Dukes Catalogue Feb 2012 by Studio Epic

Thursday, February 9th at 10.30am Ceramics and Furniture 1

Duke’s AUCTIONEERS SINCE 1823

Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station. Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter. The Saleroom is surrounded by a pay and display car park. If you require further information please refer to the buyer’s guide on page 4, visit our website, or contact Stephanie Smith.

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Duke's Fine Art Salerooms Weymouth Avenue, Dorchester, Dorset, DT1 1QS Tel: 01305 265080 Fax: 01305 260101

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085

Bristol & North Somerset Michael Liversidge (01305) 265080

Hampshire Robert Nevin (01962) 866681

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £200 only. Buyer’s Premium:

19½% plus VAT on the hammer price.

Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work. Collection: Our offices are open Monday to Friday, 9am - 1pm and 2pm - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 5

CONTENTS

Page No.s Glass 12 English and European Ceramics 16 Islamic Works of Art 37 Oriental Ceramics and Works of Art 45 The S.R. Parker Collection of South East Asian Ceramics and Works of Art 68 Asian Works of Art 79 Boxes, Caddies and Miscellanea 104 Metalwork and Sculpture 110 Guns, Militaria and Medals 114 The Dorset County Council Collection of Historic Measures and Weights

116

Clocks and Scientific Instruments 118 Rugs and Carpets 120 English and Continental Furniture 121

p aintin g s AUCTION: April 12th, 2012

Dame Elisabeth Frink (1930-1993) Bird in flight, Signed and dated 1965, watercolour, 29 x 21¼”

Duke’s AUCTIONEERS SINCE 1823

Estimate: £4,000-8,000 7

asian art AUCTION: May 10th, 2012

A Chinese blue and copper red inscribed brush pot, with a six character Kangxi mark.

Duke’s

Provenance: The Wood family at Dunholme Manor, Bournemouth, and thence by descent.

Sold for £47,800

AUCTIONEERS SINCE 1823

J ewe l l ery and si l v er v a l uation mornin g S 2 0 1 2

An Art Deco diamond and onyx brooch-pendant

Sold for £8,843

Specialist valuers will be on hand between 9.30am and 12.30pm to provide free, no obligation valuations for auction sale. No appointment is necessary. Thursday 23rd February Thursday 22nd March Thursday 17th May Thursday 9th August Thursday 13th September Thursday 18th October

Duke’s AUCTIONEERS SINCE 1823

T H URS DAY 9 t h FE BR UARY 2 0 1 2 C E R A MICS AND F URNI T U RE

VIEWING TIMES Saturday, 4th February 9.30am-12noon Monday, 6th February 9.30am-5pm Tuesday, 7th February 9.30am-7pm Wednesday, 8th February 9.30am-5pm and on the morning of the auction day

Catalogues £20.00 (by post)

Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

On the instructions of vendors throughout the South and South West including property from Regents Park, London, property descended from E.H.L Corner, Professor of Tropical Botany and confidante of the Emperor Hirohito, property from the Burdett family of Ramsbury Manor, Wiltshire, the S.R. Parker collection of South East Asian Ceramics and Works of Art and property descended from Lord William Percy CBE DSO.

T hursday 9 th F ebruary 2 0 1 2 A T 1 0 . 3 0 A M Glass English and European Ceramics Islamic Works of Art Oriental Ceramics The S.R. Parker Collection of South East Asian Ceramics and Works of Art Asian Works of Art Boxes, Caddies and Miscellanea Metalwork and Sculpture Guns, Militaria and Medals The Dorset County Council Collection of Historic Measures and Weights Clocks and Scientific Instruments Rugs and Carpets English and Continental Furniture

View images of all lots and bid live online

THURSDAY 9th FEBRUARY: 10.30A M

GL A SSS and CeramiCs

1 A 19TH CENTURY CLEAR CUT-GLASS DECANTER of tapering ten-sided form with a fitted metal tap, on a circular foot, with a matching cover, 16” high

9 A BOHEMIAN FACETED CLEAR GLASS BEAKER of tapering hexagonal form, the sides decorated with a scene of deer in a forest, 4¼” high

£80-150

2 A FACON DE VENISE TRUMPETSHAPED SPILL VASE with a tall tapering opalescent stem on a scrollwork base and spreading foot, 14½” high, a similar vase with a sea-horse base and another with a swan base (3)

10 A BOHEMIAN OVERLAID AND ETCHED GOBLET AND COVER, the cover with a pinnacle finial above ten downswept panels and French border, the base with a goblet etched with a scene of deer within a forest, on a tall tapering octagonal column and splayed base, 18” high. See illustration

£100-200

3 A FACON DE VENISE STYLE VASE, the tapering body with flared and decorated rim, on a bulbous hollow stem and spreading circular foot with conforming green trailed decoration, 9¾” high and two similar items (3)

£50-100

£80-160

£200-400

£80-150

£80-160

15 A CLEAR GLASS WINE GLASS with a trumpet-shaped bowl and tapering air-twist stem, on a spreading foot with turned-over rim, 7¼” high and another similar glass with raised base (2)

£150-250

8 A COLLECTION OF “BACCARAT” STYLE DISHES of shallow form, the bases cut with scenes of children, ships and other similar subjects, 3½” wide and smaller (8)

£150-300

14 A GEORGE II CLEAR GLASS WINE GLASS, the tapering bowl decorated with foliate and bird decoration, on a double knopped stem and spreading foot, 7” high

7 A BOHEMIAN FACETED BEAKER, the sides cut with four panels decorated with fruit amongst foliage, 5½” high

£50-100

13 A GEORGE III CLEAR GLASS WINE GLASS with a shallow bowl, the rim decorated with grapes and floral swags, on a double knopped air twist stem and spreading foot, 6½” high

6 A VICTORIAN “MILCH” GLASS VASE of baluster form with painted decoration of fruit within gilt panels, 8” high, and another similar vase (2)

£60-120

12 A GROUP OF NINE SIMILAR SMALL CLEAR DRINKING GLASSES, six with tapering sides with panelled decorated and three with bellied bowls (9)

5 A VICTORIAN CLEAR GLASS VASE in the manner of Thomas Webb, the bowl with a flared rim and all-over decorated in lily pads and flowers on a pond, 8” wide

£500-800

11 A REGENCY SHIPS DECANTER with associated “wheel” stopper, cut ring neck and panelled body, 10” high

4 A BOHEMIAN AMBER TINTED CLEAR GLASS BOWL with a band of floral and leaf decoration, on a star-cut base, 6” wide

£50-100

£150-300

16 A GEORGE III WINE GLASS with a bell-shaped bowl, on double white air-twist stem and spreading foot, 6¼” high

£80-150

£100-200

Lot 10 15

24 LALIQUE: A CLEAR AND FROSTED GLASS ASHTRAY with lion mask decoration, 6” wide, and a similar ornament of a small bird (2)

17 A GEORGE III WINE GLASS with a tapering bowl on an air-twist stem and circular foot, 5½” high, and another similar (2)

£150-300

18 A GEORGE III WINE GLASS with tapering bowl on a double knopped air-twist stem on a raised spreading foot, 6” high, and another similar (2)

25 AN EARLY GREEN GLASS WINE BOTTLE of mallet form with tapering neck and indented base, with all over iridescent and mottled surface, 7¼” high

£100-200

19 A PAIR OF SMALL CUSTARD GLASSES with all over moulded bodies on short stems and spreading feet, 3” high, a firing glass and a blue rimmed finger bowl (4)

£70-120

20 A COLLECTION OF VICTORIAN AND LATER “MARY GREGORY” GLASS including three cranberry glass straight-sided beakers decorated with children by trees and other similar green, clear and blue glass (22) £100-200

21 LALIQUE: “SOLEIL” A hanging glass plafonnier, with engraved signature to the border “R. Lalique, France”, 12” wide. See illustration £1500-3000

22 LALIQUE: A CLEAR AND FROSTED GLASS VASE with a broad bowl mounted on five owl-form mounts and circular base, with engraved signature “Lalique, France”, 5” wide

£50-100

29 DAUM NANCY: AN ART DECO ACID ETCHED LAMP BASE with textured and coloured decoration, with engraved signature, Daum, Nancy, France, 9” high

£100-200

23 LALIQUE: “HIRONDELLE” A pair of moulded glass bookends with engraved signature, 6¼” high, and a similar vase in the form of two conjoined doves (3)

£100-200

28 SABINO: AN ART DECO OPALESCENT FEMALE NUDE holding loosely fitting drapes, signed to the base Sabino, Paris, 8” high

£50-100

27 A GALLE STYLE CAMEO GLASS DECANTER, with elaborate Art Nouveau style gilt metal mounts on a tapering body cut with flowers and leaves in red and orange, 15½” high

£100-200

26 A VICTORIAN NAILSEA TYPE CONJOINED DOUBLE FLASK with striated white and clear glass patterns, 10”

£80-150

£200-400

29A A GEORGE III STYLE GREEN GLASS GOBLET FORM VASE with a broad everted rim on a tall baluster column and circular foot, 15¾” high

£150-250

£50-100

Lot 21 17

ENGLISH AND EUROPEAN CERAMICS 37 A ROYAL WORCESTER BLUSH IVORY VASE of trumpet form painted with blackberries and autumn leaves, signed K. Blake, with gilt rims, the underside with printed mark and numbers G923 11-54, 8¾” high

30 A CLARICE CLIFF FANTASQUE PATTERN FACETED BOWL of panelled form, in an orange, yellow and blue palette, the underside with printed mark and inscribed “no. 22”, 7½” dia.

£200-400

38 A GRAINGERS ROYAL WORCESTER BLUSH IVORY POT POURRI AND COVER, the lid with pierced acanthus leaf scrolls and a central gilt medallion, the base with further moulded scroll and gilt borders, raised on a foot, the underside with printed Worcester mark and numbers 502, 7” dia.

31 A CLARICE CLIFF BIZARRE VASE of waisted form and with a moulded handle, painted in greens and pinks with hollyhocks, with a yellow and green drip glaze to the interior, the underside with printed mark, 7¾” high

£150-300

32 A CARLTONWARE GUINNESS TOUCAN BEER GLASS STAND, the green base with the motto “My Goodness My Guinness”, the underside with printed marks, 7½” high £80-160

£800-1600

£50-100

£150-300

36 A CONTINENTAL TERRACOTTA MODEL OF A PUG DOG seated on its’ hindquarters and wearing a collar, finished in a matt treacle brown glaze with glass eyes, the underside with painted number 50, 4½” high

£100-200

41 A DOULTON LAMBETH BISCUIT JAR AND COVER with impressed scrolling leaf decoration in greens, blues and pinks, with a silver plated rim, cover and swing handle, the base with impressed marks and date 1879, with initials JH, 8” high

35 A CONTINENTAL TERRACOTTA MODEL OF A DACHSHUND with a matt treacle brown glaze and glass eyes, unmarked, 11” long

£80-160

40 A PAIR OF DOULTON SLATERS EWERS, the blue glazed ground with central textured gilt and turquoise band, the frill rim with scroll handle, the underside with impressed marks and no. 7592, each 9½” high (2)

34 A WEDGWOOD BUTTERFLY LUSTRE BOWL, the interior with gilt trellis borders, the central gilt and painted medallion with three butterflies, the exterior gilded with butterflies against a puce ground, the underside with Wedgwood printed mark and gilt number 24827, 6¼" dia.

£100-200

39 A ROYAL DOULTON TREACLE GLAZE LOVING CUP with two harp handles and decorated in relief with a huntsman and his hounds, the underside with printed Doulton mark, 6½” high, and a Royal Doulton treacle glaze tobacco jar with silver rim and decorated in relief with the portrait of a sailor and his boat, with printed mark to the base, 6½” high (2)

33 A 20TH CENTURY SEVRES POTTERY MODEL OF A STRIDING POLAR BEAR with a textured white glaze, the underside with printed glazed Sevres mark, 12” long

£80-160

£100-200

£80-160

42 A COALPORT MOONFLASK, the dark navy ground heavily gilded overall with quatrefoil and scroll motifs, with white jewelling and gilt carrying handles, the underside with printed puce scrolling CFN mark, 10½” high. See illustration

43 A PAIR OF CROWN DERBY VASES of baluster form with scrolling handles and bulbous necks, painted overall against a blue ground with hawthorn flowers, leaves and butterflies, the underside with orange printed mark, registration mark and further impressed marks, each 10” high (2). See illustration

£250-500

£300-600

50 A 19TH CENTURY MAJOLICA GAME TUREEN AND COVER of basketwork form with relief leaf moulding in green against a brown ground, the lid modelled in relief with a dead hare and ducks, with a branch handle, the interior with mottled ochre and green glaze, the glazed base with relief registration mark and open crescent, 15” dia. See illustration

44 AN ARABIA POTTERY BOWL decorated in the blue Delft style by Tyra Lungdren with nudes and floral panels, the underside impressed “Arabia”, 15½” dia.

£200-400

45 A WEMYSS WARE HEART-SHAPED INK STAND painted with pink roses within green demi-lune borders, with glass ink and pounce wells with a covered lid and pierced with four pen holes, the underside with impressed marks, 7½” dia.

51 A 19TH CENTURY MINTON MAJOLICA TABLE CENTREPIECE of circular pierced basket form moulded with a border of white flowers against a leaf ground, with a turquoise interior and raised on three fancy dove feet interlinked with openwork branches, the underside with Minton impressed mark and numbers G018, 12” dia.

£150-300 46 A CIRCULAR CHARGER BY FRED MILLER OF LONDON, painted with pink blossom against a blue ground within a motto, “Why do ye fade so fast ...”, the underside with double green printed mark and inscribed “Fred Miller, London 1880”, 12” dia.

£50-100

£60-120

54 A LARGE 19TH CENTURY IRONSTONE CHINA JUG transfer decorated and hand-coloured overall in the Imari palette, with moulded lions head handle and further scrolling handle, the underside with black printed mark, 12” high

£100-200

49 A 19TH CENTURY ENGLISH MAJOLICA GAME PIE DISH AND COVER, the turquoise ground moulded in relief with dead game against fern fronds, the lid with moulded dead game handle, the interior lavender glazed, the underside marked “16A”, 8½” dia. See illustration

£150-300

53 A PAIR OF ART POTTERY VASES of elongated tapering form enamelled with polychrome flowers against a marbled ochre and brown ground, the necks with Chinese style blue and red highlighted handles, apparently unmarked, each 20½” high (2)

48 A 19TH CENTURY MAJOLICA CHEESE DISH AND COVER relief decorated with fern fronds and pink blossom against a yellow ochre ground, with cream glazed Greek key stylised borders, the lid with a domed top and branch handle, the underside glazed with a stylised “S”, 9½” dia. See illustration

£300-600

52 A PAIR OF MINTON STYLE ART POTTERY VASES of bottle form, moulded in relief with a dragon encircling the flared neck, in a thick sea blue glaze, apparently unmarked, each 12½” high (2)

£300-600

47 A 19TH CENTURY POTTERY JUG modelled as coiled rope with a double loop handle and raised on a circular foot with a treacle glaze overall, 10” high

£150-300

£80-160

55 A 19TH CENTURY MASONS IRONSTONE CHINA JUG of panelled form transfer decorated in underglaze blue and hand painted in the Imari palette with a green painted scrolling handle, the underside with blue underglaze printed mark, 10” high

£80-160

£200-400

Lots 48, 49 and 50

60 A LARGE CHARGER BY TC BROWN WESTHEAD MOORE & CO, transfer decorated in blue with chintz flowers overall and hand-painted in rust green, yellow and pink, the underside with impressed marks and painted numbers 9633, 22½” dia.

56 A HARLEQUIN SET OF EIGHT GRADUATED MASON’S IRONSTONE JUGS, graduated, each with panelled bodies and decorated in polychrome or with the Imari palette and with printed marks to the bases, the largest 7½”, the smallest 3½” (8)

£80-160

£200-400

61 A PAIR OF 19TH CENTURY STAFFORDSHIRE FLAT BACK ZEBRAS, each standing on a green and brown mottled base, 6½” high, a larger example, 8½” and another with a rider, 7” high (4)

57 A LARGE MASON’S IRONSTONE SQUAT MUG of panelled spreading form, transfer decorated and hand-painted in polychrome with flowers, with a green painted moulded serpent handle, the base with a printed underglaze blue mark, 5” high, another similar and a blue and white underglaze transfer decorated mug (3)

£50-100

62 A STAFFORDSHIRE FLAT BACK MODEL OF A FRISIAN COW and her calf feeding on a green base, 6¼”, a similar model of a dairy man and his cow and three Staffordshire figures of dogs (5)

58 AN 18TH CENTURY WHIELDON POTTERY MODEL OF A SEATED CAT in brown and cream mottled glaze with an incised chevron border to the base, 5¼” high. See illustration

£100-200

63 A STAFFORDSHIRE FIGURE OF A BOY wearing a boater seated on a tree stump with his chained monkey painted in polychrome, 7½”, and another similar (2)

59 AN ENGLISH POTTERY SPILL VASE modelled as a Chinaman sitting on the back of an ox, on a rocky base with an ochre and brown glaze overall, the reverse with a spill holder modelled as a tree, unmarked, 7½” high

£100-200

£40-80

64 A VICTORIAN PARIAN MODEL OF VENUS holding a drum leaning against a flower encrusted rock, the base impressed “Art Union of London 1849”, 18” high

lot 66

£150-300

65 A 19TH CENTURY PARIAN WARE BUST OF A WOMAN looking to her right with a flower garland in her hair, on a socle base, 10½” high, and the companion, 10” high (2)

£200-400

66 A 19TH CENTURY ITALIAN PLASTER BUST OF A NUBIAN WOMAN wearing gold coloured earrings, the reverse inscribed “D Pagano” and raised on a painted black neo-classical wooden socle, 28” high See illustration

£200-400

Lot 58 23

67 A MEISSEN STYLE PORCELAIN GROUP of a woman holding her child with two children and a dog at her feet, apparently unmarked, 8¾” diameter

69 A DERBY PORCELAIN FIGURE of a maiden with flowing ribbon in her hair, wearing a satchel with a floral skirt on a circular gilt highlighted scrolling floral moulded base, the underside with indistinct inscribed marks, circa 1770, 10¼” high

£150-300

68 A MEISSEN PORCELAIN GROUP of fruit-pickers climbing an apple tree with a ladder on a circular base, the underside with underglaze blue crossed sword marks and inscribed numbers 7998 and impressed no. 12, 10½” high

£150-300

70 WILLIAM DE MORGAN: A PERSIAN DESIGN TILE PANEL, in blue, green and puce majolica, depicting various stylised flowerheads. Comprising: nine tiles, framed, to form a display, the reverse with four blue glazed floral or rampant lion relief tiles, 18½” x 22”. See illustration on back cover

£100-200

Provenance: Sir Ernest Debenham, Debenham House, 8 Addison Road, London and thence by descent.

A LOCAL PRIVATE COLLECTION OF TILES 76 WILLIAM DE MORGAN: A SANDS END POTTERY TILE PANEL comprising two square tiles decorated with Persian blue flowerheads against a leafy green ground, the undersides of each with circular impressed marks, each 8¼” x 8” (2). See illustration

71 A 19TH CENTURY DUTCH TILE PANEL depicting a grey and bay horse on a bank beside a river, formed from 25 tiles, one signed “JB Kobell”, 20¾” x 16½” £100-200

72 A LARGE MINTON WALL TILE painted with yellow and puce iris, possibly by Midgley, the reverse apparently with impressed marks, 10” square, two rectangular pottery tiles depicting a swan on a lake forming a panel, 12” x 6” and two further tiles (a lot)

77 WILLIAM DE MORGAN: A SANDS END POTTERY TILE decorated with a stylised blue carnation, the reverse with impressed circular mark and another similar De Morgan triple daisy decorated tile, each 6¼” (2)

£150-300

73 A SET OF TEN 19TH CENTURY BLUE AND WHITE DELFT WALL TILES, each depicting a different tall ship, each 6” (10)

£200-400

£250-500

£50-100

£500-1000

79 MOYR SMITH: A PAIR OF SQUARE MINTON WALL TILES depicting the autumn and winter season, in browns, ochre and celadon, each 8”, a blue and white transfer decorated Coalville wall tile and two others (5)

75 A POOLE POTTERY WALL TILE painted with a Dutch man and woman conversing beside the sea, the reverse with “Carter 79” impressed stamp, 6” square, and a set of four grass decorated Poole Pottery tiles (5)

£200-400

78 WILLIAM DE MORGAN: A SUITE OF SEVEN SANDS END POTTERY TILES decorated with blue thistle heads, amongst green leaf foliage, each 6” (7)

74 AN 18TH CENTURY TRANSFER PRINTED SADLER TILE depicting figures smoking around a table in green, 5”, a Dutch Delft puce decorated landscape scene tile, 5”, and five others (a lot)

£300-600

£80-160

Lot 76

87 AN 18TH CENTURY DUTCH DELFT BLUE AND WHITE CHARGER, 18th century, the central panel painted with a vase, exotic birds and flowers within a floral border, 14” dia. and two other Delft blue and white chargers (3)

80 A FAIENCE CIRCULAR BOX AND COVER of 18th century design decorated with polychrome floral sprays and leafage, with gilt metal mounts, 5” dia.

£50-100

81 AN 18TH CENTURY TIN GLAZED JUG painted with polychrome flowers against a white ground with loop handle and a circular spreading foot, 7” high

88 AN 18TH CENTURY DELFTWARE PLATE painted with an urn and weeping willow in green, with blue floral and chequer borders, 9” dia., and a smaller Delft blue and white plate painted in blue with flowers in a vase enclosed by feather borders, 7½” dia. (2)

£50-100

82 A SET OF FIVE 18TH CENTURY BLUE AND WHITE DELFTWARE PLATES, each depicting a maiden amidst foliage clasping a large cornucopia, with ochre rims, each 9” dia. (5)

£100-200

£150-300

89 AN 18TH CENTURY DELFT CHARGER painted in blue with a vase of flowers against a trellis and scroll panel enclosed within dot and cross borders, the reverse bearing an old label ascribing the plate to Sandwichware “These two plates are probably Sandwichware. They come from the Old Gable sale (about 1928) ...”, 12” dia.

£200-400

83 AN 18TH CENTURY BLUE AND WHITE DELFTWARE SHALLOW DISH of lobed form painted in blue with a view towards a village through trees with birds perching on fence posts in the foreground, possibly Dutch, 14” dia.

A reference to Sandwichware can be found in “Early English Delftware from London and Virginia” by Ivor Noel Hume, which discusses the possibility of a Dutch Delft potter setting up a tin glazed pottery business in Sandwich in Kent in 1582. However, it records the Sandwich potters setting up in Aldgate in London in the late 16th century and therefore it is possible that this Delft plate is London in origin but dating from the 18th century.

£200-400 84 AN 18TH CENTURY SLIPWARE PLATE, the ochre ground with brown tiger stripes, with an impressed wriggle border, 8¾” dia. £100-200

£200-400

85 A TIN GLAZED BLUE AND WHITE BARBER’S BOWL painted in blues with a central medallion of a pipe smoking gentleman amidst floral and fruit borders, with shaped chin cut-out and further decorated with triple “S”-scrolls in blue, pierced for wall mounting, 13” dia., possibly Portuguese or Monte Lupo. See illustration

90 A DELFT BLUE AND WHITE TUREEN AND COVER, the circular form with moulded scroll relief and painted with two landscape vignettes amongst a floral decorated ground and raised on four scroll knurled feet with a pair of scrolling handles, the lid with gourd finial, the underside with painted star “A133”, 12” dia.

£400-800 90A A N ITALIAN FAIENCE ALBERELLO, painted with blue floral borders with green, yellow and ochre bands, with a central vacant cartouche and a circular monogram, possibly late 17th or early 18th century, 10¾". high.

86 A DUTCH DELFT TULIP BRICK of rectangular box form and painted in blue and white with Chinese style figures in a garden, 5¾” long

£400-800

Lot 85

97 A 19TH CENTURY COALPORT TYPE VASE of baluster form painted with panels of flowers against an apple green ground, the neck and shoulders encrusted with flowers in relief, with rococo gilt highlighted scrolling handles and quadriform base, the flared neck with gilt highlights and pierced trellis decoration, apparently unmarked, 14” high

91 A PARIS PORCELAIN GROUP OF A FOX carrying a hen in its mouth, in the Meissen style, on an oval base with gilt highlighted rococo scroll border, the underside with underglazed blue cancelled cross mark, 4½” dia.

£60-120

£150-300

92 AN EARLY 20TH CENTURY VIENNA PORCELAIN GROUP OF A SHEPHERDESS riding a rearing goat, being held by a tailor with a man kneeling milking the goat in the foreground, painted in puce, black and yellow with green highlights, on a gilt and puce highlighted rococo scrolling oval base, the underside with underglazed printed blue beehive mark and impressed no. 11, 6” dia.

98 A PAIR OF 19TH CENTURY MEISSEN VASES of urn form painted with panels of couples courting against a white and polychrome floral painted ground, and encrusted with relief garland decoration, the handles modelled as a seated mermaids, on a square gilt edged base, the undersides with underglazed blue crossed sword marks, each 12” high

£150-300

93 A CHELSEA TYPE PAIR OF FIGURES OF A MAN AND WOMAN clutching flowers with dogs beneath them standing on blue and gilt highlighted rococo scroll bases, with a bocage display behind, each with gilt anchor mark and impressed mark no. 6, 10½” high (2)

99 A MEISSEN GROUP OF WORKMEN taking a break leaning against a tree trunk with a woman picking fruit behind them, a dog at their feet, the oval base with white and gilt highlighted rococo scroll border, the underside with blue underglaze crossed sword marks and inscribed “49” and “691”, 11” high

£200-400

94 A PAIR OF 19TH CENTURY PORCELAIN CANDELABRUM, one modelled as a woman with her flute playing courtier leading a goat, with grapes and vine leaves, the other a woman preparing fruit beside a resting gentleman, each with trunk stems to three floral encrusted branches, the sconces painted with insects, the underside with underglaze blue JR mark, possibly for Milan, 13” high (2)

£400-800

100 A PAIR OF 19TH CENTURY GERMAN TWO BRANCH TABLE CANDELABRUM, each modelled as a girl or boy seated beneath a tree beside two floral painted baskets, probably for salt or butter, on a gilt highlighted rococo scrolling base, the two branches floral encrusted, the undersides with blue underglaze crossed sword marks, a further JF mark and inscribed “2663S”, probably Meissen, 9½” high (2)

£200-400

95 A RARE BOW FIGURE OF A LADY clutching a basket of flowers and painted in polychrome, modelled by Tibo and signed on the base with a “T”, circa 1760, 6” high See illustration

£400-800

£300-600

101 A RUDOLSTADT PORCELAIN MODEL OF A PUTTO playing a flute seated on a tree stump, on a circular base with gilt highlights, the underside with blue underglaze mark and impressed numbers “7971 9”, 5½” high and two similar continental porcelain figures (3)

£500-800

96 A DAVENPORT PORCELAIN VASE GARNITURE, each piece painted with floral and fruit panels within gilt rococo highlights against a blue ground, with gilt rococo scroll moulded edges and with pierced trellis decoration to the rim, the undersides with purple Davenport printed marks, possibly by Thomas Steele, 12” and 9½” high(3)

£40-80

102 A 19TH CENTURY PORCELAIN VASE AND COVER encrusted overall with white flowers and moulded with polychrome painted exotic birds amongst floral pom poms and entwined vine leaves and branches, the domeshaped lid with a relief parrot finial in flight, 20” high

£300-600 28

£500-1000

Lot 95 29

109 AN 18TH CENTURY WORCESTER LEAF-SHAPED DISH painted in greens and puce with floral sprays, with a brown branch handle, unmarked, circa 1770, 8” dia.

103 A 19TH CENTURY MEISSEN VASE GARNITURE, each of trumpet form and encrusted overall with white and puce flowers amidst floral encrusted pom poms, leafy branches and yellow canaries, the undersides with blue crossed sword marks and various impressed numbers, 5½” x 6¾” (3)

110 A WORCESTER MINIATURE FOOTED DISH with handle, painted with a scene of Worcester on the river, with a five arched bridge in the background, against a white ground with gilt scrolls, the underside stamped in puce “Worcester”, 5” dia.

£250-500

104 A COALPORT-TYPE VASE GARNITURE, each baluster shaped vase hand-painted with a floral spray or with a landscape vignette, within cream and gilt highlighted rococo borders against an apple green ground, apparently unmarked, 10½” and 8½” high (3)

111 A PAIR OF WEDGWOOD JASPERWARE URN-SHAPED VASES AND COVERS decorated in relief with maidens dancing against a pale blue ground, with satyr handles, on a square leaf decorated base, the underside with impressed mark, 19th century, each 8½” high (2)

£100-200

112 A 19TH CENTURY NEW HALL STYLE PART TEA SET decorated in gilt, rust, blue and puce with floral and ornithological bands, with a central basket of flowers spray, against a white ground, some pieces with impressed numbers. Comprising: a teapot of oval form, a milk jug, a sucrier and cover, a slops bowl, two graduated plates and a Minton bute-shaped tea cup decorated in puce and gilt flowers and leaves (a lot)

£150-300

106 A 19TH CENTURY COALBROOKDALE STYLE POT POURRI AND COVER raised on a spreading circular foot and encrusted overall with polychrome relief flowers and painted panels of butterflies within green and gilt rococo scrolls, 5½” high and two similar pot pourri pots (3)

107 A CROWN DERBY STEVENSON & HANCOCK MINIATURE TEAPOT AND COVER, the white ground encrusted in relief with polychrome flowers, with a large tall gilt highlighted scrolling handle and spout to form an oil lamp design, the underside with rust painted mark, 4½” high

£80-160

114 A CAUGHLEY OVOID TEA CANISTER AND COVER painted in puce and gilt with flowers and leaves, with gilt highlights, the lid with button knop, circa 1785-90, 4¾” high

£50-100

108 A PAIR OF CHELSEA STYLE LEAF DISHES painted in green and puce with a branch side handle, the underside with three pad marks and a rust painted anchor mark, 9” dia. (2)

£200-400

113 A 19TH CENTURY ENGLISH PORCELAIN POT POURRI AND COVER, the turquoise ground painted with bands of polychrome flowers with gilt highlights, with a pierced lid and two gilt harp handles, the underside with rust painted mark 494, 4” dia.

£150-300

105 A PAIR OF BOW STYLE 19TH CENTURY PORCELAIN CHAMBER STICKS, each modelled as a figure amongst a floral encrusted bocage, on a puce blue and gilt highlighted rococo scrolling base, with tulip-shaped sconce and circular loop handle, the undersides with rust, anchor and cross marks, 6” high (2)

£120-180

£100-200

Lot 120

121 A LARGE 19TH CENTURY ENGLISH SERVING PLATE painted with five floral panels enclosed within puce and gilt borders against a blue and yellow floral dot ground, with a gilt rim, apparently unmarked, 21½” dia.

115 AN 18TH CENTURY SEVRES BACHELORS TEAPOT AND COVER of oval form, painted with vases of flowers and scrolls in polychrome against a yellow ground, with two green borders and further gilt and floral decoration to the spout, handle and lid, the underside with painted Sevres mark and letter “P”, 4” high

£150-300

122 A 19TH CENTURY DERBY TEA CUP, SAUCER AND CAKE PLATE SET, each painted with floral and ornithological cartouches enclosed by gilt scrolling borders, against a royal blue ground, some with painted numbers to the undersides, the plate with old collection label for Sir James Yoxall, possibly Derby (3)

116 A CONTINENTAL POTTERY TIN GLAZED DISH AND COVER, of quatrefoil form, the interior divided into two compartments and painted in polychrome with scenes of landscapes and canon bearers and raised on a foot, the underside with a painted “AC” monogram, probably Limoges, 4½” dia.

£100-200

£1000-2000

£150-300

125 A WORCESTER FLUTED COFFEE CUP AND SAUCER, the white ground with turquoise and black chain-link border with gilt highlights to the rim and handle, apparently unmarked but possibly circa 1785

119 A BERLIN PORCELAIN CABINET PLATE painted with scenes of birds, fruit and foliage against a white ground, within gilt highlighted and puce trellis border, the underside with underglaze blue sceptre mark and impressed no. “3”, 9¾” dia.

£400-800

124 A CHELSEA DERBY FACETED COFFEE CUP AND SAUCER painted with polychrome flowers against a white ground with a puce and turquoise chain-link border, gilt highlights to the handle and rim, the underside of the cup with gilt anchor mark, circa 1775

118 AMERICAN INTEREST: A 19TH CENTURY PORCELAIN TEA TRAY of scallop edge design painted to the centre with “Ascent to the Capitol, Washington” within a decorative gilt swag border with gilt acanthus leaf handles, titled to the base, probably Coalport, 12” dia. See illustration

£150-300

123 A FIRST PERIOD WORCESTER MATCHED DESSERT SERVICE painted with floral panels enclosed by gilt scrolls against a blue scale ground, the underside of some with blue hatched seal marks or crescent marks. Comprising: three graduated kidney-shaped dishes, 10” - 11” dia., two square dishes, 8¾”, two graduated pierced baskets, 8” - 9” dia., a leaf-shaped dish, 8¾” and twelve dessert plates, 7½” dia. (a lot).

117 A LATE 19TH CENTURY CONTINENTAL PORCELAIN BOX AND COVER of cushion form and moulded in relief with figures in a classical landscape, amidst rococo scrolls, in polychrome with gilt highlights and gilt metal mounts, the underside with blue underglaze “N” and crown mark, probably for Naples or possibly Doccia, 2½” dia.

£100-200

£80-160

126 A WORCESTER TEA BOWL AND SAUCER painted in puce with flowers and a dot trellis border with gilt highlights, the underside of each with impressed ring marks and a puce floral spray painted Derby tea bowl and saucer with gilt rims, the underside with blue painted mark (4)

120 A SET OF FIVE MINTONS PLATES with a gilt crowned and laurel leaf monogram to the centre and surrounded by royal blue and gilt jewelled borders, the undersides with gilded footrim and gilt Minton’s printed mark, retailed by Goode & Co., with further impressed and painted marks, each 10¼” dia. (5) See illustration on page 29

£200-400 32

£50-100

Lot 118

132 A FIRST PERIOD WORCESTER ‘DOLPHIN EWER’ BUTTER BOAT of moulded conch-shell shape transfer decorated in blue with floral swags and shells, with a moulded serpent handle and raised on a moulded leaf-capped circular oval foot, the underside with blue underglaze open crescent mark, 5” high

127 AN 18TH CENTURY WORCESTER TEA CUP AND SAUCER, the white ground painted in dry blue with floral sprays, with gilt highlights to the rims, the underside with blue underglazed crossed sword marks and no. “6”, circa 1770

£150-300

128 A FIRST PERIOD WORCESTER BLUE SCALE TEA CUP painted in polychrome with panels of exotic birds enclosed by gilt scrolling borders, the underside with blue underglaze crossed hatch seal mark, the interior with gold collection label for the “S. Barratt collection”, circa 1770

133 A FIRST PERIOD WORCESTER SUGAR BOWL transfer decorated in blue with floral sprigs and butterflies, the underside with blue underglaze crescent mark, 3½” dia., and a similar First Period Worcester slops bowl, 6” dia. (2)

£50-100

£150-300

129 AN 18TH CENTURY BLUE AND WHITE MUG transfer decorated with prunus blossom branches, the interior with further floral sprays and insects, with scroll handle, the underside with indistinct impressed mark, possibly Worcester or Liverpool, 5” high

134 A FIRST PERIOD WORCESTER BLUE AND WHITE PUNCH BOWL painted with a continuous Oriental landscape within a diaper border, the underside with blue underglazed crescent mark, circa 1770, 8” dia.

£150-300

130 A FIRST PERIOD WORCESTER CYLINDRICAL MUG transfer printed in blue with the “Parrot Pecking Fruit” pattern, the underside with impressed circle mark, blue underglazed crescent and label for “Manheim, New York”, circa 1775, 4½” high

£80-160

£100-200

135 AN 18TH CENTURY CAUGHLEY SALOPIAN TEA SERVICE transfer decorated in blue with Oriental landscapes, with gilt borders, the undersides of most with underglazed “S”-mark. Comprising: a tea pot and cover, 6”, a cream jug, 3¾”, a tea canister, 5”, a slops bowl, 6” dia., a sucrier and cover, 4”, a cake plate, 7½”, twelve saucers, twelve tea bowls, nine coffee cups, two dishes and an associated milk jug (a lot) See illustration

£200-400

131 AN 18TH CENTURY CAUGHLEY MUG of waisted baluster form and transfer decorated in blue with a sunflower, rose and butterfly pattern, with loop handle, the underside with blue crescent mark, 6¼” high

£200-400

131A A WORCESTER GLOBULAR TEAPOT AND COVER, with loop handle and turned knop, pencilled in black with the ‘Boy on the Buffalo’ pattern, bearing a workman’s mark, circa 1756-1758, 4½". high.

136 A 19TH CENTURY WORCESTER STYLE TEAPOT transfer and hand-painted with panels of exotic birds against a blue scale ground and enclosed by gilt scrolling borders, the lid with relief flower bud finial, the underside with painted gilt no. “20”, 7” high, and a 20th century Dresden Qianlong style famille verte teapot with printed Dresden mark and impressed numbers 86097, 7½” high (2)

£80-160

£400-800

£80-160

Lot 135

142 A ROYAL WORCESTER BLUSH IVORY DISH, modelled in the form of a conch shell with gilt rim and raised on four shell feet, the underside with green printed mark and no. G971, 8” diameter

137 A 19TH CENTURY SPODE CHESTNUT BASKET of navette shape, transfer decorated in blue and white with an Oriental landscape scene and fancy Greek key stylised scale borders, with two side handles, the underside with double underglaze blue line mark, 9¼” dia.

This pattern is very similar to the Flying Pennant pattern.

£50-100

143 A ROYAL WORCESTER CABINET PLATE, painted with a panel of apples and cherries, signed G H Cole and surrounded by a royal blue border with gilt enclosed floral cartouches, the reverse with puce printed mark, 9¼” dia. and a First Period Worcester tea bowl and saucer with swirl fluted body decorated with blue and gilt floral sprays (3)

138 A ROYAL WORCESTER PART DESSERT SERVICE each painted with a landscape vignette in the manner of James Stinton, within royal blue borders with gilt disc decoration, with gadrooned gilt edges with puce stamp to the underside, comprising a tazza and four plates, the plates 9” diameter (5)

144 A PAIR OF ROYAL WORCESTER VASES of tapering bell form and painted with roses, signed Spilsbury, against an ivory ground, with gilt edged frill rims, the undersides with puce Worcester mark and no. G957, each 3¼” high and a Royal Worcester posy vase painted with autumn leaves, no. F111-811.54 (3)

£100-200

146 A CONTINENTAL POTTERY OIL LAMP BASE, in the form of an owl perching on an acorn encrusted base, with yellow glass eyes, the rim with metal mount and internal well, the underside with blue underglaze scissor mark and numbered 91, 14¾" high.

£100-200

141A A BERMANTOFTS BOTTLE VASE, decorated with a Serpent in blue and pink against a stylised floral and turquoise ground, the base with impressed 'FB' mark and no. 36 and further painted marks for Louis Kramer. 1887, 14" high See illustration

£200-400

£100-200

141 A ROYAL WORCESTER BLUSH IVORY BOTTLE VASE, the fluted body painted with pink floral sprays, with heartshaped gilt handles and further gilt highlights overall, the underside with puce printed mark and no. 1775, 12¾” high

£80-160

145 A TERRACOTTA FIGURE OF A FISHERMAN holding a rod and leaning against a tree-trunk modelled as a stick-stand, inscribed M. Massey, 40” high

140 A PAIR OF ROYAL WORCESTER BLUSH IVORY EWERS, painted with pink and yellow floral sprays with gilt relief highlights, with puce printed mark and no. 1581, 8” high (2)

£150-300

139 A ROYAL WORCESTER BULBOUS VASE, the blush ivory ground with turquoise relief scrolls and painted with a pink floral spray with turquoise scroll handles and piercing to the neck, the underside with puce printed mark and no. 1515, 6” high

£80-160

£1000-2000

£100-200

Lot 141A 37

ISLAMIC WORKS OF ART

156 AN ISLAMIC AGATE OR ROCK CRYSTAL LOBED BOWL, the exterior decorated with stylised heads, 4.252 dia.

147 A TURKISH TURBAN STAND OR KAVUKLUK with foliate carved and painted decoration, fitted for electricity, 39” high

£100-200

£200-400

157 AN ISLAMIC ROCK CRYSTAL VESSEL of ovoid form with spiral reeding, 6” dia.

148 A TURKISH TURBAN STAND OR KAVUKLUK with foliate decoration, fitted for electricity, 34” h

£200-400

158 AN IZNIK POTTERY DISH, the central area decorated with a flower spray of tulips and carnations, within a scroll border, late 16th/early 17th century, 11¾” dia. See illustration

149 A TURKISH TURBAN STAND OR KAVUKLUK with foliate carved decoration, fitted for electricity, 37” high

£200-400

150 A QAJAR POTTERY TILE depicting a figure on horseback hawking in a landscape, 19th century, 9” x 6”

Provenance: Private Collection, London.

£150-300

£80-160

£100-200

161 A TURKISH WHITE METAL CASED OVAL MIRROR with repoussé decoration of a flowerhead, marked ‘900’ and with makers mark, 11½” long

£100-200

£200-400

162 A TURKISH WHITE METAL CASED OVAL MIRROR decorated with flowerheads among foliage, marked ‘900’ and with makers mark, 11½” long

£80-160

155 AN ISLAMIC FAIENCE TYPE BOWL, the straight sides decorated with Arabic text, 5½” dia.

Private collection, East Dorset.

160 A WHITE METAL DISH, possibly Sasanian, with repoussé decoration of a figure and animals within a reeded border, 8½” dia.

154 AN ISLAMIC METAL “MAGIC” BOWL, the interior decorated with Arabic calligraphy, 3” dia.

£80-160

153 AN ISLAMIC MIXED-METALWORK CADDY, probably Turkish, with scrolling foliate decoration and end handles, 7” long

rovenance: Sir Reginald Lister, British Minister in P Tangier (1908-1912).

159 AN ISLAMIC POTTERY DEEP BOWL, the interior with a serpent to the centre surrounded by three palmette roundels and stylised decoration. 7½” dia., a similar bowl with bird decoration, 8” dia. and a tile (3)

152 AN ISLAMIC POTTERY FRAGMENT of a lion decorated with a lustrous glaze, 5½” long

£3000-6000

151 AN ISLAMIC ROCK CRYSTAL VESSEL in the form of a head, 3¾” long, and another small piece (2)

£100-200

£200-400

Lot 158 41

167 AN INDIAN STONE SECTIONAL MODEL OF A TEMPLE, 18” high

163 A YELLOW METAL AND AGATE NECKLACE and a mosaic bead necklace (2)

£100-200

168 AN ISLAMIC POTTERY JUG with stylised calligraphic decoration, 6½” high

164 A QAJAR POTTERY POLYCHROME TILE, depicting lovers in a landscape in a blue ground, 19th century, 10½” x 6½”

Provenance: Private Collection, Dorset.

£200-400

£50-100

170 INDO-PERSIAN SCHOOL, 19th century A study of a battle scene with Arabic text to the corners, watercolour and bodycolour, 7½” x 6”, another similar battle scene, 5½” x 5¾”, two courtly scenes of figures and an example of a man and a bird (5)

166 AN OIL LAMP and several pieces of Kashmiri-type metalwork and two Islamic calligraphic fabric strips, the longest 12½”

£100-200

169 A MASSIVE MIDDLE-EASTERN POTTERY VESSEL, possibly Iranian post-Sasanian period, of bulbous form, the spout modelled as a feline and with two further felines in profile below, the upper body decorated in monochrome with bands of birds in procession amid geometric panels, circa 18” high. See illustration

165 AN ISLAMIC MIXED METALWORK BOX decorated with calligraphy panels amidst scrollwork, 8” long; and a lacquered tazza (2)

£80-160

£50-100

Provenance: James Bond, Esq. and thence by descent.

£100-200

Lot 169 43

Lot 171 171 INDO-PERSIAN SCHOOL, late 19th/early 20th century A battle scene, watercolour and bodycolour, 7½” x 11” See illustration

Provenance: James Bond, Esq. and thence by descent.

£100-200

173 INDO-PERSIAN SCHOOL A set of three erotic studies depicting lovers in interior settings with landscapes beyond, watercolour and bodycolour, two measuring 7” x 4½”, the other 8” x 5½” (3)

173A I NDO-PERSIAN SCHOOL An illustrated manuscript painted with a scene of warriors and horses in a rocky desert landscape, 16½” x 9½” and 3 others (4)

172 INDO-PERSIAN SCHOOL, 19th century A study of warriors on horseback in a landscape, with Arabic text to the top and bottom, watercolour and bodycolour, 10” x 6”, a similar companion picture and two further studies of courtly scenes (4) See illustration

Provenance: James Bond, Esq. and thence by descent.

£100-200

£200-400

Lot 172

ORIENTAL CERAMICS AND WORKS OF ART

181 A CHINESE EXPORT PORCELAIN FAMILLE ROSE TUREEN AND STAND with crown finial, Indian mask handles, and decorated with landscape scenes with birds amid foliate bands, Qianlong, the stand 11½” long. See illustration

174 A CHINESE FAMILLE ROSE PORCELAIN PUNCH BOWL, the exterior decorated with various figures in landscape settings, late 18th/early 19th century, 15½” dia.

£300-600

175 A CHINESE EXPORT FAMILLE ROSE TEAPOT AND COVER decorated with floral sprays and with moulded finial and spout, Qianlong, 6” high

182 A CHINESE EXPORT PORCELAIN FAMILLE ROSE BOWL decorated with vignettes of figures in landscapes amid a gilt foliate ground, 18th/19th century, 10” diameter; and a blue and white export porcelain octagonal dish, 9” across (2)

£200-400 176 A CHINESE EXPORT FAMILLE ROSE PORCELAIN MUG decorated with flowers and rocks, 18th/19th century, 5¼”

£80-160

£150-300

178 A CHINESE EXPORT PORCELAIN FAMILLE ROSE TANKARD, decorated with blossoming foliage, 19th century, 5¾” high

£50-100

184 A PAIR OF CHINESE EXPORT PORCELAIN BLUE AND WHITE PLATES decorated with trees in a landscape, late 18th century, 9” dia. (2)

£80-160

179 A CHINESE EXPORT PORCELAIN FAMILLE ROSE TANKARD, decorated with figures in a vignette amid a gilt scroll ground, late 18th century, 5” high

£50-100

183 A CHINESE EXPORT PORCELAIN FAMILLE ROSE JAR AND COVER with gilt metal mounts and decorated with opposing vignettes of a mother and child seated at a table with landscape beyond, Qianlong, 6¾”high

177 A CHINESE EXPORT PORCELAIN SAUCE BOAT with gilding and strap work decoration and serpentine top, late 18th century, 8½” long

£800-1600

£50-100

185 A CHINESE EXPORT PORCELAIN FAMILLE ROSE BOTTLE VASE decorated with opposing vignettes of dignitaries amid a foliate ground, Qianlong, 8½” high; and a scallop moulded dish, probably Japanese with six character mark to the base, 7¾” dia. (2)

£100-200

180 A CHINESE EXPORT PORCELAIN FAMILLE ROSE TUREEN with cover and stand, of reeded form and decorated with flower sprays and gilt bamboo strap work, Qianlong, the stand 13” across.

£100-200 186 TEN CHINESE EXPORT PORCELAIN BLUE AND WHITE OCTAGONAL DISHES decorated with pagodas in landscape settings, late 18th century, approx 9” dia. (10)

£500-1000

Lot 181 49

194 TWO SIMILAR IMARI PORCELAIN OCTAGONAL LIDDED JARS, late 19th/early 20th century, 13¼” high (2)

187 A CHINESE EXPORT PORCELAIN FAMILLE ROSE SAUCER and six similar cups (7)

£50-100

195 A JAPANESE IMARI PORCELAIN LIDDED JAR decorated with vignettes amid foliate ground and with a figural finial, 15½” high

188 A CHINESE EXPORT PORCELAIN BLUE AND WHITE PLATE decorated with dignitaries and attendants in a landscape within a brocaded border, 18th century, 10” dia.

£50-100

£300-600

£1000-2000

191 A CHINESE EXPORT PORCELAIN FAMILLE ROSE DISH decorated with dancing crabs and foliage, late 18th century, 15½” dia.

£350-500

£100-200

199 THIRTEEN CHINESE EXPORT PORCELAIN OCTAGONAL PLATES decorated with pagoda scenes among landscapes, late 18th century, approx. 9” dia. (13)

£100-200

199A A CHINESE ARMOIAL CHARGER decorated in polychrome and gilt with a central armorial within a leafy mantling, the rim with three sprays of flowers and a crest, early Qianlong, 12¾” dia.

193 A CHINESE EXPORT PORCELAIN FAMILLE ROSE ‘HARVEST’ JUG, the European subject decoration depicting various figures reaping and gathering with a lady looking on, late 18th century, 7” high. See illustration

A similar bowl was sold by Christie’s as part of the J. Louis Binder Collection of Chinese Export Art, 17th June 2003, lot 24

£100-200

198 TEN CHINESE EXPORT PORCELAIN BLUE AND WHITE PLATES decorated with landscape scenes and flowers, late 18th century, approx. 9” dia.

192 THREE SIMILAR CHINESE EXPORT PORCELAIN FAMILLE ROSE DISHES made for the Islamic market, the central flower spray with Arabic script amid a scale border, late 18th century, the two smaller examples 10” dia. the larger dish 11” dia. (3)

£200-400

197 A COLLECTION OF CHINESE EXPORT PORCELAIN BLUE AND WHITE OCTAGONAL PLATES, eleven depicting landscape scenes with birds, and a further three decorated with flowers, late 18th century, all circa 9” dia. (14)

190 A SET OF FOUR CHINESE EXPORT PORCELAIN ARMORIAL PLATES decorated in enamels and gilt and with bianco-soprabianco borders, 18th century, the two larger plates 12½” dia. the two smaller plates 9” dia. (4)

£100-200

196 A LARGE IMARI PORCELAIN FACETED BOWL late 19th/early 20th century, approx. 12” dia.

189 A CHINESE EXPORT PORCELAIN ARMORIAL DISH decorated in famille rose, the central armorial within a gilt vignette border, Qianlong, 13¾” dia.

£200-400

£3000-6000

£500-1000

Lot 193 51

207 A JAPANESE IMARI PORCELAIN CHARGER, the centre decorated with a dragon within a fielded and brocaded border, late 19th/early 20th century, 18” dia.; together with a blue and white Japanese porcelain dish decorated with a landscape scene of mountains and with a six character mark to the base, 13” dia. (2)

200 A CHINESE EXPORT PORCELAIN BLUE AND WHITE PART DINNER SERVICE consisting of two octagonal tureens with covers and stands (the stands 14½” long), an octagonal meat plate (16” long), three shallow dishes (9” dia.) and five plates (9” dia.), each decorated with deer in a rocky landscape, the tureens with lion finials, Qianlong. See illustration

Provenance: Sotheby’s Chanter’s House sale, 24th October, 2006, lot 456

Private collection, West Sussex.

£2000-4000

208 A JAPANESE IMARI PORCELAIN CHARGER the centre decorated with a mythical beast and surrounded by alternating panels of birds and flowers, late 19th/early 20th century, 18” dia.; and another similar charger, the centre decorated with a bird within a continuous border of bids among rocks and trees, 18½” dia. (2)

201 A SET OF FIVE JAPANESE BLUE AND WHITE PORCELAIN DISHES decorated with landscape views within brocaded borders, 18th century, 8½” dia. (5)

£200-400

£300-600

£250-450

£150-300

£200-400

£100-200

213 A CHINESE ENAMELLED PORCELAIN BOTTLE VASE decorated in polychrome with blossoming foliage, six character Yongzheng mark to the base, 15” high

206 A JAPANESE IMARI PORCELAIN CHARGER decorated with three dragon roundels amid a foliate ground, late 19th/early 20th century, 15¾” dia.

£300-600

212 A CHINESE WUCAI PORCELAIN DOUBLE GOURD VASE AND COVER, decorated with ducks on a pond with lilies and foliage, six character Kangxi mark to the base, 17” high

205 A JAPANESE IMARI PORCELAIN BARBER’S BOWL the centre decorated with a vase of flowers, 18th century, 11” dia.

£80-160

211 A CHINESE PORCELAIN TURQUOISE-GROUND CYLINDRICAL VASE decorated with a bird amongst blossoming foliage, six character seal mark to the base, 11” high

204 FOUR JAPANESE IMARI PORCELAIN DISHES consisting of an octagonal dish (9½” dia.); two circular dishes (9½” & 10½” dia.); and a barber’s bowl (10½” dia.), 18th century (4)

£300-600

210 A CHINESE EXPORT PORCELAIN BLUE AND WHITE BOWL decorated with flowers, 10” dia.; a smaller example, 5½” dia.; and a plate decorated with birds beside a fence in a landscape, 10¾” dia. (3)

203 TWO JAPANESE IMARI PORCELAIN SAUCER DISHES, the centres decorated with flowers, 9¼” dia.; and a similar octagonal bowl and cover, 6” dia. (3)

£150-300

209 A JAPANESE IMARI PORCELAIN CHARGER the centre decorated with roundels and foliage within a pierced border, late 19th/early 20th century, 18½” dia.

202 A SET OF THREE JAPANESE IMARI PORCELAIN SAUCER DISHES decorated with tri-part panels of birds and flowers, 18th century 9½” dia. (3)

£150-300

£200-400

£300-600

Lot 200 53

221 A CHINESE BROWN GLAZED GARDEN SEAT decorated in relief with dragons, 15½” high

214 A CHINESE PORCELAIN ROSEGLAZED VASE, the shoulders applied with mythical beasts, late 19th/early 20th century, 23½” high

£100-200

222 A CHINESE BROWN GLAZED POTTERY BULBOUS VASE, possibly Song, 10½” high

215 A CHINESE ENAMELLED PORCELAIN BALUSTER VASE, decorated in polychrome with dragons amid scrolling tendrils, and with a metal mount to the top, six character Kangxi mark to the base and probably of the period, 12” high

£200-400

£500-1000

£100-200

£50-100

219 A CHINESE HAN STYLE POTTERY STANDING FIGURE, standing and with fists clenched and head turned upwards, 24” high

£200-400

227 A CHINESE BLUE AND WHITE PORCELAIN EWER with white metal mounts and decorated with dignitaries, 12½” high

£100-200

220 A CHINESE REPUBLICAN PERIOD ENAMELLED VASE decorated in polychrome with female dignitaries in a landscape setting and with calligraphic text, 17½” high

£600-800

226 A CHINESE BLUE AND WHITE PORCELAIN MOON FLASK decorated with warriors on horseback, four character Kangxi mark to the base, 10¾” high

218 A CHINESE HAN STYLE POTTERY FIGURE OF A HORSE AND RIDER, 13½” high

£100-200

225 A CHINESE FAMILLE VERTE PORCELAIN LIDDED JAR decorated with a bird and blossoming prunus, converted to a lamp and with metal mounted base, 29” high overall

217 A BLANC DE CHINE FIGURE OF A FEMALE DEITY seated on a throne and holding a ruyi sceptre, 17” high

£200-400

224 A CHINESE FAMILLE VERTE PORCELAIN OVOID JAR, decorated with dignitaries in a rocky landscape, converted for use as a lamp, 11” high (excluding lamp fitting)

Provenance: Private collection, Merseyside.

£50-100

223 A PAIR OF CHINESE FAMILLE VERTE PORCELAIN BALUSTER JARS AND COVERS decorated with vignettes of blossoming prunus on a ground of scrolling tendrils, one converted for use as a lamp, 16½” high (2)

216 A PAIR OF CHINESE FAMILLE ROSE PORCELAIN BALUSTER JARS AND COVERS, decorated with opposing vignettes of female dignitaries in rocky landscapes, surrounded by a ground of scrolling tendrils, four character enamelled Qianlong seal marks to the bases, 18½” high. See illustration

£100-200

£500-1000

228 A PAIR OF CHINESE POLYCHROME FIGURES seated on a plinth with arms raised, converted for use as lamps, 9¾” high (2)

£200-400

£100-200

Lot 216 55

233 TWO SIMILAR CHINESE PORCELAIN CORAL-GROUND VASES, decorated with dignitaries and attendants, one with flared rim and the other with folded rim, four character Qianlong seal marks to the bases (2). See illustration

229 A CHINESE FAMILLE ROSE PORCELAIN FIGURE OF A SEATED DIGNITARY holding a tray in his hand, late 19th/early 20th century, 10½” high.

£200-400

230 A CHINESE TURQUOISE-GROUND PORCELAIN BOTTLE VASE decorated in relief with birds among blossoming foliage, Qianlong seal mark to the base, 9½” high.

£500-1000

£150-300

235 A CHINESE FAMILLE VERTE PORCELAIN TEAPOT of lobed form and decorated with insects amongst blossoming foliage, Kangxi, 5¾” high; a similar small bowl and cover (2).

£100-200

232 A CHINESE BLUE AND WHITE PORCELAIN GARLIC-NECK VASE decorated with Buddhistic emblems, Qing, 11½” high

Provenance: Private Collection. Merseyside.

234 TWO BLANC-DE-CHINE FIGURES of female deities holding children, one with a mythical beast head base, the other with a cloud scroll base, Qing, 14½” high (2)

£200-400

231 A FAMILLE VERTE STYLE EWER decorated with birds among foliage and with a phoenix spout, three character mark to the base, 9¼” high

£400-800

£300-500

Lot 233 57

244 TWO CHINESE PORCELAIN FAMILLE VERTE SAUCER DISHES, decorated with dignitaries in mountainous landscapes, Qing, 8” diameter (2)

236 A CHINESE BLUE AND WHITE PORCELAIN CANDLESTICK of square section and with baluster stem, decorated with leafy tendrils and other motifs, Kangxi, 5½” high See illustration

Provenance: Private collection, Dorset

£200-400

245 A CHINESE PORCELAIN FAMILLE VERTE TABLET decorated with a mountainous landscape and with four character text to the top, Qing, 9” x 6½”

237 A PAIR OF CHINESE PORCELAIN MILLEFIORE SAUCER DISHES, iron-red Qianlong seal marks to the bases, 9½” diameter (2)

Provenance: E J H Corner, Professor of Tropical Botany and Friend and Confident of the Emperor Hirohito.

£200-400

238 A PAIR OF CHINESE PORCELAIN FAMILLE ROSE ENAMELLED VASES, decorated with opposing vignettes of dignitaries and flower sprays amid a scrolling gilt ground, Qing, 7” high (2)

£100-200

246 A CHINESE MING STYLE BLUE AND WHITE PORCELAIN CHARGER decorated with a dragon, 15½” diameter

£200-400

247 A CHINESE BLUE AND WHITE PORCELAIN CHARGER decorated with a phoenix among cloud scrolls, 16” diameter

239 A PAIR OF CHINESE PORCELAIN WUCAI JARLETS decorated with flowerheads and tendrils, 4½” high (2)

£150-300

£100-200

£200-400

240 A CHINESE PORCELAIN BOTTLE VASE with relief wicker decoration, Qing, 7” high

248 A CHINESE SWATOW BLUE AND WHITE DEEP DISH decorated with birds in a landscape within a scale border, 15½” diameter

£50-100

241 A CHINESE PORCELAIN DOUBLE GOURD EWER with dragon handle and spot decoration, probably Song/ Yuan, 4” high

249 THREE CHINESE BLUE AND WHITE PORCELAIN BOWLS one decorated with a Phoenix among tendrils, four character mark to the base; another similar decorated with dragons, also with four character mark to the base; and another decorated with chrysanthemums, Ming, all 7¼” diameter (3)

£100-200

242 A BLANC-DE-CHINE HEXAGONAL TEAPOT, decorated in relief with figures, Kangxi, 5” high; and a blue and white jar cover decorated with figures, 8" diameter.

243 A PAIR OF CHINESE PORCELAIN DRAGON AND PHOENIX BOWLS, decorated in famille-verte, the bases with Qianlong seal marks, 6” diameter (2).

Provenance: Private Collection, Merseyside. £300-600

£100-200

250 A CHINESE BLUE AND WHITE PORCELAIN SAUCER DISH, probably from the Nankin Cargo, decorated with radiating tendrils, Ming, 7¼” diameter

£80-160

£100-200

£60-80

Lot 236 59

259 A PAIR OF CHINESE CELADON VASES with polychrome enamel decoration of insects, birds, precious objects and other motifs, Qing, 23” high

251 A CHINESE IMARI STYLE PORCELAIN BOWL, the interior decorated with a buddhistic lion within a brocaded border, the exterior decorated with flowerheads, Qing, 11” diameter

£100-200

260 A JAPANESE KAKIEMON PORCELAIN SAUCER DISH decorated with a Phoenix surrounded by flower roundels and with a moulded brocade border, late 18th century, 8” diameter

252 A CHINESE FAMILLE ROSE PORCELAIN QUATREFOIL BOWL, the interior decorated with carp, the exterior with flowers and foliage, six character Jiaqing seal mark to the base, 10¾” long

£100-200

£2000-4000

£100-200

£150-250

£100-200

266 A PAIR OF BLANC-DE-CHINE FIGURES OF FEMALE DEITIES, with attendants, Qing, 9” high (2)

258 A WUCAI STYLE PORCELAIN BOTTLE VASE, decorated with birds and insects among foliage, the top rim with a six character Wanli mark, 14” high

£100-200

265 A CHINESE YELLOW GROUND PORCELAIN VASE, decorated with flowerheads and leafy tendrils, Qing, 10” high

257 A PAIR OF JAPANESE SATSUMA PORCELAIN HEXAGONAL VASES, decorated with ladies, signed to the base, Meiji, 7¼” high (2)

£80-160

264 A CHINESE ENAMELLED PORCELAIN CUP AND SIMILAR SAUCER, decorated with birds, butterflies and foliage, both with seal marks to the bases, the saucer 5¾” diameter

256 A JAPANESE SATSUMA PORCELAIN OVOID VASE, decorated with a winter landscape scene, signature to the base, 9½” high

£500-800

263 A CHINESE BLUE AND WHITE PORCELAIN SAUCER DISH decorated with flowerheads and scrolling tendrils, Qianlong seal mark to the base, 5¾” diameter

255 A PAIR OF JAPANESE SATSUMA PORCELAIN VASES, decorated all over with flowerheads, signed to the bases, Meiji, 8½” high (2)

£300-600

262 A JAPANESE PORCELAIN BOTTLE VASE decorated win green and red with trailing emblems, probably 17th/18th century, 8” high

254 TWO CHINESE CELADON PORCELAIN DISHES with crackle glaze, Qing, 8” and 10½”; and an enamelled dish decorated with vases of flowers, 12” diameter (3)

£100-200

261 A SHONZUI STYLE BARBED-RIM DISH, decorated with a rabbit and bird roundels within brocaded panels, probably 17th century, 6" diameter

253 A MASSIVE BLUE AND WHITE PORCELAIN CHARGER, decorated with a peacock and other birds among foliage in a rocky landscape, late 19th/early 20th century, 24½” diameter. See illustration

£1000-2000

£150-300

£150-250

Lot 253 61

273 A CHINESE PORCELAIN BOWL decorated in puce with a mountainous landscape scene, Qianlong seal mark to the base, 4” diameter

267 A CHINESE BLUE AND WHITE PORCELAIN MALLET-SHAPED CANDLESTICK, decorated with flowerheads and buddhistic emblems, Qing, 6” high

£100-200

274 A PAIR OF CHINESE PORCELAIN BLANC-DE-CHINE OCTAGONAL LIBATION CUPS decorated in relief with blossoming foliage, Qing, 3.52 long; and two further similar examples, 4” long (4)

268 A CHINESE FAMILLE VERTE PORCELAIN GUQIN, the central vignette decorated with a dragon above waves, fighting a mythical beast, surrounded by a black ground with scrolling tendrils and further mythical beasts, Kangxi six character mark, 31” long. See illustration

£500-1000

£100-200

£600-800

271 A CHINESE PORCELAIN MINIATURE BOTTLE VASE, finely enamelled with a bird among blossoming foliage, the base with an iron-red seal mark, 4½”

£150-300

277A A JAPANESE SATSUMA MINIATURE TEA SERVICE, decorated with figures in a garden or a mountainous landscape, against a gilt floral and insect ground, the underneath with gilt seal marks. Comprising: a tea pot, sucrier, two tea cups and two saucers. (4)

£100-200

272 TWO CHINESE COLOURED GLASS DOLL FIGURES, wearing headdresses, probably Qing, 6” high (2)

£300-600

277 TWO CHINESE ENAMELLED PORCELAIN FAN PANELS, one decorated with buildings in a landscape, the other with ducks and flowers, Republican, 10” across, framed; another similar panel, 14” across and two further rectangular examples (5)

Provenance: The Burdett Family, Ramsbury Manor, Wiltshire

£80-160

276 A CHINESE PORCELAIN VASE, decorated with peach blossom, Yongzheng six character mark to the base, 15” high

270 A PAIR OF CHINESE BLANC-DECHINE MINIATURE TEA BOWLS AND SAUCERS of lobed form, Yongzheng, the saucers, 3½” diameter

£200-400

275 A CHINESE ENAMELLED PORCELAIN JAR, decorated in polychrome with emblematic roundels amid scrolling flowerheads and tendrils, with a wooden cover, Qing, 8½” high

269 A SET OF FOUR CHINESE PORCELAIN CONICAL BOWLS, the exteriors with a brown glaze, the interiors with blue and white foliate decoration, Qing, 4” diameter; and four blue and white porcelain rice spoons decorated with scrolling tendrils, Qing, 4” long (8)

£50-100

£200-400

Lot 268

285 A CHINESE BLUE AND WHITE PORCELAIN BOWL decorated with Buddhistic emblems amid scrolling tendrils, the base with a four character seal mark, Qing, 13” diameter

278 A CHINESE SANG DE BOEUF BOTTLE VASE, the rich glaze on the body thinning around the neck to reveal fine veining, early Qing, 11¾” high, on a hardwood lotus-form stand. See illustration

Provenance: A Somerset Manor House.

£800-1600

286 A CHINESE SANG DU BOEUF PORCELAIN MODEL OF A COCKEREL, Qing, 16” high

279 A PAIR OF CHINESE PORCELAIN MODELS OF PARROTS, decorated in polychrome and gilt, standing on rocky bases, 12½” high (2).

£200-400

£100-200

£50-100

£100-200

290 A CHINESE CELADON VASE with relief decoration of flowerheads and tendrils, 11” high; and a polychrome square section baluster vase decorated with flowers, 10½” high (2)

283 A CHINESE FAMILLE VERTE PORCELAIN TABLE SCREEN, decorated with dignitaries and attendants in a rocky landscape, on a hardwood stand, Qing, 22½” high overall

£100-200

284 A LARGE CHINESE SANG DU BOEUF OVOID JAR, Qing, 12” high

£50-100

289 A CHINESE GREEN GLAZED PORCELAIN OVOID BOWL, with crackle glaze and six character Kangxi mark to the base, 8” diameter

282 A CHINESE POLYCHROME GLAZED PORCELAIN FIGURE OF A DUCK, 11½” high, another of a goose, 6½” long; and another biscuit model of a ceremonial dog, 5½” high (3)

£300-500

288 A CHINESE PORCELAIN BOWL with under-glazed red decoration of flowerheads and tendrils, Qiang, 9” diameter

281 TWO CHINESE TURQUOISE PORCELAIN FIGURES OF PARROTS perched on rocky bases, 11½” high; another similar example, 11” high; and a further smaller example, 8” high (4)

£50-100

287 A LARGE CHINESE PORCELAIN CELADON FLARED VASE, with relief polychrome decoration of blossoming foliage amid rockwork, and with serpent handles, Qing, 23½” high; and another similar vase decorated with figures, 18” high (2)

280 A CHINESE PORCELAIN TURQUOISE GROUND VASE, with incised decoration of a dragon leaping amongst waves, with elephant mask handles, 9” high.

£50-100

£100-200

£80-160

Lot 278 65

291 A LARGE CHINESE PORCELAIN FAMILLE VERTE BOTTLE VASE, decorated with a scene depicting two female dignitaries in a boat on choppy seas, with several male figures in a rocky landscape looking on, four character Guangxu mark to the base, on a lotus-form hardwood stand, the vase 18” high. See illustration

Provenance: Private Collection, Somerset.

£500-1000

292 A CHINESE FAMILLE ROSE PORCELAIN STICK STAND, of pierced form and decorated with a bird and butterflies amongst foliage, 11½” high £100-200 293 A CHINESE PORCELAIN BOTTLE VASE with tea dust glaze, Qianlong seal mark to the base, 13” high

£200-400

Lot 291 67

Lot 294

294 A CHINESE FAMILLE ROSE PORCELAIN VASE of squared form with neck handles, decorated with narrative figures, four character Qianlong mark to the base, 11¼” high. See illustration

Provenance: A Somerset Manor House.

£500-1000

294A A PAIR OF CHINESE PORCELAIN WUCAI STANDING BOY FIGURES, each wearing a decorative foliate waistband and holding a vase of flowers, Kangxi, 10” high (2). See illustration

Provenance: A Somerset Manor House.

£1000-2000

Lot 294A 69

THE S.R. PARKER COLLECTION OF SOUTH EAST ASIAN CERAMICS AND WORKS OF ART 296 FOUR SUKHOTHAI CIRCULAR COVERED BOWLS, with stylised bands of brown decoration, 3½” - 5” (4) Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980). £100-200

297 A THAI SAWANKHALOK CELADON PEAR-SHAPED VASE, with an incised band of decoration to the body, SACS 1971 label to the base, 14th/15th century, 7” high. See illustration Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980). £300-600

298 A THAI SAWANKHALOK CELADON JAR with a pale lavender glaze and of squat form, the shoulder with a band of incised decoration, SACS 1971 label to the base, 14th/15th century, 6” high. See illustration rovenance: The collection of S R Parker, Esq, past P president of the Southeast Asian Ceramics Society (19781980).

S. R. Parker (b.1921) served as an RAF pilot in the Far East during WWII. Following this he was a businessman in Singapore and became a collector of Southeast Asian ceramics and works of art. A strong supporter of the Southeast Asian Ceramic Society since its inception in 1968, he went on to become its President from 1978-1980. His principle passion has been for celadon wares - lots 298 and 312 being classic examples. But S. R. Parker’s collecting interests have also embraced 20th century fine art, including works by Chen Wenxi (1906-1991) and Yeh Chi Wei (1915-1981) – lots 337 and 340.

£300-600 299 THREE THAI SAWANKHALOK CELADON JARS, two with crackled glaze, the other with a dark glaze, 14th/15th century, 5½” - 6½” high (3) Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980). £200-400

295 A SUKHOTHAI BOWL, with stylised brown bands of decoration, 7¼” diameter; five similar graduated bowls, 3½” - 6” diameter; and a lidded box (7)

rovenance: The collection of S R Parker, Esq, past P president of the Southeast Asian Ceramics Society (19781980).

£100-200

300 THREE THAI SAWANKHALOK CELADON JARS, two with light glazes and banded shoulders, the other of slender form and with darker glaze, 5½” - 6” high (3) rovenance: The collection of S R Parker, Esq, past P president of the Southeast Asian Ceramics Society (19781980).

£200-400

301 A THAI BRONZE HEAD OF THE BUDDHA, the Deity with a serene expression and downward gaze, probably 14th/15th century, on a later wooden base, 6¾” high (excluding base)

302 FOUR VIETNAMESE BLUE AND WHITE PORCELAIN COVERED BOXES, of circular form with lotus and foliate decoration, one with an SACS 1971 label to the base, 15th/16th century, the two smaller examples 2½” diameter, the larger 4” diameter (4)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£150-300

£100-200

Lots 297 and 298 71

309 A CHINESE QINGBAI PORCELAIN JAR LET, with relief moulded decoration to the shoulder, Song, 2” high; a similar miniature vase with incised decoration, 3½” high and a very small miniature vase, 1” high; and two flared cups, 3” diameter (5)

303 FOUR SOUTH EAST ASIAN PORCELAIN BLUE AND WHITE COVERED BOXES of foliate form and decoration, two bearing SACS 1971 labels, 15th/16th century, all circa 3” diameter (4) Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£80-160

304 A CHINESE BROWN-GLAZED KENDI, probably Song, 6½” high

310 A COLLECTION OF CHINESE QINGBAI PORCELAIN WARES, including four cups (the largest 3¾” diameter); a barbed rim dish, 6½” diameter; and two further dishes (7)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£50-100

305 A CHINESE CELADON DOUBLEGOURD EWER with dragon handle, probably Song, 5” high

£100-200

For a comparable dish see ‘Chinese Celedons’, published by the SACS 1979, plate 142 on page 215.

306 FOUR CHINESE PORCELAIN JAR LETS with brown dot decoration, Yuan/Ming, the tallest 2¼” high (4)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

For a comparable dish see ‘Chinese Celadons’, published by the SACS in 1979, plate 65, page 155.

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£100-200

308 FOUR CHINESE BLUE AND WHITE PORCELAIN JAR LETS, decorated with foliate bands, Yuan, the tallest 2¼” high; and three similar small bowls, 3¾” diameter (7)

£500-1000

313 A CHINESE LONGQUAN CELADON BOWL of lotus petal form, the centre with a relief moulded peony motif, Yuan/Ming, 5” diameter Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£400-800

312 A CHINESE LONGQUAN CELADON DISH, the centre with an incised lotus motif, within a scroll border with everted rim, Yuan/Ming, 14” diameter. See illustration

£80-160

307 TWO CHINESE PORCELAIN STEM CUPS decorated with calligraphic bands, Yuan, 3½” high (2)

£100-200

311 A CHINESE LONGQUAN CELADON DISH, the centre with a moulded peony motif, within a fluted outer border, Yuan/Ming. See illustration

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£80-160

£100-200 72

£100-200

Lots 311 and 312 73

320 A CHINESE BLUE GLAZED PEARSHAPED EWER, decorated in biscuit relief with a mythical beast and other buddhistic emblems, within heart-shaped panels, Ming, 7¼” high

314 A CHINESE CELADON JAR LET with relief decoration of a dragon above waves, Yuan/ Ming, 2¾” high Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

This ewer is probably an Export version of an example made for The Temple of Heaven.

£80-160

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

315 TWO CHINESE CELADON BOWLS, with incised decoration, Yuan/Ming, 6” diameter; and three further celadon pieces (5)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

321 THE SOUTHEAST ASIAN CERAMIC SOCIETY: ‘Chinese Celedons and other related wares in Southeast Asia’, Singapore 1979

£100-200

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

316 TWO CHINESE LONGQUAN CELADON SMALL DISHES, one of lotus petal form and the centre with moulded fish decoration, the other of plain form, Yuan/Ming, 4¾” diameter; and a similar lotus petal form beaker, 3” diameter (3)

£50-100

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

317 A CHINESE CELADON JAR of squat form with shoulder handles, Yuan/Ming, 3½” high; and a similar covered jar, 4½” high (2)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£50-100

324 ELEVEN CHINESE BLUE AND WHITE PORCELAIN COVERED BOXES, of circular form, Ming/Qing, decorated with foliate motifs, 1¾” - 2¾” diameter (11)

£50-100

319 SIX CHINESE CELADON JAR LETS of plain form, Yuan/Ming, 1½” x 2½” high (6)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£300-600

323 SEVEN CHINESE BLUE AND WHITE PORCELAIN JAR LETS including one covered example, 4½” high and several smaller pieces, 1¾” - 2½” high, Yuan/Ming (7)

£50-100

318 FOUR CHINESE SMALL CELADON WARES including: a ewer, 3” high and 3 jar lets with shoulder handles, 2¼” high, Yuan/Ming; and a green glazed pottery ewer (5)

£20-40

322 A CHINESE BLUE AND WHITE PORCELAIN BOWL, decorated with lotus flowers amid leafy tendrils, four character mark to the base, Ming, 4¾” diameter; and a similar shallow bowl decorated with scrolling foliage, 6” diameter. See illustration

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£100-200

£50-100 74

£100-200

Lot 322 75

330 A CHINESE SWATOW BLUE AND WHITE PORCELAIN DISH, decorated with a bird amongst foliage, with a scale border, Ming, 7” diameter and several other blue and white dishes including one with Islamic style decoration, measuring 8½” diameter and a phoenix dish, 6.5" diameter (5)

325 A CHINESE BLUE AND WHITE PORCELAIN BARBED-RIM DISH, the centre decorated with lotus flowers amid leafy tendrils, surrounded by a reeded border, Ming, 12” diameter Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£100-200

326 A CHINESE SWATOW BLUE AND WHITE PORCELAIN DISH, decorated with a phoenix among foliage, within a scale border, Ming, 11” diameter

331 A LARGE CHINESE SWATOW BALUSTER JAR, decorated in polychrome with lotus flowers amid tendrils, Ming, 11½” high

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£100-200

327 THREE CHINESE BLUE AND WHITE PORCELAIN BOWLS, decorated with foliage and other motifs, Ming, the two smaller examples 4½” diameter, the larger 5½” (3)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£80-160

328 A CHINESE BLUE AND WHITE PORCELAIN CHARGER, decorated with a scaly dragon, surrounded by lotus flowers with scrolling tendrils, Ming, 16” diameter rovenance: The collection of S R Parker, Esq, past P president of the Southeast Asian Ceramics Society (19781980).

£200-400

£80-160

333 A CHINESE PORCELAIN BRUSH REST, decorated with an insect and calligraphic text, 4” long; a similar tablet decorated with dignitaries in an interior, 5¼” long; and a calligraphy bowl, 4” diameter (3) Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

329 TWO CHINESE BLUE AND WHITE PORCELAIN BARBED-RIM DISHES, Ming, 7½” diameter, a similar dish decorated with flowers, 9½” diameter and two partially glazed examples (5)

£50-100

334 A CHINESE PORCELAIN FAMILLE VERTE ROULEAU VASE, finely enamelled with sages and attendants around a table in a rocky landscape and also with an area of calligraphy, four character Qianlong seal mark to the base, 18” high. See illustration

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£100-200

332 A CHINESE PORCELAIN DISH decorated in polychrome with birds in a blossoming tree, Ming/Qing, 11” diameter; together with a celadon glazed dish with underglaze blue decoration, 11½” diameter (2)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£80-160

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£1000-2000

Lot 334 77

Lot 337

338 SEAH KIM JOO (b.1939) Fishermen with nets, woodblock, 3/20, signed lower right in pencil and with seal mark, 17” x 33”

335 A COLLECTION OF CHINESE SMALL PORCELAIN PIECES including blue and white jar lets, a blue glazed vase, saucer dishes and other items, Ming/Qing (a lot)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£80-160

339 CHUAH THEAN TENG (b.1914) ‘Mother and Son’, batik painting, together with a Yahong Gallery Exhibition Catalogue of the artist’s work from the 1960’s, the painting 30½” x 19”

336 A COLLECTION OF SOUTHEAST ASIAN CELADONS including a covered bowl, 3¾” high; a bowl with relief peony decoration, 5” diameter; two dishes with crackle glaze, 5” diameter and several other pieces (a lot)

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£50-100

£100-200

340 YEH CHI WEI (1915-1981) An abstract composition in polychrome, signed lower left, oil on canvas, 20” x 16”. See illustration

337 CHEN WENXI (1906-1991) ‘Awake’, calligraphy and seal mark lower left, watercolour, 13” x 17”. See illustration

Provenance: The collection of S R Parker, Esq, past president of the Southeast Asian Ceramics Society (19781980).

£100-200

£500-1000 78

£500-1000

Lot 340

ASIAN WORKS OF ART

348 A CHINESE CARVED HARDSTONE MODEL OF A RAM’S HEAD, 9” diameter; and a carved stone disc, 11” diameter (2)

341 A CHINESE CARVED WHITE MARBLE VASE, with lion mask handles and decorated with opposing vignettes of foliage, 7½” high; and a similar baluster vase decorated with Buddhistic emblems, 6½” high (2)

£100-200

349 AN ORIENTAL BRONZE COVERED CENSER AND STAND with buddhistic lion finial, outswept handles and foliate decoration, 14½” high

342 A JAPANESE IRON STIRRUP with dragonfly pierced top, inlaid foliate decoration and mother-of-pearl interior, late 18th/early 19th century, 9½” high

£200-400

£100-200

352 A CHINESE CARVED AGATE BUDDHISTIC LION with head turned to the right, on a hardwood stand, 7” long

345 A PAIR OF CHINESE BRONZE CENSERS decorated with Phoenix, Qing, 4” diameter; and two further squared censers, 5” across (4)

£100-200

346 A CHINESE ARCHAIC BRONZE TRIPOD VESSEL (DING) with ring handles on an everted rim over the rounded body decorated with a band of taotie decoration, on cylindrical supports, Shang/Zhou, 9¾” high. See illustration

£1000-2000

£150-300

356 A CHINESE HARDWOOD CABINET, the door and drawer fronts with lacquer decoration, 26½” wide

347 A PAIR OF CHINESE CINNABAR LACQUER BALUSTER VASES, carved with foliage on a brocade background, 6¾” high (2)

£800-1200

355 A CHINESE BRONZE COVERED CENSER with Buddhistic lion finial, dragon handles and tripod base, on a wooden stand, 19” high overall; together with a similar smaller example, 14” high

For a similar Ding, see Sotheby’s London Fine Chinese Ceramics and Works of Art Sale, 14th May 2008, lot 527. Provenance: Private Collection, West Sussex.

£80-150

354 A CHINESE CLOISONNÉ VASE with bands of polychrome archaistic decoration and mask and ring handles, probably Qing, 19” high

£100-200

£500-1000

353 A PAIR OF CHINESE HEXAGONAL LACQUER BRUSH POTS with mother-of-pearl inlay, Qing, 5½” high (2)

345A A CHINESE ROCK CRYSTAL COVERED VASE, carved with dragons, Qing, 8½” high, on a hardwood base

£50-100

351 A PAIR OF CHINESE CARVED STONE FIGURES of mythical beasts striding forward, 10.52 long (2)

344 A CHINESE ARCHAISTIC BRONZE FIGURE OF A DRAGON AND RIDER, extensive encrustations, 10” long

£200-400

350 A CHINESE ARCHAISTIC BRONZE MIRROR, decorated with figures and script, 9” diameter

343 A CHINESE BRONZE LOTUS-FORM VASE with hexagonal flared neck, two character mark to the base, probably Ming, 9” high

£80-160

£50-100 82

£100-200

Lot 346 83

365 A JAPANESE LACQUER ROOTWOOD BOWL, decorated with insects, 10” across

357 A JAPANESE GILT LACQUER TABLE CABINET, decorated with birds and foliage on a variegated ground, Meiji, 11¼” across. See illustration

£300-600

366 A CHINESE BRONZE CIRCULAR MIRROR, decorated in relief with bands of mythical beasts and calligraphy, Qing, 9½” diameter, on a lacquered wood stand

358 AN ORIENTAL RHINOCEROS HORN EROTIC CARVING depicting lovers together, 19th century, 2¾” long

£1500-3000

359 A CHINESE CARVED HARDWOOD CABINET ON STAND, decorated with precious objects, Qing, 17” wide. See illustration

£200-400

361 A CHINESE HARDWOOD TABLE SCREEN STAND, carved with a band of fruit blossom, Qing, 21” wide

rovenance: E J H Corner (1906-1996) Professor of P Tropical Botany and Friend and Confidant of Emperor Hirohito of Japan, and thence by descent.

£300-500

£100-200

370 A JAPANESE BRONZE BALUSTER VASE of naturalistic leaf and twig form, Meiji, 9” high

£150-300

363 A COLLECTION OF CHINESE HARDWOOD STANDS, mostly of circular form, Qing, various sizes (a lot)

£80-160

371 A CHINESE CLOISONNÉ VASE decorated in polychrome with dragons above a wave band, 15” high

£150-300

£100-200

364 A CHINESE CARVED HARDWOOD SEATED BUDDHA FIGURE, the Deity with hand raised and legs crossed, traces of paint, 28” high

369 A JAPANESE BRONZE BOTTLE VASE of naturalistic foliate form, with four handles to the lower body, Meiji, 12” high

£100-200

362 A COLLECTION OF CHINESE HARDWOOD STANDS, mostly of rectangular form, Qing, various sizes (a lot)

£100-200

368 A CHINESE ARCHAISTIC BRONZE VASE with figural handles and geometric decoration on a brocade background, Qing, 19” high

£100-200

367 AN ORIENTAL BRONZE CENSER, decorated with tortoises and flying cranes, on a lotus form stem and mask supports, 14½” high

360 A JAPANESE GILT LACQUER TABLE CABINET, the top decorated with a mountainous landscape scene, the doors decorated with flying cranes, Meiji, 15½” wide See illustration

£100-200

372 A CHINESE CARVED HARDSTONE TABLE SCREEN, decorated with deer in a landscape, probably Qing, 9½” x 7½” on a hardwood stand

£400-800

£300-600

Lots 357, 359 and 260 85

378 A JAPANESE IVORY OKIMONO FIGURE OF AN ELEGANT LADY holding a book in her left hand, Meiji, 5¾” high

373 A JAPANESE IVORY MODEL OF A BOAT PARTY, of sectional and carved construction, with five figures to the interior and various food baskets and other items, on a carved wood base modelled as waves, Meiji, 21” long overall. See illustration

Provenance: Private collection, London.

£1500-2500

379 A JAPANESE IVORY OKIMONO OF AN ELEGANT LADY holding an umbrella and walking forwards, signed to the base, Meiji, 5½” high

374 A JAPANESE IVORY OKIMONO OF A MAN AND BOY, the elder holding a basket above his head, Meiji, 11½” high

£150-250

£200-400

381 A JAPANESE IVORY NETSUKE of a man holding a basket and wearing a hat, signed to the base, Meiji, 2” high

£50-100

376 A JAPANESE CARVED IVORY NETSUKE in the form of a mythical beast clothed in foliate garments, possibly by Ogasawara Issai, late Edo/early Meiji, 1½” high See illustration

£50-100

382 A JAPANESE CARVED IVORY FIGURE OF AN ELEGANT LADY holding a fan and parasol, Meiji, 6” high

£1000-2000

£50-100

383 A JAPANESE GILT-BRONZE IKEBANA BASKET of woven construction, Meiji, 7” long

377 A JAPANESE CARVED WOOD MODEL OF TWO TOADS, signed to the base, Meiji, 7” long; and a similar smaller example, 4” long (2)

£300-500

380 A JAPANESE CARVED IVORY CYLINDRICAL BOX decorated with monkeys, the base marked with two insects, Meiji, 3¼” high

375 A JAPANESE IVORY OKIMONO OF A MAN AND BOY, signed to the base, Meiji, 6” high

£300-500

£80-150

Lot 376

£200-400

Lot 373 87

390 A JAPANESE CARVED WOOD NETSUKE of a man seated beside a sack, signed to the back, Meiji, 1¼” high

384 A JAPANESE GOLD-LACQUER FIVECASE INRO, decorated with opposing shibayama panels of figures and a bird among blossom, with a gilt bronze ojime of a man standing on his hands, and an ivory netsuke of a man and toad, the inro 3¼” long. See illustration

Provenance: Private Collection, West Dorset.

£4000-8000

£80-160 391 A CHINESE CARVED IVORY CYLINDRICAL BOX decorated with figures and pagodas among foliage, Qing, 1¾” diameter

385 A CHINESE CARVED BOXWOOD FIGURE GROUP of two fishermen bringing in the catch, Qing, 5” high

£200-400 392 A CHINESE CARVED WOOD DOUBLE STAND, with scroll and petal decoration, probably Qianlong, 7” long

£150-300

386 A SET OF SIX CHINESE CARVED IVORY NAPKIN RINGS, decorated with bands of figures in a landscape, Qing, 2” diameter (6)

393 A CHINESE CARVED IVORY CARD CASE made for the Christian market and decorated with a Cross carved with figures among foliage, Qing, 3¾” high; and a similar carved wood example of ogee form, 3½” high (2)

£50-100 387 A CHINESE CARVED AND RETICULATED IVORY BOX, decorated with sages and attendants around a table in a pagoda landscape setting, Qing, 5” wide

£400-700

£300-600

Provenance: Private Collection, London.

£200-400

388 A COLLECTION OF CHINESE MOTHER-OF-PEARL GAMING COUNTERS, with incised decoration, most of circular form, measuring 1½” diameter (a lot)

394 A CHINESE PALE CELADON JADE CARVING with russet inclusions depicting a dragon chasing a man and fish above waves, 6½” long on a wooden stand; and two archaistic jade horses, 2¼” long (3)

£50-100

389 A COLLECTION OF CHINESE MOTHER-OF-PEARL GAMING COUNTERS of circular and fish form, Qing, the fish circa 2” long (a lot)

£50-100

£100-200

Lot 384 89

395 A CHINESE CARVED JADE CENSER of archaic form and with a band of scroll decoration to the body with masks above and scroll handles, probably Qing, 8” across. See illustration

Provenance: Private Collection, West Dorset.

£500-1000

398 A CHINESE POLYCHROME HEADDRESS, decorated with figures, pagodas and birds with gold thread, turquoise fabric, beads and seed pearls, Qing, in two sections, circa 4” wide

399 A CHINESE “YELLOW JADITE PANEL”, pierce-carved with fish, 3¾” wide

396 A COLLECTION OF CHINESE JADE AND JADITE PIECES including a phoenix, 4¾” high; another bird, 6½” high; a donkey, 4½” high; a miniature tripod censer, 5” high; two figures and other pieces (a lot)

397 A CHINESE STUCCO HEAD OF A DIGNITARY with a serene expression and wearing a headdress, probably Ming, 6¼” high See illustration Provenance: A Somerset Manor House

£100-200

400 A CHINESE PALE CELADON JADE PENDANT, the front carved with a sage surrounded by bats, the reverse with an oval calligraphy mark, 2” high

£200-400

£80-160 401 A CHINESE PALE CELADON JADE PENDANT, carved with a mythical beast, 2” long

£50-100

401A A CHINESE JADE CARVING OF A FELINE, with russet inclusions, 2¼” long

£50-100

Lot 397

Lot 395 91

409 A CHINESE CINNABAR LACQUER DISH, the centre carved with a boat party with various onlookers and pagodas in a rocky landscape, within an ogee border with scrolling tendrils, the back with a six character mark, Qing, 13” diameter

402 A CHINESE SOAPSTONE FIGURE GROUP of a lohan holding a ruyi sceptre and seated on a buddhistic lion with its head turned to the right, on a cloud scroll base, probably Qianlong, 6¼” high. See illustration

Provenance: A Somerset Manor House.

£1000-2000

410 A CHINESE CINNABAR LACQUER KIDNEY-SHAPED BOX, the lid decorated with flowers on a brocade ground, Qing, 5¾” long; and a carved coconut shell made for the European market, 5” long (2)

403 A CHINESE WHITE JADE BOULDER PENDANT with russet inclusions, carved with a foliate and taotie band, 2½” long.

404 A CHINESE PALE CELADON JADE CARVING of an insect on gourds, Qing, 2” long.

£150-300

£100-200

£50-100

413 A CHINESE OVERLAID-GLASS SCENT BOTTLE, decorated with boat parties on a wave ground with birds in the air, 2½” high

Provenance: Private Collection, London

407 A CHINESE CINNABAR LACQUER HEART-SHAPED BOX, carved with foliage, Qing, 3” long

£100-200

414 A CHINESE CARVED WOOD SEAL CUBE decorated on all sides with archaic style characters, contained in a fitted air-tight brass box with marks to the inside lid, Qing, the box 2” high

£50-100

408 A CHINESE CINNABAR LACQUER RECTANGULAR BOX, the top carved with figures in a mountainous landscape, Qing, 6” long

Provenance: Private Collection, London

£200-400

412 A CHINESE CLOISONNÉ MINIATURE HEXAGONAL VASE with flared neck, probably Qianlong, 2” high

£200-400

406 A CHINESE CINNABAR LACQUER CIRCULAR BOX, carved with two figures in a mountainous landscape, the sides with geometric decoration, Qing, 3¼” diameter

£100-200

411 A CHINESE INSIDE-PAINTED GLASS SCENT BOTTLE, decorated with prunus blossom and with script and seal marks, 4½" high

405 A PAIR OF CHINESE PALE CELADON AND GILT METAL BUCKLES, carved with dragons, Qing, the largest 2¾” across.

£100-200

£80-160

415 A CHINESE GILT BRONZE ARCHAISTIC QUATREFOIL BOX, decorated with dragons and scrolling tendrils, 4½” long

£100-200

£80-160

Lot 402 93

424 A CHINESE GILT-BRONZE BUDDHA FIGURE, with a serene expression and wearing a headdress and robes, seated on a lotus base, Yuan/Ming, 14¼” high

416 A PAIR OF CHINESE ARCHAIC BRONZE BELT HOOKS with inlaid scroll decoration, 4½” long (2)

£80-160

417 AN MASSIVE ARCHAISTIC JADITE CARVING of a recumbent horse in a coiled pose, probably Chinese, 23” long. See illustration

Provenance: Private Collection, Dorset.

£100-200

425 A COLLECTION OF BRONZE AND OTHER ANIMAL FIGURES, possibly Burmese, various sizes ranging from ¼” to 3”, late 19th/early 20th century (a lot)

Provenance: Acquired in France in the 1940’s.

418 A JAPANESE IVORY NETSUKE of a man with one arm raised and wearing a hat and long gowns, Meiji, 2¾” high; and another similar figure, carrying a sack, 1¾” high (2)

426 A POLYCHROME AND GOLD THREAD CREWELWORK WALL HANGING, probably Chinese made for the Western market, the central area with a lotus flower surrounded by dragons and foliage, within a conforming border with figures playing musical instruments, approx. 57” x 90”.

£50-100

419 A CHINESE SPINACH JADE TEASET, including a teapot and four cups, the teapot 4½” long, contained in a fitted case

£100-200

£50-100

£500-1000

£800-1600

Provenance: Private Collection, West Dorset

422 TWO CHINESE BRONZE MONEY PRINTING BLOCKS, the largest, 8½” long (2)

Provenance: Private Collection, Wiltshire.

428 CHINESE SCHOOL A set of eight figure studies in landscape and interior settings, each with calligraphy and seal marks, watercolour, ink and wash on paper, mounted on a silk border, each circa 18” x 19” (8)

421 SIX CHINESE ARCHAISTIC COINS, four of circular form, the largest 2¾” diameter; one of spade form, 2½” high; another; and a metal mount of a Lohan, mounted on wooden stands, probably Qing (7)

427 AFTER GIUSEPPE CASTIGLIONE A study of cats on a basket watching insects, watercolour and bodycolour on silk, with signature and seal marks, 35½” x 19”.

420 A CHINESE CANTON ENAMEL CYLINDRICAL BRUSH POT decorated with opposing vignettes of figures in landscapes, on a yellow ground with scrolling tendrils, four character mark to the base, Qing, 4¼” high

£80-160

Provenance: The Lewis Family, Melplash Court, Dorset

429 QI BAISHI (1864-1957) A Cicada on a leafy branch, woodblock print, with three character script and seal mark, 11” x 7½”

£100-200

£200-400

423 THREE SINO-TIBETAN LEATHER ITEMS, mounted with white metal and turquoise, the largest 6” across

430 CHINESE SCHOOL A set of six studies of fish, watercolour and bodycolour on pith paper, circa 4½” x 6½” (6)

£50-100

£150-250

Lot 417 95

431 CHINESE SCHOOL A study of a Peacock, three character script and seal mark, watercolour and bodycolour on silk, 14½” x 7”

434 A TIBETAN THANGKA HANGING, the central Deity seated on a lotus base with a Phoenix above and further Deities around, among buildings and other figures, three lines of text to the base, late 19th/early 20th century, painted on silk, the painted area 32” x 20½”. See illustration

£80-160

432 A TIBETAN THANGKA PAINTING on canvas, depicting a central Deity figure holding sceptres and standing on a lotus petal base, surrounded by further Deity figures on clouds, late 19th/early 20th century, framed, 23” x 16”

Robert Hayne (1867-1960), an antiquarian and original member of the Shikar Club, and thence by descent.

435 A TIBETAN THANGKA HANGING, the central Deity seated on a lotus base with legs crossed and surrounded by blossoming foliage, below further Deities on clouds, within a double border on a blue ground with scrolling foliage, late 19th/early 20th century, painted on silk, the painted area 31” x 21”, the whole with a silk protective frontal

Provenance: Robert Hayne (1867-1960), an antiquarian and original member of the Shikar Club, and thence by descent.

£100-200

433 A TIBETAN THANGKA HANGING, the central Deity with legs crossed surrounded by further similar smaller Deities, painted on silk and mounted on a royal blue ground with gold lotus petals, late 19th/early 20th century, the painted area 23” x 16”

Provenance: Robert Hayne (1867-1960), an antiquarian and original member of the Shikar Club, and thence by descent. £300-600

Provenance: Robert Hayne (1867-1960), an antiquarian and original member of the Shikar Club, and thence by descent.

£500-1000

435 A A CHINESE SILK AND GOLD THREAD PANEL, embroidered with a bird among clouds, Qing, 11" x 11"

£100-200

£250-500

Lot 434 97

436 A VIETNAMESE CARVED SANDSTONE SHIVA MUKA LINGA, the central column with carved deity mask to the top on an octagonal stem over the square drainage base, Mekong Delta, circa 6th/7th century, 20” high. See illustration

£1000-2000

Lot 436 99

437 A NORTHEAST INDIAN CARVED BASALT JINA, the central deity figure seated with crossed legs and with attendants either side, the lower section with central lotus motif with ceremonial cow and flanked by further deity figures, Post Gupta Period - circa 6th/7th century, 25â&#x20AC;? high. See illustration

Provenance: Private Collection, New York, 1971

ÂŁ1000-2000

100

Lot 437 101

438 AN INDONESIAN CARVED ANDESITE GANESHA, the deity festooned with sculls and holding bowls in each hand, wearing a pleated sarong, the base with an arc of nine further sculls, East Java District, circa 13th century, approx. 66” high. See illustration Depictions of standing Ganeshas are extremely rare, only three examples are known to have survived; one in the Rijksmuseum Amsterdam, one in situ in Malang, East Java, and a further example in the Museum of Ethnology, Rotterdam.

Literature: Pott, P.H. ‘Four Demonic Ganesas from East Jave’ Leiden, 1962

Getty, A. ‘Ganesha, A Monograph on the Elephant Faced God’, Oxford, 1936

Fontein, J ‘The Sculpture of Indonesia’, Washington, 1990

Provenance: Private Collection, Germany 1987, Shirley Day, London, 1991

£8000-12000

102

Lot 438 103

104

BOXES, CADDIES AND MISCELLANEA METALWORK AND SCULPTURE GUNS, MILITARIA AND MEDALS THE DORSET COUNTY COUNCIL COLLECTION OF HISTORIC MEASURES AND WEIGHTS CLOCKS AND SCIENTIFIC INSTRUMENTS RUGS AND CARPETS

105

BOXES, CADDIES AND MISCELLANEA 508 A “PONTYPOOL” STYLE TOLE PEINTE TRAY of rectangular form, with rounded corners painted with a central bouquet of flowers, the corners with gilt rococo style decoration, the reverse initialled and dated 1947, 14” wide

500 A REGENCY TORTOISESHELL VENEERED TEA CADDY, the rectangular domed top with rounded border enclosing a lidded two division tea compartment, on small bun feet, 5” wide

£100-200

501 TWO SIMILAR WHALES TEETH, 6¼” & 7” long (2)

509 A NAPOLEONIC PRISONER OF WAR CARVED AND PAINTED BONE MODEL OF GUILLOTINE with a tall decorated superstructure above a horizontal victim on a raised platform surrounded by armed guards, the base with similar guards and cannons, in a glazed and ebonised wooden case, later painted with daffodils to one side, 20¼” high. See illustration

£200-400

502 A GEORGE III STYLE TURNED AND CARVED YEW WOOD VASE SHAPED URN with all over fluted and reeded body on an octagonal base, 6¾” high and a turned lignum vitae bowl, 4½” high (2)

Provenance: Private collection, Dorset and by family tradition believed to have come from Ancaster Hall, Lincolnshire

£80-150

503 A VICTORIAN WALNUT AND TUNBRIDGEWARE WRITING SLOPE, the rectangular box with two broad bands of Tunbridgeware inlay, enclosing a fitted interior, 20” wide

£50-100

£100-200

£300-600

£100-200

£250-500

513 A VICTORIAN GILT METAL AND GLASS OIL LAMP, the fitting stamped “McGarys Patent, HNJ Gardner Manufacturers 453, Strand, London”, on an extending gilt metal column with floral painted glass mount on a scrolling base, 32” high

507 A RUSSIAN LACQUERED BOX AND COVER of rectangular form, painted with a fisherman in a landscape, signed, 6” wide

£100-200

512 A CARVED IVORY HINGED POCKET DEVOTIONAL DIPTYCH carved to the interior with figures, the exterior carved with a star and other decoration, possibly circa 1700, 1¾” wide

506 A PAIR OF GEORGE III MAHOGANY AND GILT METAL CANDLESTICKS, the gilt metal sconces on turned tapering fluted columns and circular lead weighted bases, 12” high (2)

£500-1000

511 A GEORGE III STYLE SILKWORK PANEL, sewn with a ribbon-tied bouquet of flowers surrounded by butterflies, a snail and a caterpillar, in a verre eglomisé mount, 24½” wide

505 A PAIR OF TAPESTRY CUSHIONS of D-shape worked with scrolling leaf and foliate decoration, 27” wide (2)

£4000-8000

510 A SCRATCH BUILT MODEL OF A THREE MASTED CLIPPER, with full rigging, in a glazed display case, 50½” wide

504 MANNER OF JENNENS AND BETTRIDGE: A VICTORIAN PAPIER MACHE TEA CADDY with a domed lid and all over painted and mother of pearl foliate decoration, the interior with twin lidded tea compartments, 7½” wide

£30-60

£200-400

106

Lot 509 107

522 A VICTORIAN POLISHED MARBLE EWER AND STAND, the ewer with an elaborate wavy lip and fluted bellied body and scrolling loop handle, on a circular stand, possibly Ashburton marble, 22¾” high

514 AN ITALIAN CARVED GILT AND PAINTED STANDARD LAMP, the light fitting mounted on a column decorated with tied ribbons against a cream ground, the triform base surmounted by three swans, on animal paw feet, 38” high

£80-150

515 A TURNED WOODEN VESSEL with shaped rim and banded body, 14¼” high £50-100

516 TWO CARVED IVORY TUSKS of slender tapered form, the bases with carved geometric decoration, believed to be from the Niger Valley, circa 1900, 30” and 34”

Provenance: Private Collection, Liverpool

£100-200

300-500 525 TAXIDERMY: A PRESERVED HAWKSBILL TURTLE, 61” long

£100-200

£50-100

519 A SMALL QUANTITY OF ANTIQUITIES, comprising a white metal lion mask mount, two rings, a terracotta figure and another items (5) £50-100 520 A RUSSIAN ICON with the head and hands of Christ in a hammered white and gilt metal mount, in a hinged oak frame, 9¼” wide

The second son of the seventh Duke of Northumberland, Lord Percy was born on the 17th May 1882 and educated at Eton and Oxford. After serving in the First World War he retired from the Army in 1919 at the rank of Colonel and was created a CBE for his distinguished military services. Thereafter he devoted himself largely to travel, mainly in the pursuit of ornithology, but so wide were his interests that he could be justly described as an all round naturalist. Travelling mainly in Africa, but also South America and the Arctic regions, it was he who was the first to attribute correctly the functions of the powder down patches on the body of the Bittern, and published a volume ‘Three Studies in Bird Character’ in 1951

£150-300

521 A RUSSIAN ICON featuring the head and hands of Christ in a hammered white and gilt metal mount, 5½” wide

£1000-2000

526 THE PROPERTY OF A NATURALIST: A quantity of items belonging to noted ornithologist and naturalist Lord William Percy CBE DSO. To include a taxidermy study of two greater spotted woodpeckers in glazed display case and a similar study of a lesser spotted woodpecker. Also a quantity of magic lantern slides showing animals, landscapes and indigenous peoples from around the world, including a number of educational slides prepared by the American Museum of Natural History, a magic lantern projector and equipment, and a quantity of negatives and related items and equipment (a collection).

518 A CARVED ALABASTER VASE of circular squat form constructed in two halves, 4” wide

£200-400

524 IN THE MANNER OF WALTER POTTER: SIX FROGS WORKING ON A ROAD, featuring two pushing wheelbarrows, one the Foreman and the other in a kiosk “Licensed Tobacco and Mineral Waters”, 14” x 32½”. See illustration

517 A YORUBA TYPE SECTIONAL BRONZE FIGURE GROUP, comprising four male warriors, two female figures, a figure on horseback and a figure holding a chicken surmounted by a vase and chicken cresting, all on a similar base, 18” high

£150-300 523 A WESTERN QUEENSLAND NONRETURNING BOOMERANG, possibly Mulga wood, the surface probably worked with a stone Tula, possibly pre contact circa 1880, 31”

£100-200

Provenance: Lord William Percy CBE DSO and thence by descent 108

£100-200

Lot 524

109

534 A PAIR OF EARLY VICTORIAN OIL LAMPS with white glass columns and gilt metal mounts on square stepped bases, fitted for electricity, 30½” high. See illustration

527 A FOSSILIZED ELK ANTLER, probably Irish, 50” wide

£150-250

528 HERBERT CESCINSKY: “English Furniture of the 18th Century”, London, in three volumes and a copy of Cescinsky & Webster “English Domestic Clocks”, London 1914 (4)

535 A CARVED GILTWOOD FLORENTINE PICTURE FRAME all over carved with exuberant and elaborate leaves, 23” x 18”

£100-200

529 PERCY MACQUOID: “A History of English Furniture”, London 1904 and similar volumes “The Age of Satinwood”, “The Age of Mahogany” and “The Age of Walnut”, together with Albert Hartshorne “Old English Glasses” (5)

£80-150

£200-400

£150-250

538 A 17TH CENTURY ALTAR FRONT worked with scrolling foliate patterns and a central Maltese cross in a cartouche, worked throughout with raised stitching and yellow against a red velvet ground, with fringed border, 36” x 90” (approx)

£50-100

532 A NEAPOLITAN PIQUE BOX, the lid decorated with birds amidst foliage, within concentric circles, 3” diameter and another circular box, the lid decorated with lovers in a landscape, 3½” dia (2) £80-150

£200-400

539 A 17TH CENTURY STYLE ALTAR FRONT worked with a central cut-out of Jesus and the Virgin flanked by a Bishop-Saint and a Pilgrim-Saint and two armorial crests, all against a yellow ground with a fringe border, 28½” x 69”

533 TWO 19TH CENTURY CIRCULAR LACQUERED BOXES, the lids decorated with gentlemen, 3½” and 4” dia, a similar box, the lid inset with a commemorative medallion, and a small Japanese lacquer box (4)

£200-400

537 A CARVED GILTWOOD FLORENTINE PICTURE FRAME all over decorated with exuberant and extravagant leaf and scroll forms, containing a porcelain plaque of a young woman being bound by three cherubs, 13” x 10”

531 A VICTORIAN PAPIER MACHE TRAY of cartouche shape with a raised border and central decoration of a flowering rose in mother of pearl and gilt, 31” wide

£250-450

536 A CARVED GILTWOOD FLORENTINE PICTURE FRAME carved all over with exuberant and elaborate leaf forms, containing a porcelain panel decorated with a young scantily clad young woman and two cherubs, 16” x 12½”

530 F HOPE (19TH CENTURY): A SILHOUETTE FAMILY GROUP, signed lower left and dated ‘49, watercolour and bodycolour, 17” x 21”, in a vere eglomisé type frame

£800-1500

£80-150

£200-400

540-544 Spare lots.

110

Lot 534 111

METALWORK AND SCULPTURE 552 A VIENNESE COLD PAINTED BRONZE OF AN ARAB on a prayer rug, all over naturalistically painted, 7¾” wide

545 A VICTORIAN COPPER SAMOVAR of bellied form with scrolling leaf-cast handles, on a narrow column and square bases with four ball feet, 15” high

£80-150

553 A SMALL CAST BRONZE MODEL OF A PRANCING BULL on a rectangular marble base, probably 18th century, 5¾” wide

546 A CAST AND PATINATED BRONZE STUDY OF A MASTIFF chained to a post bearing a sign “Passez au Large” on a naturalistic base, signed “CH. Valton”, 18½” high. See illustration

£200-400

£300-500

£100-200

558 A CAST BRONZE FIGURE OF A BEARDED MAN, possibly Roman, 6” high

£200-400

551 A COLD PAINTED BRONZE AND IVORY FIGURE OF A BOY carrying a bucket, signed “Alonzo” and with founders mark “LNJL Paris”, 8¾” high

£100-200

557 A RENAISSANCE STYLE CAST BRONZE BELL, the handle in the form of a maiden holding a vase, the bell with all over swag and foliate decoration, possibly North Italian, early 17th century, 6¼” high

550 A PAIR OF GEORGE III ENAMEL CANDLESTICKS with spiral turned columns and conforming circular domed bases, with all over floral and zinc enamelled decoration, 9½” high

£150-300

556 A CONTINENTAL CARVED AND PAINTED MODEL OF A GUN DOG on a rectangular base with beaded border, monogrammed to the underside “M.E”, 15½” wide

£100-200

549 A PAIR OF VICTORIAN BRONZE COVERED CUPS ON STANDS, the bowls all over cast with leaf and branch decoration, the lids surmounted by a long beaked bird, on octagonal marble bases, 11” high

£200-400

555 A COLD PAINTED BRONZE MODEL OF A BEGGING PUG DOG naturalistically painted, 4½” high

548 A PAIR OF COLD PAINTED SPELTER MODELS OF ARABIAN WOMEN holding torches aloft, wearing green, gold and red decorated dresses, on circular bases, 15¼” high

£150-250

554 AN OCTAGONAL BRONZE TAZZA, the central circular panel decorated with two gun dogs flushing out a pheasant with polychrome patination, the border cast with mythical beasts, on a circular raised foot, 11¾” wide

£800-1500

547 AN ORMOLU AND ENAMEL CASSOLETTE after a design by Matthew Boulton, with reversible candlestick top and turquoise body, 18th century, 8” high

£200-400

559 A WHITE MARBLE SCULPTURAL PANEL carved in low relief with two naked dancing maidens in a classical setting with a palm tree to the left, 11” high x 18” wide

£300-400

112

£100-200

Lot 546 113

563 AN AGATE-SET BRASS JEWEL CASKET of shaped form, the lid set with a rectangular stone, the front and sides with cabochon-cut stones, all within engraved mounts, with a velvet-lined interior, 6¼” high, and another similar box (2)

560 A CHARLES II SILVER COMMEMORATIVE MEDAL by John Roettier commemorating the incarceration of Giles Strangways of Melbury in Dorcestr, the reverse with the dates of the incarceration from 1645-1648, 2½” wide

£200-400

561 A FRENCH TERRACOTTA FIGURE OF A MILKMAID holding a mug in one hand and wearing period costume, on a rectangular period base with laurel wreath decoration, 82” high. See illustration

564 A PAIR OF QUEEN ANNE STYLE FIRE DOGS of tall pinnacle and ball form, on scrolling leaf-cast base, 29½” high

Provenance: David Lazarus Antiques, Hartley Wintney, Hampshire S1984.

£300-500

565 A PAIR OF LOUIS XVI STYLE ORMOLU AND BRONZE CHENETS, each with flaming vases on animal hoof legs and gilt decorated columns, 17” wide See illustration

A similar terracotta statue of a milkmaid is at the Petit Trinon at Versailles, Paris. 562 AN ITALIAN WHITE MARBLE BUST of a Franciscan monk carved in profile, 17¼” high

£200-400

£300-500

£200-400 566-576 Spare lots.

Lot 565

114

Lot 561 115

GUNS, MILITARIA AND MEDALS 577 A BROWNING .22 RIFLE, the barrel marked “Fabrique Nationale d’Armes de Guerre Herstal-Belgique”, the barrel screwed for a silencer, and fitted with a “solder antler” sight, 38” long

579 THREE VICTORIAN CAMPAIGN MEDALS including an Indian General Service Medal awarded to Pte. W. Spickett, 3rd Battalion Rifle Brigade, no. 2106 with North West Frontier Bar, a Queen’s South Africa Medal awarded to Pte. J.R. Spickett, Rifle Brigade no. 1994, with Belfast and Laing’s Nek bars and an unnamed Khedives Medal, and a Rifle Corps greetings card (4). See illustration

£100-200

578 A GEORGE V CAVALRY OFFICERS SWORD, the decorated blade engraved “Army & Navy Cooperative Society, 105 Victoria Street, London SW”, the reverse no. 10302, with a broad engraved hand guard and chagreen mounted grip, in scabbard, 44”

£500-1000

580 A CEREMONIAL HELMET of the 5th Royal Inniskilling Dragoon Guards, previously the property of C. Lomas, with a red and white plume and silvered body and crest, mounted beneath a glazed case, and a collection of ephemera and related items (a lot)

£150-300

£300-500

581-584 Spare lots.

116

Lot 579 117

THE DORSET COUNTY COUNCIL COLLECTION OF HISTORIC MEASURES AND WEIGHTS 590 A SET OF THREE VICTORIAN IMPERIAL STANDARD BUSHEL MEASURES: peck, half-bushel & bushel, ‘County of Dorset’, 1858, all numbered 1239; the bushel in a fitted wooden box bearing label for Nicholl & Fowler, London; the peck marked De Grave & Co, London, and contained with the half-bushel in a fitted wooden case; bronze or brass, 6, 7 ¼ & 9” high (3)

585 TWO IMPERIAL STANDARD CHECKPUMP PETROL MEASURES: four gallons and five gallons, ‘County of Dorsetshire’, serial numbers 199 & 365, by Gaskell & Chambers Ltd, Birmingham, copper & brass, 16” & 17” high, contained in a fitted oak case (2) £150-300 586 A SET OF SIX IMPERIAL STANDARD CHECKPUMP PETROL MEASURES: half gallon to five gallons, ‘County of Dorsetshire’, all numbered 155, copper and brass, 8 ½ - 17” high, each in a fitted aluminium case (6)

591 A SET OF THREE VICTORIAN IMPERIAL STANDARD BUSHEL MEASURES: peck, half-bushel & bushel, ‘County of Dorset’, 1858, all numbered 1236; the bushel marked Nicholl & Fowler, London, in a fitted wooden box bearing label; the peck and half-bushel in a fitted wooden box also with label for Nicholl & Fowler; bronze or brass, 7¼, 7¼ & 9” high (3)

£300-600

587 A SET OF SIX IMPERIAL STANDARD CHECKPUMP PETROL MEASURES: half gallon to five gallons, ‘Borough of Weymouth & Melcombe Regis’, all numbered 373, copper and brass, 8 ½ - 17” high (6)

£300-600

588 A SET OF SIX IMPERIAL STANDARD PETROL MEASURES: half gallon to five gallons, ‘County of Dorset’, copper and brass, 9 - 17 ½” high (6)

£500-1000

592 A CONTINENTAL TURNED WOOD GRAIN MEASURE with iron mounts and ring handles, probably 19th century, 12” high

£200-400

589 A SET OF TEN VICTORIAN IMPERIAL STANDARD BUSHEL MEASURES: half gill to bushel, ‘County of Dorset’, 1858, all numbered 747, the bushel marked for Nicholl & Fowler, London, bronze or brass, 2 ½ - 9” high; retaining one fitted wooden box for gallon to half gill bearing Nicholl & Fowler label; together with a similar quarter gill measure dated 1899 (11). See illustration £2000-4000

£50-100

593-594 Spare lots

118

Lot 589 119

CLOCKS AND SCIENTIFIC INSTRUMENTS 601 A LOUIS XIV STYLE SIMULATED TORTOISESHELL AND BALL BRACKET CLOCK with stop-fluted Corinthian columns flanking the gilt metal case, with a bell-striking movement, 18¾” high

595 A REGENCY MAHOGANY AND BRASS INLAID DIAL CLOCK, the circular convex dial with Roman numerals and a single train fusee movement, the case with inlaid brass flowerheads, 22”

£300-500

596 A GEORGE III MAHOGANY LONGCASE CLOCK, the painted dial signed “William Terry, Masham”, with subsidiary seconds and date dials, the arch painted with a figure of Britannia, the spandrels painted with figures representing the continents, with an eight day two train movement striking on a bell, the arch topped hood with scrolling cornice, the trunk with quarter recessed reeded columns, 92” high

602 A CHARLES II STYLE BRASS CASED LANTERN CLOCK, the raised bell above dolphin-pierced mounts, with an engraved dial signed “Wm. Ball Fecit”, with a single train fusee movement, on short turned feet, 14” high

£500-1000

598 A GEORGE III OAK LONGCASE CLOCK, the brass dial with silvered chapter ring, signed “John Franklin, Cranborn”, with Roman numerals, with a central date aperture and pierced cast spandrels, with an eight day two train movement striking on a bell, the hood with break arch pediment, the trunk with later carved door and base, 84” high

£500-1000

£300-600

605 A GEORGE III BALLOON CASE BRACKET CLOCK, the white enamel convex dial signed “Alexander Raef, Tunbridge Wells”, with a two train fusee movement striking on a bell, the back plate similarly signed, the case on gilt metal bracket feet, 18” high

£400-800

£800-1500

606 A 19TH CENTURY OAK AND WALNUT VENEERED LONGCASE CLOCK, the circular white enamelled dial with subsidiary seconds dial and date aperture, with a two train movement striking on a bell, the hood with circular aperture within a marquetry border beneath a scrolling pediment flanked by fluted dials, the trunk with a long door flanked by quarter recessed columns, the base similarly decorated, 89” high

600 A GEORGE III MAHOGANY WHEEL BAROMETER with swan-neck pediment above a long thermometer and broad barometer dial, signed “Bithray, Royal Exchange, London”, 40” high

£300-500

604 A LOUIS XVI STYLE WHITE MARBLE AND GILT METAL MANTEL CLOCK with an enamelled convex dial signed “Zacharie Raingo Tournay”, with a two train movement, the case surmounted by a gilt putti examining a bird’s nest, the dial flanked by gilt metal mounts, on a marble base, 15” high

599 A 19TH CENTURY OAK LONGCASE CLOCK, the white enamel dial signed “Jn. Bicknell, Cardiff ”, the dial with subsidiary seconds dial and date aperture, the arch with a rocking ship mechanism with an eight day two train movement striking on a bell, the oak crossbanded case with swan-neck pediment, 82” high

£300-500

603 A 19TH CENTURY CONTINENTAL FAUX TORTOISESHELL MANTEL CLOCK, the arched case surmounted by a gilt metal eagle, with a circular dial with enamelled chapter ring, with a single train French movement, the arched case with all-over tortoiseshell effect staining and gilt metal mounts, on short feet, 18” high

597 A BRASS SHIP’S BAROMETER by Pastorelli and Rapkin, 46 Hatton Garden, London, the barometer numbered 2110, on a gimbal mount, 38”

£600-800

£150-250

120

£400-800

607 AN 18TH CENTURY FRENCH ORMOLU AND LACQUERED BRONZE CHINOISERIE MANTEL CLOCK, the white enamel dial signed “Gudin, Paris”, with blue enamelled Roman numerals, the dial in a circular mount balancing on a scholar’s knee with a boy in attendance, both figures in gilt and red decorated robes, on an elaborate naturalistic and leaf-cast base, 16” wide. See illustration £500-1000 608-614 Spare lots

Lot 607 121

RUGS AND CARPETS 618 A NORTH WEST PERSIAN TRIBAL RUG, of Isfahan type, the brick red ground with a central dark blue floral pattern diamond-stepped quadrilateral within floral spandrels and herati pattern outer borders and guards, 82” x 45”

615 A NORTH-WEST PERSIAN TRIBAL RUG, the brick red ground with a central ivory and pale blue triple pole medallion worked with hooked boteh, within outer borders and guards, 80” x 46”

£50-100

616 A PERSIAN RUG of Shiraz-Miraz type, the dark blue ground worked with five rows of stylised tree pattern hexagonal guhls within ivory and multi-coloured outer borders and guards, 84” x 64”

619 A TEKKE BOKHARA DOUBLE BAGFACE, the ivory, dark blue and iron red ground worked with a central hooked boteh stepped diamond quadrilateral within stylised animal and wine glass outer borders and guards, 51” x 24”, and another similar double bagface (2)

£200-400

617 A NORTH-WEST PERSIAN TRIBAL RUG of Kazak type, the brick red ground with a triple pole medallion within ivory star pattern outer borders and guards, circa 80” x 46”, and another small Persian rug (2)

£50-100

£100-200

620-624 Spare lots

£50-100

122

ENGLISH AND CONTINENTAL FURNITURE

123

632 A REGENCY GILTWOOD PIER GLASS, the rectangular plate within an ebonised fillet and gilt surround with applied leaf-capped columns, all beneath an architectural cornice, 21½” wide

625 AN EDWARDIAN PAINTED SATINWOOD BONHEUR DU JOUR, the upper section with an arched back and single shelf above a bow-front and single bow-fronted drawer, all over painted with scrolling decoration, floral swags and swans, on square tapering legs, 31” wide

£700-1000

633 A WILLIAM AND MARY OAK CHILD’S CHAIR with a scrolling top rail above twin fielded back panels and a similar panelled seat, on turned uprights and stretcher, late 17th/early 18th century and later

626 A SET OF EIGHT GEORGE III MAHOGANY BAR BACK DINING CHAIRS, the broad backs above reeded “X”-form rails, above over stuffed seats on square tapering legs (8)

£1000-2000

£1500-3000

628 A SET OF SIX HIGH-BACKED CHARLES II STYLE DINING CHAIRS with carved scrolling top rails above slatted backs, with solid seats on turned legs and stretchers, with squab cushions, 46” high (6)

£500-1000

£800-1600

£200-400

£2000-3000

£300-500

637 AN EDWARDIAN ROSEWOOD AND MARQUETRY CABINET, the rectangular top with a raised back inlaid with fruit on neo-classical stand, above a bombé fronted fall front compartment and three open divisions with conforming satinwood inlay, on short turned legs, 22” wide

631 A DUTCH WALNUT AND MARQUETRY BUREAU with a cylinder front over three drawers flanked by canted angles with pilasters, with gilt metal mounts, on square tapering fluted feet, late 18th/early 19th century, 44½” wide

£1000-2000

636 A 19TH CENTURY FRENCH MAHOGANY AND GILT BRASS WRITING TABLE, the upper section with a mirror-lined back flanked by two pairs of short drawers beneath pierced brass galleries, with a folding baize-lined writing surface above a single frieze drawer, on tapering fluted legs, 32” wide

630 A LATE GEORGE III MAHOGANY OVAL TOPPED TIP-TOP OCCASIONAL TABLE, the shaped top with broad chequered crossbanding, on a vase-turned column on three downswept stop-fluted legs and castors, 44” wide

£600-800

635 A VICTORIAN COLLECTOR’S CABINET with twin glazed doors beneath a moulded top, enclosing an interior with two columns of 20 short drawers fitted with glazed tops, containing an extensive collection of preserved butterflies on a plinth base, 45” wide. See illustration

629 AN EDWARDIAN SATINWOOD DISPLAY CABINET, the serpentine fronted cabinet with a central glazed door enclosing a shelved interior, the door beneath a fluted and moulded cornice, and above two short drawers, on slender tapering legs with an undershelf, 43” wide

£500-800

634 A LATE GEORGE III MAHOGANY WHATNOT, the rectangular top with a wavy border above two open shelves with shaped divisions and turned uprights, all above a single short drawer with turned knob handles, the drawer retaining the remnants of a cabinet-maker’s label “George Gillington, Cabinet-Maker, Auctioneer and Valuator, Dublin”, 20” wide

627 A REGENCY MAHOGANY “D”-END EXTENDING DINING TABLE, the rectangular top with rounded ends and reeded border comprising a central drop-flap section, two “D”-ends and two removable leaves, on turned tapering and reeded legs, 135” (fully extended)

£80-150

124

£150-250

Lot 635 125

645 A VICTORIAN MAHOGANY BUTLER’S STAND, the rectangular top on a folding “X”-form base, 27” wide

638 AN 18TH CENTURY DUTCH WALNUT AND MARQUETRY ARMCHAIR, the broad scrolling back inlaid with a stylised face amongst scrolling foliage, with twin downswept arms and over stuffed seats, on sabre legs, with all over conforming marquetry, 34” high

646 A REGENCY ROSEWOOD FOLD TOP CARD TABLE, the rectangular top with rounded corners on a bulbous octagonal column and platform base with scrolling feet and recessed castors, 36” wide

£100-200

639 AN EDWARDIAN MAHOGANY, SATINWOOD AND MARQUETRY CORNER CUPBOARD with a raised scrolling back above a shaped top and single panelled door decorated with a marquetry panel of musical instruments and sheet music, on short bracket feet, 22” wide

£100-200

£150-250

642 A GEORGE II MAHOGANY CHEST OF DRAWERS, the rectangular crossbanded top with a moulded border above four long graduated drawers with brass handles and pierced key escutcheons, on bracket feet, 30” wide, 18th century and later

£800-1600

648 A WILLIAM AND MARY WALNUT AND MARQUETRY CABINET ON STAND, the upper section with a moulded cornice above a cushion-fronted drawer and twin doors decorated with panels of birds amongst foliage, within similar foliate surround, the interior of the doors decorated with parrots, the cupboard enclosing a central small door enclosing three small drawers, surrounded by an arrangement of ten drawers, all with further conforming marquetry panels, the base fitted with a single long drawer on spiral-turned legs with “X”-form stretcher, on bun feet, basically late 17th century and later, 44” wide. See illustration

641 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top above four short graduated drawers with brass handles, on bracket feet, 18th century and later, 26” wide

£200-400

647 A GEORGE III MAHOGANY BOW FRONT SIDEBOARD, the top inlaid with a central oval panel of veneer within broad crossbanding, above a single bow front drawer above a tambour fronted cupboard, flanked by single deep drawer and conforming cupboard, all with satinwood stringing and gilt metal ring handles, on square tapering legs, 72” wide

640 A GEORGE II MAHOGANY TEA TABLE, the “D”-shaped top above a deep frieze, on turned tapering legs with pad feet and recessed castors, 30” wide

£80-150

£250-450

£4000-8000

643 A REGENCY CARVED AND GILTWOOD MIRROR, the rectangular bevel edged plate within an ebonised fillet, surrounded by leaf carved and scrolling half columns, beneath an architectural cornice, 25¼” wide

649 A LATE VICTORIAN MAHOGANY TAMBOUR FRONTED DESK, the rectangular top with satinwood crossbanding above a shaped tambour fall enclosing a sliding rising writing surface and an arrangement of short drawers and pigeonholes, above two frieze drawers on square tapering legs with brass cap castors, 37” wide

£150-250

644 A WILLIAM IV MAHOGANY METAMORPHIC READING TABLE, the rectangular top with twin rising book mounts, on a turned column and shaped base with turned legs and castors, 35½” wide

650 A GEORGE III WALNUT FRETWORK WALL MIRROR, the rectangular plate within a moulded gilt fillet with a pierced cresting decorated with a gilt ho-ho bird, 29” high

£250-350 126

£250-450

£100-200

Lot 648 127

657 A VICTORIAN MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top with a moulded border above two short and three long graduated drawers with turned knob handles, on turned legs, 44” wide

651 A GEORGE III MAHOGANY LINEN PRESS, the upper section with a moulded cornice above twin panelled doors enclosing an interior fitted with three slides, all above three long graduated drawers with brass handles and key escutcheons, on bracket feet, 45” wide

£400-600

658 A NEO CLASSICAL STYLE ITALIAN WRITING DESK, the upper section with a central oval mirror flanked by small cupboards beneath carved domes, above three further cupboards and a folding leather-lined writing surface, the cupboard doors all set with oval marquetry panels of figures in period dress, the base fitted with a single long drawer and two short drawers, with gilt metal handles and conforming mounts, on square tapering legs, with brass capped castors, 31” wide

652 A GEORGE III STYLE MAHOGANY TWIN PEDESTAL WRITING DESK, the rectangular top with a leather-lined writing surface above a central frieze drawer and two short drawers, on two pedestals of three short drawers on short cabriole legs with ball and claw feet, 49” wide

£100-200

653 A VICTORIAN TEAK MILITARY CHEST in two parts, the upper section with two short and a single long drawer, the lower section with two further long drawers, with flush fitting brass handles and similar corner mounts, on short turned legs, 37¼” wide

£500-1000

£100-200

660 AN EMPIRE MAHOGANY CAMPAIGN DRESSING TABLE with a detachable rectangular mirror supported by tapering columns capped by bronze female heads, above an arrangement of a single long drawer enclosing tambour lidded sliding compartments, a leather-lined slide, above a single long drawer and two rows of three short drawers, all between Egyptian revival terms, on block feet with recessed castors, the top of one drawer stamped “Chapuis”, 36” wide. See illustration

£400-600 655 A GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS, the shaped top above two short and three long graduated drawers with turned knob handles, on bracket feet, 42” wide £150-300

The mark “Chapuis” is possibly the mark of the Belgian born cabinet maker Jean-Josef Chapuis, who worked in Paris between 1795 and 1830

656 A REGENCY MAHOGANY AND BRASS INLAID SOFA TABLE, the shaped top with twin drop flap sides above two short drawers with brass stringing and ebonised cockbeading, with conforming dummy drawers, on ring-turned legs and conforming stretcher with downswept legs and brass animal paw cap castors, 55½” wide

£600-1000

659 AN EDWARDIAN MAHOGANY BOW FRONT DISPLAY CABINET with a moulded cornice above a single glazed door and conforming panel, above a single bow fronted panelled door, on short tapering legs, with all over satinwood crossbanding, 69” high

654 A GEORGE II MAHOGANY TRIPOD TABLE BASE, the turned and writhen column above three downswept legs with pad feet, 28” high

£100-200

£1500-2500

661 A GEORGE III MAHOGANY TWIN PEDESTAL PARTNER’S DESK, the rectangular top with a moulded border and leatherlined writing surface above a frieze with three drawers to either side, on pedestals of three further short drawers, and a cupboard, on plinth bases, 55” wide

£500-800

128

£500-1000

Lot 660 129

669 A GEORGE I WALNUT KNEEHOLE DESK, the rectangular top with a moulded border with broad crossbanding, above a fitted frieze drawer with fall front containing an arrangement of short drawers and pigeonholes, all above a central cupboard flanked by two columns of three short drawers, with brass handles throughout, on bracket feet, 18th century and later, 33” wide

662 A REGENCY MAHOGANY BREAKFAST TABLE, the rectangular top with rounded corners and a moulded border on a turned column with four downswept reeded legs and cast animal paw castors, 60” wide

£400-600

663 A SINGLE CHARLES II “DERBYSHIRE” STYLE CHAIR, the back with twin carved and arched rails with applied and turned decoration, above a solid seat and turned legs and stretchers, 42” high

670 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a moulded border above four long graduated drawers with brass handles and key escutcheons, on bracket feet, 29½” wide

£400-600

664 A VENETIAN CARVED GILTWOOD WALL BRACKET, the shaped shelf with lobed border above a scrolling and pierced mount with mask decoration below, 12” wide

£200-400

£250-450

£150-250

£600-800

674 A CHARLES II STYLE OAK PANELLED WALL CUPBOARD with a moulded border above a panelled door enclosing a vacant interior, on bracket feet, 27” wide

668 A 19TH CENTURY GLAZED PINE HANGING DISPLAY CABINET with a scrolling frieze above a single thirteen pane door enclosing a shelved interior, 23” wide

£1500-2500

673 A CHARLES II OAK COFFER, the rectangular three panelled top with moulded border above a profusely carved front with three conforming panels with scrolling “X”-form decoration between carved divisions, 44” wide

667 AN EDWARDIAN MAHOGANY HANGING WALL CUPBOARD with a moulded and marquetry cornice above a central glazed door with arched glazing bars, flanked by two similar panels, all enclosing a shelved interior, 42” wide

£200-400

672 A CHARLES II OAK WAINSCOT CHAIR, the back with an arched leaf-carved cresting above a diamond and foliate-carved back, with scrolling arms, solid seats and turned legs, 49” high. See illustration

666 A CHARLES II OAK COFFER, the rectangular two panelled top above an arcaded frieze and two conforming panels, on square legs, 36”wide

£700-900

671 A 19TH CENTURY WALL MIRROR, the rectangular plate within a moulded and decorated frame with carved borders and leaf decoration, all beneath a scrolling and ribbon-tied cresting, 37” wide

£200-400

665 A GEORGE III GILTWOOD WALL BRACKET, the rectangular shelf with a moulded border on a scrolling leaf-carved support, 11” wide

£550-850

£150-250

£100-200

675 A GEORGE III OAK HANGING CORNER CUPBOARD with a single panelled door inlaid with a marquetry shell motif, with a shelved interior, 27½” wide

130

£100-200

Lot 672 131

683 A GEORGE III OAK DRESSER, the upper section with a moulded cornice above three open shelves, the base with a rectangular top above three frieze drawers above twin panelled cupboards and a further short drawer and two dummy drawers, on bracket feet, 64” wide

676 A CHARLES I STYLE OAK OPEN BUFFET, the rectangular top above a carved frieze on heavy cup and cover supports, with a similar shelf on further supports, on short legs, 49” wide

£1500-2500

£700-1000

677 A CHARLES II OAK “WAINSCOT” CHAIR, the back carved with a lozenge and the initials “SH”, with scrolling arm supports above a solid seat, on turned legs, 17th century and later, 43” high

684 A PAIR OF GEORGE III PAINTED HANGING CORNER CUPBOARDS, the doors decorated with scenes in the manner of Francis Wheatley, 30” high. See illustration

£400-600

Provenance: Purchased from J.M. Botibol of London in 1949 for £300

678 A CHARLES II STYLE OAK WAINSCOT CHAIR, the rectangular back with a foliate cresting above a lozenge-carved panel, with downswept arms and solid seat, on turned legs, 40” high

685 A CHARLES II OAK WAINSCOT CHAIR with a rectangular panelled back, with a frieze of carved strapwork decoration, with scrolling arms and solid seat on turned legs, 17th century and later, 41½” high

£400-600

679 A SET OF EIGHT NORTH COUNTRY OAK BACK STOOLS with arched backs above solid seats on turned legs (two later) (8)

£600-800

£1200-1500

687 A VICTORIAN FOLD-TOP WALNUT VENEERED CARD TABLE, the rectangular top with a moulded border on turned and carved legs with conforming stretcher and downswept legs with castors, 36” wide

681 A 19TH CENTURY WALNUT FRAMED MIRROR, the rectangular plate within a gilt fillet and moulded surround flanked by tapering ebonised columns with gilt details, possibly Biedermeier, 50” high x 52” wide

£300-600

£150-300

688 A CHARLES II OAK COFFER, the rectangular top above a three panelled front with lozenge carved panels within stylised foliate carved rails, 57” wide

682 A GEORGE III OAK HOUSEKEEPERS CUPBOARD, the upper section with a moulded cornice above two twin panelled doors between quarter recessed columns, the base with two pairs of two short drawers with brass handles, on short bracket feet, 60” wide

£1000-2000

686 A CHARLES II OAK “WAINSCOT” ARMCHAIR, the rectangular back with a carved frieze above two rectangular panels, with downswept arms and solid seat, on turned and square section legs, possibly West Country, 43” high

£1000-1500

680 A GEORGE III OAK DRESSER BASE, the rectangular top with a moulded border above three frieze drawers and twin cupboards flanking two dummy drawers, on straight legs, 62” wide

£500-1000

£300-600

689 A SET OF GEORGE III MAHOGANY HANGING WALL SHELVES of Chippendale design, with pierced side rails and three shelves, the largest above two short drawers, 31” wide

£400-800

132

£300-600

Lot 684 133

697 A NORTH ITALIAN PAINTED AND CARVED DRESSING TABLE MIRROR with an arched plate between turned faux marble columns, on a box base with a sloping fall and a serpentine fronted drawer, with all over painted marble effect, 25” wide

690 A 19TH CENTURY FRENCH ROSEWOOD AND MARQUETRY LADIES WRITING DESK with a bombé fronted fall decorated with foliate marquetry enclosing a fitted interior with short drawers and slide, on cabriole legs with gilt metal mounts, 29” wide

£300-500

698 A LATE GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top above two short and two long graduated drawers with brass handles, on splayed bracket feet, 36” wide

691 A 19TH CENTURY BURR WALNUT EBONISED AND GILT METAL MOUNTED JARDINIÈRE, the rectangular top with serpentine edges with a central removable panel, on slender cabriole legs with conforming gilt metal mounts, 24” wide

699 A LOUIS XVI STYLE TULIPWOOD LAP DESK with a sloping fall with a leather-lined writing surface within an ormolu border, with ormolu mounted ink pots along the top, 25” wide

£150-250

692 A CHARLES II STYLE OAK DRESSER BASE, the rectangular top with a moulded border above two frieze drawers with moulded fronts, on spiral-turned legs and stretchers, 60” wide

£400-600

£200-400

695 A NEAR PAIR OF DERBYSHIRE STYLE OAK SIDE CHAIRS with arched and carved backrails, solid seats and turned legs and stretchers (2)

£1000-2000

702 A VICTORIAN PAINTED AND GILT COLUMN of circular stop fluted form with a band of hanging foliate decoration, on an octagonal base, 43” high

£200-400

696 A 17TH CENTURY NORTH ITALIAN PAINTED AND CARVED BUREAU BOOKCASE, the upper section with a scrolling shell carved cornice above twin doors enclosing a shelved interior, with all over carved and painted foliate decoration, the lower section with a sloping fall enclosing a fitted interior and all above two cupboard doors, with all over conforming decoration, on short cabriole legs, 52” wide. See illustration

£400-600

701 GILLOWS OF LANCASTER: AN OAK AESTHETIC PERIOD PARTNER’S DESK, the broad rectangular top with leather writing surface above a single central drawer and two columns of four short graduated drawers with reeded fronts with carved foliate paterae to either side, stamped “Gillow & Co., 2669L”, the top 71½” x 66”

694 A NEAR PAIR OF DERBYSHIRE STYLE OAK SIDE CHAIRS with carved arched backrails above solid seats and turned legs and stretchers (2)

£150-250

700 A SET OF EIGHT SCOTTISH VICTORIAN OAK DINING CHAIRS with armorial backs, five stamped “McKenzie & Mitchell”. Comprising a single armchair with upholstered back and scrolling arms and seat, on turned and carved front legs and seven similar side chairs (8)

693 A NEAR PAIR OF DERBYSHIRE STYLE OAK SIDE CHAIRS with carved arched back rails, solid seats and turned legs and stretchers (2)

£250-500

£100-200

703 A DUTCH FRUITWOOD BUCKET with contrasting sections of dark and paler wood, with a brass-liner and overhead swing handle, 12½” dia. x 23½” high

£3500-4500 134

£300-600

Lot 696 135

711 A CHARLES II OAK COFFER, the rectangular three panelled top with moulded framing above a similar front with a central carved foliate motif, the top rail carved with initials “CI” and dated 1642, 49” wide

704 A PAIR OF VICTORIAN CARVED GILTWOOD WALL BRACKETS with shaped tops on scrolling foliate supports, 20” wide

£150-250

705 A DUTCH MARQUETRY AND MAHOGANY SECRETAIRE A ABBATANT, the shaped top above a fall decorated with a central oval fan motif, enclosing a fitted interior, above four long graduated drawers on tapering legs, 37” wide

712 A GEORGE III MAHOGANY FOLD TOP TEA TABLE, the rectangular top with rounded corners and reeded border above a frieze with central cupboard and square tapering legs, with all over satinwood stringing, 37” wide

£400-600

706 A GEORGE III MAHOGANY LINEN PRESS, the upper section with a moulded cornice above twin panelled doors above two short and two long graduate drawers with brass knob handles, on splayed bracket feet, 54” wide

714 A PAIR OF REGENCY ROSEWOOD EFFECT BRASS INLAID ARMCHAIRS, each with scrolling backs with brass inlay above similar panels, with scrolling arms above caned seats and sabre legs, 33” high

£150-250

715 A VICTORIAN ROSEWOOD CORNER WHATNOT with three graduated bow fronted shelves between spiralturned uprights, 35” high

£100-200

716 A VICTORIAN ROCOCO STYLE GILT GESSO WALL MIRROR, the arched top bevel edged plate within a moulded and carved frame and beneath an elaborate “C”-scroll cresting, 60” high x 33” wide

£1500-2500

709 A VICTORIAN BURR WALNUT SEWING TABLE, the rectangular top with serpentine borders above a flushfitting drawer and upholstered basket, on pierced and carved legs with downswept feet and recessed castors, 24” wide

£300-600

717 AN EDWARDIAN MAHOGANY AND SATINWOOD STRUNG BIJOUTERIE TABLE, the circular top above a velvet-lined interior, on cabriole legs, 22½” dia.

£200-400

710 A CHARLES II OAK DROP FLAP GATELEG OCCASIONAL TABLE, the circular top with twin drop-flap sides on turned legs and stretchers, 30½” wide

£100-200

£400-600

708 ITALIAN SCHOOL, 18th century Two large “Momento Mori” panels, one with a skeleton lying by an hourglass beneath a swag, the other with a clothed figure in a similar pose, oil on canvas, each 53” x 77” (unframed), and two similar panels painted with trompe l’oeil balustrading, 29” x 61½” (4). See illustration

£100-200

713 A GEORGE III MAHOGANY FOLD TOP TEA TABLE, the “D”-shaped top with crossbanding and stringing above a similar frieze on square tapering legs, 36” wide

707 A VICTORIAN ROCOCO STYLE GILTWOOD AND GESSO WALL MIRROR, the arched top plated within a scrolling and moulded surround, 58” high x 37” wide

£400-600

£100-200

136

£150-250

Lot 708

137

724 A LARGE VICTORIAN NEOCLASSICAL STYLE GILTWOOD AND GESSO WALL MIRROR with a large rectangular plate within a ribbon-carved border, surmounted by a smaller rectangular bevel edged plate beneath a classical trophy and decorated with a hanging foliate swag, 97” high x 56” wide

718 A 19TH CENTURY FRENCH KINGWOOD AND PARQUETRY SEWING TABLE, the rectangular top with serpentine borders and gilt metal mounts, the interior with a sliding tray and mirror, with a shaped frieze on tapering cabriole legs, 20” wide

£600-800

719 A SINGLE REGENCY MAHOGANY DINING CHAIR with a scrolling and carved top rail on reeded uprights with a drop-in seat, on sabre legs, 34” high

725 AN 18TH CENTURY AND LATER GILTWOOD AND GESSO CONSOLE TABLE with a rectangular mottled green marble top, the base with an ornate pierced frieze carved with hanging swags and a central basket of flowers, on two scrolling legs joined by a stretcher with two cherubs, 48¼” wide

£50-100

720 A SOUTH INDIAN FOLD TOP CARD TABLE with all over scrolling foliate tombac inlay, the rectangular folding top enclosing a circular baize-lined playing surface within a conforming inlaid border, the top on a wavy frieze and four slender cabriole legs, the legs detachable at the knees, on shaped feet, 36” wide. See illustration

£3000-6000

£3000-5000

£200-400

723 A WILLIAM AND MARY OAK DRESSER, the rectangular top with a moulded border above two long drawers with moulded fronts and brass drop handles, on silhouette-cut front legs, 77” long

£2000-4000

727 A REGENCY MAHOGANY CYLINDER FRONTED BUREAU BOOKCASE, The upper section with a moulded cornice above twin astragal glazed doors with arched glazing bars, the doors between marquetry effect stop fluted columns, the lower section with two roll front compartments enclosing interiors with short drawers and pigeonholes, above two panelled doors with oval crossbanded panels, enclosing a partially fitted interior, on a plinth base, 97” high x 62” wide

722 A 19TH CENTURY FRENCH ROCOCO STYLE MIRROR, the rectangular plate within a scrolling and foliate-carved frame with an openwork cartouche above, 47” high x 32” wide

£1500-3000

726 A REGENCY MAHOGANY CYLINDER FRONTED BUREAU BOOKCASE, the upper section with a moulded cornice above twin astragal glazed doors with arched glazing bars, the doors flanked by marquetry effect stop-fluted columns, above a cylinder front enclosing a sliding writing surface and an arrangement of short drawers and pigeonholes, all above a base with twin panelled doors with oval crossbanded panels enclosing an interior with three broad slides, on a plinth base, 101” high x 68” wide

721 A CHARLES II STYLE OAK REFECTORY DINING TABLE, the rectangular three plank top on six heavy turned and carved cup and cover legs with a shaped stretcher, 17th century and later, 108” long

£1500-3000

This bookcase is ensuite with the previous lot.

£1000-2000

728 A CONTINENTAL CUSHIONSHAPED MIRROR with a central rectangular bevel edged plate within a ripple moulded fillet, flanked by four rectangular canted mounts within similar mouldings and all over elaborate gilt metal mounts, beneath a cresting with a central vase, fruiting cornucopia and a grotesque face, 61” x 37”

£2000-4000

138

£600-800

Lot 720 139

729 A LOUIS XVI STYLE CARVED GILTWOOD AND CANED THREEFOLD SCREEN, the upper sections with glazed panels with shaped and foliate glazing bars above double caned panels, all within moulded surrounds, 59¼” high x 52”

£200-400

730 A ROCOCO STYLE CARVED AND PIERCED GILTWOOD MIRROR, the shaped rectangular plate beneath an elaborate scrolling cresting of “C” and “S” scrolls with leaf and flower decoration, 60” high x 26” wide

£500-1000

731 A MADLER SHIPPING TRUNK opening to reveal a fitted interior with hanging space and drawers, the exterior with leather carrying handles and numerous period shipping labels, 46”

£100-200

732 A VICTORIAN LIGHT OAK BOOKCASE, the upper section with a moulded cornice above a dentil frieze and twin glazed doors enclosing a shelved interior, the lower section with three short drawers with turned knob handles above arched topped doors, flanked by turned columns, all on a plinth base, 53” wide

£300-500

733 A 19TH CENTURY LOUIS XVI STYLE MARQUETRY SIDE TABLE with a shaped rectangular top with a central panel of floral marquetry within a geometric kingwood and rosewood surround, with a single frieze drawer fitted with a central drawer with sliding mirror, the drawer front with conforming floral marquetry, on tapering legs with gilt metal feet, 27” wide. See illustration

£1,500-£2,500

END OF SALE

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Lot 733 141

Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. An art work must be resold for more than 1,000 Euros (approx £890 according to the daily exchange rate) to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Coloured Gem Stones Prospective buyers of coloured gemstones should be aware that some stones might have been treated to enhance their colour or clarity. Sapphires and rubies are commonly heat-treated and emeralds are commonly oiled. In the case of oiling, this may need to be redone after a period of years. The international jewellery trade has generally accepted these methods.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 19.5% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. In the absence of such information, a Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at Melplash Court, Dorset, or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

145

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 146

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148 BY EPIC QUALITY PRINT PRINTED IN DORCHESTER