Department of Theater Studies will present that original play for its spring main stage production. Written by German playwright Frank Wedekind, and published at his own expense in 1891, Spring Awakening deals frankly and provocatively with the sexual awakening of a group of German adolescents. The play focuses on the budding sexual maturity of young people in a society the playwright thought to be too repressive. Spring Awakening was not performed publicly until 1906 in Germany, and the play closed after its debut night in New York in 1917 amid charges of obscenity and public outrage. While the public’s taste over the years has opened up to allow for more controversial subject matter, the themes addressed in the play—teenage desire, pressure to measure up, suicide, abortion, and homosexuality—are no less relevant now than they were then. “Spring Awakening is a funny, profane, theatrically playful work about young people in the painful process of ‘waking up,”’ says Neal Bell, dramaturg for the production and resident play-

wright and professor of the practice of theater studies. “They are discovering who they are, and who they might become, in a world that seems hemmed in by the brutal hypocrisy of adults.

called for script suggestions last spring and after students submitted ideas, read and discussed the contenders, we whittled the titles down to a dozen and then five and then our final choice.”

“It was considered shocking, when it was written because of the unflinching way it portrays the sexual confusions and experiments of its young characters. And it still has the power to shock and thrill and exhilarate,” adds Bell.

Students considered not only the story, but the frequency of like productions in the recent past, the number of students who would be able to get involved and the mix of gender roles.

—

Jeff Storer, professor of the practice of theater studies, is directing Spring Awakening and finds one particular theme of the play especially poignant for today’s youth. In addition to sexuality, one of the storylines is about the pressure to “make the grade” and he knows this is something Duke students can relate to. One of the play’s main characters, fourteen-yearold Moritz, says early in the play, “School makes me wish I was a cart horse! What do we go to school for? We go to school to be examined! And why are we examined? So we can fail. Seven have got to fail simply because the next class room is only big enough for sixty.”

Apparendy the play did resonate with students, because they played the deciding role in selecting the play for production. “We had an open process for choosing the play,” says Storer. “We

“I was very excited about the selection and able to get behind their choice, and I am happy it went through such a vetting process,” says Storer. “It allows for more ownership when students play a role in choosing, and we had a great turnout for auditions as a result of the early involvement.” “I’m delighted that the Duke Theater Department is mounting a production of the original SpringAwakening” says Bell, “so Triangle audiences can encounter this fascinating, chal-

lenging—and ultimately hopeful—play.” Spring Awakening Directed by Jeff Storer, Theater Studies faculty Sheafer Theater, Bryan Center April 3-5, 10-12, 8 pm & April 6 and 13 at 2 pm $lO general admission; $5 students & senior citizens

www.duke.edu/web/theaterstudies www.tickets.duke.edu, 919-684-4444

Spring Arts

The Chronicle

Preview

[anuary 25,

2008 3 •

Spring Events at the Nasher Submitted by Nasher Museum of Art at Duke University.

In the coming weeks, students should be hearing a lot about the exhibition at the Nasher Museum, Barkley L. Hendricks: Birth of the Cool

The exhibition will travel to the Studio Museum in Harlem, the Santa Monica Museum of Art, the Pennsylvania Academy of the Fine Arts in Philadelphia and the Contemporary Arts The tall bald man staring down intensely from Museum Houston. Trevor Schoonmaker, the 12-foot banners-all around the Nasher Curator of Contemporary Art at the Nasher Museum is hard to miss. The January issue of Museum, organized the show. Vogue magazine listed the upcoming Nasher exhibition in “The Vogue 25,” cultural high- The fully illustrated 140-page catalogue, distriblights of 2008. National art critics have already uted by Duke University Press, is available at the Nasher Museum Store. taken notice. The show opens Thursday, February 7, with a DJ party featuring Grammy Award-winning Ninth Wonder, and a chance to meet artist Barkley L

Students are invited to learn more about Barkley Hendricks and other contemporary artists at exciting programs and events at the Nasher Museum this spring.

Hendricks This exhibition is the first career painting retrospective of the renowned American artist. As seen through 57 paintings from 1964 to the present, his work stands out as being ahead of its time, connecting the movements of American realism and post-modernism. Best known for his life-sized portraits of people of color, Hendricks’ bold portrayal of his subject’s attitude and style elevates the common person to near celebrity status.

The Nasher is unique in its ability to bring living artists often to speak about their work and meet the public. This spring brings opportunities to meet not only Barkley Hendricks but also Christopher Cozier, Wangechi Mutu, and Odili Donald Odita, to name a few. -

Barkley L. Hendricks, North Philly Niggah (William Corbett), 1975. Oil and acrylic on cotton canvas. 72.5 x 48.5 inches. Collection of Blake Byrne, Los Angeles.

Legendary conceptual artist Sol Lewitt passed away last year, but students can watch the installation of his work during the week of Feb. 26, during regular museum hours. Three respected museum directors will give lectures at the Nasher this spring. Meet Thelma Golden of the Studio Museum in Harlem; Jeremy Strick of the

DURHAM ARTS COUNCIL Creating Community Through the Arts for 54 Years!

120 Morris Street Durham, NC 27701 (919) 560-2787 www.durhamarts.org Hours: Monday Saturday 9am -10 pm; Sunday Ipm- 6 pm

Museum of Contemporary Art, Los Angeles; and Kenneth Rodgers, director of the North Carolina Central Art Museum. Celebrate art through music at three dance parties. The Barkley Hendricks show opens Feb. 7 with a DJ party at 8 p.m. featuring Grammy Award-winning DJ Ninth Wonder. On Feb. 22, Ninth Wonder returns to the Nasher with DJ Puesdove (the Roots) to take part in a talk with Mark Anthony Neal, associate professor of African-American literature at Duke, about “Hip-Hop Sampling Soul.” The event is followed by a DJ party in the Mary D.B.T. Semans Great Hall, co-sponsored by Duke Performances. The last all-student party of the year takes place on April 10. The Nasher Student Advisory Board invites Duke undergraduate, graduate and professional students to join them in a disco/’7osthemed party inspired by the work of Barkley L. Hendricks. Sharp attire is encouraged. The evening will feature live music, dancing, refreshments and a cash bar (credit cards and Food Points accepted). Duke I.D. is required. Students can mingle with members of the public at First Thursday and Art For All events, which take place on Thursday evenings. Meet Duke University Provost Peter Lange during his First Thursday gallery talk on May 1. Art for All evenings will include a mix of the following: light food, cash bar (sorry, no credit cards or Nasher continued on page 9

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VISUAL AND PERFORMING ARTS CLASSES AT DURHAM ARTS COUNCIL! Winter Session Begins January 14 Spring Session Begins April 7, 2008 Call (919) 560-2726 for class registration and to receive a catalog. www.durhamarts.org High quality arts classes for adults and children of all ages and skill levels in Dance, Music, Painting, Drawing, Clay, Fiber, Jewelry, Metals, Digital Arts, Photography, Graphic Design, Teen classes, and Summer Arts Camps for Children ages 6-12.

Art Exhibitions Year-Round in the Durham Arts Council Galleries Free admission 7 days a week! January 27

March 16,2008 Artists Reception: Thursday, February 28, 2008 5-7 PM -

Kismet Photography by Charity Jules Valentine DAC Allenton Gallery

The Annual OUR HOUSE Exhibit & The Lakeview Arts Program Exhibit

Featuring the work of DAC School Students, Instructors, CAPS Artists, Staff, and Board Members. The Lakeview Arts Program Exhibit features work in mixed media, photography and video by young artists, grades 6-12 from Lakeview School DAC Semans Gallery

March 22 May 11,2008 Artists Reception: Thursday, April 10, 2008 5-7 P -

Durham Art Walk,

Downtown Durham

Saturday, April 5,10 am-5 pm; Sunday, April 6, 1-5 pm Self guided walking tour featuring art by more than 100 visual and performing artists in studios and business locations downtown!! Start at Durham Arts Council to get your tour map and enter the raffle. Call (919) 560-2719 for more info. www.durhamartwalk.com

Atmospheric Disturbances Paintings by Nancy McCallum DAC Allenton Gallery Force Field & Weather Patterns Paintings by Mark Brown Mario Marzan DAC Semans Gallery &

May 18-July 20, 2008 Artists Reception: Thursday, May 22,2008 5-7 P!

Channel Markers

Also Please Visit Exhibits in the Durham Art Guild Gallery at DAC! www.durhamartguild.org

Mixed media by Gretchen Morrissey DAC Allenton Gallery

Variations of Order etchings by Curtis Bartone Gallery

4.* January 25, 2008

Sprin

Arts Preview

The Chronicle

Creating Community Through the Arts Submitted by the Durham Arts Counci In 2008, the Durham Arts Council celebrates 54

years of “Creating Community Through the Arts.” Durham Arts Council, Inc. is a private, not for profit, 501 c (3) organization that promotes excellence in and access to the creation, experience and active support of the arts for all the people of our community. DAC is one of the oldest arts councils in the United States, and one of the largest in North Carolina. DAC manages the historic Durham Arts Council building at 120 Morris St., a public facility in downtown Durham that attracts over 290,000 visitors a year, and houses the offices of nine arts organization,

three galleries, two theatres, a community arts school, art production facilities, classrooms, event venues and rehearsal spaces. DAC’s yearround programs include grants and technical assistance for arts organizations and individual artists, art exhibitions, classes in the performing and visual arts, artist residencies in the public and private schools, arts and cultural planning, advocacy and fundraising, Durham Art Walk, and CenterFest, Durham’s annual street arts festival. Through the DAC Annual Arts Fund, Dinner’s a 1’ Art, grants, and earned income, DAC raises nearly $2 million each year from

individuals, foundations, corporations, and public sources to provide programs and services and support for the arts in Durham. For more information visit www.durhamarts.org. On Friday, February 22, DAG will honor fifteen local area artists selected to receive Emerging Artists Grants at the 24th annual Emerging Artists Awards Ceremony. The public is invited and the featured speaker will be painter and Guggenheim Fellow, Beverly Mclver. The event begins at 6:00 p.m. in the PSI Theatre at DAG, 120 Morris St., Durham, with reception to follow. The event is free admission. The Emerging Artists Grant Program, administered by Durham Arts Council, is designed to enable individual artists who have mastered the basic techniques of their art form to complete projects that will establish or enhance their professional careers. This year, a total of $21,864 was awarded. Seventy artists applied to the program. This year’s 15 award winners are Kim Arrington, Stafford Berry, Christine Grider, Christine Hager-Braun, Titus Heagins, Katja Hill, Louis Joseph, Adia Ledbetter, Shannon Morrow, Usha Raj. Christa Carnell, Jim Haberman, Carolyn Twesten, Stacey Leanza, and Steve Gilbert. The Emerging Artists Program is cited repeatedly by local artists as providing important financial support and significant public recognition of their professional achievements. Counting the current recipients, 372 grants have been made to area artists during the program’s 24-year history. Past recipients include six-time Grammy-nominated, jazz vocalist, Nnenna Freelon; painter and Guggenheim Fellow, Beverly Mclver; and violinist and Presidential Scholar in the Arts, Durham Arts Council’s Nicholas Kitchen. Emerging Artists Grant Program is funded by grants from the North Carolina Arts Council, with funding from the state of North Carolina and the National Endowment for the Arts, which believes that a great nation deserves great art, The Mary Duke Biddle Foundation, the Chatham County Arts Council, the Orange County Arts Commission, the Granville Arts Council, the Person County Arts Council, gifts to the Durham Arts Council Annual Arts Fund, the Ella Fountain Pratt Fund, the Wainwright Fund for New Works and support from other interested organizations and individuals.

Sprin

The Chronicle

Arts Preview

25,2008

•

Sweet Sounds On Stage: The DSO performs Hansel & Gretel Submitted by the Department of Music

Hansel and Gretel is an opera about children, production gives them a chance to play reperbut it isn’t an opera for children, Harry toire in a genre that is new to them.” music director of the Duke Symphony Orchestra, is quick to explain. “It’s an opera that is melodically bountiful, full of wonderful melodies. Musically, it’s very sophisticated, which is why I wanted the DSO to do it.”

Davidson,

Written in 1891 by Engelbert Humperdinck, a disciple of Wagner, the opera shares many characteristics with Wagner’s work, including the use of leitmotifs, distinctive, recurring themes that denote specific characters or situations, “Hansel and Gretel is very orchestrally-conceived (as are Wagner’s operas),”

Davidson says, “but its shorter length (less than two hours) and familiar subject make it accessible.” When the DSO presents Hansel and Gretel on April 18 and 20 in Baldwin Auditorium, the group will be joined by six professional opera singers and members of the Durham Children’s Choir. The production will be'

semi-staged, incorporating costumes, props, and even a gingerbread house. It’s a big undertaking, but one that Davidson feels is important for the orchestra. “A large number of students in the DSO have never played a complete Opera before,” says Davidson. “This

be enjoyed by all ages, and Davidson stresses that this is a very audience-friendly production. “I chose this opera because it will be It also gives them the opportunity to work with musically interesting for the students in the professional opera singers, some of whom orchestra, but also because it isn’t presented were featured two years ago in the DSO’s provery often in this area and I want to share it Teresa with Duke students and the community. duction of The Marriage of Figaro. Buchholz (Hansel), Susan Williams (Gretel) Hansel and Gretel is a fine opera, a wonderful and Brian Johnson (Father) are all veterans of work. It’s a real winner.” the Baldwin stage. Buchholz, a graduate of the Yale University Opera Program and Hansel and Gretel: A Fairytale Opera in 3 Acts Indiana University, has appeared with the Friday, April 18, 7:30 pm, Baldwin Auditorium American Symphony Orchestra at Lincoln Sunday, April 20, 3 pm, Baldwin Auditorium Center and maintains an active career both in A semi-staged concert production of the Duke Brian Symphony Orchestra, sung in English with opera and concert performances. a favorite featured artist with the Teresa Buchholz, Timothy Culver, Brian Johnson, DSO, has appeared in all of the group’s opera Johnson, Jung Oh, Susan Williams, Cynthia Wohlschlager and the Durham Children’s productions. Choir, Scott Hill, artistic director A new element is added with the participation $lO general admission; $5 students/senior citof the Durham Children’s Choir, directed by izens; children under 12 free Scott Hill, who will portray the Gingerbread www.tickets.duke.edu or 919-660-3333 Children. “I’m looking forward to working with the Durham Children’s Choir,” Davidson “We’ve never worked with children says. before, so it will be a new experience. I think & it’s a great way to involve a community ensem@ what we do here ble in at Duke.” Hansel and Gretel, with its rich musical language and engaging plot, is an opera that can

Hansel \ Gretel

6 Tam •

The Chronicle

Arts Preview

25,2008

DUKE UNIVERSITY WINTER-SPR Duke Chorale Chamber Choir, and

PERFORMING ARTS

the Chamber Choir of the Choral Society of Durham. Rodney Wynkoop, dir. Bach, St. John Passion. 3pm. Duke Chapel. $l5 Full-time students free. (CMDC) •

Fool for Love. (See Feb.

22)

& Afro-Cuban Ensembles. Bradley Simmons, dir. with guest artists Cosmas Magaya and Paul Berliner. 8 pm, Baldwin Aud, Free. (MUS)

21 DJembe

22 Encounters: with the music of our time. Charles Curtis, cello and Alec Karis, piano, performing Morton Feldman's Patterns in a Chromatic Field. Bpm. Nelson Music Room. Free. (MUS)

Matinee

2pm. (TS)

Booker T. Maceo Parker Band Jones Band. Foundations of a Sound +

An Exclusive Double Bill. Part of the Soul Power series. Bpm. Page Aud. $42 $34 $25 $5 Duke students. (DP)

Tarradiddle Players. If You Give A Pig A Party. Part of Arts in the Garden, 1 pm. For Families series. 11 am Duke Garden's Kirby Horton Hall. $B. (DP)

•

MARCH The

Bill Frisell Trio. The Disfarmer

Project: Musical Portraits from Heber Springs. Part of the Statements of Fact series. Bpm. Reynolds Industries Theater. $3B $32 $5 Duke stu-

(Feb. 21)

DJ Spooky. Video Soul: Wattstax to the Ayant Garde A World Premiere. Part of the Soul Power series. Bpm.

JANUARY 26

King Britt's SylktSO Collective. Philly Soul Tribute-A World Premiere. Featuring Jaguar Wright and Lady Alma Horton. Part of the Soul Power series. 8 pm. Reynolds Industries Theater, $26 $2O $5 Duke stu•

Dylan & The Band's Basement Tap

Free. (MUS)

dents.

27 31

(DP)

Baldwin Aud. Free.

(See February 7)

Organ Recital. Jonathan Dimmock, St. Ignatius Church, San Francisco, spm. Duke Chapel. Free. (CHAP)

Matinee 2pm.

(TS)

The Don Byron Band Featuring Chris Thomas King. Do The Boomerang: The Music of Jr. Walker. Part of the Soul Power series. 8 pm. Reynolds Industries Theater. $26 $2O $5 Duke students. (DP)

original musical) By Sarah Ellis and Julia Robertson (senior distinction project) An intern at a Broadway production office finds a crazy, dysfunctional world. Bpm. 209 East Duke, East Campus. Free. (TS)

Intern, (an

•

The Complete Debussy Preludes. Performed by Dept, of Music piano students and faculty. Bpm. Nelson Music Room. Free. (MUS)

Clompl Quartet with Joseph

Robinson, oboe. Mozart, Bax & Beethoven. Bpm. Reynolds Industries Theater. $l5 Free to Duke students. (DP)

FEBRUARY Solomon Burke

students.

(DP)

$34

$25

•

$5 Duke

Duke Wind Symphony. Emily Threinen, dir. "Modern American Voices,” featuring Ewazen, Celtic Hymns and Dances; Ticheli, Blueshades; Whitacre, Sleep and Nelson, Rocky Point Holiday. Bpm. Baldwin Aud. Free. (MUS)

•

Chapel. Free. (CHAP)

(CHAP)

APRIL 3

The Howard Fishman Band. Bob

The Band's Basement Tapes: The Old Weird America. Part of the Statements of Fact series. Bpm. Nelson Music Room. $lB $5 Duke students. (DP) Dylan

Graduate Composers Concert. 8( Nelson Music Room. Free. (MUSI

Spring Awakening April 3) Bpm. (TS)

Spring Awakening

seur. Early piano specialist RANDALL LOVE discusses pianos and repertoire of early 19th-century America. 4pm. University Rare Book Room, Perkins Library. Free. (MUS, LIB) Mavis Staples The Blind Boys of Alabama. We Shall Not Be Moved -An Exclusive Double Bill. Part of the Soul Power series. 8 pm. Page Aud. $42 $34 $25 $5 Duke students. (DP) +

•

23 Fool for Love. (See Feb.

22) Bpm. (TS)

the play. (Sa

with pianist Deborah Hollis. 4pm. University Rare Book Room, Pew

Library. Free. (MUS, LIB) Duke Jazz Ensemble. John Broi dir. Guest Artist: TEA. Bpm. Bald Aud. $lO $5 Students/Sr. Citii •

(MUS)

Born into Brothels Ensemble. Mu and Images from the film. Part of the Statements of Fact series. 8 pi Page Aud. $l5 $lO $5 Duke sti

the play. By

Frank Wedekind. Jeff Storer, Theater Studies faculty, directs this play about adolescent passion that inspired the

•

dents.

(Feb. 17)

(DP)

Spring Awakening April 3) Bpm. (TS)

the play, (i

Ciompi Quartet. With Allan Ware,! & clarinet. Milhaud, Frangaix Roc Music 8 Nelson Debussy. pm. (DPI Duke students. $75 Free •

Prism Concert. Gala performanfl featuring Chamber Music, Choralf Collegium Musicum, Djembe Enserr Jazz Ensemble, Opera Workshop. s, Symphony Orchestra, and Wind

•

Rare Music. The Colonial Connois-

Rare Music. Cornet Cornucopia.!) Eagle will perform on and talk aba the cornets in the Eddy Collection,i

Duke Jazz Ensemble. John Brown, dir. Guest Artist: Jimmy Heath, saxophone. Bpm. Baldwin Aud. $lO $5 Students/Sr. Citizens. (MUS)

The Dreamer Examines His Pillow.

Duke Vespers Ensemble. Allan Friedman, dir. Byrd Mass for Four Voices, works by Schutz, Palestrir and Lasso. 4 pm Duke Chapel. Fn

30 Organ Recital. Robert Parkins, Duke University Organist. spm Duke

(MUS, FHI)

Fool for Love. By Sam Shepard. Duke Players presents this play about foolish love in a Mohave Desert motel. Bpm. 209 East Duke, East Campus. Free. (TS)

the play.

Planets Suite; Offenbach/Odom, Overture to Orpheus in the Underworld ; De Meij, Symphony No. I, The Lord of The Rings: Gandalf, Gollum, and Hobbits and selections from Williams/ Hunsberger, Star Wars Trilogy. Bpm. Baldwin Aud. Free. (MUS)

John Scott

Spring Awakening the play. (' April 3) Matinee 2pm. (TS)

•

Cello Masterclass. With Peter Lee. 4pm. Nelson Music Room. Free. (MUS)

(See February 7) Bpm. (TS)

•

Ethnomusicology Working Group. Presents Ethnography & Sound Recordings with Gabriel Solis (Univ. of Illinois) and Joseph Schloss. 2:3opm. Rm. 130 John Hope

Franklin Center. Free.

The Dreamer Examines His Pillow. By John Patrick Shanley. Rob Baird directs this play about love and art and life for his senior distinction project. Bpm. Sheafer Theater, Bryan Center. Free. (TS)

•

Spring Awakening April 3) Bpm. (TS)

phony. 3pm. Baldwin Aud. Free Spring Awakening the playApril 3) Bpm. (TS)

Spring Awakening. (See April matinee 2pm. (TS)

Duke Opera Workshop. Susan dir. Opera scenes and excerpts. Baldwin Aud. Free (MUS) Masterclasses. Flute, oboe, cla bassoon and horn with the Phi monic Quintet of New York an

‘

Aud. $42

•

Collegium Musicum. Tom Moore, English Music of the 16th Century, incl. Byrd, Gradualia for Corpus Christi and Sheppard, Western Win Mass. Bpm. First Presbyterian Ctw 305 E. Main St, Durham. Free. (Mil

Duke Wind Symphony. Emily Threinen, dir. "Out of this World," featuring Holst/Patterson, The

Duo Piano Recital. Featuring Ning Lu and Jie Lu. Mozart, Fugue in c minor, K. 426 and Sonata in D, K. 448; Schubert, Fantasie in f minor, Op. 103; Rachmaninoff, Piano Suite No. 2, Op. 17. Bpm. Baldwin Aud. Free. (MUS)

•

Voice Masterclass. With Marisa Galvany. spm. Bone Hall, Biddle Music Bldg. Free. (MUS)

Piano Masterclass. With Ning Lu and Jie Lu. 4pm. Baldwin Aud. Free. (MUS)

The Dixie

Hummingbirds. The Definition of Soul An Exclusive Double Bill. Part of the Soul Power series. 8 pm. Page

•

(DP)

Manze & The Helsinqborq Symphony Orchestra. The Eroica Effect: Beethoven's Third Symphony. 8 pm. Page Aud. $46 $3B $25 $5 Duke students. (DP)

(MUS)

(DP)

The Howard Fishman Band. Bob Dylan The Band's Basement Tap This Wheel Shall Explode. Partofl Statements of Fact series. 8 pm. Nelson Music Room. $lB $5 Du) students. (DP)

(DP)

•

Intern. (See Jan. 31) 8 pm. (TS)

•

students.

29 Andrew

Duke String School. Dorothy Kitchen, dir. Mid-Winter Festival, 3 and 7pm. Baldwin Aud. Free.

•

Duke New Music Ensemble. George Lam, dir. Bpm. Sheafer Theater, Bryan Center. Free. (MUS)

Intern. (See Jan. 31) Bpm. (TS)

Duke students.

20 Solomon Burke (Feb. 2)

Nelson Music Room. Free. (MUS)

T. Jones/Arnle Zane Dance Company. Chapel/Chapter. Part of the Statements of Fact series. Bpm. Page Aud. $46 $3B $25 $5

Organ Recital. John Scott, St. Thomas Church in New York City. spm. Duke Chapel. Free. (CHAP)

•

Ron K. Brown/Evidence Dance Company. One Shot. Part of the Statements ofFact series. Bpm. Page Aud. $3B $3O $22 $5

Takdcs Quartet. Brahms, Shostakovich Beethoven. Bpm. Reynolds Industries Theater. $2B $5 Duke students. (DP)

Erase That, Garth. Part of the Statements ofFact series. 8 pm. Nelson Music Room. $lB $5 Di

Rare Music. What Can a Modern Singer Learn from Early Instruments? Soprano Penelope Jensen, assisted by Rebecca Troxler, baroque flute; Brenda Neece, 5-string cello piccolo and Deborah Hollis, fortepiano and portative organ. 4pm. University Rare Book Room, Perkins Library. Free. (MUS, LIB)

Faculty Recital. Fred Raimi, cello and Jane Hawkins, piano. Works by Bach, Brahms, and Frescobaldi. Bpm.

19 Bill

•

(MUS)

The Howard Fishman Band. Bob

Duke Chorale. Rodney Wynkoop, dir. Tonight Eternity Alone: Spring Tour Concert. Bpm, Baldwin Aud. Free. (MUS)

Duke Symphony Orchestra. Harry Davidson, music dir., with Student

The Dreamer Examines His Pillow.

•

the play. (Sj

With Scott Rawls, 4pm. Baldwin Aud. Free. (MUS)

(DP)

(See February 7) Bpm. (TS)

•

Bpm. Free. (NAS)

Faculty Recital. Eric Pritchard, violin and Barbara McKenzie, piano. Works by Beethoven, Faure, and Bill Robinson. Bpm. Nelson Music Room.

•

Concerto Competition Winner Alyssa Zhu, pianist. Bernstein, Overture to "Candide ßarber, Adagio for Strings, Op. II: Liszt, Piano Concerto No. I in E-flat Major, Beethoven, Symphony No. 4 in B-flat Major, Op. 60. Bpm.

Reynolds Industries Theater. $26 $2O $5 Duke Students. (DP)

hit Broadway musical. Bpm. Sheal Theater, Bryan Center. $lO •$5 Students/Sr. Citizens. (TS)

Spring Awakening April 3) Bpm. (TS)

dents.

and Jie Lu

Philharmonic Quintet of NY (April 13;

25 Viola Masterclass.

•

Ning Lu

Milton's Comus. Student performers, digital displays and harpsichord basso continue will form part of the spectacle, along with Milton's poetry,

Dawn Upshaw

Orquesta Los Peleqrinos. Osvaldo Golijov's Ayre. The New Yorker calls Ayre "ecstatically beautiful." Bpm. Page Aud. $46 &

•

$3B

•

$25

•

$5 Duke students.

24 Encounters: with the music

(DP)

of our time, eighth blackbird, performing works by Janet Chen, Alex Kotch, Dan Ruccia, and Paul Swartzel. 2pm. Baldwin Aud. Free. (MUS)

Joseph Robinson, artist-in-re sl 1:30-4:30pm. Biddle Music BW $25 Participants $lO Auditors Free for Duke students. (MUS) •

Arts Preview

The Chronicle

fanuary 25, 2008

•

G 2008 CALENDAR OF EVENTS Mallarme Chamber Players. Featuring Nnenna Freelon. All That jazz- Telling Our Stories. 3pm. Page

(DP) Aud. $2O $5 Duke students. Festival. New Works Theater 2008:directed, acted, and Plays written, Brody produced by students. Bpm. (TS) Theater, East Campus. Free. Festival. New Works Theater 2008: •

(See April 17) Bpm. (TS)

21 African American Theater

Work-

EXHIBITIONS, LECTURES, READINGS

shop Performance. 8 pm. Brody Theater, East Campus. Free. (TS)

22 Musical Theater Workshop

21 Talk. World-renown

French intellectual historian Roger Chartier on

Performance. 8 pm. Sheafer Theater, Bryan Center. Free. (TS)

Shakespeare's "lost play”; Cardenio between the Sierra Morena, Whitehall and Parisian Stages. s:3opm. Nasher Museum Auditorium. Free. (NAS, FHI)

Chamber Music Recital. Featuring student groups. 7pm. Nelson Music Room. Free. (MUS)

25 Duke Chorale. Rodney Wynkoop, dir.

Duke Symphony Orchestra. Harry Davidson, music dir. Humperdinck, Hansel and Gretel: A Fairytale Opera in 3 Acts. A semi-staged concert production sung in English with Teresa Buchholz, Timothy Culver, Brian Johnson, Jung Oh, Susan Williams, Cynthia Wohlschlager and the Durham children's Choir, Scott Hill, artistic dir. 7:3opm. Baldwin Aud. $lO $5 Students and Sr. Citizen Children under 12 Free. (MUS) Andy Offutt Irwin. Offutt's Environmental Epic Show. Part of Arts in the Garden, For Families series. 11am, Duke Garden's Kirby Horton Hall. $B. (DP)

Chorale Celebration. Bpm. Biddle Music Bldg. Free. (MUS)

Duke String School. Dorothy Kitchen,

dir. Spring Festival. 3,4, 7pm. Baldwin Aud. Free. (MUS) &

Symposium. Books without a Future? A symposium on the history of the book from Medieval manuscripts to digital libraries. 1-6pm. Perkins Rare

Ying Quartet with Christopher Tayler. Ravel, Lieberson & Dohnanyi 8 pm. Reynolds Industries Theater.

$2B

•

$5 Duke students.

Book Room, Free. (FHI)

(DP)

?uestlove and Art of Sampling. DJs ?uestlove and Ninth Wonder lead a

•

discussion and demonstration of soul music, followed by DJ party. 7-10 pm. Free with admission. (DP NAS)

Barkley L. Hendricks, Fela: Amen, Amen, Amen (Feb. 7)

Duke Chapel Choir, Duke Chorale, Choral Society of Durham. Rodney Wynkoop, dir. Britten War Requiem.

Bpm. Duke Chapel. $2O Ipm Free to Duke students. (CHAP) &

JANUARY

Theater 2008: New Works Festival. (See April 17) Bpm. (TS)

Sol Lewitt Installation. Come watch the installation of the late artist's work all week at the Nasher Museum. Free with admission. (NAS)

(CDS)

Theater 2008: New Works Festival. (See April 17) Matinee 2pm. Location

Exhibition. Disfarmer. Portraits, by the eccentric studio photographer, that docu-

TBA. (TS)

ment rural Arkansas families through the Depression and WWII. Posthumous prints from glass plate negatives. Lyndhurst Gallery. Through April 6. (CDS)

Duke Chapel Choir, Duke Chorale, Choral Society of Durham. (See April 19) 4pm. (CHAP) Duke Symphony Orchestra, (see

25 Lecture. Eric Drott

of Texas, Austin). "Musicians and May 68 in France." 4pm. Rm. 104, Biddle Music

Teresa Buchholz (April 18)

April 18). 3pm. (MUS)

Celebrating Ingmar Bergman 4/1 SMILES OF A SUMMER NIGHT 4/8 FANNY AND ALEXANDER 4/15 BERGMAN'S ISLAND (documentary)

Lecture. Ruth Longobardi (Univ. of

Lecture. Olivia Bloechl (UCLA). "Colonial Armide." 4pm. Rm. 104, Biddle Music Bldg. Free. (MUS)

Engaging Documentary Series. Photographer Bill Bamberger. 7pm

Lecture. Philip Rupprecht (Duke)

Face Up: Telling Stories of Community Life. Artist-in-residence Brett Cook on building and strengthening community in Southwest Central Durham through the collaborative creation of large-scale public murals. 6:3opm. Center for Documentary Studies. Free. (CDS)

Richmond).

Soul and the Chitlin' Circuit. Professor Mark Anthony Neal (Duke). 7pm. Center for Documentary Studies. Free. (DP)

Nia Dinata in person!

Exhibition Opening and DJ Party. Meet American artist Barkley L. Hendricks, who will take part in a talk with Rick Powell, Duke Prof, of Art and Art History. Entertainment by Grammy

Special Events

■vents are free and open to the eral public. Unless otherwise noted, Wings are at 7pm in the Griffith Theater, Bryan Center. All events feet to change for updates, see ien/Society website. (FVD) -

Evenings with Mary Harron screening will be followed by a Q&A director Mary Harron. SHOT ANDY WARHOL (7:3opm) AMERICAN PSYCHO (7:3opm) THE NOTORIOUS BETTIE PAGE (7:3opm)

2/12

BUFFALO BOY

award-winning

Vietnamese film, w/ director Minh Nguyen-Vo in person 2/18 TERROR'S ADVOCATE panel discussion to follow 3/19 Oscar Winning Short Documentaries 3/20 Screening and Q&A with Oscarwinning documentary filmmaker Margaret Lazarus (East Duke 209) 4/7 Russian Documentary Films (6pm) followed by O&A with filmmakers 4/25 Duke Student Film Showcase best student films this semester

Award-winning DJ Ninth Wonder followed by reception with cash bar.

7pm. Free with admission. (NAS)

Film Screening. Doxita The Hours of Our Lives. A traveling short docs presentation by Karen Cirillo, part of the Doc U Arts Institute. 7:3opm. Durham Arts Council. $5 suggested donation. (CDS) -

elationships

screening will be followed by a ty'led discussion, with refreshments.

scandal

•n THE bedroom

14 Art for All at the Nasher.

’rating Michelangelo Antonioni

Flei scher (subtitled in English)

LE LOUVRE

IMAGINAIRE (Bpm)

Three Films about Rodin (Bpm) ihree films About Christian Boltanski (total: 75 min.) (Bpm) MONDE AGITI-: (Bpm) A fictional ork made up of film excerpts from e ear| y 7 ears of cinema. r D MENTS 0F CONVERSATIONS ™ j CAN-LUC GODARD With lr ctor Alain Fleischer in person!

w,^

Conversation. Jeremy

Strick, Museum of Contemporary Art, Los Angeles and Kimberly Rorschach, Nasher Museum director. Reception with cash bar. 6pm. Free with admission. (NAS)

Family Day at the Nasher. Explore the exhibition Barkley L. Hendricks: Birth of the Cool. Live entertainment, drop-in make-and-take crafts and a self-guided gallery hunt. 12-4pm. Free. (NAS)

First Thursday at the Nasher. Meet Provost Peter Lange. Cash bar s:3opm, gallery tour 6pm. Free with admission. (NAS)

Lecture. Richard J.. Powell on Barkley L. Hendricks. 6pm. Nasher Museum. Free with admission. (NAS)

Engaging Documentary Series. Wendy Ewald and Brett Cook. Nasher Museum of Art. Free. (CDS)

20 Art for All at the Nasher. Light food, cash bar (sorry, no credit cards or Food Points), gallery talks by Duke faculty and staff, tours led by student docents, and live music or dance performances. 7-9 pm. Free with admission. (NAS)

MAT

Projects. A presentation of final projects by continuing studies students in the Certificate in

30 Documentary

Documentary Studies program. 7pm. CDS Auditorium. Free. (CDS)

Statements of Fact. A Conversation

The

Passenger (March

25)

FILMS AT THE HASHER 2/17

sion.

Full Frame Documentary Film Festival Matinee Series at the Nasher. CONCERT OF WILLS: MAKING THE GETTY CENTER, a 1997 film by Susan Froemke, Bob Eisenhardt and Albert Maysles. 2pm, tickets $6, Free to Full Frame and Nasher Museum Members, co-sponsoredby the Full Frame Institute. (NAS)

Light

food, cash bar, gallery talks by Duke faculty and staff, tours led by student docents, and live music or dance performances. 7-9pm. Free with admis-

BLOW UP THE PASSENGER I* Focus: The Documentary Films

6 Directors

Film Screening. Waking in Mississippi by Christie Herring. Part of the Doc U Arts Institute. 7:3opm. Durham Arts Council. $5 suggested donation. (CDS)

FIGHT CLUB

notes on a

MARCH

"Public memory and private anguish in Britten's War Requiem." 4pm. Rm. 104, Biddle Music Bldg. Free (MUS)

Film Screening. Death Row by Bruce Jackson. Part of the Doc U Arts Institute. 7:3opm. Durham Arts Council. $5 suggested donation. (CDS)

Love and Conflict: On the Ethics

KNOCKED

CDS Auditorium. Free. (CDS)

Contemporary American Opera." 4pm. Rm. 104, Biddle Music Bldg.

Talk. The Life and Times of James "Thunder" Early: A Meditation of

Holding up Half the Sky: Muslim Women in Film 4/2 HALF MOON 4/9 LOVE FOR SHARE with director

"American Icons Meet New

Genres and Emerging Technologies: Re-Productions of the Real in

Book Room. Free. (FHI)

REEN/SOCIETY

Faculty Bookwatch. Panel on Rereading The Black Legend, edited by Duke faculty M. Greer, W. Mignolo, M. Ouilligan. 6:3opm. Perkins Rare

Thursday at the Nasher. Meet Kenneth Rodgers, director of the North Carolina Central Art Museum. Cash bar s:3opm, gallery tour 6pm. Free with admission. (NAS)

Full Frame Documentary Film Festival. Carolina Theatre and Durham Arts Council. Sponsored in part by Duke University.

Free. (MUS)

FEBRUARY

3 First

Exhibition Reception. Near the Cross: Photographs from the Mississippi Delta by Tom Rankin. 5:30-7:3opm.

3-6

Reception. Large Format Photography. An exhibit of student work from a CDS course. Porch Gallery. 6-Bpm. Free. (CDS)

APRIL

Exhibition Talk. Writer and magazine editor Julia Scully on Disfarmer. 7pm. Center for Documentary Studies Auditorium. Free. (CDS)

30 Exhibition Cine-East: East Asian Cinema 3/5 LETTERS FROM IWO JIMA With screenwriter Iris Yamashita in person! 3/21 Tsui Mark's THE WARRIOR (animated) (Bpm, 2048 E. Duke Bldg.) 3/26 LINDA, LINDA, LINDA (Bpm) 4/16 KUNG FU HUSTLE (Bpm) [More to come check web site!]

Cardenio, Shakespeare's "lost play” Roger Chartier (Feb. 7)

Special Collections Gallery, Perkins Library. Free.

(Univ.

Bldg., Free. (MUS)

Annual Semans Lecture. Meet Thelma Golden, director of the Studio Museum in Harlem, followed by reception. 7:3opm, Nasher Museum fo Art. Free with admission. (NAS)

Exhibition. Cummins Wide. Bruce Jackson's 1975 Widelux photographs from Cummins Prison Farm, Lincoln County, Arkansas. Kreps Gallery. Through April 6.

•

Mary Harron (Jan. 28-30)

In Conversation: ?uestlove & 9th Wonder. Hip-Hop Sampling Soul. Moderated by Professor Mark Anthony Neal. 7pm. Nasher Museum of Art Auditorium. Free. (DP)

(NAS)

Talk. The Black Side of Motown. Prof. Craig Werner (Univ. of Wisconsin). 7pm, Center for Documentary Studies. Free and open to all. (DP)

In Conversation: Greg Tate & Arthur Jafa. The Soul Aesthetic: Barkley Hendricks and Black Music.

7pm. Auditorium at the Nasher Museum of Art. Free. (DP)

Buffalo

Boy (Feb. 12)

•

January 25,

The Chronicle

Arts Preview

2008

Students Step Up Submitted by Duke Department of Theater Studies More theater studies majors than ever are hoping to graduate with distinction this spring, and that is a fortunate thing for theater lovers on campus. Two plays are being fully staged this season, and a reading of an original script and an original film are being produced as well. “Gaining distinction is a rigorous process,” says John Glum, chair of the department of theater studies. “It is really heavy work, both academically and artistically. All our distinction students are having experiences making art, which is exciting, but they are also having to think through the challenges that underlie making this kind of art—the conceptual work—building the vocabulary that makes up all the layers of the work.”

“The amount of work has been tremendous, but it has been thrilling to see the show that Sarah and I wrote come to life thanks to the talent of our fellow Duke students, who are directing, managing and acting in Intern

Dozier, who aspires to be a professional filmmaker. “Now I want to find out what it takes to write something original and then produce it for the screen,” he says.

Faculty mentors include Clum, Anthony Kelley and Glen Mehrbach from the music department and Anthony Lyn, an old friend of the Duke in London theater program and current associate director of Mary Poppins on Broadway, who came in as a guest artist to advise.

moment

“I have wanted to make films from the first I saw the Star Destroyer pierce the edge of the frame in Star Wars. I believe my acting and directing in theater at Duke is a beginning quite worthy and maybe even necessary for a film director,” he says. Dozier’s film will be screened on a date to be determined.

Ron Baird is directing a play for his distinction For Elissa Lerner, being able to do a distinction project. “I wanted to challenge myself to direct project was really important because she chose something that would be a change from my past to major in two subjects that are an unusual comprojects,” says Baird, who will direct John Patrick bination, theater studies and religion, and she Sarah Ellis and Julia Robertson have written a Shanley’s The Dreamer Examines His Pillow. “In the wanted to explore how they are connected. musical, Intern, which will run Jan. 31-Feb. 2 in past I’ve done mostly comedies, and I wanted “Writing a play was away to bring together two 209 East Duke. Ellis and Robertson began writ- the opportunity to try my hand at something fields not often linked in away that made sense to me,” she says. ing the play while they were studying in the more serious and demanding. More than anyDuke in New York program in fall of 2006. thing I looked forward to having personal men“My play is called Abraham's Daughters, and it is “Intern is a musical about an intern in a torship on a project from Jody McAuliffe [proBroadway producdon office with a crazy boss, an fessor of the practice of theater studies]. I knew about three freshmen women from three different religious backgrounds —Conservative that it would be an unparalleled learning expearray of quirky co-workers, and a highly dysfuncrience for me at Duke to work so closely with her. Judaism, Evangelical Christianity and American tional fax machine,” says Robertson. Islam—and how they develop as people based “The writing process was rewarding in and of “It definitely has been a chance for me to inteon religious backgrounds. Abraham's Daughters itself,” says Ellis, “and we received an especially grate and display what I've learned in my time at will have a reading in 209 East Duke on April 14. enthusiastic response from our professors and Duke. It allows me to take directing and acting classmates when we performed a few scenes and techniques and apply them to something outside Last fall, three other seniors, Madeleine songs. Their enthusiasm and our own passion the classroom setting.” The Dreamer Examines His Lambert, Davis Hasty and Ross Buckley, acted in for the project encouraged us to finish writing Pillow will play in Sheafer Theater in the Bryan Harold Pinter’s Betrayaliov their distinction projIntern and to actually produce the show at Duke Center Feb. 7-10. ect and played to sold-out audiences. “The expeas our distinction project.” rience was more than I could have imagined,” For his theater studies distinction project, Shaun says Lambert. “Taking weeks to just read the play “This project has surpassed all of my imaginings Dozier will make a short 16mm film. “Most ofray Students continued on page 10 in almost every aspect possible,” says Robertson. approach to film has been through theater,” says

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Sprin

The Chronicle

Arts Preview

[anuary 25,

Duke Chapel presents Britten

2008 9 •

Requiem

By Rodney Wynkoop and Allan Friedman Duke Chapel will be presenting Benjamin Britten’s War Requiem on Saturday, April 19th at 8:00 pm and Sunday, April 20th at 4 pm. Rodney Wynkoop will be conducting the Duke Chapel Choir, Choral Society of Durham, Duke Chorale, and Durham Children’s Choir in this powerful work scored for chorus, orchestra, soloists, and organ.

Coventry, on the site where bombing during the Second World War had made rubble of the original cathedral, Britten turned to Owen’s poetry from the earlier war and to the traditional world of the Requiem Mass for the Dead, molding them into a powerfully dramatic textual sequences and setting them to music through imaginative and bold compositional means

Britten’s Requiem utilizes the poetry of Wilfred Owen, a soldier in the First World War. Commissioned to write music to celebrate the consecration of St. Michaels Cathedral, in

In addition to the concerts, the Chapel will be sponsoring several lectures during the week leading up to the concert. George Gopen, a

member of the Duke English faculty will be lecturing on poet Wilfred Owen. Hans Van of the Duke Art History departMiegroet, chair ment will be speaking on the Architecture of Coventry Cathedral. Philip Rupprecht, a professor in the Music department will be speaking on Britten and Pacifism. Finally, the Reverend Canon Justin Welby, former Sub-Dean & Canon for Reconciliation Ministry, Coventry Cathedral will speak about the theological themes of the Requiem, the poems of Owen, and the larger topic ofreconciliation, especially in the areas of religious conflict.

Nasher continued from page 3 Food Points), gallery talks by Duke faculty and staff, tours led by student docents, and live music or dance performances. The Nasher Museum Cafe, directed by Giorgios Bakatsias of Giorgios Hospitality Group and featuring chef Michael Schmitt, offers a menu of soups, salads and sandwiches, including vegetarian fare. For dessert, the cafe has fresh-baked cookies, homemade ice cream, fruit dishes and cupcakes. The cafe adheres to the “slow food” philosophy that is, simple, seasonal recipes with fresh ingredients that are organic and locally grown when possible. The museum is located at Duke University Road and Anderson Street, adjacent to the Sarah P. Duke Gardens. Sign up for the Nasher student listserv to find out about exclusive student events throughout the year. Just send an e-mail to mcgordomo@duke.edu with “subscribe nasher-students” in the body of the e-mail (without the quotes). Go to the museum’s website (nasher.duke.edu) to sign up for museum event updates on Facebook and for more information about other exhibitions on display at the Nasher.

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Sprini

The Chronicle

Arts Preview

Duke New Music Ensemble's debut draws praise, audiences Submitted by the Department of Music

graduate and undergraduate students, collaborates regularly with faculty and guest artists from the Duke

The Duke New Music Ensemble, [dnme], was Theater in the Bryan University Center for its formed in Fall 2007 to bring together underFebruary 20 concert. and students to graduate perform graduate music written in the 20th and 21st centuries, as “The February 20 concert will include several well as new works by Duke student composers. premieres,” says Lam. “Quentin Conrate, a visitThe group is the brainchild of graduate coming Art History graduate student from France, poser George Lam, who felt that students would has composed a piece that is a new installation be interested in performing, and hearing, more and performance work created for the ensemble. C. R. Kasprzyk, a member of the music faccontemporary material. He envisioned an intimate atmosphere for performances, and the ulty at Bluefleld College in Virginia, has written group's concerts this fall were held in Brody a version of his Degradations IV-b specifically for Theater on East Campus, a venue that only seats [dnme]. Also, the concert will feature the 65. George's assessment of student interest was American premiere of graduate composer Alex correct and after performing for standing room Kotch’s trio, Reduce, Reuse, Recycle, with the comonly crowds, [dnme] will move to Sheafer poser performing.”

[dnme], a group of nine

University Department of Music and other institutions across North Carolina. Guest performers in fall 2007 included saxophonist Susan Fancher, violist Reginald Patterson, and Jay O’Berski, a faculty member in the Department of Theater Studies. So far, [dnme] 's repertoire has been evenly divided between new works by Duke graduate student composers and works by some of the great names in 20th century music, including Piazzolla, Schoenberg, and Gorecki. [dnme] concert: Interpersonal Beats

Wednesday, February 20 8 pm, Sheafer Theater, Bryan Center Free Admission Program;

Quentin Conrate, Veux-tu me faire de la soupe pour le reste de ma vie? Henry Cowell, Quartet Euphometric Alex Kotch, Reduce, Reuse, Recycle C. R. Kasprzyk, Degradations TV-b Tom Takemitsu, Distance de Fee Terry Riley, In C

Students continued from page 8 over and over

truly informed my choices

as an

actor. Also, working with Professor McAuliffe was the most exciting part of the process. She views theater as an art of exploration. Due to her sup-

port and guidance, I grew immensely as an artist.”

“These kids are some of the most fiercely active in our program,” says Clum.

“They are

an amaz-

ingly hard working lot of kids, but they are doing what they love. The great excitement around their projects energizes the whole department.” Check www.duke/edti/web/theaterstudies for detailed information about these productions.

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january 25,2008 BIG WIN DUKE BEATS 01 BY 20 IN THE AIL PAGE 10

DUKE

LEADING SCORER: SINGLER (16)

LEADING REBOUNDER: SINGLER (9) FIELD-GOAL PERCENTAGE: 47.5

IM /■

•

DUKE TRAVELS IB COLLEBE PARK The Blue Devils play at Maryland Sunday. The Chronicle gives a quick rundown on what to watch for in Blue Devils' big road test, j 2

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■

LEADING SCORER: VAISSALLO (16) LEADING REBOUNDER: VAISSALLO (9) FIELD-GOAL PERCENTAGE: 41.4

No surprise in Dukes season yet Duke is No. 4 in the country. I guess it shouldn’tbe that big of a surprise. It’s Duke after all—unquestionably the most successful college basketball program of the last two decades (sorry Kentucky, but Laettner hit the shot). After a few unexpectedly early exits in the NCAA Tournament and a .500 conferencerecord last year, however, the Blue Devils seemed to have tim lost that swagger. b *

britton

J^dpors

this season, Duke has just one hardluck overtime loss and impressive victories over Marquette and Wisconsin. Sure, on this date lastyear the BlueDevils were No. 10 and Scheyer-to-McClure was hours away from beating Clemson. After that, well, things kind offizzled. This year, though, promises to be different. Cameron was supposedly back Saturday against the Tigers (I have to say “supposedly” because I was one ofthose left out in the cold. But don’t worry, I had the pleasure of hearing Mike Patrick call a rare Duke game on ESPN), and last night Duke rolled past Virginia Tech in Blacksburg, a trip that’s given the Blue Devils problems since the Hokies immigrated to the ACC. It certainly seems as if the Blue Devils are SEE BRITTON ON PAGE

NOAH

PRINCE/THE CHRONICLE

Head coach MikeKrzyzewski has adapted his style to better suit his current roster and win games.

NOAH PRINCE/THE CHRONICLE

Point guard Greg Paulus was taunted all night long by the Hokie faithful but still recorded 10points, four rebounds and three assists Thursday in Blacksburg.

Blue Devils' 2nd half streak spurs win by

David

Ungvary THE CHRONICLE

BLACKSBURG, Va. Thursday night’s game at Virginia Tech seemed all-too-familiar for Duke. Fifteen seconds into the second half, Virginia Tech’s leading scorer, junior guard A.D. Vassallo, pulled up and nailed a big three pointer to make it a 42-41 game, putting the Hokies within one point of Duke. Cassell Coliseum, with fans in full “orange effect,” erupted into a frenzy and the Blue Devils, which ended the opening half slowly, looked a bit shaken. But then Kyle Singler showed up —responding to Vasallo’s big-game play with a three of his own which silenced the crowd and helped spark No. 4 Duke’s second half dominance, leading to a decisive 81-64 win Thursday night over Virginia Tech (11-8,23 in the ACC). “I just had to stick with it,” Singler said. “I knew the team was in it with me. We were playing alright, not well, and in the second half we were playing a lot better—playing like men.” Besides his crowd-muffling trey, Singler added 13 more points after halftime, finishing with a team-high 16. But just 1-of-6 from the floor in the first, Singler was an unexpected resurgent force for Duke (16-1, 4-0), which used the second half to showcase its offensive talent and ability to hold its own in an aggressive and physical ball game. With the Hokies’ leading big man, fresh-

man Jeff Allen, suspended for two games for contact with an official, the Blue Devils showed clear signs of wanting to work the ball inside early. They ended the game matching the Hokies with 40 points in the paint, something the squad has struggled to do all season. “We’re not a big team with a big center, so guys are going to think that they can push us around,” 6-foot-4 Gerald Henderson said. “But we have a lot of fight in our team.” Virginia Tech did not give up on its post-play either, which led to a game-long battle near the basket. And with offensive strategy focused near the hoop for both teams, the game was certainly physical and required a tough-minded mentality. “Our team responded well to [the aggressiveness]—and that’s just the ACC,” Demarcus Nelson said. “We have to tip our hats to Virginia Tech, they played hard and they played strong... We’re all men out there, and its going to be a

physical game.”

The teams recorded a combined 49 fouls on the night, with 52 trips to the freethrow line, and at times things seemed to be on the verge of getting out of hand. Even within the games’ first five minutes, junior Dave McClure, who started, was sent to the bench with two fouls. “We got into foul trouble early in the first half and we had to play a little passive, SEE M. BBALL ON PAGE 10

NOAH

PRINCE/THE CHRONICLE

Lance Thomas goes up over Virginia Tech's J.T. Thompson and Deron Washington in an 81-64 win.

THE CHRONICLE

10 FRIDAY, JANUARY 25, 2008

DUKE |BBI 73

M.BBALL from page 9 trying not to foul—and that’s not how we play the game,” said Nelson, who fouled out with a technical later in the contest. In the second half, however, Duke stayed out of foul trouble and was able to put together a run without the stress of players being relegated to the bench. Aside from the physical play, pressure on Duke came mostly from the stands. Every time junior guard Greg Paulus touched the ball, the Hokie fans booed incessantly and when he threw up an air ball, it got even louder. “It’s a tough place to play with the atmosphere and the crowd, and we needed to be ready for that kind of intensity,” Paulus said. “It makes you want to

compete.”

But Duke coughed up the ball a mere 12 times in the contest while forcing 12 Virginia Tech turnovers after halftime and generating 11 steals on the night. The win away from home adds to the Blue Devils’ momentum as they continue ACC play, which they will need in their next game as they face the Maryland Terrapins Sunday in College Park. NOTES:

Leading Virginia Tech onto the court in the pre-game festivities, Hokie forward Deron Washington botched on a dunk on an open-hoop, causing an awkward but subde quieting of the crowd.... Krzyzewski said after the game that he thought the freshmen continued to make strides and helped the team get the win Thursday. Nolan Smith, Taylor King, and Singler were 12-26 from the floor for a collective 33 points in the game.

Duke 81, Virginia Tech 64 38 26 64 42 39 81

Virginia Tech (11-8,2-3) Duke (16-1,4-0) Sinqler

6-14

1-5

3-4

Paulus

3-9

1-5

3-3

0 10

Nelson

4-11

0-2

2-5

McClure

2-3

0-0

Scheyer

2-3

0-0

200 29-61 8-22 15-25 36 15 12 11 81

Totals FG

Ist Half; 53.6,2nd Half: 42.4, Game: 47.5

Washington

2-9

0-1

8-13

Vassallo

7-16

2-6

0-1

0 16

Delaney

1-6

0-2

2-2

Thorns

2-9

0-3

2-2

Oiakite

2-3

0-0

0-1

Totals FG

9 22 5 64

200 23-56 2-13 16-27 38

Ist Half; 42.4,2nd Half: 39.1, Game: 41.4

IF I Blue Devils push past Yellow Jackets by

ATLANTA Georgia Tech entered Thursday night’s game against Duke riding an 18-game home winning streak. The Blue

Devils came in with 27 consecutive victories over the Yellow Jackets. Something had to give—and from the opening tip, there was no doubt which streak it would be. No. 10 Duke (15-4, 4-1 in the ACC) never trailed and rode Chante Black’s sixth double-double to a 73-47 demolishing of No. 23 Georgia Tech (164, 3-3) in Alexander Memorial Coliseum. The Blue Devils shot 50 percent from the field for just the second time all season. “With all due respect, I just wasn’t thinking much about [Georgia Tech],” head coach Joanne P. McCallie said. “I was thinking about our team—what we need to do, what we want to do, what we want to look like on the floor. We’ve been working hard to get better, and we’re starting to really turn some corners.” JIANGHAIHO/THE CHRONICLE The Blue Devils have now won two of her 15points ona 5-oM 1 effortfrom the field. shooting slump, scoring of 20 Junior Waner broke out Abby contests an points straight by average since an 85-70 loss to Maryland Jan. 14. In both of those victories, Black notched a But she started heating up against the Duke 73, Georgia Tech 47 the Yellow Yellow But Jackets, breaking an O-for-14 3-point Georgia Tech (16-4,3-3) double-double. against Jack23 24 47 ets, she nearly reached that landmark in slump in the second half and shooting 5- Duke (15-4,4-1) 35 38 73 the first half alone, racking up nine points for-11 for 15 points. She also contributed Cheek 20 2-3 0-0 1-2 4 2 1 0 5 and 10 rebounds as the Blue Devils raced six rebounds and five assists. to a 35-23 halftime lead. “She looked like she was having fun,” Waner, A. 6 5 5 3 15 35 5-11 2-6 3-4 “[I was] just playing,” Black said. “I’m McCallie said. “I don’t like any of our play5 4 2 9 2-2 2 Smith 20 2-7 2-3 a player. I would hope anybody could pick ers to be defined in a narrow sense. Shootup a double-double if they work hard, and ing is shooting.... The point is what kind of Mitchell 0 3 0 0 6 0-3 0-0 0-0 0 these guards are capable.” complete player can you be.” 8 0 0 1 8 19 4-5 0-0 0-0 At 6-foot-5, Black had at least a threeWaner and the Blue Devils, however, inch height advantage over every Yellow did not have a completely stress-free night. Thomas 9 2-2 0-0 2-2 1 0 0 0 6 Jacket who guarded her. She was able to They struggled with ballhandling, as Geor- Totals 200 29-58 5-11 10-14 48 16 24 3 73 finish strong inside while also possessing gia Tech forced them into 24 turnovers. The Yellow Jackets’ full-court press the quickness to drive past the Georgia Tech defenders for easy layups. She was just caused problems for Duke at times, but the as strong on the defensive end, registering Blue Devils adjusted and were able to use four blocks and three steals. an attacking mentality to beat the press and “Chante’s just one of the best there is get easy looks at the basket. Those high26 4-7 0-0 3-5 0 0 4 0 11 because she works so hard,” McCallie said. percentage shots contributed to Duke’s Ingram 18 0-3 0-1 0-0 0 11 0 1 “There’s a lot that she can do, but without second-best shooting night of the year. The Blue was even more Devils, however, question it’s the work ethic that separates Blackmon 8 0-0 0-0 0-1 0 0 0 0 4 the greats. They just come ready. They’re effective on the defensive end of the floor 0-0 0 0 0 0 0 1 0-0 0-0 very focused, they know what they do and than Georgia Tech was. Duke’s changing Mitchell to and do defenses and it. They presses successfully disrupted Totals they like go out there 200 18-62 3-15 8-17 31 6 19 8 47 don’t take nights off, and [Chante] does the Yellow Jackets’ offensive flow, Georgia FG Ist Half: 32.3,2nd Half: 25.8, Game; 29.0 Tech head coach MaChelle Joseph said. not take nights off.” Black’s success in the paint opened up And although they never trailed, the or SO-plus minutes,” senior guard Wanisha opportunities for her teammates from the Blue Devils never relaxed. They continued Smith said. “It just shows that we can play outside, most notably junior guard Abby to add to their lead into the final minutes together as a team and regardless if we’re on the road or not, we can play and just Waner. Waner had struggled mightily in of the contest. her last four games, shooting just eight per“It shows that we can go and play a play hard. Regardless if we’re up by 20, we dominant game—a dominant 40 minutes can still keep pushing it.” cent from beyond the arc. %

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new Hilton Garden Inn-Southpoint has the following positions available: FT Guest Service Rep, FT Restaurant Server, FT Cook, PT Bartender. Apply in person at 7007 Fayetteville Road, Durham NC, 27713. Hotel/ Rest experience preferred, but not required. Benefits, bonus, hotel travel discounts avail. 919-544-6000

ROOM FOR RENT Private room in home. Separate entry and bath. Fully furnished. All utllites paid. Close to East Campus. High-speed internet. $425. 2862285 or 383-6703.

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Friday Jan 25 Costa Rica (Duke/ OTS), Ghana. Questions about this event? Please contact Paul Paparella in the Office of Study Abroad at 919-684-2174 or email at paul.paparella@duke.edu We look forward to seeing you in the Great Hall!

the Social Science Research Insti-

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car. Please send resume.

35 CENT COLOR COPIES Why pay more? 28# paper used at The UPS Store at Lakeview Pavilion, 2806 Erwin Rd. Call 383-1400 or email: stores94s@theupsstore. com

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THE CHRONICLE

12 I FRIDAY, JANUARY 25,2008

BRITTON from page 9 back in the national consciousness, and not for reasons such as “Will Duke make the Tournament?” or “Was the elbow on purpose?” In the process, the Blue Devils have proven wrong the critics who extrapolated a one-year aberration into doubts about the program’s aura. Duke has shown that it’s still Duke, whether it’s drawing the constant ire of opposing fans or ESPN and Patrick to announce every conference game. Down years and down stretches happen for even the best programs. See: the Matt Doherty Era in Chapel Hill or even recent struggles at UCLA and Connecticut. It’s always been about how players and coaches respond to adversity, and Mike Krzyzewski has exhibited a surprising willingness to adapt his style to his roster this season. After years of under-using his bench and wearing out key players, Krzyzewski has substituted liberally and placed more trust in his reserves. As a result, only DeMarcus Nelson averages more than 30 minutes per game just a season after four Blue Devils eclipsed that mark. Granted, it’s easier to point to Jon Scheyer and Nolan Smith on the bench this year than Marty Pocius and Brian Zoubek last season. But Krzyzewski has given Taylor King the green light for any shot this side of the midcourt stripe and has handed the offense over to Smith for key stretches. At the same time, the coach has freed Smith and Greg Paulus to push the tempo and take advantage of the team’s strengths in the open floor. And the champion of man-to-man defense has even dared to go zone on occasion. This isn’t to say this team doesn’t have flaws—and glaring ones at that. Trouble containing Pitt’s Dajuan Blair translates into serious problems with more skilled post players such as, you guessed it, Tyler Hansbrough.

DUKE vs. MARYLAND

Sunday, January 27* Comcast Center 6:30 p.m. FSN •

No. 4 Duke (16-1,4-0) LANCE THOI KYLE SINGLE!

Gist and Osby are even more

dangerous than Clemson's combo ofBooker and Mays. The two seniors can dominate the glass and finish in a crowd. Singler must continue to displaytoughness on the block and finish against taller, more physical forwards. NOAH PRINCE/THE

CHRONICLE

Freshman Kyle Singler shoots over A.D. Vaissallo in Thursday's 81-64 win over the Hokies in Blacksburg.

A reliance on the 3-point shot leaves Duke susceptible on nights when those aren’t falling (and leads to long rebounds, which equal easy fast break points for teams such as, you guessed it, North Carolina). And the Blue Devils have developed a disconcerting habit ofletting teams back in games after building early leads. But right now, Duke is No. 4. With the exceptions ofundefeated Memphis andKansas ahead of them, it’s hard to find a team markedly better than the Blue Devils. And with the ACC shaping up into a two-team battle along Tobacco Road, Feb. 6 and a date in the Dean Dome can’t get here fast enough. Maybe that’s not a surprise after all.

For first year applicants Trinity College and Pratt

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Applications will be reviewed on beginning February 1.

Vazquez nearly had a triple-double at Cameron last yearand leads thelerps in scoring this season. He and Hayes can both run the point,

but neither has the strength of Henderson or Nelson. Duke's wing players should be able to get out in the open court and capitalize on fast break opportunities No one off the Maryland bench averages more than five points per game, with u CliffTucker providing minutes 2 in the frontcourt. Jon Scheyer ui QQ and Taylor King have been streaky on the road, while Nolan Smith can drive on Hayes if the two are matched up.

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The Skinny j|| IheTerpsrolled pastthe Blue Devils in College lastyear in Duke's poorest performance ofthe Wm season.This year's contest willcomedown to |jL JSk GistancdOsbycicwi Icw.ifthesenbrduoplay as villasthe/did in Chapel Hill by control- m Jr f ling theboardsand making theirfree thrown the Blue Devils could be in mm I trouble.But Singler will hold his own IPr and Ndan Smith will have a big game offthebench to allow Duke to escape with a W. OUR CALL* Duke wins, 83-76 —Compiled by Tim Britton *

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the chronicle

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Why we heart "boobies": We like the way it rolls off the tongue: Jia, Sean (...that's what he said!): Shreya, DG Remind us of our mothers: Sam, Riera Cool blue feet: Lisa They're so weird-looking!:... Meredith, Timbaland, Perez Hilton Weight three pounds (on average): ,GAG We never had any of our own (and still don't): 'Cuz I'm a man: Eug Roily C. Miller has always enjoyed bird-watching: Roily

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Student Advertising Coordinator: Margaret Stoner Account Assistants: Lianna Gao, Elizabeth Tramm Advertising Representatives; Cordelia Biddle, Melissa Reyes Jack Taylor, Qinyun Wang Marketing Assistant: Kevin O'Leary National Advertising Coordinator: Charlie Wain Courier: Keith Cornelius Creative Services Coordinator: Alexandra Beilis Creative Services: Marcus Andrew, Rachel Bahman Sarah Jung, Maya Robinson Online Archivist: Roily Miller Business Assistants; Rebecca Winebar, Percy Xu

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STABILIZATION MEASURES,

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THE CHRONICLE

141 FRIDAY, JANUARY 25,2008

Fwd: Re: OIT and SPAM

Last

f—

•

I’ve been a millionaire l’ve stood in the unemployment tine. I’ve experienced a lot of different viewpoints. —

North Carolina Democrat and U.S. Senate candidate Jim Neal on his life experiences during a speech on campus Thursday night. See story page 3.

LETTERS POLICY The Chronicle welcomes submissions in the form ofletters to the editor or guest columns. Submissions must include the author’s name, signature, department or class, and for

purposes of identification, phone number and local address. Letters should not exceed 325 words; contact the editorial department forinformation regarding guest columns. The Chronicle will not publish anonymous or form letters or letters that are promotional in nature. The Chronicle reserves the right to edit letters and guest columns for length, clarity and style and the right to withhold letters based on the discretion of the editorial page editor.

Est. 1905

rable information to that ofan online banking account, and OIT would do well to implement the enhanced security measures used by some banks, such as the “site key” solution Bank of America uses. Although a lot of students and faculty—especially the ones who do not boast extensive knowledge—are computer knowingly nonchalant about the numerous dangers of the cyberworld, we would all sleep better at night knowing our digital information is kept safe by a modernized security mechanism. In addition to the general security of the Duke net, OIT needs to ebb the wave of SPAM that inundates our Web Mail inboxes. True, there is a SPAM filter option, but it is minimally effective. Per-

haps OIT should take note

of the scores of students now use Gmail orYahoo mail, forwarding their “@duke.edu” e-mails to these external servers with easy-to-use search engines and relentlessly effective SPAM filters. Some schools, like Arizona State University, have adopted these servers as their default. Students and faculty save hours of time sifting through mail—and therefore have more time to fulfill our academic and extracurricular duties. OIT has taken some steps towards improving Duke’s technology offerings and soliciting student participation, including the Duke wiki launched this year and the cable survey issued last semester. However, their policies sometimes lack an understanding of real stu-

dent demand, as evidenced by the lackluster student response to the wiki. Public meetings should be publi-

cized more to the student body, and students should seek a bigger role in OIT, potentially through Duke Student Government. We want any new progress to be communicated, more student feedback to be solicited and greater options for student involvement. OIT should be lauded for their effective solution of this recent security breach. Now, they must make a point to increase dialogue and input from the ground up. Surveys, publicity and effective communication with DSG are a few tools with which they can obtain our feedback—as long as we can sift out their e-mails from the SPAM.

Let s go out to the mooovies!

ontherecord �

provide a hacker with compa-

Direct submissions to: Editorial Page Department The Chronicle Box 90858, Durham, NC 27708 Phone: (919) 684-2663 Fax: (919) 684-4696 E-mail; letters@chronicle.duke.edu

The Chronicle

Inc 1993

DAVID GRAHAM, Editor SEAN MORONEY, Managing Editor SHREYA RAO, News Editor MEREDITH SHINER, Sports Editor SARA GUERRERO, PhotographyEditor LESLIE GRIFFITH, Editorial Page Editor WENJIA ZHANG, News Managing Editor JONATHAN ANGIER, GeneralManager CHELSEAALLISON, University Editor SHUCHIPARIKH, University Editor LAUREN KOBYLARZ, OnlineEditor TIM BRITTON, Sports Managing Editor HEATHER GUO, News Photography Editor KEVIN HWANG, News Photography Editor NAUREEN KHAN, City & StateEditor GABRIELLE MCGLYNN, City & State Editor JOECLARK, Health & ScienceEditor REBECCA WU, Health &Science Editor VARUN LELLA, Recess Editor LAURA BETH DOUGLAS, Sports Photography Editor RACHEL RODRIGUEZ, Online Design Editor KATHERINE MACILWAINE, Features Editor LISA MA, Editorial Page Managing Editor RYAN MCCARTNEY,Editorial Page Managing Editor LYSA CHEN, Wire Editor EUGENE WANG, Wire Editor ALEX WARR, Recess Managing Editor IREM MERTOL, Recess Photography Editor SARAH BALL, Towerview Editor MICHAEL MOORE, TowerviewEditor PAIKLINSAWAT, TowerviewManaging PhotographyEditor PETE KIEHART, TowerviewPhotography Editor MINGYANG LIU, SeniorEditor ADAM EAGLIN, SeniorEditor MOLLY MCGARRETT, Senior Editor ANDREW YAFFE, SeniorEditor GREGORY BEATON, Sports Senior Editor MARY WEAVER, Operations Manager NALINIAKOLEKAR, University Ad Sales Manager BARBARA STARBUCK, Production Manager YU-HSIEN HUANG, Supplements Coordinator DAWN HALL, Chapel Hill Ad Sales Manager MONICA FRANKLIN, Durham Ad Sales Manager STEPHANIE RISBON, Administrative Coordinator .

The Chronicleis published by the Duke Student Publishing Company, Inc, a non-profit corporation independent of Duke University. The opinions expressed in this newspaper are not necessarily thoseofDuke University, its students, faculty, staff, administration or trustees. Unsigned editorials represent the majority view of the editorial board. Columns, letters.and cartoons represent the views of the authors. To reach the Editorial Office at 301 Flowers Building, call 684-2663 or fax 684-4696.T0 reach the Business Office at 103 West Union Building, call 684-3811.T0reach the Advertising Office at 101 West Union Building call 684-3811 or fax 684-8295. Visit The ChronicleOnline at http://www.dukechronicle.com. C 2008 The Chronicle, Box 90858, Durham, N.C. 27708. All rights reserved. No part of this publication may be reproduced in any form without the prior, written permission of the Business Office. Each individual is entitled to one free copy.

One

columnist’slook at the Academy Award nominations: The last time I wrote a column, it got chopped up worse than Steve Buscemi in

more soothing. I’m not going to discuss this lapse

in community safety. I’m not going to call out the University for its gross failure to protect its students, though it’s not the first time this has happened by any “Fargo.” means. I remember a certain group of 88 UniI hold no towards versity professors not just failing to protect but ill will in fact attacking its own students, and I rememeditors my ber an administration that chose to stand safely for this occuraside while its students got “served” by the Durrence (though ham justice system. would’ve you I’m not going to call out the Duke University your laughed Police Department. Just because they’re called ass off at the 400 tOITI SCQaI 3 the Duke police doesn’t mean they should only go or so words that wood, part deux after Duke students. As my friend Tori, a Belmont morning were removed) resident, expressed to me in a dinner conversaI just wrote too much. I hadn’t written a column in a while, and tion, “There is no security, we don’t have alarms once I started, I couldn’t stop rambling. It’s quite and the Duke police waste all their time attempting to stop college students from drinking.” therapeutic, really. Once I finally came up for air and realized I I’m not going to call out-President Richard Brodhead and Vice President for Student Affairs was* approaching the 1,200-word mark, I knew I Larry Moneta for handling this situation inexpliwas in trouble. work. I’ve never been can’t edit own cably poorly, nor am I going to thank Larry for I my able to. Whether it was my Chinese Politics fihis assurance that the Duke administration is fonal paper or my review of “Buscando a Nemo” cused on my safety and his helpful tips on avoidfor my Spanish class, once my fingers hit those ing a Durham resident with a handgun. Moneta keys, the product remains. Maybe not the best says the University “is taking a number of steps” plan of action for a writer, but hey, I’m old to keep us safe. I can solve the issue in one: SECURITY school like that. I’m a stream-of consciousness GUARDS! Where are they? They increased pawriter, dammit, I write what I think regardless of the quality. trols in areas near campus—really? ’Cuz like, I Thus, it kills me to go through editing. I may live off campus, and I ain’t seein’ no patrols. I’m not going to take you through my nighdy sit there with a cool demeanor as my baby shrivels into a shell of itself and my words morph into routine of slowly driving through my Poplar West entirely new entities, but underneath my smooth parking lot (site of multiple armed robberies), exterior is an artiste yearning for the extinction of eyes shifting back and forth, nor my Seabiscuitthe delete button. esque gallop towards my apartment when I locate And I can’t take it anymore. my testicles and open my car door. And I’m not going to tell all those Class of T So, in order to avoid this disastrous half hour of my life and thus retain some semblance of Dukies that just got accepted early that they may sanity, I have decided to simply cut myself off. If have just screwed themselves, ’cuz they’ve got I can just stop writing at the 750-word limit like four years ahead of them with a local justice sysI’m supposed to, there will be nothing to take tem they can’t trust, a local police they can’t trust out. Brilliant! and an administration they can’t trust. What I am going to talk about is the Oscars! Here goes... Without furtherado... The Morning Wood Oscars In the past week, the Duke community suffered a loss of inexpressible proportions: a cruel Preeeeviiiieew!! reminder of the dangerous, gang-infested region First up, the category of Best Supporting Actor. Talk about a lock, I haven’t seen this little we all currently live in. The murder ofAbhijit Mahato coupled with the recent run of armed robsuspense since Sammy Davis Jr.’s bachelor party beries at off-campus apartment complexes has (Thank you, I’ll be here all week.). Javier Barsent shock waves through campus. dem’s portrayal of a psychotic—crap, that’s my word limit. I rarely discuss anything without a bit of sarcasm, but frankly, this issue is beyond my humor. We, the students, are scared. Fo’ real real. Tom Segal is a Trinityjunior. His column runs every So, I think I’ll write about something a bit other Friday. .

•a

Friday, the Duke responded quickly and capareceived bly, directing the intercepted community mail and any supplied passan e-mail from the Ofwords straight to the ACES fice of Information Technology, explaining that a security Web site, as opposed to the breach had personal archive of the occurred editorial offender. throughout WebMail. An unknown sendOIT should be lauded for its speedy response and er, providing only the salutation “Duke WebMail Team,” subsequent mass e-mail to disseminated e-mails that the Duke community conclaimed to need verification cerning this breach. Howfor Duke WebMail accounts ever, this incident, coupled through the submission of with the hacking debacle passwords, threatening deacti- at the School of Law last vation of online accounts. semester when prospective Though the atypical salu- law students’ Social Security tation, die all-caps subject numbers were stolen, shows line and the unprofessional the urgent need for a modtone of the e-mail should ernization of Duke Internet have raised warning flags security in general, especially regarding the sensitive mateto users, the hacking endangered many individuals’ rial contained on ACES. The names, addresses and personal information. Nonetheless, Duke OIT services numbers contained on ACES

the chronicle

FRIDAY, JANUARY 25,2008

commentaries

Counting sheep

letterstotheeditor Building walls not the answer to crime We have read The Chronicle for two and a halfyears, and often found ourselves laughing at student quotes, but on Tuesday we were incredibly saddened to read, “Students sound off on off-campus crime.” Students made broad generalizations about Durham being unsafe and one student suggested to “just build giant fences around the school.” Statements such as these perpetuate the “us vs. them” mentality. These crimes were not just committed against Duke students, but against the Durham community as a whole. Like many other urban areas, Durham has its problems, but building fences won’t stop that. What has happened over the last few days is extremely sad and slightly scary, and our thoughts and prayers go out to the friends and family of Abhijit Mahato. But, this is no reason to perpetuate a culture offear. For many students, Durham is a four-year detour. You may only leave campus to occasionally go to Elmo’s. If so, you will have missed out on all the wonderful things Durham has to offer—the new farmer’s market stand, concerts at the American Tobacco Historic District, hikes at the Eno River, and tasty LocoPops. After two and halfyears, Durham is no longer a detourfor us, but a home. Students and administrators alike are asking the question, “How do these crimes affect us” instead of “How can Duke help a community decrease crime?” A Duke student has the right to feel safe, but so does every citizen in Durham. Durham is a great community and it has a lot to offer to those who are willing to commit to it. Trying to wall students off from these

problems ultimately denies them a chance to be a part of something bigger than the gothic wonderland. To distance yourself from the problem is not to rise above it.

Down

the guests of Duke students for the long weekend, grossly underprepared for the wonders and the horrors that await them within our world. There are brothers and sis-

Jordan rice

sexual chocolate

girlfriends, and boyfriends ters;

even friends that aren’t here just for the sex; there are cousins, second_cousins and a wide variety of randos whose origins are still unclear. They come to visit the Gothic Wonderland, to experience the Duke Experience, to see how much effort goes into our perfection. The visits begin with a quick tour. “Here is my dorm, that is the Chapel, that is where the creepy prayer tent used to be and this is our $ 10-million plaza. What do you mean, ‘Where is the plaza?’ You are standing on it. I don’tknow why it cost $lO million. Who cares? We’re rich.” Then perhaps a meal at one of Durham’s finest dining establishments—International Delights, anyone? It has the word “delight” built right into the name, so it must be delicious! Next, after a solid half-hour of vomiting shawarma into a Ninth Street garbage can, it is back to campus to prepare for the evening’s festivities. You place calls and text messages to gather the most presentable friends around campus. It is, of course, imperative to show visitors how much more popular and well-adjusted you are since they knew you in high school. Here is the opportunity to misrepresent your position within Duke’s social caste system. The evening begins perhaps with pregaming at your dorm before heading out to Shooters. Everyone is gathered in your room, ready to judge and be judged. If your visitor is female, your guy friends at school will shamelessly hit on her, no matter if she is your girlfriend or sister (actually, that would probably just encourage them).

I’m

ready.

sion and reassurance. Chicks needs that stuff man. Chicks!” He tries to implement CCR. T really like your necklace. I am sorry about your dog. I still really like your necklace and I am here for you if you want to talk. You know, about your dog and stuff.” Your sketchy friend returns to his sketch-cave to work on his CCR technique alone. With everyone in enough of an altered state to potentially enjoy a night at Shooters, you venture out into the streets of Durham. Because Durham apparently falls between Port-au-Prince and Mogadishu in a list of the world’s most dangerous cities, you take great care during your journey. Your visitor finds herself in the middle of what can described as a Roman orgy or a hyper-hormonal high-school dance, depending on prior experiences with Roman orgies and/or the existence of the “flinch” rule at high-school dances (i.e. “leave room for Jesus”). When the night ends, with a couple of club rats in tow, you, your friends and your visitor leave the fog (fog machine or condensed sweat in the air?) of the club and cross back through the treacherous streets ofDurham back into the Duke Bubble where the rule oflaw still exists. To your visitor, Duke is almost unreal. Their weekend has given them more than enough material to write an ethnographic report on us Dukies (shades of Rolling Stone?). An outsider cannot help but notice our bizarre social construct complete with a caste system and people who actually believe the secret woman-seducing philosophical teachings of CCR. The campus itself is an oasis within what I have previously described as a “cultural wasteland” (I retract that assessment now. Gun culture is a type of culture). When the time arrives, the weary travelers climb out of the rabbit hole, leave the Wonderland and return to the real world.

I’ve got vacuum-sealed clothing bags and enough identification to stroll through a Soviet border circa 1959. There’s just one problem: Due to that inconvenient other-side-of-theworld phenomenon, the New Zealand “trimester” doesn’t actually start until, oh, February. So the other night, I was withering away watching a live rotating webcam of Wellington harbor while tab-browsing ohnotheydidn’t! and icanhascheezburger.com. Finally, I decided to lull myself to sleep with my private stash ofmovie musicals. Tonight Baz Luhrmann’s “Moulin Rouge!” And just as I swooned into a dream of James McAvoy serenading me to the beat of “Smells Like Teen Spirit,” I heard Christian cry: ‘Yes, I had come to live a penniless existence. I had come to write janet wu about truth, beauty, freedom and that which I believe in above all pardon the macguffin things... love!” Wait—a penniless existence? JDoes that even work anymore? In a time of subprime crisis and striking writers, the very thought of the “oh-so-talented, charmingly bohemian, tragically impoverished” life is only a paintbrush away from the somewhat less glamorous “bum in the dumpster” life. And yet somehow, those damned French made the boozingin-rags world of carousing an artistic revolution. Those acid-trippin’ hippies gave us the Summer ofLove from the back of a VW bus. Heck, even Puccini-remastered “Rent” made drugs and drag a thing of wretched beauty. But today, our reality has squeezed the Bohemian passion out of us, leaving behind the more toxic rituals. You’d have a better chance spotting a unicorn in the Gardens than a theater troupe in the company of Credit Suisse and Schlumberger during the Career Fair. And I’m guessing there aren’t many Iron Dukes among the starving-artiste alumni. Even I, aspiring hermit poet with Alan Moore hair, check up on my Vanguard index fund returns —financial terrorized as I am re: my post-undergraduate future Still, I’m left wondering: We’ve got war, we’ve got social disturbance. Where’s the revolution? And when did that bully Responsibility trample art and leave us so—well, boring? We’ve evolved from the Children of the Revolution to the Fiscally Burdened Proto-Adults of the Imminent Recession (note: a much more difficult slogan to sing). It seems like every writer, painter, psychedelic musician I know at Duke—which, granted, is three people total—is, nevertheless, taking the comparatively green-backed road to Wall Street. So Duke isn’t your go-to hipster haunt. Yet even the certified creative are shunning the “A” word. Screenwriter Joe Eszterhas advises, “Don’t ever refer to yourself as an artist. Novelist Sherwood Anderson said to Ben Hecht, Tou let art alone... she’s got enough guys sleeping with her.’” Eszterhas isn’t exactly Picasso, and “Flash Dance” isn’t exacdy “Three Musicians,” but you get my point On the streets erf Hollywood and New York City, there’s not a single peep of art amidst the talk of WGA MBAs, DVD residuals and new media compensation. Hardly a surprise, but come on, these are writers—men and women who paved die “I’ll do what I love and screw the money!” lifestyle; that is, until mortgages and litde Mikey, The Mistake came along. Disclaimer: I am Princeton, the I can’t pay the bills yet/’Cause I have no skills yet/The world is a big scary place muppet ofmusical “Avenue Q.” But I guess what I’m really afraid ofis that we’re letting art too alone. We’re whoring her out to the wolves and weirdos and losing all of the beauty, freedom, truth and—above all things—love. I’m not saying we should all grow beards, drink absinthe and write angsty poetry on the East Campus benches—though that would be an improvement to the current culture (grow beard, drink absinthe and vomit all over the second-floor staircase). What I am saying is that all of us, Pratt or Trinity, B.S. or 8.A., financial aid or trust-fund baby, ought to give thatBohemian passion a decent try even now, especially now. Maybe a litde longterm commitment. Not to blatantly plagiarize John Keating, but while the more financially savvy professions out there keep our gimpy economy and Jim Cramer functioning, it’s those abstract passions that make all the responsible stuff worth something. I’m thinking it’s too late for me to do the Kanye drop-out while rocking the argyle sweater vest. But in these few weeks of rampant freedom before I jettison 18 hours into the future, I’m going to pull out the couplets and watercolors and make a little mayhem.

is a Trinity sophomore. His column runs every otherFriday.

a formerfilm editorfor recess studyJanet Wuisa Trinity junior and column abroad New Zealand. Her runs every otherFriday. in ing

Ellen Bolen Nicholas School of the Environment ’O7

Cy Stober Nicholas School

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Detzel raises important security issues I am a Duke parent and receive The Chronicle daily just so I can be aware of what is going on while my son attends Duke. I just want to commend Jon Detzel on his Jan. 18 column, “Welcome to the neighborhood,” regarding to security and transportation at Duke. Detzel could not have expressed himself any better to make a very important point. I think Detzel hits the nail on the head regarding always looking for the bad in students vs. looking “out” for the students. The schools, not just Duke, are looking for students misbehaving which some incidents are cause for administrative action, but on the same token, what about protecting the students? Also, the transportation service Detzel recommends for off-campus students is another good point. I hope his suggestions are implemented soon. Perhaps he needs to get students more involved in his suggestions. I really took his article to heart. Tami Ellinport Duke parent

Down the rabbit hole the rabbit hole, through the looking glass and across a foreboding forest come

115

Your sketchiest friend has been reading a book

called “Make Every Girl Want You” that lays out a three-step-plan for wooing the fairer sex. Said sketchball friend tells you about the technique in the book. “CCR, man. Compliments, compas-

Jordan Rice

THE CHRONICLE

16 I FRIDAY, JANUARY 25,2008

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